T6E11: “The Perfect Dress”
Título em Português: “O Vestido Perfeito”
Roteiro: Amy Sherman-Palladino
Direção: Jamie Babbit
Originalmente exibido em: 10 de janeiro de 2006
(OPEN in Luke's diner, morning. The place is busy but not too much. Kirk is sitting at a table. Suddenly he gets up, goes behind the counter, gets the coffee pot goes back to his table fills up his cup and then goes behind the counter again to put the coffee pot in it's place. Luke watches him.)
LUKE
What in the hell do you think you're doing?
KIRK
I was just getting some coffee.
LUKE
You came behind my counter.
KIRK
I saw Lorelai do it the other day.
LUKE
Lorelai is my fiance.
KIRK
So only people you're sleeping with are allowed to go behind the counter?
LUKE
Yes.
KIRK
Well... I don't really know you that well, Luke. I mean, I know what you do for a living, and I know you're a Scorpio, and you smell OK, but we've never really connected on a deeper level...
LUKE
Get out from behind my counter, Kirk.
KIRK
Well, now it's a definite "no". (goes back to his table as Lorelai and Rory enter the diner holding some bags)
LORELAI
Oh, my God. Look who's back.
RORY
Well, I believe it's those adorable Gilmore Girls.
LORELAI
My, how we have missed them.
RORY
I hear they're different now. (Luke comes up to them) A little sad.
LORELAI
A little broke.
LUKE
Don't you two believe in jet lag?
LORELAI
No way. We're still flying on the Atlantic City buzz. Hey, (they kiss) handsome. Were you bad while I was gone?
LUKE
I was. I went to bed every night at 10:15.
LORELAI
Grandpa! what am I gonna do with you?
RORY
Hey, Luke. (they hug)
LUKE
Hey, Rory. (they all start walking over to a table to sit)
LORELAI
We, on the other hand, have not been to bed at all since we left.
RORY
We did fall over once, though.
LUKE
Did you have a good trip?
RORY
I believe it was the best belated 21st-birthday party on record. (they sit, and Lorelai sips some coffee, that the Asian looking waiter who's always in the background brought over)
LORELAI
What's different?
RORY
No kalua.
LORELAI
Oh, right. Which reminds me. (to Luke) Sorry about all the drunken late-night phone calls.
LUKE
What drunken late-night phone calls?
LORELAI
Uh, so, um, do you want to hear about all the things we can tell you about our trip?
LUKE
I'm not sure.
LORELAI
OK, well first of all, video poker is my calling. (Luke goes over to sit on one of the chairs at the girls? table) I think I'm totally gonna dedicate my life to it. Especially the third machine in the second row of machines as you hit the entrance of Trump Taj Mahal.
RORY
I'm more of a roulette girl myself.
LORELAI
And we did the whole thing up right, you know. We did the martinis at the blackjack table.
RORY
And we pretended I was turning 21 while we were playing 21.
LORELAI
And we actually won and bought our 21 items.
RORY
Shot glasses, glow-in-the-dark coasters, salt and pepper shakers, pasties.
LORELAI
Oh, and look. (gets out a piece of paper and hands it over to Luke)
LUKE
What's that?
RORY
21 guys' phone numbers.
LORELAI
I must say I'm pretty proud of how quickly we got them and also of the fact that no one questioned us when we said our names were Wendy and Lisa.
LUKE
Uh, huh. So, tell me, how was Paul Anka, the person, not the dog?
LORELAI
We didn't get to see him.
LUKE
Why not? It's all you talked about.
RORY
The billboard was old and his show had actually closed a week before we got there.
LUKE
So, who'd you end up seeing?
LORELAI
Well, it came down to Journey without their original lead singer, INXS without their original lead singer, Queen without their original lead singer, the Supremes without Diana, and, weirdly, the James Brown band without James Brown.
RORY
But we wound up seeing Tony Danza, who was sublime.
LORELAI
Oh, the tap dancing.
RORY
Why "Taxi" never utilized his musical-comedy skills is astonishing.
LUKE
Sounds great.
LORELAI
Oh, and we snagged you a Paul Anka T-shirt. (gets the T-shirt out to show Luke)
RORY
Had some left over.
LORELAI
(in a fake seductive tone) Wear it tonight.
LUKE
(takes the T-shirt) OK. I'm making you burgers. (about to get up)
LORELAI
Wait, wait. You haven't seen the best part yet.
LUKE
What?
RORY
Oh! We were walking...
LORELAI
Well, sort of walking, sort of drunk girls in high heels stumbling.
RORY
... down the street, and we see this guy.
LORELAI
And, Luke, my hand to God, it's you. (Luke seems surprised)
RORY
It's totally you. Luke 2.0.
LORELAI
We came face-to-face with your doppelganger, my friend.
RORY
So we followed him.
LORELAI
Yeah, 'cause we had to. And he went into this nightclub, so we followed him.
RORY
'Cause we're now stalkers obsessed with getting his picture.
LORELAI
So we follow him through this kinda grungy place. And he goes backstage.
RORY
'Cause he's in the biz.
LORELAI
Yeah. So we sneak behind the curtain, and we track him down. And we told him all about you, and then I showed him your picture, and he totally freaked out.
RORY
Wait I got it. (takes a picture out of a bag and hands it to Luke. He takes it and looks at it)
LORELAI
Luke, I want you to meet Derek McKinney, your twin separated at birth.
LUKE
(shows them the picture) This is a man dressed like Dolly Parton.
RORY
You should hear him do "Jolene". Amazing.
LUKE
You think I look like a guy dressed as Dolly Parton?
LORELAI
No, I mean a little less with the makeup, but check out the chins. (start pointing from Luke to the picture)
LUKE
I'm gonna get your burgers. (gets up and goes to the kitchen)
LORELAI
He missed us.
RORY
Definitely.
(OPENING CREDITS)
(CUT to outside Lorelai's house, morning. Rory is waiting in front of her car, which is full of her stuff)
RORY
Mom, I got to go!
LORELAI
(comes out of the house and runs over to Rory holding a paper bag) Hold on. Wait. I'm coming. Here's sustenance for the road.
RORY
For the very long thirty-minute drive back to school? (takes the bag and walks over to the car) Thank god. I don't think I would have made it. (opens the car door to put the bag in)
LORELAI
Do you have everything?
RORY
I think so. (gasps) Oh, no! (starts to throe out of the car a bunch of boxes)
LORELAI
What? What are you doing? Why do you hate the boxes?
RORY
Oh, no! Oh, no! Oh, no! (takes out her Community Service vest) I accidentally forgot to turn in my community-service vest.
LORELAI
So?
RORY
So? This vest belongs to the state. I have now stolen state property. They're gonna give me community service for stealing my community-service vest.
LORELAI
OK freaky link. Hand me the vest. I will personally deliver it to the state. OK? What's next on your agenda?
RORY
I'm just gonna head straight over to Paris' apartment.
LORELAI
I can't believe you're gonna live with Paris again... again.
RORY
Hey, she's got an empty room, and the price is right. And all the housing on campus is taken, so it's that or a cardboard box.
LORELAI
OK, but how big a cardboard box?
RORY
After I dump my stuff at Paris's, I have to hit campus. I still have some class begging to do. I have to add two courses to my schedule if I'm gonna make up all the work I've missed this year.
LORELAI
You don't have to make up everything right away.
