Revival E4: “Fall”
Título em Português: “Outono”
Roteiro e direção: Amy Sherman-Palladino
Originalmente exibido em: 25 de novembro de 2016
COLD OPENING
MOTEL ROOM
[Lorelai stands in her room with all her hiking possessions laid out around her she realises her backpack might not be big enough.]
LORELAI
Huh.
[Man and woman arguing indistinctly in another room.]
LORELAI
Huh. [Sighs as she gets out her cell phone.]
LUKE
[On the phone] Hey, it's Luke. Leave a message.
LORELAI
Hey, it's me. I'm standing here in my lovely motel room in its various shades of orange, and brown and DNA samples. I figure as long as I don't break out the black light, I'll be fine. The ice machine is right next door. I've appointed myself ice monitor. Thank you. There will be a badge and a hat. I figure I'll hear people trying to get ice and I can interrogate them. What do they need the ice for? How much do they need? What shape's their bucket in? Basically, I've been alone for exactly 12 hours, and I'm already nuts. So, I thought I would check in and let you know I got here. Getting my pack ready, and How important is food on a hiking trip? Aren't all parts of the pine tree edible? I should get to bed. I'm hitting the trail really early in the morning. Hitting the trail. That's hiking lingo. So I'll keep you posted. [Hangs up]
[Lorelai looks around the room again.]
LORELAI
[sighs] Crap.
[A while later Lorelai has just finished packing.]
LORELAI
[Exhales deeply realizing she missed something.]
[Several scenes as she struggles to close her backpack again.]
LORELAI
[Trying to close her pack again.] No, no, no! No, no, no! I will not win!
[Takes a break and watches TV.]
LORELAI
Yes! Yeah! Yeah! [Moves the pack only to find something on the bed.] No! No! No, no, no, no, no! No, no, no, no! [Throws it out the door.] Hey, what do you need that ice for?
[Next morning, Lorelai is asleep on the floor, surrounded by her things. Man talking indistinctly on TV.]
LORELAI
[gasps] Feet. So many feet. [sighs as she gets up.] Shoot. [Tries to put things in her pack.] This would be great with calliope music playing.
[Some time later Lorelai exits the room, back pack on.]
LORELAI
No one's getting out of this one, boys. [Picks up something that fell from her pack.]
[Lorelai leans up against the door as she watches other ladies leaving their rooms. They all go to their cars.]
START OF THE TRAIL
[Lorelai struggles to walk as she joins other ladies waiting to start their hikes.]
TRACY
What's the holdup?
ALLIE
I don't know.
TRACY
I'm reapplying.
ALLIE
You just put that sunscreen on.
TRACY
Give me some.
WOMAN 1
I brought extra pair of boots to toss over the side.
WOMAN 2
Oh, just like Reese.
WOMAN 1
Just like Reese.
ALLIE
Book or movie?
LORELAI
I'm sorry?
ALLIE
Which one are you? Book or movie? They're movie.
LORELAI
Oh. Uh book. I am book.
ALLIE
We're book, too. You want sunscreen?
LORELAI
No, I'm good.
ALLIE
Are you just starting?
LORELAI
Yes.
ALLIE
Me, too. So excited.
TRACY
I've been planning this for a year. Since my divorce.
ALLIE
Since my mother died. And my divorce. And what about you?
LORELAI
I...
WOMAN 3
Book or movie?
ALL
Book.
WOMAN 3
Oh. [To some one else.] Excuse me. Book or movie?
MELANIE
Movie!
WOMAN 3
Me, too!
LORELAI
Wow. What's she? Off-Broadway?
ALLIE
That's the thru-hiker. She's doing the entire Pacific Crest Trail. All 2,650 miles.
LORELAI
Holy hell.
TRACY
Takes over six months.
LORELAI
Of being dressed like this?
TRACY
Yep. I tried talking to her last night. She just looks right through you.
ALLIE
Somebody told me she's a crazy heiress who does nothing but hike.
TRACY
Someone told me she lost two toes during a freak snow storm.
BILL
Okay. Can I get the attention of the Wild ladies?
ALLIE
Movie or book?
BILL
It actually doesn't matter.
ALLIE
It matters to us.
BILL
There's a storm coming in tonight. So it's going to be rough conditions. Now, all of you have permits and nice big backpacks, so you are welcome to begin your hikes, but it will be a brutal first day. The visibility for boot-throwing will be very bad, so you may want to consider starting tomorrow. Now, for those of you who will not be dead within 20 minutes of exposure to the elements, have your storm gear ready and available to you. And good hiking!
WOMAN 3
It doesn't even matter now.
ALLIE
Think I'm going to wait.
TRACY
Me, too. You?
LORELAI
I guess. Although I'm kinda afraid this thing is like shoes. You take it off, you swell up, you can't get it back on again. [Lorelai walks over to Bill.] Uh, yo, books don't throw boots. Respect the book.
BILL
Shoelaces are untied.
LORELAI
Huh? [Looks down.] Oh, crap. [grunts as the pack almost falls off. She recovers.]
BILL
You'll do great out there.
[Lorelai breaths heavily as she picks up her cap and tries to make a dignified exit.]
STARS HOLLOW TOWN SQUARE
[Rory crosses the road. She proceeds to unlock the Gazette’s front door.]
RORY
Hey, guys, you don't need to lock every lock when you're in here. This isn't an Italian social club.
CHARLIE
Well, well Bernie wanted it locked at all times.
RORY
Well, Bernie's not here.
ESTHER
If you'd just let us arm ourselves.
RORY
No guns! Now, for the next issue, we're going to go with the poem.
CHARLIE
The Fall poem?
RORY
Yes. The Fall poem.
ESTHER
I told you people like the poem.
RORY
Yes. The poem is terrific. Okay, so.. As you were. [Rory starts using the old computer but gets a ‘Get Ready’ message on the screen.] Charlie? Did you accidentally fall asleep writing an e-mail again?
CHARLIE
Well, no, I... I had coffee this morning.
RORY
Esther?
ESTHER
I'm filing. I was at the filing cabinet. You know what that entails.
RORY
Oh. Okay, but... [Rory is distracted as Kirks pig Petal oinks, running down the street. With a sign on its back ‘Kick up a Pumpus’.] Hey, did you guys see that?
CHARLIE
See what?
ESTHER
I'm just trying to file here.
RORY
There was a message on the pig.
CHARLIE
The pig?
ESTHER
Should I come over?
RORY
No. Never mind.
[The old computer beeps and the message disappears.]
LUKE’S DINER
[Jess enters the busy diner, everyone on there phone or computer.]
JESS
Luke? Luke?
WOMAN
[laughs]
JESS
[sighs] Seriously, Luke! Luke, you back there?
[There is a noise and a cloud of floor.]
LUKE
Jeez. Ah. There's Uh, hi. There's flour. Caesar, the flour broke. Bag The flour bag broke. Jess, hey. Is it four o'clock? Yeah, it's four o'clock. It's four o'clock.
JESS
Lucy Ricardo stumbling out next?
LUKE
I broke a bag of flour. It moves.
JESS
Yes. Flour moves. Hey, what is going on out here?
LUKE
Where?
JESS
Diner of the dead.
LUKE
Oh, yeah, some jackass asked me for the Wi-Fi password and a bigger jackass gave it to him.
JESS
You didn't give me that password for six months and I lived here.
LUKE
Well, you didn't catch my big Dumb-Ass Day.
CAESAR
Luke, pick up!
LUKE
Okay. Pick up, pick up, pick up, pick up. [Luke walks off.]
JESS
Whoa!
LUKE
What?
JESS
Wrong way.
LUKE
I got it.
JESS
You okay?
LUKE
Yeah. I'm fine.
JESS
You sure?
LUKE
Yeah. Sure. [To Caesar] What is this?
CAESAR
One bagel split four ways.
LUKE
Oh, Jesus. God. I hate laptoppers.
JESS
Why don't you kick 'em out?
LUKE
Well I didn't have to kick 'em out. I had a perfect system. No password. And then they'd leave on their own. Now they sit around for hours catching old episodes of Doctor Who. I'll see you in an hour.
JESS
So we're off the hook for this thing tonight.
LUKE
What thing?
JESS
We were going to Liz and T. J. 's, to chase off the weirdo vegetable cult?
LUKE
Right.
JESS
Turns out the vegetable cult thought Mom and T. J. were too weird and kicked them out.
LUKE
I see their point.
JESS
We could still grab some food later unless you're palnning a big fight the baking soda.
LUKE
Hilarious.
JESS
So, I'll come by around 8:00? [Starts to walk out.]
LUKE
Great. And then we'll go to Liz and T. J.'s after?
JESS
[Returns to the counter.] Luke, what's up?
LUKE
Nothing. No, I You know, I'm just a little tired. I just need some sleep. That's all.
JESS
Everything okay at home?
LUKE
Fine.
JESS
Fine.
LUKE
Yes. Fine, fine. No. Yes, yes, fine. [Jess goes behind the counter.] What're you doing? Whoa, whoa. Hey, hey. I got work to do, man.
JESS
Come on. You're the owner. Take a break. There you go. Sit. So, you wanna talk about what's going on with you?
[They sit at a free table.]
LUKE
[chuckles] Nope.
JESS
Okay.
LUKE
Lorelai's doing Wild.
JESS
Movie or book? [Luke gives his a look.] Very different experiences.
LUKE
Book.
JESS
A purist. Go on.
LUKE
She's just, uh well, she's doing Wild. Out there. She got on a plane and flew off to California and bought some hiking boots.
JESS
Cute hiking boots?
LUKE
No, the real hiking boots that you can hike in. And this is after we You know, there's been some, uh... [sighs] Between us, it's been...
JESS
Communication problems?
LUKE
Exactly.
JESS
Never experienced that myself. Maybe she wanted a vacation.
LUKE
Yeah, from me. From us.
JESS
No. No.
LUKE
Uh, she's been keeping things from me.
JESS
Guy things?
LUKE
No. Other things. Like, [deep breath] she's been she's been going to a therapist. Do not say, "It's about time. "
JESS
I did not say it. I thought it, but that's the way my mind works.
LUKE
Ah, we've been arguing, like sniping. And, we never sniped, you know. We never picked at each other in public and put each other down and made other people look at us like, "Oops, what's going on?"
JESS
I don't like you using the word "oops."
LUKE
I don't like me using the word “oops” either. I never used the word “oops” before. Now I'm a guy who snipes at his girl and uses the word "oops."
JESS
Well, when does she get back?
LUKE
Three weeks. It's the longest we've been apart since we got together.
JESS
You might be wrong.
LUKE
You think I'm wrong?
JESS
Hey, I'm just hearing headlines.
LUKE
Lorelai Gilmore decides to hike the Pacific Crest Trail to figure some things out. What's that sound like?
JESS
It sounds like she's leaving you.
LUKE
Yeah. [sighs and exhales] Yeah. I gotta get back to work. [sighs as he gets up.]
MAN 1
Can I get a coffee?
LUKE
Yeah. You want food with that maybe?
MAN 1
Nope, just the coffee.
JESS
That's it. [he walks to the back room.]
LUKE
Just the coffee. Just the coffee.
[The diner crowd all start complaining.]
JESS
Merry Christmas. [Tosses Luke the DSL modem]
MAN 2
Oh, man. Bogus.
WOMAN
When are we gonna get a Starbucks?
[Luke smiles as they all leave.]
MOTEL ROOM
[Lorelai is eating meatballs from the packet while watching TV.]
LORELAI
Hmm. [Not liking the taste.] Oh, come on something about this trip has gotta be fun. Sticking sticking to the roof. [Drinks a soda]
[She sighs, gets up and goes outside with the ice bucket.]
[Lorelai hears the other women laughing and talking, decides to check it out.]
MOTEL CAR PARK
[A number of the ladies are sitting around a fire watching Wild on a laptop.]
CHERYL
[Movie] Dear Paul, I woke up this morning and I wrote your name in the sand.
ALLIE
Hey. Come join us.
