T1E9: “Rory’s Dance”
Título em Português: “O baile”
Roteiro: Amy Sherman-Palladino
Direção: Lesli Linka Glatter
Originalmente exibido em: 20 de dezembro de 2000
(Emily, Rory, and Lorelai are having dinner.)
EMILY
Your grandfather called last night and told me to let you know he's bringing you back something very special from Prague.
RORY
Wow, Prague. How amazing is it that he's going to Prague?
EMILY
It's supposed to be lovely, very dramatic castles everywhere.
RORY
Did you know the cell that Václav Havel was held in is now a hostel? You can stay there for like $50 a night.
(Rory turns to Lorelai, who is playing with her food.)
RORY
Hey, maybe on our big trip to Europe we could go to Prague and stay in his cell.
LORELAI
Absolutely. And then we can go to Turkey and stay in that place from Midnight Express.
EMILY
Lorelai, what are you doing?
LORELAI
Getting rid of the avacado.
EMILY
Since when do you not like avacado?
LORELAI
Since the day I said, "Gross. What is this?" and you said, "Avacado."
EMILY
(to Rory) I'm focusing on you now. Tell me all about the Chilton formal next week.
LORELAI
There's a formal?
RORY
How do you know about the formal?
LORELAI
Yeah, how do you know about the formal?
EMILY
I read my Chilton newsletter.
LORELAI
Since when do you get a Chilton newsletter?
EMILY
Well as a major contributor to Rory's education I figured I had the right to ask for a newsletter to be sent to my house.
(Emily goes to get her copy of the newsletter.)
LORELAI
Are you serious?
EMILY
And it's a good thing, too, since you don't bother to read yours. One of us should be up to date on the goings-on at Rory's school.
LORELAI
Hey, Mom, I read my newsletter.
EMILY
You did?
LORELAI
That's right.
EMILY
What was the picture on the cover?
LORELAI
(uncertainly) It was a picture of a really rich kid in plaid.
EMILY
(shows Lorelai the cover) It was a spotted owl.
LORELAI
In plaid.
(Rory holds back laughter.)
EMILY
The owls are endangered and Chilton is taking donations to help them. (to Rory) You gave a very nice one, in case you're interested.
LORELAI
Mom, don't be giving donations on Rory's behalf. I'll do that.
EMILY
How can you do that when you don't bother to read the newsletter?
LORELAI
I read the newsletter.
EMILY
You didn't know they were taking donations.
LORELAI
It's a private school. They're always taking donations. They teach a class in it. I'll get them next time.
EMILY
Well what about the owls?
LORELAI
They'll live.
EMILY
Well apparently they won't, dear. That's why they need the donations in the first place.
LORELAI
(to Rory) So, you have a formal coming up?
RORY
Yeah, but I don't think I'm going to go.
EMILY
Nonsense. Of course you're going.
LORELAI
Mom, if Rory doesn't want to go she doesn't have to go.
EMILY
Well I don't understand why she wouldn't want to go.
LORELAI
I know you don't.
RORY
I'm gonna go get another Coke.
EMILY
What did you say to her?
LORELAI
What are you talking about?
EMILY
If she doesn't want to go it must be because of something you said.
LORELAI
Mom, I promise. All I ever said to her about dances is that you go, you dance, you have punch, you eat, you take a picture, and then you get auctioned off to a biker gang from Sausalito.
EMILY
Lorelai, this is serious.
LORELAI
Mom, I said nothing, OK? Rory's disdain of formals is totally her own. Let's just drop it, please.
EMILY
Fine.
LORELAI
Fine.
(They both go back to their food.)
EMILY
What's wrong with the tomato?
LORELAI
It was fraternizing with the enemy.
(Cut to the interior of a car. Lorelai and Rory are driving home.)
LORELAI
Why didn't you mention the dance?
RORY
'Cause I'm not going.
LORELAI
Oh. But why aren't you going?
RORY
'Cause I hate dances.
LORELAI
Good answer. Except you've never actually been to a dance.
RORY
So?
LORELAI
So you really have nothing to compare it to.
RORY
No, but I can imagine it.
LORELAI
That's true. However, not really, since you've never actually been to one you're basing all your dance opinions on one midnight viewing of Sixteen Candles.
RORY
So?
LORELAI
So you should have a decent reason for hating something before you really decide you hate it.
RORY
Trust me, I'll hate it. It'll be stuffy and boring, the music will suck and since none of the kids at school like me, I'll be stuck in the back listening to 98° watching Tristin and Paris argue over which one of them gets to make me miserable first.
LORELAI
OK. Or it'll be all sparkly and exciting and you'll be standing on the dance floor listening to Tom Waits with some great-looking guy staring at you so hard that you don't even realize that Paris and Tristin have just been eaten by bears.
RORY
What guy?
LORELAI
I don't know -- maybe the guy who hangs out in our trees all day waiting for you to come home?
RORY
Dean does not hang out in trees.
LORELAI
He bashed his head on a branch last week when I came out of the house too quickly.
RORY
Why do you care all of sudden if I go?
LORELAI
I don't care if you go. I just don't want you to miss any experience because you're too afraid.
RORY
I'm afraid? Of what?
LORELAI
Of asking Dean. Of him saying 'no.' Of going to a dance with a bunch of kids who haven't accepted you yet. Of dancing in public. Of finding out you should never be dancing in public.
RORY
OK, OK, I get it.
LORELAI
Listen, I know you are not Miss Party Girl, and I love you for that, but sometimes I wonder -- do you not join in because you really don't want to or because you're too shy? If the reason you don't want to go is because you really don't want to go and not because you are in any way afraid, then this is the last time I'll mention it, I promise.
RORY
(uncertainly) I don't have a dress.
LORELAI
I could make you one.
RORY
Really?
LORELAI
Oh yeah. We could get some great shoes and some new earrings. You could get your hair done.
RORY
You won't think I'm an idiot?
LORELAI
Depends on what hairstyle you choose. This dance could be great for you.
(Cut to Lane and Rory walking in the snow.)
RORY
He's gonna say no.
LANE
Why would he say no.
RORY
Why would he say yes?
LANE
Rory, listen to me. There's absolutely no point in having a boyfriend if you can't get him to go to the dance with you.