RORY
I do if I want to graduate the same time I would have before the detour. Anyway, I have tons of books to buy. I have a meeting with the Dean. Oh, and, of course, I have a meeting with the school psychologist.
LORELAI
Oh, uh. Back up. I'm sorry. You... A meeting with who?
RORY
I told you about this.
LORELAI
No, you did not.
RORY
Every student who unexpectedly takes time off and wants to come back has to have a one-time meeting with the school psychologist.
LORELAI
You did not tell me this.
RORY
I did too.
LORELAI
No you did not, because I would have remembered if you told me you had to have your head shrunk.
RORY
It's just a formality. They just want to make sure I'm stable and that everything's cool.
LORELAI
I can't believe you're going to a therapist. You know they're totally gonna ask you about me.
RORY
What?
LORELAI
They always want to ask about your mother. It's OK. Say whatever you want. But make sure you start with, "My mother's very hot"...
RORY
Yes, that won't seem at all disturbing to the doctor. I have to get going. (picks up the boxes she threw out and puts them back in the car)
LORELAI
I don't want you to go.
RORY
Mum!
LORELAI
No! You just got here.
RORY
But you're gonna come see me in three days.
LORELAI
I know, but with our stupid fight, I got cheated this year. (they start walking over to the drivers door)
RORY
I know. Me too.
LORELAI
OK. (they hug) All right. That's enough affection for you. Paul Anka, come say goodbye.
RORY
I haven't seen him all morning.
LORELAI
Paul Anka! Oh, well, I guess he doesn't like you better than me.
RORY
A fickle pooch, that one.
LORELAI
Well, he knows who pours the kibble. (points to herself)
RORY
Well say goodbye to him for me, and I'll call you tonight.
LORELAI
OK. Bye. (they kiss goodbye and Lorelai notices something in the car) Hey!
RORY
What? (turns around to look. It's PA) He does like me better!
LORELAI
Oh, you put bacon in your laundry.
RORY
Paul Anka likes me better. Paul Anka likes me better.
LORELAI
First Tony Danza tosses you the corsage, and now this. (Rory opens the car door, and PA comes out) Get out here, you. Yeah. That's right. Avoid my glance there, buddy.
RORY
It's the sugar-on-the-toe thing. A dog never forgets his first sugar toe.
LORELAI
I thought you had a million things to do today.
RORY
Hmm. Suddenly not so sad to see me go, huh?
LORELAI
What? No. Don't be a stranger. Bye-bye. (start to sorta push her in the car)
RORY
Bye, Paul Anka. If you squint really hard, she kind of looks like me.
LORELAI
Take off, lady. (Rory gets in the car and starts to drive away. Lorelai waves and PA gets up starts barking and following the car as Rory drives off) Hey, Judas, get back here right now! (runs after PA)
(CUT to Luke's diner, morning. Lane is walking around serving coffee. Lorelai and Sookie are sitting at a table and have some paper, magazines and brochures in front of them)
SOOKIE
So, what are your initial thoughts about your wedding?
LORELAI
Well... it should be legal.
SOOKIE
Good. OK. And after that?
LORELAI
After that, I'm out.
SOOKIE
Oh! How about a hometown wedding? Town square, ceremony in the gazebo.
LORELAI
Gaze-blah.
SOOKIE
OK. Boring. I got it. How about a church wedding?
LORELAI
Maybe.
SOOKIE
Ooh, a beach wedding, huh? No shoes, Luke can wear shorts.
LORELAI
No. But I want to be with you when you pitch the shorts idea to Luke.
SOOKIE
OK, no consensus on the locale. Let's move on to the dress.
LORELAI
OK
SOOKIE
Any thoughts?
LORELAI
There should be one.
SOOKIE
OK. Doing great here. (Luke comes up to their table)
LUKE
Um, are you gonna eat that cake?
LORELAI
Why, you want it?
LUKE
Well, it's just sitting there. It doesn't look like you're gonna eat it.
LORELAI
Oh, my god. You want our table don't you?
LUKE
Yeah, we're swamped.
LORELAI
Luke, I'm your fiance. That doesn't buy me a little extra table time?
LUKE
You've been sitting there for two hours.
LORELAI
We're planning our wedding.
LUKE
Well, plan it at the counter.
LORELAI
You want a counter-planned wedding, seriously?
LUKE
(calling back at the kitchen) Coming right up. (back at Lorelai) Forget I said anything.
LORELAI
Yeah. (Luke walks away)
SOOKIE
(looking at a magazine) Hey, that's a pretty dress.
LORELAI
Hum... Maybe. It's very white.
SOOKIE
You don't want to wear white?
LORELAI
Uh, maybe. I'm not sure. (Luke comes back up to the table)
LUKE
Of course you're gonna wear white. Brides wear white. That's the rule.
LORELAI
Says who?
LUKE
Well, uh, you have to wear white. My mother wore white. Her mother wore white.
SOOKIE
Luke, Luke, Luke, Luke, Luke! Do you know who I am?
LUKE
Of course I know who you are.
SOOKIE
Who am I, Luke?
LUKE
You're Sookie.
SOOKIE
No, Luke. I'm not "Sookie." I'm "Sookie B-F-O-T-B".
LUKE
What?
SOOKIE
Best Friend Of The Bride. It is my responsibility to help plan this event. To talk through all the details, to taste the cake and pick the invitations, and to keep you, the fiance of the bride, from having to pretend to be interested in things that he has no interest in.
LUKE
I have an int...!!!
SOOKIE
No you don't!
LUKE
I have an interest!!
SOOKIE
B-F-O-T-B.
LUKE
But I'm not... !!!
SOOKIE
AaaHhh!!
LANE
Luke, your turkey melt is up.
SOOKIE
Oh! Luke, your turkey melt's up.
LUKE
Fine. (walks away)
LANE
Refills?
LORELAI
Yes. See, I can make decisions. (Lane starts to our coffee)
LANE
What's all this?
SOOKIE
We are planning a wedding.
LANE
Oh, super. Well, at least there'll be cake. (walks away)
LORELAI
Well, it's nice that my outlook on life is sunnier than a 21-year-old'S.
SOOKIE
OK, let's start with something simple. A date for the wedding.
LORELAI
OK, that does sound simple.
SOOKIE
Now, some people have mentioned some conflicts, and I think we should take those into consideration.
LORELAI
OK
SOOKIE
Miss Patty is going to be in Baja the first two weeks in April. And Babette said the last two weeks in April are bad because her cat's expecting kittens.
LORELAI
That little tramp.
SOOKIE
Michel's bad every Saturday from now until February, because he signed up for his booty boot camp again. Kirk has no conflicts, but Lulu is going to Florida sometime between May 15th and June 1st. (Luke overhearing comes back up to their table)
LUKE
Yes... who's Lulu?
LORELAI
Kirk's girlfriend.
LUKE
Yeah, we're not moving wedding plans around for people whose last names I don't even know.
SOOKIE
Luke!
LUKE
WHAT!?
SOOKIE
Who am I?