LORELAI
What's up, ladies?
TRACY
It just got so boring in that room. And there's nothing good to watch on TV. And the drapes smell funny.
ALLIE
And I'm afraid of my pack. I think it's gonna come to life in the middle of the night and kill me.
LORELAI
You should have paid more for the non-homicidal one. Plus it came with a mini flashlight.
TRACY
We're gonna be alone for weeks with no one to talk to, so we figured let's just get it all out now. Box wine?
LORELAI
Sure.
TRACY
Trader Joe's. Three for ten bucks.
LORELAI
Score.
TRACY
I thought boxes would be lighter. You're not supposed to bring bottles.
ALLIE
What's your contraband?
LORELAI
What?
ALLIE
What did you bring that you weren’t supposed to? I brought a mirror and four shades of nail polish.
BRENDA
I brought a ham.
LORELAI
Oh, um, well I brought the key to my storage closet, so if Michel needs a toner cartridge, he just gonna have to go to Staples.
BRENDA
I am so glad I'm doing this. I almost did Eat, Pray, Love, but my miles were blacked out. So, here I am.
ELLORY
The Lean Cuisines are ready. Come and get 'em.
BRENDA
I brought SnackWells and VitaTops for dessert.
LORELAI
Wow, you guys came prepared. Not for hiking, but prepared.
TRACY
So, what's your story?
LORELAI
Oh, no story. Just a punch line.
TRACY
Well, who are you? Where are you from?
LORELAI
My name is Lorelai Gilmore, and I am from a little town in Connecticut.
ELLORY
Are you married?
LORELAI
No.
ALLIE
That's why she's here. I said you were divorced.
LORELAI
Oh, no, I'm not divorced. Well I am divorced, but not from the guy I'm currently with. We just... [inhales] We live together.
ALLIE
And he cheats.
LORELAI
No.
TRACY
You cheat.
LORELAI
No.
ALLIE
He's dumb, and he drinks, and he smells.
LORELAI
Man, I can really pick 'em.
TRACY
Well?
LORELAI
No. He's a good guy.
BRENDA
Are your kids terrible?
ALLIE
We don't know if she has kids.
LORELAI
I have a daughter. She's amazing.
ALLIE
So, you're addicted to Vicodin.
LORELAI
No.
ELLORY
Heroin?
ALLIE
I've heard it's the big housewife drug now.
TRACY
How would you even get heroin?
ALLIE
They sell it behind the Olive Garden down the street.
ELLORY
I'm going to make some French bread pizza. Any takers?
TRACY
Sure.
WOMAN
Me!
BRENDA
[sighs] God, I hope this hike works. I need a new life so badly.
ALLIE
Me, too. I can't imagine waking up like this anymore. I need some clarity. [takes deep breath] Insight.
TRACY
I've waited my whole life to have insight, you know?
LORELAI
Well, I always thought I had insight. [sighs] I thought I knew exactly what I wanted, where I was going, what I was doing and why I was doing it. I was so sure. But, lately, I don't know, things seem hazier. Plus, there's the clocks ticking, and the milestones looming and there's Luke. Suddenly, I feel like I'm standing still. Like the whole world is moving and I'm standing completely still. [sighs] Boy, we're gonna need another box.
STARS HOLLOW TOWN SQUARE
[Night. Rory walks down the deserted street, something is not quite right.]
MAN
[On unicycle] "By the pricking of my thumbs, something wicked this way comes."
BIRD
[talking] Rory. Rory. Get ready, Rory. Get ready, Rory.
RORY
What the... [confused]
[She gets to the Gazette, the front door is open.]
RORY
Hello? Is anyone here? Hello?
ESTHER
In omnia paratus. [holding a flash to light her face.]
RORY
What?
ESTHER
Didn't I say that right? [looks at her note] Yep. That's it.
[Esther walks off as music starts, Rory looks out the office window. Three figure appear dressed in coats and hats, with monkey masks on.]
RORY
[Smiling] Well, I'll be damned. [She walks out side in to the middle of the street.] Are you gentlemen lost?
FINN
Gentlemen did you hear that?
ROBERT
I did and I'm offended.
FINN
Are we going to take that? Letting this girl call us gentlemen?
RORY
Take the masks off.
COLIN
My dear lady, you do not ask a man to drop his facade.
FINN
Not without a 20 in your hand, anyhow.
RORY
What on Earth are you guys doing here?
ROBERT
She speaks to us as if she knows us.
COLIN
As if she has intimate knowledge of us.
RORY
How was your knee surgery, Colin?
COLIN
[taking off the mask] Every single nurse was a man. When did that happen?
[Robert and Finn take off their masks and start walking in circles around Rory.]
ROBERT
So, let's have a look at you here. She seems pale.
RORY
I'm always pale.
FINN
She seems sadly dressed for the fields.
ROBERT
Or riding in boxcars.
COLIN
Or perhaps she's passing herself off as a boy.
FINN
Like Yentl.
COLIN
Tell me, girl, are you Yentl?
RORY
Well, it is Friday, so...
COLIN
Men, I believe we've arrived just in time.
RORY
Time for what?
FINN
"Time for what?" she asks.
ROBERT
Ah, the female sex. They do ask questions.
FINN
There was a meeting, my darling.
RORY
A meeting?
COLIN
A convocation.
ROBERT
An assemblage.
FINN
A conclave.
COLIN
A parley.
FINN
A hen party.
COLIN
There was scotch.
ROBERT
After discussing the minutes from the last meeting and the minutes we took in this meeting discussing the minutes from the last meeting
FINN
There was a lot of scotch.
COLIN
We voted.
LOGAN
[off to the side.] And we decided, that we had to come and take you out.
[Logan hands Rory a hat and coat as “With a Little Help from My Friends” playing. The five of them then proceed to run down the street. Recreating moments from the Beatles in true Life and Death Brigade style.]
[Now watching Kirks movie.]
KIRK
[In his Film] It's an omen. Petal, no!
ROBERT
Superb!
FINN
A lost classic.
LOGAN
Another La Dolce Vita.
RORY
They're remaking it with Gosling.
COLIN
First Arthur, now this. They never learn.
ALL
[clashing glasses] Cheers!
COLIN
What time is it?
FINN
Time is but a relative concept.
RORY
10:15.
LOGAN
Time to hit the road.
DRIVING DOWN A ROAD
[They are now in a classic convertible.]
[Howling]
[“With a Little Help from My Friends” continues playing.]
STREET
[The tires screech as the car stops on a deserted street.]
[They exit the car and run to a near by alley where Logan knocks of a door. A check window opens, the they are allowed to enter.]
[Its an under ground club with people dancing and a modern version on “With a Little Help from My Friends” is playing.]
LOGAN
Wanna try that?
RORY
[chuckles] Hell no.
[But she down anyway. Logan and Rory start dancing.]
[New scene in the club with different music.]
WOMAN
[crossing the floor] Cigars, cigarillos, e-cigs, vapes. Cigars, cigarillos, e-cigs, vapes. Cigars, cigarillos...
[Robert and Colin sit at a table with some ladies.]
ROBERT
Another bottle.
DORIS
My mother taught me to only drink very expensive champagne.
ROBERT
That's funny. Your mother taught me the same thing.
COLIN
Don't they ever play any other kind of music?
ROBERT
In a tango club? No. They tend to stay on message.
COLIN
It's extremely irritating.
DORIS
You need to learn to enjoy things more.
COLIN
Why's the waitress sitting?
ROBERT
This is not the waitress. This is my newly minted fiancé. What is your name again, sweetheart?
DORIS
Doris.
ROBERT
We can fix that.
COLIN
It's nice to meet you, Doris. [To Robert] Check your wallet before you leave. [Announcing] I'm bored. I think I'm going to buy the club.
FINN
[Taking Colin’s seat.] Martini, darling. Two olives. And for the love of God, hurry back.
ROBERT
Finn, isn't that a guy?
FINN
Only till next Tuesday.
[Close by at a private table. A waiter brings Rory and Logan some drinks.]
RORY
How's your foot?
LOGAN
I do not think it's broken.
RORY
Well, good.
LOGAN
You're still a terrible dancer.
RORY
Agreed.
LOGAN
But damn, you are a beauty.
RORY
Save the sweet talk, Huntzberger.
LOGAN
Well, you are.
RORY
I'm not going Dutch, so...
LOGAN
[chuckles] Rats. [Taking a drink.] Glad I came?
RORY
Why did you come?
LOGAN
Well, it was my turn to walk Finn.
RORY
Sure.
LOGAN
I did not like the way we left things.
RORY
Yeah. Me neither.
LOGAN
I should've told you about Odette moving in.
RORY
Nope. That was not the agreement.
LOGAN
I know.
RORY
You owed me nothing.
LOGAN
Technically no, but...
RORY
No strings. When we're together, we're together. When we're not, we're not.
LOGAN
So, how are you?
RORY
Oh, well, I'm okay.
LOGAN
Did you fix things with Lorelai?
RORY
Not yet. I've been crashing at Lane's.
LOGAN
No word from her at all?
RORY
Nope. What time is it?
LOGAN
Why? You bored?
RORY
One thing I can honestly say, I've never been bored with you.
LOGAN
Yeah. We're good like that. I have something for you.
RORY
What is that?
LOGAN
That is a key.
RORY
To?
LOGAN
To my family's house in Maine. It's a great place. Private, on the water. It's completely empty. No one ever uses it. My dad only bought it because Martha Stewart wanted it. They had a business thing fall through. He was pissed.
RORY
[chuckles] Wow, your family life's different.
LOGAN
It's yours.
RORY
Um you're giving me a house?
LOGAN
It's yours to use. To write that book.
RORY
What?
LOGAN
Go stay as long as you want. Just work.
RORY
Logan.
LOGAN
There's a groundskeeper. He'll look after you. The cleaning lady comes twice a week. She'll cook for you. She'll shop for you.
RORY
I can't.
LOGAN
Yes, you can. You need to do this. Write this book. It's time. Please. Take the key.
[Rory takes the key.]
RORY
Are you really gonna marry Odette?
LOGAN
That's the dynastic plan.
COLIN
[in the distance] Out of the way. You two, scram. Ladies and gentlemen, I've purchased this fine establishment, and as owner, I've decided that the only music we'll play is this. [A songs starts] Yes! All Rosemary Clooney all the time. Try tangoing to that, huh? Money is great.
THE KING’S HEAD INN
[The gang enter an upmarket B&B.]
FINN
Gentlemen, this is a raid. Send out your women, children, hounds and horses.
RORY
Finn! Shh.
FINN
I won't be shushed with horses and hounds at stake.
COLIN
God could this place be any more British? I bet they have Hugh Grant stuck in a closet.
RORY
I hope they have rooms. Is anyone working here?
COLIN
Oh, God, Princess Diana. Of course. Your Highness.
RORY
Maybe we should go someplace else. Hey, where are we?
RORY
New Hampshire.
LOGAN
New Hampshire?
RORY
How did we get to New Hampshire?
ROBERT
Turned right at Vermont. I'm starving.
RORY
I don't think they're open.
LOGAN
They're not. We bought the place out.
RORY
What?
LOGAN
Every room. It's just us.
FINN
And all this lovely booze. [To a dear head mounted on the wall.] Hello, darling. What's your name?
RORY
You have officially thought of everything.
ROBERT
Except food. There's no food.
FINN
Hmm. Darling, where's the rest of you?
RORY
Stop taunting the heads, Finn.
ROBERT
I wonder if there's a kitchen.
LOGAN
Try the back.
ROBERT
You coming, Finn?
FINN
Right behind you.
COLIN
I know there's a picture of Mr. Bean around here somewhere.
LOGAN
So here.
RORY
Wow. More keys.
LOGAN
I didn't know where we stood. I got you a room.
RORY
Oh Well, where's your room?
LOGAN
Uh, right across from yours.
RORY
[Kissing Logan] Show me.
COLIN
Ha! Found it. I wonder how much this place costs.
LORELIE’S MOTEL ROOM
[Lorelai has a roll or duct tape.]
