T2E10: “The Bracebridge Dinner”
Título em Português: “O Jantar Bracebridge”
Roteiro: Daniel Palladino
Direção: Chris Long
Originalmente exibido em: 11 de dezembro de 2001
OPEN IN STARS HOLLOW
[Lorelai and Rory are building a snowman in the center of town.]
LORELAI
How do you like that mouth?
RORY
Um, it's not very mouthlike.
LORELAI
Oh, I think it works.
RORY
It's tilted to the side.
LORELAI
Yeah, no, it was intentional. It gives her a unique expression.
RORY
Like she had a stroke?
LORELAI
Fine, I'll just use the Mrs. Potato Head lips.
RORY
No, forget it, leave stroke-mouth. It's not like we're gonna win this anyway.
LORELAI
Whoa, bad attitude.
RORY
Mom, face it. That is the single most incredible snowman I have ever seen. [looks at a man working on an elaborate snow sculpture]
LORELAI
I'm sorry, that snowman is way over the top, way too showy. It's screaming 'I'm incredible, I'm special, look at me.'
RORY
Kind of the point of a snowman-building contest.
LORELAI
Hmm, I hate this man with every fiber of my being.
RORY
He looks nice.
LORELAI
He's a ringer.
RORY
How do you figure?
LORELAI
Someone recruited him, promised him a handsome sum, financed his theatrical snowman accoutrements, so he could snatch victory away from a deserving local in order to bag the contest prize for himself.
RORY
Seems a little elaborate considering that the prize is a set of new US quarters.
LORELAI
Oh, we're ignoring him now. So, what are we gonna do on your school break?
RORY
A lot of nothing.
LORELAI
Sounds good.
RORY
Plus some homework.
LORELAI
And a lot of movies.
RORY
Oh, we have to rent Godfather 3 on DVD.
LORELAI
You're kidding.
RORY
In the audio commentary, Coppola actually defends casting Sofia.
LORELAI
Now that is fatherly love. What's all this homework you have to do?
RORY
Just stuff for the paper.
LORELAI
What? Why?
RORY
Because Paris wants the first issue back to be a double issue, so we have to prep over break and she says the news never sleeps.
LORELAI
What about Paris, does she ever sleep?
RORY
I think she periodically makes a whirring noise and then just shuts down.
LORELAI
Well, you can't work the whole time.
RORY
I won't, I promise. Oh my God.
LORELAI
What?
RORY
He's power buffing.
LORELAI
Aw, now that is just wrong.
RORY
We're competing against the Michelangelo of snow.
LORELAI
And we're Ernest Builds a Snowman.
RORY
We shouldn't look at him anymore.
LORELAI
Heads down, stay focused.
RORY
We can do this.
LORELAI
Absolutely.
[their snowman's head falls off]
RORY
Let's get some coffee?
LORELAI
Right behind you.
OPENING CREDITS
CUT TO INDEPENDENCE INN
[Michel is at the front desk on the phone. In the background, Rune is jumping up and down trying to dust a picture frame.]
MICHEL
[oh phone] Yes, you can rent a car in Manhattan and return it in Hartford. That's...that's no problem, sir. Yes. Yes, you can return it to Bradley International. That's...that's very convenient. Or you...you can...um, you - hold please. [puts phone down, walks over to Rune and grabs his arm]
RUNE
Ah!
MICHEL
Stop that.
RUNE
Stop what?
MICHEL
Stop jumping like a Mexican bean.
RUNE
Well, Lorelai asked me to dust the picture frames. How do you suggest that I clean the top, smartie? [Michel takes the picture off the wall] Well, I didn't know that you could do that.
MICHEL
Yes, I am miraculously talented, aren't I?
RUNE
I thought an alarm would go off like in The Thomas Crown Affair.
MICHEL
That would be if this was a museum, and you were a man allowed in museums.
LORELAI
Hey, no bickering in the lobby, guys.
RUNE
Where are we allowed to bicker?
CUT TO INDEPENDENCE INN KITCHEN
SOOKIE
You've got all the mushrooms? You double checked?
JACKSON
I've triple checked. I've quadruple checked.
SOOKIE
The shitake, the nameko, the chanterelle?
JACKSON
Once again, I've got it all.
SOOKIE
The matsutake? The makeniya?
JACKSON
Uh wait.
SOOKIE
What?
JACKSON
I don't have makeniya.
SOOKIE
You don't have makeniya?
JACKSON
I don't have makeniya.
SOOKIE
I made it up. [giggles] You passed the test.
JACKSON
Don't test me.
[Lorelai walks in the kitchen]
LORELAI
Hey, the auditions are starting. You wanna come watch?
SOOKIE
Ooh, yes!
JACKSON
Auditions for what?
SOOKIE
Musicians.
LORELAI
For the Bracebridge Dinner.
JACKSON
Geez, you guys are going crazy with this dinner.
SOOKIE
Jackson, I told you, this dinner is not just about food. We are recreating an authentic 19th century meal.
LORELAI
The servers are all gonna be in period clothing, they're gonna speak period English. Here, look at the costumes.
JACKSON
Nice.
SOOKIE
We're talking seven courses here. Soup, fish, Peacock Pie, the Baron of Beef, the salad, then the Plum Pudding and the Wassail.
LORELAI
And there's gonna be a big raised platform where the Squire of Bracebridge is going to preside over the festivities.
SOOKIE
Yeah, he tastes the foods and makes pronouncements. He's like the host of the evening, and his costume is the coolest.
LORELAI
Ah.
JACKSON
It all sounds great.
SOOKIE
Oh, it is, it is. By the way, you're playing Squire Bracebridge. Ready?
LORELAI
Let's go.
SOOKIE
Yeah. [they leave]
JACKSON
Huh? What was that?
CUT TO LOBBY
SOOKIE
What are we looking at today?
LORELAI
Okay, this is the last on our list. We've already got our trumpets, our madrigal singers...
JACKSON
Uh, sorry to interrupt but I'm not playing Squire Bracebridge.
LORELAI
We've got all our servers lined up. This is just for recorder players and harpists. Hi. Uh, lay some on us guys.
[two recorder players play]
SOOKIE
Hey, you cats really know how to blow those things.
LORELAI
You've got the gig. I will call you later with the details. Thanks.
[the recorder players leave]
JACKSON
So are we clear on this? I'm not playing Squire Bracebridge. Sorry you were under the impression that I'd do this.
SOOKIE
When do the guests arrive?
LORELAI
Thursday at four - on their own jet.
SOOKIE
After buying out the whole inn.
LORELAI
Must be nice to have money.
