T2E13: “A-Tisket, A-Tasket”
Título em Português: “A-Tisket, A-Tasked”
Roteiro: Amy Sherman-Palladino
Direção: Robert Berlinger
Originalmente exibido em: 5 de fevereiro de 2002
OPEN IN STARS HOLLOW
[We see several signs near the gazebo promoting the upcoming Stars Hollow "Bid on a Basket" Fundraiser before we see Lorelai and Rory inside Doose’s Market looking at baskets.]
LORELAI
So I've decided I'm saving myself for William Holden.
RORY
Wow, it's nice out here in left field.
LORELAI
Hey, I'm sorry. Sunset Boulevard was on last night, and I don't know...I've known him for years – Sabrina, Stalag 17 – and yet last night something snapped.
RORY
I'll say.
LORELAI
I think it was the monkey scene.
RORY
You know he's dead, don't you?
LORELAI
The monkey?
RORY
William Holden!
LORELAI
Ugh, every great relationship has its obstacles. You'd know that if you weren't dating Andy Hardy.
RORY
This one?
LORELAI
Hm, no.
RORY
Why?
LORELAI
It’s too big, it raises expectations.
RORY
Like there’s actually a home-cooked lunch in there?
LORELAI
Instead of whatever is leftover in our refrigerator - exactly.
RORY
Okay, going back on the pile now.
LORELAI
Oh, it’s quaint, isn’t it? The women get to make a nice lunch basket, the men get to bid on it, and the world rotates backwards on its axis.
RORY
I think it’s fun.
LORELAI
That’s because you have a pretty boy to bid on your basket.
RORY
Yes I do.
LORELAI
Did you tell him to eat lunch first?
RORY
Hi, I love him, of course. Hey, I’m gonna look in the back.
LORELAI
All right, I’ll hit the front. [walks up front] Hey Patty. Shopping for baskets?
MISS PATTY
Oh please, I bought my basket weeks ago.
LORELAI
Always prepared.
MISS PATTY
Well, I’m getting that itch again.
LORELAI
Oh no, Patty, you don’t actually need another husband.
MISS PATTY
Well, need – no, but want – that’s a different story. Listen darling, do you happen to have change for a dollar?
LORELAI
I think so.
MISS PATTY
I don’t know where my quarters go.
LORELAI
Down some guy’s g-string, I would expect.
MISS PATTY
Oh no, a quarter would be insulting.
LORELAI
Here you go.
MISS PATTY
Oh, thank you so. . . ugh! [drops something out of her wallet]
LORELAI
I got it. [bends down to pick it up]
MISS PATTY
Oh no no , that’s okay.
LORELAI
This is a picture of me.
MISS PATTY
It is?
LORELAI
Yeah. Why do you have a picture of me in your wallet?
MISS PATTY
Oh, uh, well, it’s a very nice picture.
LORELAI
Thank you. Why do you have a very nice picture of me in your wallet?
MISS PATTY
I’m a stalker?
LORELAI
Or?
MISS PATTY
Or when, in my daily travels, I run across a nice single guy...
LORELAI
Oh God!
MISS PATTY
I like to have a visual aid to help me with the wonderful buildup I give you.
LORELAI
Patty, I appreciate the gesture but I don’t need you to try to set me up.
MISS PATTY
You’re such a beautiful girl and you deserve a nice guy.
LORELAI
I’ll have a nice guy, but let me find him, okay?
MISS PATTY
But you’re no good at finding him.
LORELAI
Patty.
MISS PATTY
Oh, all right.
LORELAI
Thank you. I’ll keep this if you don’t mind.
MISS PATTY
Stubborn girl.
[cut to Rory in the back looking at baskets. Dean walks up to her]
DEAN
Not that one.
RORY
You get no say in the basket.
DEAN
I have to bid on it.
RORY
And you have to eat what’s inside it and you get no say in that either.
DEAN
Hey.
RORY
Yeah?
DEAN
Is Taylor behind me?
RORY
No. [they kiss; a noise interrupts them]
DEAN
What? Taylor? [he turns around to look] Jess.
JESS
Sorry to intrude.
DEAN
Then why did you?
JESS
Well, you’re having your vertical From Here to Eternity moment right in front of the super glue.
RORY
Oh.
JESS
Not that that’s not an appropriate place to be doing it in front of but - .
DEAN
Here’s your glue.
JESS
Thanks. As you were. [walks away]
DEAN
I really hate that guy.
RORY
He didn’t do anything.
DEAN
He’s here, he’s breathing, that’s enough.
RORY
I really wish you two could start over.
DEAN
Why?
RORY
Because he lives here and we run into him. He goes to school here. I just think it’d be easier.
DEAN
I’m fine with the whole hating him thing, thank you.
RORY
I just think it’s a waste of energy.
DEAN
You know, I’ll have a PowerBar.
RORY
Fine, forget it.
DEAN
So, uh, I should probably get back to work. We still on for tonight?
RORY
I don’t know. I might be baking.
DEAN
I’ll pick you up at seven. Get that one, it’s nice and small.
RORY
Bye.
[Dean walks away; Jess walks back over and startles Rory]
RORY
God!
JESS
Sorry. Two for one sale.
[opening credits]
CUT TO INDEPENDENCE INN
[Lorelai is behind the front desk on the phone.]
LORELAI
Independence Inn, Lorelai speaking...Oh sure. Uh, what dates are you looking at? Hold on one sec. . . Um, would you like a king or a queen size bed? . . . Well, you have your choice. I’ve got a room with a king size and a room with two queens. . . Uh huh. . Oh, well, do you think you’ll make up by then? . . . Ugh. Yikes, well, I would take the room with the two queens. . . Uh huh. . . Uh huh. . . Oh God! Uh, sorry, no, nothing, nothing’s wrong. I. . everything’s . .yes, great, call me back when you know. Okay. Thank you.
CUT TO INDEPENDENCE INN KITCHEN
[Lorelai walks through the door]
LORELAI
So Patty has taken it upon herself to find me a man.
SOOKIE
Oh really?
LORELAI
Yes. Here in my hand I have the pictures and resumes of the top three contenders.
SOOKIE
Anyone good?
LORELAI
No, but two of them have run with the bulls. This is so humiliating. I can find my own man.
SOOKIE
She just loves you.
LORELAI
Yeah, but . . .you know, ew!
SOOKIE
Ugh.
[Jackson walks in]
JACKSON
Sookie?
SOOKIE
Jackson, don’t look!
JACKSON
What?
SOOKIE
Cover your eyes!
JACKSON
Okay, okay. I’m sorry, now why am I doing this?
SOOKIE
Because I’m baking for the picnic tomorrow and it’s supposed to be a surprise.
JACKSON
Oh sure, never see a pie before an auction, it’s bad luck.