LORELAI
Okay. I got your call of the wild right here, pal. Yeah.
MOTEL EXTERIOR
[Lorelai exits her room.]
LORELAI
Hey, Brenda.
BRENDA
Hey, Lorelai.
LORELAI
Hey, Tracey.
TRACY
Hey, Lorelai.
LORELAI
Allie, thanks for the tape.
ALLIE
Oh, you're welcome.
[They all go to their cars.]
THE KING’S HEAD INN
[Rory is away and sitting at the window.]
LOGAN
Hey. How long have you been sitting there?
RORY
Just watching the sun come up.
LOGAN
Come back to bed.
RORY
How long before you have to get back?
LOGAN
Oh, I have time.
RORY
How long?
LOGAN
Long enough. [Rory looks at Logan.] I have a flight out at noon. Don't do the math.
RORY
Someone needs to.
LOGAN
Okay, so there's this great diner down the road. It's not your beloved Luke's, but it has an amazing breakfast.
RORY
It's really pretty here.
LOGAN
Well, I wanted it to be special.
RORY
It was. It was a perfect night.
LOGAN
Hey, Ace? Something going on in that head of yours?
RORY
Here. [Hands Logan the key]
LOGAN
No, no. I told you. It's yours. Use it to write.
RORY
I don't need it. I know where I'm going to write.
LOGAN
Okay.
RORY
Breakfast sounds good.
LOGAN
Hey...
RORY
Come on. [sniffles] We have to get you home.
THE KING’S HEAD INN
[Rory and Logan come down the stairs to join the others.]
FINN
There they are. Breakfast martinis, children?
RORY
No, thank you Finn.
FINN
It can only help.
LOGAN
I'll have one.
RORY
What happened to you?
ROBERT
Ask him.
RORY
Did you hit Robert?
FINN
I have no idea.
ROBERT
He has a very good idea.
FINN
Actually, I do. Because my fist is showing signs of an altercation, but the memory of the actual assault is gone.
ROBERT
I said he was from New Zealand.
FINN
Only a man with no heart would say that to me.
COLIN
Did I buy a tango club last night and a 1983 Dodge Colt?
LOGAN
I did not know about the Colt.
COLIN
Damn. My fourth Colt this month.
FINN
Mother is judging us.
LOGAN
No, she's not.
RORY
Yes, she is. Let me see your eye. It looks fine.
ROBERT
Good. I'll take this medium rare.
RORY
You'll have to cook your own steak. [sighs] Well, boys, my car is almost here.
LOGAN
What? We have a car.
COLIN
Two actually, if the Colt runs.
RORY
No. I got my own car. I need to get back. I need to get started.
FINN
No, no, no. We had a whole morning planned. Uh no one's naked yet. You can't just rush off like this. Logan, tell her!
LOGAN
I don't think she's listening to me any more boys.
ROBERT
But when will we see you again?
RORY
I don't know.
FINN
Oh, this is it? This is goodbye? No.
ROBERT
We love you, Rory.
RORY
I love you all, too. [sighs] Oh, Robert, don't cry. Your eye will swell up terribly. Here take your steak.
ROBERT
Now I know I have a heart 'cause it's breaking.
[Rory kisses Robert on the cheek.]
RORY
Goodbye, Colin. I'm going to miss the way that you get drunk and randomly buy things you don't need, like clubs and cars.
COLIN
And bed and breakfasts? Oh, yeah.
RORY
Oh, Colin. [Kissing him on the cheek.] [whispering to Finn] I think I'll miss you most of all.
COLIN
Hey, we heard that.
ROBERT
Yeah. Thanks a lot.
FINN
Stay photogenic, I beg of you.
RORY
[sniffles]
ROBERT
We'll meet you at the diner.
COLIN
Logan has the keys.
ROBERT
Well then, we'll walk.
FINN
Will we? How novel. So this is walking? I don't care for it actually.
LOGAN
Sure you don't want breakfast?
RORY
I'm sure.
LOGAN
I'd like to drive you back.
RORY
I know.
LOGAN
I dragged you out here
RORY
You didn't drag me. You took me on my own Mr. Toad's Wild Ride. How many girls can say that?
LOGAN
Didn't work though, did it?
RORY
Every ride has to end.
LOGAN
Okay. So [sighs] let's do this. [he kisses Rory tenderly] If you change your mind about the house, it's yours. No strings attached.
RORY
I think your days of rescuing me are over.
LOGAN
You never needed rescuing, Ace. You know that.
RORY
I do now.
[Logan puts the hat on Rory and stands back.]
LOGAN
Yeah, just like that.
[Logan leave.]
START OF THE HIKE
[Lorelai and ladies gathered, waiting for the ranger.]
TRACY
I heard she hasn't slept since Oregon.
ALLIE
Nobody's ever seen her eat.
BRENDA
Someone said she punched a bear.
CAROL
I eat. I sleep. My name's Carol. I'm a lawyer. I have two kids, both grown. I have all my toes. And I didn't punch a bear. It was a possum, and he had it coming.
[Carol gets her permit and walks to the ranger, who lets her by.]
PARK RANGER
[Different Ranger] Good morning, everybody. The weather is beautiful today. You should have no problem in that area. However, there is still a high probability that any outdoor activity motivated by watching a movie is probably going to end in some sort of hospitalization. Just putting that out there.
ALLIE
Oh, screw this guy. I am the book, damn it!
[Allie also gets her permit out and moves off.]
TRACY
You good on sunscreen?
LORELAI
I'm good.
TRACY
When this is over, I'm gonna be so thin! Allie, wait!
ALLIE
Cannot afford to slow down. Bye, Lorelai!
[The ladies all start to file past the ranger with their permits in hand.]
LORELAI
Bye, Tracey! Bye, Allie!
TRACY
Be sure to send me pictures of that crazy town of yours!
LORELAI
I'll do that! [To the Ranger] Hi there.
PARK RANGER
Uh just need your permit.
LORELAI
Oh. Hold, please. I thought I put it in my pocket. I usually well, I don't usually do any of this. I mean, who does? Unless you're on the lam. Which I am not. [chuckles] Oh, I have a permit. I showed it to your friend yesterday.
PARK RANGER
What friend?
LORELAI
The guy who was standing here dressed like you.
PARK RANGER
He's not my friend.
LORELAI
So he's just a rival ranger who stole your pants?
PARK RANGER
He did not steal my pants. He wore his own pants. Every ranger wears the same pants.
LORELAI
I'm sure you know him.
PARK RANGER
Nope.
LORELAI
Brown hair, disdainful voice? You must've seen him in the clubhouse.
PARK RANGER
We don't have a clubhouse.
LORELAI
You have a uniform, you should have a clubhouse.
PARK RANGER
Your permit?
LORELAI
Uh, is there a list? I'd be on it.
PARK RANGER
There is no list.
LORELAI
Well how do you keep track of everyone if there is no list?
PARK RANGER
We look at your permit.
LORELAI
Well, I have a permit. I showed it to your friend yesterday, and I can prove it. He stood here and gave a speech about how we were gonna die because of the weather. He said, "You all have permits, so you can go, but you shouldn't."
PARK RANGER
Good speech.
LORELAI
If I was there for the speech, then he saw my permit, because he said, "You all have permits," and I was part of "you all." That was me I'm the "all" in "you all."
PARK RANGER
Great.
LORELAI
So I can go?
PARK RANGER
As soon as I see your permit.
LORELAI
I have my permit, but it's not in my coat or my jeans. If it's not in my coat or jeans, there's a really good chance it's packed in there. And if it's in there, it is really packed in there. And the minute I open this thing up, it's like The Hurt Locker. No one survives.
PARK RANGER
I can't let you through without a permit.
LORELAI
[sighs] Come on. [gasps as she puts the pack on the ground] Oh, my God. [sighs as things fall out.] Look if I open this up, I'll never get it re-packed.
PARK RANGER
What were you gonna do on the trail?
LORELAI
Die. Right?
PARK RANGER
I don't know what to tell you.
LORELAI
How about "Go ahead"? [sighs] Look, what's your name?
PARK RANGER
Park Ranger.
LORELAI
All right, Park. I came all the way here from this tiny town in Connecticut just to walk out there and look at the wilderness, and stare at the beautiful trees, and bathe in the crystal clear lakes, and think super deep thoughts. And I know that a handsome, strapping man like you understands the deep, throbbing, primal need to connect with woodchucks and just imagine, underneath all this, I am really hot.
PARK RANGER
Ma'am, I'm a park ranger.
LORELAI
I don't know what that means.
PARK RANGER
That means no permit, no hiking.
LORELAI
Can I bribe you?
PARK RANGER
Sure.
LORELAI
My wallet's in the pack.
PARK RANGER
I will see you tomorrow.
LORELAI
[sighs] All right, well, see you tomorrow. [grunts] I got it. [panting] [the ranger points to the stuff on the ground] That's... You... you can have that.
ROAD SIDE CAFÉ
[Lorelai pulls up in her rental car and gets out.]
LORELAI
[sighs, the café is closed] Aw, come on. [tries the next door, closed also.] I hate nature.
[Dog barking in the distance.]
[Lorelai walks past the shops and down a path to find a view of the countryside. She gets out her cell phone.]
GILMORE MANSION – EMILY’S BEDROOM
[She is still in bed and answers the phone.]
EMILY
Hello?
LORELAI
I was 13 years old.
EMILY
Lorelai?
LORELAI
[tearful] It was my birthday. And Royston Sinclair III had broken my heart in front of everyone. I'd snuck into your closet that morning and took that green beaded top that was your mother's, that you kept so carefully wrapped up in tissue paper in your cedar closet. I was never supposed to touch it. But I stole it, and I wore it to school with my Chemin de Fer sailor jeans, and I thought no one was as stylish as I was. But Royston laughed. He said I was cheap. He said the only reason he'd been my boyfriend was because he was mad at Angie Morgan and he wasn't anymore. He called me loud and weird. He said there was a rumor going around that I wasn't actually a Gilmore. That I was the gardener's daughter and you'd bought me because you couldn't have children of your own. And I was crushed. And I ran out of class and I ran out of school, and I went to the mall. And I was sitting in the food court, wishing I had some money to buy a pretzel 'cause I was starving, and I looked up and there was Dad. Standing in front of me at the mall. He never came to the mall. That day, he went to the mall. And he was furious. "Why aren't you in school?" he asked. "Tell me right now, Lorelai. Why aren't you in school?" And I tried to think of something, some lie that would make sense, but I couldn't. All I could think was that yesterday I had a boyfriend who loved me and today I didn't. [sniffles] And I started to cry. I just sat there like an idiot, bawling. And finally after what seemed like forever, I managed to control myself a little bit, and I calmed down. And I waited. I waited for him to yell at me, to punish me, to ground me forever, to tell me how disappointed he was in me. And nothing came. And finally, [voice breaking] I got up enough courage to look up at him, and he was standing there with a pretzel. A giant pretzel covered with mustard. [sobs] And he handed it to me and he said, "Let's go. " And he took me to the movies. We saw Grease and An Unmarried Woman. Something for me and something for him, he said. He bought me popcorn and Red Hots, and we sat in the dark and we watched. And then he took me home, and he gave me his sweater to cover up the stolen top, and he told you that he'd picked me up from school and taken me to the club for a soda. And that was it. We never discussed it again. [sobbing] It was the best birthday I ever had. I just thought you should know.
EMILY
Thank you, Lorelai.
LORELAI
Bye, Mom.
[Line hangs up]
EMILY
[sighs, smiling and happy.]
ROAD SIDE
[Lorelai drives over, leaving a FREE sign on her back pack.]
LUKE
AND LORELAI’S HOUSE
[Luke is in the kitchen cooking dinner.]
LUKE
It's no use you sitting there looking at me. You're not getting this until it cools down. It's stupid enough that I buy your own steak. It's even stupider that I cook it for you. I'm not gonna blow on it so you can get it sooner. That only works with Lorelai, so don't even... [Paul Anker paws at Luke’s leg. He caves and blows on the hot steak.] You tell anyone about this, and we are getting a cat.
