T1E15: “Christopher Returns”
Título em Português: “O retorno de Christopher”
Roteiro: Daniel Palladino
Direção: Michael Katleman
Originalmente exibido em: 1 de março de 2001
CUT TO GILMORE HOUSE
[Rory’s putting blankets on the couch for Christopher]
RORY
He looks good don’t you think?
LORELAI
He looks good.
RORY
I like his hair shorter.
LORELAI
Short is nice.
RORY
Do you think he’ll stay long?
LORELAI
Wouldn’t bet a lot of money on it.
RORY
Maybe we can get him to stay for a couple of weeks.
LORELAI
Absolutely - by weighting him down with blankets.
RORY
I just want him to be comfortable.
LORELAI
He’s gonna come and go as he pleases babe, you know that.
RORY
Yeah, I know.
LORELAI
And no amount of bedding is gonna change that.
RORY
Yeah, but he’s never been to Stars Hollow before.
LORELAI
I know.
RORY
Well that means something’s gotta be different right?
LORELAI
Why don’t you just enjoy the time you’ve got ok?
RORY
[pause] Yeah, ok. I still think something is different though.
CHRISTOPHER
[coming down the stairs] That is the worst shower I have ever had. Water pressure keeps changing every two seconds. I’m fixing it tomorrow.
LORELAI
Hey you stay away from my shower.
RORY
We ordered chinese food. It should be here any minute.
CHRISTOPHER
Good, I’m starving.
LORELAI
Here [handing him a cup of coffee]
RORY
Hey, how’s Diane?
CHRISTOPHER
Uh, Diane is ancient history.
RORY
When I met her at Easter you said she could be the one.
CHRISTOPHER
The one to be gone by Memorial Day.
RORY
You’re worse than mom.
LORELAI
Low blow.
CHRISTOPHER
Can’t keep a feller happy?
LORELAI
Oh I keep them happy. I keep them very happy.
RORY
Ok, now. Don’t get gross.
CHRISTOPHER
Yeah you’re upsetting us.
RORY
I’m gonna go study before the food gets here.
CHRISTOPHER
What? Tomorrow’s Saturday.
RORY
I know, I like to get my weekend homework done and out of the way by Saturday night so then I can do extra-credit stuff on Sunday [leaves]
LORELAI
Don’t look at me.
CHRISTOPHER
She’s a great kid Lor. I wish I could say I see more of myself in her other than we have similar left ear lobes, but she’s all you - chip off the old...perfect block.
LORELAI
Why the hell are you here?
CHRISTOPHER
Behold the queen of the subtle transition.
LORELAI
Why are you here?
CHRISTOPHER
You’re gonna force me to lawyer up officer.
LORELAI
Christopher.
CHRISTOPHER
Ok look. I’ve been making some changes, especially my career and I think I finally have all my ducks lined up in a row.
LORELAI
You’re opening a shooting gallery.
CHRISTOPHER
I’ve been tying up loose ends in my life.
LORELAI
Do they make that much string?
CHRISTOPHER
You know you’ve always had that verbal thing, quick mind - it’s annoying.
LORELAI
So you’ve been tying up loose ends.
CHRISTOPHER
I don’t know how much your dad has told you but I’m on the verge of kind of a big success, it’s for real this time. I’ve got a company with an actual cash flow, I’ve got employees, I’ve got an accountant for God’s sake. He wears a tie and says words like ‘fiduciary’ and ‘ironically’. I mean it’s for real this time Lor.
LORELAI
I would love to believe it is.
CHRISTOPHER
[sighs] Why does your dad have more faith in my than you.
LORELAI
My father hit his head surfing Rincon a couple of years ago. His judgement’s a little off.
CHRISTOPHER
So you have zero faith?
LORELAI
I’ve known you since I was six Chris. You’re the guy that crashed his Porsche two hours after his parents gave it to him for his 16th birthday.
CHRISTOPHER
And you were the girl in the Pinky Tuscadero t-shirt sitting right next to me.
LORELAI
Horrified.
CHRISTOPHER
Think again.
LORELAI
Alright, having a blast then horrified.
CHRISTOPHER
Just listen to me will you?
LORELAI
I’m listening to you. Your life’s back on track, I think that’s great. And I appreciate you coming all the way out here, for the very first time might I add, to tell us that.
CHRISTOPHER
I didn’t come out here just to tell you that.
LORELAI
No?
CHRISTOPHER
[sighs] There’s some things I need to do...to take care of.
LORELAI
Like?
CHRISTOPHER
I haven’t been enough a part of Rory’s life. So I wanna be around more, to be a pal she can depend on. I mean I’m not crazy, I know there’s already a life going on here and God knows she doesn’t need anyone besides you but...if you give me a chance...
LORELAI
I’ve always had the door to Rory open for you.
CHRISTOPHER
I know.
LORELAI
You’ve hardly ever used it.
CHRISTOPHER
Well I wanna use it now. Is that ok?
LORELAI
Of course it is.
CHRISTOPHER
Good.
RORY
[coming into the living room] Hey, I forgot to ask you. Tomorrow morning I’m going to a softball game, do you wanna come?
CHRISTOPHER
You...play softball?
RORY
[laughing] Uh, no.
LORELAI
[laughing] You? Play softball? Good one.
CHRISTOPHER
Well ok, who’s game is it?
RORY
It’s my friend Dean’s.
CHRISTOPHER
Dean?
RORY
Yeah Dean. The game starts at 9:00.
CHRISTOPHER
Uh, sure. It’s a date. [Rory leaves. To Lorelai] She has a Dean?
LORELAI
She has a Dean.
CHRISTOPHER
How did this happen?
LORELAI
Well a single-celled organism crawled out of primordial ooze and that pretty much lead to Dean.
CHRISTOPHER
I need a beer.
LORELAI
Hey.
CHRISTOPHER
Yes dear?
LORELAI
[chuckles] There’s a lot more than an earlobe resemblance there.
CHRISTOPHER
Good. Hey, thanks for the door thing.
LORELAI
Thanks for wanting it.