SOOKIE
Uh! Hey, you know what struck me today?
JACKSON
Was it the fact that I'm not the Squire - did that strike you?
SOOKIE
We are crazy for doing this.
LORELAI
We're beyond crazy. We are 'Anne Heche speaking her secret language to God and looking for the spaceship in Fresno' crazy.
SOOKIE
Oh Quiness, nokka don atta.
LORELAI
Il ek notra doska donne.
JACKSON
And springing this on me at the last minute too, I mean, that's just manipulative.
[a chef comes out of the kitchen]
CHEF
Sookie, fire! [leaves]
SOOKIE
I gotta get back in the kitchen. You'll handle the harp?
LORELAI
You got it.
JACKSON
All right, okay, I'll do it. I'll play Squire Bracebridge if that's what you want. Geez.
SOOKIE
Thanks Sweetie. [walks to kitchen]
JACKSON
As long as it's not just because I fit the costume. It's because I fit the costume, isn't it? [leaves]
LORELAI
[to harpist] Go ahead.
[Lorelai's cell phone rings while the harpist is playing]
LORELAI
[answers phone] Hi, it's Lorelai.
CHRISTOPHER
Hey Lor, it's me.
LORELAI
Oh, hi Chris, how are you?
CHRISTOPHER
Good, good. You, uh, got a minute?
LORELAI
Uh oh.
CHRISTOPHER
It's not an uh oh, I just wanted to run an idea by you.
LORELAI
Run it.
CHRISTOPHER
Now it's totally your call and I don't want to step on any plans you've already made, but I know Rory has a break in school coming up, and I was wondering if you'd be cool with her coming to visit for a couple of days.
LORELAI
Uhh, a couple of days? You mean she'd stay the night?
CHRISTOPHER
Yeah, it's totally your call. Where are you, heaven?
LORELAI
Do you even have room for someone to stay?
CHRISTOPHER
Not just room - a room. A designated guest room. Sherry fixed it up really nice.
LORELAI
Aww, good for her.
CHRISTOPHER
So what do you think?
LORELAI
I don't know. It's awfully last minute.
CHRISTOPHER
It's totally last minute. You can say no and there'll be no hard feelings.
LORELAI
Well, it's really up to Rory to say yes or no.
CHRISTOPHER
So you're cool with it?
LORELAI
Yeah, sure, if Rory is, yeah.
CHRISTOPHER
Great, that's great. Uh, thank you. I'll let you run it past her and you can get back to me whenever. No pressure.
LORELAI
No pressure.
CHRISTOPHER
Talk to you later.
LORELAI
Yeah, talk to you later.
CUT TO ELDER GILMORE RESIDENCE
[Emily, Richard, Lorelai and Rory are eating dinner silently. Rory get Lorelai's attention and gestures for her to say something.]
LORELAI
So what are your travel plans Dad?
RICHARD
Hmm?
LORELAI
You and mom, you always go out of town this time of year.
RORY
Last year it was the Bahamas.
RICHARD
Yes, that's right, it was.
LORELAI
I remember you had fun too. You said the Bahama...mians were real nice. The Bahamites? The Bahamamamamians?
RORY
The Bahamians.
LORELAI
Yes. They were nice.
EMILY
They were nice.
LORELAI
So, what are your plans?
EMILY
We're not going anywhere this year.
RORY
Why not? Oh, well yeah, it can be really nice just to stay at home sometimes because you can do fun things that you normally wouldn't have time for.
LORELAI
Yeah, like play Running Charades, and get out that Slip 'n Slide.
RICHARD
We'll see.
EMILY
Yes, we'll see.
RICHARD
Would you all excuse me? I have to make some calls. Say goodbye before you leave, will you?
LORELAI
Yeah, sure Dad.
[Richard leaves]
LORELAI
When is this awfulness with work gonna resolve itself?
EMILY
I don't know. The man is so sensitive. He reads so much into every little perceived slight.
LORELAI
Yeah. I remember one time when I was a kid, Dad had put on some weight, and he bought a new suit to try to cover it up. And he wore it for us and he said, 'How do I look?' and I said, 'You look fat.' [pause] But I guess that wasn't really a perceived slight...so, I'll think of another example.
CUT TO INDEPENDENCE INN LOBBY
[Sookie is lecturing to a group of people; Kirk is transcribing everything she says on his laptop.]
SOOKIE
Keep in mind during the Bracebridge Dinner, we are not just servers, we are performers, so any time you're with a guest, you must be in character and you must speak Old English. It's a world we're creating here, so whatever we can do...Kirk, you're driving me crazy!
KIRK
Who me? [reads transcript] 'Whatever we can do to Kirk you're driving me crazy.' Yeah, me. Ah, sorry.
SOOKIE
Okay, now guys, look at the materials I gave you, and tell me if a guest asks you how the food's coming, what would be the appropriate Old English response? Rune!
RUNE
Greetings!
SOOKIE
You just read the first thing on the list, didn't you?
RUNE
Maybe.
SOOKIE
Guys, the correct response: Ah, oven's day with baked meat choke!
RUNE
Question?
SOOKIE
Yeah?
RUNE
What color dress will I be wearing when I say this?
JACKSON
Rune, don't be an idiot.
RUNE
Well, this is stupid.
JACKSON
Shut up and pay attention to Sookie. She worked very hard to bring this about.
KIRK
Yes, but unfortunately we don't all share intimacies with her, so she doesn't cut us any slack.
JACKSON
She doesn't treat me differently.
KIRK
She's called you Peaches three times. It's all in the transcript.
RUNE
Sookie, instead of talking in Old English, can I just talk like an old man?
SOOKIE
What?
RUNE
Hey you kids, get off my lawn!
SOOKIE
No, no you cannot just talk like an old man.
[Lorelai walks into the lobby]
SOOKIE
Hi, honey, what's the matter?
LORELAI
They're snowed in.
SOOKIE
Who's snowed in?
LORELAI
The Bracebridge group. They're stuck in Chicago. The dinner's off.
SOOKIE
No.
LORELAI
Yes.
SOOKIE
I'm gonna cry.
LORELAI
I offered to fund the instant invention of a molecular transport device but they just didn't go for it.
SOOKIE
Oh, that makes me so mad. And so sad. I'm smad!
RUNE
Sookie, does this mean that my pockets wileth not with money get choked? That sounded like Old English. Cool, huh?
CUT TO LUKE'S DINER
[Lorelai, Sookie, and Rory are sitting at a table]
SOOKIE
I've got thirty pounds of aged beef, trays and trays of trout, mountains of pruned tarts. I diced pumpkins until my hands turned orange. I've got pumpkin hands.
