T1E20: “P.S - I Lo…”
Título em Português: “P. S. eu amo...”
Roteiro: Elaine Arata e Joan Binder Weiss
Direção: Lev L. Spiro
Originalmente exibido em: 3 de maio de 2001
OPEN AT LUKE'S DINER
(Lorelai and Rory are sitting at a table. Lorelai is in the middle of telling a story.)
LORELAI
So then he starts ripping my twenty dollar bill into like a million pieces. And I'm thinking to myself, there is a store full of people, why am I the one on line with the crazy magician? (Rory yawns) Okay, I'll cut to the end. So he couldn't put it back together again and he had to pay me back in quarters.
RORY
Very good story.
LORELAI
You look tired.
RORY
I just haven't been sleeping very well lately.
LORELAI
How come?
RORY
Just have a lot on my mind.
LORELAI
Anything I can do?
RORY
Flag down the coffee.
LORELAI
Arm going up now. Honey, you gotta wake up. Wanna play?
RORY
One, two, three?
LORELAI
I'll go first.
(They both stare out the window.)
RORY
And one.
(Older man walks by.)
LORELAI
Pass.
RORY
Why?
LORELAI
Because I'm not Anna Nicole Smith. Next.
RORY
Two.
(Teenage boy on a skateboard goes by.)
LORELAI
Hmm, pass.
RORY
Why?
LORELAI
Because I'm not Mary Kay LeTourneau.
RORY
Okay.
(Luke comes to the table while they are staring out the window.)
LUKE
What are you looking for?
LORELAI
My new husband.
RORY
She's already passed up two perfectly good prospects.
LORELAI
But I'm feeling pretty good about number three.
LUKE
Do I want to know what you're doing?
RORY
Hey, Luke came to the table, does that make him number three?
LUKE
No.
LORELAI
You don't even know what we're doing.
LUKE
The safest answer in anything involving the two of you is no.
LORELAI
We're playing one, two, three, he's yours.
LUKE
I didn't ask.
RORY
You can take the first guy that walks by, or if you decide to pass, assuming there's somebody better out there, you can take the next guy that walks by, or if you don't take him, you're automatically stuck with the third guy.
LORELAI
Got it?
LUKE
I'm not playing.
LORELAI
Well of course not. Its still my turn.
RORY
Okay, guy number 3 is crossing the street right now.
(All three of them stare out the window.)
LUKE
Why am I looking?
LORELAI
Because it's like a train wreck.
(They see Kirk walking towards the diner.)
LORELAI
Aww, no!
RORY
Daddy!
LORELAI
Not Kirk!
RORY
Maybe he'll buy me a pony.
LORELAI
I wanna go back to the old guy.
(Kirk walks in the diner. Luke walks over to him.)
LUKE
Congratulations man.
KIRK
Uh, thank you.
(Lorelai and Rory start giggling.)
KIRK
What?
LORELAI
Nothing
KIRK
Okay, did somebody put the kick me sign on my back again?
(Lorelai and Rory are laughing.)
KIRK
It wasn't funny last week and it's not funny now! I have asthma.
(Kirk leaves the diner.)
RORY
Mom, quick he's leaving!
LORELAI
Oh no, Kirk come back, I love you! Drat. All right, your turn.
RORY
I don't know Mom. You already got Kirk, how's a girl to top that?
LORELAI
You're right, he's yours.
RORY
And one.
(They stare out the window. Dean walks by. Rory gets a sad look on her face.)
LORELAI
Okay, so, we should order.
RORY
Yeah, ordering's good.
(Opening Credits)
INDEPENDENCE INN
(Lorelai is sitting at a table in the lobby organizing folders. Michel, who is behind the counter, answers the phone.)
MICHEL
Independence Inn, Michel speaking.
MAX
Yes, is Ms. Gilmore there?
MICHEL
I'm sorry, she's busy, how may I assist you?
MAX
Actually, I need to speak to Ms. Gilmore.
MICHEL
Is this business or personal?
MAX
Personal.
(Michel walks over toward Lorelai and tosses the phone on the table. Lorelai picks it up.)
MAX
Is anybody there? Hello?
LORELAI
Yes, Hello, hi.
MAX
Lorelai?
LORELAI
Max!
MAX
Is this a bad time?
LORELAI
No such thing. Where are you?
MAX
I am in the teacher's lounge.
LORELAI
Hmm, what are you wearing?
MAX
Nothing.
LORELAI
You must be very popular.
MAX
And chilly.
LORELAI
I thought we had a chat date tonight.
MAX
We did, but I was thinking about something and I wanted to run it by you.
LORELAI
Okay.
MAX
So. .
LORELAI
Ooh, hey, make a gorilla sound.
MAX
Why?
LORELAI
I want to play Wild Kingdom.
MAX
I am not making a gorilla sound.
LORELAI
I'll tell you what color underwear I'm wearing. (pause) Had you considering the gorilla sound, didn't I?
MAX
Yup.
LORELAI
I'm good.
MAX
Okay, I need you to be serious now.
LORELAI
Says the man with no pants.
MAX
We've been having these very successful phone calls for a couple of weeks now.
LORELAI
Yes we have.
MAX
And I think that all the talking has done us a lot of good.
LORELAI
Yes it has.
MAX
So I was thinking that maybe this weekend instead of a phone call, we should have a date. Let's have dinner.
LORELAI
Hmm, at the same restaurant?
MAX
At the same table.
LORELAI
Interesting idea.
MAX
I think its time.
LORELAI
You know what? So do I.
MAX
Saturday night, 8 o'clock?
LORELAI
Okay, wear some pants.
MAX
I make no promises.
LORELAI
Bye.
CUT TO SIDEWALK
(Rory is sitting on the curb reading a book. Lane walks over to her and drops a small bag of chips into her lap. Rory stands up and Lane hands her a small bag from the market.)
LANE
Salt and vinegar.
RORY
Thank you.
LANE
Here's your gum, your soda, your New Yorker, and your dental floss.
RORY
Aw, they didn't have the minty kind?
LANE
They were out.
RORY
Well, this is good too.
(They start walking)
LANE
He wasn't in there.
RORY
What?
LANE
Dean. He wasn't in there.
RORY
Oh.
LANE
In case you were wondering.
RORY
I wasn't.
LANE
Okay, well I just thought you might be. So I mentioned it.
RORY
Well, I'm not.
LANE
Okay.
RORY
Okay.
LANE
I just thought you'd might like to know for future reference that Dean is not in the store on Wednesdays so you can mark it down on that little list you're hiding from me that says where Dean is so that you can avoid him at any time.
RORY
I was not avoiding the market.
LANE
Oh, my mistake.
RORY
I wasn't.
LANE
Okay. So what are you doing tonight?
RORY
Well homework, and then homework, and if I get all that done in time, some homework. You?
LANE
I have to meet my science partner.
RORY
Fun.
LANE
Yes, science is fun.