[The back door opens.]
LUKE
Lorelai. What are you doing home?
LORELAI
Don't come near me.
LUKE
Why?
LORELAI
Because I smell. Every part of me smells. I... I didn't even hike and I smell. I showered and I took the plane back home. I haven't been near a cactus in the last 24 hours. And apparently all you have to do is think about hiking and you smell.
LUKE
You didn't hike?
LORELAI
I tried but they wouldn't let me.
LUKE
Why not?
LORELAI
Because I forgot things, I taped dried stew to my pack Anyway, I didn't hike. But, see, I didn't actually go to hike. I mean, I went to hike, but I only wanted to figure something out. I figured it out without hiking, which was great, 'cause the thru-hiker looked like Christian Bale in The Machinist. She knew how to get all that crap in her pack.
LUKE
Lorelai, I...
LORELAI
I was getting coffee I should've known it would have something to do with coffee. Everything in my life has something to do with coffee. I believe, in a former life, I was coffee. But the place was closed. And I had to wait, and I walked around the back and there was this hill. And I don't know why, but I walked up the hill and there was this vista, and suddenly something became completely clear to me. [sighs] Luke
LUKE
Stop! I know what you're doing.
LORELAI
You do?
LUKE
You're getting ready to leave me, and I have to tell you it's a big mistake.
LORELAI
Wait, Luke...
LUKE
I've seen the signs, I’ve seen them coming for months.
LORELAI
What signs?
LUKE
Your bolting signs. You know, the distance, the therapy, then suddenly you know you’re gonna do Wild? Really? You're gonna go hiking alone, with nothing else involved? No music festival or Hello Kitty booth. Just you and nature.
LORELAI
I admit it sounded weird.
LUKE
I don't care what anybody says. Needing space is never a good thing. Ever. I needed space before. I needed space with Nicole and we got divorced. I mean that's what "needing space" means. It means, "I need space and the number of a good attorney."
LORELAI
Luke, just...
LUKE
We have been through too much here, you and me, okay? I mean I know things aren't perfect and there's been some issues alright. You've kept things from me and I've kept things from you. You wanted me to sleep with all those women.
LORELAI
We've got to clarify how this surrogate thing works.
LUKE
I am not unhappy, okay? I am not unsatisfied. You think I'm unhappy and unsatisfied, and I can't convince you that I am not! I mean [stammers] this right here is all I will ever need. I never thought that it would happen. That you and me that we, would happen. But we did. Listen, I know I am not the easiest guy in the world to build a life with and to share a house with, but there is no one who will be more here for you than me. I will never leave. I will never think about leaving. I will do whatever it takes to fix what's wrong. I'll go to your nutty therapist. I'll open up a franchise if that's who you want me to be, I'll run the kitchen at your inn. I'll give you back the entire closet. I only took that half because you insisted I do it. I just figured you would take it back eventually, anyhow.
LORELAI
I already started. I didn't know if you noticed.
LUKE
It started to look pink.
LORELAI
There were sparkles.
LUKE
It's yours. Take it.
LORELAI
I don't want it.
LUKE
Please take it.
LORELAI
I don't need it.
LUKE
Yes, you do! You need it. You need the space, and I need you. God damn it, Lorelai! We have been through so much. I mean, we have We've watched each other go from person to person. I mean, there was Rachel, and Max and Christopher! I had to watch you marry that guy! It was awful. But we we made it here. We made it through all of that. I mean, you can't leave. You just you just can't leave
LORELAI
Luke! [sighs] I think we should get married.
LUKE
[softly] What?
LORELAI
We've waited way too long.
LUKE
But I.. I thought...
LORELAI
I already picked a date. It's this month. It's on a Sunday because you close early Sunday, anyhow.
LUKE
Doesn't matter really. It's all set.
LUKE
It's set?
LORELAI
[chuckles] It's all set.
[Luke turns and walks to the other room.]
LORELAI
Exactly the reaction I was looking for. [Lorelai chuckles as he returns.]
LUKE
I should probably get a... a better one or a newer one.
LORELAI
Don't you dare.
LUKE
Just gotta tell ya before this thing goes on, you got to realize the only way out is in a body bag.
LORELAI
Now we don't have to write our vows.
[They kiss.]
SEASIDE HOUSE – MARTHA’S VINYARD
[Berta’s family along with Emily are outside enjoying the fall afternoon.]
BERTA
[Speaking her language.]
JACK
Two limes as requested.
EMILY
Thank you, Jack.
JACK
[takes a deep breath] Em, listen, I've got some bad news.
EMILY
Lobster's fine.
JACK
What?
EMILY
What?
JACK
I was talking about my news.
EMILY
What news?
JACK
I have to go back to the city.
EMILY
Today?
JACK
Yes.
EMILY
Oh. Well, that is too bad. [They start walking towards the house.] Berta!
JACK
I feel terrible. I was gonna take you to the Whaling Museum.
EMILY
Well, next time. [to Berta] Mr. Smith is heading back to Hartford. Get his Mr. Smith is His bag.
BERTA
Ah, ah, ah.
EMILY
He's going bye-bye.
JACK
You should find people you can understand them.
EMILY
I'm working on it. [Both chuckle] Well, drive safely.
JACK
Uh-huh.
EMILY
Ah, thank you, Berta.
JACK
Oh, yes. Gracias, Berta.
BERTA
Bye-bye.
EMILY
I'll call you later to check in, all right?
JACK
I wish my first three wives had been as understanding as you.
EMILY
Yes, that would've been helpful.
JACK
I'll miss you.
EMILY
Of course you will.
[both chuckle]
INSIDE THE HOUSE
[Emily enters and closes the door, breathes deeply. She puts on some music.]
NANTUCKET WHALING MUSEUM
[Emily is wandering around the museum, the tour guide can be heard.]
TOUR GUIDE
The manufacturing of candles from the head matter of sperm whales began in America around 1748. Nantucketer Christopher Hussey killed the island's first sperm whale in 1712. From then on, sperm whales became the specialty of Nantucket whalers. Whales were very important to Nantucketers. In addition to oil for lamps, whales were used for food, the bones were used to make skirt hoops, umbrellas, furniture springs...
BOY 1
Is that a whale?
TOUR GUIDE
That is a whale, yes.
BOY 1
It's big.
TOUR GUIDE
It is big. Very big.
BOY 2
Is he dead?
TOUR GUIDE
I don't know. Now where was I?
EMILY
Umbrellas, furniture springs.
TOUR GUIDE
Oh, right. Umbrellas, furniture springs, buggy whips, toys, collar stays, springs in early typewriters, curtain pulls, dog collars, back scratchers, bicycle spokes, hairpins, toothpicks, flag poles.
RORY’S CAR
[Rory driving, listening to her messages.]
EMILY
[hands free phone] Rory, it's your grandmother. I am so sorry to have missed your call. Yes, I am in Nantucket, and yes, the house is empty, and yes, it is all yours. Berta and the family are with me, but there are fresh sheets on the bed in the guest room, and there's some wonderful dishes in the freezer. I have no idea what they are or what's in them, but Berta made them and they are divine. Call if you need anything.
[Rory looks at the portrait of Richard. La-La music playing. She wanders in to the dinning room. Remembering a past Friday Night Dinner.]
EMILY
[echoing] ...we have with Lorelai and Rory? She knows what time we dine. Why are you eating so quickly?
LORELAI
[Day dream] We're not eating quickly.
RORY
[Day dream] Yeah you've been on the phone for a while, it probably just seems like we've eaten a lot.
[Phone rings. Rory walks to the kitchen.]
EMILY
[Day dream] Who could that be?
RICHARD
[Day dream] Emily.
[Doorbell rings]
EMILY
[Day dream] Aren't we popular? Richard, perhaps you could get that while I have another bath sheet versus bath towel debate with your mother.
[Rory makes her way to the kitchen, reading a note in chalk from Richard.]
RORY
[Day dream] I'm gonna make it.
EMILY
[Day dream] Rory, you're not serious.
RICHARD
[Day dream] That hardly looks like dinner.
EMILY
[Day dream] I agree. Rory, that's food you eat at the carnival or in a Turkish prison.
RORY
[Day dream] I promise you're gonna love it.
EMILY
[Day dream] But...
RORY
[Day dream] Listen, just leave it up to me. You guys go back into the living room, and I'll call you when it's ready.
[Rory is now in Richards office, she sees him in her day dream at his desk, as she enters. Then proceeds to sit at the desk and starts working on her book. She’s found her work place.]
STARS HOLLOW TOWN SQUARE
[Petal running around the Fall displays.]
DRAGONFLY INN
[Lorelai and Michel are conducting interviews in the sitting area near the front door.]
LORELAI
Well, Damon, it's a very impressive resume.
DAMON
And here are my references, in case you need them.
MICHEL
Oh, we will. Believe me. Oh, come on. Ian Schrager as a reference?
DAMON
He recruited me out of college.
LORELAI
Interesting. I'm just wondering why you didn't stay in the Ian Schrager world. Why are you looking at a small place?
MICHEL
Yes, any skeletons in that closet of yours? Drug problems? Cheating scandals? Played Rolfe in The Sound of Music one too many times?
DAMON
I just wanted to experience some other management styles.
LORELAI
That's very commendable.
MICHEL
Yes. Big gold star for you.
LORELAI
Um, well, we are meeting other candidates, but you're definitely in the running. [Stands and shakes his hand.] Thank you so much for coming in, Damon.
DAMON
It was nice to meet you. [Tried to shake Michels hand.]
MICHEL
So long, farewell Auf Wiedersehen, good night. I know. I was rude.
LORELAI
And off-key. I don't care.
MICHEL
I don't like that someone else will be working here.
LORELAI
Neither do I.
MICHEL
Mini Ian Schrager is going to put velvet ropes up all over the place for Chloe Sevigny to trip over.
LORELAI
Next up, Molly Daniel.
MICHEL
Ugh, her last name's a first name. I hate that. Was I ever that young?
LORELAI
No.
MICHEL
Oh.
[Lorelai’s phone vibrates.]
LORELAI
Plumber.
MICHEL
Oh, go. I'll do this. And tell him we aren't paying for the new faucets. They are vile!
LORELAI
Mkay. Hey, Ed. Can you hold on a second? Uh, Molly, Michel will start your interview.
MOLLY
Okay. Hi there.
MICHEL
You brought some Kleenex?
MOLLY
Uh, yes? Hmm.
MICHEL
I'd get 'em out now. Now, your name is, uh, Molly. Why? Huh.
STARS HOLLOW TOWN SQUARE
[Lorelai walks to a near by house and enters.]
LORELAI
Hello?
Sister Beatrice: I raise you five.
NUN 2
Call.
Sister Beatrice: Three deuces.
Sister Beatrice: Oh, sugarfoot!
LORELAI
Excuse me, ladies, nuns, sisters. Is Whoopi Goldberg around anywhere?
Sister Beatrice: If I had a nickel for every time I heard that one.
LORELAI
Sorry. I noticed you're moving.
NUN 2
Mr. Porter died Thursday night. He was the last one to go, God rest his soul.
LORELAI
So what's going on with the building?
NUN 2
It's for sale.
LORELAI
Really? For sale?
NUN 2
Why do you ask? Are you looking to buy?
LORELAI
I could be. It's sure got a lot of potential.
Sister Beatrice: And a family of badgers living in the attic.
NUN 2
Sister Beatrice, the real estate lady said not to say things like that to potential buyers.
Sister Beatrice: Well I didn't mention the triple homicide this time, did I?
NUN 2
I'm sorry. The place is old, but has wonderful bones and a new roof.
LORELAI
Really? But if you're interested, move fast. Katy Perry was sniffing around here earlier.
Sister Beatrice: She dresses like a hooker, but she comes with cash.
LORELAI
Well, I bet you'd rather have the ownership stay in Stars Hollow, right?
