T2E12: “Richard in Stars Hollow”
Título em Português: “Richard em Stars Hollow”
Roteiro: Frank Lombardi
Direção: Steve Gomer
Originalmente exibido em: 29 de janeiro de 2002
OPEN AT ELDER GILMORE RESIDENCE
[Lorelai and Rory have just arrived]
LORELAI
Thanks. Man, is it cold out there.
RORY
I know, I’m freezing.
EMILY
Well, come on in and sit by the fire. I’ll make you both a drink and then we can talk.
RORY
About what?
LORELAI
Antennas up.
RORY
Aye aye, captain.
[they walk to the living room]
EMILY
So Lorelai, how are you?
LORELAI
Um, I’m fine Mom.
EMILY
Rory?
RORY
I’m fine too, Grandma.
LORELAI
How are you Mom?
EMILY
Also fine.
LORELAI
Oh, look at that. All three of us fine, just like the Judds.
EMILY
So Lorelai, are you dating?
LORELAI
Uh, hm, no, I’m not dating.
EMILY
Really? There’s no one at all?
LORELAI
No, totally single.
EMILY
Any chance you’d get back with Max?
LORELAI
No Mom, there’s no chance.
EMILY
What about the man at the diner, the one who refuses to shave?
LORELAI
Luke, he’s just a friend Mom.
EMILY
Do you think you’ll be single your entire life?
LORELAI
Excuse me?
EMILY
I mean, in terms of your finding someone, what do you think the odds are?
LORELAI
Okay, what is going on?
EMILY
Well, I visited the family mausoleum today.
LORELAI
Never what you think it’s gonna be!
EMILY
I just wanted to check on things, make sure they were keeping it up, changing the flowers, you know.
LORELAI
Uh huh.
EMILY
So I went inside and looked around and it occurred to me that there’s a very limited space there.
LORELAI
Oh.
EMILY
Now of course there’s a slot open for me and Richard and you and Rory, but after the two of you – that’s it. No more room for anyone else.
LORELAI
Ah.
EMILY
Yes. So if you actually do meet someone someday, I don’t know where to put him.
LORELAI
Well, maybe we could just dump him at the local pool hall.
EMILY
Don’t be silly.
LORELAI
No, because this is definitely not a conversation for that.
EMILY
I looked into expanding into the crypt next door but the family that owns it wouldn’t even discuss it with me.
RORY
I’m getting a little creeped out here.
EMILY
So I talked to the head of the cemetery and he suggested that we buy an annex.
RORY
An annex?
EMILY
Yes.
LORELAI
You know, like an outlet store, it would specialize in the irregular family members.
EMILY
So if we do get the annex and you do eventually someday get married...
LORELAI
Mom, just say it – fat chance – will you?
EMILY
I just meant that we’ll have to decide who to move.
LORELAI
Oh, oh. Well, uh. . .ugh, why don’t we move Aunt Cecile? She was always so annoying at parties. She loved the knock-knock jokes.
RORY
Mom!
LORELAI
What?
RORY
You can’t just kick out Aunt Cecile.
LORELAI
Knock-knock. Who’s there? Pineapple. Pineapple who? That’s where it ended. Never fully grasped the knock-knock concept.
EMILY
She was a complete idiot. Okay, it’s decided – Cecile goes.
LORELAI
Good.
RORY
Look - put me in the annex.
LORELAI
Unh uh. No way. You are not leaving me alone in there with Cecile.
RORY
Well I’m not gonna be held responsible for somebody being kicked out of their eternal resting place.
LORELAI
Ooh, I have an idea. I’ll probably go first, right? So when Rory kicks, just throw her in with me.
RORY
I’d like my own space if you don’t mind.
LORELAI
Why? It’d totally be fun to be there together. Plus I plan to be buried with all the good CD’s and my rock star belt.
[Richard comes down the steps]
RICHARD
Sorry I’m late. What did I miss?
EMILY
We were just discussing who to move to the annex.
RICHARD
Oh. I vote for Cecile. Horrible woman, and those terrible jokes.
LORELAI
What’d I tell you?
RORY
This is a cold, cold family.
[Opening Credits]
CUT TO ELDER GILMORE RESIDENCE
[Later that night, Lorelai, Rory, Richard, and Emily are at the table eating dinner.]
LORELAI
This is really good.
RORY
Yeah, what is it?
EMILY
Well, it -.
LORELAI
No, don’t tell us.
RORY
Why not?
LORELAI
Because every time in my life that I’ve tasted something great but I didn’t know what it was, it turned out to be something really disgusting that had I known what I was eating I never would’ve tried it in the first place.
RORY
Example?
LORELAI
Snails.
RORY
Gross.
LORELAI
Eat in ignorance and enjoy it, my friend.
RORY
Gladly.
LORELAI
So Dad, how’s the retired life treating you?
RICHARD
Well, fascinating actually. I find myself noticing things, everyday things that I must’ve witnessed a hundred times before but just walked right past. Like yesterday, your mother moved a vase, the one in the hall, and she didn’t do it in front of me.
LORELAI
Oh no, ‘cause nice girls never move vases in front of men.
RICHARD
And she only moved it a little but as I passed it by I noticed it had been moved.
RORY
Impressive.
RICHARD
And every day’s a new discovery. Your mother changed her hair. Or she wore shoes that didn’t match her purse.
EMILY
Richard.
RICHARD
Last Thursday.
EMILY
Oh, for heaven’s sake.
RICHARD
You know what else I noticed?
RORY
What?
RICHARD
A first edition Flaubert, mint condition, shoved behind several of my Churchill biographies.
RORY
No!
RICHARD
Interested?
RORY
My life is good.
RICHARD
Follow me.
LORELAI
Ooh Dad, see if you can find a pair of the new Chanel patent leather pirate boots stuffed back behind your Churchills.
RICHARD
Hmm.
[Richard and Rory leave the room]
LORELAI
What’s up Mom?
EMILY
Nothing’s up.
LORELAI
You were twitching. I saw you.
EMILY
You did not see me twitching.
LORELAI
Mom, when Dad was talking about the vase, you were pulling a full-on Tabitha.
EMILY
I did not pull a Tabitha.
LORELAI
Something wrong?
EMILY
No, nothing’s wrong.
LORELAI
Hm, okay, nothing’s wrong.
EMILY
It’s just that things are a little strange lately.
LORELAI
What is?
EMILY
Having him home.
LORELAI
Ah.
EMILY
We’ve never really been home at the same time. I mean, we got married, we went to Europe, we came back, he went to work, and it’s been that way ever since.
LORELAI
Well, so now it’s different.
EMILY
It’s very different. He’s always here – watching me and noticing when I move a vase and. . .I don’t know. It’s silly. So he noticed my hair was different. Women die for that sort of thing.
LORELAI
Aw Mom, it’s just an adjustment. You’ve had your routine, he’s had his routine. You guys just need to figure out a new routine.
EMILY
I guess so.
LORELAI
Yeah, it’ll just take some time. Then you’ll find your rhythm and he’ll go back to ignoring your hair, all will be well.
EMILY
Yes, you’re probably right.
LORELAI
Mm, I am right. Okay, I give. What is this?
EMILY
Sweetbreads.