CUT TO SOFTBALL FIELD
[Luke’s pitching and Dean’s in the on deck circle]
DEAN
[to batter] You got it, you got the next one. Don’t worry about it. [batter strikes out]
CHRISTOPHER
So which is your Dean?
RORY
That’s him over there.
LUKE
Ok, we’ve got two outs.
RORY
And that’s Luke.
CHRISTOPHER
Luke’s the diner guy?
RORY
Yes. We eat there practically every day.
LUKE
Looks like we got out number three coming to the plate guys. [as Rory and Chris sit in the bleachers in front of Kirk]
DEAN
I’d send your boys a little farther into the field Luke.
LUKE
Why? Will they have a better view of you whiffing?
DEAN
You know, the only way I’m not hitting it, is if you don’t have the strength to get it over the plate.
KIRK
The truth of the matter is that you can’t pitch [pointing to Luke] and you can’t hit [point to Dean]. So this’ll be a terrific match up.
LUKE
Knock it off Kirk.
KIRK
A historic lack of action.
LUKE
Don’t you have anything better to do with your Saturdays?
KIRK
What can I say, I’m addicted to comedy. [to Rory and Chris] Half an hour they been playing and it’s tied zero - zero. [louder] Hey if you ever take this show on the road I got a name for you, zero and zero. Dean Zero and Luke Zero - get it?
LUKE
Doesn’t even resemble clever.
KIRK
I’m dumbing it down for you Alfalfa.
CHRISTOPHER
How long do these games last?
RORY
Till they get tired. And then they say the first team to get a run wins.
KIRK
Yeah, it’s real professional down there. Hey Luke, does your husband play softball too?
LUKE
Alright that’s it. [starts for the bleachers]
KIRK
Um...I’m getting a page. I’ve gotta go. [jumps off the bleachers and starts running.]
[Dean comes over to Rory]
DEAN
Hey.
RORY
Hey. Dean this is my dad. Dad, this is Dean.
CHRISTOPHER
Dean.
DEAN
Uh, nice to meet you.
CHRISTOPHER
Same here.
DEAN
So do you live in the area?
CHRISTOPHER
No I had some time so I rode my bike out from Berkley.
DEAN
Really? What do you got?
RORY
[proudly] It’s a 2000 Indian.
DEAN
I got an ’86 Suzuki.
CHRISTOPHER
Nice!
DEAN
Yeah.
LUKE
Dean come on!
DEAN
I gotta go. [to Rory] I’ll see you later. [to Christopher] I was nice meeting you. [runs onto the field]
CHRISTOPHER
So that was a Dean?
RORY
That was a Dean?
DEAN
[to Luke] Hey, uh, next run wins alright?
LUKE
[sighs] Yeah alright.
CUT TO INN KITCHEN
[Michel and Sookie are laughing as Lorelai enters]
LORELAI
Wow!
SOOKIE
Wow what?
LORELAI
Wow! I have never seen you two enjoy a pleasant moment together.
SOOKIE
Oh come on.
MICHEL
Oh you have seen us enjoy a pleasant moment!
LORELAI
No, not ever.
MICHEL
Oh you are being absurd.
SOOKIE
You have to admit, they are few and far between.
MICHEL
Through not fault of mine.
LORELAI
I’m just saying, it’s refreshing you know? It’s not the usual ‘Grr’ that’s all.
SOOKIE
Through no fault of yours? I’m sorry, but you’re the one that’s so...I don’t know.
MICHEL
Oh I think you do otherwise you wouldn’t have started saying it.
SOOKIE
Just yourself - caustic.
MICHEL
You mean obnoxious.
SOOKIE
You’re words not mine.
MICHEL
Go to hell [leaves]
LORELAI
Oh no, I’m just saying it’s refreshing to see you two just - oh yeah.
SOOKIE
You - get in here and tell me the happenings at home.
LORELAI
I’m assuming you mean ‘did we get our toaster fixed’ and no, it’s been cold pop-tarts for a week, it’s like a damn Dicken’s novel.
SOOKIE
I’m not talking about the toaster, I’m talking about the man.
LORELAI
Ah.
SOOKIE
So what’s it like having him around the house all the time?
LORELAI
Well it’s, um, a little weird. We have fewer clean towels than usual.
SOOKIE
Come on give me something. Tell me how you feel, I’m dying here.
LORELAI
Honestly, I’ve been trying to figure out how this makes me feel since he asked me to take off my shirt the other day.
SOOKIE
Excuse me?
LORELAI
No, it was a - kind of a ‘hello’ kind of thing.
SOOKIE
Wow. He’s smooth.
LORELAI
Yeah. I mean I have not seen this man since last Christmas right. We hear from him maybe once a week - maybe. And then all of a sudden he’s here in my town and Rory’s running around all excited and he’s sleeping on the couch and I’m thinking ‘should I be mad, should I send him to a hotel’ but then he smiles and it’s...Christopher.
SOOKIE
Here. [handing her a biscotti]
LORELAI
I mean not matter how many years go by, no matter how long I don’t see him for, whenever I do, it’s always...Christopher. What do I do with this? [holding up biscotti]
SOOKIE
Dunk. Go on.
LORELAI
[sighs] This man knows all my secrets. All of my bad girl moments happened with him - my worst fashion choices, my big hair days, the wearing of the Bonnie-Bell lipsmackers around my neck - it was all with Christopher.
SOOKIE
So do you think you two will -
LORELAI
No.
SOOKIE
Oh well that’s convincing.
LORELAI
I don’t know I - he wants to be involved with Rory. He wants to spend more time with her, be a pal.
SOOKIE
It’s about time.
LORELAI
Yeah that’s good.
SOOKIE
Yes.
LORELAI
Yeah - if it’s true.
SOOKIE
And if it’s not?
LORELAI
Then it’s [sighs] Christopher.
CUT TO STREET
[Rory’s showing Christopher around town]
RORY
This is the town flower shop. Um, over there is a good pizza place. That’s the stationary store and that’s Al’s Pancake world.
CHRISTOPHER
Good pancakes?