LORELAI
Okay, uh, you guys talk, I have to go call Patty and stop the forced mating process. I feel like Ling-Ling the panda bear. Oh, hey, one of them’s seen Ghostbusters 124 times. Can you say score? [leaves]
SOOKIE
Okay, what’s up?
JACKSON
Well. . . I’m sorry, can I put my hand down? I need to look at you when I talk.
SOOKIE
Uh, hold on. Go.
JACKSON
I got a call from my landlord today reminding me that my lease is up at the end of this month.
SOOKIE
Uh huh.
JACKSON
So, of course, he wanted to know whether I was gonna re-up it or not.
SOOKIE
Uh huh.
JACKSON
But I told him that I had to talk to you first.
SOOKIE
Okay. About what?
JACKSON
About re-upping my lease.
SOOKIE
Mm hmm.
JACKSON
So what do you think?
SOOKIE
About re-upping your lease?
JACKSON
Yes.
SOOKIE
Well, you have a very nice kitchen.
JACKSON
Yes, I know.
SOOKIE
And I like your living room. Though that house across the street has sort of that creepy Miami Beach blue, which means that during the day you really can’t look out your window, but at night it’s not so bad.
JACKSON
Sookie, forget about the house across the street.
SOOKIE
Well, if you forget about the house across the street, I don’t see why you shouldn’t.
JACKSON
You don’t?
SOOKIE
Nope.
JACKSON
Oh, okay, fine. Um, I just wanted to check with you first.
SOOKIE
Oh, I appreciate that.
JACKSON
So, um, I guess I’ll go re-up my lease then.
SOOKIE
Sounds good.
JACKSON
Yeah. Sounds good.
CUT TO SIDEWALK
[The day of the fundraiser, Lorelai and Rory walk down the street with their baskets]
LORELAI
You know what’s wonderful about this festival?
RORY
No, what?
LORELAI
That it always falls on the day after trash day. Therefore, all the stuff that you forgot to throw out that you would normally be stuck with for another whole week, you can instead put in a pretty basket and auction off for charity.
RORY
That is wonderful.
[Lane runs up behind them]
LANE
Okay, I’ve got it all worked out.
RORY
Tell please.
LANE
Well, I invited my cousin David to come and bid on my basket, you know, to keep my mother happy.
LORELAI
Uh huh.
LANE
Then when he gets it, we tell my mom we’re gonna go eat over at the park where Henry’s gonna call on the pay phone at exactly two o’clock for the ‘all is clear’ sigh. Then David, with the twenty bucks I give him, will disappear, Henry will arrive, and we’ll finally have out first official date.
LORELAI
My head is spinning.
LANE
Stash this at Miss Patty’s for me, okay?
RORY
Don’t you need this for David to bid on?
LANE
Oh no, my mom packed that one. You know, homemade granola, wheat grass juice, soy chicken taco.
LORELAI
Suddenly our lunches are looking pretty good.
LANE
This is the Henry basket. I went by Gianelli’s and stopped in and picked up a couple of meatball heroes and some chips. I also packed a change of clothes, makeup, makeup remover, and three temporary tattoos.
LORELAI
Sure, ‘cause four would be trashy.
LANE
I gotta go. I gotta sneak back into my house. Oh, I’m so excited! [leaves]
LORELAI
Ah man. I remember the days of lying to my mother about a boy. Once I had a boy hidden in the closet and of course Mom wouldn’t leave, so I finally had to pretend to get sick to my stomach just to get her out of the room long enough for him to climb out the window and down the tree. He fell, broke his leg. Ah, to be young again.
CUT TO AUCTION
[A crowd is gathered in front of the gazebo filled with baskets. Taylor stands at a podium in front as the auctioneer]
TAYLOR
Sold for fifteen dollars to the man in the yellow. Thank you very much. Now the next basket I have here is a lovely green wicker number that would be a charming addition to any room once the lunch is gone. Let’s start the bidding at five dollars. Do I hear five?
DAVID
Five dollars.
TAYLOR
Okay, I have five dollars. Do I hear ten?
KIRK
Ten dollars. [Mrs. Kim glares at him] Withdrawn.
TAYLOR
Okay, I’m still at five, do I hear ten? Five going once, five going twice, sold to the young man for five dollars. You know what’s nice, you can put a couple of extra rolls of toilet paper in there and stick it someplace in the bathroom – decorative and convenient. Now this next one may not look like much ...
RORY
Mine.
LORELAI
Nice.
TAYLOR
... but remember people – good things come in small packages.
LORELAI
How badly does he want to be hosting a game show?
RORY
Hm, he can taste it.
TAYLOR
Let's start the bidding at three dollars.
RORY
Hey!
DEAN
Five dollars.
TAYLOR
Now that's the kind of bidding we want to hear today.
LORELAI
He's good. He's very good.
TAYLOR
Five dollars, do I hear ten dollars?
JESS
Ten dollars.
TAYLOR
Okay, I have ten dollars. Do I have fifteen?
JESS
Twenty.
TAYLOR
Twenty dollars, do I hear twenty-five?
DEAN
Thirty.
TAYLOR
Okay, see, you boys don't seem to understand the way this thing works.
JESS
Forty dollars.
DEAN
Fifty dollars.
TAYLOR
Excuse me, have either of you noticed how tiny this thing is?
JESS
Seventy-five.
TAYLOR
Now we’re not talking cents gentlemen, we’re talking dollars remember.
LORELAI
Uh oh. Dean's hesitating.
DEAN
Eighty.
RORY
He does not have eighty dollars to spend on that basket.
TAYLOR
Eighty? Eighty dollars?
JESS
Ninety.
TAYLOR
Ninety dollars, is that correct?
LORELAI
You know, I don’t think he'll have to.
TAYLOR
Okay, we've got ninety going once, ninety dollars going twice. . . sold to the nice young hoodlum in the back for ninety dollars.
LORELAI
I'm trying to think, uh, in what scenario this situation could be construed as positive.
RORY
Well . . .
LORELAI
Well, no one's head's on fire.
RORY
I better go talk to Dean.
LORELAI
Do you want some help?
RORY
No, it's okay. I’m just officially not a fan of unpredictability.
LORELAI
I totally understand. Good luck.
[Rory walks over to Dean as the auction goes on in the background]
TAYLOR
Five dollars on this one, do I hear five dollars?
MAN
Five!
TAYLOR
Five dollars, that's good. Thanks you, how about ten dollars?
MAN
I'll go ten!
TAYLOR
Ten dollars - let's keep going. Look at the size of this . . .
[cut to Rory and Dean talking behind the gazebo]
DEAN
I’m gonna kill him.
RORY
Dean, he was probably just fooling around or something.
DEAN
No, he was messing with me.
RORY
I don’t - .
DEAN
He was messing with me and it’s the last time, I swear to God.
RORY
Dean, calm down.
DEAN
Why would he do this?
RORY
Maybe he was hungry.