LORELAI
Sweetbreads. So that’s uh. . .
EMILY
Pancreas.
CUT TO CHILTON
[At a meeting of the Franklin, Paris is going through a stack of stories that people have submitted.]
PARIS
No, no, no, no, no, no, no.
RORY
Paris.
PARIS
I’m not done.
RORY
Sorry.
PARIS
No.
LOUISE
Glad she finished that one.
PARIS
Why am I the only one who cares?
RORY
You’re not the only one who cares.
PARIS
No. I know you care, but I need everyone in this stupid room to care because I can’t be the only one to care. Besides you.
LOUISE
It’s just a contest Paris. It’s not like you get a car or a lifetime supply of Rice a Roni.
MADELINE
God, I love that stuff.
PARIS
The Oppenheimer Award for Excellence in school journalism is not a contest. It’s a statement. It says you’re the best. The best writers, the best reporters, the best editors. It says that you have crushed all others who have dared to take you on. It says that every other single school in the United States of America is feeling nothing but shame and defeat and pain because of the people who won the Oppenheimer plaque. I wanna be those people, I wanna cause that pain.
RORY
Our paper is good.
PARIS
Not good enough.
RORY
Last week’s issue - .
PARIS
Was a fine effort by a bunch of kids.
MADELINE
We are a bunch of kids.
PARIS
Not when we’re in this room, we’re not. Flescher Prep Gazette, Broadmouth Banner, Richmond Heights Chronicle - these publications are not our competition.
LOUISE
Geez.
PARIS
The New York Times, the Wall Street Journal, the Washington Post - these publications are our competition.
MADELINE
Paris has gone bye-bye.
PARIS
We need to raise the bar. We need to be better, think harder, dig deeper. I don’t wanna just submit a good issue. I wanna submit a great issue, the best issue.
RORY
When’s the deadline?
PARIS
One week from today.
RORY
Okay, so, then we better get brainstorming. Doe anyone have an idea for a theme?
PARIS
Yes.
RORY
What?
PARIS
The one that wins.
RORY
Okay, good, big help. All right everyone, we should get working. You’re going to give yourself a stroke one of these days, you know that.
CUT TO ELDER GILMORE RESIDENCE
[Emily walks through the hall into the living room.]
EMILY
Graciela, I’m leaving the shopping list on the table here. And remember we need the low sudsing detergent. I have drawn a picture of what the box looks like, so for heaven’s sake pay attention this time.
[Richard walks in]
EMILY
How was your walk?
RICHARD
Carl Lambertson needs a new roof. I’m going to drop him a note.
EMILY
Good idea.
RICHARD
Busy day?
EMILY
Mm, very.
RICHARD
Is that the same cup of coffee you had when I left?
EMILY
What?
RICHARD
When I left an hour ago, you were having a cup of coffee.
EMILY
Oh, no, this is a different cup of coffee.
RICHARD
So then that’s your third cup of coffee this morning?
EMILY
I guess.
RICHARD
Interesting. I just realized you have three cups of coffee in the morning.
EMILY
I don’t drink three cups of coffee every morning.
RICHARD
Every morning this week.
EMILY
Well, so what?
RICHARD
Nothing. Just an observation, that’s all. That’s a lot of coffee to drink early in the morning.
EMILY
Any thoughts on what you’d like for dinner tonight?
RICHARD
Oh no, anything’s fine.
EMILY
All right. [writes something down in her day planner]
RICHARD
What are you writing down?
EMILY
Lamb chops.
RICHARD
Is that for tonight?
EMILY
Yes.
RICHARD
Oh.
EMILY
Do you not want lamb chops tonight?
RICHARD
Oh, no no, lamb chops is just fine for tonight. I just thought a nice roast would also be nice for a change.
EMILY
Roast it is.
RICHARD
Of course, if you want lamb chops ...
EMILY
We’re having roast, Richard.
RICHARD
Okay, if that’s what you want.
EMILY
I’m going by the dry cleaners, anything you want me to drop off?
RICHARD
You’re going to the dry cleaners?
EMILY
Yes.
RICHARD
Well I’ll go with you.
EMILY
I can bring in whatever you have.
RICHARD
I know, but it’d be nice to go together.
EMILY
That would be terribly romantic, but I won’t have time to get back here before my DAR meeting so it’s probably better if I go alone. You can come to the cleaners with me next week.
RICHARD
Well yes, well I can go to the meeting with you.
EMILY
You want to go to my meeting of the Daughters of the American Revolution?
RICHARD
Well, well yes, I think it’d be fascinating.
EMILY
But I go straight from there to the symphony luncheon.
RICHARD
Well, I’ll tag along there too.
EMILY
Yes, but from there I get my hair done, and you certainly don’t want to sit around while I have my hair done.
RICHARD
No, I don’t.
EMILY
There you go.
RICHARD
Well, you can cancel that.
EMILY
I can’t cancel that. I get my hair done every Wednesday at three.
RICHARD
Well, your hair looks fine.
EMILY
My hair looks fine because I have my hair done every Wednesday at three.
RICHARD
Well then what am I going to do?
EMILY
Why don’t you go to the club?
RICHARD
What?
EMILY
Yes, the club! You spend a fortune to belong there and you never got to go much before. Why don’t you go there now?
RICHARD
Go to the club on a Wednesday afternoon?
EMILY
I think it would be perfect.
RICHARD
I don’t even know what they do at the club on a Wednesday afternoon.
EMILY
No time like the present to find out.
RICHARD
All right, I’ll go to the club.
EMILY
Wonderful. [starts walking him to the front door]
RICHARD
Go to the club on a Wednesday afternoon. Life certainly is an interesting game of cards, isn’t it?
EMILY
It certainly is.
RICHARD
Well, um, I’ll see you, uh, tonight.
EMILY
Have a good time. [closes door] Graciela, I need more coffee now!
CUT TO STARS HOLLOW VIDEO
[Rory and Lorelai walk around the video store trying to decide on a movie]
LORELAI
How about a triple feature? Three Days of the Condor, Shoah and The Jerk?
RORY
Uh, Shoah’s like nine and a half hours.
LORELAI
But The Jerk is short.
RORY
Hmm, next.
LORELAI
The three faces of Costner – Bull Durham, Dances with Wolves, The Postman. Tom Petty playing Tom Petty, that great big speech about ‘Once upon a time there was a thing called mail.’ It’ll make you laugh, it’ll make you cry, it’ll make you wanna mail something.
RORY
Ooh, we could do a Ruth Gordon film festival. Harold and Maude, Rosemary’s Baby, and that really great episode of Taxi.
LORELAI
Got it. The worst film festival ever. Cool as Ice, Hudson Hawk, and Electric Bugaloo.
RORY
Sold.
LORELAI
I’ll get the Hawk.
RORY
I’ll get the Bugaloo.
[Rory leans down to look through the shelf of videos. Two boys are sitting on the floor looking at a movie box.]
BOY 1
See, I told you.
BOY 2
Wow.
RORY
Hey guys, can I get in there?
BOY 1
Oh, yeah. [both boys walk away]
[Rory finds the movie and stands back up]
LORELAI
Got it, plus four boxes of Red Vines.
RORY
Let’s go.
LORELAI
Hi Kirk.