RORY
Oh he doesn’t serve pancakes.
CHRISTOPHER
Ok.
RORY
He switched to international cuisine a couple of years ago, and dropped the pancakes. He would’ve changed the name but he had already printed like a million napkins with the original name so he just kept it.
CHRISTOPHER
What kind of international cuisine?
RORY
He kind of hops around. Last month it was his salute to Paraguay.
CHRISTOPHER
Anyone salute back?
RORY
Not really.
MISS PATTY
Rory! Honey! How are you sweetie?
RORY
Great. Miss Patty, this is my dad, Christopher.
MISS PATTY
Your dad.
CHRISTOPHER
Nice to meet you.
MISS PATTY
You’re Rory’s father, well, well, well. You know Christopher, we’re all like Rory’s parents around here and I’m one of her mothers. And since you’re her father, well that would make us...a couple. [laughing] A couple of what I don’t know.
RORY
Ok, well we’ve got to be going.
MISS PATTY
Yes well, come back and see me.
CHRISTOPHER
I will.
MISS PATTY
[laughing] Bye. [As Rory and Chris cross the street she takes out her cell phone and dials]
[As Rory and Chris pass the market]
TAYLOR
Well you must be Rory’s father.
CHRISTOPHER
Uh, yes I am.
TAYLOR
Taylor Doose, grocer to Stars Hollow.
CHRISTOPHER
Very nice to meet you. [they keep walking. To Rory] News travels fast around here.
RORY
Yes it does. [behind them you see Taylor dialing.]
CHRISTOPHER
Bookstore. Good. Come on.[they enter. Jackson and Andrew are there]
JACKSON
Hey, hey Christopher! Jackson Melville.
CHRISTOPHER
Hello.
JACKSON
Boy I gotta tell you, did they get your description wrong.
CHRISTOPHER
Really?
JACKSON
Oh yeah, much more George Clooney than Brad Pitt. Hey Andrew.
ANDREW
Yup.
JACKSON
Don’t you think he’s much more George Clooney than Brad Pitt?
ANDREW
I’m going with the Billy Crudup comparison myself.
JACKSON
Really?
ANDREW
Oh yeah.
JACKSON
I don’t see it. Well maybe from the side. Hey do you mind?
[Jackson grabs him and turns him from one side profile to the other]
CHRISTOPHER
What? Uh, no, not at all.
JACKSON
Well there’s a little Crudup in there. Huh, well it’s nice to meet you, whoever you look like.
CHRISTOPHER
Nice to meet you. [tugs at Rory as they go down an aisle] Ok, I’m kidnapping you and getting you out of here.
RORY
They all mean well.
CHRISTOPHER
Yeah, I’m sure all lunatics have the best intentions. Ok, so I hear you like books.
RORY
Why yes I do.
CHRISTOPHER
Well I would like you to pick something out and let my buy it for you.
RORY
Dad you don’t have to buy me anything.
CHRISTOPHER
Come on, what’s the book of your dreams right now?
RORY
Well that would definitely be the Compact Oxford English Dictionary, but dad -
CHRISTOPHER
Excuse me - one Compact Oxford English Dictionary please.
ANDREW
Ok.
RORY
Dad no, it costs a fortune.
CHRISTOPHER
You need something to remember this visit by.
ANDREW
[bringing a very large and heavy book] Here you go.
CHRISTOPHER
Holy mother. This is the monolith from 2001.
RORY
It has every word ever recorded in the English language plus origins and earliest usage.
CHRISTOPHER
You sure you wouldn’t rather have a car, they weigh about the same. Here you go. [handing over a credit card]
RORY
This is so nice of you.
CHRISTOPHER
Yeah, well I’ve got a lot of things to make up for.
RORY
No you don’t.
CHRISTOPHER
Yes I do.
ANDREW
[whispering] Uh, I’m sorry Christopher, your credit card has been rejected.
CHRISTOPHER
Rejected? What are you talking about?
ANDREW
I could run it through again if you’d like.
RORY
Yes.
CHRISTOPHER
Uh, no. He doesn’t need to run it throug hagain.
RORY
Oh, ok.
CHRISTOPHER
Could you maybe hold that for us? I’ll come back tomorrow with another card.
ANDREW
Sure Chris, no problem.
CHRISTOPHER
Thanks. Come on. [they leave the bookstore. Outside] Now you’ll really remember me.
RORY
I didn’t want it that much anyways.
CHRISTOPHER
Hey, listen, don’t tell your mom about this ok?
RORY
Ok.
JACKSON
[standing with his back to them talking to a group of people] Yes it is her real dad. He seems very nice. Kind of a folky, poppy, urban, scruffy look to him. And obviously there’s some money mixed in there because he’s got that you know, money nose. And - [someone clears their throat. Jackson turns around and see Rory and Chris standing there. He touches his touque and runs off. ]
CUT TO LUKE’S
[Lorelai sitting at a table]
LUKE
So Rory was at the game today.
LORELAI
Oh yeah.
LUKE
Yeah she was with some guy.
LORELAI
Dean.
LUKE
No, I know that punk. Some older guy.
LORELAI
Oh, that would’ve been her dad.
LUKE
Really? So that’s uh...
LORELAI
The guy who impregnated me with Rory - yes.
LUKE
Oh, well, he did a good job.
LORELAI
Impregnating me with Rory?
LUKE
Now this has taken a very weird turn.
LORELAI
Yeah.
[Rory and Chris enter]
RORY
Hi.
LORELAI
Oh hi, where were you? [as she kisses Rory]
CHRISTOPHER
Well we saw Al’s Paraguayan pancake house, we were stalked by several towns people and apparently I look like Billy Crudup.
LORELAI
You do not.
CHRISTOPHER
Take it up with Jackson. [phone rings]
LORELAI
Ah, ah, ah, ah,. Hey, hey, hey, hey. [points to the no cell phone sign]
CHRISTOPHER
Hello? Emily!
LORELAI
Emily?
CHRISTOPHER
[whispers] It’s your mother.
RORY
Hi Grandma!