DEAN
He’s trying to make me crazy.
RORY
Just don’t let him.
[Jess walks up behind them]
JESS
I gotta tell you, of all the nutty barn raising shindigs this town can cook up, this one wasn’t half bad.
DEAN
Glad you enjoyed it.
JESS
Yes I did. So shall we?
DEAN
Shall we what?
JESS
Shall we go?
DEAN
Go where?
JESS
Go eat.
DEAN
Excuse me?
JESS
The person who buys the basket wins the company of the person who makes the basket for lunch. Basket, basket maker, guy who didn’t bring enough money.
DEAN
You think this is funny.
JESS
Well, it’s no Lenny Bruce routine but it has its moments.
DEAN
Bye Jess.
JESS
Where you going?
DEAN
You’re the one who’s going.
JESS
Oh, as soon as Rory is ready.
DEAN
She’s not going with you.
JESS
Really, is that true?
DEAN
Yes, it’s true.
JESS
Excuse me Edgar Bergen, I think I’d like Charlie McCarthy to answer now.
DEAN
Shut up.
RORY
Dean.
DEAN
What?
RORY
Well...
DEAN
Oh, come on!
RORY
It’s tradition.
DEAN
I don’t believe this.
RORY
It’s true. My mother and I have been doing this every year since we moved here.
DEAN
So buck tradition.
RORY
Are you kidding? Do you remember how mad Taylor was when I was sick and I couldn’t go to the turkey-calling contest?
DEAN
This isn’t school, you’re not getting graded.
RORY
Just don’t make this into a big thing.
DEAN
Don’t go.
JESS
Oh geez man, she’s not shipping off to ‘Nam.
DEAN
You SO need to shut up now.
RORY
Look, Dean, it’s a picnic, it’s lunch. We’ll sit, we’ll eat, it’s over.
DEAN
No.
RORY
What do you think’s gonna happen?
JESS
Yeah, I think I’d like to hear this one also.
DEAN
I don’t want you to go.
RORY
Dean!
DEAN
Fine, forget it, go. [walks away]
RORY
[follows him] Please don’t walk away like that.
DEAN
Sorry, I’d do a silly walk but I’m not feeling very John Cleese right now.
RORY
Dean, this isn’t my fault. I didn’t ask him to do that, I didn’t tell him to do that. Dean, you’re my boyfriend. I would never do anything to hurt you.
DEAN
Yeah? You’re doing it right now. [walks away]
CUT TO AUCTION
TAYLOR
Going once, going twice. . .sold for twenty-five dollars! Congratulations. Thank you. Oh Lord, will you look at this? Ladies and gentlemen, now this is a basket.
[Sookie mouths to Jackson ‘That’s my basket’]
TAYLOR
Let’s start the bidding on this delicious treat at ten dollars. Do I hear ten dollars?
KIRK
Ten dollars.
ANDREW
Fifteen dollars.
TAYLOR
I have fifteen dollars.
KIRK
Twenty dollars.
TAYLOR
Twenty dollars, I have twenty dollars. Is that my final offer?
KIRK
All right, fine, twenty-five.
TAYLOR
Kirk, you just offered twenty, you upped your own bid.
SOOKIE
I‘m sorry, can we stop the bidding for just a second?
TAYLOR
Sookie, you know the rules.
SOOKIE
Yes, but I – .
TAYLOR
We have twenty-five dollars. Do I hear thirty?
SOOKIE
Jackson.
ANDREW
Thirty, if there’s pie.
TAYLOR
There are no contingencies Andrew.
KIRK
Thirty-five.
TAYLOR
Andrew?
SOOKIE
Jackson?
ANDREW
I’m not going any higher without the promise of pie.
TAYLOR
Thirty-five going once, thirty-five going twice. . .sold to Kirk for thirty-five dollars.
KIRK
Yes, finally! You know, if it hadn’t have been for me I could’ve had it for twenty-five.
[Sookie and Jackson walk away from the crowd]
SOOKIE
Hey, what is wrong with you? I gave you all the signals. The pointing, the waving, the mouthing ‘That’s my basket.’ Didn’t you see the mouthing?
JACKSON
Yes, I saw the mouthing.
SOOKIE
Well, why didn’t you bid?
JACKSON
I don’t know. It just didn’t feel right.
SOOKIE
What are you talking about, it didn’t feel right? I made four kinds of pesto and three different desserts. Plus the entire basket is an edible pretzel with a goat cheese filling.
JACKSON
Well, I hope Kirk enjoys it.
SOOKIE
I don’t understand.
JACKSON
Oh, come on Sookie.
SOOKIE
What?
JACKSON
I told you that the lease was up on my apartment, and I asked you if you thought that I should renew the lease on my apartment and you said yes!
SOOKIE
Do you not like that apartment?
JACKSON
No, I love that apartment. It’s perfect, the ultimate bachelor pad. It’s just big enough for one.
SOOKIE
Oh.
JACKSON
Only here’s the thing. You and I, we’ve been dating for awhile and I don’t know, I thought things were going pretty well.
SOOKIE
Things are going really well.
JACKSON
Okay, so I had this crazy thought that since things were going really well that maybe it was time to take a step forward.
SOOKIE
You wanted to move in together?
JACKSON
Well, I at least wanted to consider moving in together.
SOOKIE
Oh, uh, I hadn’t even thought about it.
JACKSON
You hadn’t?
SOOKIE
Well, no.
JACKSON
Oh, my mistake then. I thought we were on the same wavelength. We weren’t, no problem, enjoy your lunch.
SOOKIE
Jackson, I lied. I have thought about it - a lot. Our bathroom’s gonna be pink. I’m sorry.
JACKSON
Well, why didn’t you say something?
SOOKIE
I didn’t want to ruin anything. We’re doing so well, we have so much fun, it’s all working.
JACKSON
Why would living together mess all that up?
SOOKIE
I don’t know. We’d see each other every day.
JACKSON
We see each other every day now.
SOOKIE
And you’d find out all my annoying little quirks.
JACKSON
Hey, I’ve got annoying quirks too, you know.
SOOKIE
I know.
JACKSON
What’s that supposed to mean?
SOOKIE
And you might get sick of me.
JACKSON
Or you might get sick of me.
SOOKIE
No, that’s not gonna happen.
JACKSON
Well, if that’s not gonna happen, then what’s the problem?
SOOKIE
The problem is that Kirk is gonna eat my goat cheese basket.
JACKSON
Not if I have anything to say about it. [they kiss] How’s that for not getting sick of you? Now if you’ll excuse me, I got a basket to get.
[cut back to auction]
TAYLOR
Next up – why, that looks like a Doose’s market basket. Nice, huh?
LORELAI
Ooh, that’s mine.
TAYLOR
I’d like to start the bidding at five dollars.
GUY 1
I bid five dollars.
LORELAI
Whoa, that was quick.