LORELAI
Take a sip
SOOKIE
How can you stay so calm about this?
LORELAI
There's nothing we can do about it.
RORY
I can't believe they got snowed in.
LORELAI
All that work, all that extra help we hired. Oh well. At least they paid for it already. We didn't lose any money.
SOOKIE
Yeah I guess. You know, I could still make up the dinner for the three of us.
RORY
Yeah, but then it would be like the three of us, all alone in the dining room.
LORELAI
It would be like The Shining, except instead of Jack Nicholson, we have Rune.
[Luke walks over to them]
LUKE
You girls want anything besides coffee?
SOOKIE
Hey, what about Luke?
LUKE
What about him?
SOOKIE
He eats, and Jess eats. Doesn't Jess eat?
LUKE
What's she doing?
LORELAI
I think she's inviting you for dinner.
SOOKIE
Yeah, come on, join us. It'll be fun. You like Peacock Pie?
LUKE
I'm a hundred percent sure I don't.
LORELAI
There'll be normal food too.
RORY
And decorations.
SOOKIE
And music.
LORELAI
Come on, it'll be fun.
LUKE
Well...
LORELAI
Hey, you know what? Let's invite everyone.
SOOKIE
Everyone who?
LORELAI
Everyone everyone.
SOOKIE
Everyone everyone who?
LORELAI
Everyone we know, everyone we like.
RORY
And they could even stay in the inn. All those empty rooms, all those uneaten pillow mints.
LORELAI
An out of control, over the top slumber party!
SOOKIE
I love it!
RORY
Me too!
LORELAI
Done! Spread the word.
LUKE
I haven't said I'd come yet so I'm certainly not gonna suddenly become your messenger boy. [Lorelai stares at him] Eight o'clock?
LORELAI
Seven.
LUKE
Right.
CUT TO FRONT OF STARS HOLLOW HIGH
[Dean walks out of the school, Lane walks over to him.]
LANE
Deano.
DEAN
Hey Lane. Are you going to this big shindig at the inn tonight?
LANE
Yeah, I'm just trying to trick my mom into not going with me.
DEAN
How's that coming along?
LANE
How's that Pixies reunion coming along?
DEAN
Well, I'll see you and your mom there.
LANE
Bye.
DEAN
Bye.
[Lane leaves. Dean sees Jess fighting with another kid and goes over to break it up.]
BOY
Keep it up pal, you'll get hurt.
DEAN
Whoa, hey guys! Guys, come on, break it up guys! Quit it! Hey, hold it man, get off me! [Dean tries to pull Jess away; Jess tries to punch him] Whoa, hey, get off me man, I'm not fighting you! Jess, knock it off man! What the hell is your problem?
JESS
Nothing.
DEAN
You saw it was me, Jess. Why'd you keep punching?
JESS
Had momentum.
DEAN
Well I was trying to help you.
JESS
I don't need you help, but thanks for offering.
CUT TO LORELAI'S HOUSE
[Lorelai sits on the couch as Rory walks in with some drinks.]
LORELAI
Hey, did Bootsy RSVP?
RORY
Yeah, he's coming.
LORELAI
Thanks. Is he bringing anybody?
RORY
He's coming solo.
LORELAI
Okay. I'm gonna put him in room 16 with Luke.
RORY
You can't do that.
LORELAI
Come on, let me have my fun.
RORY
Luke's coming with Jess.
LORELAI
Well, I'll put Jess in with Miss Patty.
RORY
There will be no Jess left in the morning.
LORELAI
You stink.
[Rory sits in the armchair and picks up a pile of cards]
RORY
Are these last year's cards or this year's?
LORELAI
This year's, of course.
RORY
Don't scoff. Last year's set were still sitting here 'til Halloween.
LORELAI
Hey, if that's a crack at my housekeeping skills...well then, okay.
RORY
Wow.
LORELAI
What?
RORY
This is one ugly looking baby. Whose baby is this?
LORELAI
That's your second cousin's Stan's. Poor kid.
RORY
Ugh, he got Stan's everything.
LORELAI
That's not even the ugliest baby in the bunch.
RORY
You're kidding. [looks through the pile] Ouch!
LORELAI
That's the ugliest baby in the bunch.
RORY
I don't understand why people put pictures on cards.
LORELAI
Do they not understand we are unapologetic mockers?
RORY
There's an unexplained innocence in the world. Hey, I didn't see this.
LORELAI
See what?
RORY
Dad.
LORELAI
Oh.
RORY
And the woman I'm assuming is Sherry.
LORELAI
Uh, did I not show you that? Huh.
RORY
They've got a cute little puppy and everything.
LORELAI
Oh, I must've put it in the stack and forgotten to tell you about it. Well, there it is.
RORY
Nice looking lady.
LORELAI
Mm hmm. Like a young Tammy Faye Baker.
RORY
But prettier than that.
LORELAI
Oh, I didn't mean not pretty. Hey, question about the room list.
RORY
Yeah?
LORELAI
Room 31 - why is it empty?
RORY
Oh yeah, I wanted to run an idea by you.
LORELAI
Run it.
RORY
I thought maybe a certain depressed man and his wife could stay there.
LORELAI
Woody and Soon-Yi?
RORY
Grandma and Grandpa.
LORELAI
Ugh, you've got to be kidding.
RORY
But this could help to cheer him up.
LORELAI
I'll send him a Def Jam Comedy tape. That'll cheer him up.
RORY
It's a really good thing to do.
LORELAI
We'll donate money to charity, that's a good thing too. We'll stop kicking dogs.
RORY
Mom.
LORELAI
All right, I'll pencil them in, but they'll probably say no.
RORY
Yeah, but we're not gonna hope that they say no, right?
LORELAI
Right.
RORY
Right, because that would be really bad karma, especially on top of making fun of the ugly babies.
LORELAI
Uh, I have a new year's resolution for you: become more cynical and self absorbed.
RORY
I'll work on it.
CUT TO INDEPENDENCE INN
[The night of the Bracebridge Dinner, Lorelai and Rory are in the lobby]
RORY
Hey, how's Sookie doing in there?
LORELAI
Ah, well, she's paper bagging it.
RORY
What?
LORELAI
You know... [Lorelai breathes into a pretend paper bag]
RORY
Oh, so she's right on schedule.
[Babette and Morey walk into the inn.]
BABETTE
Hey dolls.
LORELAI
Hey!
RORY
Hi, welcome.
MOREY
Are we the first ones here?
LORELAI
Yes, you are.
BABETTE
Now don't you freak out. Morey hates being the first anywhere. He thinks it hurts his street credibility.