KIRK
Evening Lorelai.
LORELAI
Um, I forgot my card at home but I think my number’s 6247.
KIRK
You forgot your card?
LORELAI
I might’ve lost it.
KIRK
You lost your card?
LORELAI
I might have.
KIRK
Was it temporary or laminated?
LORELAI
Laminated.
KIRK
That’s a permanent card. You lost a permanent card.
LORELAI
You can just get me a new card Kirk.
KIRK
Fine, but I hope you understand the gravity of the situation here.
LORELAI
I’m trying to grasp it.
KIRK
I mean, these cards are agreements. It’s an agreement between you and the Stars Hollow Video Store stating that you will take care of your card, that you will honor your card, that you will very, very nice to your card...
[Lorelai’s cell phone is ringing]
LORELAI
Kirk.
KIRK
I’ll be right back.
LORELAI
Thanks. [answers phone] Hello? Hello? [to Rory] Reception sucks in here, I’ll be right back.
RORY
Okay.
LORELAI
Hello? [walks away]
KIRK
It’ll be ready in a minute.
RORY
Hey Kirk, there are a couple of little kids over there and they’re, uh, looking at this tape cover that’s kind of mature. You might wanna put that stuff on a higher shelf or something.
KIRK
Mature? How mature?
RORY
Uh, it’s a half-naked woman just standing there.
KIRK
Is she a blonde?
RORY
What?
KIRK
I’ll check it out right now. [walks away]
CUT TO OUTSIDE
[Lorelai walks out of the video store to talk on the phone]
LORELAI
Hey Mom, I can hear you now. What’s up?
EMILY
You have to take your father.
LORELAI
What?
EMILY
Tomorrow, for the whole day, just take him.
LORELAI
Take him where?
EMILY
I don't care -- the zoo, the mall, Rhode Island, just get him out of my house!
LORELAI
What happened?
EMILY
He's going to join my water aerobics class.
LORELAI
What?
EMILY
He bought some new swim trunks today. He's out of control.
LORELAI
Okay, Mom, calm down.
EMILY
I can't calm down! I can't turn around without him being there, following me, staring at me.
LORELAI
Well, he likes you.
EMILY
Don't be cute, do not be cute. The man is driving me insane. I am going to go insane, and if you don't help me, I will take you with me.
LORELAI
Okay, Mom, I would like to help you but wh --.
EMILY
You owe me!
LORELAI
What?
EMILY
I pay for Rory's school!
LORELAI
Are you serious?
EMILY
And I cosigned your loan! You still have a house because of me!
LORELAI
Are you hearing yourself?
EMILY
I'm sorry but I'm desperate. I just need one day of peace and I will do anything to get it, anything.
LORELAI
Okay Mom, fine, uh, I’ll take him.
EMILY
I can’t tell you how much I appreciate this.
RICHARD
[calls from another room] Emily! Where are you?
EMILY
I have to go. Tomorrow morning.
LORELAI
Tomorrow morning. Bye.
CUT TO LORELAI’S HOUSE
[Rory is in her bedroom getting ready for school as Lorelai walks in.]
LORELAI
Oh my God, the most horrible thing just happened. Headmaster Charleston’s office called, he’s been kidnapped! Two guys broke into his house and threw him in a hefty bag, used those twisty ties and carted him off. Classes have been canceled until further notice.
RORY
I am going to school Mom.
LORELAI
Rory, come on, it’s just one day. I’ll write you a note. ‘Dear Nazis, Rory had to miss school today on account of saving her mom from spending the entire day with her father who often looks at her like she has three heads.’
RORY
Out of my way please.
LORELAI
Do you know the last time my father and I were alone together for any extended period of time?
RORY
Unh uh.
LORELAI
I was kicked out of summer class for refusing to call the camp counselor Peaches because I thought the entire concept of the counselors choosing summer fruit names was stupid. So they called my dad and he came to get me and it was just the two of us alone in the car all the way from Maine with nothing to talk about but my camp failure. Luckily I had also flashed the swim team or even that subject would’ve gotten stale.
RORY
Mom, I have the Franklin today. I cannot miss it.
LORELAI
Rory, please. I can't handle the entire day with him. I can't, I can't, I caaaaan’t.
RORY
Mom, I promise. Just make it till the afternoon, and then I promise I'll come right home and I'll take Grandpa off your hands.
LORELAI
All right.
RORY
It'll be fine.
LORELAI
It is not going to be fine. It's going to be horrible. It is going to be a bad, depressing Lifetime movie and Nancy McKeon will be playing me. I am Jo.
[the doorbell rings]
LORELAI
And that would be him.
RORY
It’s not going to be that bad. Hey. Be nice.
LORELAI
Be nice.
RORY
Oh, very good.
[they answer the front door, Richard is standing there]
LORELAI
Hi Dad.
RORY
Hey Grandpa.
RICHARD
Good morning girls.
LORELAI
Did you have any trouble getting here?
RICHARD
Not at all, the directions were fine.
RORY
Well I have to be going, but I’ll see you this afternoon.
RICHARD
I look forward to it.
RORY
Have fun. [leaves]
LORELAI
So good drive, huh?
RICHARD
Very good.
LORELAI
Oh, here. [takes Richard’s coat] Would you like some coffee?
RICHARD
I’m fine. Do you want coffee?
LORELAI
Oh yes, God yes, thank you.
[They walk into the kitchen]
LORELAI
So you sure you don’t, um. . .
RICHARD
Coffee? Uh, no, no, no, no.
LORELAI
Well, uh, can I offer you anything else? Some Pop Tarts or. . .well, that’s pretty much it.
RICHARD
You don’t have to entertain me Lorelai. I just came here to see you and your house and your town. You don’t have to do anything special for me.
LORELAI
But you’re my guest.
RICHARD
No, I’m your father. Just do whatever it is you would normally do.
LORELAI
What I would normally do.
RICHARD
Yes. Like for instance, this morning if I wasn’t here, you would wake up, obviously get some coffee and. . .then what?
LORELAI
Well, um, I’d probably read the paper for a little while and then have some breakfast.
RICHARD
Let’s read the paper then.
LORELAI
Okay, let’s read the paper. [they sit down at the table] Um, what sections would you like?
RICHARD
Oh, you go first. I’ll take what’s left.
LORELAI
Oh, okay. Well, um, normally I read the Arts and Leisure and the Lifestyles.
RICHARD
Perfect. Well, that leaves Business, Sports, and World News.
LORELAI
Oh. That worked out well.
RICHARD
Yes it did, didn’t it?
CUT TO LUKE’S DINER
[Lorelai and Richard walk in]
LORELAI
Well, this is it, Luke’s.
RICHARD
You know, when I was in college, there was this horrible little diner across from my apartment building. It was run by this terrible little couple, they were very angry. They would fight, break plates, curse, and I went in there every morning for three years and I had the most dreadful breakfast, just awful. I really miss that place.
LUKE
Morning.
LORELAI
Hey. Um, Luke, you remember my father?
LUKE
Oh yeah, nice to see you again.
RICHARD
Nice to see you. This is quite a place you’ve got here.
LUKE
It pays the bills.
RICHARD
Always a plus in business.
LORELAI
Dad, do you know what you want?
