T6E13: “Friday Night’s Alright for Fighting”
Título em Português: “Sexta, Um Bom Dia Para Brigas”
Roteiro: Amy Sherman-Palladino
Direção: Kenny Ortega
Originalmente exibido em: 31 de janeiro de 2006
LORELAI
AND LUKE'S BEDROOM
[Luke is asleep, Lorelai comes out of the bathroom trying to be quite, the room is only partly lit]
LUKE
[half asleep] Hey.
LORELAI
Hey... did I wake you? 'Cause I brushed my teeth in the shower so you wouldn't hear the sink run.
LUKE
No, you didn't wake me up.
LORELAI
But then it occurred to me, while I was in the shower that you could probably hear the shower run, and that defeated the purpose of the whole shower-toothbrush combo.
LUKE
Why are you up so early?
LORELAI
Oh, well, you know me.
LUKE
I do, so why are you up so early?
LORELAI
I have chores.
LUKE
It's six o'clock in the morning.
LORELAI
Well, it's early morning chores.
LUKE
What's early morning chores?
LORELAI
You know, just milking cows, feeding chickens, slopping pigs.
LUKE
You have to slop pigs?
LORELAI
They're certainly not gonna slop themselves.
LUKE
You're being evasive.
LORELAI
I'm not being evasive. I'm trying to remain mysterious so you still find me interesting 100 years from now.
LUKE
Why won't you tell me where you're going?
LORELAI
Well... I'm going to the flower mart.
LUKE
Why?
LORELAI
Because I'm meeting Sookie there because we were going to get ideas for flowers for the wedding...
LUKE
oh.
LORELAI
...That is now postponed.
LUKE
Right.
LORELAI
But I forgot to call her last night because I did, and, uh, she's there now, waiting for me to pick out flowers.
LUKE
Sorry.
LORELAI
No. Hey. It's my bad. I should have called her last night.
LUKE
No, I meant I was sorry about the... [Sighs] You need a ride?
LORELAI
No... So, I should go. She's probably already there, and --
LUKE
Right. Go.
LORELAI
Okay.
LUKE
I'll see you later.
LORELAI
Yes. Yes, you will.
LUKE
Uh, can I help?
LORELAI
Help what?
LUKE
Help you.
LORELAI
Help me what?
LUKE
Cancel stuff.
LORELAI
Oh.
LUKE
I mean you shouldn't have to do this all by yourself.
LORELAI
No, it's fine. I'm a great canceller. I'm so smooth, people think I'm still gonna show up. I'm good.
LUKE
But –
LORELAI
But I should really get going, I'll see you later?
LUKE
Tonight.
LORELAI
Yeah... unless I cancel. [they both laugh] Just kidding. I'm not going to... oops [remembers to get something from the dresser] Go back to sleep.
LUKE
[Luke gets out of bed and goes to Lorelai] Hold on...
LORELAI
Ow! [They bump into each other]
LUKE
God, I'm sorry. I didn't mean to – [Luke laughs again]
LORELAI
It's fine. It's okay.
LUKE
Uw –
LORELAI
It hurts so good, as Mr. Mellencamp said. Is it bleeding?
LUKE
No, no.
LORELAI
Okay. [Luke sighs] That's okay. I'll see you.
OPENING CREDITS
FLOWER MARKET
[Sookie is looking at the flowers]
SOOKIE
And what are those called?
FLOWER VENDOR
Bluebells.
SOOKIE
Ooh Bluebells, that sounds fancy. And what are those?
FLOWER VENDOR
Fairy wings.
SOOKIE
Fairy wings, so romantic. Do they smell good? Ohh. Terrible. Fairy wings smell like a very different part of the fairy, if you know what I mean.
LORELAI
Sookie!
SOOKIE
Hi! Don't smell the fairy wings.
LORELAI
Don't what?
SOOKIE
[Giggles] Never mind.
LORELAI
Sorry I'm so late.
SOOKIE
That is okay it gave me a chance to scope out the place. Sharon over there has great stuff, but she is completely anti-haggle. "This is my price, and you will pay it." You know what Sharon this is me walking away from you over to Miguel's, who's very haggle-friendly, but his roses suck. Do you want roses?
LORELAI
Sookie... [Trying to get her attention]
SOOKIE
Because if you don't, I saw some bluebells over at Tim's that I know are not your normal-bouquet kind of choice, but we can make something interesting out of them.
LORELAI
Sookie...
SOOKIE
Yes?
LORELAI
The wedding has been postponed.
SOOKIE
What did you do?
LORELAI
What did I do?
SOOKIE
Did you get cold feet? You can't get cold feet. We need to put some nice wool socks on those feet, because Luke is perfect for you.
LORELAI
I know.
SOOKIE
He waited for you to get over Christopher. He waited for you to get over Max.
LORELAI
Sookie.
SOOKIE
Why do you do this? Why do you want to make yourself miserable?
LORELAI
He has a kid.
SOOKIE
Who has a kid?
LORELAI
Luke has a kid.
SOOKIE
Luke has a kid?
LORELAI
Luke has a kid.
SOOKIE
A kid, like a goat?
LORELAI
A kid, like a daughter. She's 12 years old. He found out a few months ago, and he just told me about it yesterday.
SOOKIE
Holy Moly.
LORELAI
He's completely in shock, and he's trying to handle it the best way he can.
SOOKIE
Drinking?
LORELAI
No.
SOOKIE
Xanax?
LORELAI
No. He's trying to be a father, and I applaud that.
SOOKIE
So for 12 years Luke's had a daughter out there just walking around?
LORELAI
Yeah.
SOOKIE
That is crazy! Oh, my god.
LORELAI
What?
SOOKIE
I wonder if Jackson has a love child.
LORELAI
What?
SOOKIE
I saw this kid wandering around town the other day. He looked exactly like Jackson and his voice was exactly like Jackson's, plus he was holding a banana, so I think he likes fruit.
LORELAI
Jackson doesn't have a son he doesn't know about.
SOOKIE
Why not? Luke had a daughter he didn't know anything about.
LORELAI
I know.
SOOKIE
You think Luke's the only one with a past? You think Jackson was a monk when I met him? He had seed, and he passed it around.
LORELAI
Sookie...
SOOKIE
Sorry. Right. Sorry. So, how is Luke?
LORELAI
He's just trying to deal. I mean, he wants to do the right thing by April. That's her name... April.
SOOKIE
Pretty name.
LORELAI
Yeah, he's just trying to figure everything out and the wedding was coming up so fast, we decided to postpone it for a while.
SOOKIE
That sucks.
LORELAI
No, it's okay. It fine, it's just I have calls to make you know, all the plans were made.
SOOKIE
I'm a great dialer. What do you need?
LORELAI
I have to call the printer and the caterer and the photographer and the and the... church the perfect church that only had one date available. I knew it was all too easy. I knew there had to be a catch.
SOOKIE
No, there was not a catch. Luke will get over the shock of this, and he'll figure things out, and everything will be back to a big "go, go, go" again.