CHRISTOPHER
Uh-huh [pause] Well actually I’m sitting here with your girls. [pause] Sure. [to Lorelai, handing her the phone] She wants to speak to you.
LORELAI
Mm. Hi mom.
GRANDMA
Lorelai, Christopher’s in town!
LORELAI
[gasps] What?! I didn’t know! Although coincidently I’m sitting across an amazing Christopher hologram.
GRANDMA
Well I had this wonderful idea. Christopher’s parents are in town too. You remember Straub and Francine don’t you?
LORELAI
Ah yes - the Schnickelfritzes.
GRANDMA
The who?
LORELAI
The Hayden’s.
GRANDMA
Well I called them up and invited them to dinner. They said they are free to join us all on Friday night.
LORELAI
Join us all?
GRANDMA
Yes. You, Rory, Christopher, your father.
LORELAI
That’s quite a gathering mom.
GRANDMA
Well I should say so. We haven’t all been together since the two of you were children. And Straub and Francine haven’t seen Rory since she was a baby.
LORELAI
Yeah I know but -
GRANDMA
It’ll be like a wonderful reunion - all of us together again. I never thought it would happen.
LORELAI
Yeah, me either.
CUT TO GRANDMA’S HOUSE
[The three of them standing in front of the door]
LORELAI
[sighs] I’ve gotta see my parents.
CHRISTOPHER
[sighs] I’ve gotta see my parents.
RORY
Ladies and gentlemen, the drama king and queen of Connecticut.
[They enter using a key]
LORELAI
Hello? Anybody home?
GRANDMA
Oh my God! You’re here. Christopher, look at you!
CHRISTOPHER
Emily, as always perfect.
GRANDMA
I am so glad to see you, I didn’t hear the doorbell.
LORELAI
We didn’t ring the doorbell.
GRANDMA
You let yourselves in?
LORELAI
It’s ok mom, look, not a rapist among us.
RORY
Hi Grandma.
GRANDMA
You usually knock.
LORELAI
Not since you gave us a key.
GRANDMA
That is for emergencies.
LORELAI
Well mom, I’m starving to death. Is that enough of an emergency for you?
GRANDMA
Well, Richard’s in the living room, come on in. He’s dying to see you.
LORELAI
[whispers to Chris] It’s a setup giving me that key. It’s a key, it meant to be used, it’s my parents house. Shut up.
CHRISTOPHER
Sorry.
GRANDPA
Well here they are.
RORY
Hi Grandpa.
GRANDPA
Hello Rory. Lorelai. Christopher old boy how are you? My gosh it’s good to see you!
CHRISTOPHER
How are you Richard?
GRANDPA
Well I’m better than most, not as good as some.
CHRISTOPHER
And annoyed with all.
GRANDPA
Aha! You speak the truth young man! I have made martini’s. So Christopher, tell me about your business.
GRANDMA
Oh Richard, let the poor boy relax.
GRANDPA
Well I simply want to find out how it’s going.
CHRISTOPHER
It’s uh - it’s going great Richard. I’m almost afraid to jinx it by telling you good it’s going.
GRANDPA
Oh, that is wonderful. I always knew you had it in you. You have a splash of greatness as my mother would say. You’ve always had that splash of greatness.
LORELAI
Mm. I’d like another splash of greatness if you don’t mind.[getting another martini]
GRANDMA
Oh Richard. Isn’t Rory the spitting image of Christopher?
GRANDPA
I just hope you inherit your father’s business sense also my dear.
GRANDMA
I know one thing for sure- you certainly have your father’s musical talent.
LORELAI
Oh, wait just a minute.
GRANDMA
What?
LORELAI
Mom, neither of these two have any musical talent.
CHRISTOPHER
Hey, I play guitar.
LORELAI
You know the opening lick to ‘Smoke on the Water’.
CHRISTOPHER
And I’ve since mastered the opening like to ‘Jumping Jack Flash’.
GRANDPA
I’m a...Chuck Berry man myself. [Lorelai laughs almost spitting out her drink] Something wrong?
LORELAI
I would never have guessed that that last sentence would ever come out of your mouth.
GRANDPA
And why not?
LORELAI
Chuck Berry?
GRANDPA
Yes, Chuck Berry. He was all the rage when I was in school.
LORELAI
So we’re talking pre-‘My-ding-aling’?
GRANDPA
I believe I am.
GRANDMA
Do you remember when you two were what - ten and you put on that adorable show for us.
LORELAI
What show mom?
CHRISTOPHER
Lucy, Schroeder, you laying on the coffee table.
LORELAI
You pretending it was a piano. God, why is that remembered?
GRANDMA
Because it was such a wonderful production.
LORELAI
I don’t know if it was a production mom. It was just one song.
CHRISTOPHER
‘Suppertime’.
GRANDMA
Did you write that? That was really very good.
LORELAI
Dad, that’s from ‘You’re a good man Charlie Brown’ It’s a famous musical.
GRANDPA
Well I thought Christopher might have written it, he’s a very talented man.
[Doorbell]
GRANDMA
That would be Straub and Francine. [leaves to answer the door]
LORELAI
[whispers to Rory] Ha, ha your turn.
GRANDPA
I haven’t seen your parents in quite a number of years. We were practically inseparable for a while. [leaves]
CHRISTOPHER
I remember that.
RORY
This is weird. These are my other grandparents. I don’t even know them. What do I call them?
CHRISTOPHER
Call’em what I call’em - ass-
LORELAI
Chris...
CHRISTOPHER
Sorry, my tie’s too tight.
LORELAI
Just, uh, call them Straub and Francine. Call them Mr and Mrs Hayden. Sir and Ma’am? Why don’t you just avoid calling them anything.
GRANDPA
Look who’s herre.
CHRISTOPHER
Hello mother, pop.
STRAUB
Christopher.
FRANCINE
Christopher, hello.
LORELAI
Mr and Mrs Hayden, long time no see.
FRANCINE
Lorelai. You look well.
LORELAI
I am thanks. You remember Rory. You haven’t seen her in quite a while.
STRAUB
No we haven’t.