RORY
Call you later?
LANE
Okay.
RORY
Hey Lane?
LANE
Yeah?
RORY
You're sure he wasn't in there?
LANE
I asked.
(Rory pulls a small notepad out of her pocket and writes on it.)
CUT TO SIDEWALK
(Lorelai walks past a store as Luke walks out of the store.)
LORELAI
Hey.
LUKE
Oh hey.
LORELAI
Doing a little shopping?
LUKE
Yeah, I just had a couple things to pick up.
LORELAI
At the cat club?
LUKE
Yeah.
LORELAI
You had a couple things to pick up at the cat club?
LUKE
Yeah I did, okay?
LORELAI
Okay, I just never took you for a cat lover, a 97 year old woman, or. . . Hey what'd you buy?
LUKE
Nothing.
LORELAI
You've got a little bag there.
LUKE
I know that.
LORELAI
It's got a cat paw stamped on it and a little cat nip bow.
(Luke hands her the bag.)
LORELAI
Wise man. (Lorelai pulls a pot holder out of the bag.) Wow, pot holders.
LUKE
Yes.
LORELAI
Little kitty pot holders. (she pushes a button that makes them meow.) They meow.
LUKE
It's a present.
LORELAI
For someone you hate?
LUKE
It's Rachel's birthday okay. And don't say anything, she doesn't want anybody to know. She hates birthdays.
LORELAI
Not as much as she's gonna hate these pot holders.
LUKE
I don't know how to buy gifts, okay, I don't like to buy gifts. I don't like getting gifts. I mean, this whole gift giving and getting process is completely insane.
LORELAI
The rant begins!
LUKE
I mean suddenly, on a certain date, the level of my affection for a person isn't measured by the way that I treat them or what we share.
LORELAI
No!
LUKE
I mean just because I didn't buy her furry slippers or a giant shoe tree, all of a sudden, I suck.
LORELAI
Luke, stop. You know you cannot give her these pot holders.
LUKE
Yeah I know.
LORELAI
Why don't you go to the mall and walk around a little?
LUKE
No, no malls.
LORELAI
Luke.
LUKE
I hate malls.
LORELAI
Ladies and gentlemen, rant number two.
LUKE
They underpay employees and overprice merchandise, they contribute to urban sprawl, they encourage materialism, and the parking's a horror. You drive in, you pay a buck, and even if you're only there for five. .
LORELAI
Okay, Emma Goldman, I'll tell you what. I'll go for you.
LUKE
You're gonna shop for me?
LORELAI
I've got the day off tomorrow. I was gonna go anyway.
LUKE
You're serious?
LORELAI
I'll go get a bunch of stuff, all returnable. I'll bring it to you. You can pick what you want and the rest I'll return. I'll do all the work; all you'll have to do is point.
LUKE
Point.
LORELAI
One finger, preferably your index.
LUKE
I don't know.
LORELAI
Luke, this is the first special occasion you and Rachel have shared since she's been back. Don't you want to give her something nice?
LUKE
Well I am taking her out to dinner.
LORELAI
Luke.
LUKE
Yeah, I gotta get her something nice.
LORELAI
So then let me help.
LUKE
All right, thank you.
LORELAI
Oh, you're welcome.
(Luke hands her his credit card.)
LUKE
Nothing too out there, okay? She's not into all that trendy stuff. She likes simple, clean nature, okay. Elephants, candles, okay. Oh hey, if you can find a candle shaped like an elephant, that would . .
LORELAI
Okay, you know what, I've got it all under control.
LUKE
Okay, thanks.
LORELAI
Okay. (Lorelai hands him back the bag with the pot holders in it.) Get rid of these.
CUT TO KIM'S ANTIQUES
(Dean knocks on the door and walks in.)
DEAN
Hello? Lane? Are you here?
(Mrs. Kim suddenly appears from behind a room divider, startling Dean.)
DEAN
Geez.
MRS. KIM
Who are you? Why you call Lane?
DEAN
I Uh.
MRS. KIM
How you know Lane?
DEAN
Well. . .
MRS. KIM
You date her?
DEAN
No.
MRS. KIM
You try to?
DEAN
No.
MRS. KIM
Then why you here?
DEAN
I . . .
MRS. KIM
Empty your pockets
DEAN
Okay, I'm gonna go now.
(Lane comes running down the steps.)
LANE
Dean! Wait, wait.
MRS. KIM
Who's Dean?
DEAN
I'm Dean.
MRS. KIM
How you know Dean?
LANE
We go to school together.
MRS. KIM
You do?
DEAN
Yeah, we're science partners.
MRS. KIM
You don't talk!
DEAN
Sorry.
MRS. KIM
You're science partners?
LANE
Yes Mama, I invited him over to work.
MRS. KIM
Work?
LANE
On our science project.
MRS. KIM
Reproduction?
LANE
Spores, molds and fungus.
MRS. KIM
Science project?
LANE
Yes.
MRS. KIM
For school?
LANE
Yes Mama.
MRS. KIM
You're not dating?
LANE
No Mama.
MRS. KIM
Okay, follow me. (leads them into the kitchen) You sit here. You sit here. I'm going over there, when I come back over here, these chairs will be in same place. No moving, you understand?
LANE
Yes mama.
DEAN
Not you, him!
DEAN
Uh, yes, I understand.
MRS. KIM
I see all. (Mrs. Kim leaves the kitchen.)
DEAN
So that's your mom?
LANE
That's my mom.
DEAN
Has she seen Patton?
LANE
She just gets uptight about boys.
DEAN
I sensed something like that.
LANE
Its nothing personal.
DEAN
I know, I'm sure once she gets to know me she'll. . .
LANE
Oh no, she'll hate you forever. It's just nothing personal.
DEAN
Uh, we should probably get started.
LANE
Chapter twelve?
DEAN
Sounds good. (They both open their books and start reading.) Is this weird for you?
LANE
A little.
DEAN
Me too. I didn't know if maybe Rory told you to hate me or something.
LANE
That's not Rory.
DEAN
Yeah I know. How is she?
LANE
Good.
DEAN
Good?
LANE
Good-ish.
DEAN
Oh.
LANE
Less good than ish.
DEAN
Yeah? How much less?
LANE
You know we're breaking our agreement.
DEAN
What agreement?
LANE
Out agreement not to talk about Rory.
DEAN
We didn't have an agreement not to talk about Rory.
LANE
Well it was an unspoken agreement.
DEAN
Well it was really unspoken 'cause nobody spoke it.
LANE
Well I just think that if we have to study together it would be better if we didn't discuss Rory.
DEAN
Fine.
LANE
Fine. (pause) You know, she can't go into the market.
DEAN
Why not?
LANE
Because you're there.
DEAN
Not on Wednesdays
LANE
Already noted.
DEAN
[Sigh]
LANE
Can I ask you a really personal question?
DEAN
You can ask, I might not answer.