LUKE
Aw, geez. (walks away)
(CUT to outside Paris and Doyle's apartment. Paris and Rory, who is carrying some bags, come up the staircase as Paris is giving her a tour)
PARIS
Apartment 5 is Mrs.Holiday. She steals mail. Apartment 6 is the chilli cheese boys. Take the description at face value. I don't know who's in apartment 7 because meeting 5 and 6 was enough "it takes a village" for me. Here we are, apartment 8. (walks to the apartment door)
RORY
8 is great. (follows Paris)
PARIS
OK, now, you have to unlock the middle bolt first... the bottom bolt second... the top lock third... the bottom lock fourth. You got to kick the door twice. And that's it. (explains while demonstrating)
RORY
Wow, you really have to earn it, huh?
PARIS
It's just a precaution. It isn't really necessary. This neighborhood is only as scary as you make it. Those guys downstairs, they just look deadly. Believe me, they don't bother you if you don't bother them. When you have guests over, just tell them they're a Doo-Wop group.
(CUT to inside apartment, continuous. The girls enter)
PARIS
We keep the door fully locked, (starts locking the door) even when we're home. We actually added the chains after there were a couple of break-ins on the street, but we've never had any trouble. We've actually got a very sophisticated crime-prevention system set up here. When we leave, we always keep the radio on, rush Limbaugh of course, so they know we have guns in the house. The lights are all on a timer, so don't touch the switches, and there's a motion detector in the hallway, so don't freak out when it goes on at night. Now, over here is our trusty dog, Bloodhound. (presses play on a tape recorder and we hear barking) Excellent for magazine pushers and pamphlet bearers of all types.
RORY
You've got it all covered.
PARIS
Pretty much. That's our room. That's your room. They're both the same size, but we have an extra window 'cause Doyle has dreams about walls collapsing in on him, so he needs to sleep near glass. (a loud noise startles Rory)
RORY
Oh, my god! Were those gunshots?
PARIS
No, that was just a car backfiring. The real gunfire actually sounds fake. You'll pick it up eventually. They call it "ghetto ear."
RORY
Something to look forward to.
PARIS
Now, Doyle sleeps very deeply, so don't worry about the hours. I, as you know, haven't slept through the night since the first time I saw "The Wizard Of Oz", thank you Mum, so I tend to do my crafts in the middle of the night, but the walls are very thick. You won't hear a thing. Oh, now, the hot water in the bathroom... (Doyle comes out of their room and starts to attack Paris throwing her on the floor)
DOYLE
AAAAAHHHH!!!! (they wrestle a bit rolling around on the floor as Rory observes a bit stunned. Doyle eventually pins Paris down) Aha! You let your guard down, Geller, and I did it. I got the best of you.
PARIS
I was giving a tour!
DOYLE
Admit your defeat!
PARIS
Never. Rematch.
DOYLE
Challenge accepted. (releases her and they both get up)
PARIS
Helmets on.
RORY
What are you doing? What's going on? (Paris and Doyle start getting some protection wear out of a trunk and start to put them on)
PARIS
When we moved into the neighbourhood, we thought it would be good to take some self-defence classes.
DOYLE
Krav Maga, official self-defence, hand-to-hand combat style of Israel.
RORY
Oh.
DOYLE
Krav Maga is not about being a tough guy or fighting in a ring. It's about going home alive, no matter what.
PARIS
And it's the rush. (now both in full gear)
DOYLE
Pads on.
PARIS
Attack on 3. 1... 2... (they start to fight)
RORY
OK, I'm gonna go get the rest of my stuff, so I'm just gonna... (as they fight Paris gets Doyle in a headlock)
DOYLE
Ugh! Steinbeck! Steinbeck!
PARIS
That's not your safety word.
DOYLE
(with a manoeuvre pins Paris down again) I know. It's "Saroyan".
PARIS
You've been practicing behind my back. I love you. (Rory exits)
(CUT to outside, morning. Lorelai and Sookie are walking down a street and they seem to be looking for something. Sookie is holding apiece of paper with an address written on it and Lorelai has a cup of take out coffee)
SOOKIE
3418. 3418. Did we pass 3418?
LORELAI
Boy, this is some weak coffee.
SOOKIE
Maybe I wrote it down wrong. "Across the street from a butcher". Or a "barber". Or a "Barbara". "Across the street from a Barbara". Ooh, I wonder if it's a famous Barbara, like Streisand or Mandrell.
LORELAI
OK, I give. (throws the coffee away)
SOOKIE
Oh, I think we passed it. This was supposed to be the best place to find wedding invitations, and now we've passed it!
LORELAI
And since we passed it, it's just vanished from the face of the earth, never to be seen again. Here. Let me see the paper. (takes the paper from Sookie and reads) Oh, yeah, we passed it.
SOOKIE
Of course we have.
LORELAI
And we're on the wrong side of the street.
SOOKIE
Of course we are. (notices something - a bridal store) Ooh! Look, look.
LORELAI
What? Aw geez!
SOOKIE
Let's go in. (they walk up to the store window)
LORELAI
Why?
SOOKIE
To look at dresses!
LORELAI
Oh, Sookie, I don't even know what kind of dress I want. I may even make my own dress.
SOOKIE
So what? We can just go in and look around.
LORELAI
They're gonna look at us funny.
SOOKIE
What are you talking about? (sing songy voice) You have the golden ticket (points at the ring)
LORELAI
(holding up her left hand) I do, don't I?
SOOKIE
(sing songy voice and bouncing up and down) You have the golden ticket on your hand
LORELAI
Alright, alright. You're gonna stop singing when we go inside, right? Otherwise, they really will look at us funny. (they enter the store)
(CUT to inside store, continuous. The women enter)
LORELAI
Wow. There's a lot of white.
SOOKIE
(picks up a ugly dress from a rank) Ooh! Try this on. I dare you.
LORELAI
I think this is the one Divine turned down for being too over-the-top. (Sookie puts the dress back) Are we allowed to touch these?
SOOKIE
I don't know. Do you see anyone here?
LORELAI
No (looks around the store and notices something)
SOOKIE
Maybe they're in back. Maybe they've been taken hostage by the tulle. (Lorelai start walking towards a dummy dressed in a wedding dress) Where are you going? (Sookie follows) What are you doing?
LORELAI
Look.
SOOKIE
Pretty.
LORELAI
Not pretty. It's perfect. It's the perfect dress.
SOOKIE
Really? You think?
LORELAI
I don't believe it. I just turned around, and there it is, the perfect dress.
SOOKIE
It's your size.
LORELAI
The perfect dress is my size. That is weird. (looking around, while Sookie examines the dress) Does anyone work here? (calling out) Hello! Does anyone work here?!
SOOKIE
Oh, my God.
LORELAI
What?
SOOKIE
It's on sale. (the girls looks excited and gasp a bit)
LORELAI
It's the perfect dress. That's it. I'm trying it on. (Sookie squeals, and they both giggle) Oh my God, look at this. (at the dress) Don't get the wrong idea. I'm not looking for anything serious.
(CUT to Kim's antiques, evening. Mrs.Kim is fussing with some merchandise as Lane comes in)
Mrs.KIM: Look. Woman come in here. Tell me this is full set of 1950s milk glass. Does she think my mother dropped me on my head when I'm a baby? I know Nigella Lawson when I see it.
LANE
I'm going upstairs. (starts to move towards the staircase)
Mrs.KIM: Wait. Talk. How was work?
LANE
I handed people food for six and a half hours. It's every little girl's dream.
Mrs.KIM: I'm making kimchi dumplings tonight.
LANE
I smell like burgers and fries, so I'll have to shower.
Mrs.KIM: OK
LANE
which means I won't be ready for dinner for at least 45 minutes.