MOREY
Charlie Parker was late to everything.
BABETTE
Charlie Parker had more drugs in him than a Rite-Aid. Forget Charlie Parker.
RORY
You guys are in room 8. It's all ready for you.
BABETTE
Thanks, doll. C'mon Morey. We can be late for dinner if it'll make you feel better.
MOREY
A little.
BABETTE
Yeah.
[they walk away as Lane walks into the inn]
LANE
Hey!
RORY
Are you alone?
MRS. KIM
Lane!
LANE
My wedding night's gonna be very interesting.
RORY
Hi Mrs. Kim. I'm glad you guys could come. You guys are in room 12.
MRS. KIM
Thank you. Hello Lorelai, thank you for inviting us.
LORELAI
Our pleasure. Do you need help bringing in the rest of your stuff?
MRS. KIM
This is my stuff. Don't need any more stuff. People have too much stuff.
LORELAI
You know you're right. People have too much stuff. Absolutely.
[Mrs. Kim and Lane walk away]
RORY
Says the woman with 64 pairs of shoes.
LORELAI
Thus proving my point. What is Paris doing here?
RORY
She had to bring me the newspaper stuff tonight. She just couldn't wait.
LORELAI
A robot, she's a robot. Hi! [walks away]
RORY
Hey.
PARIS
So here are the materials in the double issue. Some of the articles are gonna need complete rewrites.
RORY
Drag.
PARIS
Madeline's 500 words on test anxiety spends 400 of them arguing that stretch corduroy is the best material for low-rise jeans.
RORY
Well, let's see. Corduroy is a fabric, and the fabric of society is weakened when students...
PARIS
You can't get there.
RORY
Yeah, it doesn't look like it. I'll get right on this tomorrow.
PARIS
What about tonight?
RORY
I'm busy tonight.
PARIS
Doing what?
RORY
Well, this.
PARIS
Oh. What is this?
RORY
It's kind of a big dinner party.
PARIS
Oh. Okay, well, I'll get out of your way. Call if you need to talk things through, and oh - she uses the Prince version of writing. A letter U for you and a picture of an eye for an I.
RORY
Wow.
PARIS
Yeah.
RORY
Hey Paris, do you have anything going on tonight?
PARIS
What's that supposed to mean?
RORY
It's supposed to mean, do you have anything going on tonight?
PARIS
Well, my parents are out of town, so my Portuguese nanny will make dinner and then I'll either get back to reading the Iliad or we'll play Monopoly. I crush her every time.
RORY
Well I was just thinking, maybe you want to stay for dinner?
PARIS
Here?
RORY
Yeah. We have a ton of food, and it's like a whole big show and everything, and if you're not doing anything...
PARIS
Rereading the Iliad a third time is not not doing anything. I'm not pathetic.
RORY
I know you're not. I just thought it might be fun, that's all.
PARIS
Well, I'll have to make a call.
RORY
Good, make it.
PARIS
I just have to let Nanny know. [takes out cell phone and dials] Nanny? É Paris. Vou jantar com Rory hoje à noite. Eu telefono no caminho de casa. Tchau.
[Dean and Clara walk into the inn]
DEAN
Hey.
RORY
Hello there. Hey Clara. Nice, is that a Stella McCartney?
CLARA
It's a Wal-Mart.
RORY
Well, it's very pretty.
CLARA
My mom bought it for tonight.
RORY
She's got good taste.
DEAN
[sees Jess walk in] I didn't know he was coming.
RORY
Who?
DEAN
Jess.
RORY
Yeah. Is that a problem?
DEAN
Not really.
RORY
Dean.
DEAN
It's just that, he got into this fight with this guy at school, and when I broke it up he started in on me.
RORY
He hit you?
DEAN
He tried.
RORY
Why would he do that?
DEAN
Don't ask me to explain that jerk. [Jess waves] He better not do that all night.
CUT TO INDEPENDENCE INN KITCHEN
SOOKIE
No! It tastes too twentieth century guys. It's gotta shout Washington Irving, not Irving my accountant. It needs something, help me. What is it?
CHEF
Uhh...
[Lorelai walks in]
LORELAI
How's it going? AGH!
SOOKIE
What?
LORELAI
Ooh! Ew, Rune naked, naked Rune.
[Rune is changing his pants in the corner]
SOOKIE
Ahh!
RUNE
These stupid pants won't go past my thighs.
LORELAI
Why are you dressing in here?
RUNE
The bathrooms are full and the lousy madrigal singers are bull guarding the supply closet so this is the only place.
SOOKIE
They're too small.
RUNE
My thighs are too big.
LORELAI
Ahh! Rune, yes, but in lieu of coming up with something that would immediately reduce the size of your thighs, why don't we get you a bigger pair of pants?
SOOKIE
And a different place to dress.
LORELAI
Definitely.
RUNE
Well, can you get me the supply closet?
LORELAI
We'll take it by force if we have to. Go. Ah. [Rune leaves] Is everything under control?
SOOKIE
Oh yeah, yeah, yeah, yeah, ye...no. This needs something and I cannot think of what it is. It's that tart, kind of spicy, white. . .salt! The word is salt!
LORELAI
You forgot the word for salt?
SOOKIE
Everything's under control.
LORELAI
Good.
SOOKIE
Absolutely, one hundred percent.
LORELAI
You're exuding confidence. Have the oxygen ready.
SOOKIE
Okay, easy. It's a bird, it's a bird.
CUT TO LOBBY
[Lorelai walks into the lobby as Emily and Richard arrive]
LORELAI
They're here.
RORY
Who?
LORELAI
The Joy-less Luck Club.
RICHARD
Hello girls. You look particularly lovely tonight.
RORY
Thanks Grandpa.
LORELAI
Thanks Dad. You guys look nice yourselves.
EMILY
Seems like the occasion called for it.
RICHARD
The air seems crisper here than Hartford. It's wonderful.
LORELAI
Hey Dad, you didn't grab the wrong prescription bottle earlier today, did you?
RICHARD
What?
RORY
Nothing.
EMILY
I think she was making one of her funny jokes.
RICHARD
Oh, went straight over my head.
LORELAI
Let me get someone to help you with your bags.
RICHARD
No, no, I've got them. Just point me to the room.
RORY
You guys are in room 31, best room in the place.
RICHARD
Oh, anything's fine. I'll, uh, see you in a bit. [walks away]
LORELAI
What got into him?
RORY
He's totally different.
EMILY
I know. He's been that way for two days. I have no idea why but I'm taking the credit.
LORELAI
Ugh, a hostess' job is never done. Hi.