RICHARD
Oh, I already ate.
LORELAI
You did? When?
RICHARD
Oh, I had breakfast at home. I get up at 5:30 every morning.
LORELAI
Wow. Why?
RICHARD
Well I’ve gotten up at 5:30 for as long as I can remember.
LORELAI
Yeah, but that was when you had to work. Now you can afford to get a little crazy, get up at quarter to six.
RICHARD
Go ahead and order Lorelai.
LORELAI
Okay. I’ll have a banana, pancakes, side of bacon, and lots and lots of coffee.
LUKE
Coming right up. [walks away]
RICHARD
You didn’t order any grapefruit.
LORELAI
Yeah, I don’t really like grapefruit.
RICHARD
Oh, I always start my breakfast off with half a grapefruit.
LORELAI
Hm, do the Florida people know about you? Because Anita Bryant left this huge gap that has yet to be filled.
RICHARD
It’s important to start the day off correctly, Lorelai. A grapefruit is brain food. It has vitamin C and folic acid and it helps with your digestion. It really is a terrific fruit.
LORELAI
I feel like you’re about to break into song.
RICHARD
I’m serious about this Lorelai.
LORELAI
I know you are but I still don’t like grapefruit.
RICHARD
Well, there are many things in life that we don’t like, but the benefits they bring us far outweigh the temporary discomforts we have to endure.
LORELAI
Okay. Hold on a sec.
[Lorelai walks up to Luke at the counter]
LORELAI
Hey, I need a grapefruit.
LUKE
What?
LORELAI
Yeah. Before my pancakes this morning I need half a grapefruit, uh, preferably one that tastes like a donut.
LUKE
I don’t have grapefruit.
LORELAI
How can you not have grapefruit?
LUKE
I’ve never had grapefruit.
LORELAI
I need a grapefr. . .Listen, I have my father with me all day, and so far there’s been no major drama or yelling or ugliness but there will be if I don’t somehow find a way to get half a grapefruit for breakfast this morning.
LUKE
I could go next door to Doose’s and buy a grapefruit.
LORELAI
I would be eternally grateful.
LUKE
I’ll be right back.
LORELAI
Thank you.
[Lorelai walks back to the table]
LORELAI
Okay, the grapefruit is coming.
RICHARD
Oh, you won’t be sorry.
LORELAI
So listen, I was thinking, um, maybe after we’re done here, you might like to walk around town a little, see the sites. And then Rory usually gets home around four. The two of you can hang out at the house until I get off work and the three of us can hook up for dinner. How does that sound?
RICHARD
Very sensible.
LORELAI
Well yeah, I had to make up for my shoes.
RICHARD
Is that your second cup of coffee?
LORELAI
Uh, third. Why?
RICHARD
No reason. That’s a lot of coffee first thing in the morning.
CUT TO CHILTON
[Rory is at her locker. She slams it shut and finds Paris standing there.]
RORY
Okay, you have got to stop doing that.
PARIS
So I’ve been doing some research on the Oppenheimer Award, and I’ve noticed something. All of the winning schools had an extremely strong human interest story on page one.
RORY
Okay.
PARIS
And I think that’s what we need. I mean, we’ve got the teen issues down, we’ve got a decent op-ed and political page, but human interest – that’s what we’re missing.
RORY
Ideas?
PARIS
Yes.
RORY
Do tell.
PARIS
According to the papers, there’s been a huge increase in the number of families fleeing the major cities in favor of small towns. Hundreds of thousands of city slicking yuppies carting the trophy wife and the asthmatic kids off to small towns in search of the simple life. Milk a cow, pet a pig, find yourself, all that kind of crap.
RORY
Interesting.
PARIS
Yeah, and I thought about it. There’s a romantic aspect to small towns. White picket fences, low crime rate, smaller classrooms, better tomatoes. It all seems perfect.
RORY
But?
PARIS
But nothing is perfect, nothing is safe, nothing is ever what it seems. And then it hit me - our story. We are going to blow the lid off the seedy underbelly of small town life, starting with yours.
RORY
Stars Hollows?
PARIS
Yes.
RORY
You are going to uncover the seedy underbelly of Stars Hollow?
PARIS
Yes.
RORY
Paris, Stars Hollow doesn’t have a seedy underbelly. We don’t even have a meter maid.
PARIS
Look, you may be blind to it because you live there, but trust me, it’s there and it’s ugly and I’m going to find it. I’ll meet you out front after school.
RORY
I can’t today.
PARIS
Why not? Are you hiding something?
RORY
No. I promised my mom that I would help her with something.
PARIS
Well, help her tomorrow. We have work to do.
RORY
Paris!
PARIS
Hey, this could be our chance to nail this thing. Now I have a hunch that there’s a story here and a good one, and I’m going to find it. I was even going to share a byline with you on it, but if you wanna bail out, that’s fine. I’ll just do it myself.
RORY
But -.
PARIS
Am I meeting you or not?
RORY
I don’t think you’re gonna find anything.
PARIS
Well, then the worst that can happen is that I spend some time in your town and suddenly have an urge to enter a pie in the county fair. I’ll meet you out front, don’t be late.
CUT TO INDEPENDENCE INN
[Michel is at the front desk on the phone as Lorelai walks over]
MICHEL
As soon as I can, I will send someone up. . . Yes, I will. . .I understand. . .I understand. . .I understand. . .I understand. . .I understand. . . Okay. . .I understand. Goodbye. [hangs up]
LORELAI
What do you understand?
MICHEL
I have no idea. I tuned him out at the first screech.
LORELAI
Have we heard from Manny yet?
MICHEL
No, and I have paged him twice.
LORELAI
We only have enough linen for one seating tonight. Hand me the phone.
MICHEL
Plus we are completely out of clean towels.
LORELAI
[oh phone] Hi, Sophie, it’s Lorelai. I need to talk to Manny. . . Well, when will he be back? . . . Okay, I need him to call me really, really soon, like five minutes ago. Okay, thanks. [hangs up] We need a backup plan.
MICHEL
Mm hmm.
LORELAI
Call Patty’s and see if she has any party rental tablecloths we can use for tonight and then pull all the towels from the pool and call Gandolfi’s and order a case of champagne. Send a bottle to every room that’s towel-less and just page him every two minutes and oh no! [sees Richard walk into the inn]
RICHARD
Hi.
LORELAI
Hi Dad, what are you doing? Uh, I thought you were gonna tour the town.
RICHARD
Oh, I did, I did. I went into all the stores, the cat one twice. And then I walked around a little and then I was done.
LORELAI
But what about the park – did you see the park?
RICHARD
Yes, I saw the park.
LORELAI
Uh, what about the giant slinky over on Klump? We’re mighty proud of that.
RICHARD
I saw the slinky, yes. And the hundred-year-old oak tree and the life-size yarn person. I even stopped by your house and had Babette introduce me to all of her gnomes.
LORELAI
Oh.
RICHARD
And then I realized the only thing I had not seen is my daughter at work.
LORELAI
Oh, well, watching me at work is not very interesting, trust me.
RICHARD
Oh, you underestimate yourself.
LORELAI
Okay, well, um, there’s books on the shelves over there.
RICHARD
No no, I have my newspaper, I’m fine.