LANE
Do you think you and Rory will ever get back together?
DEAN
Hey, how about we go back to the no talking about Rory agreement?
LANE
Look, I'm just saying that I . . .
(They look up and see Rory standing in the doorway)
RORY
I should've called. I'm sorry.
(Rory leaves. Lane gets up and follows her outside.)
LANE
Rory! I'm sorry I didn't tell you.
RORY
It doesn't matter.
LANE
I didn't think you'd want to know.
RORY
I got it.
LANE
Rory stop. (Rory keeps walking.) Okay, that's the opposite of stop.
RORY
Lane, forget it. You didn't tell me, now I know. Life goes on.
LANE
Don't be mad.
RORY
I'm fine. I have to go.
CUT TO RORY'S BEDROOM
(Rory is asleep in bed. Lorelai bangs on her door, then walks in and jumps on her bed.)
LORELAI
Time to get up. Hey, I have a huge dilemma that I need your opinion on.
RORY
What!
LORELAI
Am I more beautiful today than I was yesterday?
RORY
Oh boy.
LORELAI
I'm just not sure. I mean at first I looked in the mirror and I thought, well yes, definitely, huge improvement.
RORY
Can I have my pillow back?
LORELAI
But then I thought maybe its not that I'm more beautiful today. Maybe I was just as beautiful yesterday, only I lacked the self-esteem to recognize it.
RORY
I'm gonna go take a shower.
LORELAI
Well, hurry up and I'll drive you to school.
RORY
No thanks. (Gets out of bed and walks over to her bureau.)
LORELAI
Why so charming this morning?
RORY
I had an annoying visit from the Stars Hollow wake up fairy. Where's my tie?
LORELAI
In your drawer.
RORY
I'm looking in the drawer.
LORELAI
Hmm. Check the living room
RORY
Why would my tie be in the living room?
LORELAI
Because it's been seeing the doily on the coffee table. I'm sorry, I did not want you to find out this way.
RORY
Don't take this personally, but get out.
LORELAI
Okay, you're crabby. Do you know what the perfect cure for crabbiness is? A fabulous trip to the mall. Huh? What do you say? You can blow off school and come with me. We can shop, go to the movies, maybe talk a little.
RORY
No thanks.
LORELAI
Come on, just this once. It might make you feel better.
RORY
I feel fine and I don't want to shop.
LORELAI
Honey, I know you've been in a funk over Dean, but you have to try not to dwell on it all the time.
RORY
I'm gonna be late for school.
LORELAI
Okay, then just meet me in town around four, and we'll get some Indian food and spoil our dinner. What do you say to that?
RORY
Whatever.
LORELAI
Hey, love the enthusiasm. Hey, does "Up With People" know about you?
CUT TO LUKE'S DINER
(Luke answers the phone and takes an order while Lorelai walks into the diner carrying several shopping bags.)
LUKE
Luke's. Yeah. Hang on. Okay. Cheeseburger. Fries well. Vanilla shake. Coke. Yes we have salad. One salad with cheese, one with ranch. Got it, 20 minutes. (hangs up the phone) What the hell is this?
LORELAI
The results of my shopping trip all accomplished in two hours.
LUKE
Impossible.
LORELAI
I'm a savant.
LUKE
And everything's returnable.
LORELAI
Yes, yes, now sit down and relax. Let me show you what I got.
LUKE
Can I have my credit card back?
LORELAI
Fine. (Takes the card out of her purse and hands it you Luke.)
LUKE
Looks tired.
LORELAI
Where's Rachel?
LUKE
She's out running some errands.
LORELAI
Good. Okay, last week we were talking about Meryl Streep and the whole accent thing and Rachel said that she loved "Out of Africa" but she'd never read the book, remember?
LUKE
Nope.
LORELAI
Okay, so I was like, "Are you crazy? Isak Dinesen is amazing, I love her." Which is kind of crap because I'd never read the book either, but Rory told me it was amazing, so I felt pretty confident in my recommendation of "Out of Africa". (Pulls the book out of a shopping bag and hands it to Luke.)
LUKE
You bought her a book?
LORELAI
No, you bought her a book, to be put in her brand new camera bag. (Pulls the camera bag out of another shopping bag.)
LUKE
She's got a camera bag.
LORELAI
It's nylon.
LUKE
So?
LORELAI
This one's leather. Beautiful leather. Feel it, smell it.
LUKE
I'm not gonna smell that bag.
LORELAI
Fine, don't smell it, but trust me, she's gonna love it. Her old bag is falling apart so she was gonna get a new one eventually and now you will have beaten her to it.
LUKE
So it's practical.
LORELAI
And pretty!
LUKE
Well, that seems right.
LORELAI
You like?
LUKE
Yeah thanks.
LORELAI
Good.
LUKE
What's all this? (gestures to the other shopping bags.)
LORELAI
Well Luke, timing is a beautiful thing.
LUKE
It is?
LORELAI
It is. So I'm at the mall, and I've already found Rachel's gifts, and I've had two sugar cinnamon pretzels and I'm buzzed on the sugar and jazzed about the purchases and I decide to take a victory lap through Bloomingdale's, and it just so happens that there was an amazing sale in the men's department. I mean gorgeous stuff. Look at this. (pulls a sweater out of a bag) Huh! Forty percent off! I got three different colors!
LUKE
For who?
LORELAI
For you.
LUKE
For me?
LORELAI
Yeah. (walks over to another bag and pulls out a pair of pants) And then of course, beautiful pants. So soft, I don't know what this fabric is but I think I wanna have its baby.
LUKE
Okay, hold on a minute here.
LORELAI
(walks over to another bag and pulls out a belt.) Also, I got this fabulous belt to go with the sweater and the pants. Simple. Black. But look at the buckle.
LUKE
I don't need a belt.
LORELAI
Great buckle! Sixty percent off, can you believe it?
LUKE
No I cant. Look. .
LORELAI
(walks over to another bag and pulls out some shirts) Oh and I also picked up a couple of shirty shirts in case you didn't have a nice one to go with your suit.
LUKE
What suit?
LORELAI
This one! (grabs a garment bag, holds it up, and unzips it)
LUKE
Did no one at that mall notice that you were going through some sort of psychotic episode?
LORELAI
This suit. 175 percent off.
LUKE
You were not supposed to be shopping for me.
LORELAI
Well I thought you might like a little something new to wear when you take Rachel out tonight.
LUKE
Well thank you but take it back.
LORELAI
Aw, just try them on.
LUKE
No way.
LORELAI
You might like how you look.
LUKE
I'm fine with the clothes I have.
LORELAI
Okay, see this blazer? It was 175 thousand percent off.
LUKE
Why the sudden need to dress me?
LORELAI
I just thought you might look nice in some of these things and since they were 600 thousand percent off. .
LUKE
No!
LORELAI
Come on Luke, just try something on. How about this sweater?
LUKE
No!