NUN 2
To be honest, if the price was right, I'd sell the place to Beelzebub himself.
LORELAI
Wow.
NUN 2
We've got a beautiful new building in Pebble Beach. The rest of the nuns are already there. The pope drove by once.
LORELAI
Okay. Well, I'll think quick.
NUN 2
Here. Take a one-sheet.
Sister Beatrice: Hey, do you play poker?
LORELAI
No. Not really.
Sister Beatrice: Hmm. Katy plays poker.
LORELAI
[sighs] Well, thank you.
LUKE
AND LORELAI’S HOUSE
[Late at night, Paul Anker wanders into the bedroom.]
LORELAI
Hey, buddy. What are you doing? [Breathes deeply]
[Then she sees Rory standing at the door.]
[Lorelai follows Rory down to the kitchen where she has put some takeout food on the table. In silence Lorelai grabs the pop-tarts. She goes to the coffee machine while Rory gets some utensils from the draw. They hug for the first time in months.]
LORELAI
Coffee?
RORY
Ice cream?
LORELAI
Mmm-hmm. So you got my e-mail?
RORY
I did.
LORELAI
Mmm-hmm.
RORY
Thank you. I texted you.
LORELAI
I got it. And your note. Thank you.
RORY
So, you guys are finally gonna do it.
LORELAI
Finally. Opening day of the Harvest Festival.
RORY
Because there's a hot dog cart?
LORELAI
Exactly.
RORY
And will it be free hot dogs or will everyone have to buy their own?
LORELAI
I'm sorry. I'm Emily Gilmore's daughter. Open hot dog cart all night.
RORY
So it's a classy wedding.
LORELAI
[chuckles] It's going to be perfect.
RORY
Yes. It is.
LORELAI
And it's finally going to happen!
RORY
Yes. It is!
LORELAI
So [chuckles] My e-mail was lengthy and chock full of information. And all your text said was, "Got it. "
RORY
It said more than that.
LORELAI
Hardly. I need more. Details. What's been going on? What have you been doing?
RORY
Well... [Reaches for her book]
LORELAI
Term paper?
RORY
Look at it. [Lorelai picks it up.] It's the first three chapters.
LORELAI
[takes a deep breath] It feels light. You must've left my mother out.
RORY
I sat down and it just came out. Flew out. It's like this story has just been sitting in my brain for years, taking up space.
LORELAI
Like the lyrics to "My Sharona."
RORY
Exactly. It's been there, waiting for me to put it down on paper. Nothing I've written has been this easy.
LORELAI
Mmm-hmm.
RORY
And I get your feelings. I really do. So, here's the deal. I want you to read it. Just read it. After you do, if you still think it's a bad idea, if you think it's invasive, then I won't finish it. I promise. I will just throw those pages away. And that's it. No harm, no foul. Deal?
LORELAI
Rory...
RORY
I promise. No harm, no foul.
LORELAI
But you won't like me anymore.
RORY
Not true.
LORELAI
I'll be your Candy Spelling.
RORY
You won't be my Candy Spelling.
LORELAI
Okay.
RORY
Thank you. [sighs] So now, shall we discuss bridesmaid dresses?
LORELAI
Uh, yes. I'll let you pick. Priscilla Queen of the Desert or Desnudas.
RORY
Yep, I'm going to need some donuts for this.
ELIGANT HALL
[Emily and the DAR ladies are interviewing a new potential member, they are seated at a long table with Serena on a chair some distance in front of them. Emily doesn’t look happy be their, looking at her watch.]
TONI
So, Serena Am I saying that right?
SERENA
Yes.
TONI
It's not Serenna? Like "henna"?
SERENA
No. Serena.
BERNICE
That's that tennis player's name? Serena?
SERENA
Actually, my momma named me after Bewitched.
SANDRA
Well, that's a fun story.
SERENA
[chuckles]
TONI
So, Serena, first off, congratulations are in order on your brand new marriage. Renford seems like a new man since you two tied the knot.
SERENA
Thank you. I think it's the juicing.
TOONI
[chuckles] And now you want to become a member of the DAR.
SERENA
I do. I love history. It was one of my favorite subjects in school.
SANDRA
And where did you go to school?
SERENA
UC Santa Cruz. It's in California.
SANDRA
How sunny!
SERENA
But I didn't finish. I got into fitness really young. I worked at Crunch and SoulCycle for a while and Tracy Anderson's in Brentwood. And then I moved east and was a floater at Equinox. That's where I met Renford.
SANDRA
Well, my goodness. What a tale!
MARTHA
You could have a one-woman show.
ALL
[Chuckle, except Emily who gets up to go to the refreshments table.]
TONI
And you know about our little organization?
SERENA
Oh, yes. I've been to your parties.
[Rustling distracting Toni as Emily looks for something to eat.]
TONI
Well, you have some very nice references.
SERENA
Rennie's friends have been welcoming.
MARTHA
And you have time to devote to the club? With all your exercising and everything?
SERENA
Oh, yes. It would be a top priority.
MARTHA
All meetings are mandatory, you know?
SERENA
Oh, yes, I know.
[Emily crosses the floor back to her seat.]
TONI
And proper attire is very important, too. You have gloves?
SERENA
I don't. But I'm a good shopper.
TONI
I have no doubt. [slides a napkin to Emaily] Crumbs, dear. Well, everything looks to be in order. Give us a few days to deliberate. We will get back to you. But I have to say, you're a delightful young woman, and we have so enjoyed meeting you.
EMILY
[Loudly] Bullshit!
TONI
[whispers] Emily!
EMILY
You're not getting in, honey.
TONI
[whispering] That's not your decision...
EMILY
You were never getting in. This was a courtesy meeting, because Renford is a very big deal in our circle and he's got more money than God, despite the fact that he's paying off three other wives.
MARTHA
Emily, you don't know what you're saying.
EMILY
Oh, come on. It's always the same. The trophy wife. That's you, honey. She comes in here with her big hair and her big tits, and she sits there, and we all smile and say subtly snide things about her name and her family, which she usually doesn't get. Right?
SERENA
I...
EMILY
And then we say, "It was lovely meeting you," and we send her off and we laugh, and we have tea, and we buy a rocking chair that may or may not have been Benjamin Franklin's barber's cousin's proctologist's, and we pat ourselves on the back for a job well done, and we go home and we forget all about her. It's all just a big pile of bullshit.
SANDRA
Emily, this language. Where is it coming from?
EMILY
Serena, you are wife number four. Now sometimes, if a man is very old, that's a good position to be in, because he'll be too exhausted to try and find wife number five. And maybe you can wait him out. Like Barbara Sinatra. She just waited him out. But Renford is in perfect health, and the minute he finds a new place with bottle service, you'll be right back at Tracy Anderson's, which you should've thought about before you signed that ridiculous prenup he gave you. Oh yes, we know all about that prenup. We all saw the prenup. We had tea, and we passed it around, and we laughed at it, and then we bought a very expensive precolonial douche, and patted ourselves on the back for a job well done, and then we threw out the last trophy wife's application. Pammy, I think her name was.
TONI
Serena, would you mind waiting outside for just a moment, please?
[Serena leaves, upset as what she has just learnt.]
EMILY
That dress didn't help!
TONI
What the hell is going on?
EMILY
I can't do it anymore.
MARTHA
Can't do what?
EMILY
I can't spend any more time and energy on artifice and bullshit.
MARTHA
Why do you love that word so much?
EMILY
She's not getting in, is she?
TONI
Oh well, of course she's not! But this is not the way she doesn't get in. There's a system, Emily. And you know that. We meet, we say we'll discuss it, we don't, and they don't get in! And that is the way she doesn't get in.
EMILY
Well, that's just...
TONI
Don't you say "bullshit" to me one more time!
EMILY
Fine.
TONI
You know, Emily, you've been a member of this organization for many years, and you've done some wonderful work. And we know you're having a difficult time dealing with Richard's passing. Maybe you should take some time. Rest, regroup, and come back when you're ready and happy to participate again. We will be here waiting for you.
EMILY
So, basically, you're telling me I'm out.
TONI
Basically, yes. But we don't say it. You're just out. That's how it works!
EMILY
This whole thing is dead to me, anyhow. It died with Richard.
[Emily walks out.]
LUKE
AND LORELAI’S HOUSE
[Luke is in the living room.]
LORELAI
[shouting from the kitchen] I need you to finalize the guest list!
LUKE
I need to get back to the diner!
LORELAI
The diner is fine. I called. It doesn't miss you. It's in its underwear blasting Bob Seger.
LUKE
I don't care who comes. I told you that.
LORELAI
At least look at the list.
LUKE
I looked at the list.
LORELAI
[sighs] Now, on my side, I have everybody. The town, Rory's friends, my mother, my mother's friends. On your side all I have Caesar.
LUKE
Caesar can't come.
LORELAI
Why not?
LUKE
He has to work.
LORELAI
You're not giving him the day off for your own wedding?
LUKE
No.
LORELAI
Why not?
LUKE
Because if I do, I can't go.
LORELAI
Close Luke's.
LUKE
I don't need to close Luke's. I have employees who can keep Luke's open, that’s Cesar.
LORELAI
Luke without Caesar, all I have for you is Liz and T. J. , cousin Billy and Uncle Brago.
LUKE
What cousin Billy?
LORELAI
Your cousin Billy.
LUKE
I don't have a cousin Billy.
LORELAI
Yes you do, he's coming.
LUKE
He can't come.
LORELAI
Why not?
LUKE
I don't have a cousin Billy.
LORELAI
He already booked his flight.
LUKE
But I don't have a... Fine. Put him at Caesar's table.
LORELAI
Thank you.
[Miss Celine comes down the stairs.]
MISS CELINE
Lorelai, I need to finish pinning that dress. I don't want you to lean over and have your Deanna Durbins tumble out in front of the clergy.
LORELAI
Just one minute, Miss Celine.
MISS CELINE
Lucas! You are next. And we need to make sure that suit hugs only the things that need hugging. Kirk Douglas taught me that. That and the hora.
LUKE
My suit's fine, Miss Celine.
MISS CELINE
You know, from here, you look a little like Mr. Eli Wallach. I met him on the set of Baby Doll. He was all about the method. He would say, "Don't you look at me. I've got to save my erotic energy for Carroll. Yeah, if that's what Kazan wants, that's what Kazan will get." I was very desirable back then. Ask Kazan.
LUKE
[to Lorelai] How old is this woman?
MISS CELINE
You've chosen well, Lorelai. He'll look wonderful on the Christmas card.
LORELAI
Thank you, Miss Celine.
MISS CELINE
All right now, hurry up! You're next, Eli.
LUKE
Mmm-hmm.
LORELAI
Now what about friends?
LUKE
What friends?
LORELAI
You must have friends.
LUKE
Everyone I know, you know.
LORELAI
Luke it is your big day. The biggest day of your life. You’ve officially have peaked. There is nowhere to go from here but down. Now knowing that nothing lies ahead but corns and death, is there anyone else in the entire world you would like to come to your wedding?
LUKE
Well, I guess there's one guy I could invite. An old buddy.
LORELAI
One guy! Old buddy! Great. There's a spot at table six. He can bring a date or go home with Patty. What's the name?
LUKE
Last name's Sutherland.
LORELAI
Sutherland.
LUKE
First name Kiefer.
LORELAI
Really? That's the name?
LUKE
Yup.
LORELAI
Is it spelled the same?
LUKE
As what?
LORELAI
As the real Kiefer Sutherland?
LUKE
It is the real Kiefer Sutherland.
LORELAI
No, no, I’m talking about the real Kiefer Sutherland. "Chloe, the canisters are armed! Damn it!"
LUKE
Yeah, that guy.
LORELAI
"The Russians put a bomb on a truck headed for Brooklyn Heights! Damn it!"
LUKE
Yes. Kiefer Sutherland.
LORELAI
"I've been injected with anthrax. The antidote is in my other pants!" Damn it!
LUKE
We did a baseball camp together years ago. We both stunk. We bonded. We still go fishing.