CUT TO LOBBY
[All the guests are mingling in the lobby.]
LORELAI
Hey everybody, will you gather round? Everyone, everyone! First of all, I want to welcome you to the first annual and probably never ever to be held again because Sookie's on the verge of a nervous breakdown Bracebridge Dinner.
SOOKIE
I'm fine, everything's fine.
LORELAI
I also want to thank Mother Nature for snowing in the Trelling Paper Company in Chicago so I can throw this great party for all my friends instead. It's a very special night. And so, since I don't get to eat unbelievably strange food with my friends everyday, I have arranged a little surprise. Outside, as we speak, is a line of horse drawn sleighs and everybody gets a ride. So, uh, line up and keep it orderly. There's two per sleigh and no cutting in front of each other - that goes for everyone. Except me, 'cause I'll be damned if I'm gonna miss a ride in a horse drawn sleigh. Come on.
LUKE
You gonna go?
JESS
I think I'll wait for the clog dancing.
DEAN
Hey, hey, don't move.
CLARA
But we're gonna miss all the good horses!
RORY
Who is this brazen woman competing for your attention?
CLARA
Come on!
DEAN
Uh, I guess I'm spoken for.
RORY
I'll see you back here.
CUT TO OUTSIDE
[Lorelai is sitting in one of the sleighs as Luke and Bootsy stand near the horses]
BOOTSY
You see the horses?
LUKE
You mean the ones three feet from my face? Yeah, I saw 'em.
BOOTSY
I spent a summer training horses in Montana.
LUKE
You get kicked in the head a lot?
BOOTSY
Just the once.
LORELAI
Hey, you in the belt - get in.
LUKE
What? Oh, no, I was just sort of checking things out.
LORELAI
Come on. We can pull a Ben Hur and take down Taylor's sleigh.
LUKE
I don't know, I...
LORELAI
Aww, come on Luke. I can't be all school marm-y and ride by myself. Please?
LUKE
Well, okay. [gets in the sleigh]
LORELAI
Giddy up. [the sleigh starts moving] Uh! The horses heard me, I speak horse language! I'm Dr. Dolittle!
LUKE
Plus, I think the driver of the sleigh heard you.
LORELAI
Oh, yeah.
LUKE
I gotta say, sleigh ride's a little much, but these horses are really beautiful.
LORELAI
Yes, especially from this angle.
LUKE
Not just from this angle.
LORELAI
Oh seriously, don't backtrack. Horse has got a nice butt there.
LUKE
It's not what I'm saying.
LORELAI
Nice firm hiney.
LUKE
Stop talking about the horse's hiney.
LORELAI
God, the town looks beautiful.
LUKE
Same as always.
LORELAI
No, it's always different his time of year. It's magical.
LUKE
If you say so, sure. Oh look, there's the magical plumbing supply store where I bought a magical float for my toilet last week.
LORELAI
You disappoint me.
LUKE
Oh look. There's the magical Luke's Diner right underneath the apartment that Jess magically lit by leaving every stinkin' light on.
LORELAI
How's it going with you guys?
LUKE
Me and Jess? Great.
LORELAI
Great? Really?
LUKE
Really.
LORELAI
Well, good.
LUKE
It is good. I mean, it was hard at first, seemed impossible, you know, but I've learned a lot these past couple months.
LORELAI
Like?
LUKE
Like last week I discovered the secret of parenting.
LORELAI
You did?
LUKE
Yup.
LORELAI
The secret of parenting?
LUKE
The secret of parenting.
LORELAI
When last week? Last Tuesday?
LUKE
I don't know the exact day.
LORELAI
Tuesday at 5:15, is that when you discovered the secret of parenting?
LUKE
Don't mock.
LORELAI
Well, tell me. What is. . . oh wait, it's a secret, you can't tell me.
LUKE
No, I'll tell you. You visualize the reality you want.
LORELAI
You visualize the reality you want.
LUKE
And then if necessary, you lie to bring it about.
LORELAI
That is so much worse than I was expecting.
LUKE
You never lied to your kid?
LORELAI
Ahh, to save her from great physical pain, yes. When she was little and she would play in the kitchen, I told her that the burners were the devil's hands, but I would say it in a really scary evangelist voice, you know, 'Don't touch the devil's hands!' She still doesn't go near the stove.
LUKE
Yes, exactly. You told a little white lie for your kid's protection, very similar to what I've done.
LORELAI
Which was?
LUKE
Well, you know the winter break is coming up?
LORELAI
Yes I do.
LUKE
Okay, well that means Jess has some time off from school. His mom knew that and she never called.
LORELAI
Ugh, it makes me sick
LUKE
So I decided just to keep Jess with me, and I told him that his mom wanted him to come home but I thought since he just got there and was still adjusting that I thought he should stay, and his mom was really upset but I insisted. He bought it hook, line and sinker. Saved him a lot of hurt.
LORELAI
He didn't buy it.
LUKE
What? Of course he did.
LORELAI
He knows.
[cut to Richard and Emily's sleigh]
EMILY
I wish Lorelai had warned us about this.
RICHARD
What? This is wonderful..
EMILY
It's wreaking havoc with my hair.
RICHARD
Oh this is not bad for your hair, compared to the other thing.
EMILY
What other thing? [Richard tousles her hair] Richard, stop it! Stop it! Suddenly you're two years old.
RICHARD
Oh, I'm just having fun.
EMILY
I'm not complaining.
RICHARD
This is fun too. This is like a roller coaster.
EMILY
A little.
RICHARD
Say, when was the last time we were on a roller coaster?
EMILY
Never.
RICHARD
Didn't we ever go to Coney Island?
EMILY
That must've been your other wife.
RICHARD
Gosh, I used to love it when I was a kid. They were a lot faster then too.
EMILY
And less safe.
RICHARD
We should go on one.
EMILY
What?
RICHARD
A fast one.
EMILY
Fine. You go and I'll wait and hold your cotton candy for you.
RICHARD
You are going.
EMILY
It would take a whole day.
RICHARD
You are going.
EMILY
I'd be scared.
RICHARD
I'll hold your hand.
EMILY
Fine. We'll go on a roller coaster.
RICHARD
Good.
EMILY
Now where is this roller coaster we're going on?
RICHARD
I'm not sure. I'll get Rory to look it up on the Internet for us.
[cut to Rory getting in a sleigh]
DRIVER
That it miss?
RORY
I guess I'm alone.
[The sleigh starts going. Jess jumps into the seat next to Rory]
RORY
What are you doing?
JESS
Well, I heard it was two to a sleigh - no more, no less. You were breaking the rules.