LORELAI
Okay, how about the pants? Pretty pants!
LUKE
I'm not trying anything on.
LORELAI
Hey, its not like the lumberjack look will ever go out; it won't. But just once wouldn't it be nice not to be dressed like an extra from "Seven Brides for Seven Brothers"?
LUKE
Take it back.
LORELAI
Come on. Just the jacket. Just once, be too sexy for your shirt and do a little dance on the catwalk.
(Luke walks into the back of the diner while Lorelai chases him with the suit.)
LUKE
Get away from me you mental patient!
CUT TO CHILTON
(Max Medina is lecturing to the class. Rory is staring out the window, not paying attention.)
MAX
If we read his works in order we can see his progression from a narrative of clear simplicity to one of one of rich complexity. Now this is not homework but I strongly urge you, if you have not already read "The Art of Fiction", read it. It's a remarkable manifesto that contains basic trues that still apply to fiction in any form.
(Paris notices Rory not paying attention and points it out to Louise and Madeline.)
MAX
All right, so Henry James, the man of the moment. Pick your book. Read it carefully. A full report on my desk one week from today. Any questions? Ms. Gilmore, any questions?
(Paris pushes her book onto the floor to get Rory's attention.)
PARIS
Oops.
MAX
Ms. Gilmore?
RORY
Yes?
MAX
Did you hear the assignment?
RORY
Um no, I'm sorry.
MAX
Henry James. Pick your novel. A report on my desk in one week. You got it?
RORY
Yes. I got it.
(Bell rings. Students get up to leave.)
MAX
See you tomorrow.
(Paris walks over to Rory.)
PARIS
You didn't take one note. You resorting to the osmosis theory of learning?
RORY
Why do you care?
PARIS
I don't, just making an observation.
RORY
Great, we'll build a dome over you and jam a telescope in your head.
MAX
Ms. Gilmore, can I talk to you for a minute?
RORY
Oh, okay.
LOUISE
Tootles.
MADELINE
Ta.
PARIS
I'll get working on that dome.
(All the students leave. Max leans on his desk and talks to Rory.)
MAX
So, how are you?
RORY
Fine.
MAX
Seemed a little distracted today.
RORY
Oh. I didn't sleep well last night.
MAX
You've seemed to be a little distracted for quite a while now.
RORY
My grades are fine.
MAX
I'm not concerned about your grades. I'm concerned about you. Look Rory, I know that you've been going through kind of a tough time lately and I just want you to know, if you want to talk, I'm here.
RORY
Tough time?
MAX
Breakups are really hard. We've all been there.
RORY
How do you know about that?
MAX
Your mom told me.
RORY
She what?
MAX
Please, don't be upset at her. It just came out in one of our conversations. She was very concerned about you, very frustrated because. .
RORY
You've been talking to my mom?
MAX
Well yes.
RORY
Since when?
MAX
Its been a couple, 3 weeks now I guess.
RORY
Are you dating?
MAX
No, not really, I mean we were talking about possibly this weekend having dinner. You didn't know anything about this, did you? (Rory shakes head her head no) Well the look on your face makes perfect sense now. I'm sorry. I didn't mean to spring this on you like this.
RORY
Its fine, don't worry about it.
MAX
I'm sure your mom was gonna tell you soon.
RORY
I'm sure too.
MAX
Okay, so . .
RORY
Bus.
MAX
Excuse me?
RORY
If I don't go I'm gonna miss it.
MAX
Right, go ahead.
RORY
Thanks for the talk.
MAX
Any time.
(Rory leaves)
CUT TO LUKE'S DINER
(Lorelai is sitting at the counter. Clothes and bags are spread all over one of the tables.)
LORELAI
Come on!
LUKE
(from off camera)
I hate you, very much.
LORELAI
Save the sweet talk for Rachel. Get out here!
(Luke walks out from the back of the diner wearing some of the new clothes.)
LORELAI
Excuse me sir, do you know where Luke is?
LUKE
Very funny.
LORELAI
Oh my God, Luke, is that you?
LUKE
I feel ridiculous.
LORELAI
That's because you don't have the belt on. (Takes the belt out of the bag and walks over to him.) Here.
LUKE
What are you doing?
LORELAI
Its called accessorizing.
LUKE
I can put a belt on by myself, thank you.
LORELAI
Okay, sorry. Hmm.
LUKE
What?
LORELAI
I just. . .
LUKE
What?
LORELAI
I just have exceptional taste is all. Turn around.
LUKE
What?
LORELAI
I just wanna make sure it all fits. Turn around. (Luke turns around.) Uh huh, uh huh.
MAN AT COUNTER
Hey Fabio, I need the ketchup.
LUKE
Can you get that guy some ketchup?
LORELAI
Why me?
LUKE
Because if I spill any stuff on this I won't be able to return it.
LORELAI
You're not returning those clothes.
LUKE
Oh yes I am.
(Lorelai gives the man the ketchup. She picks up Luke's suit off the table and walks over to him.)
LORELAI
Here, try on the suit again.
LUKE
I already tried it on twice.
LORELAI
I know, but I want to see it with the black shirt.
LUKE
I'm not wearing a black suit with a black shirt.
LORELAI
Regis does.
LUKE
Okay, you've won me over now.
LORELAI
At least try on the jacket again. (helps Luke put the jacket on)
LUKE
This is how you like your guys, all GQ'ed up huh?
LORELAI
Its not GQ'ed up, its just a little less casual.
LUKE
And you don't like casual.
LORELAI
I like casual fine.
LUKE
Just not on me.
LORELAI
No, it just adds variety. Its not lets make a new Luke, its lets see another side of the old one.
LUKE
Uh huh.
LORELAI
You missed a loop. Come here. (Starts fixing his belt) What did you do?
(Rachel walks in the diner and stares at them. Luke looks up and sees her.)
LUKE
Oh hi.
(Lorelai looks up and sees Rachel.)
LORELAI
Oh hi. Uh, this is not what it looks like.
RACHEL
It looks like you're dressing him.
LORELAI
Then this is exactly what it looks like.
LUKE
There was a sale at Bloomingdale's and she. .
LORELAI
Six trillion percent off.
LUKE
How can you walk away from that, huh? (pause) I'm gonna change now.
LORELAI
Good, uh, I'm gonna get Rory and just enjoy the clothes.
LUKE
I will.
LORELAI
Okay good. See you later Rachel.
RACHEL
Bye.
LORELAI
Bye (Lorelai leaves)
LUKE
I'm gonna change.
RACHEL
Okay.
CUT TO BUS STOP
(Lane is waiting by the bus stop, holding 2 cups of coffee. Rory gets off the bus and Lane walks over to her.)
LANE
Hi.
RORY
Hi.
LANE
I thought you might like some coffee, since you always do.
RORY
Thanks.
LANE
So this feels very awkward.
RORY
You know, I'm a big girl Lane. I don't need you to protect me from things.