GUY 2
Ten dollars.
LORELAI
Do they know that all that’s in there is two stale Pop Tarts and a Slim Jim?
GUY 3
Fifteen dollars.
LORELAI
He looks familiar.
GUY 1
Twenty dollars.
TAYLOR
Twenty dollars.
LORELAI
So does he.
GUY 2
Twenty-five.
TAYLOR
This is going very well gentlemen, keep it up.
LORELAI
Oh no. [walks over to Miss Patty] Those are the guys, aren’t they?
MISS PATTY
Excuse me?
LORELAI
The guys whose pictures you sent me - you brought them here! You’re setting me up!
MISS PATTY
Well darling, you can’t be trusted to do it yourself.
LORELAI
Oh geez, oh geez!
GUY 2
Thirty-five.
MISS PATTY
That one’s a snorkler.
LORELAI
Ugh! [runs away]
CUT TO LUKE’S DINER
[Lorelai bursts through the door]
LORELAI
Luke! Where is he, where is he? I need him! Caesar, where is - agh, agh, thank God. Hey, hey, you gotta come with me.
LUKE
What are you doing? Hey hey, I got plates here!
LORELAI
Put the burgers down. Caeser, you're in charge.
LUKE
Now wait.
LORELAI
Do you have money? I need money. Which one opens this thing? Is it that one, not that one.
LUKE
Stop messing with that.
LORELAI
Luke, you gotta come out there with me. Patty gave my picture out to all these guys because she thinks I need a man.
LUKE
You do, one with a nice couch and a deep knowledge of Freud.
LORELAI
You have to come out and bid on my basket.
LUKE
Are you serious?
LORELAI
Yes.
LUKE
I have never in my life taken part in one of these crazy group flip outs. I'm not about to start now.
LORELAI
But - right now - out there – the -.
LUKE
Just buy your own basket.
LORELAI
I cannot buy my own basket.
LUKE
Why not?
LORELAI
Because that is pathetic.
LUKE
And chasing me around my diner begging me to buy your basket?
LORELAI
Also pathetic. But that is a pathetic I can live with, where that pathetic is a truly pathetic pathetic, and only you can save me from the double pathetic! Please!
LUKE
I can't believe I'm doing this.
LORELAI
Ha ha! Hurry up. Hurry up!
[Lorelai rushes him out the door]
CUT TO OUTSIDE
[Lorelai and Luke walk up to the crowd]
GUY 1
Forty-five fifty.
GUY 2
Forty-six.
GUY 3
Forty-six fifty.
GUY 1
Forty-seven.
LORELAI
Go, go on.
LUKE
Forty-seven dollars, are you kidding?
LORELAI
Luke!
GUY 2
Forty-seven fifty!
LUKE
For what? Two stale Pop Tarts and a Slim Jim?
LORELAI
Okay, you're not getting the whole saving me here thing, are you?
LUKE
Fine. Forty-eight.
GUY 1
Forty-eight fifty.
LUKE
Forty-nine.
GUY 2
Forty-nine fifty.
LUKE
Uh, fifty-two fifty.
GUY 1
What? We're just supposed to go to fifty.
LUKE
I have a life.
LORELAI
Fifty-two fifty going once!
TAYLOR
Hey, hey, that's my job! Fifty-two fifty going once, fifty-two fifty going twice . . .
LORELAI
Oh, please God.
TAYLOR
Sold for fifty-two fifty.
LORELAI
Yes! Ha, ha, sorry guys, don’t feel bad. I’m totally into Dungeons and Dragons. You’ve skated.
TAYLOR
And that, ladies and gentlemen, concludes the basket bidding for today. Victors come claim your prizes and your dates. Let the lunching begin!
LORELAI
You rock!
LUKE
Thank you.
LORELAI
You're welcome.
LUKE
So what do we do now?
LORELAI
I guess we eat.
LUKE
This?
LORELAI
Yeah.
LUKE
First I have to buy it, then I have to eat it?
LORELAI
Hey, the basket of botulism does come with my company.
LUKE
Huh. You don't eat with your mouth open do you?
LORELAI
Women don't eat at all. We just look at food and jump on the treadmill.
LUKE
All right, let's go.
[cut to Rory standing alone as Jess walks up to her]
JESS
You know, there’s nothing there.
RORY
Yes, I know.
JESS
You going after him?
RORY
Not right now.
JESS
So then, shall we?
RORY
Fine, come on.
CUT TO BENCH
[Kirk is going through Sookie’s basket as Jackson walks over to him]
JACKSON
I’ve been looking all over for you.
KIRK
Any idea what this is?
JACKSON
Uh, yeah, it’s a pineapple–cranberry chutney.
KIRK
Ech.
JACKSON
Listen, I’d like to talk to you about this basket. As you know, Sookie made it and since Sookie and I are seeing each other, naturally she assumed that I would bid on it.
KIRK
Where are the carrot sticks? Every lunch has carrot sticks.
JACKSON
But see, I was a little upset about a fight we had had, and so I didn’t bid on the basket.
KIRK
I love carrot sticks, especially the crinkle cut kind.
JACKSON
However, we just made up and now I’d like to have lunch with Sookie, so. . . I need the basket.
KIRK
This is my basket.
JACKSON
Yes, but I’d like you to give it to me so that I can have lunch with Sookie.
KIRK
I bought this basket. The rules are whoever bids the highest gets to keep the basket.
JACKSON
Yeah, I understand the rules but - .
KIRK
I bid the highest, I bought the basket, I get the basket.
JACKSON
Okay Kirk, I’ll pay you for it. I’ll give you forty-five dollars, that’s ten dollars more than you paid for it.
KIRK
No.
JACKSON
Okay, fifty dollars.
KIRK
No.
JACKSON
Kirk, this is insane. I’ll buy you another basket.
KIRK
I don’t need you to buy me another basket. I won this one. You can’t just come by and take it away. Just because you have a girlfriend and she made this basket for you doesn’t give you the right to bully those of us who don’t have girlfriends or anybody to make a basket for them.
JACKSON
Well, I wasn’t trying to bully you.
KIRK
Not this year, not last year, not the year before that.
JACKSON
Okay Kirk.
KIRK
My mother didn’t even make one for me.
JACKSON
Oh, that’s very sad.
KIRK
She made one for all my brothers and sisters but not for me.
JACKSON
That’s terrible, Kirk.
KIRK
Twelve brothers and sisters, the only one without a basket – me.
JACKSON
Okay Kirk, what’s it gonna take?
KIRK
Two hundred and fifty dollars.
JACKSON
Kirk, you’re kidding me.
KIRK
Twelve brothers and sisters.
JACKSON
Will you take a check?
KIRK
With two forms of ID.
JACKSON
I swear, you better be as pathetic as you sound.
KIRK
Oh, trust me
CUT TO BENCH
[Lane and David sit on a bench in the park]
LANE
What time is it?