RORY
He's not my boyfriend.
LANE
Really?
RORY
No.
LANE
What is he then?
RORY
He's my...gentleman caller.
LANE
OK, Blanche.
RORY
I don't know what he is. But he's not my boyfriend. Do you think he's my boyfriend.
LANE
I think you guys spend a lot of time not kissing other people if this isn't a girlfriend/boyfriend thing.
RORY
Girlfriend.
LANE
You.
RORY
Boyfriend.
LANE
Him.
RORY
No. It sounds weird.
LANE
Look, have you had the talk yet?
RORY
Yes, Lane, babies come from the stork.
LANE
The other talk.
RORY
What other other talk?
LANE
"We've been dating a few weeks no. Where do we stand? What are we to each other? If another girls asks you out, do you feel free to go?"
RORY
How is it that you know so much about this?
LANE
Those who can, do. Those who can't, teach.
(They look in the window of the market and see Dean with a customer.)
LANE
There he is.
RORY
I should do this later.
(Rory starts to leave. Lane stops her.)
LANE
No. No, you have to do this now.
RORY
Why?
LANE
Because I have to go home soon and my mom threw out our TV when she caught me watching V.I.P. So I'm bored and I need some entertainment.
RORY
(takes a deep breath) OK. Here I go.
LANE
Good luck! Oh, and Rory, remember to enunciate. I'm reading lips out here.
(Rory goes into the market, leaving Lane with her face plastered to the window. Rory walks up to Dean.)
RORY
Hey.
DEAN
Oh, hey.
RORY
You're busy.
DEAN
Yeah. I just have to put the new green bean shipment on the shelves. You want to help?
RORY
Yeah, sure. I, uh, I love stocking beans.
DEAN
OK. Uh, follow me.
RORY
So do you work on Saturdays? I forget.
DEAN
Well it depends. Sometimes I come in if I don't have any plans. Why?
RORY
No reason. See, there's this thing at my school on Saturday. Well it's not really at my school, it's kind of given by my school .
DEAN
What is it?
RORY
Well it's this thing where you go and they play music and you're supposed to get all dressed up and do some kind of dance and then there's chicken.
DEAN
Chicken?
RORY
Well I don't know if there's chicken. But at these kinds of things they often serve chicken because it's probably cheaper and people eat it, so the logic behind the chicken choice really isn't that bad.
DEAN
I'm lost
RORY
It's a dance.
DEAN
Ah.
RORY
And it's not like I'm dying to go or anything, but it is a new school and being a part of the social activities is really important at Chilton.
DEAN
So are you asking me to go to the dance with you?
RORY
No. Yes. I mean, if you wanted to go, I would go too.
DEAN
Well that would probably be good since it's your school.
RORY
Right. So do you want to go?
DEAN
Honestly?
RORY
Yeah.
DEAN
I've actually never gone to a dance before.
RORY
Because they're lame?
DEAN
Yeah. And it's just not the way I ever wanted to spend my time. I mean, I'm not a big joiner.
RORY
OK, fair enough. More beans please.
(They stack beans in silence.)
DEAN
You want to go, don't you?
RORY
No. I don't. I have no desire to go at all. I was just thinking out loud, that's all.
DEAN
So, uh, what would I have to wear?
RORY
What?
DEAN
To this dance. What would I have to wear?
RORY
Anything you want.
DEAN
Come on.
RORY
No, really whatever you're comfortable in is fine.
DEAN
Rory...
RORY
Some sort of pants would be nice.
DEAN
Rory...
RORY
It's coat and tie.
DEAN
Oh man.
RORY
But you could probably get away with a coat and no tie.
DEAN
OK
RORY
Really?
DEAN
Yeah.
(Rory kisses Dean.)
RORY
Thank you.
DEAN
You're welcome.
(Rory goes back outside where Lane is waiting.)
(Cut to Lorelai making a dress on a dressmaker's dummy. While she's bending down, she falls over, bringing the dummy down on top of her.)
LORELAI
Aaaah!
(The doorbell rings.)
LORELAI
Ow.
(Lorelai gets up and goes to answer the door.)
SOOKIE
Extra thread.
LORELAI
Oh, God bless. I've been working so hard to finish Rory's dress I haven't been to get out.
SOOKIE
Jeez, you are walking funny.
LORELAI
I know. Rory's dress made a pass at me and I think I pulled something getting up.
SOOKIE
Here, sit, sit sit. Hey, you know what, I've got an Ace bandage in my bag. I'm not sure how we can wrap it but maybe we can do something kind of creative and --
LORELAI
Sookie. Ow
SOOKIE
Let's see.
(Sookie pulls bottles of pills out of her purse.)
LORELAI
Wow!
SOOKIE
OK, I've got Percodan, Vicodin, Darvocet, and, uh...Take this one. It's a muscle relaxer. Very mild, I promise.
LORELAI
Thanks. Maybe later.
SOOKIE
OK. I've got to go. You sure you're going to be OK?
LORELAI
I'm sure.
SOOKIE
OK.
LORELAI
Bye.
SOOKIE
Bye.
(The phone rings.)
LORELAI
Yeah.
EMILY
You sound terrible.
LORELAI
I'm fine, Mom, I just stubbed my toe.
EMILY
Maybe you should get rid of some of that clutter in your living room.
LORELAI
Maybe
EMILY
That room is a hazard.
LORELAI
Ah, you know, I've seen the light. Everything goes. What else have you got?
EMILY
I want to talk about Rory's dance. It's just killing me that she's not going.
LORELAI
Uh-huh.
EMILY
It may seem frivolous and silly to her now but belive me, these are the kind of experiences you regret missing later.
LORELAI
OK.
EMILY
And regret can make you bitter. Do you want Rory to be bitter?
LORELAI
Well, sort of.
EMILY
Lorelai.
LORELAI
What, Mom? She can make some cash off of it. Become a crazy Oscar Levant kind of celebrity, go on talk shows, heckle Regis.
EMILY
I wish you would take this seriously.
LORELAI
Mom, Rory is going to the dance.
EMILY
She is?
LORELAI
Uh-huh.
EMILY
Oh, that's wonderful. I'm thrilled.
LORELAI
I'm making her dress right now.