Mrs.KIM: Fine. I need to make the dumplings. Dumpling don't make themselves.
LANE
And you might want to put on your Korean television show. Because I'm gonna listen to music, and it's going to be music that you don't approve of. But I'm 21 now, so I'll listen to the music I like when I like, and that's just the way it's gonna be. (Lane goes upstairs as Mrs.Kim breathes deeply and looks concerned)
(CUT to Yale, evening. A professor comes out of her office. Rory tries to catch up with her)
RORY
Professor Jolene! Professor Jolene!
Prof.JOLENE: Sorry. I'm in a bit of a hurry.
RORY
That's OK. Don't slow down. I'll catch up. (runs up to her) Hi. Rory Gilmore. (they talk as they walk)
Prof.JOLENE: Nice to meet you, Rory.
RORY
And you. Really! I'm actually hoping to get a spot in your class. It was full by the time I got my name in, not that my delay in registering should be taken as lack of enthusiasm.
Prof.JOLENE: Apparently not.
RORY
So, anyhow, I'm really hoping to score a spot in your class.
Prof.JOLENE: Well, add/drop begins tomorrow.
RORY
I'm aware of that. I just thought I would start putting in a good word for myself right now. So here's the good word: I'm dying to be in your class. I even bought your book, see (show the books she's holding), the one you wrote for the class. I bought it new, not used, so you get full royalty payment on it.
Prof.JOLENE: Well, thank you.
RORY
I want to be in your class.
Prof.JOLENE: I can't make you any promises, but I appreciate your enthusiasm. And, by the way, I get full royalties whether you buy me book new or used.
RORY
See how much I've learned already?
Prof.JOLENE: Goodbye, Rory.
RORY
I will see you tomorrow. (Prof.Jolene walks away and Rory makes her way to the coffee cart. She comes closer and sees that Logan is sitting, waiting next to the coffee cart. She stops, he gets up)
LOGAN
I knew you'd have to hit the coffee cart eventually. (she turns and walks away. Logan looks disappointed)
(CUT to Luke's diner, night. Luke is closing up as Lorelai knocks on the diner door holding a box. He opens the door, she enters)
LORELAI
Well, we're done.
LUKE
We're done with what?
LORELAI
With the wedding preparations. We're all done. (Lorelai walks over to the counter and leaves the box)
LUKE
What?
LORELAI
I just dropped off a deposit check to the caterer, and I brought you some duck-sausage rolls, by the way. (gives him a small take out box)
LUKE
Duck-Sausage rolls. (he takes the take out container and moves behind the counter)
LORELAI
I know. They sounded weird to me, too, but they're incredible.
LUKE
I don't understand. How did this happen? This morning, you didn't know whether you were gonna wear a white dress or not.
LORELAI
I know. But then Sookie and I went to check out these invitations, you know, and right next door, there was this little bridal shop, and we thought, "Oh, we'll just go in, look around, you know no big deal", you know, just girl fun, right? And I went in, and I turned around, and there it was. The perfect dress.
LUKE
The...
LORELAI
The bodice is this blush-coloured silk tulle, and it has all these little crystal beads on it, and the skirt is a blush silk tulle with a blush silk/satin lining, and the back goes into a train. And, oh, it has a cream, satin sash, so you get a little white in there, which I know is very important to you. I tried it on, and it fit me perfectly, and it was on sale, and so I bought it. And from the minute I bought the dress, everything else fell into place.
LUKE
What does that mean?
LORELAI
Well, the dress is strapless, so, hello, summer wedding. And summer means daisies, so flower choice done. And we went into the stationery store, and there was the perfect daisy invitations, which I know sounds a little girly, but, seriously, there are no macho wedding invitations, so please just give me this one, OK?
LUKE
OK.
LORELAI
OK, so I bought the invitations, the place is running a special. They print the invites and mail them for you and handle the RSVP list, so that's done. Then we go to get some coffee, and in the window of the coffee shop, there is a picture of a beautiful rose-covered church. And I thought, "gee, that's pretty. I wonder where that is". And do you know where it is?
LUKE
No.
LORELAI
Right around the corner from the coffee shop. So we went in and talked to Pastor Todd.
LUKE
Pastor Todd?
LORELAI
And the church is perfect. And out back, there's a separate function hall with these floor-to-ceiling windows and doors that open out. And behind the hall is this old carrousel.
LUKE
A carrousel?
LORELAI
From 1850. And it should be fully restored and working by June 3rd, which, by the way, is the date of our wedding.
LUKE
June 3rd?
LORELAI
Yes. Which is also miraculously a date that absolutely no one in Stars Hollow has a conflict with, and the Pastor was running a special.
LUKE
A special?
LORELAI
Yeah. I rented the church. And he gave me the hall for half price, and he threw in the use of the carrousel for nothing. And his sister runs a catering company, and Sookie blessed it, and so basically that's it, we're done!
LUKE
Huh!
LORELAI
It was so weird how this happened, you know. It's like the dress was a sign or something.
LUKE
There are no signs.
LORELAI
(notices that is started snowing) Oh, my god!
LUKE
What!?
LORELAI
Oh, my god! It started snowing. (Luke starts to walk back to her side of the counter) It started snowing right as I started talking about signs. That, my friend, is a sign.
LUKE
(now on her side of the counter) That is not a sign. That is weather.
LORELAI
No, this is more than weather. This is fate.
LUKE
June 3rd, huh?
LORELAI
June 3rd.
LUKE
That's soon.
LORELAI
I know.
LUKE
It's less than five months away.
LORELAI
I know. (they kiss) OK, I better get this back home before the snow gets any worse. (picks up the box and walk towards the door) Oh, and I picked out your tuxedo. You can stop by the place anytime you want, and they were running a special, so the alterations are free.
(Lorelai exits the diner, and Luke is left alone he sits on chair looking a bit concerned)
(CUT to Yale Daily News, morning. The staff, including Rory and Doyle, are sitting around as Paris is handing out the beats)
PARIS
City beat, Martha Billings. Editorials, Peter Brooke. Sports, Russ Tamblen. Religion beat, Heather Torrance. Religion beat, my former beat. Good luck, Heather. And features, Arlen Sather, Nick Scott, and the returning Rory Gilmore. Also joining our ranks this year, our former editor Doyle McMaster and his new column "the world according to Doyle". It's going to be a great term, people, an important term, a term to change the history of the Yale Daily News. The work will be hard. It has to be hard. Nothing less than perfect will be tolerated. Please remember that I am your editor. I am not your mother or your hugger. If you need some love, get a hooker. If you're having a bad day, find a ledge or a way to deal. My door is not open to you ever. You have five minutes to enjoy your cookies. Welcome to the Yale Daily News. (the meeting breaks up, the staffers go back to their desks as Rory goes up to Paris)
RORY
Thanks for the features beat, Paris.
PARIS
You deserve it. You're a good writer.
RORY
Thank you. And, I know, you're gonna be a great editor.
PARIS
I plan on it.
RORY
Yeah. But, you know, you might want to ease up just a tad.
PARIS
What do you mean?
RORY
You know, the "five minutes for the cookies", the "no talking" signs posted everywhere, the "no decorating your desk" rule, the new demerit system, the locks on the bathroom doors. It's just all a little, um, harsh and restrictive. This is a newsroom. People should be able to talk, yell, joke around...