LORELAI
Yeah know, Luke will figure it out. Everything will calm down.
SOOKIE
That's right.
LORELAI
I mean, it's all so fresh right now. No one's thinking straight.
SOOKIE
No, they're not.
LORELAI
I mean he could wake up tomorrow and feel completely differently or you know next week, maybe.
SOOKIE
Maybe.
LORELAI
You know maybe I shouldn't cancel everything right away. I mean I still have some time before I lose my deposit on the hall. Maybe I should just chill out and and see what happens. Is that crazy?
SOOKIE
No, it's not crazy at all.
LORELAI
Okay. Then... I'll wait?
SOOKIE
Once more with feeling?
LORELAI
Okay, then, I'll wait.
SOOKIE
Okay.
LORELAI
It's early. Let's get some coffee. [They start walking] Are you talking about that Arnaz kid?
SOOKIE
Yes! That's the one!
LORELAI
Well, he does talk like Jackson.
SOOKIE
I know, and he even gets louder at the end of his sentences!
LORELAI
That's weird.
SOOKIE
I told you so.
YALE COURTYARD
[Rory is working while walking and people are getting out of her way]
LOGAN
Stop. [Rory stops walking] Look. [Rory looks down]
RORY
I don't remember that being there yesterday.
LOGAN
Yesterday you came from the other way, so you missed the trash can but you almost took out the bike rack.
RORY
Thank god I have a guardian angel hanging out by the coffee kiosk.
LOGAN
Well, it's the only place it's safe to stand with a maniac like you walking around. Plus, here, I'm guaranteed to run into you at least three times a day. [hands Rory a coffee] Your usual.
RORY
You've been hanging out at this coffee cart every day.
LOGAN
Yes, it's sad. I'm officially a wuss. If I saw me doing this, I'd beat the crap out of myself.
RORY
You have nothing better to do with your time?
LOGAN
Nothing better than to try and get you back, no.
RORY
You're too slick for your own good, Huntzberger.
LOGAN
Excuse me but this is not slick. This is a Nora Ephron movie. Louis Armstrong should be warbling as we talk. So come on please, put me out of my misery. You promised you'd let me take you to dinner.
RORY
How 'bout Thursday night?
LOGAN
Really?
RORY
Yeah, I'll have turned in my article for the daily news and my Friday morning history class was canceled this week.
LOGAN
Okay, great. Thursday it is 7:30. And do not think of backing out, because I will cry and eat a pint of rocky road while watching "An Affair to Remember." With Rita Wilson
RORY
Of course.
LOGAN
7:30?
RORY
Can't wait.
LOGAN
Eyes on the road. [Rory stops reading and looks up]
LORELAI
AND LUKE'S HOUSE
[Lorelai comes in the from door, dragging a bag of dog food]
LORELAI
[hi pitch voice] Paul Anka, mommy's home! She comes bearing kibble! [puts down the bag] Hey, where are you?! [Closes the front door] Oh, no. [Starts looking for him] What have you done? You're hiding. That means you've done something weird. [Sees a pile of book in front of the book shelves] Oh, seriously? You know some dogs dig! It might be a nice change of pace!
[Checks messages on answering machine, it beeps]
BABETTE
Hey, sugar. I heard some terrible crashing sounds coming from your living room today. I tried to get in, but Luke fixed the back door, so you can't jiggle it off the hinge anymore. [Lorelai starts to clean up the books] You should really talk to him about that, sweetie. Anyhow I hope everything's okay. Call me later if it's not. Bye-bye, toots! [Answering machine beeps]
RICHARD
Lorelai, it's your father. I'm calling to tell you there's been a little mistake with Rory's tuition at Yale. It Seems our check was returned to us. For whatever reason, they did not cash it. Now, don't worry. I'm sure it's just some sort of clerical mix-up. I've been on the phone with the bursar's office all morning. I'm currently waiting for a call from a Mrs. Linwood, and then I'm sure I will get this all cleared up. Tell Rory not to worry. [Lorelai picks up the phone and starts dialing a number] If anyone gives her any trouble, tell them to call me. I will call you later. Goodbye.
THE PUB
[Rory is at a table working her cell phone rings, she looks for it.]
RORY
Hey, mom.
LORELAI
Oh, you got your study voice.
RORY
Yep, It goes with my pop-quiz walk and my term-paper face.
LORELAI
Five minutes?
RORY
Go.
LORELAI
I just got a call from your grandfather.
RORY
[looking a little mad] Oh yeah.
LORELAI
He called to tell me Yale returned his check. He thinks it's a clerical error.
RORY
Huh...
LORELAI
Not a clerical error.
RORY
Nope.
LORELAI
They're gonna find out, kid.
RORY
Yep.
LORELAI
Getting charged by the word on you calling plan?
RORY
What do you want me to say?
LORELAI
How about "what do you think we should do?"
RORY
Nothing.
LORELAI
Rory they're going to find out that Christopher is paying for Yale.
RORY
I know.
LORELAI
And they're not gonna like it. It's gonna go over badly. It's gonna be the opening night of "taboo" all over again.
RORY
They had to find out eventually, mom.
LORELAI
Yes, but shouldn't they find out from you, not some office clerk at Yale?
RORY
What's the worst that can happen? We won't be speaking anymore? Gee, that would suck.
LORELAI
Wow. Ice, ice, baby.
RORY
Sorry, not trying to be cold, but I don't think I should feel guilty because I want my father to pay for college.
LORELAI
No, you shouldn't, but my parents do have feelings. You saw my mom when the gardener butchered her box hedges.
RORY
Okay, fine. I'll send them an e-mail.
LORELAI
Okay, fine, but you could also call and tell them yourself. It'll probably only cost you 75, maybe 80 words.
RORY
[Rory looks at the newspaper in front of her] Oh, no.
LORELAI
What oh, no you saw a rat "oh, no" or you cut off your thumb "oh, no"?
RORY
Paris.
LORELAI
Oh, no.
RORY
I have to call you back. [Rory starts packing up her stuff]
YALE DAILY NEW ROOM
[Paris is in a bad mood]
PARIS
The point is vague.
A.K.
The point is not vague.
PARIS
The point is vague! The conclusions are insane.
[Rory come in the background]
A.K.
The conclusions are Johns Hopkins', not mine.
PARIS
The research is sloppy, the sources are unreliable, the font is wrong, the paper feels thin, and the by-line should read "story by a petulant 2-year-old "who had one too many black and tans last night and so this is what you people get to read." Fix it!
[Walks toward the water cooler]
PARIS
[To Rory] I can't get anyone to write their names on their cups and use them again. It doesn't seem that hard. Open sharpie, write name.
RORY
Maybe people don't want to reuse a paper cup.
PARIS
Well then, hopefully people who don't want to reuse a paper cup won't mind buying SPF 5000 for their grandkids when the rainforest is gone and the ozone layer is a doily and the human race is bursting into flames.
RORY
Maybe we could just tell everyone to bring a mug for their water.