EMILY
You're making her dress?
LORELAI
Yep.
EMILY
But why?
LORELAI
Well, so she'll look really ugly and people will point and throw rocks.
EMILY
Why don't you let me buy her a dress?
LORELAI
Mom, you were thrilled five seconds ago, remember?
EMILY
You're not using the curtains are you?
LORELAI
Mom, I gotta go.
EMILY
Just one more thing. Take a picture of Rory for me, will you please?
LORELAI
I will.
EMILY
On the stairs. And one by the front door. And one as she's getting ready, you know, putting her hair up, putting her makeup on?
LORELAI
OK, do you want one when she's shaving her legs? You know, one leg up in the tub, waving the disposable razor in the air?
EMILY
This is a once in a lifetime event. You get to be there and I don't.
(Lorelai lies down on the floor, trying to get comfortable.)
LORELAI
Oh, boy.
EMILY
I figure if I got enough pictures I could at least line them up in chronological order and pretend I was there.
LORELAI
Mom.
EMILY
Maybe bind them together, make a flipbook out of them.
LORELAI
Mom, would you like to come over on Saturday and see Rory go to the dance?
EMILY
Why, what a nice idea, I'd love that, thank you. I'll see you at 7.
(Emily hangs up the phone. Lorelai sighs.)
(Tristin walks up to the table where Paris is selling tickets to the Chilton Winter Formal.)
PARIS
Hi, Tristin.
TRISTIN
Paris.
PARIS
Two, I assume.
TRISTIN
You assume right.
PARIS
So, who are you taking?
TRISTIN
Why, are you free?
PARIS
I'm, uh...
TRISTIN
Nah, what am I thinking? You wouldn't be free this close to the dance.
(He hands her some money and she hands him the tickets.)
PARIS
Here's your change.
TRISTIN
Hey, is your hair shorter?
PARIS
Yeah, a quarter of an inch.
TRISTIN
Really.
PARIS
I got it trimmed.
TRISTIN
Looks good.
PARIS
Thanks.
(Tristin walks down the hall to where Rory is reading while waiting in line to buy tickets.)
TRISTIN
And she's reading again. How novel.
RORY
Good-bye, Tristin.
TRISTIN
Did you get the novel thing? Because...
RORY
I said good-bye.
TRISTIN
What are you doing here?
RORY
I like lines.
TRISTIN
The guy's supposed to buy the tickets.
RORY
Really. Does Susan Faludi know about this?
TRISTIN
Unless of course there is no guy.
RORY
There's a guy.
TRISTIN
A cheap guy.
RORY
Well, what can I say? I like 'em cheap. Sloppy too -- bald spot, beer gut, you know, and the pants that kind of slip down in the back, giving you that good plumber shot. That sends me through the roof.
TRISTIN
So who is he?
RORY
How many languages can you say 'none of your business' in.
TRISTIN
Does he go to this school?
RORY
No, he doesn't.
TRISTIN
Uh-huh. Well, look, OK, I'll confess something to you. I don't have a date.
RORY
Well I hear Squeaky Fromme is up for parole soon. You should keep a good thought.
TRISTIN
Well I actually thought you'd like to go with me.
RORY
You did not.
TRISTIN
I did too.
RORY
You did not because you are not stupid.
TRISTIN
Why thank you.
RORY
Slimy and weasely, yes, but stupid, no. You'd have to be stupid to think that, given our history, I would ever, barring a piano or a safe falling on my head, want to go anywhere with you, ever.
TRISTIN
OK, fine. I'll take Cissy.
RORY
I'll send her a condolence card.
TRISTIN
Yeah. Well at least she won't be buying her own ticket.
(Tristin walks down the hall. Rory is next in line.)
RORY
Two, please.
PARIS
Idiot.
RORY
Excuse me?
PARIS
He was totally nice to you and you couldn't be a bigger jerk.
RORY
You like Tristin so much, you go out with him.
PARIS
I don't have enough change.
RORY
Pay me later.
PARIS
What am I, your Versateller? Wait for change. (yells at the boy sitting next to her) I need change! Now! (to Rory) There's no way you're going with someone better than Tristin.
RORY
Whatever.
PARIS
You probably don't even have a date. You're probably going to come down with some very rare form of flu that only hits losers on dance night.
RORY
You know what? I don't want my change. Money makes people shallow.
(Rory walks away from Paris.)
PARIS
I've got your change. Hey! Hey! If you think I'm keepig this dollar, I'm not!
BOY
I'll take it.
PARIS
Shut up!
(Saturday night. Lorelai is sitting on the couch reading a magazine.)
LORELAI
(calls to Rory) Come on already!
RORY
(from her room) I'm primping.
LORELAI
You're 16. You have skin like a baby's ass. There's nothing to primp.
RORY
OK, OK, here I come.
(Rory comes into the room wearing her dress for the dance.)
LORELAI
Wow. Someone hit you with a pretty stick.
RORY
This dress is amazing. You outdid yourself.
LORELAI
It's beautiful, babe, you look beautiful. Come here.
RORY
What?
LORELAI
Stray hair.
RORY
Fix, please.
LORELAI
Yes. Hm. I think my favorite part is the shoes.
RORY
The heels hurt.
LORELAI
Well, beauty is pain
RORY
I'll just throw them on on my way out
LORELAI
No, you should put them on now and let your feet get really numb.
RORY
That's sick.
LORELAI
Go get me the hair spray.
RORY
OK.
(Rory runs to get her shoes. The doorbell rings.)
LORELAI
It's open!
SOOKIE
It's me! I got tacos!
LORELAI
Yay!
SOOKIE
I got extra hot sauce and a couple of extra burritos to put in the fridge in case you get hungry later.
LORELAI
You take such good care of me.
RORY
Hey, Sookie. Look.
SOOKIE
(gasps) Oh my God! You're a movie star! I'm serious. Oh my -- At some point tonight, walk down a flight of stairs. Movie stars always walk down staircases.
LORELAI
OK, come on, let me spray while you try to figure out what she just said.
SOOKIE
You, don't move. I got it.
(Sookie points the bottle in the wrong direction and ends up spraying her eyes instead of Rory's hair.)
SOOKIE
Ow!
LORELAI
Sookie.