LORELAI
All right, I’m just gonna. . . what’s the matter?
RICHARD
Is your jacket in the back?
LORELAI
My jacket?
RICHARD
Your work jacket?
LORELAI
I don’t have a work jacket.
RICHARD
So that’s your working outfit?
LORELAI
Yeah.
RICHARD
And your boss doesn’t mind?
LORELAI
Oh, well considering my boss is me, no, she doesn’t. I mean, she did at first but then I bought her a cup of coffee and I realized all the hostility she was expressing toward me was just jealousy and we’ve been best friends ever since. Just take a seat Dad. [walks to the front desk] Hey, will you get me an extra bottle of champagne and smack me over the head with it?
MICHEL
Absolutely.
[phone rings]
LORELAI
[answers] Independence Inn.
RORY
I need you to sit down, breathe, and remember that you’re at work, so screaming and crying is not an option.
LORELAI
Why, what are you doing?
RORY
I can’t meet you after school today.
LORELAI
What? You promised.
RORY
I know but I have to work on this story for the Franklin and I swear I tried to get out of it, but I couldn’t.
LORELAI
Oh great.
RORY
I’m sorry.
LORELAI
Oh no, school comes before Mommy’s mental health.
RORY
Just tell Grandpa to wander around for awhile.
LORELAI
He already wandered.
RORY
Did he see the slinky?
LORELAI
Yes, he saw the slinky.
RORY
Wow.
LORELAI
He’s here now.
RORY
Oh.
LORELAI
And he hates my shirt.
RORY
Give him a book and have Sookie make him lunch and I swear I’ll be home by dinner and you won’t have to say a word.
LORELAI
Okay, bye.
CUT TO STARS HOLLOW BUS STOP
[Rory and Paris get off of the bus]
PARIS
I think I got rabies.
RORY
It’s just a bus, Paris.
PARIS
It smelled.
RORY
It smelled like a bus.
PARIS
I’m gonna have to burn my clothes when I get home.
RORY
You know Paris, you have a car. We could’ve driven.
PARIS
We have to get the feel of the small town world. You’re not going to get the feel of a small town world in a BMW. Is there something crawling in my hair?
RORY
All right, so we’re here now, where do you wanna go?
PARIS
I don’t know, where’s the bad part of town?
RORY
Uhh, over there.
PARIS
What?
RORY
Uh, people - they’re very upset with the color of that fence.
PARIS
Come on.
RORY
This is the town Paris, this is it. It’s not seedy, it’s not rundown, it’s just Stars Hollow.
PARIS
Well, where’s the local bar?
RORY
In Woodbridge.
PARIS
Why aren’t you helping?
RORY
I’m trying, you’re just looking for something that’s not here.
PARIS
What’s this?
RORY
Luke’s Diner.
PARIS
Diner. Okay, good, good.
CUT TO INSIDE LUKE’S
[Paris and Rory walk in and sit at the counter. Paris starts looking at a menu.]
RORY
What are you doing?
PARIS
Trying just to blend in, fade away, observe.
LUKE
Hey Rory. Coffee?
RORY
Thanks Luke.
LUKE
Who’s your friend?
RORY
Angela Landsbury.
LUKE
Oh.
PARIS
You’re the owner here?
LUKE
Yup. You want some coffee Angela?
PARIS
No thanks.
LUKE
Okay.
PARIS
So, you run the diner, huh?
RORY
Oh boy.
PARIS
You get a lot of truckers through here?
LUKE
Truckers?
PARIS
Yeah. You know, guys on the road for weeks, lonely, looking for company, a little pick me up. Things like that.
LUKE
What’s she talking about?
RORY
Your guess is as good as mine.
PARIS
It’s pretty common knowledge that diners are breeding grounds for prostitution and drug dealers.
LUKE
What?
PARIS
Have you ever seen anything like that going down here?
LUKE
Have I ever. . .
PARIS
What about that guy over there? What’s his story?
LUKE
Reverend Nichols?
PARIS
Reverend Nichols, huh? What is that, like Dr. Feelgood?
LUKE
Rory, how much do you like this person?
RORY
Do what you gotta do, Luke.
[Jess comes down the steps into the diner]
PARIS
Hey, where’d he come from? What’s up there? Is that where you keep the girls? You got yourself a little cathouse up there?
JESS
Wow, I think she got you Uncle Luke. You better give up now.
LUKE
Do not add to this insanity.
JESS
An innocent boy like me should not be raised in an atmosphere like this.
LUKE
Jess!
JESS
I wanna be good, life’s just not letting me.
LUKE
Rory, get her out of here.
RORY
Okay, let’s go. [pulls Paris towards the door]
PARIS
Why do you need me to leave? What have you got to hide?
RORY
Paris, let’s go!
CUT TO INDEPENDENCE INN
[Lorelai and Michel are at the front desk, each talking on a phone]
MICHEL
Yes, we’re aware of it.
LORELAI
Yes, we’re working on it.
MICHEL
As soon as towels arrive, yours will be the first room we come up to.
LORELAI
I swear to you, no one gets a towel before you do.
MICHEL
Did you get the complimentary champagne we sent you?
LORELAI
Just open the champagne and drink and relax and enjoy and before you know it – of course it’s free. Yes.
MICHEL
Yeah, we’ll call you soon. [hangs up]
LORELAI
We’ll talk to you soon. [hangs up] I’m killing Manny.
MICHEL
I’m helping.
LORELAI
I’m gonna strangle him with one of his own towels, I swear to God.
RICHARD
Lorelai?
LORELAI
Yeah Dad?
RICHARD
Do you realize there are no tablecloths in the dining room?
LORELAI
Yes I do. We’re having a problem with our linen delivery.
RICHARD
Well, it doesn’t look very professional.
MICHEL
[in background] Ah, it’s Manny.
LORELAI
Okay, I have to take this dad.
[Michel hands her the phone]
LORELAI
Manny, my mysterious man, where have you been? . . . Oh, me Manny? I’m just a desperate woman. Yes. Honey, I know you’re up to your ears in problems but I have to have some towels or linens or I’m gonna be lying on the street talking about the pretty inn I used to work at and you don’t want that do you? . . . Well, just, anything you can do to get me through the night. . . Uh, Manny, I love you. You rock. I am devoted to you. I’m never gonna look at another towel without thinking of you. . . Thank you. Bye Stud. [hangs up] He’ll be here in twenty minutes.
RICHARD
Lorelai?
LORELAI
Yes Dad?
RICHARD
May I speak to you for a moment please?
MICHEL
Someone is in trouble.
LORELAI
Uh, is something wrong Dad?
RICHARD
Was that a business call I just overheard there?
LORELAI
Oh, that was my linen delivery guy.
RICHARD
So it was a business call?
LORELAI
Yes, it was a business call.
RICHARD
And that’s how you handle a business call?
LORELAI
I’ve known Manny for ten years, Dad.
RICHARD
I don’t care how long you’ve known him. You never talk to a business associate like that, especially not one that you employ.
LORELAI
Okay Dad.
RICHARD
These people have to respect you.
LORELAI
He does respect me.
RICHARD
You were flirting with him.
LORELAI
I said what I needed to say in order to get the linen before somebody else did. And I did, so I won.