PARIS
We could, but they won't bring a mug, just like they won't properly proof their articles or double-check their sources.
RORY
Paris, did something happen? You seem upset.
PARIS
I'm just dealing with the usual incompetence around here, that's all.
RORY
[Shows Paris the newspaper] What happened here?
PARIS
Our pictures have sucked eggs lately, and so I sent out two photographers to cover the same story. They each came back with about 40 of the crappiest pictures ever to have been committed to film, completely unusable.
RORY
It was supposed to be a picture of a football game.
PARIS
I know.
RORY
Well, was there one with a guy in a helmet holding a football? Because that's really all you need.
PARIS
They were predictable and standard.
RORY
Guy in helmet holding ball.
PARIS
Cover of the Harvard crimson, after the big game, guy with helmet holding ball. Stanford game, guy in helmet holding ball. I wanted something more okay, something that really said something about the game.
RORY
Like "we forgot to go"?
PARIS
And then, of course, when the temperamental artistes found out I had double-booked the gig, they threw Naomi Campbell-level hissy fits and quit.
RORY
So you just left it blank? Why, to make them look bad? Because it doesn't make them look bad. It makes you look bad.
PARIS
It was up to the sports editor to inform me that no picture was approved.
RORY
You needed someone to remind you, you didn't approve a picture?
PARIS
Hey, I have a million different things I am doing here!
RORY
Paris, we cannot be publishing papers that have blank spots in them, and we cannot have all our photographers quit because there's not an endless supply of them.
PARIS
Oh please, how hard is it to look through a hole and push a button? I can do it myself. How are you doing on your story?
RORY
Fine. You'll have it first thing tomorrow morning.
PARIS
Finally, one person I can count on. [Putting papers one someone's desk] These need more work.
BILL
These are locked.
PARIS
Well, unlock them.
You've got entire paragraphs cut out. This is hours of work. The paper comes out tomorrow. I'd have to track down every writer, get them in her to re-write...
PARIS
Then track them down, because those stories are not going in the paper like that. [Walks away and into a “bunker” she has made out of cubical partitions and sheets of iron on top]
BILL
She's out of control. She's a mad dictator. She's the kind of dictator they don't just like to kill. She's the kind I'd like to drag through the streets and then hang from a lamppost for a month and a half.
RORY
Let's just get this paper out. Where's Sheila?
BILL
Sick.
RORY
What about Joni?
BILL
Sick.
RORY
There's an awful lot of sickness going on around here lately.
BILL
Yes, there certainly is and there's probably going to be a lot more very soon. [On the phone] Michelle? Bill. Well, I just talked to Paris and you know what that means. Easy, just the messenger.
[Paris speeds out of the “bunker” to a desk and tears up the papers she was holding, then goes back to the “bunker”]
LORELAI
AND LUKE‘S HOUSE
[Lorelai is at the Kitchen table with a plate of dessert in front of her, she is dialing a number on the phone. The phone rings in Richards office]
RICHARD
Hello?
LORELAI
Hi, dad. It's Lorelai.
EMILY
Lorelai?
LORELAI
Mom?
RICHARD
Emily?
EMILY
Richard?
LORELAI
Rowan? Martin?
RICHARD
Lorelai called me, Emily.
EMILY
She did, what for?
RICHARD
I don't know, she hasn't told me yet.
EMILY
Lorelai, why did you call your father?
LORELAI
Well I just wanted to know how he was doing.
RICHARD
I'm doing fine.
LORELAI
Very glad to hear that.
RICHARD
All right. It's good of you to check in.
EMILY
Goodbye, Lorelai.
LORELAI
Whoa, guys, wait.
RICHARD
Is there more?
LORELAI
More than the nothing there just was? Yes, there's more.
EMILY
Hurry up, please. I'm meeting Bill Chandler at the club, and I'm late.
LORELAI
Okay, well, I just wanted to tell you that there was no mistake with your Yale check.
RICHARD
There wasn't?
LORELAI
No um, they sent you back your check because Yale has already been paid for.
EMILY
By whom?
LORELAI
By Christopher.
EMILY
Christopher who?
LORELAI
Christopher Isherwood. That "cabaret" money was burning a hole in his pocket. You know what Christopher, mom... His grandfather passed away recently and left him some money and he just wanted to do something for Rory. He's trying to be a dad for once. I thought it seemed like a good idea. [Emily slams down the phone]
LORELAI
Hello? Guys, are you there?
RICHARD
I'm here, Lorelai. Your mother had to go.
LORELAI
Oh, dad, please don't read too much into this. I mean, when was the last time Christopher wanted to do anything for Rory? He wants to contribute. This is a good thing... This is not a snub, dad, I swear. Rory and I are so grateful for everything you and mom have done, all the help you've given her. She would not be in Yale right now if it weren't for you and she would never have gone to Chilton. She would have graduated Stars Hollow high and then gone to community college and then beauty school.
RICHARD
I have to go, Lorelai.
LORELAI
Dad!
RICHARD
I appreciate the phone call. I simply wish it had come before I called every person in the bursar's office a moron.
LORELAI
Well... if it will make you feel any better, odds are, at least two of them truly deserved it. [Richard chuckles]
YALE CAFETERIA
[Lorelai and Rory and walking]
LORELAI
I can't believe you didn't dress crazy like we agreed.
RORY
We never agreed to dress crazy.
LORELAI
What are you talking about? We did so, on the phone last night when we made our lunch plans.
RORY
You saying, "hey, let's dress crazy," does not equate to us agreeing to dress crazy.
LORELAI
For years, it did.
RORY
Well, for years, you bought my clothes for me, so I had very little choice.
LORELAI
Oh, so typical, kid grows up, goes to a fancy school, becomes a snob, and is suddenly ashamed of her mother. You totally Mildred Pierced me.
RORY
I did not Mildred Pierce you.
LORELAI
Oh, you'll miss me when I'm gone.
RORY
Oh, my god.
LORELAI
Just an observation. The food here has gotten worse. Ooh, coffee!
RORY
You have coffee in your hand.
LORELAI
By the time she makes a new one, the old one will be gone.
RORY
Okay, two, please.
LORELAI
Two double cappuccinos, please. [Rory hands over some money]
RORY
Thanks for having lunch with me.
LORELAI
Well, you paid.
RORY
So, guess what.
LORELAI
What?
RORY
I'm having dinner with Logan tonight.
LORELAI
So, he finally wormed his way back in, huh?
RORY
He did, at that.
LORELAI
Is he taking you someplace fabulous?
RORY
Odds are.
LORELAI
Want to borrow my scarf?
RORY
Wait for the wedding night?
LORELAI
[giggles] You got it. [Takes coffee from vendor] Ooh, thank you, ma'am. Well, I talked to your grandparents last night.
RORY
Oh, so now they're my grandparents.
LORELAI
I told them about Yale.
RORY
Good.
LORELAI
Good.
RORY
I'm glad.
LORELAI
You're glad I told them or you're glad they know?
RORY
Both.
LORELAI
You want to know how they took it?