SOOKIE
Wrong way! I got it.
RORY
Are you OK?
SOOKIE
Yeah, sweetie, hand that to your mother, and my eyelashes are all stuck together.
(Sookie stag
LORELAI
Honey, are you sure you're alright?
SOOKIE
I'm fine.
LORELAI
(to Rory) Shield the tacos. OK, ready?
(Rory puts the tacos under the table and covers her eyes. Lorelai sprays her hair.)
RORY
God!
LORELAI
OK, that will be good for six slow dances, four medium ones, one lambada, but if you plan on doing any moshing I suggest another coat.
RORY
I think I'm good.
SOOKIE
Rory, sweetie, is this soap by the sink in the silver bottle?
RORY
No!
LORELAI
Go in there, quick.
(The doorbell rings.)
LORELAI
We're in here!
EMILY
We're in here? That's how you answer the door?
LORELAI
Well I was all out of Saran Wrap.
EMILY
I don't even want to figure that one out. I just want to see my granddaughter. Where is she?
LORELAI
Kitchen.
EMILY
Oh, perfect. I want to be all ready for the big entrance. How's the light in here? Never mind. I'll just take one with the flash and one without to make sure we got it right.
LORELAI
Wow, Mom, look at you. You'd think Anne Taylor was having a sale or something.
(Emily, armed with a camera, gets into position.)
EMILY
OK, Rory, come in here please.
(Rory comes into the living room wearing a kitchen towel as a bib and eating a taco.)
RORY
Hey, Grandma
EMILY
(to Lorelai) She has lived with you too long.
LORELAI
Honey, lose the bib and the taco, put your shoes on, come back out, and let Grandma take the pretty picture.
RORY
OK.
(Sookie comes in.)
SOOKIE
I'm gonna get going.
LOREAI
You are not driving.
SOOKIE
I walked. (to the staircase) It was nice to see you again, Mrs. Gilmore, or at least make out your shape.
LORELAI
Call in fifteen minutes or I'm sending out a search party.
SOOKIE
(to the wall) And you call me if I can come over and help you up the stairs or something.
LORELAI
No, I'll be fine.
SOOKIE
Bye.
EMILY
Why would you need help up the stairs?
LORELAI
No reason. Rory, let's go, your public awaits!
EMILY
Why aren't you moving?
LORELAI
I'm comfortable, that's all.
EMILY
Are you hurt?
LORELAI
I have a little back spasm, that's it. It's no big deal.
EMILY
What sort of back spasm?
LORELAI
I don't know, Mom, just a normal one.
EMILY
There is nothing normal about a back spasm. The very fact that it has the word spasm in it means it's not normal.
LORELAI
Alright, here she is, Mom, get your camera moving.
EMILY
What? Oh, my, you're gorgeous. Oh! Smile!
(Emily takes several pictures of Rory.)
EMILY
I'm so glad you decided to buy her a dress.
(Lorelai and Rory exchange a look. A car horn sounds outside.)
RORY
That's Dean!
LORELAI
Hey, come here. Have an amazing time.
(Rory kisses Lorelai and Emily and then Rory runs for the door.)
RORY
I'll chronicle the whole evening for you, I promise. Bye, Grandma.
EMILY
Where are you going?
RORY
To the dance.
EMILY
You do not go running out the door when a boy honks.
LORELAI
Mom, it's fine.
EMILY
It certainly is not fine. This is not a drive through. She's not fried chicken.
RORY
But I told him to honk and I'd meet him out there. We agreed.
EMILY
I don't care what you told him. If he wants to take you out, he will walk up to this door, and know, and say 'good evening,' and come inside for a moment like any civilized human being would know to do.
LORELAI
Now, Mom, this is silly, I have met him already.
EMILY
Well I haven't.
LORELAI
Yeah, but--
EMILY
We will wait until he comes to the door.
RORY
He doesn't know he's supposed to.
EMILY
He will figure it out.
(Rory sighs and crosses her arms. They wait in silence. A minute or so later, Dean honks again.)
EMILY
He's not a very bright boy, is he?
LORELAI
Mom, please.
(The doorbell rings. Rory starts to run to the door.)
EMILY
Don't rush. A lady never rushes.
(Rory runs to the door anyway.)
RORY
Hey.
DEAN
Hey, uh, I thought I was supposed to honk.
RORY
I know, I'm sorry.
EMILY
Young man, come in here please.
LORELAI
Hey, Dean, meet my mother, Emily Post.
EMILY
Emily Gilmore
DEAN
Hi.
EMILY
Hello.
LORELAI
Great rap session. Alright, you guys are out of here. Have fun.
EMILY
Be home by eleven
(Lorelai mouths 'twelve.')
RORY
Bye Mom, by Grandma.
(Rory and Dean leave.)
EMILY
What do you know about this boy?
LORELAI
I know that Rory likes him and that his parole officer has high hopes for his rehabilitation.
EMILY
Does he drink?
LORELAI
Like a fish.
EMILY
That's not a crazy question.
LORELAI
It is a crazy question, Mom, because if I had knowledge of him being a drinker, he would not be with Rory now.
EMILY
Yes, but--
LORELAI
Mom, please relax. Dean is a good kid. Rory's gonna have a great time. You got your pictures and tomorrow I will call you and give you all the details.
EMILY
What are you going to do?
LORELAI
What do you mean?
EMILY
Well you certainly can't be left alone.
LORELAI
Yes I can.
EMILY
You can barely move. You've been sitting on that couch since I got here.
LORELAI
That's because this is a right comfy couch.
EMILY
Maybe I should stay.
LORELAI
No, no, Mom, you really don't have to do that.
EMILY
I'm not leaving my daughter stranded on the couch. What if you need to get to the bathroom?
LORELAI
I don't go anymore, Mom. I gave it up cold turkey.
EMILY
I'm staying.
LORELAI
No, Mom...Look -- I can stand, OK?
(Lorelai, obviously in pain, stands slowly.)
LORELAI
See? I'm up. OK, see? I'm fine.
EMILY
Move.
LORELAI
What?
EMILY
Move. If you're fine, than move.
LORELAI
I can move. This is me moving. (nothing happens) Any second now the moving will begin. (nothing happens) Rats.