RORY
You could've hurt yourself.
JESS
I live on the edge. I can jump out if you want.
RORY
Doesn't matter to me.
JESS
Are you mad at me or something?
RORY
What do you think?
JESS
I can't read your mind.
RORY
You got into a fight with Dean.
JESS
Dean?
RORY
My boyfriend.
JESS
Ah. He's still your boyfriend?
RORY
Okay, you can jump out now.
JESS
I wasn't fighting him. I was fighting someone else. He jumped in on his own.
RORY
He was trying to help you.
JESS
Oh, he should go into government service if he's so interested in helping people. But me, he can stop worrying about.
RORY
Why were you fighting in the first place?
JESS
'Cause Chuck Presby's a jerk.
RORY
You were fighting Chuck Presby?
JESS
Yeah.
RORY
Oh, he is a jerk.
JESS
This whole town is weird and full of jerks.
RORY
Then why are you still here?
JESS
What do you mean?
RORY
I mean, school's out and you don't like it here, so why don't you just go home?
JESS
My mom didn't want me to.
RORY
I don't believe that.
JESS
That's your right, I guess.
RORY
Did Luke say she didn't want you to?
JESS
Luke told me it was his idea that I should stay. It wasn't his idea. That's good.
RORY
What?
JESS
Your snowman. Snowwoman, actually.
RORY
You know which one is ours?
JESS
It definitely has the most personality. Kind of looks like Bjork.
RORY
That's what we were going for.
JESS
Yeah?
RORY
But everyone thinks the one on the end is gonna be the winner.
JESS
Really? It's so overdone.
RORY
I agree.
JESS
You should win.
RORY
No argument.
JESS
Hey, what do you and Dean talk about?
RORY
What?
JESS
I mean, does he know Bjork?
RORY
I've played him some stuff.
JESS
Hm. So you got a teacher-student thing going?
RORY
Stop.
JESS
No, really, I'm curious. What do you guys talk about?
RORY
Everything.
JESS
Like?
RORY
Just everything, tons of stuff, whatever.
JESS
It's just in the brief non-pugilistic time I've spent with him in class, he just doesn't seem like your kind of guy.
RORY
Well, he is my kind of guy. He's exactly my kind of guy.
JESS
Okay. I guess I don't know him that well.
RORY
You don't. You don't.
CUT TO INN DINING ROOM
[All of the guests are seated at a long table. Lorelai stands at the head of the table with a camera.]
LORELAI
Quiet please, everybody. Before the, uh, button popping and the bloating can commence, say cheese.
EVERYONE
Cheese!
LORELAI
Uh, now, ladies and gentlemen, damen und herren, um, the moment you've been waiting for, I give you the Bracebridge Dinner.
SOOKIE
Whoa, whoa, hold it. We just need a quick minute, please.
LORELAI
Which will be starting in one quick minute.
BOOTSY
You ever think about that? You can't have a quick minute because it's always sixty seconds.
LUKE
Shut up.
MISS PATTY
Lorelai darling, who is the silver fox with the tight kneesocks?
LORELAI
Oh, that's Claude. He's one of our regular servers, divorced and on the market.
MISS PATTY
Oh, well the uniform is interesting.
LORELAI
All right. I'll have him bathed, powdered, and sent to your room.
MISS PATTY
What? Oh, you joke? Was that a joke?
RICHARD
Lorelai, this is just beautiful. It's like something out of Architectural Digest. You should be very proud.
LORELAI
Thanks Dad.
EMILY
Your dress needs pressing.
LORELAI
Thanks Mom.
[Lorelai sits down next to Rory]
LORELAI
Your pod Grandpa is still happy as a clam.
RORY
See, I told you this would be good for him.
LORELAI
When you're right, you're right.
RUNE
Welcome Lords and Ladies. I call upon these sprightly horns to commence our proceedings. [horns play] Hey Chuck Mangione, you wanna back up a step?
LORELAI
And we're off.
RUNE
And now, fair people, I present my Lord and Master, the honorable Squire Bracebridge.
[Jackson enters the room dressed as the Squire]
JACKSON
Lo! Now has come our joyfullest feast. Let every man be jolly.
JESS
We should've eaten before we came.
LUKE
Shh! And yeah.
JACKSON
Humble servant, bring us the first course to dine with pleasure. Mmm, methinks it be a butternut squash soup.
RUNE
Ah, methinks you're right Squire Bracebridge, thus and verily.
JACKSON
And verily thus.
LORELAI
They're the Old England Abbot and Costello.
JACKSON
'Tis perfection, but extremely hot.
RUNE
My Lord, do you need aid? Wouldst thou have thee ice thy tongue?
JACKSON
Ah nay, Rune, nay. To the guests thou shall serve the soup!
JESS
What's the white stuff?
LUKE
I think it's cheese - or cream.
JESS
And the green stuff?
LUKE
I think it's...best picked off.
MRS. KIM
No one says grace?
LANE
I think they all do Mama, uh, silently.
MRS. KIM
Did you say silent grace?
BABETTE
[laughs] Good one!
[Mrs. Kim stares at her. Babette quickly bows her head and nudges for Morey to do the same. Cut to Kirk serving soup to Lorelai and Rory]
KIRK
Soup for mi'ladies?
RORY
Why thank you, kind sir.
LORELAI
Hey Kirk, nice blouse.
RORY
Don't let her make fun of you Kirk. You look great.
KIRK
Soup with garlands, gay and rosemary.
LORELAI
You're gonna stay in character no matter what, huh?
KIRK
'Tis hot, so proceed daintily.
LORELAI
Hey, did you ever see that I Love Lucy where she goes to Buckingham Palace?
RORY
Mom.
LORELAI
She tries to get the palace guard to break character. That was a funny one.
KIRK
'Tis foreign to me good lady.
RORY
Hang in there, Kirk.
LORELAI
Those ones where she was in Europe, hands down, those were the best!
KIRK
No way, the Hollywood ones!
LORELAI
Ha!
KIRK
Damn!
RORY
I was rooting for you boy.
[Cut to later that evening]
RUNE
My Lord, shall dessert be served?
JACKSON
Anon, humble servant.
CLARA
Can I eat my dessert with the horses?
DEAN
Sure, uh, but put your coat on.
CLARA
Are you okay?
BOOTSY
I guess so. I've lost track of how many beers I've had.
CLARA
Seven.
LORELAI
Hey Paris, how's it going?
PARIS
Fine, good, thanks for having me.
LORELAI
Oh, it was our pleasure.
PARIS
Did you notice the anachronisms?
LORELAI
The what?