RORY
No.
LORELAI
They took it great. Mom practically broke the phone, she hung up so hard, and dad, well, dad was solemn, quiet, sad. It was a huge success. Okay here's how I see it, you and your grandparents are at a huge crossroads. A press-avis if you will. They are the bridges of Madison county, and you are Meryl Streep.
RORY
As the paper pages go flying off the calendar.
LORELAI
Hey, listen to me. I'm serious here. I know you and your grandparents are playing the "who can freeze out who the longest?" Which I know can be fun, but if you ever hope to have a relationship with them again, then someone needs to make the first move. I remember the first Christmas after we left Hartford. We were at The Independence Inn, and I got an invitation to their annual Christmas party, and I didn't go, and that one move defined our entire future relationship. I mean, if I had gone, it would have been awful, but it would have broken the ice, and maybe and I know this is a big "maybe" but maybe we would have been a tad closer than we are now or could ever hope to be.
RORY
Maybe, maybe not.
LORELAI
I just know how much you love your grandparents and how important to you it was to have a relationship with them, and I don't want the fact that you inherited my stubbornness to screw all that up.
RORY
Okay, I hear you.
LORELAI
Do you? Because my scarf is screaming as loud as it can.
RORY
I will think about it.
LORELAI
Alright... You have till 6:45 Friday night, then we're having dinner with them.
RORY
What?!
LORELAI
I made the plans last night.
RORY
But --
LORELAI
Come on, Rory. Friday night dinners, cocktails, Mozart, mind games, good times.
RORY
Yeah, but I'm not so sure about this.
LORELAI
Rory mom already said she's really into this, you can't back out now.
RORY
She is?
LORELAI
Yeah.
RORY
Grandma said she was “into this”?
LORELAI
Well, you know, she didn't say it like that, but she said, [English accent] "oh! Dinner with Rory! "How delightful! Well, spit-spot. Alert the corgis."
RORY
Mom.
LORELAI
Yes, yes, she's into it. Now, what do you say?
RORY
Okay.
LORELAI
Okay? Do you want to wear my scarf to dinner? I know you do.
YALE PAPER NEWS ROOM
[It is abnormally quite, not many people]
RORY
Bill.
BILL
Well, look who's all dressed up for the ball.
RORY
I sent in my story this morning and never got a confirmation call, did you get it?
BILL
Yep.
RORY
Well, no one called me in for a final edit and I need to finish this up now. I have a date tonight. So, who is the copy editor on my piece?
BILL
That would be Michael.
RORY
Well, where is Michael and everyone else?
BILL
Well, let's see. The sports department, city department, entertainment department, and feature department, other than you, have quit. Michael quit. Sylvia quit. Joni quit. Sheila's sick tonight, but as soon as she's better, she's going to quit.
RORY
Great.
BILL
Oh, not done. The senior editor quit. The entire copy department quit. The little fellow who brought around sandwiches in the basket quit.
RORY
Okay, fine, I get it. Everyone quit.
BILL
Not everyone, but close. It was quite an exodus, very biblical. All that was missing were the Cabala bracelets and the Matzo.
RORY
Whatever. We'll figure that out later. Right now I just need to finish my article, so I guess you and I can do it together.
BILL
We could, but I quit, too.
RORY
What?
BILL
Right after Joni. I bowed out. I actually bowed, physically bowed.
RORY
Then what are you doing here?
BILL
Are you kidding, I'm going to have a ringside seat for the event of the century. Tonight will be the first time ever in the history of the Yale daily news that the paper does not come out.
RORY
Very nice.
BILL
D-day, the paper came out. Kennedy gets shot, the paper comes out. But three months of the Geller reign of terror, and the whole damn institution comes tumbling down.
RORY
You suck, Bill.
[Rory goes to the “bunker”]
RORY
Paris? [She goes inside] Holy crap.
PARIS
[she is busy working] I can't talk now.
RORY
What happened to this place? There's no air in here or light. Where are your fire exits? You love fire exits.
PARIS
No one can write a lead, no one.
RORY
[sighs] Paris, do you have any idea what's going on out there?
PARIS
I can't think about that now.
RORY
Half the staff has quit, no more than half the staff has quit and there's no one out there working.
PARIS
There's no one out there working when there's people out there working. Ship of fools.
RORY
Paris, the paper's not gonna come out.
PARIS
Of course it is.
RORY
How? Nothing's done.
PARIS
I'm working on it.
RORY
Alone?
PARIS
I can do it alone. I've been doing it alone for months. No man is an island, but this woman is.
RORY
But, Paris.
PARIS
I've got it all scheduled out. As long as I stick to the schedule, everything's going to be fine. I'm finishing up a review of the drama club's production of "Sweeney Todd" now. Then 9:30 to 10:00, I'm gonna finalize the layout. 10:00 to 11:00 copy editing. 11:00 to 12:30...
RORY
Let me see that... Paris, there's like 100 hours of work on this and 5 hours till the paper comes out.
PARIS
I'll get it done.
RORY
You better get bitten by that radioactive spider pretty damn fast here.
PARIS
I'll get it done, I just have to focus and just have to stop allowing myself to be distracted.
RORY
Paris!
PARIS
[Yells] Don't distract me! [Puts on ear muffs, Rory leaves the “bunker”]
RORY
Okay, everyone, listen up. We have work to do. You, t-shirt, you're doing layout. And, you, saggy pants, get all the heelers' numbers, call them and tell them to get in here, they've just been promoted. And Tally I need Sheila and Joni's numbers A.S.A.P. Come on, people! Move! We've got a paper to get out! [Everyone starts to get busy]
LORELAI
AND LUKE'S HOUSE
[Sookie and Lorelai enter the front door]
SOOKIE
I just think that if Michel had somebody to come home to, he might go home.
LORELAI
Oh, he's been driving me crazy about turning the stable into a spa.
SOOKIE
What would we do with the horses?
LORELAI
Well, we'd work them in. We'd have the first hot-hoof massage on the east coast.
SOOKIE
'Cause they've already got them in California.
LORELAI
Yeah [giggling] Hi, Paul Anka. You haven't done anything weird yet today, I see. Do you remember Sookie?
SOOKIE
Hi, Paul Anka. You're gonna come spend the night with me. Are you sure this is okay?
LORELAI
Yeah It's fine.
SOOKIE
We think a dog would be good for Davey, he love him. I just want to make sure that Jackson and I are dog people first.
LORELAI
Aw, you are.
SOOKIE
Hmm, I mean, I know babies, but dogs...
LORELAI
Are just furry babies. Here keep him occupied for a second.
SOOKIE
Ooo, Hi, Paul Anka. You want to come have a sleepover at my house, huh? [to Lorelai] What are you doing?
LORELAI
Uh, he freaks out if he sees his leash. You have to make sure you hide it from him, make sure he doesn't see you putting it on him.
SOOKIE
How is he once he's on the leash?