(Lorelai flops back on the couch.)
EMILY
I'll go start some tea. Please tell me you have something besides Lipton.
LORELAI
(muttering to herself) Oh, a stroke would be so good right about now.
(Cut to Rory and Dean. They are in the car on the way to the dance.)
RORY
Maybe we should just forget about this
DEAN
OK.
RORY
I mean, it's just a dance. What's the big deal?
DEAN
Beats me.
RORY
And these kids at my school -- awful. Have you seen The Outsiders?
DEAN
Yeah, I have.
RORY
Just call me Ponyboy. I heard this place is beautiful though -- old and historic.
DEAN
Huh.
RORY
Maybe we could just go in for a minute.
DEAN
Fine.
RORY
Or not.
DEAN
Fine too.
RORY
I don't know. Why can't I decide? This is stupid. What do you think?
DEAN
I think that you look amazing.
RORY
Maybe just a couple minutes won't hurt.
(Cut to Lorela and Emily. Emily is on the phone. Lorelai is still on the couch.)
EMILY
Yes, Marta. Just make sure everything's locked up before you leave. (pause) No, I won't be home tonight.
(Lorelai groans.)
EMILY
(to Lorelai) Was that a pain?
LORELAI
Yes. A big one.
EMILY
(to Marta) Alright. That's it. Bye.
LORELAI
So, Mom, you really, really don't have to do this.
EMILY
Don't be silly. I couldn't possibly leave you alone like this.
LORELAI
What are you doing, Mom?
EMILY
I'm trying to find the candlesticks I bought you.
LORELAI
What candlesticks?
EMILY
The Baccarat candlesticks I bought you last year for Christmas. I assumed you stuffed them in the back of the closet somewhere.
(Lorelai sits up and looks worried.)
LORELAI
Uh, well, no, I did not stuff them in the back of the closet.
EMILY
Well then where are they? I don't see them out.
LORELAI
(hesitantly) Well, see, we didn't actually have a...big use for the crystal candlesticks so I kind of...exchanged them.
EMILY
For what?
LORELAI
A monkey lamp.
EMILY
Pardon me?
LORELAI
It's a lamp with a bunch of monkeys on it.
EMILY
Baccarat candlesticks for a moneky lamp?
LORELAI
They're really, really happy monkeys, Mom.
EMILY
Where is this lamp? I want to see it.
LORELAI
It's right there on the desk.
(Emily walks over to the lamp and looks closely at it.)
EMILY
Oh my God! They're holding coconuts and leering!
LORELAI
It's funny.
EMILY
You traded my lovely gift for for a semi-pornographic leering monkey lamp? How could you?
(Lorelai shrugs.)
EMILY
This is not just about the bad breeding of returning a gift. This goes right to the heart of the question of taste. You were given something of substance and you cast it off for a ridiculous, slightly sinister barroom decoration. Explain this to me, Lorelai.
(As her mother rants, Lorelai's smile turns to a frown. She sinks lower on the couch and covers herself with a blanket.)
LORELAI
My back hurts.
(Cut to the Chilton dance. Rory and Dean are standing near the back of the room.)
RORY
Well it's a very good room.
DEAN
Looks historical.
RORY
I commend the person that suggested this very location.
DEAN
So, we could just get our picture taken and leave.
RORY
We could.
DEAN
Or we could dance a little first.
RORY
Yeah?
DEAN
I stress a little.
RORY
Something slow.
DEAN
That sounds good.
(Madeline and Louise are sitting at a table at the dance.)
LOUISE
Can we go yet?
MADELINE
We haven't even eaten dinner.
LOUISE
I'm bored.
MADELINE
We have to wait for Paris anyway.
LOUISE
Fine. Give me your roll.
MADELINE
Wow.
LOUISE
What?
MADELINE
Rory Gilmore. God, she's got good hair.
LOUISE
Who's the dish?
MADELINE
Beats me.
LOUISE
He's not of the manor born, that's for sure. Let's go.
(Madeline and Louise saunter over to Rory and Dean.)
RORY
So, should we dance or should we sit first?
LOUISE
Rory...you came. Oh, great dress. Who's it by?
RORY
Lorelai Gilmore.
MADELINE
You made it yourself?
RORY
No, my mom made it for me.
MADELINE
(impressed) She did? Really?
RORY
Yeah.
LOUISE
So you traveling with a bodyguard now?
RORY
Oh, no. This is my -- this is Dean. Dean, this is Louise and Madeline.
DEAN
Hey.
MADELINE
My mom can't make anything.
LOUISE
(flirting) How tall are you?
DEAN
Uh...
MADELINE
Soup! She can make soup!
LOUISE
You know, my whole family is really tall. The men, mostly. What are you -- 6'1", 6'2"?
RORY
What, does he get like a prize if he guesses?
MADELINE
One kind of soup, actually. It's green, lumpy.
DEAN
I'm 6'2".
MADELINE
Actually, she can't make soup either.
LOUISE
Six-two's a good height.
DEAN
You think?
LOUISE
I think.
DEAN
Huh.
(Dean moves behind Rory and puts his arms around her waist.)
DEAN
What do you think? Too tall?
RORY
Not in heels.
DEAN
Good.
RORY
Although the saddle shoes make it kind of difficult.
DEAN
Well I'll just have to stoop then.
RORY
I guess so.
LOUISE
OK. I'm bored.
(Louise turns and walks away.)
MADELINE
I like your dress.
RORY
Thanks.
(Madeline follows Louise. A slow song starts as Rory turns in Dean's arms.)
RORY
Hey, you're nice.
DEAN
Slow song.
RORY
Let's go.
(Rory and Dean are about to dance when Paris and her date walk up to them.)
PARIS
Rory.
RORY
Paris.
PARIS
I see you came.
RORY
You sold me the ticket.
JACOB
I'm Jacob.
RORY
Hi, I'm Rory. This is Dean.
DEAN
Hi.
JACOB
Hi.
PARIS
Excuse us.
(Paris drags Jacob away.)
PARIS
Those are not friends.
JACOB
I was being polite.
PARIS
Well don't
DEAN
So, that's Paris?
RORY
Yes, it is.
DEAN
She seems fun.
RORY
Oh, yeah, she is.