FRANCINE
I think she was just beginning to speak in complete sentences.
LORELAI
So not for two years then. [Hayden’s look at her] She’s obviously been talking a long time so I was making a humorous comment sometimes referred to as a ‘joke’.
STRAUB
I see you haven’t changed Lorelai.
LORELAI
No, not at all.
FRANCINE
Rory, hello.
RORY
Hi. [she curtsy’s]
LORELAI
[whispers] Did you just curtsy?
RORY
[whispers] Shut up.
LORELAI
[whispers] Sorry, milady.
GRANDPA
Uh, Straub, Francine, how about a martini?
STRAUB
Please.
GRANDPA
Well Straub, how is retirement treating you?
GRANDMA
Yes do tell us about the Bahamas.
STRAUB
You can get an entire island there for the cost of a decent house here.
GRANDPA
Really?
STRAUB
How about you Richard, any thoughts of retirement crossing your mind?
GRANDMA
Oh Straub, if only you could talk him into it. I’ve given up.
GRANDPA
We’re very pleased about Christopher’s business success out in California.
STRAUB
Yes, it’s taken a while but it seems to be finally coming together. Seems to be.
FRANCINE
Christopher your tie, please.
RORY
[clears her throat]Straub and Fran - [clears her throat] Mr. and Mrs. um...are you enjoying your time here, um...you...two?
CHRISTOPHER
[to Lorelai] That she got from you.
STRAUB
How old are you young lady?
RORY
16.
STRAUB
Dangerous age for girls [Lorelai looks at him]
FRANCINE
Straub.
GRANDMA
Rory is a very special child - excellent student, very bright.
GRANDPA
You should have a talk with her Straub, she could give you a run for your money.
STRAUB
Is that so?
GRANDMA
That’s right.
[Straub looks at Rory, Rory looks uncomfortable unsure what to do]
STRAUB
Well I think my money’s safe.
LORELAI
I hate president Bush.
STRAUB
What?
GRANDMA
Lorelai...
CHRISTOPHER
Oh boy.
LORELAI
He’s stupid and his face is too tiny for his head and I just want to toss him out.
STRAUB
That is the leader of our country young lady.
GRANDPA
Ignore her.
FRANCINE
His face is too tiny for his head, what kind of thing is that to say?
STRAUB
I see your daughter is just as out of control as ever.
CHRISTOPHER
Pop please. Let’s try and keep it civil.
STRAUB
Tell me Lorelai, what have you been doing with your life anyway, besides hating successful businessmen. I’m just curious.
GRANDMA
Why don’t we all go into the dining room?
LORELAI
Well uh, Straub, I run an inn near Stars Hollow.
STRAUB
Really?
LORELAI
Yes really.
CHRISTOPHER
Dad come on.
STRAUB
Nice to see you found your calling.
GRANDMA
Dinner is ready.
FRANCINE
Christopher your tie.
CHRISTOPHER
Mom please.
STRAUB
And is your life everything you hoped it would be?
LORELAI
Yes it is.
STRAUB
Because it seems to me you might not want to take such a haughty tone when you announce to the world that you work in a hotel.
LORELAI
Well there’s nothing wrong with where I work.
FRANCINE
Straub please. I’m getting a headache.
GRANDMA
Come on Richard, lead us into the dining room, now.
STRAUB
If you had attended a university as your parents had planned and as we planned in vain for Christopher, you might have aspired to something more than a blue collared position.
CHRISTOPHER
Don’t do this.
STRAUB
And I wouldn’t give a damn about you derailing your life if you hadn’t swept my son along with you.
LORELAI
[to Rory] Honey go into the next room. Go, go.
GRANDPA
I’m going to have to echo Christopher’s call for civility here. A mutual mistake was make many years ago by these two, but they have come a long way since.
STRAUB
A mutual mistake Richard? This whole evening is ridiculous. We’re supposed to sit here like one big happy family and pretend that the damage that was done is over, gone? I don’t care about how good a student you say that girl is...
LORELAI
Hey!
STRAUB
Our son was bound for Princeton. Every Hayden male attended Princeton including myself, but it all stopped with Christopher. It’s a humiliation we’ve had to live with every day, all because you seduced him into ruining his life. She had that baby and ended his future.
GRANDPA
[grabbing Straub’s arm] You recant that Straub!
STRAUB
You’re spilling my drink.
GRANDPA
You owe my daughter an apology.
STRAUB
An apology, that’s rich.
GRANDPA
How dare you?! [grabbing Straub] How dare you?!
GRANDMA
Richard what are you doing?
GRANDPA
How dare you come into my house and insult my daughter!
STRAUB
Let go of me!
CHRISTOPHER
Whoa, whoa, what is going on here? [putting himself between them]
GRANDPA
Shame on you Straub, shame on you for opening all this up again.
STRAUB
Get your purse Francine.
GRANDPA
My daughter is very successful at what she does.
STRAUB
We’re leaving.
GRANDPA
You’re not leaving. I’m kicking you out. [All four leave the room. Lorelai and Christopher and standing in the middle]
CHRISTOPHER
And you brought up Bush because?
LORELAI
It seemed like a good idea at the time. Wow.
CHRISTOPHER
Yeah.
LORELAI
I feel...16.
[Pan to study. Richard sitting reading. Lorelai enters]
LORELAI
Dad? Dad...can I get you something to eat?
GRANDPA
I’m not hungry.
LORELAI
Ok. Well look, thank you.
GRANDPA
Thank me? For what? [Lorelai turns back.]
LORELAI
Well for what you did in there. I’m...I’m just unbelievably touched and grateful for what you said to him, for defending me like that. I know it was hard for you because, well...but thank you. [starts to leave]
GRANDPA
Why do you think I did it? [Lorelai turns back.]
LORELAI
What?
GRANDPA
Why do you think I did it?
LORELAI
I don’t know. Um, out of protectiveness I guess.
GRANDPA
You don’t need to be protected Lorelai. You’ve made it very clear that you can look after yourself and that you need nothing from anyone.
LORELAI
Mm. That’s not...