LANE
I just didn't want to make you any sadder than you already are.
RORY
How is you telling me that Dean is your study partner gonna make me sadder?
LANE
I don't even want to bring up his name around you.
RORY
That's crazy.
LANE
Have you seen your face when you mention Dean?
RORY
My face is fine.
LANE
Your face is not fine. Your face is far from fine.
RORY
I'll get over it.
LANE
Well you're not over it yet.
RORY
Maybe I'd get over it a little quicker if everyone weren't so busy running around trying to protect me from all the bad scary things in the world.
LANE
Fine, I won't protect you anymore.
RORY
Great, glad to hear it.
LANE
Next time we're walking down the street and you're about to walk head long into oncoming traffic, I'll just give you a little push.
RORY
Exactly what I'm talking about.
LANE
And in the spirit of not protecting you anymore, I was gonna tell you that I couldn't study tonight because I had bible class, but that's not true. I have to meet Dean again.
RORY
Great. Thanks for the honesty.
LANE
And I'll probably have to see him again this weekend because the project's due on Monday.
RORY
Whatever. I don't care. I'll see you when I'll see you.
LANE
Fine.
RORY
Fine.
LANE
Bye.
(Lane walks away. Rory throws her coffee into a garbage can as Lorelai walks up. Rory starts walking down the sidewalk as Lorelai follows.)
LORELAI
Hey, where's Lane going?
RORY
Away.
LORELAI
Okay, you've been in this mood for a week now and while I love the unexpected ups and downs of motherhood, I've got to say I'm tired of Goofus and I'd like my Gallant back.
RORY
You can't just say a normal sentence right? Just 'Hey, lets talk' is too dull for you.
(Lorelai grabs Rory's arm to stop her from walking.)
LORELAI
Hey lets talk.
RORY
About what? Oh wait I know. How about you and Mr. Medina?
LORELAI
What?
RORY
I've heard you've gotten back together again.
LORELAI
Did you talk to Max?
RORY
He had me stay after class today to talk about my difficult breakup situation.
LORELAI
We are not dating. We had been talking and we just now decided to start dating.
RORY
Why didn't you tell me you'd been talking?
LORELAI
Because it was too much like the whole Todd and Nevina Cutler thing.
RORY
The what?
LORELAI
When I was in junior high, I had a boyfriend, Todd something or other. Not a soul mate, but I was crazy about him and he dumped me. I was completely crushed and I could do nothing except lie around and cry and listen to Air Supply, very low point in my life. Two days after the breakup my best friend Nevina Cutler got back together with her boyfriend, Randy something or other, who had dumped her days before Todd dumped me. And she was so happy and gloaty and couldn't stop talking about how great it was that she had her boyfriend back that it made me feel horrible.
RORY
The end. Lets go.
LORELAI
Look, I didn't want to be Nevina Cutler, okay? You were so miserable about Dean. What was I supposed to do? Walk in and say, 'Sorry about you and Dean but I got Max back and aren't we happy.' Would that have been good?
RORY
That would've been great.
LORELAI
I was going to tell you, okay? I just wanted to give you some space and a chance to come up for air. I was trying to protect you, that's all. Hey.
(Rory walks away down the sidewalk. Lorelai follows her)
RORY
You know, actually, it doesn't matter whether you tell me about Max or not because you're just gonna break up again anyway.
LORELAI
Excuse me?
RORY
Well that's what you do best.
LORELAI
Hey, stop right there.
RORY
You'll break up, cry, get back together, break up. It doesn't really matter. I'd rather not have to keep track, so tell me when you're down to the final inning.
LORELAI
You know what, that is way too snotty a thing even for alternate universe Rory to say. I'd like an apology.
RORY
Fine. I apologize. Let's go home.
LORELAI
Yeah, lets go home and try that apology again.
(Rory is heading home, but stops when she notices that Lorelai has stopped in front of the market.)
RORY
What are you doing?
LORELAI
We need light bulbs.
RORY
We're fine.
LORELAI
We're in the dark. It'll take a minute. I assume you won't come in.
RORY
Is it Wednesday?
LORELAI
No.
RORY
Well then I can't, can I?
LORELAI
What does Wednesday have to do with anything?
RORY
Nothing. I'll meet you at home.
(Rory walks down the sidewalk as Lorelai goes into the market.)
CUT TO LORELAI'S HOUSE
(Lorelai walks in the front door carrying shopping bags.)
LORELAI
Rory, I'm back for round two. I got some silly string in case things get really ugly. (Walks into kitchen) Rory? Where are you? (Walks into living room.) Rory? Answer please. Rory?
CUT TO ELDER GILMORE RESIDENCE
(Emily and Richard are in the front hallway, both dressed up. Emily is trying to tie Richard's bow tie.)
RICHARD
This is the fourth ridiculous gathering you've dragged me to this week.
EMILY
I'm the president of the board Richard, I have to be there.
RICHARD
Saving the Berringiny pansy. Who ever heard of such a thing?
EMILY
It's a very rare flower that is rapidly disappearing from the face of this earth.
RICHARD
Well, who cares?
EMILY
As president of the horticultural society, I have to care.
RICHARD
The last thing I need is to spend four hours being bored out of my skull by the same people I'll be bored out of my skull by tomorrow night at the symphony fund-raiser.
EMILY
Which reminds me, we need to get your other tux back from the cleaners tomorrow.
RICHARD
I'll be dead tomorrow. I plan on flinging myself off the roof tonight right in the middle of Pittie Salinger's opening speech.
EMILY
Pittie Salinger is a dear friend and you will be nice to her.
RICHARD
Pittie Salinger is a dipsomaniac. I'm going to bring my newspaper. (Richard goes to find the newspaper)
EMILY
You will do no such thing. Richard, do you hear me?
(Doorbell rings. Emily answers the door and finds Rory standing there.)
EMILY
Rory!
RORY
Hi Grandma.
EMILY
Rory, is everything okay?
RORY
Everything's fine.
EMILY
Richard! Richard, pay the cab.
RICHARD
Cab? Who took a cab?
EMILY
Rory did.
RICHARD
What's Rory doing here? Hello Rory.
RORY
Hi.
EMILY
I don't know what she's doing here. Just pay the man and I'll find out.
RICHARD
For Pete's sake. (walks out to pay the cab driver)
EMILY
Come inside. So tell me, what is going on?
RORY
I had a fight with mom.
EMILY
You had a fight with your mother?
RORY
I just couldn't take it anymore. I had to get out of there.
(Emily and Rory walk into the living room and sit on the couch.)
EMILY
Out of your house?
RORY
Out of that house, that town. Everything. I just had to go.
(Richard walks into the living room)
RICHARD
He tacked on an extra five dollars just for waiting. Feel like I'm back in Prague. Do you want a cocktail?
RORY
No thanks.
EMILY
Richard!
RICHARD
Oh, sorry, sorry. I'm just a little confused here.