DEAN
OK, so, this dancing thing is not something I want you to get used to or comment on.
RORY
Now, that goes both ways.
(They start to dance.)
DEAN
Hey, if I kiss you is a nun gonna come out here and boot me out of here
RORY
It's not a Catholic school.
DEAN
So I can kiss you?
RORY
Yeah, you can kiss me.
(Tristin is watching Rory and Dean kissing.)
CISSY
OK, I'm perfect now.
TRISTIN
(without enthusiasm) Great.
CISSY
You wanna dance?
TRISTIN
Nope.
CISSY
You wanna eat?
TRISTIN
Nope.
CISSY
You wanna go make out?
TRISTIN
Yeah, alright, let's go.
DEAN
So, Ponyboy, you happy?
RORY
Yeah, I'm happy.
(Cut to Lorelai and Emily.)
EMILY
There you go.
LORELAI
Mom, I think somebody already ate that.
EMILY
That is a mashed banana on toast.
LORELAI
OK.
EMILY
I used to make this for you all the time when you were a little girl.
LORELAI
You did?
EMILY
Yes, whenever you got sick I made this.
LORELAI
Are you sure it wasn't the other way around?
EMILY
You don't want it.
LORELAI
No, no, I want it.
EMILY
I'll just take it back to the kitchen
LORELAI
No, Mom, I said I want it.
EMILY
Are you sure? Because I can throw it away.
LORELAI
Relinquish the banana, please. Mmm.
EMILY
You can't possibly be comfortable like that.
LORELAI
Mother, please, this is the first position in 24 hours that that has not made me crazy.
EMILY
Alright. (pause) You're not eating.
LORELAI
Mom.
EMILY
Yes?
LORELAI
Please don't make me eat this.
EMILY
You have to eat something.
LORELAI
Well, Sookie left me a burrito in the fridge.
EMILY
I'll go warm it up for you.
LORELAI
I can eat it cold.
EMILY
Oh. Fine. I'll just go get it then.
LORELAI
Hot's better though.
EMILY
I'll be right back.
(Cut to the dance.)
DEAN
OK, uh, I need something to drink. Do you want some punch?
RORY
Sure.
(Jacob approaches Rory when Dean goes to get their punch.)
JACOB
Hi, Rory, right?
RORY
Yes.
JACOB
We met earlier with Paris...
RORY
Yes, I remember.
JACOB
Are you having a good time?
RORY
Actually I am. You?
JACOB
It's OK. So, was that your boyfriend?
RORY
Oh. I don't know. I'm not sure.
JACOB
You're not sure?
RORY
We've only been going out a little while, so...
JACOB
So, there's still a little room to play?
RORY
What?
JACOB
Would you like to dance?
RORY
Oh, no thanks.
JACOB
Maybe I could get your number.
RORY
What for?
JACOB
To call you.
RORY
I'm sorry, aren't you here with Paris?
JACOB
Yeah.
RORY
So maybe you shouldn't be over here asking me for my number then.
JACOB
Why? Paris is my cousin.
RORY
Your cousin?
JACOB
Yeah.
RORY
Paris is your cousin? You're related?
JACOB
Yeah.
RORY
Jacob, it's been very nice to meet you. I hope you have a lovely evening.
(Cut to Lorelai and Emily watching TV.)
EMILY
Oh look -- Barbara Stanwyck. I just love Barbara Stanwyck.
LORELAI
Oh yeah, she's good.
EMILY
She had that wonderful voice -- that husky, deep voice. I just love that voice.
LORELAI
You know Mom, you have kind of a Barbara Stanwycky voice.
EMILY
Oh I do not.
LORELAI
I mean it. You could have gotten Fred McMurray to off Dad if you'd really wanted to.
EMILY
Oh you do enjoy teasing me, don't you?
LORELAI
You know, I really do.
EMILY
You know, Rory looked so lovely tonight.
LORELAI
She did, didn't she?
EMILY
I just can't get over how she's grown up into that little woman who walked out of here.
LORELAI
I know. (pause) You know what, Mom?
EMILY
Hm
LORELAI
I made the dress.
EMILY
You did a lovely job.
LORELAI
Thank you.
EMILY
With Rory and the dress.
LORELAI
Thank you.
EMILY
Well, let me get this out of your way. You really don't remember me making this for you when you were sick?
LORELAI
I don't. I'm sorry
EMILY
Well I did and you loved it.
LORELAI
You know what? Let me give it a try.
(Lorelai bites into the toast.)
LORELAI
Hmm.
EMILY
Yes?
LORELAI
It's even more disgusting than I thought it was going to be.
EMILY
Oh it is not.
(Emily takes a bite and makes a face.)
EMILY
Oh my God, it's horrible! What on earth was I thinking?
(Cut to the dance.)
DEAN
So, uh, you want to maybe go?
RORY
You're bored. I'm sorry. Yeah, let's go, right away.
DEAN
I'm not bored. I thought, you know, there's still a little time left, maybe we could get a cup of coffee somewhere, hang out a little, talk a walk. You know, just us.
RORY
That'd be nice.
DEAN
No, you stay. I'll get the coats.
(After Dean leaves, Paris walks up to Rory sitting at the table and leans into her.)
PARIS
So. How many people have you told? Four? Five? Everybody?
RORY
What are you talking about?
PARIS
You know that Jacob is my cousin and now you finally have all the ammunition to pay me back, right?
(The people nearby are starting to stare.)
RORY
I don't want to pay you back. I just want to get awy from you.
PARIS
(voice gets increasingly louder) Now you can just go all over the school and just tell everybody that Paris Geller couldn't get a date to the dance. That she had no one and since she couldn't just not come, she had to get her mother to ask her cousin Jacob to take and then she had to give him gas money to make him do it. Go ahead! Tell them!
RORY
I don't have to. You just did.
(Paris and Rory look around. Everyone has stopped dancing and is listening to them. Paris walks away.)
(Dean is returning with the coats.)
TRISTIN
You know, we haven't met.
DEAN
No, we haven't.
TRISTIN
I'm Tristin.
DEAN
Ah, yes we have.
TRISTIN
What are you talking about?
DEAN
Rory's mentioned you.
TRISTIN
Oh yeah?