PARIS
The period discrepancies. They were pretty blatant. I mean, forget that the nineteenth century didn't include recessed lighting or the Fossil watch that your server was wearing, but water in that period would not have been served with cubed ice.
LORELAI
Right.
PARIS
And your servers are wearing nylon blend shirts, and nylon was invented by a scientist at Dupont in the 1920's. It shattered the illusion.
LORELAI
Floggings will be administered.
RICHARD
So there we are, it's a beautiful moonlit Prague night, and we're strolling across the Charles Bridge when we come across this group of kids blasting this song by that. . .oh, that awful woman. Who is she? The tall bony one, married to the deceased mustachioed congressman.
RORY
Cher?
EMILY
That's the one!
LORELAI
The year of 'Do you believe in life after love?'
RORY
A difficult time for all of us.
MICHEL
I like that song.
RICHARD
Well, I was appalled. Prague has played host to some of the greatest composers in history. Mozart named a symphony after it, for heaven's sake. So what did I do?
EMILY
I have tried so hard to forget this.
RICHARD
I stood beside them and their boombox and I hummed Mozart's Prague Symphony as loud as I could. [starts humming]
LORELAI
A bizarro Battle of the Bands.
TAYLOR
And did it work?
RICHARD
Well, they quickly packed up and went their way.
EMILY
But then he kept on humming the Mozart. He wouldn't stop.
RICHARD
Well, at that point I was hoping for some gullible tourists to drop money at my feet.
EMILY
And two of them did.
RICHARD
And I kept it!
TAYLOR
You know, this might be the most interesting conversation I've ever had with an insurance man.
RICHARD
Aww, I'm hurt.
TAYLOR
I'm sorry Richard. What I meant was that...
RICHARD
No, what you meant was that people in the insurance industry are drones. Well I agree. They are a dull, dull lot, and I am glad to be rid of them.
LORELAI
Rid of them?
TAYLOR
Oh, are you retired Richard?
RICHARD
Well, uh...
EMILY
Of course he's not. Richard? Richard?
RICHARD
Actually, I am.
CUT TO BEDROOM
[Later that evening, Lorelai and Rory are in their room at the inn getting ready for bed.]
LORELAI
Ah, it's always nice to end a big festive meal with a big festive pall hanging over the room.
RORY
Most people didn't notice anything.
LORELAI
I guess. Bootsy singing Hotel California accompanied by spoons drew people's attention away.
RORY
Did Grandma and Grandpa say a word to each other the rest of the night?
LORELAI
No.
RORY
Why didn't he tell anyone?
LORELAI
I'm sorry, are you asking me to interpret my parents' motives?
RORY
My mistake. So which bed do you want?
LORELAI
Take the one by the window.
RORY
Okay. [pulls back blanket] Mom!
LORELAI
What honey?
RORY
You put the picture of the ugly baby in my bed?
LORELAI
I didn't, I swear. That ugly baby is stalking us. Run away!
RORY
Poor baby, it's not his fault.
LORELAI
I think it's a she.
RORY
Poor baby, you picked the wrong parents. Hey, have you heard from Dad recently?
LORELAI
What dad - your dad?
RORY
Yeah, my dad.
LORELAI
Why?
RORY
Because he's my dad, and he usually checks in this time of year and he hasn't checked in yet. I mean, I know he's probably busy with Sherry and the new apartment and...what?
LORELAI
There may have been a call.
RORY
There may have been? You don't remember?
LORELAI
Well things have been so hectic, you know, with the Bracebridge Dinner, and um, building a snowwoman, and planning the ugly baby gag, that took time.
RORY
Mom?
LORELAI
Yes, he called! He called, he called, he called and invited you, and it's not too late to go. He called and invited you, so there you go. I'm sorry I didn't tell you, so there.
RORY
He invited me over?
LORELAI
Yes, are you deaf?
RORY
No, I'm just trying to separate the gist from the ubububububah.
LORELAI
Well, the gist is he invited you, okay?
RORY
Why didn't he invite me himself?
LORELAI
Because he's pretending to be considerate by running it past me first.
RORY
Was he maybe not pretending to be considerate, and actually being considerate?
LORELAI
Maybe. But I wouldn't put it past him to be inconsiderate. The guy doesn't have the greatest track record.
RORY
Why didn't you tell me this? He's probably waiting for my answer, and holding off making plans.
LORELAI
Because I have dibs on this time of year with you, not him! Me! And yes, he acknowledged that, and that was cool and all, but still - it stinks! Because he put me in a very difficult position because we were supposed to watch a lot of movies and make fun of Godfather 3, and the thing that I really, really hate about this is...is the idea of you not hanging out with me because you're hanging out there with your stupid stepmother.
RORY
You're calling Sherry my stepmother?
LORELAI
Well, she practically is.
RORY
You're wigging.
LORELAI
There is something wrong with that woman.
RORY
You don't even know her.
LORELAI
You think I'm overreacting?
RORY
I think you're jealous of Sherry.
LORELAI
Ha, I'm not jealous of Sherry.
RORY
But I understand - your territory has been threatened.
LORELAI
Excuse me?
RORY
But relax, there are ways to work through situations like this - compromises can be struck.
LORELAI
Oh, what are you saying?
RORY
Well, you know, I can still call you Mom, and I'll call her Mommy Sherry.
LORELAI
Don't be mean.
RORY
And we can split up holidays evenly. Like, I'll be with you on Labor Day...
LORELAI
Okay.
RORY
... her on Memorial Day.
LORELAI
Enough.
RORY
I'll have to find out about her religion though to see how Chanukah will factor into this, unless you want to convert to Judaism and then take over Chanukah for yourself.
LORELAI
I get the point. I overreacted. Please stop.
RORY
You totally overreacted. God.
LORELAI
So do you think you're gonna go and stay with them?
RORY
I'll have to think about it.
LORELAI
Do you have to think about it because you know that it's killing me not to know whether you're going or not and you want to torture me like that?
RORY
Nope, I just don't know if I want to do it.
LORELAI
Oh.
RORY
It was nice of him to ask though.
LORELAI
It was very nice.
RORY
'Cause we are rooting for Dad.
LORELAI
We are rooting for him. It was a very nice thing that Christopher offered. I was being a little possessive.
RORY
And insanely jealous of his pretty girlfriend.
LORELAI
Well, I wanna know if she's good enough for him.
RORY
Me too.
LORELAI
So there was an altruistic streak to my madness.
RORY
We'll go with that.
[there's a knock at the door. Lorelai answers, Emily is there.]
EMILY
I need a new room.
LORELAI
What?