GRANDPA
A member of my family was being attacked. The very Gilmore name was being attacked. I will not stand for that not under any circumstances.
LORELAI
Ok, well it doesn’t really matter why you did it.
GRANDPA
Yes it does matter why I did it! It matters greatly! Lorelai what are you going to take away from this? That everything that happened in the past is suddenly fine because I defended you?
LORELAI
No.
GRANDMA
That the hell that you put your mother and I through for the past 16 years is suddenly washed away? Well it’s not.
LORELAI
We’ve all been through hell dad.
GRANDPA
I had to tell my friends, my colleagues, that my only daughter, the brightest in her class, was pregnant and was leaving school.
LORELAI
That must have been devastating.
GRANDPA
And then you run away and treat us like lepers. Your mother couldn’t get out of bed for a month. Did you know that? Did you?
LORELAI
No.
GRANDPA
We did nothing to deserve that. Nothing to earn that!
LORELAI
I get it. I’m horrible. So why don’t you disown me and adopt Christopher, you love him.
GRANDPA
Don’t be a martyr Lorelai. And don’t be naïve. Do you think I love the boy who got my daughter pregnant? I wanted to kill him! I would have too with my bare hands. But there’s a proper procedure to be followed in a situation like this.
LORELAI
Marriage.
GRANDPA
Christopher was willing to follow the procedure we laid out, you weren’t.
LORELAI
What about what I wanted Dad? Didn’t that matter to you at all?
GRANDPA
Sometimes one has to sacrifice something in order to do what is right.
LORELAI
I feel indescribably sad for you right now, dad.
GRANDPA
Well save your emotions Lorelai. I’ve had my fill of them tonight.
LORELAI
So, um, we just end it here. Nothing...resolved?
GRANDPA
I’m tired.
LORELAI
Ok. Ok [leaves]
[Pan to kitchen]
GRANDMA
There you are. I was wondering where you went.
RORY
I’m sorry.
GRANDMA
No, it’s nothing to be sorry about. Can I get you something?
RORY
[holding up a pop can] I’m fine.
GRANDMA
Oh that’s hardly dinner. Well that was quite a bit of excitement tonight.
RORY
Oh yeah.
GRANDMA
Not the good kind.
RORY
Nope.
GRANDMA
None of this means anything Rory.
RORY
Oh I know.
GRANDMA
Straub is actually a good man. Very smart. He was one of the top lawyers in his field - a very arcane aspect of International law. And he’s always been so active in his community. His charity work has never diminished over the years. Oh let’s face it - he’s a big ass. [Rory laughs] Rory, I know you heard a lot of talk about various disappointments this evening and I know you’ve heard a lot of talk about it in the past. But I want to make this very clear - you, young lady, your person and your existence have never ever been - not even for a second - included in that list. Do you understand me?
RORY
Yeah, I do.
GRANDMA
Good now eat up. [hands her a plate of leftovers]
[Pan to balcony outside Lorelai’s old room. Lorelai sitting crying.]
CHRISTOPHER
You look great [coming out onto the balcony.]
LORELAI
Yeah, well, I look the way I feel wiseguy.
CHRISTOPHER
That was...that was a memorable evening.
LORELAI
Oh yes, it was beautiful in there. We should commemorate it with an oil painting or a severed head or something.
CHRISTOPHER
Next time we get this group together we’re gonna have to frisk for weapons.
LORELAI
Hand out gags.
CHRISTOPHER
Employ six individual cones of silence [Lorelai laughs] Boy the old balcony is still the same isn’t it?
LORELAI
In all it’s beautiful away-from-them-ness.
CHRISTOPHER
Perfect hide-out - totally private. We spent a lot of time out here.
LORELAI
Sneaking dad’s telescope, scanning the sky for alien ships.
CHRISTOPHER
Never found any.
LORELAI
Huh. And then when we were older, scanning the neighbors houses for naked people.
CHRISTOPHER
[laughing] Found a couple of those.
LORELAI
[laughing] Mrs. Dominski undulating in her big fat underalls is forever carved into my brain.
CHRISTOPHER
[laughing] And in mine. [takes out a tequila bottle] here’s to Mrs. Dominski’s underalls.
LORELAI
Aw, you’re holding out on me.
CHRISTOPHER
[takes a drink] Take it. And in an effort to further chronicle this balcony’s history, we are now in the immediate vicinity of the spot upon which was Rory’s initial eminations.
LORELAI
Yes we are. Here’s to Rory. [takes a drink]
CHRISTOPHER
The bright spot in all the darkness.
LORELAI
And now.
CHRISTOPHER
You know even if you hadn’t gotten pregnant and everything had gone as planned, I still never would have make it through Princeton.
LORELAI
Oh I don’t believe that.
CHRISTOPHER
Yeah, well that’s why you’re you and I’m not.
[Pan to Luke’s where Luke is waiting for Lorelai. He gives up and goes inside. Pan back to the balcony where Christopher and Lorelai are kissing as they take off each other’s clothes. Pan to them putting back on their clothes.]
LORELAI
Wow. Wow, wow, wow.
CHRISTOPHER
You wigged?
LORELAI
Yeah, yeah I’m a little wigged.
CHRISTOPHER
Why?
LORELAI
Why? Are you kidding me? Chris this is the next to last thing I thought would ever happen tonight. The last thing being a holy saint guy riding down on a flaming chariot from heaven to announce Armageddon.
CHRISTOPHER
And Hartford is the place he chooses to make his announcement? I don’t think so.
LORELAI
Christopher.
CHRISTOPHER
Ok, yes, it was unexpected but it was great.
LORELAI
Oh God! Oh I can’t believe this.
CHRISTOPHER
Ok fine. You know what? We should go.
LORELAI
Yeah we should go like 30 minutes ago.
CHRISTOPHER
[sighs] I’m sorry.
LORELAI
Oh don’t apologize. It was the both of us. [they leave] God my parents have got to seal these windows up I swear to God.
CUT TO INSIDE CAR
RORY
So where were you guys?
LORELAI
Nowhere.
RORY
Where’s nowhere?