DEAN
Yeah. I wouldn't get quite so excited about it.
TRISTIN
Oh, why, did she say something mean?
DEAN
She said you're a jackass.
TRISTIN
Really?
DEAN
Actually, no, Rory doesn't use words like that. I embellished a little.
TRISTIN
Oh so you're the big strong protector? Little princess needs a protector?
DEAN
What's your problem, man?
TRISTIN
Nothing. Just don't like your girlfriend, that's all.
DEAN
Really? Doesn't look that way to me.
TRISTIN
I don't really care how it looks to you.
DEAN
Hey. You got in my path, not the other way around.
(Dean starts to walk away. Tristin steps in his way.)
DEAN
You're kiding right?
TRISTIN
Why, are you going somewhere?
DEAN
Get out of my way Dristan.
TRISTIN
Oh, aren't you clever.
(Rory steps between them.)
RORY
Hey, what's going on?
TRISTIN
Nothing. Just getting to know your boyfriend here.
DEAN
It's going really well, don't you think?
TRISTIN
Oh yeah. We're just about to build a clubhouse.
RORY
OK. Well I hate to break up the party, but we should go.
TRISTIN
Oh, why? Little girl's got to be home?
DEAN
Stop.
TRISTIN
No, I think you two make a very cute couple. Is your horse and buggy parked outside? Got to get home for the barn raising?
DEAN
Let's go.
(Dean and Rory start to walk away. Tristin steps in front of Rory. Dean shoves Tristin. People around them stop dancing and start watching the two guys.)
DEAN
What the hell do you think you're doing?
TRISTIN
OK, you will not push me again.
DEAN
Are you seriously trying to act tough? You're wearing a tie for God's sake.
TRISTIN
Outside! Now!
(The music stops abruptly.)
DEAN
I'm not fighting you. It'd be like fighting an accountant. I'll call you when I need my taxes done.
(Tristin lunges for Dean. It takes a few other boys and a man to separate them.)
DEAN
You don't want to fight me Tristin!
TRISTIN
Why not?
DEAN
'Cause I'll kill you, idiot! Come on, Rory, let's go.
(As Rory and Dean walk away, Tristin breaks free from the people holding him back. Dean turns around and gets in his face.)
DEAN
You will not come near her. Ever again.
(Dean and Rory leave.)
MADELINE
Wow. That was good.
LOUISE
Whatever.
(Paris runs up to Tristin.)
PARIS
Are you OK?
(Tristin keeps walking.)
LOUISE
Did you really bring your cousin?
(Paris walks off.)
(Cut to Lorelai's house. Lorelai is sleeping on the couch. Emily is still watching TV. She reaches over for the remote control.)
LORELAI
(sleepy) What are you doing?
EMILY
Go to sleep.
LORELAI
The movie's not over.
EMILY
I'll tell you how it ends.
(Emily tucks Lorelai's hair behind her ear and covers her with a blanket.)
LORELAI
Thank you, Mommy.
(Emily sits in a chair to read.)
(Cut to Rory and Dean walking outdoors in Stars Hollow.)
DEAN
That was quite a dance.
RORY
I seriously don't know what got into him.
DEAN
I do.
RORY
What?
DEAN
He has a thing for you.
RORY
No he doesn't. It's just a game to him or something.
DEAN
He has a thing for you.
RORY
He does nothing but insult me and make me miserable.
DEAN
He has a thing for you.
RORY
I don't know how I feel about this whole situation.
DEAN
What do you mean?
RORY
I don't know...having my boyfriend defend my honor. It's weird.
DEAN
Uh, boyfriend?
RORY
What?
DEAN
You said 'boyfriend.'
RORY
No! I just meant boyfriend in the sense that the whole defending me thing was very boyfriendy, but only in the broadest sense of the word, which doesn't even apply at all here.
DEAN
You are seriously babbling.
RORY
I didn't mean that you're my boyfriend.
DEAN
OK.
RORY
I don't think you're my boyfriend.
DEAN
OK.
(pause)
RORY
Dean?
DEAN
What?
RORY
Are you my boyfriend?
DEAN
In the broadest sense of the word way?
RORY
No, in the real, 'hi this is Dean, my boyfriend' kind of way.
DEAN
Well I am if you want me to be.
RORY
I do.
DEAN
OK.
RORY
So it's settled.
DEAN
Yes it is.
RORY
You're my boyfriend.
DEAN
That's the consensus.
RORY
I'm feeling pretty good about this decision.
(The door to Miss Patty's dance studio is open.)
RORY
I guess Miss Patty forgot to lock up.
DEAN
I've never really seen in here before.
(They're inside, looking at the pictures on the walls.)
DEAN
Are all these women really Miss Patty?
RORY
Yep. She said she's done everything there is to do in show business except set fire to the hoop the dog jumps through.
(Rory drops her purse.)
DEAN
I'll get it. God, this weighs a ton. What do you have in here?
RORY
I don't know. A lipstick, five dollar bill. Gum, hair spray, a book.
DEAN
A book?
RORY
Yeah.
DEAN
You brought a book to the dance?
RORY
Yeah.
DEAN
You thought there'd be a lot of downtime?
RORY
No. I just take a book with me everywhere. It's just habit.
DEAN
So, uh, what are you reading?
RORY
The Portable Dorothy Parker.
(She shows him the book.)
DEAN
(reading) 'There's little in taking or giving. There's little in water or wine. This living, this living, this living, Was never a project of mine.' Cheery.
(They settle into a comfortable chair together.)
RORY
Funny though. (pause) Hey --
DEAN
What?
RORY
Thank you for tonight. It was perfect.
DEAN
You're welcome.
(They kiss then continue to look at the book.)
(Time lapse. They've fallen asleep.)
(Time lapse. They're still asleep. Miss Patty and a large group of women come into the dance studio.)
MISS PATTY
OK, ladies. Grab your yoga mats.
WOMAN
I don't think I'll ever get warm again.
(The women gather around Rory and Dean.)
WOMAN
(shocked) Oh, my goodness! It's Lorelai's girl!
WOMAN #2
Patty! Rory Gilmore is here!
MISS PATTY
What?
WOMAN
She's over here. Asleep with the bag boy from the market.
WOMAN #2
What are we supposed to do?