DAVID
Three o’clock.
LANE
I don’t understand, Henry should’ve called by now. Give me some change. [walks over to pay phone] Oh my God, it’s not working!
DAVID
Great, can I have his lunch now?
LANE
I’ll be right back.
CUT TO GAZEBO
[Lorelai and Luke sit on the bench]
LORELAI
We're supposed to be eating on the ground.
LUKE
Says who?
LORELAI
Every picture you've ever seen of a picnic shows people eating on the ground.
LUKE
Yes, and every time I have seen a picture of people eating on the ground I've thought, what the hell are you people doing sitting on the ground? Spring for some beach chairs, you cheapskates.
[Lane runs up into the gazebo]
LANE
Hey Lorelai, do you have your cell phone?
LORELAI
Yeah, is everything okay hon?
LANE
I just need to make a call.
LORELAI
Here you go.
LANE
I'll be right back.
[Lane walks away as Luke stands up]
LORELAI
Hey, where are you going?
LUKE
I am going to the diner, I am going to get us some edible food and I’m gonna bring it back here for us to eat.
LORELAI
That is so not the point of today. I made this. I am insulted. I will now proceed to pout.
LUKE
I'll bring back some brownies.
LORELAI
Ooh, the pouting has left the building.
[cut to Lane on the cell phone]
HENRY
Hello?
LANE
Hello, Henry?
HENRY
Lane, I’ve been trying to call you.
LANE
I know, the pay phone is broken.
HENRY
I thought the number was wrong and I didn’t know what to do, so I. . .
LANE
What, you what?
HENRY
I called your house and your mother answered.
LANE
What did you say?
HENRY
I asked for you and then she asked why, and I said because and she said because why, and I got nervous and tried to sell her a subscription to the Wall Street Journal.
LANE
Oh, were you successful?
HENRY
Lane.
LANE
Sorry, but at least she doesn’t know, right?
HENRY
I guess not.
LANE
Okay, then we’re still good. Can you meet me now?
HENRY
I don’t know.
LANE
I know it’s later than we planned, but we still have a little time and I saved your lunch from David.
HENRY
David?
LANE
My cousin, the decoy.
HENRY
Oh, right.
LANE
So we’ll rendezvous where I told you. Just drive by, honk twice, go around the block, and the second time you pass I’ll jump in the car.
HENRY
Gee, do you even want me to slow down?
LANE
Well yeah, of course. I mean, not to a total stop -.
HENRY
Lane, I don’t think this is gonna work out.
LANE
What
HENRY
This - you, me.
LANE
Are you breaking up with me?
HENRY
How can I break up with you? I’ve never been out with you.
LANE
Well yeah, but that’s what today was supposed to be, a date.
HENRY
A date where we need a secret plan and a two-honk driveby and a decoy cousin?
LANE
Well, yeah.
HENRY
Lane, I like you but I want to be able to actually pick you up, stop the car, and take you out. And I wanna be able to call you, at your house.
LANE
I’m gonna tell my mother, I promise.
HENRY
When?
LANE
Soon.
HENRY
Yeah. Look, I’ve got prom coming up and my friends and I are gonna rent a limo to take us there and I wanna go, and I wanna take a date.
LANE
Well, I’m sure I can figure something out. Maybe Rory can – .
HENRY
I asked somebody else.
LANE
Oh.
HENRY
I’m sorry, I just figured you’d never be able to go and - .
LANE
No, it’s okay, that’s good. You should’ve asked someone else.
HENRY
I do like you Lane.
LANE
Okay, well, thank you, I appreciate that. I have to go.
HENRY
Lane.
CUT TO KIM’S ANTIQUES
[Lane walks up to the house as Mrs. Kim walks out.]
MRS. KIM
David came by here fifteen minutes ago, said you ran off somewhere! Where did you run?
LANE
Nowhere.
MRS. KIM
Who is he?
LANE
Who?
MRS. KIM
The boy you ran off to see! The one who calls here pretending to work for the Wall Street Journal!
LANE
There’s no boy.
MRS. KIM
You know the rules, no boys! Not unless I approve and I don’t approve!
LANE
How do you know?
MRS. KIM
I know, I know! You’re sneaking, you’re lying, that means something’s wrong with this boy!
LANE
There’s nothing wrong with this boy. He’s perfect and he likes me and I was so afraid to tell you about him that now he’s gonna take somebody else to the prom and I blew it!
MRS. KIM
You go upstairs right now and calm down!
LANE
Fine!
MRS. KIM
Now!
LANE
Fine! [stomps up the stairs]
MRS. KIM
That is not calming down!
[cut to Rory and Jess walks towards the bridge]
JESS
Where do you wanna eat?
RORY
Don’t care.
JESS
Okay.
RORY
Where are you going?
JESS
Thought you didn’t care.
RORY
I’m not jumping in the lake.
JESS
No underwater dining, got it.
RORY
Now what?
JESS
Now we sit.
RORY
Here?
JESS
Yup.
RORY
On the bridge, that’s where we’re gonna eat?
JESS
Yup.
RORY
Okay.
JESS
Yeah, I like this place.
RORY
Wow. A place in Stars Hollow you actually like. I’m stunned.
JESS
It’s got some good memories. You see right over there?
RORY
Yup.
JESS
That’s where Luke pushed me in.
RORY
Huh.
JESS
Yeah.
RORY
It’s nice.
JESS
It is.
RORY
So why’d you do it?
JESS
Do what?
RORY
Outbid Dean like that.
JESS
I don’t know. I guess it started as a joke just to bug him, but then he just got so mad, you know? And he is so tall, and I just was looking at him and he’s standing there all tall and mad and I just. . .I don’t know. It was. . .it was really funny.
RORY
It wasn’t funny.
JESS
Well, if it makes you feel any better, I didn’t intend to do it. Does that make you feel any better?
RORY
I just don’t wanna be in a fight with Dean.
JESS
I’m sorry about that. You wanna push me in the lake? It’s cathartic, I hear.
RORY
Hm, maybe in a little.
JESS
Whatever. So why don’t we open this thing?
RORY
Go ahead.
[Jess opens the picnic basket]
JESS
Wow. Not one thing in here that I would remotely consider eating.
RORY
Well, I didn’t make it for you. I made it for Dean.
JESS
And Dean would’ve eaten this? [holds up a container]
RORY
Yes, he would have.
[Jess tastes a forkful of the food and makes a face]
JESS
Dean is an idiot.
RORY
Dean never would’ve fallen for that.
JESS
Ah, ha ha.
[cut to Jackson and Sookie sitting on a blanket]
SOOKIE
I can’t believe he wouldn’t take your check.
JACKSON
Well, apparently, I don’t look like my picture.
SOOKIE
He’s a loon.
JACKSON
Yeah. It’s okay. I’m paying him off in weekly installment in crinkle cut carrot sticks.