LORELAI
And it never occurred to you to mention this?
LUKE
Like, when?
LORELAI
Okay, Mom's moving to Patty's table 'cause there's no way I'm not sitting next to Kiefer Sutherland.
RORY’S ROOM
[She is one her cell phone.]
RORY
That's fine. Okay, three o'clock. Bye. [sighs]
[Rory comes out of her room. Lorelai is doing some exercises, to fit into her dress.]
RORY
I'll be back in a while.
LORELAI
Hey, he knows Kiefer Sutherland!
RORY
The real one?
LUKE
There's only one.
RORY
"I'm Federal Agent Jack Bauer. This is the longest day of my life. My wife and mistress have the same face and haircut." That one?
LORELAI
[Still exercising] Yes. "Damn it!"
RORY
You gotta bump someone off our table.
LORELAI
Way ahead of you. Hey, where every you’re going can you get some ice cream? We're out.
RORY
Got it.
LORELAI
[pants] Yo!
RORY
What?
LORELAI
Purse.
RORY
Right.
LORELAI
You okay?
RORY
Yeah. Just a busy, busy time.
LORELAI
Rocky road.
RORY
Copy that.
LUKE
What are you doing?
LORELAI
Gotta fit in the dress.
LUKE
Wedding's in three days.
LORELAI
So you see the need.
LUKE
Or you could just forgo the ice cream.
LORELAI
[laughs] Get out.
LUKE
Out. Bye.
LORELAI
[panting and grunting she sighs before slumping on the couch with Paul Anker.] Oh, you're the only one who understands me.
MISS CELINE
Deanna!
LORELAI
Coming, Miss Celine! [singssong as she climbs the stairs.] One, two, and three, and four, and five!
CHRISTOPHERS OFFICE
[Rory is waiting.]
CHRIS
Coffee here sucks. I had to go three blocks to get this.
RORY
This is the biggest size they had, huh?
CHRIS
It's good to see you, kiddo.
RORY
Thanks for squeezing me in.
CHRIS
Oh. Always time for you.
RORY
So, new office
CHRIS
Yes, the cave.
RORY
The cave?
CHRIS
I call it the cave 'cause I caved. I'm working in the family biz.
RORY
Well it looks good on you. New suit, sitting behind that desk
CHRIS
Knife to the heart, kid. Knife to the heart.
RORY
So, how's G. G.?
CHRIS
She's turning into a full-on Parisian. Got the baguette thing down.
RORY
Send her my love?
CHRIS
I'll do that.
RORY
And how's Lana? Are you two still together?
CHRIS
Why not? And how are you?
RORY
Me? I'm five by five.
CHRIS
What?
RORY
Oh uh, sorry, it's, uh I was watching a Buffy marathon and some things stick.
CHRIS
Are you okay, kiddo?
RORY
I can't come visit my father?
CHRIS
Any time. It just seems a little formal. Like you're gonna serve me with papers or something.
RORY
Mom and Luke are getting married. Did she tell you?
CHRIS
I'm not real good at keeping up with e-mail. So, maybe.
RORY
Well, it's a town thing, and I thought you should know, but I'm kind of hoping you won't...
CHRIS
Show up? I won't. Knowing when to admit defeat is one of my better qualities. I wish her all the happiness in the world. Is she registered?
RORY
As what?
CHRIS
For gifts. I have a crazy expense account here. I can get anything. Does she have a unicorn?
RORY
Shoot! She got one yesterday.
CHRIS
I'll think of something else. So, is that what the big news is? The wedding?
RORY
I'm switching gears a little. Career-wise. The journalism thing didn't really pan out the way I hoped.
CHRIS
Sorry, kid. Do you need some money?
RORY
No.
CHRIS
You sure? 'Cause I have some. I have no idea what to do. I bought this suit and every color of Beats by Dre.
RORY
I'm writing a book.
CHRIS
A book?
RORY
I'm writing a book about me and Mom.
CHRIS
Really? Does Lorelai know?
RORY
Yes.
CHRIS
Does Lorelai care?
RORY
I'll find out.
CHRIS
Am I in this book?
RORY
Well, it would be a little hard to avoid.
CHRIS
Do I enter in a cloud of sulfur?
RORY
I haven't worked out all the logistics.
CHRIS
[chuckles] Okay, well, I I think it's great. Just try not to make me too big a villain. I was stupid, but I loved her. And you.
RORY
Can I ask you something?
CHRIS
Anything.
RORY
How did you feel about Mom raising me alone?
CHRIS
Ouch! You kind of coldcocked me there, Mr. Bernstein.
RORY
Sorry, I just have to know. How did you feel? What did you feel?
CHRIS
Look your mom did what she wanted to do. I wasn't consulted.
RORY
I know, but you let her do it.
CHRIS
I did. I... I let her do it.
RORY
So, now, all these years later, how do you feel about that?
CHRIS
It was in the cards. Lorelai and you, from the first moment I saw you two together, no one was getting between you guys. Maybe that's why she's getting married now. You're grown. Her job is done. Now she can let someone else in.
RORY
So she didn't let you in?
CHRIS
I'm not saying that.
RORY
But is that why you weren't there? Because she made the decision and she pushed you away?
CHRIS
Not at all. We were just so young. I was so young, and Lorelai was, much like yourself, she was a force of nature. Just uncontrollable. Sure about everything. I couldn't come close to competing with that, so I didn't.
RORY
But you could've fought her on it. You could've talked her out of it.
CHRIS
You ever try talking her out of anything?
RORY
But do you think it was the right decision that she raised me alone?
CHRIS
I think it was exactly what was supposed to happen. And I think she'd back me up on that.
RORY
Yeah. I think she would, too. [sighs]
CHRIS
You know I love you though, right?
RORY
I know.
CHRIS
[laptop chimes] Oh. Hold on.
RORY
You're working. I should...
CHRIS
No, I... Sorry, kiddo.
RORY
That's okay.
CHRIS
Let's meet up for dinner next week. Tell me more about this book.
RORY
Thanks for the coffee. I think the office is nice.
GILMORE MANSION
[Lorelai drives up in her Jeep. There is a Sotheby’s sign on the gate.]
[Lorelai enters the house.]
LORELAI
Mom! Uh, what's with the...
EMILY
Oh, my God! It's off!
LORELAI
What's off?
EMILY
The wedding. It's off. I knew it. I knew I should have bought that dress till the very last minute.
LORELAI
The wedding isn't off. Why do you think the weddings off?
EMILY
‘cause you're here.
LORELAI
I wanted to talk to you.
EMILY
About the wedding being off?
LORELAI
The wedding isn't off.
EMILY
You can tell me. I don't have a deposit to lose. I didn't tell anyone you were getting married for exactly this reason.
LORELAI
Good thinking.
EMILY
There's no one to answer to.
LORELAI
I'm glad.
EMILY
I have no skin in this game.
LORELAI
I'm getting married.
EMILY
To Luke?
LORELAI
Hey! You're selling the house.
EMILY
What? Oh. Yes.
LORELAI
Are you kidding me?
EMILY
Why? Did you want it?
LORELAI
No! God, no! No, no, no, no, no.
EMILY
So, no?
LORELAI
Sorry, but no.
EMILY
Well since you and I don't want it, I thought I'd sell it to someone who does want it. Or someone who'll pay me a lot of money to tear it down. That's fine, too. "Show me the money!" Have you seen Jerry Maguire? It was on Starz last night. It's delightful.
LORELAI
Mom, stop. Please, why don't you want this house?
EMILY
Because it isn't home anymore. It hasn't been home since your father died. And I've tried to change it, to adjust it, I've moved everything around but it hasn't worked.
LORELAI
What did you move around?
EMILY
What are you talking about?
LORELAI
Mom, it looks exactly the same.
EMILY
Oh, it does not.
LORELAI
Other than the TV over there, it's exactly the same as it was.
EMILY
Are you blind?
LORELAI
Nothing has changed in this house.
EMILY
Oh, for Pete's sake, why do you make me... [sighs] That was over there. Those pillows were upstairs. The highball glasses were on the top of the bar. There are no tongs in the ice bucket anymore. These were ferns. Now they're ficuses.
LORELAI
You're right. No tongs. Where am I?
[The house phone starts rining.]
EMILY
Lorelai, go away. I have a real estate woman coming to discuss photographing the house. I have no time to spar with you.
LORELAI
But where are you gonna live?
[Emily hangs up the phone without answering it.]
EMILY
Nantucket.
LORELAI
What in the hell?
EMILY
Why is everything so dramatic with you? I like Nantucket.
LORELAI
Yes but your whole world is here. Your friends, the club, the DAR.
EMILY
Those old bats!
LORELAI
What?
EMILY
People move all the time.
LORELAI
Not you. You don't move or change ever! There's a picture of you in the attic that Dorian Gray is consulting copyright lawyers about.
EMILY
Sometimes life forces your hand. So you remember the house your father and I rented every summer?
LORELAI
Of course.
EMILY
Well, I bought it.
LORELAI
[coughs]
EMILY
It wasn't even for sale. I just upped and pulled a Bugsy Siegel and made 'em an offer they couldn't refuse.
LORELAI
I think you mixed your mob metaphors, but I appreciate the attempt.
EMILY
I paid cash.
LORELAI
You and Katy Perry.
EMILY
I went online, I saw what the house across the way went for and doubled it.
LORELAI
Mum you're a terrible businessman.
EMILY
I don’t care, they said yes in five minutes and left the porch furniture.
LORELAI
[high pitched voice] Well, hooray for the bulldog.
EMILY
It was thrilling, actually. You know I've never bought anything big before. Your father bought this house and our cars. All my credit cards still say, "Mrs. Richard Gilmore." But the Sand Castle? The Sand Castle says, "Owner: Emily Gilmore."
LORELAI
Sand Castle?
EMILY
Well, the previous owners called it the Clam Shack. I guess Vagina House was taken.
LORELAI
Mmm, Sand Castle's nice.
EMILY
Now I've got my eye on that house next door. I'd like to buy it and get those Blackstone pricks out.
LORELAI
Hey what was the exact moment you became a Mamet play?
EMILY
I've started having a sherry every day in the afternoon. You can join me if you like.
LORELAI
Mom? Uh, come, come, sit.
EMILY
Why? Is there more?
LORELAI
Just sit, please.
EMILY
What do you need, Lorelai?
LORELAI
[sighs] I need to expand the Dragonfly. But I can't, because there's wetlands on one side, and crazy town ordinances and some weird lizard thing that spawns up in the north field twice a century. I'm never gonna grow the business or keep Michel unless I find another place, an annex, and I found one. It was an old folks' home, but they're no more old folks and they’re selling it.
EMILY
You need money.
LORELAI
It's just the perfect opportunity
EMILY
You need money.
LORELAI
The nuns who own it a looking to move it quickly. I know there's interest and I'm not sure I can find another loan that fast.
EMILY
So you need money.
LORELAI
Yes.
EMILY
I'll get the checkbook.
LORELAI
But, Mom, I... I wanna use Luke's franchise money. He doesn't want it. It's just not who he is. Luke likes his empire small. And I know Dad left it to him, and I wanna honor Dad's memory, but maybe this could honor it, too.
EMILY
I'll call the lawyer.
LORELAI
Really? Thank you.
EMILY
On one condition. [drops her head]
LORELAI
So close. I want you and Luke in Nantucket two weeks every summer and one week at Christmas. If all goes well, you'll be staying in the Blackstone house next door.
LORELAI
You're kidding.
EMILY
If you agree, you'll have the money by morning. If you don't, you better figure out a way to get rid of those lizards.
LORELAI
[chuckles then breathes deeply and raises her glass.] To the circle of life.
EMILY
You look very happy.
LORELAI
I am. I really am.
EMILY
Well, this is silly. We're celebrating. I'm opening the '69 Dom Perignon.
LORELAI
Mmm.
[Emily exits then Lorelai stands, notices something wrapped in paper she takes a look. It’s a smaller portrait of Richard.]