RICHARD
This is not about winning, this is about proper procedure. You need to listen to me Lorelai. If there is one thing I know about, it is the correct way to conduct yourself in a position of authority. Do you understand what I’m trying to tell you?
LORELAI
Mm hmm.
RICHARD
Because I’m only telling you this for your own good.
LORELAI
Mm hmm.
RICHARD
All right, go back to work. I’ll be right here if you need me.
LORELAI
Okie dokie.
CUT TO OUTSIDE
[Rory and Paris are walking down the sidewalk]
PARIS
Nothing, not even a cigarette butt on the ground, I can’t believe it. This town would make Frank Capra wanna throw up.
RORY
Sorry, I tried to tell you.
PARIS
I know. I know, it’s just. . .I was just so sure.
RORY
We’ll think of something else to write about, I promise.
PARIS
We’re going to lose.
RORY
We’re not going to lose.
[As they walk past the video store, Taylor and Kirk walk out.]
TAYLOR
There she is, the girl of the moment.
RORY
Me?
TAYLOR
You, young lady, are my hero.
RORY
Why is that Taylor?
TAYLOR
Because in this day and age when the kids are willy nilly with their clothes and hair and morals, it is heartwarming to see a sensible girl like you still exists. A girl who has the gumption and the guts to stand up and say, ‘why are we allowing this trash out where all our children can see it?’
KIRK
And a few selected adults also.
RORY
What are you talking about?
TAYLOR
Well, come on in and see for yourself.
CUT TO INSIDE VIDEO STORE
RORY
What happened? Where is everything?
TAYLOR
Well, thanks to your brilliant suggestion, they are all safely stashed behind the Rory Curtain.
RORY
The what?
KIRK
We thought it was only fitting to name it after you.
RORY
No! I don’t want a Rory Curtain, I never asked for a Rory Curtain!
TAYLOR
You told me to put that movie where the kids couldn’t see it.
PARIS
You did?
RORY
Well, yeah, but I just meant to put it on a higher shelf, not to get fabric involved.
TAYLOR
Oh, this is much better than a higher shelf. Now all the movies that we deem objectionable will be safely hidden from the eyes of the children. Plus, it’ll make the adults think twice before they go back there.
RORY
No, I did not mean to do this! What are you doing?
PARIS
This is it.
RORY
This is what?
PARIS
Our story. Censorship in a small town, it’s perfect.
RORY
Paris, stop it. You know I don’t believe in censorship.
PARIS
Even better, small town minds run amok. This is genius, it’s gold. We’re going to win. Now Taylor?
TAYLOR
Yes?
PARIS
On the record, how long have you been working here?
CUT TO LORELAI’S HOUSE
[Lorelai walks through the front door followed by Richard.]
LORELAI
Rory, we’re home!
RICHARD
Next time, stop the car completely before you get out.
LORELAI
Rory, for the love of God, be home!
RORY
I’m here, sorry! I was on the phone. How was your – [Lorelai grabs Rory and hugs her tightly] Ooh, okay.
LORELAI
I don’t think I’ve ever loved you quite as much as I love you right now.
RORY
Ah, ribs cracking, organs crushing.
LORELAI
Yeah, well, love hurts. [walks past Rory towards the kitchen]
RORY
Hey Grandpa.
RICHARD
Oh, lovely to see you Rory.
RORY
How was your day?
RICHARD
It was very pleasant.
RORY
I heard you saw Mom in action.
LORELAI
Oh yes he did.
RORY
She’s great, isn’t she?
RICHARD
She’s. . uh, spirited.
LORELAI
Spirited.
RORY
Spirited is nice. Hey, let’s talk dinner. How about Chinese?
LORELAI
Very spirited food.
RORY
Grandpa, do you like Chinese food?
RICHARD
If prepared properly, yes, I like it very much.
LORELAI
I’ll go call Al’s. [walks into kitchen]
RICHARD
Al’s?
RORY
Al’s Pancake World.
RICHARD
[follows Lorelai into the kitchen] I thought you said we were having Chinese food.
LORELAI
Al’s has the best egg fu yung in Stars Hollow.
RICHARD
Is that, um, saying anything?
LORELAI
Rory, come entertain your Grandpa while your spirited Mommy orders please!
RORY
Hey Grandpa, do you um. . .do you wanna see my room?
RICHARD
Yes, I would.
RORY
Okay.
[Richard walks into Rory’s room.]
LORELAI
Twenty bucks if you lock him in there.
RORY
Thirty if you chill.
CUT TO INSIDE RORY’S BEDROOM
[Richard is looking at Rory’s bookshelf as Rory walks in]
RICHARD
Interesting.
RORY
What are you doing?
RICHARD
Oh, there are some holes in your collection here and I’m just making a list to fill them.
RORY
Oh, well these aren’t all of my books.
RICHARD
Oh?
[Rory shows him several stacks of books under her bed]
RICHARD
Oh my goodness!
RORY
And. . . [opens two drawers filled with books]
RICHARD
Ah, well possibly I should concentrate on acquiring you a bookcase first.
RORY
That’s okay. I kind of like my system.
RICHARD
Ah, organized chaos?
RORY
Exactly.
RICHARD
Very well, carry on. Well, I’m glad not to see any death rockers on your walls.
RORY
Grandpa, where did you learn the term death rockers?
RICHARD
Well, I’m not entirely unfamiliar with the music world in which you live.
RORY
I don’t exactly live in the death rock world, Grandpa.
RICHARD
Good.
RORY
But if I do move there, I will send you a card.
RICHARD
Oh, I appreciate that. Ah, Harvard.
RORY
Yeah. We started the obsession board a few years ago. And then when we took that trip to Harvard, the student store was having a two for one flag sale, so that kind of sent us into the final stage of the psychosis. Hospitals were called, medications were prescribed, there is no cure.
[Lorelai walks in with a notepad]
LORELAI
Okay, I made the menu for the evening.
RICHARD
My God.
RORY
Looks good.
RICHARD
Who could eat all that food?
LORELAI
I almost added the garlic chicken.
RORY
Add it.
RICHARD
There are only three of us.
LORELAI
Yes, but we like choices.
RORY
Let’s call, I’m starved.
[they walk into the kitchen]
RICHARD
Lorelai, you cannot order all of that food. You’re teaching your daughter wastefulness and gluttony.
LORELAI
Um Dad, we do this all the time. We order way too much and then we eat like a third of it and live off the leftovers for a week and a half. It’s a finely honed system. Now please, just sit and read something or watch TV.
RICHARD
So I uh. . .I noticed all the Harvard paraphernalia in Rory’s room.
LORELAI
Oh yeah.
RICHARD
You know, you might not want to get her settled on one specific college quite so soon.
LORELAI
Why not?
RICHARD
Well, she’s young. She hasn’t investigated her options.
LORELAI
Dad, she wants to go to Harvard.
RICHARD
Well yes, because she thinks you want her to go to Harvard.
LORELAI
I do.
RICHARD
Well, there are a lot of other good schools out there. You know I went to Yale.
LORELAI
Yes, I do know.
RICHARD
Yale is a very fine school, some might argue a better school than Harvard.
LORELAI
Some meaning you?