PARIS
I don't agree.
RORY
... Go to the bathroom.
PARIS
Journalism is an art form, and the best art is created under repression, like Stalin's gulag. You think Solzhenitsyn could have written "One Day In The Life Of Ivan Denisovich" on a yoga retreat?
RORY
Paris, I don't really think...
PARIS
Oh, great. (Rory looks around and we see Logan just entered the news room and greats another staffer) I got a call saying your boyfriend was coming back.
RORY
He's not my boyfriend anymore, Paris. We broke up.
PARIS
Hey, keep your personal stuff at home, OK? I can't be seen caring about this. (calling out to Logan) My door is not open! (gets Logan's attention) Huntzberger! My office, now! (Paris goes to her office and Logan follows her, he tries to great Rory who avoids him. She goes over to her desk and starts collecting her stuff)
(CUT to Paris's office, continuous. Paris is standing as Logan walks in)
PARIS
Sit down, Logan. Let's have a little talk about your future.
LOGAN
Sure, Paris. (Paris goes behind her desk and sits. Logan sits on a chair opposite her)
PARIS
Now, I know you think your sugar daddy runs the world, and that includes this paper, and possibly in the past that was true, but not anymore. You don't scare me. (Logan leans back on his chair to get a clear view of Rory's desk, which he sees is empty) Your daddy doesn't scare me. Your mommy doesn't scare me. If you have a brother, a sister, or a really angry cat, they don't scare me, either. Hey, either spin a plate on your nose while you do that or cut it out, 'cause I am speaking.
LOGAN
Sorry.
PARIS
Oh, you will be. Now let's talk about deadlines, emphasis on "dead".
(CUT to outside Rory, Paris and Doyle's apartment, morning. Rory is giving Lorelai a tour. They come up the stairs)
RORY
So, the elevator's getting fixed on Monday, but I'm thinking I may not even use it 'cause the stairs are excellent exercise. And I love having a hallway. I've never had a hallway before. And I am really lucky that Paris and Doyle hadn't rented out that other room yet. I mean, this location is really in demand.
LORELAI
Really?
RORY
(starts to unlock the door) Oh, yeah. I mean, it is literally 10 minutes from campus. You know how hard I'm gonna have to work to be late for class?
LORELAI
Those guys down there, are they your neighbours?
RORY
Um, no. They're a Doo-Wop group.
LORELAI
Um. (seeing all the locks on the door) You have some plutonium back there or something?
RORY
Uh, no, just Paris, you know. She's quirky. (kicks the door, and opens) OK, welcome to my place.
(CUT to inside apartment, continuous. The girls enter)
LORELAI
No.
RORY
Mom, give it a chance.
LORELAI
No.
RORY
Look, we have a really big living room.
LORELAI
Uh, No.
RORY
I know it just looks rundown, but everything works fine.
LORELAI
(looking at the kitchen) No!
RORY
Mom!
LORELAI
No.
RORY
(Lorelai starts to walk around the house) OK, tour's over. Time for lunch.
LORELAI
(pointing at stuff around the house) No.
RORY
Let's go.
LORELAI
(keeps on pointing)No. No. (opens Paris and Doyle's bedroom door. They are fighting, well actually Paris is kicking Doyle?s ass. Lorelai covers Rory's eyes)
DOYLE
Saroyan! Saroyan!
LORELAI
Aah!
LORELAI
No, no, no.
RORY
OK, OK. (they start to exit)
(CUT to Kim's antiques, morning. Lane is trying to make a sale)
CUSTOMER
It's very nice.
LANE
It's one of a kind.
CUSTOMER
Will you take two fifty?
LANE
For that chair?
CUSTOMER
Well, it does have some nicks.
LANE
That chair is two hundred years old. It's gonna have some nicks. It sat in James Madison's bedroom. This chair is a piece of history. We shouldn't even be allowed to sell it to you.
CUSTOMER
Well, I didn't mean to insult you.
LANE
You didn't insult me. You insulted the chair and the United States of America.
CUSTOMER
All right. Three hundred's fine.
LANE
Forget it.
CUSTOMER
That's what the price tag says.
LANE
The price just went up flag burner. If you want the chair, it's three fifty. If you don't, please leave, because I have a lot of work to do.
CUSTOMER
Well...
LANE
Bye.
CUSTOMER
Three fifty. Here. (starts to get money out of her purse) Do you take cash?
LANE
Exact change only.
CUSTOMER
I don't suppose you have a delivery service. (Lane sternly looks at her) Oh, that's okay. I'll... I'll take it with me right now. (takes the chair and starts to leave. Lane goes off to put the money away. Mrs.Kim come up to her)
Mrs.KIM: You forgot to kick her in the pants as she walked out.
LANE
I made the sale, didn't I?
Mrs.KIM: Yes, but with a little less bite. A customer might come back.
LANE
You always drive a hard bargain.
Mrs.KIM: Yes, I do.
LANE
OK, then!
Mrs.KIM: We do have a delivery service.
LANE
Yeah, me in a minivan. Not in the mood, no matter how exciting the prospect of a $2 tip is.
Mrs.KIM: Too bad it's not Christmas. That smiley face of yours would cheer up children for miles around. (Zach comes in the store)
LANE
Oh, Zach (walk up to him)... Zach! You have a lot of nerve just to walk into my place like this.
ZACH
What are you talking about? This is like a place of business. Maybe I want to buy some antiques.
LANE
Oh, right!
ZACH
You're not wearing your glasses anymore.
LANE
What do you want, Zach?
ZACH
I think you have a CD of mine.
LANE
What CD?
ZACH
You know, the one with like a crazy-looking chick on it.
LANE
I don't have any of your CDs, Zach.
ZACH
I think you do. I can go up to your room and check it out. (start to walk upstairs)
LANE
(stops him) No! Zach, you can't go up to my room and check. I'll look and if I find a CD with a crazy-looking chick on it, I'll mail it to you.
ZACH
Seriously? Let's go upstairs and look now.
LANE
I'm working, Zach.
ZACH
Yeah, I can tell there's a major rush on ancient crap going on her... (Mrs.Kim walks up to assist a customer and notices the scene going on)
LANE
(pushes him towards the door) Bye, Zach!
ZACH
Five minutes, Lane.
LANE
Out, Zach!
ZACH
It's my favourite CD.
LANE
Out!
ZACH
Fine! (he leaves)
Mrs.KIM: (to customer) I'm sorry
LANE
(at the customer) Hey, you break it, you buy it!
(CUT to Rich Man's Shoe pub, morning. Lorelai and Rory are having lunch)
LORELAI
Oh, Rory.
RORY
Come on. It's not so bad.
LORELAI
It's "Angela's Ashes".
RORY
It's basic.
LORELAI
It's "Sanford and Son".
RORY
Mom, the neighbourhood is safe. A ton of kids from school live there. And they have a safety van that goes to and from campus, so I don't have to walk home at night.
LORELAI
That wasn't a Doo-Wop group, was it?
RORY
No.
LORELAI
Let's call daddy. Make him pay for an apartment with one lock.
RORY
No. Look, this is the way it's supposed to be. I am in college. Don't you see? I'm supposed to live in a crappy apartment. I'm supposed to eat ramen noodles and mac and cheese for months. I've been living in a pool house with maids and fresh-cut flowers and mints on my pillow every night.
LORELAI
You got to love my mother sometimes.