LORELAI
Oh he's totally fine having his freedom slowly stripped away as long as he's completely unaware that it's happening, just like a true American. It's all yours. [Hands Sookie the leash]
SOOKIE
Thanks Come on, Paul Anka. Come on we're gonna have fun tonight. Yes we are. [they both giggle]
[Lorelai checks the answering machine for messages]
LUKE
I hope you had a good day with Rory. I would have called you earlier, but I didn't want to interrupt the fun, so I thought I'd try you at home, but you're not at home. Anyhow, April is coming to the diner tonight from 5:00 to 8:00, so I'll see you here after 8:00. Okay, bye.
LORELAI
[snorts] Hum...
SOOKIE
After 8:00?
LORELAI
Yeah, that's what he said.
SOOKIE
I guess you two decided that you're not gonna see the kid.
LORELAI
Yeah, I guess we did. [sounding a little annoyed]
SOOKIE
Hey, if we get a dog, we're gonna name it Chef. Get it? 'Cause I'm a cook.
LORELAI
Oh, cool.
SOOKIE
You want me to leave Paul Anka?
LORELAI
No, take him. I'm great.
SOOKIE
You are?
LORELAI
Yeah, I think that's what we decided. [rolls her eyes]
SOOKIE
[to Paul Anka] Come on. Come on.
LORELAI
Bye, hon.
OUTSIDE THE SODA SHOPPE
[A line of people are waiting, Lorelai walks past and into the shop]
KIRK
One sample per person, people, one sample only. Don't make me use the candy thermometer on you.
[Lorelai enters and sees April through the window sitting at the counter in the dinner]
RUTHIE
[To Lorelai] Hey. There's a line.
LORELAI
Oh, I'm sorry. I was just...
RUTHIE
I know what you were doing.
LORELAI
I wasn't to do anything...
MAN
You're trying to shove in for the free chocolate.
LORELAI
I wasn't trying, [surprised] free chocolate, really?
KIRK
European hot chocolate. It's like mud but chocolaty.
RUTHIE
And you were trying to shove in the line...
BABETTE
Oh, can it, Ruthie. When your foot's not in your mouth, you don't know what to do with yourself. Come on sugar. [guides Lorelai to the counter]
LORELAI
Oh but there's a...
BABETTE
Two, Kirk.
KIRK
You'll have to wait in line...
BABETTE
[takes two from Kirk] Here, doll. Cheers.
LORELAI
Cheers.
BABETTE
Oh, patty, did I tell you about Tilly's new face-lift? Scotch tape. [Patty laughs]
[Lorelai goes over to a table near the window and sits down, to look at April and Luke, In the background Kirk can be heard]
KIRK
Next... here you go... one for you... piping hot chocolate get it's hot.
BABETTE
What are we looking at?
LORELAI
Oh I don't...
MISS PATTY
Oh, I know what we're looking at. We're looking at Luke and his daughter.
LORELAI
How did you know that?
BABETTE
That was page-one news around here for a week. So, what's the scoop?
LORELAI
Oh well, I don't know.
MISS PATTY
All we know is that she's 12 years old and that she's seeking him out.
BABETTE
I heard her mother was that Nardini girl. Remember her,
MISS PATTY
Oh, yeah. She was beautiful.
BABETTE
What's she look like now?
LORELAI
I don't know.
MISS PATTY
You don't?
LORELAI
Well I haven't really meet...
BABETTE
Luke was pretty serious about her. He tell you about them?
LORELAI
No, but I don't tell him about my boyfriends either.
MISS PATTY
Well, no, because he's met all of them already.
LORELAI
He hasn't met all of them, some.
BABETTE
Most.
MISS PATTY
Well, what's the kid like?
BABETTE
Yeah. You get along?
LORELAI
Oh, well, we will.
MISS PATTY
You mean you don't know?
BABETTE
[too Miss Patty] That's to be expected.
MISS PATTY
She looks like a reader. Is she a reader?
BABETTE
Can you imagine Luke with a reader?
MISS PATTY
Oh, I can't imagine Luke with a daughter.
BABETTE
Can you imagine Luke with a kid?
MISS PATTY
Oh, my god, I can't believe that. Luke has a kid. Can you believe Luke has a kid?
LORELAI
He's not a 100-year-old eunuch or anything.
RUTHIE
There's other people here who would like a table.
BABETTE
We're busy. Go lick the empties.
RUTHIE
Busy doing what?
LORELAI
Nothing, nothing.
MISS PATTY
We're looking at Luke's kid.
LORELAI
Patty!
MISS PATTY
Well, honey, everyone knows.
RUTHIE
That's her?
LADY
Luke's kid?
MISS PATTY
Up at the counter.
BABETTE
Lorelai was just about to give us the inside scoop.
[A crowd starts to form around the table]
LORELAI
I was not about to give you the...
MISS PATTY
So, do they want money?
LORELAI
I don't think so...
MISS PATTY
Do you think that Luke's gonna get a lawyer, does he want custody?
LORELAI
I don't know he could...
RUTHIE
Are you sure that's his kid? She's reading.
KIRK
You're clogging up the flow here.
MISS PATTY
We're looking at Luke's kid.
KIRK
So that's Luke's kid. Well, well, well, what is she reading, a book?
[Babette laughs, Crowd murmuring, Lorelai gets up]
LORELAI
Would you excuse me, I just have to, pardon me. Yeah.
[Luke sees the crowd at the table and is annoyed, he didn't see Lorelai leave]
YALE NEWSROOM
[It's busy and Rory is leading still giving orders]
RORY
Okay. No, yes, done, go. And triple-check the changes. Make sure it makes sense. [To Joni] How are we doing?
JONI
I have a very strong opinion that I have no opinion on the opinion piece.
RORY
And the subject is?
JONI
Hand blowers in the bathrooms.
RORY
And the Pulitzer prize goes to? Just make sure it's done in 20 minutes.
SHEILA
Printer's on the phone. We're losing our spot.
RORY
Hello? Who am I speaking to? Hello, Russell. This is Rory Gilmore. What's this I hear about us losing our spot?... Yes... Well, we had an epidemic hit our staff this week, and, unfortunately, it has put us a bit behind. However, we are quickly getting back on track, and maybe, considering the circumstances, you could cut us a little slack, give us a bit of an extension... I know, but we've never asked for it before, and we will never ask for it again... By the way, you sound like a very handsome man, Russell... Yes, I'm using my wiles and everything else I can to get you to... one hour. I'll take it. Thank you, Russell. You have a slightly inappropriate Christmas card coming your way this year. [To the news room] We have a one-hour extension! [Sighs] That one and use them both if we need to fill space.
BILL
Hey, I was cat's-cradling!
RORY
Bill, get your ass out of that chair and work or get your ass out of that chair and leave. Either way, get your ass out of that chair.
BILL
I am not interested in helping Paris do anything.
RORY
You wouldn't be helping Paris. You would be helping me.
BILL
Fine, but if Punxsutawney Phil sticks her head out of her hole, I am out of here.
RORY
Interested in some desking?
BILL
I'm on it.
MAN
Computer crashed again.