SOOKIE
I’m glad we made up.
JACKSON
Yeah, me too.
SOOKIE
And you know, if you still wanted to talk about, you know, what we were talking about, we could talk about it now.
JACKSON
Hmm, nah.
SOOKIE
Excuse me?
JACKSON
I don’t know. I’m having second thoughts.
SOOKIE
You are?
JACKSON
Yeah. I mean, living together - big deal, right?
SOOKIE
Oh right. Big deal. Who cares? Not me. No siree, Bob. So, I’m sorry, you don’t think we should live together anymore?
JACKSON
Nope.
SOOKIE
Okay.
JACKSON
I think we should get married.
SOOKIE
What?
JACKSON
I think we should get married.
SOOKIE
But – uh, but. . .
JACKSON
Soon.
SOOKIE
Are you pregnant?
JACKSON
What do you say? Sookie?
SOOKIE
Yes! I say yes. Oh my God, we’re getting married! You do know that this means we’ll have to live together, right?
JACKSON
Yes I do.
SOOKIE
Okay, good.
[Cut to Luke and Lorelai sitting in the gazebo]
LORELAI
You know, your burgers actually taste better outside.
LUKE
Good. Next time the roof in the diner’s leaking, I’ll just rip the stupid thing off.
LORELAI
So this is nice, huh? Come on, admit it.
LUKE
Never.
LORELAI
What? Admit it, you would much rather be sitting out here than inside working.
LUKE
The diner’s probably on fire by now.
LORELAI
You are stubborn.
LUKE
I’m stubborn?
LORELAI
Yeah, you’re stubborn.
LUKE
You’re Miss Flexibility over here?
LORELAI
Hey, I can be flexible.
LUKE
Please.
LORELAI
I can. As long as everything is exactly the way I want it, I’m totally flexible.
LUKE
Ah, well, my mistake.
LORELAI
Do you want a fry?
LUKE
You want a carrot?
LORELAI
Impossible.
LUKE
Right back at ya. So let me ask you something.
LORELAI
Napkin, please.
LUKE
Who did you want to get your basket?
LORELAI
What?
LUKE
I mean, before you knew Patty was gonna put you on the Dating Game, you did pack this disgusting lunch and bring it out here, so who did you want to get it?
LORELAI
Well, last year Roy Wilkins bought it and I got my sprinklers fixed for half price.
LUKE
Uh huh.
LORELAI
And this year my rain gutters are completely clogged, and I thought if I could get the Collins kid to bite, I’d get that taken care of.
LUKE
Very practical.
LORELAI
I thought so.
LUKE
So the participation in this thing was purely for home improvement reasons?
LORELAI
Yes. And I don’t know, it’s a nice concept.
LUKE
What is?
LORELAI
Just having someone who you love or have some kind of crazy crush on bid on your basket and then share a romantic lunch, it’s a nice concept.
LUKE
Well, I’m sure someday you’ll manage to find the right guy and drag him out to this thing and make him by your stupid basket and then you’ll be sitting out here with him.
LORELAI
Yeah, someday.
LUKE
You know what?
LORELAI
What?
LUKE
This is nice.
[Dean walks up behind them]
DEAN
I have to talk to you.
LORELAI
Oh, yeah, okay. I’ll be right back.
LUKE
I’ll be right here.
[Lorelai walks out of the gazebo over to Dean]
LORELAI
Hey, how’re you doing?
DEAN
Uh, I’m not great.
LORELAI
Aw, Dean, it’s just a silly town thing.
DEAN
I know, and I’ve been telling myself that and I tried to go home and forget about it, but I can’t. I’m worried about Rory. I don’t think she should be hanging out with this guy.
LORELAI
Well, I know that today was kind of a. . .
DEAN
It’s got nothing to do with today. I mean, yes, it has a little to do with today but it’s more than that. Ever since I’ve met him, I’ve had this feeling that he was bad news.
LORELAI
Yes, Jess has a few issues.
DEAN
Yeah, one issue is that he’s a complete jerk. I mean, he’s always getting in fights at school. That is, when he bothers to show up at all. And he’s just. . . I don’t know. And now this whole thing with Rory, it’s like he’s always around.
LORELAI
You sound jealous.
DEAN
I’m not jealous. He just. . . she has to be nice to everyone, you know?
LORELAI
I know. But hon, that’s Rory.
DEAN
Well, he’s gonna get her into trouble. I can feel it, I just know it. And he doesn’t care about her, he’s just using her to drive me crazy.
LORELAI
Dean, you love Rory, right?
DEAN
Yeah.
LORELAI
So, part of love is trust. You just have to trust her.
DEAN
I do trust her, it’s - .
LORELAI
Him, I know. But flying off the handle like this is not gonna get you what you want. She cares about you, she’s not gonna do anything to mess things up with you guys. I know this.
DEAN
I hope you’re right.
[cut to Rory and Jess on the bridge]
RORY
Ten.
JESS
Ten?
RORY
Yeah but I didn’t understand a word of it, so I had to reread it when I was fifteen.
JESS
I’ve yet to make it through it.
RORY
Really? Try it. The Fountainhead is classic.
JESS
Yeah, but Ayn Rand is a political nut.
RORY
Yeah, but nobody could write a forty page monologue the way that she could.
JESS
Okay, tomorrow I will try again, and you will. . .
RORY
Give the painful Ernest Hemingway another chance. Yes, I promise.
JESS
You know, Ernest only has lovely things to say about you.
RORY
Why are you only nice to me?
JESS
Excuse me?
RORY
An hour ago you were totally screwing with Dean and now you’re totally nice to me.
JESS
You see, it’s the screwing with Dean - that’s an important step to getting here so that I can be nice to you.
RORY
So it was a plan.
JESS
What?
RORY
The whole bidding on my basket, it was a plan.
JESS
Okay, I’m officially starving.
RORY
And officially evasive.
JESS
Come on, I’ll get you a pizza.
RORY
Answer my question.
JESS
Do you like pepperoni?
RORY
Not going to, are you?
JESS
We can just get it on half if you want.
RORY
Okay, I give, let’s go.
JESS
If you insist.
[Rory walks away, not realizing her bracelet had fallen off. Jess picks it up and puts it in his pocket.]
CUT TO LORELAI’S HOUSE
[Lorelai is sitting on the couch as Rory walks in the front door]
RORY
Mom?
LORELAI
Oh, hey. Where’ve you been? I thought Taylor auctioned you off to the highest bidder.
RORY
No, I just went to get some pizza and I, uh, wandered around the bookstore for a little while. Here. [hands her a book]
LORELAI
What’s this?
RORY
You said you wanted to read the Children’s Hour.
LORELAI
I did?
RORY
The other night when we were watching Julia, and Jane Fonda was playing Lillian Hellman.