RORY
This is good and right, and I'm happy, and I have roommates who are learning to kill people, so where is the bad? Now let's talk about you. How are the wedding plans going?
LORELAI
Done.
RORY
What?
LORELAI
All done.
RORY
What?
LORELAI
The dress, the cake, the place, the invitations. June 3rd, by the way.
RORY
Wow.
LORELAI
Yeah. I also bought your dress and shoes.
RORY
How did all this happen?
LORELAI
Well, I found this dress, which, at the time, seemed like the perfect dress, and from the dress, all the other details fell into place. By the end of the day I was done.
RORY
That's great.
LORELAI
Is it?
RORY
Isn't it?
LORELAI
I don't know. Yes, sure, I thought it was. I mean I thought it was a sign or something, you know, finding the dress. And then when, oohh when it started to snow, I was like, "somebody's telling me something".
RORY
So it would seem.
LORELAI
But then I started thinking...
RORY
Uh-oh.
LORELAI
It was all too easy. Planning a wedding shouldn't be easy because marriage isn't easy.
RORY
How do you know? You've never been married.
LORELAI
Exactly.
RORY
"Exactly" what?
LORELAI
I have never been married because it's not easy, and I usually freak out and screw everything up. I freaked out and screwed everything up with Max, remember?
RORY
Yeah, but...
LORELAI
But I haven't freaked out about Luke yet. Why haven't I freaked out about Luke yet? It's my pattern. It's what I do, and then I started freaking out about the fact that I hadn't freaked out.
RORY
Oh, dear! You got caught in the circle of freak out.
LORELAI
What if this dress is really a bad sign, not a good sign? What if the dress is telling me that it's so right, it's wrong?
RORY
Mom!
LORELAI
What if I'm about to bail out and I don't even know it?
RORY
You are driving yourself crazy.
LORELAI
What if all the signs are saying things shouldn't be this easy, that I shouldn't get the guy I want? What if it's like that "Twilight Zone" where the woman on a horse is being chased by another woman on a horse who turns out is older her chasing younger her, trying to tell her that she should not run off with the guy she's going to run off with because it will be a terrible, terrible mistake.
RORY
OK, King George, take a breath, eat a fry, and listen to me. The dress is a good sign. Everything fell into place because it should. It's all right. The dress is right, the date is right, Luke is right. And the snow. Remember the snow? The snow never lies.
LORELAI
I guess.
RORY
Be happy. This is all good.
LORELAI
Thanks. I'm gonna miss you when you're murdered and stuffed into a dumpster by the Doo-Wop group.
RORY
So tell me about my dress.
LORELAI
Two words "hoop skirt"
RORY
Nice.
LORELAI
In a lovely shade of tangerine.
RORY
Excellent.
LORELAI
And the minute I saw it, I thought, "this would totally be Rory if only it had a few more ruffles".
RORY
A fry with your evilness?
LORELAI
Why, thank you.
(CUT to Nardini house, morning. Luke knocks on the door. Anna opens)
ANNA
Hello, stranger.
LUKE
Hey. Uh, can... can I come in?
ANNA
Why not?
(CUT to inside house, continuous)
LUKE
Sorry about barging in on you like that.
ANNA
Hey, it's fine. I'm making tea. You want some tea?
LUKE
Uh, sure. Tea sounds like tea. (Anna goes off to the kitchen to prep the tea)
ANNA
April's not here right now. She's tracking a grub migration. All inquiries stopped after the word "grub".
LUKE
That's okay. I came by to see you, actually.
ANNA
Oh, yeah?
LUKE
Yeah. (looking around the house) You got a lot of stuff here. You sell clothes?
ANNA
Clothes, pillows, candles, fabrics. It's one of those everything kind of boutiques that used to send you in a "what do people need with all this crap?" kind of rant.
LUKE
Oh, yeah. Well, that's nice.
ANNA
(walk up to him and hands him a cup) Thanks. Here.
LUKE
Thanks. (sips) It tastes like tea.
ANNA
Uh, this is weird.
LUKE
I know.
ANNA
It's been a very long time.
LUKE
I know.
ANNA
I actually saw you once about five years ago in the parking lot of some lumberyard.
LUKE
Yeah?
ANNA
Yeah, I waved, but you either didn't see me or didn't want to see me.
LUKE
I didn't see you. I would have waved back, unless I was holding stuff, and then I would have nodded or something.
ANNA
Sure. I'm sure. I thought about you when the Red Sox won.
LUKE
Really?
ANNA
I knew it would be a big day for you.
LUKE
It was.(after a beat) How come you didn't tell me, Anna?
ANNA
Luke...
LUKE
It was a phone call.
ANNA
We should sit down. (they sit)
LUKE
I've been in the same place forever. Haven't moved. You certainly knew how to find me.
ANNA
Luke, come on. We'd already broken up by the time I found out, and I knew how you felt about kids.
LUKE
What do you mean, "how I felt about kids"?
ANNA
You hate kids.
LUKE
I don't hate kids.
ANNA
What are you talking about?
LUKE
I don't!
ANNA
We couldn't go the movies before ten o'clock at night in case there were kids in the theatre.
LUKE
Well, kids talk during a movie, and they throw crap around. They run up and down the aisles. They're animals.
ANNA
We would move tables in a restaurant if they seated us near a family.
LUKE
Only if there was something crying or spitting up.
ANNA
You would flip out if you saw a woman breast-feeding in public, you couldn't stand to watch diaper commercials and you had an unnatural hatred of Macaulay Culkin.
LUKE
OK, fine. I hated kids, but I'm not that guy anymore.
ANNA
Thirteen years ago, you were that guy.
LUKE
It doesn't mean I would have been like that with my kid. I mean even if I would have been like that with my kid, I still had a right to know.
ANNA
I'm sorry.
LUKE
Yeah. Well, you know, I could have helped. I could have helped pay for stuff and take care of things.
ANNA
I didn't need you to pay for stuff or take care of things.
LUKE
This is my responsibility, too. And now that I know, I have to do something.
ANNA
What does that mean? It means I want to offer you whatever assistance I can.
ANNA
I don't...
LUKE
Monetary, of course, and compensation for the past 12 years.
ANNA
But we really don't need anything. It was not my idea for April to call you. It was all her thing. She got obsessed with winning that science contest, and she's really a smart, driven kid. She's already written a short novel, and she's got her own website. So she went through my old letters and put the whole thing together and, frankly, didn't tell me anything about it till way after the fact. I did not send her to you.
LUKE
I know you didn't, but she came to me, and now I know, and I want to help. I'm not talking about contact here. I know you've got your life, here. I don't want to mess things up. I just want to live up to my end of the bargain.
ANNA
You don't owe us anything, Luke. We want for nothing and always have. But if you want to chip in, then, sure, chip in.
LUKE
Really? Great. That's great. That's really... Thank you.
ANNA
Thank you.
LUKE
Yeah. OK, well, that's all I came to say, so... so I guess I'll get going. (they put the cups down and get up)
ANNA
Hey Luke, it was really great seeing you.
LUKE
You too. Tell April "hi" for me. (they start walking to the door)
ANNA
I will do that. Hey, Luke.
LUKE
Yeah?
ANNA
You happy?
LUKE
Yeah.
ANNA
Me too. This is pretty cool, isn't it?