RICHARD
I just think Rory should explore it, and I can make some phone calls and set up an appointment.
LORELAI
No.
RICHARD
Why not?
LORELAI
Because she wants to go to Harvard.
RICHARD
But that’s ridiculous. Who’s going to help her get into Harvard?
LORELAI
Reese Witherspoon.
RICHARD
I am a Yale alumnus. I give a great deal of money to that school. Getting her in will be a breeze.
LORELAI
We don’t like breezes, they mess up our hair.
RICHARD
Do not be petulant Lorelai.
LORELAI
Do not pick a fight with me Dad.
RICHARD
This is not about you, this is about Rory.
LORELAI
No, this is about Richard interfering.
RICHARD
Now please, just let me handle this. I know more about the Ivy League system than you do.
[a horn honks from outside]
LORELAI
This is not about the - .
RORY
Is that the food already?
LORELAI
No Sweets, I haven’t ordered yet.
[Rory looks out the window]
RORY
Oh my God!
LORELAI
Who is it?
RORY
Oh my God!
CUT TO OUT FRONT
[They walk out the front door. Dean is standing in front of a car]
LORELAI
Oh my God.
RORY
Whatcha doin’?
DEAN
Just standing here.
RORY
Next to?
DEAN
A car. Your car.
RORY
No!
DEAN
Finished it yesterday.
RORY
No you didn’t!
DEAN
Do you want ‘em? [holds up the keys]
RORY
Ah! [Rory runs off the porch and hugs him]
DEAN
Now if you don’t like it, I bet I can sell it to someone else.
RORY
Don’t you dare!
LORELAI
Dean, that’s amazing!
RORY
Let’s drive, can we drive, does it drive?
DEAN
Does it drive?
RORY
Well, no, I know it drives but. . .oh my God! I can’t believe you finished it! You built me a car!
LORELAI
Dean, now that you’re done with that, will you build me a plane? One that looks like Shamu?
RICHARD
He made that car?
LORELAI
Isn’t that incredible?
RICHARD
Well, she can’t accept it.
LORELAI
Oh Dad, it’s okay.
RICHARD
It’s not okay, he’s a child. She’s not driving a car a child put together.
DEAN
Excuse me sir, but, uh, my father worked on cars and my grandfather worked on cars. I know what I’m doing.
RICHARD
A car is not a model airplane, young man.
DEAN
I know that.
RICHARD
It is a complex vehicle.
DEAN
I know that too.
RICHARD
And I will not have my granddaughter driving around in some contraption you put together in auto shop.
LORELAI
Okay, can I just say something here?
DEAN
I did not make this in auto shop. I am telling you this car is safe.
RICHARD
So, you are a certified mechanic?
DEAN
No.
RICHARD
But you had the assistance of a certified mechanic?
DEAN
No.
RICHARD
Well, then you drove it past a certified mechanic?
LORELAI
Dad, stop it. This is a nice thing Dean did here. Remember, nice things.
RICHARD
I’m sorry, she can’t accept it. Now, if you will excuse us, we were about to order dinner.
DEAN
Mr. Gilmore, I understand you want Rory to be safe, but so do I. I would not give this car to her if I did not know for a fact that it was a hundred percent safe. I checked it, my father checked it, and Gypsy at Hewes Brothers checked it. It has been checked.
RICHARD
And I’m just supposed to take your word for it?
DEAN
Nope.
RICHARD
Agreed.
DEAN
Let’s go.
RICHARD
Go where?
DEAN
To check it.
RICHARD
I don’t think so.
DEAN
I’ve been working on this car for months. I’m giving it to Rory.
RICHARD
You’re a very stubborn boy.
DEAN
Do you wanna drive or should I?
RICHARD
I’ll take my own car, thank you.
DEAN
Fine with me.
RICHARD
And drive behind me. I don’t want that thing blowing up right in front of the Jag.
DEAN
No problem. Try to keep your electrical system working long enough to get there.
RICHARD
They worked the kinks out of this electrical system years ago, young man. I’ll be right back.
DEAN
So will I.
[Dean and Richard get in their cars and drive off.]
LORELAI
Don’t you feel like one of us should’ve been standing between them waving a flag or something?
CUT TO HEWES BROS.
[The mechanic looks under the hood of the car while Richard and Dean stand nearby.]
GYPSY
It looks fine to me.
RICHARD
Check it again.
GYPSY
I already checked it again. This was checking it again. I checked it earlier, that means this was checking it again.
DEAN
Go ahead Gypsy, check it again. I’ve got all night.
GYPSY
I don’t.
RICHARD
Check the transmission.
GYPSY
I did, it’s all good.
RICHARD
The carburetor.
GYPSY
All good.
RICHARD
Manifold pressure?
GYPSY
Best manifold pressure I’ve ever seen.
RICHARD
You’ve missed something. I insist that you go over this entire car again.
GYPSY
But I’m telling you, there’s nothing wrong with this car.
RICHARD
I am paying you for a service, I would like that service performed.
GYPSY
Okay, I look again.
DEAN
How many times are you gonna make her do that?
RICHARD
As many times as it takes.
DEAN
Look, I know you think I’m not good enough for Rory, but do you have to take it out on my car?
RICHARD
She’s my only granddaughter. I have a responsibility to protect her. She’s young, she’s naïve.
DEAN
She’s smart.
RICHARD
Yes, she’s smart. . .about certain things.
DEAN
Look, I’m not about to do battle with you here. You can hate me - whatever, I don’t care.
RICHARD
I hardly hate you.
DEAN
Really?
RICHARD
I don’t even know you.
DEAN
Well, I’m right here. What do you wanna know? Besides what college I wanna go to or what I wanna do for a living, because I still have no answers for you on that front.
RICHARD
Those are not ridiculous questions to ask.
DEAN
No, but you could’ve waited until dessert to get to ‘em.
RICHARD
Yes, well, perhaps the timing of the. . .
DEAN
Interrogation?
RICHARD
Conversation.
DEAN
Conversation.
RICHARD
Perhaps the timing was a little off. [pause] So, your father – what does he do?
DEAN
Stereo systems.
RICHARD
Installing them?
DEAN
Selling them. He’s got a shop a couple of blocks from here.
RICHARD
And your mother?
DEAN
She works part time transcribing medical records.
RICHARD
Interesting, interesting. So, you. . .you like my granddaughter quite a bit?
DEAN
No, I love your granddaughter quite a bit.
RICHARD
See Dean, I was beginning to feel a little better about this until you said that.
DEAN
Well, I’m not trying to make you feel better, I’m trying to be honest.
RICHARD
Yes, you are. It’s an admirable quality.
DEAN
Thank you.
GYPSY
Okay, I found something wrong.
RICHARD
You did?
DEAN
What?
GYPSY
Windshield wipers came right off in my hand, very dangerous. Thank God I check it again.
DEAN
Gypsy, you broke those off yourself.
GYPSY
Yes I did.
DEAN
Put ‘em back!
GYPSY
I can’t look at this car anymore.
DEAN
Gypsy!
GYPSY
I miss my home.
DEAN
Put them back.
RICHARD
Now I suppose the car is safe.
DEAN
It is.
RICHARD
I’m still not sure it’s an appropriate gift.
DEAN
I understand that.