RORY
You're all dressed up. You were going out. I'm so sorry!
RICHARD
Oh, please, don't be.
EMILY
It doesn't matter, Rory.
RORY
I'm sorry. Please go out. I didn't mean to ruin your evening. Oh I didn't think! I should've called.
EMILY
Now you calm down right now. You do not need to call before you come over here. You are welcome any time.
RICHARD
Tonight especially.
EMILY
Do you want to talk about what happened?
RICHARD
Emily, don't pry.
EMILY
I'm not prying, Richard.
RICHARD
The girl obviously needs some peace.
EMILY
How do you know that?
RICHARD
I can tell.
EMILY
Oh, you're a mind reader now, how nice. We'll get you a turban and a little booth by the train station.
RORY
Would it be okay if I stay here tonight?
EMILY
Oh, well, of course.
RICHARD
You can stay here as long as you want.
RORY
Thanks.
EMILY
Would you like some dinner? I can get Rosa to make you something.
RORY
No, I'd just like to go to bed if that's okay.
EMILY
Of course. Whatever you like. Your room's all ready. There are pajamas in the dresser, and a new toothbrush in the bathroom. It's pink with sparkles. I thought you'd like it.
RORY
Thanks. (Rory gives Emily a hug, then walks over to hug Richard.) Goodnight Grandpa.
RICHARD
Goodnight Rory.
(Rory starts to walk towards the stairs.)
EMILY
(to Rory) Everything's going to be fine. (to Richard) Richard, say something encouraging.
RICHARD
Uh Rory, I'm sorry you're upset, but I applaud your timing.
RORY
See you tomorrow. (Rory goes up to her room.)
RICHARD
Emily, what is all this about?
EMILY
She had a fight with Lorelai. . . . . and she came here.
CUT TO LORELAI'S HOUSE
(Lorelai is walking around the living room on the phone.)
LORELAI
Mrs. Kim? It's Lorelai. Is Lane there? Well do you know where she is? Huh. That's unbelievable, you always know where she is. Um, the one time I need you to be crazy prison guard lady you're all, hey man whatever. Um, you know what, I will never be able to explain that to your satisfaction, so um could you just ask Lane to call me please when she gets back. I'm looking for Rory. No I don't know where she is. I uh. . don't "ha" me, you don't know where Lane is either. (Lorelai hangs up the phone)
(Sookie walks in the front door)
LORELAI
Anything?
SOOKIE
Patty hasn't seen her but she's been working all day. She's not at the library, and she's not at Luke's.
LORELAI
Where is she? Why didn't she leave a note? Dammit!
SOOKIE
Honey calm down.
LORELAI
But Rory doesn't take off. She knows it would make me crazy. She knows it would make me worry. I'm crossing over into panic now.
SOOKIE
Don't cross. Come back.
(There's a knock at the door. Max walks in.)
MAX
Hey.
LORELAI
Hey.
MAX
You find her?
LORELAI
No, nothing. No one's seen her.
MAX
Okay, um, what about that old boyfriend of hers?
LORELAI
Dean! Dean!
SOOKIE
On my way. (Sookie leaves.)
LORELAI
Good suggestion. You get crisis points. Max, I'm freaking out.
MAX
Its gonna be okay. Sookie's here, I'm here. We will find her.
(Phone rings. Lorelai runs into the living room to answer it.)
LORELAI
Rory?
EMILY
I just thought I should let you know that Rory is here with us.
LORELAI
What?
EMILY
She arrived a few minutes ago.
LORELAI
She's there? Is she okay?
EMILY
She's fine. She asked to spend the night.
LORELAI
Okay, um, she's there with you. So how did she get there?
EMILY
She took a cab.
LORELAI
Well, let me talk to her.
EMILY
She seems quite upset. She said you'd had a fight.
LORELAI
We had a disagreement.
EMILY
She said fight.
LORELAI
Will you just put her on the phone please, Mom.
EMILY
I think we should give her a little time to collect herself.
LORELAI
Thank you for your input. Can I please talk to my daughter?
EMILY
She went to her room Lorelai.
LORELAI
Her room is here, Mom. I'm standing here looking at her room and she's not in it.
EMILY
Lorelai, I did not come to your house and kidnap this child. She ran from you and she came here. She's tired and she's upset. Now I think we should just let her sleep and in the morning we can argue about how to best handle the situation. Maybe a little time away from each other will do both of you some good.
LORELAI
I'll pick her up in the morning.
EMILY
She has school tomorrow and her school is ten minutes from here.
LORELAI
I'll pick her up after school.
EMILY
Why don't you just call tomorrow when she gets back from school? Make sure she wants to go. You don't want to haul her back home just to have her jump in a cab again, do you?
LORELAI
I'll talk to you tomorrow.
EMILY
Good night Lorelai.
(Lorelai hangs up the phone.)
MAX
So?
LORELAI
She's with my parents in Hartford.
MAX
Good.
LORELAI
Good?
MAX
Bad?
LORELAI
Bad, very bad.
MAX
She's safe.
LORELAI
She's with my mother. No one is safe with my mother.
MAX
She needed some space.
LORELAI
No, that house is not safe. It's like the Amityville Horror without all the good times.
MAX
If it's that bad maybe you should go get her.
LORELAI
No, she wanted to get away from me. She wants to be alone. Give her her space.
(Lorelai walks into the kitchen. Max follows her.)
MAX
Are you okay?
LORELAI
I can't believe she left me to go there. We used to always be able to work this stuff out.
MAX
What did you two fight about?
LORELAI
Oh you.
MAX
Me?
LORELAI
Well it started with the you and the fact that I hadn't told her we were talking again, but I know that was only part of it because she's been in such a bad place lately with this whole Dean thing and so, I don't know, I guess it was coming. I just wish she hadn't run away.
MAX
Hey, she will be back and you two will work everything out.
LORELAI
You're good at the comforting thing, you know?
MAX
Thank you.
LORELAI
Do you want some coffee?
MAX
Sure. Can I ask you a question?
LORELAI
I think you've earned it.
MAX
Why didn't you tell Rory about us?
LORELAI
Oh, she was just so upset about Dean, I didn't think it was the best time to give her my happy news.
MAX
Okay. But you've told other people?
LORELAI
Like what other people?
MAX
I don't know. Friends. Sookie.
LORELAI
Um, no actually, I haven't.
MAX
Any reason?
LORELAI
Just hasn't come up.
MAX
It hasn't?
LORELAI
No.
MAX
You're not by any chance avoiding talking to people about it are you?
LORELAI
No, Max, come on.
MAX
It just seems a little strange to me.
LORELAI
Why is it strange?
MAX
Well we've been talking for at least two weeks. I would've thought at some point in there it would've come up.
LORELAI
You just don't say to people out of the blue, 'Hey, Max and I are talking again.' I mean, I was just waiting for it to come up naturally.