RORY
Unplug it and plug it back in. If that doesn't work, call I.T. And get someone over here now. [To Logan] Oh, my god. Our date. I'm so sorry. Paris melted down and everyone quit and the paper wasn't gonna come out, and I only found out about it because no one called me to confirm they got my story, so I called in all the heelers, and I got Sheila and Joni to come in, and I called Pete, who said he was sick, but I threatened his job, so he came in, but he was really sick, so I just sent him home so he did get everyone else sick. Plus, the printers are trying to give our time away, the computers keep crashing, and then there's the tiny little detail of nothing's done. And d-day, the paper came out, and I forgot. I'm sorry.
LOGAN
I can't believe you didn't call me.
RORY
I know, but it's just paper stuff.
LOGAN
I know. I'm on the paper.
RORY
You hate it here.
LOGAN
I know this crap backwards and forwards. I can't believe you didn't even think to call me.
RORY
Well, I'm sorry. I just didn't think you were interested.
LOGAN
Well then I guess you don't know everything, now, do you? So come on what have you got here?
RORY
Well, this is an article on Greenspan. He gave an interview with all this technical economic jargon.
LOGAN
I know the jargon. [Looking at other papers] Are these proofed?
RORY
Yeah, but they're not typed in yet.
LOGAN
I'll do that I'll be faster I type 90 words a minute.
RORY
You do?
LOGAN
You really did only like me for my looks, huh? How you doing on content?
RORY
Uh, still a little short.
LOGAN
Okay, I got a couple stories banked that I didn't give Paris. There in pretty decent shape you can take a look at them.
RORY
Okay.
LOGAN
And just remember, if you still need material, cannibalize everything you have ready for Friday's issue.
RORY
Robbing Peter to pay Paul.
LOGAN
Peter's asking for it. Okay so, who do you have desking?
RORY
Bill.
LOGAN
I'd throw Sheila on there with him. It will hurt his ego and make him work faster. Okay I'll be over here if you need me and [Too Bill] get that yo-yo off the floor. Somebody's gonna break their neck. [Logan walks away and Rory looks pleased]
LORELAI
AND LUKE'S HOUSE
[Their bedroom, they are getting ready for bed]
LUKE
I mean, can you believe she reads? I have a kid who reads. Crazy! She sat there for hours doing her homework, geometry. That's some crazy stuff. I actually bought a book, "geometry for dummies." I stash it in the kitchen and run back there every time she asks me a question, thinking I can keep up with her but I can't figure out what the hell it says. I mean, it's just this mess of weird symbols and shapes and, I wonder if there's another book I could get.
LORELAI
Um, "'geometry for dummies' for dummies"?
LUKE
Yes, exactly.
LORELAI
Luke, she has teachers. And all you have to do is nod and smile. That's what I did with Rory.
LUKE
I just want her to, you know, [sighs] not be embarrassed I'm her dad.
LORELAI
Impossible.
LUKE
Well, step by step you know, first step, making sure she's comfortable around me.
LORELAI
She sure seems to be, I mean, you know, 'cause she's coming here and hanging out at the diner. She wouldn't do that if she was uncomfortable.
LUKE
Yeah, well, she's gonna be with this village of idiots I live in. Do you know tonight, she comes to the diner, right? She's sitting at the counter, doing her homework there. I look over at the Soda Shoppe, and the whole damn town is staring through the window at us.
LORELAI
No!
LUKE
Oh yeah like we're monkeys in a zoo. I could have killed them all.
LORELAI
That's terrible what happened?
LUKE
Nothing she didn't notice anything. She was too busy studying. I just couldn't believe those people. I mean can't they get that this is a private thing, I'm trying to get to know my kid? I mean you understand, you're not all over me about this. You get that we need some alone time.
LORELAI
Oh, yeah, I do. I totally do.
LUKE
Thank you. [they kiss]
LORELAI
Sure. Any time.
YALE NEWSROOM
[People are gathered around a computer, Rory and Logan are up front.]
RORY
Did we verify the dean of admissions quote?
LOGAN
Twice. How are we doing on time?
BILL
Uh, bad.
LOGAN
More specifically?
JONI
10 minutes.
RORY
We'll make it.
LOGAN
We will make it. Spelling on name, it's Cheevers' name?
JONI
c-h-e-e-v-e-r-s.
LOGAN
You're sure about the double e's?
JONI
Not at all.
LOGAN
Two e's it is. Okay. And I'm done.
RORY
Close out. I'll cut and paste it to the final copy.
LOGAN
Closing out. Wow! So, that's what hard work feels like. Apparently I've been avoiding it for a reason. You in Ace.
RORY
I'm in. Proceeding with the cut and paste now.
BILL
[Telephone rings, Bill rushed for it] The daily news.
LOGAN
Aw, man.
RORY
Why are you smiling?
LOGAN
I'm thinking about the hundreds of different ways you owe me for this.
RORY
I owe you nothing. You did this for the greater good. For the glory of the paper.
LOGAN
For a foot massage.
A.K.
Are we close?
RORY
Very, very close.
BILL
Well, kids, hold on to your hats. We are losing our printing time.
RORY
No! Remind Russell about the Christmas card.
BILL
I don't think he cares. He's giving it to the Cart.
RORY
No, he can't!
BILL
He did.
RORY
Ohh! So, that's it? We just lose? After all this work, we just lose?
LOGAN
Keep typing, ace.
RORY
Why? What's the point?
LOGAN
Type!
BILL
Well, I guess you'll be talking on the phone now.
LOGAN
Go away, Bill. Hey... Hay, who am I speaking with? Russell, I'm Logan Huntzberger... Yes, those Huntzbergers... It's great to speak with you, too. I hear there's a problem with our printing time? Uh-huh. No, I completely understand. The first thing I learned from my father is that there's no paper unless it gets to the printer on time. Yes he is quite a legend, my father. I'd love to introduce you to him sometime. Anyway, Russell, the thing is we actually sent the issue to you already... Oh... Yes, at least 15 minutes ago. Now, if you're having a problem with your server, we shouldn't be penalized for that, right? Yeah, it should be in the system right now. Sure. Go check... But before you do, if you could spell your name for me, I want to have the correct pronunciation when I speak with my father. Uh-huh, Russell. Damn! My pen broke. Hold on. [people start looking for a pen, but Logan doesn't really want one] I'm looking for a pen. I'm looking for a pen. Looking for a pen.
RORY
Almost there.
LOGAN
Okay. I found a pen. Here we go. What's your name? "Russell Smith." Okay I didn't really need a pen for that one, now, did I? Okay, Russell Smith, if you go to your computer, [speaking slowly] I am definitely, absolutely sure that you will turn it on and you will see that we, The Yale Daily News, have successfully completed our mission and sent to you our e-mail containing the latest issue of the [back to normal speed] it's all there, man. [Sighs]
RORY
What, what's happening?