EMILY
I can't stay in that room.
LORELAI
There are no other rooms, Mom.
EMILY
Well, then I'll go home.
RORY
Grandma, it's late.
LORELAI
And pitch black, and the roads are icy. You can't be driving.
EMILY
Well, I'm not going back to that room.
LORELAI
I'm guessing you and Dad had it out about the job thing?
EMILY
We haven't even spoken since dinner. I'm so upset, I wouldn't know where to begin. And I couldn't take being around him anymore. What he did is inexcusable. Not letting me know he left his job - as if it didn't affect me?
LORELAI
Aw mom, try to calm down. Here, take this bed, and Rory and I will share.
EMILY
I'm just a burden.
LORELAI
You're not a burden, Mom.
EMILY
Well, okay, thank you. Can I use the mirror in the bathroom for a second?
LORELAI
Yes, I'll use the one out here.
[Rory watches as Lorelai and Emily both apply cream to their face]
RORY
Wow.
LORELAI
What?
RORY
Behold my future.
EMILY
How do you turn out the light?
LORELAI
I'll get it.
EMILY
I still can't believe it.
LORELAI
Try to relax Mom.
EMILY
I hope he doesn't sleep because I surely won't.
LORELAI
Oh, Mom.
EMILY
These slippers you have here are hardly one size fits all. They're too big.
LORELAI
Goodnight.
EMILY
It was so irresponsible.
LORELAI
Maybe he had no choice.
EMILY
Of course he had a choice. Go to sleep Lorelai.
LORELAI
That job was killing him, Mom. It was killing him.
EMILY
I'm going for a little walk.
RORY
Grandma, it's late.
EMILY
I'm not tired.
LORELAI
Like sands through the hourglass, so are the Gilmores of our lives.
CUT TO LOBBY
[Emily walks in and finds Richard sitting on the sofa]
EMILY
I didn't know you were here.
RICHARD
Emily, don't go.
EMILY
I'm very tired.
RICHARD
I want to talk to you, please. I don't need to remind you about how I've been feeling at work, and my frustration just built to the point where...again, you know this. So, I arranged to meet the CEO yesterday just to talk about the situation and about the rumors I'd heard floating around. So I met with Floyd. We shook hands, had coffee, then I started telling him about how unhappy I'd become. I detailed all my years with the company, all the travel I'd done, all the weekends I put in, the sacrifices I'd made, including time with my family, for the firm. And the more I talked, the angrier I became, and then suddenly I heard myself resign, just like that. Floyd was stunned. I'd never seen Floyd stunned. I enjoyed seeing Floyd stunned. So I finished my coffee and I walked out of that office, and I couldn't believe what I'd just done. I'd resigned, quit. I believe I even used a little profanity in the process. But you know what Emily? I was thrilled, elated, a giant weight had been lifted off my chest. I noticed Floyd's secretary staring at me, and I realized it was because I was smiling. Well, nobody had seen me smile there in a very long time. I was. . .I was happy.
EMILY
And you chose not to tell me? Your own wife.
RICHARD
Oh Emily, I know I've done nothing but disappoint you these past few months, what with how isolated I've become and all the social engagements I've made you cancel, and all the friendships I've jeopardized. And you like order, you like lists, you like to know where you're going or what's coming. You like all things planned. And then suddenly I impulsively unplan our entire future in one fail swoop. Well, I couldn't face disappointing you again. I couldn't face telling you that I'd spoiled the plan. Not now, not at this time of year. I didn't want to fight, I didn't want to worry, I just wanted to keep being happy. I'm very, very sorry. Anyhow, um, I've been sitting here going over our financial situation. Now, um, we still have all of our retirement accounts, and our medical coverage is all there, By quitting though, we do forgo some of my pension and some stock options. Not a terribly significant amount, but an amount all the same.
EMILY
Richard, let's just go to bed.
CUT TO LOBBY
[The next morning, the guests are leaving]
RORY
See ya Bootsy.
BOOTSY
See ya, thanks. By the way, last night did I sing Hotel California?
RORY
From beginning to end.
LORELAI
While banging spoons on your head.
BOOTSY
Well that explains the lumps.
LORELAI
Bye.
MISS PATTY
Lorelai, darling, oh thank you for everything.
LORELAI
Patty, your timing is excellent. There's Claude over there. Want me to do some matchmaking?
MISS PATTY
Aww, he's wearing a golf shirt and cotton Dockers.
LORELAI
So it was the uniform, huh?
MISS PATTY
Aw, it's the Biloxi Naval Base all over again.
LORELAI
See ya.
MISS PATTY
Bye.
LORELAI
Hey Mom. You didn't make it back to the room last night. Did you get lucky?
EMILY
Could you be any cruder?
LORELAI
Yeah, I can be cruder. Hey mom, did you get la...
RORY
Thanks for coming! It was fun. Is everything okay?
RICHARD
Everything's okay.
EMILY
We'll see you next Friday.
LORELAI
Bye. Bye Dad.
RICHARD
Bye Lorelai.
SOOKIE
You just had one grub too many. Just drink lots of water to rehydrate.
JACKSON
I will.
LORELAI
Jackson, thank you for being our Squire.
JACKSON
Oh, you're welcome. Hey, uh, by the way, last night when Bootsy was singing Hotel California and banging spoons on his head, did I...
LORELAI
Lift up your shirt and play drums on your stomach? Yes you did.
JACKSON
Oh boy.
RORY
You kept a good beat.
SOOKIE
Yeah, 'cause God knows if the beat was off, you'd have embarrassed yourself.
CLARA
Thanks Rory.
RORY
Clara, I'm glad you came.
DEAN
So I'll see you later.
CLARA
Don't kiss.
DEAN
Aw, come on.
CLARA
Don't kiss.
[Dean covers Clara's eyes while he kisses Rory]
CLARA
Come on.
DEAN
So I guess we're off.
RORY
I guess so.
[Dean walks away, then glances back and sees Rory and Jess smiling at each other]
LORELAI
Bye you guys. Ugh, let's go home.
RORY
Are we coming to get our bags later?
LORELAI
Why?
RORY
Because we're walking home. I don't want to carry 'em.
LORELAI
Who says we're walking?
CUT TO OUTSIDE
[Lorelai and Rory ride home in a horse-drawn sleigh.]
LORELAI
This is the only way to ride.
RORY
I wholeheartedly agree.
[Lorelai sees that the elaborate overdone snowman has been smashed]
LORELAI
Whoa, what happened there?
RORY
I have no idea.
LORELAI
Bad news for ringer guy. But guess who wins by default?
RORY
I guess that would be us.
THE END