DOOSE’S MARKET
[Rory enters, she is on her cell phone.]
RORY
Okay. I'm moving. I have a million things I need to do today as well. Fine I'm here. What am I looking for?
LORELAI
Okay first find the spray cheese.
RORY
Got it.
LORELAI
Go down to the Red Vines.
RORY
Got it.
LORELAI
Go two over from the oatmeal and up from the anchovy paste. Find me some white safety pins.
RORY
What on Earth would white safety pins be doing next to the... Got 'em.
LORELAI
And grab a stain stick. I'm picking up my dress. And I'll meet you at the Inn in a hour.
RORY
I'll see you then. [She turns around and bumps into Dean.]
DEAN
Oh!
RORY
Oh, sorry.
DEAN
Hey!
RORY
Well, well, well, of all the gin joints in all the world.
DEAN
Hey.
RORY
It's so good to see you.
DEAN
Ah you, too.
RORY
What are you doing in Stars Hollow?
DEAN
I'm just visiting my parents for the weekend.
RORY
That's nice.
DEAN
It's very nice. Especially since Grady brought home the flu and head lice from his first day at school.
RORY
Oh, man.
DEAN
Yeah within 24 hours, all three kids had everything. It's ugly, man. Jenny told me to save myself while I could.
RORY
She's a saint.
DEAN
She's pregnant.
RORY
Again?
DEAN
It's really boring in Scranton.
RORY
Man, your house is gonna be loud.
DEAN
I know.
RORY
That's so great.
DEAN
I know.
RORY
Congrats.
DEAN
And it's a girl, so my sister finally has someone to shop for.
RORY
So how is Clara?
DEAN
She's in Berlin with a guy named Wolfgang.
RORY
Van Halen?
DEAN
I wish. He's from Buffalo. He climbs things for a living.
RORY
Climbs things like big piles of money?
DEAN
Nope. Like bridges, municipal buildings. They stacked up tires for the monster truck rally, and he climbed them dressed as an ignition switch.
RORY
I don't know how to defend that.
DEAN
And he calls her Ra. That's the great nickname he came up with.
RORY
You hate him.
DEAN
I hate him.
RORY
[laughs] Well, it's okay. She's young. It's her first love. It'll probably...
DEAN
Yeah, I know. Um
RORY
Well...
DEAN
How're you doing?
RORY
Um me? I'm doing okay.
DEAN
Just okay?
RORY
Well things are changing for me at the moment. And I'm still trying to figure it out. I'm writing a book.
DEAN
Oh you've read 'em all, so what else are you gonna do?
RORY
Mmm-hmm. Uh, it's actually about my mom and me and our life.
DEAN
Really?
RORY
Can I put you in it?
DEAN
Uh...
RORY
I mean, I'm changing the names to protect the guilty, but still you would know it's you.
DEAN
I don't know. Um what're you gonna say?
RORY
That you were the greatest boyfriend alive. That you were, um... generous, and protective, and kind and strong. That as much as I wish we'd met when I was older and more mature, I know if I hadn't when I did, I wouldn't be the person I am today. That you taught me what safe feels like.
DEAN
Okay.
RORY
And that you had an obsession with Lord of the Rings, that you did a terrible Smeagol impression.
DEAN
It was not terrible. It was pretty damn good. There were hand gestures.
RORY
I know, I remember. I remember it all really well.
DEAN
Good luck with the book.
RORY
Thank you. [Dean walks to the front door. Rory calls for him.] Dean! Cornstarch.
DEAN
[chuckles] Pay for it this time.
DRAGONFLY INN
[Michel is sitting in the dinning room working on his laptop.]
LORELAI
Michel? Oh. Hey, I'm gonna raid the kitchen. Give me a shout when Rory gets here?
MICHEL
Mmm-hmm, I live for moments like these.
[Lorelai enters the kitchen and is surprised. Lots and lots of wedding cakes.]
LORELAI
Sookie. Sookie? Sookie?
[Both gasp and scream, Sookie squeezes the icing bag making it squirt out.]
LORELAI
Oh, jeez!
SOOKIE
Oh... wow, that was pornographic. Hey, give a gal some warning.
LORELAI
What are you talking about? I've been calling your name.
SOOKIE
When?
LORELAI
Now.
SOOKIE
No.
LORELAI
Yes.
SOOKIE
Well, my hearing's not so good right now. I set off one of Jackson's bear traps the other night, and the alarm went off right in my ear.
LORELAI
His what?
SOOKIE
Bear trap, yeah. He's reading Little House in the Big Woods to Martha. He got to the part where Ma goes to check on...
LORELAI
The horses. Because she thought that the cow...
SOOKIE
Had gotten out...
LORELAI
But it's not. She smacks him on the nose,
SOOKIE
But it's a bear.
LORELAI
It's a bear.
SOOKIE
It's a bear!
LORELAI
[chuckles]
SOOKIE
So, now, you know, Jackson thinks that everything outside is a bear, and he's rigged the entire property with bear traps that blast "Welcome To The Jungle" if you trip them off, and I'm out chasing Cogburn, our rooster, and then voila! You know, Panama all over again. It was so loud that the neighboring farm heard it. They call the police. I had to wait till I got out of jail to tell Jackson, "You gotta get rid of this stuff."
LORELAI
Jail?
SOOKIE
The cops thought that I had broken into our house.
LORELAI
Why?
SOOKIE
Well, when they asked me if I had broken into it, I said yes.
LORELAI
Why did you do that?
SOOKIE
I thought they said, "Do you have pineapple juice?" and I did. Ah. So what do you think?
LORELAI
Sookie what is all this?
SOOKIE
This is your wedding cake. Or this is your wedding cake.
LORELAI
Ah!
SOOKIE
Or or this is your wedding cake. This was going to be your wedding cake, but then this became your wedding cake. I couldn't decide. But, I mean, this is your Luke wedding. So, I just, I really wanted it to say Luke Oh, look. This one actually says "Luke."
LORELAI
[laughs] Amazing.
SOOKIE
And this one has hats on it, if you like that. This one has daisies. This one has cakes on top of the cake. I mean, this one if you want a classic, or but this one is my favorite. This is your milestone cake. Look, there's you and baby Rory made out of frosting.
LORELAI
Just like in real life.
SOOKIE
[chuckles] There's your house and Jeep, and that's the hospital with the emergency room where you took me the day we met.
LORELAI
Oh, my God, is that...
SOOKIE
My finger tip.
LORELAI
Aw!
SOOKIE
Remember you just scooped it up off the floor and threw it in your purse.
LORELAI
That was a brand new purse, FYI.
SOOKIE
And you got me to the hospital and the doctor sewed it right back on.
LORELAI
And you cut it right off again two days later.
SOOKIE
It kind of became our thing.
LORELAI
Yeah. Michel, look who's here!
MICHEL
You bitch!
SOOKIE
Oh, he hasn't changed at all.
MICHEL
Two years? Two years before you deign to waltz back in here.
SOOKIE
I don't think I waltzed
MICHEL
No! I talk now! You should be ashamed of yourself. Forget what you've done to this hot mess.
LORELAI
Thanks, Michel.
MICHEL
Turning her into a sighing, moping, broken shell of a person who refuses to let anyone park in your space even though it is right next to the back door and other people's aren't.
SOOKIE
I don't think...
MICHEL
Not done! And when you left on your amazing journey upstate, you took your fat-free magic granola with you...
SOOKIE
I... brought a vat of it. It's in the back.
MICHEL
Oh, really? Oh, it's so nice to see you. Send my love to Jackson and the kids. Is it right here? Right...
LORELAI
Michel is exaggerating. I'm not broken. Maybe just a little chipped.
SOOKIE
I'm sorry.
LORELAI
For what?
SOOKIE
'Cause we were supposed to do this together.
LORELAI
We did do this together. Look around.
SOOKIE
It's a pretty great inn.
LORELAI
It sure is.
SOOKIE
I miss it. I mean, I love... I love what I'm doing. You know, it's fascinating. Did you know that I can tell the alkaline levels of soil just by tasting it?
LORELAI
I did not.
SOOKIE
There are moments where I'm looking around and just watching a bunch of people eat dirt and I think... "Jonestown definitely started like this."
LORELAI
[chuckling] Well, if they start passing around Kool-Aid, you can always come back.
SOOKIE
Still best friends?
LORELAI
Still best friends.
[They hug]
SOOKIE
[sniffs] What's that?
LORELAI
What's what?
SOOKIE
[Sniffing Lorelai’s hair.] What is... What is that? Is that... There's a smell. Is that abalone?
LORELAI
Uh, maybe.
SOOKIE
Oh, I can't believe you let Roy Choi in my kitchen, And what what is that? That's Ina Garten.
LORELAI
No!
SOOKIE
No? Is that not lime tequila chicken? Huh? I've been gone like five minutes.
LORELAI
Two years.
SOOKIE
Whatever! I mean, now I'm... [sniffing] Now I...
LORELAI
What?
SOOKIE
[sniffing the sink.] That's sammies! Huh?
LORELAI
Uh...
SOOKIE
Sammies all around!
SOOKIE
If Rachael Ray reorganized my pantry, I'm gonna blow.
MICHEL
Hey! Knock first!
SOOKIE
You're eating my granola with your hands?
MICHEL
There are no spoons in here.
SOOKIE
The granola's half gone!
MICHEL
Stop judging me, you crazy log lady!
SOOKIE
Slow down! You're gonna choke!
MICHEL
Give it back! This is mine
SOOKIE
No!
MICHEL
Ow!
EMILY’S NEW NANTUCKET HOUSE
[Emily enters the house, a man is working on something and Berta can be heard coughing.]
EMILY
Hello, Alejandro. Berta, what are you doing out of bed? [still coughing] You go to bed right now. I'll heat some soup.
BERTA
[in her language] Oh, no. Every time you heat soup it boils over and I can't get it off the stove.
EMILY
I won't hear any more arguing. Go back to bed. Go on. Go, go , go, go.
BERTA
[in her language] Okay. It's your stove. How a grown woman goes through life without being able to heat something up is incredible.
[Her cell phone vibrates.]
EMILY
Hello? Yes, Sidney. I'm on my way. I just need to heat up some soup, and then I'm out the door. See you soon.
[Emily puts on some comfortable shoes.]
NANTUCKET WHALING MUSEUM
[Emily is now the tour guide, and is loving it.]
EMILY
He plunges his barbed harpoon into the whale's back. And then with the killing irons, they stab the great beast repeatedly in the neck, to stop it diving and make it bleed to death all the faster. They then cut the tail tendons, immobilizing the whale. Later in history, they'll invent an explosive lance that combines the stabbing of the lance with an explosive that detonates once inside the whale. But at this point, it's just lots and lots of stabbing. [Some in the tour group are not loving it.] Well, by now, the whale is spouting buckets and buckets and buckets of blood. I'll give you all a moment.
LUKE
AND LORELAI’S HOUSE
[Jess is reading in the living room when Luke comes down the stairs.]
JESS
Wow, where's Right Said Fred when you need 'em?
LUKE
Guy who sold me this suit put this thing in the box. I don't know what the hell to do with it.
JESS
It's a pocket square. Do the math.
LUKE
Oh. Oh, it looks kind of nice. So this is the big outfit for tomorrow. Get it all out now.
JESS
Turn around.
LUKE
Jess
JESS
Turn.
LUKE
Well?
JESS
You are a very handsome man.
LUKE
All right.
JESS
I mean, very hot.
LUKE
I got it.
JESS
Rande Gerber hot.
LUKE
Enough, Jess.
JESS
Hey. You look good.
LUKE
Yeah?
JESS
I only do sincere once, man.
LUKE
Right, thanks.
[Kirk enters the house.]
KIRK
Luke! Everything's under control!
LUKE
What happened to knocking?
JESS
Yeah what if we were naked?
LUKE
Don't say that.
KIRK
Everything's under control.
LUKE
Where're you going?
KIRK
To throw up.
LUKE
There's a bathroom down here.
KIRK
I wanna throw up upstairs.