LOGAN
You got it? All right, great. It's been great speaking with you, too. I'll tell my father, bye. [hangs up the phone] And that's how we do it at the day news. [Cheers]
PARIS
[coming out of hiding] All right! We got the paper out! That's what I'm talking about, people! Good hustle! Really good hustle! And they said we couldn't do it, huh? Boy, what a rush, right?!
RORY
So, I'm just saying that when that giant asteroid heads toward earth, I want you in that fighter jet.
LOGAN
Thanks for the vote of confidence.
RORY
You saved my ass.
LOGAN
Infinitely worth saving.
RORY
Thank you.
LOGAN
You're welcome. [They kiss]
RORY
I'm sorry we didn't get our dinner.
LOGAN
We didn't... Huh. [pulls a paper bag from his desk] I thought that we did. [sets up some drinks and candle, helps Rory sit and hands her some food.]
RORY
Boy, when you're on...
GILMORE MANSION – OUTSIDE FRONT DOOR
[Lorelai and Rory are looking at the front door]
LORELAI
[Telling a story] Once upon a time, there was a big house with thick glass windows and heavy stone walls and a slightly pornographic fountain in the driveway. And all the animals in the forest were scared of the house 'cause they thought that the house was haunted, and so did all the villagers in the small hamlet of Hartfordshireville. "Maids go in, but they never come out," they would whisper on the street. [To Rory] How are we doing?
RORY
Keep going.
LORELAI
One day, a beautiful, young Cowherderess walked by the house.
RORY
Cowherderess?
LORELAI
Hey, we could just go in, you know?
RORY
Cowherderess is walking by.
LORELAI
And suddenly she felt the unbearable need for a strand of pearls and a snifter of 100-year-old scotch. So, abandoning her cows, she climbed over the high walls and dropped onto the just-redone tiled walkway and rushed toward the enchanted French doors that the queen had never been happy with because the hardware was not what she had picked, and she refused to pay that idiot designer that she hired off of a recommendation, and [To Rory again] okay, seriously, this didn't work when you were 4. I am not sure why you thought it would do any good now. [Sighs] It's gonna be fine.
RORY
I know.
LORELAI
Come on, my little Cowherderess. Do you want to press the bell, or should I? [Rory presses the door bell.]
LORELAI
Hi.
MAID
Hello. Come in.
LORELAI
Oh, thank you. See? We've been invited in. Such a great start, don't you think?
RORY
[quietly] Huh.
MAID
May I take your coats?
LORELAI
Oh, yes, thank you.
MAID
Mr. Gilmore is in the living room.
[They move into the living room, Richard is reading a book.]
LORELAI
Hi. [Chuckles] Hey, dad.
RORY
Hi, grandpa.
RICHARD
Hello, Lorelai. Rory, how nice to see you.
LORELAI
Yeah, you too.
RICHARD
Would you like a drink?
LORELAI
Yeah, that would be great. [Richard goes back to reading]
LORELAI
[A pause] ...I can get it.
RICHARD
Just wanted to finish the sentence. Excellent book, shame to put it down. I hope martinis will be fine.
LORELAI
Ooh, better than fine.
RICHARD
Will Rory be having a martini?
LORELAI
Yes, she will.
RORY
A really small one.
LORELAI
Oh, something smells really good, doesn't it, Rory?
RORY
It does. It smells really good.
EMILY
[Enters from ratio] Oh. You're here.
LORELAI
Oh, mom. Where'd you come from?
RORY
Hi, grandma.
EMILY
Hello, Rory. Are you getting them a drink, Richard?
RICHARD
Yes, I am, Emily.
LORELAI
Something smells really good, mom.
EMILY
Oh, good. Well, enjoy your drinks. They're doing a showing for my art class at the D.A.R., And I'm doing a moonscape. I'm just finishing it up out on the patio.
LORELAI
You're painting?
EMILY
I am.
LORELAI
Right now?
EMILY
Well, you never know when inspiration's going to hit. You know, I'm actually getting pretty good. I think I have a shot at a medal. Excuse me.
RICHARD
Two martinis.
LORELAI
Oh, thank you, dad.
RORY
Boy, that's a serious martini.
RICHARD
Drink what you like. Leave the rest... So, what's new?
LORELAI
Oh, um, well, not too much. Um, things at the inn are going well. Business, you know. Um, we're booked up through...
RICHARD
My martini's not cold enough. How's yours?
LORELAI
Mine's fine.
RICHARD
I'm gonna get new ice. I'll make another batch. [Leaves the room]
RORY
Grandma's outside painting moonscapes.
LORELAI
Well, she thinks she can get a medal.
RORY
I thought you said she wanted me to come.
LORELAI
She did.
RORY
Mom, she is sitting outside in the 40-degree weather painting moonscapes so she doesn't have to be inside with me.
LORELAI
That is not the reason.
RORY
Did she or did she not say she wanted us to come over for dinner?
LORELAI
She did not say it, but I know deep down she does.
RORY
But you lied to me.
RICHARD
[returning] New ice. I can re-shake yours if you like.
LORELAI
Hey, dad, is something wrong?
RICHARD
Wrong?
LORELAI
Yeah, you're very picky about your ice, and mom's painting.
RICHARD
There's nothing wrong, Lorelai.
LORELAI
Is mom still mad?
RICHARD
Mad at whom?
RORY
Mad at me?
RICHARD
Anger is a useless emotion Rory, It's a waste of time. Your mother has a shot at a medal. That's all that's going on around here.
LORELAI
Okay, right. [Goes to the patio door] Mom, could you come in here just for a sec? I'd like to ask you something.
EMILY
Well... all right.
LORELAI
Can you sit down for a minute?
EMILY
Let me go change first.
LORELAI
Sit down first.
EMILY
I can't sit down in my painting clothes.
LORELAI
Why are they painted on?
EMILY
I'll go upstairs and shower and change.
LORELAI
[Angry] Mom!
RICHARD
This ice has a funny taste to it, I'm gonna get some more.
LORELAI
Now, come on, you two. Can we please just talk about this?
EMILY
Talk about what.
LORELAI
You're obviously upset about Christopher paying for Yale and I get it. We should have told you earlier, but let me just explain how it happened.
RORY
No. It's my responsibility. Let me explain.
EMILY
I don't think anyone needs to explain anything except why I'm not being allowed to clean myself.
RORY
He came to me, and he asked if he could do anything and...
RICHARD
this really isn't necessary.
RORY
I let him pay for Yale. He's my father.
EMILY
[Laughs]
LORELAI
You know something I don't, mom?
EMILY
How convenient that he's her father now.
RICHARD
Perhaps your father can reimburse me for the five cases of scotch I had to send the men in the bursar's office.
RORY
I sure he would be happy to.
EMILY
You know what else I find amusing?
LORELAI
"Reno 911!"?
EMILY
I find it very amusing that Christopher is suddenly such a wonderful person.
LORELAI
Mom!
EMILY
It seams to me when I was in cahoots with him, everyone thought that I was a villain, and now suddenly you're in cahoots with him, and that's perfectly fine.
LORELAI
Please don't say "cahoots" anymore. It's disturbing.