LUKE
Yeah, it is. (he exits)
(CUT to outside Rory, Paris and Doyle's apartment, morning. Rory is coming up the stairs, and notices something. It's Logan waiting outside of the apartment with coffee. She tries to ignore him)
LOGAN
I brought coffee, but it's cold. (she puts down her stuff without answering him and starts to open the door) It's a nice place you got here. I've been discussing the "baking soda to actual crack" ratio you can get away with your neighbours downstairs. 2 to 1 during the daylight, 3 to 1 at night.
RORY
I have ten minutes to change. Then I have someplace I have to be.
LOGAN
It's gonna take you twenty to unlock your door.
RORY
Bye, Logan.
LOGAN
This place is a dump, Rory. You can't live here.
RORY
(turns around to face him) You don't get to care about where I live anymore, Logan. You broke up with me... through your sister.
LOGAN
I didn't mean for that to happen.
RORY
You're a coward. Mr."Life and Death Brigade" can't even break up with his girlfriend.
LOGAN
Honor was bugging me, and I just told her we broke up to shut her up. I needed some time.
RORY
So you didn't mean it?
LOGAN
No, I did. I just... it was too much for me, OK?
RORY
It was a fight. People fight.
LOGAN
Yeah, well I don't fight, I don't want to be screaming at you at a bar. I can't take that. It's too much drama.
RORY
Well, if you can't take the drama, then you shouldn't even be in a relationship, which, by the way, you're not, so everything's good.
LOGAN
It's not that easy.
RORY
Sure, it is.
LOGAN
You want some help?
RORY
Nope.
LOGAN
I bet one of those guys downstairs could help you out getting into a locked apartment.
RORY
Ugh! (does the kicking the door part of opening the door) Just go be somewhere else, Logan.
LOGAN
(she starts to pick up her stuff) I thought that I wanted to break up. I thought that it was a stupid experiment, me trying to be a boyfriend, that it didn't work, and I'd just move on. And I didn't. Couldn't, actually. (as she's about to go in) Rory... I love you.
RORY
(stares at him for a beat) I have an appointment. I have to go. (she goes in the apartment and leaves Logan outside who's looking a bit upset)
(CUT to Dr.Shapiro's office - the shrink -, morning. The Doctor opens the door and Rory enters)
RORY
Sorry I'm late.
Dr.SHAPIRO: Well, considering how many times you rescheduled, I'm just happy you're here at all.
RORY
I was just spending some time with my mother, you know. We were apart for a while, so...
Dr.SHAPIRO: You were?
RORY
Yeah.
Dr.SHAPIRO: Falling-out?
RORY
Nothing major. Just mother/daughter stuff. (the Doc nods, Rory trying to get out of an uncomfortable situation) I don't have to lie down, do I?
Dr.SHAPIRO: No. That's not a "lying down" couch. (they walk over to sit down)
RORY
Good. (they sit and the doc take out his notes)
Dr.SHAPIRO: So, did this falling-out have anything to do with your dropping out of school?
RORY
Boy, we just jumped into this, didn't we?
Dr.SHAPIRO: You want to talk about something else first?
RORY
No.
Dr.SHAPIRO: I mean, we're here to talk about you leaving school, so I figured, "let's just start there". What happened?
RORY
Nothing. We fought. I'm fine. We're fine.
Dr.SHAPIRO: I hear you had some legal problems. (as he talks he takes notes)
RORY
My, those are some big ears you have there, grandma.
Dr.SHAPIRO: Stealing a boat is a pretty big deal.
RORY
I was upset.
Dr.SHAPIRO: About what?
RORY
About life and things and stuff.
Dr.SHAPIRO: You spent a night in jail?
RORY
Yes, I did.
Dr.SHAPIRO: How did that feel?
RORY
Great.
Dr.SHAPIRO: You don't want to talk about this, either?
RORY
I'm just...I'm sick of talking about it, that's all.
Dr.SHAPIRO: You seem very agitated.
RORY
I'm not agitated. I... So, I spent a night in jail. Big deal. So did Martin Luther King.
Dr.SHAPIRO: Are you comparing yourself with Martin Luther King?
RORY
No, I'm not. I just, I'm saying that he spent a night in jail, too.
Dr.SHAPIRO: You were arrested with your boyfriend?
RORY
Yes, I was.
Dr.SHAPIRO: Tell me about that.
RORY
About what? He was my boyfriend then, and now he's not.
Dr.SHAPIRO: He's not?
RORY
No, he's not. We broke up. No. Oh, no. I'm sorry. He broke up. I thought that we were just taking some time, but apparently I'm a moron.
Dr.SHAPIRO: (consulting his notes) Uh, this is Logan?
RORY
What, you have his name, too? Super. Do you also have the picture of him hijacking me in my hallway earlier today?
Dr.SHAPIRO: I'm sorry. What?
RORY
I mean how fair is that? He's gone, and then he shows up out of the blue. (mimicking Logan's voice) "You can't live here. This place is a dump. And, by the way, I love you". (normal voice) "I love you"?! Is he serious?!
Dr.SHAPIRO: I don't know.
RORY
(getting all worked up and in the verge of tears) Nothing for weeks, and then he just decides that he loves me. So, what happens now? I get another Birkin bag? And how long until he doesn't love me again, huh? (the doc passes her a box of tissues, because she's started to cry. Rory takes the box and takes a tissue) I stole a boat with him! I never stole a boat with Dean!
Dr.SHAPIRO: Who's Dean?
RORY
My married ex-boyfriend who I lost my virginity to!
Dr.SHAPIRO: Wow. (takes some notes)
RORY
Yeah. I'm a treat. I don't know what I'm gonna do. I-I don't think I can take running into him every day in the halls and the paper and the coffee cart. Oh, my god. I'm gonna have to quit drinking coffee, and I love coffee! (breaking down in tears and gabbing as many tissues as she can, as the doctor looks very concerned) I really love coffee.
(CUT to outside Stars Hollow, morning. Kirk and Luke are walking around town. Kirk is holding a laptop trying to find a wireless less internet, Luke is following him)
LUKE
I feel like an idiot.
KIRK
Just relax, Luke. It should only take a couple more minutes.
LUKE
I've been following you around the town square for half an hour.
KIRK
I know there's a wireless internet hub around here somewhere. Ah! (moves back and forth a bit) No. Encrypted. I used to use the bank's access, but I had to stand right in front of the versa teller machine, and they got very snippy about that. Then Doose's had it for a while, but Taylor but a block on it. It's sad what this world is coming to.
LUKE
You know what, why don't I just find someone who actually has the internet?
KIRK
Hold on. Hold on. We have achieved contact.
LUKE
We have?
KIRK
Yes, courtesy of Stars Hollow Books. (they sit at the edge of the sidewalk) OK. Now, tell me what you need.
LUKE
Uh, I just, uh, need to look up a website.
KIRK
OK. Give me the name, and I'll type it in for you.
LUKE
Well I...
KIRK
Hold on. Is this one of those websites? 'Cause if they'll come after Pete Townsend, no one is safe.
LUKE
Kirk, just tell me what to do, and I'll do it myself.
KIRK
Are you sure?
LUKE
Yes. Just, (takes the laptop) here.
KIRK
OK, give me your hand, (reaches to grab Luke's hand) and I'll guide...
LUKE
(slaps Kirk's hand away) Stop it.
KIRK
Oouii! Alright. Just click here, then type in the name of the website here, then press here.