LORELAI
Oh yeah, and I made the Hellmann’s mayonnaise joke.
RORY
Which no one ever needs to hear again.
LORELAI
Right, right. Well, thanks.
RORY
You’re welcome.
LORELAI
So who were you with?
RORY
What?
LORELAI
Pizza, book buying - did you have company?
RORY
Oh, yeah.
LORELAI
Who?
RORY
Um, Jess.
LORELAI
Jess?
RORY
Yeah.
LORELAI
Right.
RORY
So, I’ll be in my room.
LORELAI
Okay, good.
[Lorelai follows Rory into her room]
LORELAI
So how was the picnic?
RORY
Fine.
LORELAI
Good. Did you get the Dean issue resolved?
RORY
Not yet. He’s coming over later and we’re gonna smooth things over hopefully.
LORELAI
Aw, yeah, well, smoothing’s good. I love the smoothing. So, how was it with Jess?
RORY
Fine.
LORELAI
Well obviously, the pizza and the books. So good, that’s. . .I’m glad.
RORY
What?
LORELAI
What what?
RORY
Well, you look like you have something to say.
LORELAI
I have nothing to say. I never have anything to say.
RORY
Yes, that is your reputation.
LORELAI
It’s. . .I don’t know. I’m just surprised that you’re hanging out with him, that’s all.
RORY
Why?
LORELAI
He doesn’t seem like the nicest kid.
RORY
Well, you don’t know him.
LORELAI
No, I guess not.
RORY
You’re just judging him by that one time that he came over here.
LORELAI
Which, by the way, was not a rousing success.
RORY
He had just moved here. He was mad at his mom. Trust me, he’s got a really good side to him. You’ll see it eventually.
LORELAI
Good, I can’t wait.
RORY
Mom.
LORELAI
No, well, I’m sorry. It’s. . I just, uh, I don’t know. From the things I’ve seen and the things I hear. . .
RORY
Like what things?
LORELAI
The vandalism, the stealing, the cutting school, the fighting.
RORY
How do you know about the fighting?
LORELAI
Well, Dean told me.
RORY
Dean?
LORELAI
Yes.
RORY
You’ve been discussing this with Dean?
LORELAI
No, he discussed it with me.
RORY
When?
LORELAI
Today. Rory, he’s really upset about this.
RORY
So he went running to my mother?
LORELAI
Well, he needed someone to talk to.
RORY
Well, he could’ve talked to me.
LORELAI
No, he couldn’t ‘cause you were off with Jess.
RORY
You’re taking his side?
LORELAI
I’m not taking sides here, okay? I’m Swiss, babe.
RORY
I wasn’t off with Jess. I. . .Jess outbid him.
LORELAI
I know.
RORY
Well, the rule is that if one person outbids someone else, then. . .
LORELAI
Rory, this is not about the rule. I know what the rule is. This is about Dean being concerned that you’re hanging out with someone who can get you hurt.
RORY
How could Jess get me hurt?
LORELAI
I don’t know, hon. In the short amount of time he’s been here, he’s managed to make a lot of enemies.
RORY
I’m sorry, when did I move to Salem?
LORELAI
People are concerned about you, you know? You’re young and naïve and you think that everyone has some good inside if you give them a chance.
RORY
So you’re saying that Jess is no good?
LORELAI
I’ve known guys like Jess. He seems cool because he’s got this dangerous vibe and this problem with authority and he’s seen a lot of Sylvester Stallone movies.
RORY
Oh my God.
LORELAI
But guys like this get into trouble which, if you hang out with them, gets you into trouble and I don’t want you to get into trouble.
RORY
I’m sorry, are we talking about Dean still or are we suddenly talking about you?
LORELAI
Hey, I’ve been there, okay? You haven’t.
RORY
Been where? I mean, we got pizza, we looked at some books. God, I can’t even believe that I’m having this conversation with you. I mean, with you of all people. I mean. . . I don’t even want to talk about this anymore.
LORELAI
Rory.
RORY
No, I’m going for a walk.
LORELAI
Uh, Dean is gonna be here any minute.
RORY
Well, he probably wants to talk to you anyhow.
CUT TO ELDER GILMORE RESIDENCE
[Lorelai, Rory and Emily are eating dinner.]
EMILY
A cigar club. Can you imagine a more disgusting organization to join? Your grandfather now pays money to sit in an enclosed room with a bunch of other men and blow smoke in each other’s faces. Twice a week he comes home smelling like a flophouse. So I finally just confronted him. I said, ‘Richard, I know you’re going through a transitional period here and I encourage your trying out new things, but this seems completely out of character for you.’ I’m sorry, am I boring you?
LORELAI
No, you’re not.
RORY
Sorry Grandma.
EMILY
So how are things at the inn?
LORELAI
Fine, the same.
EMILY
And Rory, how’s that boyfriend of yours?
RORY
Apparently very chatty.
EMILY
Well that’s nice. Lorelai, anything new with you?
LORELAI
No, nothing. It’s been pretty quiet around the house lately.
EMILY
Well, sometimes quiet can be nice. Soothing. You can hear yourself think. All right, what’s going on with you too?
LORELAI
Nothing.
EMILY
It’s not nothing. You’ve both been sitting here all night, not saying a word and not even looking at each other. Are you in a fight?
LORELAI
I’m not.
RORY
Please.
LORELAI
Please what? You are the one who’s been freezing me out all week.
RORY
I just haven’t had anything to say. [her pager goes off]
LORELAI
Who is it?
RORY
No one.
LORELAI
Why won’t you tell me who?
RORY
‘Cause it’s no one.
LORELAI
Is it Jess?
RORY
You’re kidding, right?
EMILY
Jess, who’s Jess?
LORELAI
No, I’m not kidding.
RORY
Why would you automatically assume that it’s Jess?
LORELAI
Because why won’t you tell me who it is?
EMILY
Who’s Jess?
LORELAI
Luke’s nephew.
RORY
It’s not Jess, okay? It’s Dean. You wanna read it? Oh wait, no. Dean will probably tell you all about it later.
LORELAI
That’s not funny. You know, all week you’ve been - .
RORY
We’re not getting into this again.
EMILY
What? Getting into what? Is it about this Jess the thing you’re not getting into again?
RORY
You know, you never liked Dean at the beginning.
LORELAI
That’s because I didn’t know him.
RORY
And now you don’t like Jess?
LORELAI
That’s because I know him.
EMILY
Are you dating Jess? What happened to Dean?
RORY
I’m not dating Jess.
LORELAI
No, but he’s trying to weasel his way in.
RORY
He’s not trying to weasel his way.
EMILY
In where?
LORELAI
In Rory’s world. He has his eye on her, and he’s trouble.
RORY
He’s not trouble.
LORELAI
Yes he is.
EMILY
Rory, if your mother thinks this boy isn’t appropriate company for you then you need to listen to her.