MISS PATTY
Rory, honey. It's Miss Patty. Rory? Rory, what are you doing here?
RORY
Miss Patty?
MISS PATTY
Yes. have you been here all night?
RORY
Oh no! Dean wake up.
DEAN
What time is it?
MISS PATTY
It's 5:30 in the morning.
RORY
Oh my God! We fell asleep. How could we have fallen asleep?
DEAN
Calm down, I'll explain it to your mom.
RORY
(hysterical) Where's my purse? Where's my purse?
DEAN
I got it. Relax.
RORY
I have to go.
(Rory runs out.)
DEAN
Rory! (runs after her) Wait up!
RORY
I have to go.
DEAN
I'm going with you. We'll explain. It'll be OK.
RORY
No you can't come with me. You shouldn't be anywhere near my house right now.
DEAN
It's not our fault.
RORY
I know. I just have to get home.
DEAN
Look, please, please let me come with you.
RORY
No!
DEAN
Rory --
RORY
I have to go home.
(Rory runs down the street towards home. Dean lets her go.)
(Cut to Lorelai's house. Emily is shaking Lorelai awake.)
EMILY
Lorelai! Get up. Now. Right now!
LORELAI
What?
EMILY
Rory's not home!
LORELAI
Rory's what?
EMILY
I sat in that chair all night and I dozed off for one second and the next thing I know it's 5:30 and she's not here.
LORELAI
Rory?
EMILY
She's not there. Aren't you listening?
LORELAI
(panicked) Rory? Rory?
EMILY
Where's the phone? Call the police.
(Lorelai looks around.)
EMILY
What are you doing? Call the police! Call the police!
LORELAI
Mom, stop it!
EMILY
What are you doing?
LORELAI
I'm looking for the phone. What do you think I'm doing?
EMILY
Why don't you ever clean up around here? This is an emergency and you can't even find the phone. What if there was a fire? What if Rory was choking?
LORELAI
Mom, stop yelling!
EMILY
Rory is missing!
LORELAI
I know that and your yelling is not helping me!
(They continue looking for the phone. It rings)
LORELAI
Rory? (pause) Oh, Patty. (pause) What? (pause) OK. (pause) Thanks. (pause) No, than you so much. (pause) OK Bye-bye. (hangs up) Rory's OK.
EMILY
Where is she? What happened?
LORELAI
She and Dean were at Miss Patty's.
EMILY
What is that, a motel?
LORELAI
Um, it's a dance studio. That was Patty. She said that she found them asleep and woke them up and Rory's on her way home.
EMILY
In what state were they found in?
LORELAI
She didn't say, OK. Let's just try to be calm until we know what happened.
EMILY
What do you mean 'until we know what happened'? We know what happened.
LORELAI
No we don't.
EMILY
They were out all night!
LORELAI
I'm gonna make some coffee.
EMILY
Lorelai Gilmore, I've watched you do a lot of stupid things in your life and I have held my tongue.
LORELAI
(laughs) You've what?
EMILY
But I will not stand by and let you allow that girl to ruin her life.
LORELAI
Mom -- back off.
EMILY
She spent the night out with that boy, the one you let her run off to that dance with.
LORELAI
Mom, so help me God, I will not get into this with you.
EMILY
She's doing the same thing you did.
LORELAI
No she's not.
EMILY
She's going to get pregnant.
LORELAI
No she's not.
EMILY
She's gonna ruin everything just like you did.
LORELAI
No she's not! No she's not! No she's not! Rory is a good kid, Mom! She's not me.
EMILY
What kind of mother are you to allow this to happen to her?
LORELAI
Oh, I don't know, Mom. What kind of mother were you?
EMILY
You're going to lose her. You're going to lose her just like I lost you.
LORELAI
I am not going to lose her. Do you hear me? Even if I hadn't gotten pregnant, you still would have lost me. I had nothing in that house. I had no life. I had no air. You strangled me. I do not strangle Rory.
EMILY
Oh you're so perfect and I was so horrible. I put you in good schools. I gave you the best of everything. I made sure you had the finest opportunities. And I am so tired of hearing about how you were suffocated and I was so controlling. Well if I was so controlling why couldn't I control you running around getting pregnant and throwing your life away.
LORELAI
Get out!
EMILY
What?
LORELAI
You will not come into my house and tell me I threw my life away. Look around, Mom. This is a life. It has a little color in it so it may look a little unfamiliar to you, but it's a life. And if I hadn't gotten pregnant I wouldn't have Rory.
(Rory sneaks in the front door and hides by the stairs.)
EMILY
You know that's not what I meant.
LORELAI
Maybe I was some horrible uncontrollable child like you say, but Rory isn't. She's smart and careful and I trust her and she's gonna be fine and if you can't accept that or believe it, then I don't want you in this house!
(Emily walks out and slams the door. Rory creeps into the kitchen.)
RORY
Mom, thank you for saying all those --
LORELAI
What were you thinking? Staying out all night! Are you insane?
RORY
I'm sorry. It was an accident.
LORELAI
You're talking to the queen of staying out all night. I invented the concept! This is no accident! You can't do this! Period.
RORY
Nothing happened!
LORELAI
Do you have any idea what it's like to wake up with my mother here and find out that you never came home?
RORY
So all this is about Grandma being here.
LORELAI
No, it's about the feeling of complete terror when your kid isn't in her bed in the morning.
RORY
I'm sorry.
LOREAI
And then it's about a whole different kind of terror when you find out that she spent the night with some guy.
RORY
I didn't spend the night with him. We fell asleep.
LORELAI
You are going on the pill.
RORY
What?
LORELAI
You're not getting pregnant.
RORY
I'm not sleeping with Dean.
LORELAI
Dammit!
RORY
What happened to all that stuff you said to Grandma What happened to trusting me? Where did all that go?
LORELAI
I think it's back on Patty's yoga mats.
RORY
This is crap! You know I didn't do anything. You know this is an accident. You're just mad because I screwed up and I did it in front of Grandma and she nailed you for it. Well I'm sorry. I'm sorry that I screwed up and I'm sorry that you got yelled at, but I didn't do anything and you know it!
(Rory goes into her room and slams the door. Lorelai sits at the kitchen table and cries.)
THE END