CHRISTOPHER
Where we were.
LORELAI
Mm-hmm.
RORY
Ah.
CUT TO GILMORE HOUSE
CHRISTOPHER
Night you.
RORY
Good night dad. [he gives her a kiss]
CHRISTOPHER
Good night Lor.
LORELAI
Good night, yeah, uh, have a really, really good night. [he heads for the couch]
RORY
You got some dirt or some schmuts on your -
LORELAI
Hmm?
RORY
Where did you -
LORELAI
I don’t - it’s been a long night so um, there’s just been a lot of schmutsing going on.
RORY
Ok.
LORELAI
Come on [directing her to the kitchen] We haven’t really had a chance to talk.
RORY
About the schmutsing?
LORELAI
[sighs] No, about all the warm and fuzzy family moments that went on tonight. Are you ok?
RORY
Yeah.
LORELAI
You know all those crazy people saying those horrible things were directing them at me not you.
RORY
They were directing them to you because you had me.
LORELAI
No, they were directing them at me because I screwed up their big ‘Citizen Kane’ plans. That’s all.
RORY
They don’t even want to know me do they?
LORELAI
That is not true. They are just so full of anger and stupid pride that stands in the way of them realizing how much they want to know you.
RORY
Yeah.
LORELAI
Their loss and it’s a pretty big one.
RORY
I’m going to bed now.
LORELAI
Hey. No regrets - from me or your dad.
RORY
Yeah?
LORELAI
Oh, I mean no regrets about you. There’s a misspelled tattoo incident that I’m sure he’d like to erase from his bio - but you that’s a no brainer.
RORY
Where does dad have a misspelled tattoo?
LORELAI
Ah, ah, another story for another time, possibly before your first trip to Mazatlan. Good night babe.
RORY
Good night mom.
LORELAI
[walks by a mirror and looks at herself] Ugh.
[Pan to morning. Lorelai awake in bed]
LORELAI
[gasps] Oh no! Aah!
CUT TO LUKE’S
[Lorelai waiting in pj’s on the front stoop]
LORELAI
I feel horrible.
LUKE
Don’t.
LORELAI
I stood you up and I didn’t even call.
LUKE
It’s ok.
LORELAI
I’m a rat. We had a date and I stood you up.
LUKE
It wasn’t a date, it was just a paint.
LORELAI
I’m a rat, I need cheese.
LUKE
Forget it.
LORELAI
Hey, hey, let’s reschedule.
LUKE
You know, I really didn’t even want to do it in the first place.
LORELAI
No, no come on, don’t change your mind. We could do it tonight or - or right now.
LUKE
Was it an emergency?
LORELAI
Yes. You would not believe what happened. I slipped and I busted my - it wasn’t an emergency. It was just me being a rat.
LUKE
Something came up?
LORELAI
Yeah.
LUKE
Something...someone.
LORELAI
Luke.
LUKE
Am I right?
LORELAI
I’m sorry.
LUKE
Yeah, ok. Well I’m late.
LORELAI
Oh.
CUT TO GILMORE HOUSE
[Christopher making coffee as Lorelai comes in.]
CHRISTOPHER
Where were you?
LORELAI
Fruitlessly trying to rectify a ratty transgression.
CHRISTOPHER
Oh. You want some coffee?
LORELAI
No.
CHRISTOPHER
What?
LORELAI
What?
CHRISTOPHER
Well I know you well enough to know that when you say no to coffee, especially in the morning, all is not right in Whoville.
LORELAI
Very astute.
CHRISTOPHER
So...last night.
LORELAI
Ah, last night was Chernobyl and the Hindenburg combined.
CHRISTOPHER
Right, just checking.
LORELAI
My father almost hit someone. My father has probably only hit another man in college wearing boxing gloves and one of those Fred Mertz golden gloves pullover sweaters.
CHRISTOPHER
Fred Mertz?
LORELAI
‘I Love Lucy’ - Fred Mertz.
CHRISTOPHER
Landlord to Ricki, husband to Ethel, I know. It’s just a weird reference.
LORELAI
Hello, pajamas.
CHRISTOPHER
Right. Continue.
LORELAI
My father had a meltdown, first with your father...
CHRISTOPHER
He was asking for it.
LORELAI
...and then with me. And then you and me - oh boy.
CHRISTOPHER
Don’t say it like that.
LORELAI
Stupid. Dumb.
CHRISTOPHER
Much better.
LORELAI
And to top off the whole fabulous fiasco, I stood up a friend of mine, who was counting on me and, and he just stood there looking hurt with the paint and the chairs and it hurt me. And it’s not your fault but in this parade of stupid and dumb, I am the one twirling the flaming baton.
CHRISTOPHER
Lor?
LORELAI
What?
CHRISTOPHER
I want to marry you.
LORELAI
And the hits just keep on coming.
CHRISTOPHER
Just think about it. Think about it before you make a rash -
LORELAI
You are out of your mind. You are completely insane. You have flipped your lid. Charlie Manson is freaked out by you right now!
CHRISTOPHER
Come on, we’re already a family.
LORELAI
Who? Who is a family?!
CHRISTOPHER
Us! You, me and Rory!
LORELAI
You don’t even know what a family is.
CHRISTOPHER
It’s people living together.
LORELAI
No. It’s a big commitment, it’s responsibility, it’s hard work. It’s coming home at the same time to the same place every day.
CHRISTOPHER
Ok, so what do you want, financial statements? I can be a family man, I’m responsible.
LORELAI
Honey, you can’t even buy a book without having your credit card declined.
CHRISTOPHER
Oh man, I told Rory not to rat me out. I can’t believe she did that.
LORELAI
She didn’t. Andrew from the bookstore called and Jackson and the UPS guy and ooh it was the lead story on the Stars Hollow web page. And then I asked Rory and she very reluctantly confirmed it. ‘Rat me out’ what are you - 16?
CHRISTOPHER
I’m sorry.
LORELAI
And what are you doing telling my daughter to lie to me anyway?
CHRISTOPHER
She’s my daughter too.
LORELAI
More like your playmate.