RICHARD
How tall are you?
DEAN
Why, you wanna dance?
RICHARD
No, thank you. I appreciate the offer though.
CUT TO LORELAI’S HOUSE
[Lorelai and Rory sit on the couch.]
RORY
How long are they going to be?
LORELAI
I don’t know. Knowing my dad, he probably made Dean take the entire thing apart and put it back together again in front of him.
RORY
Poor Dean.
LORELAI
Poor Dean, he has to spend one evening with him. I share chromosomes with the guy.
[Richard walks through the front door]
RICHARD
Well, we had it thoroughly checked. We found a little problem with the windshield wipers. Dean is there now adjusting them. But once that is taken care of, I don’t see any reason why, with proper insurance of course, why you can’t have that car.
RORY
Really? Thanks!
LORELAI
Hey hon, why don’t you run and pick up the food for us?
RORY
Oh sure.
RICHARD
Oh, I’ve got this.
LORELAI
Here you go, hurry! Before the mu shu congeals.
RORY
Okay. [leaves]
RICHARD
Why didn’t you let me pay?
LORELAI
I didn’t think it would be, um, appropriate under the circumstances.
RICHARD
What circumstances are those?
LORELAI
The ones where I’m about to get really, really mad at you.
RICHARD
Excuse me?
LORELAI
Dad, this is my house in my town, where I live my life.
RICHARD
Well, thank you for the geography lesson.
LORELAI
No, I’m - in the thirty two years we’ve known each other, have I once come to your work and criticized the way you handled your clients?
RICHARD
I don’t remember you coming to my work at all.
LORELAI
Well, have I passed judgment on your breakfast habits or your clothing choices?
RICHARD
I was offering opinions.
LORELAI
Well, don’t. I don’t want your opinions, especially not in front of my employees and not in front of my friends.
RICHARD
I guess you can’t take constructive criticism.
LORELAI
Nothing that came out of your mouth today might, in any universe visited by Kirk or Spock, be construed as constructive.
RICHARD
I beg to differ.
LORELAI
And this is absolutely the last time you come into my house and overrule my word.
RICHARD
What are you talking about?
LORELAI
I’m talking about Dean and the car.
RICHARD
I was being - .
LORELAI
You have no right being anything. Rory’s my kid and I make the rules, so if she comes home one day and says, ‘Hey, uh, I’m gonna spend the weekend with Patricia Krenwinkle’ and I say, ‘Okay, grab a sweater’, you just have to deal.
RICHARD
Who is Patricia Krenwinkle?
LORELAI
And if I tell her that she can have the car that her boyfriend made for her, then she can.
RICHARD
I didn’t think it looked safe.
LORELAI
You don’t have to think it looks safe! I have to think it looks safe! God, why can’t I make you hear what I’m saying?
RICHARD
Oh, I hear exactly what you’re saying.
LORELAI
You came here not as a guest but as the judgment police, you kept your uniform on the whole time, and you know what, it comes off now!
RICHARD
Lower your voice.
LORELAI
No! I am a grown woman and you will treat me the way you treat people who have invited you to their house or you will not be invited again.
RICHARD
Invited?
LORELAI
Yes!
RICHARD
Don’t you think I know why you invited me here?
LORELAI
Because - .
RICHARD
Because your mother asked you too. She called you up and said I was driving her crazy, and would you please take me off her hands for one day so she can get some peace. Isn’t that true?
LORELAI
No.
RICHARD
You have never once invited me to your house Lorelai, never. And I can hardly point to an event that would prompt you to do so except my recent employment situation.
LORELAI
Okay Dad, Mom did call me but - .
RICHARD
You know, I never thought about retirement. I never thought about what I would do or what I would be once I wasn’t working. I never once imagined that I would go from being a productive member of the human race to a decrepit old drone sitting at the club at three in the afternoon drinking brandy and playing cards.
LORELAI
Aw, Dad.
RICHARD
I am an annoyance to my wife and a burden to my daughter. Suddenly I realize what it feels like to be obsolete. I hope that you never have to learn what that feels like. Now, if you will excuse me, I’m afraid I’ll have to take a rain check on dinner. I’m not very hungry.
CUT TO SIDEWALK
[Rory walks past the video store, which her picture is in the window. As she stares at it, Jess walks over to her.]
JESS
Nice picture.
RORY
Gee, thanks.
JESS
You’re very popular right now. I bet if you burn a few books, they’ll probably make you mayor.
RORY
This is ridiculous.
JESS
I don’t know, bet you have a lot of supporters on this. Pat Buchanon, Jerry Falwell, Kathie Lee Gifford.
RORY
Bye.
JESS
Aw, come on, it’s a little funny.
RORY
No, being the poster girl for censorship is not a little funny. The only videos not behind that curtain are Bambi and Dumbo. I mean, they actually had a meeting earlier about whether or not Babe should be behind the curtain so as not to offend people who keep kosher.
JESS
It’s a crazy world we live in.
RORY
And where did they even find that stupid picture?
JESS
Oh no, the picture’s good. It’s the people who are stupid.
RORY
I’m never gonna be able to leave my house again.
JESS
Well, at least you won’t starve.
RORY
I can’t look at it anymore.
JESS
Relax. I don’t think it’ll be around very long.
RORY
Why?
JESS
Just a guess.
RORY
Jess!
JESS
Enjoy the food.
RORY
Come back here.
JESS
Why?
RORY
I’ll give you an eggroll.
JESS
Yes?
RORY
What did you do?
JESS
Nothing much. Just wanted to make sure whoever rented Dumbo or Bambi gets a little surprise.
RORY
What kind of surprise? What did you do?
JESS
You owe me an eggroll. [walks away]
RORY
Blech.
CUT TO ELDER GILMORE RESIDENCE
[Richard walks in the front door.]
EMILY
Richard, there you are, sneaking in like that.
RICHARD
Hello Emily.
EMILY
It’s nice to see you.
RICHARD
Well, you seem very happy.
EMILY
Well, I had a very nice day. Would you like a drink?
RICHARD
Uh, no thanks.
EMILY
I saw Cheeky Lennox today. She’s redoing her entire house and I have to say, it’s given me a few ideas about this place. I won’t scare you with them tonight but I’m very excited about it.
RICHARD
Well I’m glad.
EMILY
Then I did a little shopping and I had my nails done.
RICHARD
Very nice.
EMILY
Sugar and spice, a little crazier than I usually wear but I don’t know, I was just in that kind of a mood. So how was your day with the girls?
RICHARD
Wonderful.
EMILY
Tell me about it.
RICHARD
Well, I saw the town, I saw Lorelai’s work.
EMILY
Did you eat? Because I can have Heloise whip up something for you.
RICHARD
No thank you, we had Chinese food.
EMILY
Oh, you love Chinese food!
RICHARD
Yes I do.
EMILY
Well I’m thrilled that you had such a wonderful time. It was good for you to get out like that.
RICHARD
Yes it was. In fact, I’m still a little energized from the day, so I think I’m finally gonna organize all those stamps that I’ve been talking about for ages.
EMILY
Now?
RICHARD
Why not?
EMILY
Well, I think that would be wonderful. Have fun.
[Richard walks into his office and sits down]
THE END