MAX
Well yes, but somehow for me it managed to come up naturally within two days at three different times.
LORELAI
Well you're obviously a much better people person than I am.
MAX
I just want to know if there's a reason why you don't want people to know. . .
LORELAI
Max!
MAX
. . .then we should talk about that.
LORELAI
There's no reason.
MAX
Are you sure?
LORELAI
Yes I'm sure.
MAX
Okay.
LORELAI
Do you believe me?
MAX
If you said there's no reason, there's no reason.
LORELAI
There's no reason.
MAX
So you've said.
LORELAI
So I mean.
MAX
Okay.
LORELAI
All right.
MAX
That's fine.
LORELAI
Uh, I should page Sookie and tell her that Rory's okay.
MAX
That's a good idea.
(Lorelai walks to the phone.)
CUT TO ELDER GILMORE RESIDENCE
(Emily and Richard are at the breakfast table. Rory walks in.)
RORY
Good morning.
EMILY
Rory, good morning.
RORY
Hey Grandma, any thoughts on where my skirt might be?
EMILY
I gave it to Rosa to press. Here sit down, have some breakfast. Your skirt will be done by the time you're finished.
RORY
Okay.
EMILY
Now, we have eggs, fruit, toast, pancakes, blintzes.
RORY
Anything would be fine.
EMILY
Well, what do you usually eat?
RORY
Mostly I just grab a Pop Tart.
EMILY
That sounds delicious. I'll have Rosa whip one up for you.
RORY
No, eggs would be great.
EMILY
I'll go tell her. (Emily goes into the kitchen.)
RORY
So Grandpa, what's new in the world today?
RICHARD
As usual, it's going to hell in a hand basket.
RORY
Its nice to have something you can always count on.
RICHARD
It is at that. Would you like part of the paper?
: Please.
(Emily walks out of the kitchen and sits down.)
EMILY
Your eggs will be right out.
RORY
Thanks.
EMILY
So did you sleep well?
RORY
The bed was very comfortable.
EMILY
But you didn't sleep well?
RORY
No I did, I just. . .
EMILY
I talked to your mother last night. I told her you were going to stay here. She said she'd call this afternoon.
RORY
Was she mad?
EMILY
She was concerned. (pause) So do you get your lunch at school or do you bring it with you? Because Rosa made a fabulous leg of lamb yesterday. I bet it'd make a wonderful sandwich.
RICHARD
Take her up on that. It is good. And demand a slice of strudel.
RORY
Okay. I demand some strudel.
EMILY
Good. So what's going on at school today?
RORY
Uh, I have a test in Spanish.
RICHARD
Hmm. Are you prepared?
RORY
Oh yeah. I like Spanish. Biology on the other hand . . .
RICHARD
Oh, I'm still waiting for the day when my knowledge of the inner workings of a frog's intestinal system can be applied to my work in the insurance industry.
RORY
Perhaps if you were insuring the frog.
RICHARD
Ah.
(The maid brings out Rory's breakfast.)
RORY
Thank you. This looks great.
EMILY
Well good.
RORY
Thanks again for letting me stay.
EMILY
It's nice having you here. You got your grandfather to put down his newspaper at the breakfast table. That's a first.
RICHARD
Aw now, Emily.
EMILY
Well it is.
CUT TO LUKE'S DINER
(Luke is behind the counter. Lorelai walks in and sits at the counter.)
LUKE
Geez, what happened to you?
LORELAI
A happy 'how do you do' to you too.
LUKE
Sorry, you just look bad.
LORELAI
Well I didn't get much sleep last night.
LUKE
Why not?
LORELAI
Rory and I had a fight and she ran away.
LUKE
What! Where! Did you. .
LORELAI
She's fine. She's at my mother's.
LUKE
Geesh, throw that information in with the first part. You'll scare a person to death.
LORELAI
You know, I got in my car three times to go get her. I drove halfway there and drove back, drove halfway there and drove back. I actually ran of gas driving halfway there and back.
LUKE
She'll cool off and come home.
LORELAI
I know. Just breaking up with Dean has been so hard on her.
LUKE
Yeah.
LORELAI
I just hate that she's going through this. I mean, she's such a good kid. She's so nice to everyone, she cares about everyone. And she's walking around in this unbelievable pain and there's nothing I can do about it. She still won't talk to me. She won't tell me what happened.
LUKE
I'll tell you what happened. That Dean kid is a jerk and he finally let her know it.
LORELAI
I wish I could just pinch his head right off.
LUKE
I'll help.
LORELAI
I warned him. I warned him when I first met him, if he hurt her . . Ah. Maybe I could key his car.
LUKE
Or better yet, you can key Taylor's car and tell him Dean did it.
LORELAI
Yeah. That'd be good.
LUKE
You can key Taylor's car, tell him Dean did it and also tell him that Dean littered and walks his dog without a leash.
LORELAI
He'll run him out of town.
LUKE
Good.
LORELAI
All right. I should go. Rory's probably out of school by now and I want to be home in case she decides to call.
LUKE
Coffee's on the house.
LORELAI
Oh thanks. (stands up to leave) Hey, is that the belt I bought you?
LUKE
Oh yeah yeah yeah. The old one broke.
LORELAI
Oh, lucky you happened to have a spare.
LUKE
Yeah. Hey. She'll be home soon.
(Lorelai nods in agreement and then leaves.)
CUT TO MARKET
(Lorelai stands in front of the market thinking about going inside, then walks away. She walks back, then walks away again. She walks back a third time and goes in. She walks over to Dean, who is stocking shelves, and taps him on the shoulder.)
LORELAI
Got a minute?
DEAN
Actually I'm, uh. .
LORELAI
I just want to tell you that I think you are scum.
DEAN
Gee thanks.
LORELAI
You are gonna be hard pressed to find another girl as fantastic as Rory, you know that? She is beautiful and she is smart and she did not deserve to be treated that way by you.
DEAN
Treated what way?
LORELAI
I thought you were a good guy. I thought you were going to make her happy. I'm such an idiot that I actually thought you were a good pick. But I was wrong and I hate to be wrong.
DEAN
You know, I am sick and tired of everyone blaming this thing on me. I mean, you and the whole stupid town looking at me like I'm a criminal. I say 'I love you' and she just sits there and I'm the jerk? I'm the bad guy?
LORELAI
What?
DEAN
You know what? Fine, think what you want, I don't care. Just leave me alone.
(Lorelai leaves. Dean finishes stacking the shelf.)
CUT TO ELDER GILMORE RESIDENCE
(The doorbell rings. Emily answers the door and Lorelai walks in.)
LORELAI
Where is she?
EMILY
I thought you were gonna call.
LORELAI
Where is she mom?
EMILY
I haven't had any time to prepare her for this.
LORELAI
Mom where is she?
EMILY
Upstairs in her room.
LORELAI
Thank you.
(Lorelai walks up to Rory's room. Emily follows.)