LUKE
I don't want you throwing up in either bathroom.
KIRK
But the tile downstairs kills my knees.
JESS
He's got a point.
KIRK
I've thrown up in both, so I know what I'm talking about.
LUKE
Kirk, what the hell is going on?
KIRK
I've destroyed your wedding. Sorry.
LUKE
Destroyed? How?
KIRK
The decorations in the town square. Lorelai said to piggyback on the Harvest Festival, with the hay bales and food carts, and I was only supposed to set up a table for gifts and leave, and I intended to. I really did.
LUKE
But?
KIRK
But I was taking Petal for a walk. And she took longer than usual to pick her spot.
LUKE
Sure.
KIRK
And I was looking around and I got an idea! I never get ideas! But I had one. And the next thing I knew, I bought a glitter gun and some double stick tape, and two hours later, it's all different! Totally different. I ruined your big day.
LUKE
Kirk, you have got to relax.
KIRK
I wish Petal was here with me. She's a great source of comfort in times of stress. Plus, if I vomit and miss the toilet, she's there to make it disappear, if you know what I mean.
LUKE
Stop talking. [Lorelai wanders in eating Pop-Tarts.] What the hell are you doing here?
LORELAI
I live here. You look hot.
JESS
Rande Gerber hot.
LORELAI
Yeah.
LUKE
Your should be at the inn.
LORELAI
I was. They don't have Pop-Tarts.
LUKE
Get out of here.
LORELAI
Why?
LUKE
The wedding's tomorrow. I’m not supposed to see you. It's bad luck.
LORELAI
Oh, are we doing that?
RORY
What's the hoopla?
LUKE
Why is she here?
RORY
She lives here?
LORELAI
I tried that.
JESS
You shouldn't see the bride before the wedding.
RORY
Oh are we doing that?
LUKE
Yes, we are doing that. Did the discussion regarding how this day was going to work go out of your head?
RORY
Yeah.
LORELAI
Kinda. What's with Kirk?
LUKE
He freaked out and decided to vomit in our upstairs bathroom.
LORELAI
Yeah the downstairs is hard on his knees. Tart?
RORY
Please.
LUKE
You can't be here. It's bad luck. Why am I the only one who gets this?
LORELAI
Okay, we'll go. Wow we're not even married and the honeymoon's already so over.
KIRK
Thank you for not telling her that her special day has been ruined.
LUKE
No problem.
LORELAI
[From the kitchen] Okay we're leaving! Bye-bye.
LUKE
You guys just pretended to leave and you're sitting there eating, right?
BOTH
[From the kitchen] No.
RORY
I never pegged Luke as being a traditionalist.
LORELAI
I know. There's more to learn about that man yet. [Smiling] Ooh.
RORY
What?
LORELAI
Here. [Hands Rory the first chapters form her book.]
RORY
You read it.
LORELAI
No, I didn't.
RORY
You...
LORELAI
I'm not gonna read it. You go ahead and finish it. I'll read it when it's done.
RORY
Are you sure?
LORELAI
If I don't like it, I'll sue your ass.
RORY
Wow. [chuckles] It's it's good publicity. Sue me either way?
LORELAI
You got it.
RORY
Thanks, Mom.
LORELAI
Yeah. [Lorelai get up and starts towards the living room.] Oh just one note. Drop the "the." Just Gilmore Girls. It's cleaner.
RORY
[to herself] Gilmore Girls.
[Back in the living room.]
LORELAI
Hey we're gonna order a pizza. Any requests?
LUKE
Go away!
LORELAI
With extra cheese?
JESS
Hey, listen, you guys have a full house here, so I'm just gonna take off.
LORELAI
oh no, you don't have to.
JESS
It's no problem. I'll go crash with Liz and T. J. See you guys tomorrow.
KIRK
[still on the couch, he groans]
[Outside the front door.]
LUKE
Liz got a bed there for you?
JESS
No bed, but a lot of couches. Not sure why. Be back at 10:00?
RORY
[coming outside.] Jess Jess, look. The first three chapters! [joyful scream she returns inside.]
LUKE
What was that all about?
JESS
Oh just a thing between us.
LUKE
Between you?
JESS
A work thing between us.
LUKE
Work thing, huh? So then you're over that, right?
JESS
Yup, long over.
LUKE
Okay, I'll see you tomorrow.
JESS
Can't wait to see if you're gonna wear that pocket square again.
[Rory and Lorelai can be heard laughing inside, Jess moves to a window to see Rory helping comfort Kirk.]
[Later that night we see Paul Anker and Petal sleeping together on a dog bed. The TV is on while Rory is sleeping on the couch and Kirk is on the living room floor.]
[Luke and Lorelai are in the kitchen.]
LORELAI
Last piece.
LUKE
Please.
LORELAI
Come on! We're gonna be married in 10 hours. This is what married people do.
LUKE
Force-feed each other like veal?
LORELAI
Yes, I look at you, I see veal.
LUKE
Take it.
LORELAI
All right, fine. If we're ever stuck on the Donner Pass and get stuck in the snow and have to eat our chuck wagon driver, I would give you the first bite, 'cause we are married now.
LUKE
Almost married.
LORELAI
Almost married. I feel weird.
LUKE
I know.
LORELAI
Should we drink?
LUKE
Yes. No. I don't know. [stammers] What if we smell all boozy?
LORELAI
Well, we'll shower.
LUKE
I know but it comes out your pores and people can tell.
LORELAI
How much do you think we’re gonna drink? We're not vaudevillians.
LUKE
I know. I'm just jittery.
LORELAI
Second thoughts?
LUKE
No, you?
LORELAI
No, no, no, no, no. I just... I have things planned.
LUKE
I know.
LORELAI
[gasps] You do? How do you know?
LUKE
I just figured. I do, too.
LORELAI
You have things planned?
LUKE
Yep.
LORELAI
What? No creepy vows. We promised, no creepy vows.
LUKE
I'm not planning creepy vows.
LORELAI
"Do you take her? Do you take him?" "Yes." "Yes." And bam! Step on the glass. Let's eat.
LUKE
You step on a glass?
LORELAI
Don't we have to?
LUKE
We're not Jewish.
LORELAI
Aren't we?
LUKE
What do you have planned?
LORELAI
Flash mob.
LUKE
You're kidding! Been rehearsing Miss Patty's girls all week. They wear T-shirts with your face on them. Its awful and you're gonna hate it.
LUKE
[chuckling] What song?
LORELAI
"Relax, Don't Do It." Frankie Goes to Hollywood.
LUKE
I'm doing a flash mob, too.
LORELAI
Shut up! What song?
LUKE
"Hey, Nineteen."
LORELAI
"Hey, Nineteen"?
LUKE
Steely Dan.
LORELAI
You're doing a flash mob to Steely Dan?
LUKE
I like Steely Dan.
LORELAI
You can't do a flash mob to Steely Dan.
LUKE
Why not?
LORELAI
Well, it's old boring man music.
LUKE
It's not old boring man music.
LORELAI
What does your flash mob do? Jump out, lose their hair, complain about their backs and doze off?
LUKE
Hey, my flash mob, my song pick.
LORELAI
Fine.
LUKE
I went to a rehearsal. It was awful.
LORELAI
'Cause you can't flash mob to Steely Dan.
LUKE
Lot of pressure this wedding. All those people staring at us.
LORELAI
Waiting to be entertained, which they won't, 'cause Steely Dan.
LUKE
You're exhausting.
LORELAI
I feel like we should be married already.
LUKE
Yes.
LORELAI
Right?
LUKE
Tomorrow's this big stress-filled party that everybody can enjoy but us.
LORELAI
Mmm. It'll be fine once we say "I do."
LUKE
We should've eloped. And then we could've had the big dance-off wedding. Then the pressure's off.
LORELAI
Agreed. Steely Dan still would've sucked. [Lorelai grins]
LUKE
What?
LORELAI
It's bingo night.
LUKE
So?
LORELAI
Reverend Skinner's up awfully late on bingo night.
[indistinct chatter on TV]
LORELAI
[whispering] Hey, kid. Wake up.
RORY
More pizza?
LORELAI
No. Come on.
RORY
Where are we going?
LORELAI
We're going to get married.
RORY
Now?
LORELAI
Now.
RORY
What about tomorrow?
LORELAI
We'll get married then, too. [Luke comes over.] What about him?
LUKE
[whispering] Oh, let the boy sleep.
[They leave Kirk.]
[“Reflecting Light” playing for the next few scenes. We see the girls in the back of Luke’s truck to the town square past Miss Patty’s and Luke’s.]
TOWN SQUARE
[Lorelai and Luke open a door, which leads to the decorated town square for the wedding.]
LUKE
AND LORELAI’S HOUSE
[Kirk is up feeding Petal, Lorelai sends Kirk a text, “its perfect”]
TOWN SQUARE
[They continue to explore, there is a sign “Lorelai and Luke Nov 5th 2016”. The couple dance with Rory.]
EMILY’S NANTUCKET HOUSE
[We cut to Emily gets ready for bed, gets up and blows a kiss to Richard.]
TOWN SQUARE
[A small gathering under the gazebo. Lane and Michel and there with Reverend Skinner. Rory walks Lorelai up the steps.]
EMILY’S NANTUCKET HOUSE
[We cut back to Emily taking care of her new family. Before she goes outside for a walking in her new garden.]
TOWN SQUARE
[They exchange rings and kiss.]
EMILY’S NANTUCKET HOUSE
[We cut back to Emily in her garden, sitting down enjoying the night.]
TOWN SQUARE
[They clap the newly married couple.]
TOWN SQUARE
[The next morning, the girls sit on the steps of the gazebo.]
RORY
Steely Dan?
LORELAI
I know.
RORY
Who flash mobs to Steely Dan?
LORELAI
Luke.
RORY
Luke.
[Both chuckle]
LORELAI
It's fine. I texted Patty. She'll switch it to "Karma Chameleon. "
RORY
Without telling him?
LORELAI
Yeah.
RORY
Oh, man. That's going to be good.
LORELAI
Yep.
RORY
Aren't you curious what a Steely Dan flash mob would look like?
LORELAI
No.
RORY
Me either. So, how does it feel?
LORELAI
It feels... right. [chuckles]
RORY
Yeah.
LORELAI
Such a long time getting here. Sometimes it's just a journey, you know?
RORY
Yeah. I guess so.
LORELAI
I think I'm gonna be very good at this.
RORY
At being married?
LORELAI
No, at finishing off this bottle.
RORY
Oh, no doubt in my mind.
LORELAI
Now that I'm a married lady, maybe you should be one, too. You are of age. Then we could do married-lady things together.
RORY
What are married-lady things?
LORELAI
I don't know, like, uh dyeing our hair blue or buying pork chops. Bowling? I'm out. I don't know.
RORY
I thought I'd be the spinster daughter who stays home and looks after Mama.
LORELAI
No, I've got Kirk for that. Let me see. Who can we marry you off to?
RORY
[chuckles]
LORELAI
Ooh, I know! Did that nice Pee-wee Herman find a lady?
RORY
I think no's a pretty safe bet.
LORELAI
You wanted to marry him when you were little.
RORY
I also wanted to marry Edward Scissorhands and Jerry Orbach from Law & Order.
LORELAI
Your taste ran the gamut.
[Rory gets a text on her cell phone.]
RORY
"Rory, due to our ever-conflicting schedules, I think we should break up. Take care, Paul."
LORELAI
Who?
RORY
I can't believe how I treated him. I suck.
LORELAI
No, you don't. It didn't fit. It needs to fit. Believe me. He'll find someone amazing one day.
RORY
Yeah.
LORELAI
And so will you. [moment of silence] Hey. What's going on in there?
RORY
I wanna remember it all. Every detail. Mom.
LORELAI
Yeah?
RORY
I'm pregnant.
[Lorelai looks at Rory with surprise before the screen cuts to black and the credits.]
CLOSING MUSIC - classic Gilmore Girls closing.
CLOSING CREDITS
END PART 4 FALL