LORELAI
There, thank you Mom.
RORY
Excuse me, but I don’t feel very hungry right now. [leaves table]
CUT TO RICHARD’S STUDY
[Rory walks in and shuts the door. She sits down, then walks over to the phone and dials]
MRS. KIM
Kim’s Antiques, we’re closed, call tomorrow.
RORY
Mrs. Kim, it’s Rory.
MRS. KIM
It’s after nine.
RORY
I know.
MRS. KIM
Lane can’t talk after nine.
RORY
Mrs. Kim, I promise I will never again call Lane after nine, but can I please just talk to her now? Just this once?
MRS. KIM
Okay, just this once.
RORY
Thank you.
[Mrs. Kim walks up to Lane’s room]
MRS. KIM
Lane?
LANE
What?
MRS. KIM
Phone.
LANE
But it’s after nine.
MRS. KIM
It’s okay, it’s Rory.
LANE
I don’t want to talk right now.
MRS. KIM
Rory?
RORY
Yes?
MRS. KIM
Lane’s not feeling well, she needs to call you tomorrow.
RORY
Oh, okay. Um, thanks anyhow.
MRS. KIM
Yes, goodbye. [hangs up] Lane!
[she walks into Lane’s room]
MRS. KIM
It’s early for you to be in bed.
LANE
I’m tired.
MRS. KIM
Come downstairs and have some tea.
LANE
No, thank you.
MRS. KIM
I know you’re upset but I have these rules for a reason. I’m your mother, I know what’s best for you.
LANE
Can we talk about this tomorrow please?
MRS. KIM
You see, this is exactly why I make these rules. You’re too young, too vulnerable. American boys have different values, they don’t understand respect, you get hurt. I do all of this so you don’t get hurt and now here you are hurt. I don’t like this, I don’t like this at all. Who is he, this boy who hurt you?
LANE
Henry Cho.
MRS. KIM
Cho?
LANE
Yes.
MRS. KIM
Cho sounds Korean.
LANE
It is Korean.
MRS. KIM
He was Korean?
LANE
Yes, and he was smart and wonderful and cute.
MRS. KIM
And – and you’re sure he was Korean?
LANE
He’s gonna be a doctor, he goes to church, he’s a counselor at Bible camp, and he liked me.
MRS. KIM
A doctor.
LANE
I’m so stupid. I should’ve just told you and I didn’t and now he’s gone and I’m just stupid.
MRS. KIM
Maybe I can call his mother.
LANE
I don’t want to talk about this anymore.
MRS. KIM
You’re sure he was Korean?
CUT TO ELDER GILMORE RESIDENCE
[Lorelai and Emily sit at the table]
LORELAI
I swear Mom, there’s just something about that kid that. . .ugh, I don’t know. And I hate it because he’s Luke’s nephew and Rory likes him but. . .
EMILY
You are her mother Lorelai. You must set boundaries and restrictions, it’s your job.
LORELAI
I wanted to like him but I just couldn’t, and Rory can’t see it.
EMILY
Well, she’s young.
LORELAI
And she won’t take my word for it.
EMILY
Well, she’s young.
LORELAI
I don’t know what to do. Maybe I’m overreacting.
EMILY
Lorelai, listen to me. Now I don’t say this to you very often, but on this matter I happen to agree with you one hundred percent.
LORELAI
Gee, thanks Mom.
EMILY
I know Rory’s a good girl, but good girls can go bad with the wrong influences. We all know that.
LORELAI
Oh no no, I don’t think Rory’s actually gonna go bad.
EMILY
Don’t back down Lorelai. You took a stand and you are completely in the right here. You absolutely must keep her from that boy. If you need to change her curfew, lock her up, throw away the key, whatever it takes to make sure she doesn’t go astray - you do it. Her judgment cannot be trusted here. She’s a young girl and knows nothing. You are her eyes and her ears and her brain for as long as it takes to make sure she doesn’t make any ridiculous choices in her life.
LORELAI
Yeah. Would you excuse me for a sec?
CUT TO RICHARD’S STUDY
[Lorelai pushes open the door]
LORELAI
Hey, can I come in?
RORY
It’s not my house, I can’t stop you.
LORELAI
Just listen to me for one second okay? No sighing, just let me talk.
RORY
Go ahead.
LORELAI
I don’t wanna lock you up and throw away the key.
RORY
Well good.
LORELAI
Your judgment means something, especially to me. I can’t be your eyes and your ears and your brain.
RORY
I’m trying really hard to connect the dots here.
LORELAI
I got spooked. I know it violates the fabulous cool mom clause we’re supposed to have going but I did and I’m sorry.
RORY
It’s okay.
LORELAI
Now, I am concerned about Jess.
RORY
Well, you shouldn’t be.
LORELAI
But I am. However, you are a smart girl, you’re a good judge of character, and the fact that he seems to like you gives him a couple of brownie points. You’re not a little kid. I don’t actually think you ever were a little kid.
RORY
I was, for about a month.
LORELAI
If you think he’s a decent guy, I have to respect your judgment.
RORY
Thank you.
LORELAI
But I’m asking you to be careful.
RORY
I will.
LORELAI
Really careful.
RORY
I will.
LORELAI
‘Boy in the plastic bubble’ kind of careful.
RORY
I promise.
LORELAI
And you have to cut Dean some slack. He’s so crazy about you. He didn’t mean anything by coming to me. He just wigged.
RORY
I know.
LORELAI
So, fight over?
RORY
Fight over.
LORELAI
Good.
RORY
You still don’t look okay.
LORELAI
Oh, well, my mother agreed with me tonight.
RORY
I’m so sorry.
LORELAI
Thank you, I appreciate that.
CUT TO LORELAI’S HOUSE
[Later that night, Lorelai and Rory walk through the front door.]
LORELAI
I need a shower.
RORY
Don’t be so dramatic.
LORELAI
‘I agree with you a hundred percent.’ Ugh!
RORY
Go upstairs.
LORELAI
Find a movie, I’ll be down in a minute.
RORY
Okay.
LORELAI
‘I agree with you a hundred percent.’ I may have to shave my head also.
RORY
Bye.
[Rory takes the phone into her room and dials a number]
JESS
Hello?
RORY
Hi.
JESS
Hi.
RORY
What are you doing?
JESS
Nothing, you?
RORY
Nothing.
JESS
Why’d you call?
RORY
I . . um, I wanted to. . .
JESS
I’m glad you called.
RORY
Yeah?
JESS
Yeah.
RORY
Why?
JESS
Because maybe you can explain what the hell this crazy woman is talking about.
RORY
Ah, The Fountainhead.
JESS
Yes. Your fault, and you will pay.
RORY
I promise. Commit to it one more time and if it still is awful for you, I will make it up to you.
JESS
Oh yeah?
RORY
Yeah.
JESS
Okay. I’m gonna hold you to that.
THE END