EMILY
She got home from school but she just went right upstairs. Now she didn't want a snack but I had Rosa make her one anyway. I haven't checked to see if she's eaten it. She had a decent breakfast this morning but she did seem a little tired and when I went into her bathroom the aspirin bottle was out so I assume she had a headache. Now I don't know if it was last night or. .
LORELAI
Excuse me, Mr. Cosell. I appreciate the play by play but I just want to talk to my daughter now.
EMILY
Do you want me to go in there with you?
LORELAI
More than anything.
EMILY
Well try and be nice.
LORELAI
Thanks for the tip.
CUT TO RORY'S BEDROOM
(Rory is lying on the bed. Lorelai walks through the door.)
LORELAI
Hey.
RORY
Mom!
LORELAI
Okay, so I thought when you said, 'I'll see you at home,' you meant our home. My mistake.
(Rory gets off the bed and walks over to hug Lorelai.)
RORY
I'm so sorry.
LORELAI
Its okay.
RORY
All those things. .
LORELAI
I know.
RORY
And then the. . .
LORELAI
Its no big deal
RORY
I'm just so. .
LORELAI
I know, I know, I know. So last time I saw you you were headed home, you wanna fill in the blanks?
RORY
I don't know. I just snapped and I got sick of everything. I wanted to go anywhere.
LORELAI
So you picked hell?
RORY
It was the first place that came to mind.
LORELAI
I respect that. Listen, the need to run is a feeling I am very well acquainted with. But we have to be able to talk always. No matter how mad or upset we get with each other our particular special thing only works if we agree to that, get it?
RORY
I get it.
LORELAI
Good. Rory, tell me what happened with you and Dean.
RORY
I don't want to talk about it.
LORELAI
Well I do.
RORY
Why?
LORELAI
Because I had a little chat with him today.
RORY
What? Why?
LORELAI
Well, because I was upset and I was in the mood to do a little yelling.
RORY
You didn't.
LORELAI
Did.
RORY
No.
LORELAI
There he was stacking cookies and I'm railing on him about what a great kid you are and how it sucked that he dumped you, and then he said that he told you he loved you and I started feeling a little stupid.
RORY
He did tell me.
LORELAI
And you didn't say anything?
RORY
No.
LORELAI
Well that must have been rough on him.
RORY
He looked so hurt. I didn't know what to do. I didn't want to hurt him.
LORELAI
I know.
RORY
I just got scared and I sat there.
LORELAI
I understand. You know, I'm still learning this stuff too and since I'm still learning, I think I haven't thought enough about what I'm supposed to be teaching you.
RORY
What are you talking about?
LORELAI
I'm talking about my own personal lack of commitment skills. I mean, look, I love that you have my eyes and my coffee addiction and my taste in music and movies, but when it comes to love and relationships, I don't necessarily want you to be like me. I would hate to think that I raised a kid who couldn't say I love you.
RORY
Mom.
LORELAI
I'm not even talking specifically about Dean. I mean just generally in life. For example, say you're dating Taylor Hanson.
RORY
Why am I dating Taylor Hanson?
LORELAI
It's a hypothetical scenario, go with it. So, uh, you and Taylor have been seeing each other pretty regularly. .
RORY
How did I meet Taylor Hanson?
LORELAI
You went to his concert, you got backstage, your eyes met across the crowd and you've been seeing each other ever since.
RORY
Hanson's still together?
LORELAI
They're the new Bee Gees. So. .
RORY
And why would you not stop me from going to a Hanson concert?
LORELAI
Hey, someone's trying to make a point here.
RORY
Sorry. Go ahead.
LORELAI
So you and Taylor have been dating for awhile, and things are great, and, um, you're happy, and you feel all those crazy mushy things that people feel when they're in love. I want you to be able to say to him, Taylor, I love you.
RORY
Okay, can we pick a new hypothetical 'cause this one's wigging me out.
LORELAI
My point is that it's scary to be in love, that much I know, but it's also wonderful and special and if you can't say it or fully express it then you're never gonna be able to experience it and I want you to experience everything that's great because you're so great. Are you hearing me?
RORY
Yeah, I'm hearing you.
LORELAI
I'm not saying you say "I love you" at the drop of a hat. It has to be right and real and it has to take a lot of thought. But someday with someone it will be right. I want you to be ready for that moment when it happens.
RORY
Are you ready for that moment when it happens?
LORELAI
I'm working on it. I do however know what dress I'll be wearing.
CUT TO FRONT HALL
(Richard, Emily, Rory and Lorelai are standing in front of the door.)
RORY
Thank you guys so much.
EMILY
It was our pleasure.
LORELAI
What do I owe you for the cab?
RICHARD
Oh, don't worry about that.
RORY
Thanks for sharing the paper.
RICHARD
Anytime.
LORELAI
And thank you mom.
EMILY
Of course. She's our granddaughter.
LORELAI
All right, we'll see you tomorrow night.
EMILY
Seven o'clock.
LORELAI
Oh really, is it seven 'cause I wasn't sure if. .
EMILY
Goodbye Lorelai.
LORELAI
Bye.
(Rory and Lorelai leave.)
RICHARD
Well it looks like it's just the two of us again.
EMILY
I guess so.
CUT TO INSIDE LORELAI'S JEEP
RORY
I was almost tempted to see if she could make a Pop Tart.
LORELAI
Wow, home cooked breakfast, homemade lunch, I'm trying to remember why I left there. Oh yeah, my parents.
RORY
Funny, funny girl. (They drive by Lane's house.) Hey, let me out here.
LORELAI
Oh okay.
RORY
I'll meet you back at the house.
LORELAI
Excuse me?
RORY
I'll show up this time.
LORELAI
I'll have the pizza waiting.
(Rory knocks on the door of Lane's house. Lorelai watches from the Jeep as Rory and Lane hug. Lorelai drives off.)
CUT TO LORELAI'S HOUSE
(Lorelai walks in the front door and puts her purse on the hall table. She walks over to the phone, picks it up and dials a number. She picks up her address book and walks over and sits on the couch.)
MAX
Hello?
LORELAI
Now, I'm starting with the 'A's. So first up is Richie Andrews. He's either a second cousin on my mother's side or the guy who regrouted the bathroom. Either way, I think he's going to be thrilled to hear about us.
MAX
Lorelai. .
LORELAI
After I've called everyone in here, I'm going to makes sure to spread the word at the inn.
MAX
Uh huh.
LORELAI
I thought I'd put little notices in everyone's rooms: "Welcome to the Independence Inn. Max and Lorelai are back together."
MAX
Can I see you after your dinner tomorrow night?
LORELAI
Oh I don't know. I have a lot of phone calls to make. Ooh! The Internet! Let's go global!
MAX
Good night Lorelai.
LORELAI
Goodnight.
(Lorelai hangs up with Max, then dials another number.)
LORELAI
Hey! Richie, it's Lorelai...
THE END