EMILY
You're being hypocritical, don't you think?
LORELAI
No I don't, you were trying to break Luke and me up, and I'm trying to put Rory through college.
RICHARD
Rory was already being put through college by us.
EMILY
That's right.
RORY
I didn't want you to pay for it anymore.
EMILY
There, there it is.
RICHARD
So you went to Christopher.
RORY
He came to me.
EMILY
Oh, please. You just wanted to hurt us.
RORY
By taking money from my father?
RICHARD
Yes, exactly!
EMILY
I've had enough of this. I'm going back out to touch up my moonscape.
RICHARD
I have some work to do.
RORY
Fine I have to go anyhow.
[They all start waling away]
LORELAI
Hey!... This is not gonna happen. You're not going back out to your moonscape, you're not going back to work, and you're not going home. Now, we all agreed to have Friday night dinner, and we're here, and I smell dinner, and, yes, apparently there are some issues to be worked out, but no one, and I mean no one, is leaving here until we do!
[Cut to the dining room and diner has started]
RORY
Things were out of control.
EMILY
Not the point, simply not the...
RORY
It is completely the...
RICHARD
Rory, do not cut your grandmother off.
RORY
I'm just saying...
EMILY
You come running to us, begging us to take you in because you can't possibly deal with your mother.
RORY
That's not what happened.
EMILY
We take you in we pay to redecorate the pool house so you can have a place all your own.
RORY
I did not ask you to do that.
EMILY
You accepted it you did not turn it down. I didn't hear you saying, "grandma, stop." I didn't see you throw yourself at the decorators while they were putting up your very expensive wallpaper! And then when you don't like how things are going, you leave!
RICHARD
With no notice, by the way, and you leave two strange boys in our house unsupervised.
EMILY
We're missing two picture frames, by the way.
RORY
Colin and Finn did not steal your pictures!
RICHARD
[yelling] Do not raise your voice to your grandmother!
EMILY
I never realized how spoiled you were, Rory, but I guess that's to be expected. Only children are always spoiled.
RORY
I'm sorry I didn't leave a note.
EMILY
My, that sounds heartfelt. Doesn't that sound heartfelt, Richard?
RICHARD
Well I've never been more touched in all my life.
RORY
I apologize. You don't believe it. I try to defend myself, and you don't want to hear it. So, apparently, there's nothing I can do here.
EMILY
Oh, there's plenty you can do.
RORY
What? What can I do?
EMILY
Well first of all you can admit what you've done. You can apologize!
RORY
I was just trying to apologize!
LORELAI
Cut her some slack, mom! Rory was going through something terrible!
EMILY
Life is full of terrible things, Lorelai.
LORELAI
She was emotional when you're emotional, you don't think clearly. I remember a woman who tried to buy a plane when her granddaughter moved out.
EMILY
I tried to time-share a plane. It is in no way even close to the same thing.
LORELAI
[The maid comes in] I've never been so happy to see a salad in my entire life.
[Cut to later in the meal]
LORELAI
Ugh! I can't believe what I'm hearing!
EMILY
If we'd known the extent of the issue, we might not have taken Rory in.
LORELAI
I tried to tell you!
EMILY
You did not!
LORELAI
I came here and I told you exactly what happened with Mitchum, and you didn't want to hear it.
RICHARD
I don't remember that!
EMILY
I don't either!
[change of seating]
LORELAI
[reenacting the scene, Lorelai is quite worked up] "The Huntzbergers told her she wasn't good enough, and Mitchum told her she didn't have it." "He what?!" "Yes, and now she's dropped out of Yale, but the three of us can knock some sense into her." "Of course we'll help you. This is not happening." "I'll call Charlie Davenport tomorrow." "Thank you, guys, so much. Just thank you." End scene! [Hits the table]
[Cut to desert, every]
LORELAI
This is really good sorbet.
EMILY
I know isn't it? Theresa made it herself.
RORY
Mango?
EMILY
Passion fruit.
LORELAI
Delicious.
RICHARD
It certainly is.
[cut to Lorelai and Rory in the dining room drinking coffee, Emily and Richard can be heard shouting off screen]
RICHARD
What are you thinking, buying an airplane?!
EMILY
I didn't buy it. I looked at it!
RICHARD
Well, what were you doing looking at a plane?!
EMILY
I can look at a plane if I want to look at a plane!
[cut to the living room, everyone is laughing]
EMILY
So I lead her over to the good table, smiling like we are the best friends in the world, and I tell her, "Shira, you don't think Rory "is good enough to be in your family? "She is. We are just as good as you are. "After all, you are nothing but a two-bit gold digger, and how you managed to bag Mitchum I will never know."
LORELAI
You did not.
RICHARD
Oh, yes, she did.
EMILY
I told her Mitchum still plays around.
LORELAI
[gasps]
RICHARD
Oh, no no no. Tell her exactly what you said.
EMILY
What did I say?
RICHARD
About her weight going... [jesters up and down]
EMILY
oh, yes, yes. I got it. I told her, "Mitchum still plays around, you know." Well, of course you know. "That's why your weight goes up and down 30 pounds every 3 months."
LORELAI
[excited] Oh my...
RICHARD
Ruthless woman! [Laughs]
LORELAI
I bow to the foot of the master.
EMILY
I only wished I'd remembered to call her a cocktail waitress.
LORELAI
Ooow. That's my mother's version of the "c" word.
[The all laugh again]
[cut to the dining room again, Rory and Emily are leaving the kitchen going to the living room.]
RORY
I don't want to quit the D.A.R.
EMILY
Well, too late.
RORY
I was accepted and certified grandma. You can't just kick me out.
EMILY
I can to.
RORY
I know the rules backwards and forward, and I have done nothing to lose my status except argue with you, plus I'm in contact with more members than you are.
EMILY
That is not true.
[They reach the living room, Lorelai and Richard and sitting on the couch]
RORY
And I like more of the members than you do.
EMILY
That is not true.
RORY
I talk to Tweenie Halpern all the time.
EMILY
What are you doing talking to Tweenie Halpern?
RORY
I'm friends with Tweenie Halpern, I'm helping her daughter look at colleges. I'm gonna give her a tour of Yale.
EMILY
You have no right to talk to Tweenie Halpern or anyone else in the D.A.R. That is my organization. [she walks off]
RORY
I'm not quitting!
EMILY
Oh, yes, you are!
[Rory follows, leaving Lorelai and Richard on the couch.]
RICHARD
So, how's Luke?
LORELAI
He has a kid.
[Cut to Lorelai and Emily yelling off screen, Rory and Richard are sitting in the living room.]
LORELAI
We were 16! We didn't want to get married!
EMILY
When you get pregnant, you get married! A child needs a mother and a father!
LORELAI
Oh, my god!
[Cut to the later, everyone is sitting in the living room and they all look whipped out, cut to front door exterior. Lorelai and Rory come out, very tired.]
LORELAI
Well... I think we've officially reinstated Friday night dinner.
[They walk off in opposite directions to their own cars]
THE END