CHRISTOPHER
You know I don’t deserve that, I’m as mature as you.
LORELAI
What? The offspring is your favorite band.
CHRISTOPHER
So? You’re into Metallica.
LORELAI
Well Metallica is way more substantial than The Offspring.
CHRISTOPHER
Here we go, it’s the same Black Sabbath riff all over again.
LORELAI
Oh! The Offspring have like one chord compression. They use it over and over. They just popped on new words and called it a single and I don’t want to talk about this anymore!
CHRISTOPHER
Look, I’m the immature one, I’m the irresponsible one, I’m was the one who was willing to get married when you got pregnant.
LORELAI
We were too young, we wouldn’t have made it, you know that.
CHRISTOPHER
Well we’re not too young now.
LORELAI
Ok. Now I need some coffee.
CHRISTOPHER
What about last night. What did our having sex mean to you?
LORELAI
[sighs] It meant that Jose Cuervo still has amazing magical powers.
CHRISTOPHER
You’re funny.
LORELAI
We can’t get married Christopher. We don’t know each other as adults.
CHRISTOPHER
So let’s get married and get to know each other as adults.
LORELAI
Well, that’s very Fiddler on the Roof of you.
CHRISTOPHER
Ok, fine. Let’s get to know each other right now. What do you want to know?
LORELAI
How is your business really doing? [Christopher sighs]
CHRISTOPHER
Lorelai.
LORELAI
I knew it.
CHRISTOPHER
Look, I was going to tell you if it didn’t pick up soon. I swear.
LORELAI
And you just sat there last night, just smiling and nodding while my dad and your dad went on and on about Christopher and his great big business success in California.
CHRISTOPHER
Yeah, I didn’t want to upset anybody. I wanted last night to be nice.
LORELAI
Oh well it was.
CHRISTOPHER
Oh and it would have been much better if I had announced at the table ‘Hey on top of everything else you’re upset about, I just wanted to add that I’m the biggest loser in the world’. Would that have been festive?
LORELAI
You’re not a loser.
CHRISTOPHER
Please.
LORELAI
You’re a liar but not a loser.
CHRISTOPHER
Thank you.
LORELAI
You’re welcome.
CHRISTOPHER
Come on ,we’re arguing like an old married couple. Doesn’t that show potential?
LORELAI
Oh Christopher, I swear to God...
CHRISTOPHER
I’ve been looking for the one Lor, that elusive soul mate - I really have, I just believe it’s you, it’s always been you.
LORELAI
Chris come on.
CHRISTOPHER
Rory might be my only child.
LORELAI
That’s not true. If Tony Randall can crank one out in his seventies you have decades left to spawn.
CHRISTOPHER
No. I don’t know how much I miss Rory until I see her like this. It’s...it’s easier staying away.
LORELAI
No. Don’t stay away. Don’t. Rory needs her dad.
CHRISTOPHER
Or her pal right?
LORELAI
I think she’d take a combo.
[Pan to outside house, Christopher loading up bike]
RORY
So call us when you get home.
CHRISTOPHER
I will.
RORY
And call more.
CHRISTOPHER
I will. [they hug] See ya. [ he whispers something in her ear]
RORY
[to Lorelai] Dad wants to know if you’ll reconsider.
[Lorelai calls Rory over and whispers in her ear]
RORY
She says ‘Nope. Offspring sucks and Metallica rules.’
CHRISTOPHER
Fair enough. [He kisses and hugs Lorelai]
LORELAI
Drive safe. [He leaves]
RORY
He wanted you to marry him didn’t he?
LORELAI
Spy.
RORY
You know crazier things have happened.
LORELAI
You mean crazier than having your mom and dad married?
RORY
Yes.
LORELAI
I don’t think they have.
RORY
What? Why is that so crazy?
LORELAI
Because it is. Because he wants things he is not ready for.
RORY
How do you know?
LORELAI
I know. I know him so well. You have no idea.
RORY
Maybe he can change.
LORELAI
Rory.
RORY
Maybe it’s different. He did come here this time, he’s never done that before.
LORELAI
Hey, stop.
RORY
Why?
LORELAI
Because I don’t want you to get yourself all worked up over this.
RORY
He loves you.
LORELAI
He does love me.
RORY
Do you love him?
LORELAI
Honey come on.
RORY
Answer me.
LORELAI
Honestly?
RORY
Yes.
LORELAI
I will probably always love him.
RORY
Ok so?
LORELAI
But that doesn’t change the fact that he still has a long way to go before he is ready to take us on full time. I mean you are a handful missy. And while I am pure joy and sunshine every waking hour, I still have my own set of needs that - that must be met. It just wasn’t right babe. You have to trust me on that. Mm? Talk please.
RORY
I still think there was a little something different.
LORELAI
Maybe you’re right.
RORY
Really?
LORELAI
It would be nice.
RORY
Yeah it would
LORELAI
I’ll tell you what, uh, let’s not put all the blankets away just yet.
RORY
Really?
LORELAI
You never know.
CUT TO LUKE’S
LUKE
What the -
LORELAI
Taa-daa!
LUKE
How’d you get in here?
LORELAI
You’re bread guy let me in.
LUKE
I’m switching bread guys.
LORELAI
What do you think?
LUKE
I think you shouldn’t break and enter.
LORELAI
So what do you think?
LUKE
Well I gotta admit - it looks pretty good.
LORELAI
Oh, I knew you’d like it.
LUKE
Thanks.
LORELAI
Anytime. It’s fun.
LUKE
So, uh, where’s the guy?
LORELAI
Oh he’s gone.
LUKE
Oh, too bad.
LORELAI
We’ll be fine. Luke?
LUKE
Yeah?
LORELAI
Um, can I make one more suggestion?
LUKE
No.
LORELAI
Curtains?
LUKE
No.
LORELAI
Manly curtains.
LUKE
Oxymoron.
LORELAI
What did you call me?
LUKE
No curtains.
LORELAI
Aw come on. You gotta give a little. How about a tablecloth?
LUKE
No. We don’t do table cloths here.
THE END