LUKE
OK.
KIRK
This makes the page go up and down...
LUKE
Yeah, I can figure out the rest, Kirk.
KIRK
Alright. I'll be over here if you need me. (gets up)
LUKE
I've never felt safer in my life. (Luke opens Aprils' site and snoops around a bit. Sees pictures of her -birthdays, with friends, with her uncle in a back brace- and looks very proud, happy and a bit sad)
(CUT to Kim's antiques, night. It's closing time. Mrs.Kim is saying goodbye to the last customer as Lane comes up to her)
Mrs.KIM: Thank you for coming. We appreciate your business. (locks the door)
LANE
Everything's dusted. The receipts are organized. I'm not hungry. I'm going upstairs. (starts to walk up the staircase)
Mrs.KIM: Lane Kim! Come down now! (Lane come back down. Mrs.Kim turns around the closed sign and closes the door window shutter) Follow me. (they start walking around the store for Mrs.Kim to close the curtains Help me. (they move a dresser to cover a window without curtains) Good. Come.
(they go to the kitchen. Mrs.Kim uses a chair to reach up to a high kitchen cupboard. Lane looks surprised as her mother gets out a hidden bottle of vodka and two shoot glasses. Mrs.Kim motions Lane to sit, they both do, and she serves the drink)
LANE
(picks up the glass and smells the content) Whoa.
Mrs.KIM: Lane, it's been six weeks since you come home. You have grieved, and now we move on. (they drink) Ahh. One more. (she pours some more)
(CUT to Lorelai's bedroom, night. Lorelai is looking at the dress, which is hanging on the closet door, as PA come up and starts barking)
LORELAI
Hey, buddy. Yeah, there is something weird about it, right? What? What is it? (Lorelai opens the closet door and PA enters, picks up a shoe and leaves. Lorelai looks resigned with the concept of PA stealing shoes. The phone starts to ring and she picks it up) Hello?
RORY
(on phone) Guess who's crazy.
LORELAI
Who?
RORY
(on phone) Me.
LORELAI
You? Since when?
(CUT to Yale, continuous. Rory is at the dining room hall. The scene switches between Rory at Yale and Lorelai at home)
RORY
Since I went all Frances Farmer in my psychologists evaluation today.
LORELAI
Alright, I'm on the bed and comfortable. Should I get popcorn, or is it a shorter story than that?
RORY
I went home from class to get ready for the appointment, and Logan was there.
LORELAI
At your apartment?
RORY
In the hallway. And, of course, I couldn't get my door open fast enough, so he started talking.
LORELAI
What did he say?
RORY
He said he loved me.
LORELAI
No way.
RORY
And it completely threw me. And I got out of there as fast as I could. But then I got to Dr.Shapiro's office, and he started peppering me with all these questions, and I just got more and more upset. Then I exploded all over the place. I went through two boxes of kleenex, I started hyperventilating, and I had to breathe into a paper bag.
LORELAI
Do you believe him?
RORY
Believe who?
LORELAI
Logan. Do you believe he loves you?
RORY
I don't know. I guess I can figure that out next week in therapy.
LORELAI
What?
RORY
After my little meltdown, Dr.Shapiro thinks I should come see him once a week for the next two months.
LORELAI
You're kidding.
RORY
There are no jokes in the mental-health field, only hand puppets, inkblots, and inflatable anger bats.
LORELAI
I'm so sorry you're a nut.
RORY
That's OK. I'm sure Dr.Shapiro has a nice padded room for me.
LORELAI
Well don't let them put you on any of those pills. Tom Cruise will be very upset.
RORY
Alright. I should go. I have a massive amount of reading to do. I just wanted to call and say "hi".
LORELAI
OK. Remember. Blame it all on Grandma.
RORY
Will do.
LORELAI
Bye.
RORY
Bye. (they hang up)
(Lorelai looks over at the dress)
(CUT to Luke's apartment, night. Luke is looking at him phone like he's trying to make a decision. Finally he starts looking through his pockets and takes out piece of paper and dials, breathing "OK". He calls Anna, who is fussing with some pillows. The scene switches between Luke's apartment and Anna's house)
ANNA
(picks up the phone) Hold on. (throws it on the floor)
LUKE
Hello?
ANNA
Just a sec. Major pillow emergency happening here.
LUKE
What? Anna?
ANNA
(picks the phone from the floor) Sorry. Hi. Who's this?
LUKE
It's, uh, Luke.
ANNA
Luke? Wow, when it rains, it...
LUKE
I saw her website.
ANNA
Her... ?
LUKE
I saw her pictures. The one in the lab and the one with the Christmas tree, and you never told me she wore a back brace. Why was she wearing a back brace?
ANNA
Oh, she had just read "Deenie". It was a phase.
LUKE
Well, still, I should have known.
ANNA
That she had just read "Deenie"?
LUKE
Yes, and that she was going through a phase and was a science wiz and wear crazy bike helmets and glasses and looked like me.
ANNA
Just the nose.
LUKE
The nose is something. I mean, there's no one else running around with my nose.
ANNA
That you know of.
LUKE
Is this funny to you?
ANNA
No. I'm sorry.
LUKE
You should've told me.
ANNA
Luke, we went through all this already. I...
LUKE
I want contact.
ANNA
What?
LUKE
I want a relationship. I want to talk to her and see her on a regular basis.
ANNA
But you said...
LUKE
I don't care what I said. This is what I want. I want to know my own daughter, and I want her to know me.
ANNA
OK.
LUKE
Really?
ANNA
Well, it's really up to April, but if she's cool, then I'm cool.
LUKE
Oh. So, uh, is, uh, April there now?
ANNA
No. But she'll be home pretty soon. Can I have her call you?
LUKE
Yes. No.
ANNA
No?
LUKE
I should call her.
ANNA
She'll definitely be home by eight.
LUKE
Then I will call back at eight.
ANNA
OK.
LUKE
Thanks.
ANNA
You're welcome.
LUKE
Hey, Anna?
ANNA
Mmm?
LUKE
What the hell is "Deenie"?
ANNA
The gospel according to Judy Blume.
LUKE
What?
ANNA
It's a book, Luke. And now would probably be a good time for you to read it. Bye.
LUKE
Bye. (they hang up)
(CUT to Lorelai's house, night. Luke comes in looking for Lorelai)
LUKE
Lorelai!
LORELAI
(OS)
Uuuhh, Luke, I'm upstairs!
LUKE
Yeah, uh, can you come down? I have to talk to you about something.
LORELAI
(OS)
OK. Yes, I will come down, but I'm coming down in my wedding dress.
LUKE
What? No!
LORELAI
(OS)
Yes!
LUKE
It's bad luck for me to see the wedding dress.
LORELAI
(OS)
I know, but I need you to see this dress. There's something not right up here. It was too easy. I can't be objective anymore.
LUKE
But...
LORELAI
(OS)
Coming down.
LUKE
But I don't... (stops talking as he sees Lorelai coming down in the dress. She walks up to him)
LORELAI
Well?
LUKE
It's... you're perfect.
LORELAI
Really? Have you seen the back? I think the train's a little weird, and I can take it back if you don't think...
LUKE
It's perfect.
LORELAI
Are you sure? (he reaches out to kiss her and they do) OK. It's not bad luck if it's under five minutes. (she runs up the stairs and Luke is left alone looking upset with himself)
THE END