T2E16: “There’s the Rub”
Título em Português: “Descobertas”
Roteiro: Sheila R. Lawrence
Direção: Amy Sherman-Palladino
Originalmente exibido em: 9 de abril de 2002
OPEN IN LUKE’S DINER
[Luke’s apartment is under construction. Luke delivers food to some customers, a chunk of the ceiling falls onto the table.]
LUKE
Here you go. Geez, uh, sorry folks. Uh, here. . .there we go. Free coffee all around. You might wanna put your hand over that. There we go. [walks over to construction worker] Tom, what the hell is going on up there?
TOM
We’re redoing your apartment. What do you think is going on up there?
LUKE
The ceiling’s falling in. I’ve got customers eating drywall here.
TOM
Oh, well, that can’t be good.
LUKE
You said minimal disruptions.
TOM
Hey, this is minimal disruptions. Look, I need you to sign this change order.
LUKE
What happened now?
TOM
Well, we broke through this wall and we found some pipes that shouldn’t be there. We gotta move ‘em.
LUKE
Move ‘em where?
TOM
Not sure. We gotta find out what they do first.
LUKE
You’re kidding?
TOM
Oh yeah. There’s nothing I like more than a good ‘moving a pipe’ joke.
LUKE
Fine, one more week, that’s it.
TOM
Oh, sure, construction ultimatum. Ha, that’s even funnier than my moving pipe joke.
[Lorelai and Rory walk in]
LORELAI
Hey.
LUKE
Hey.
LORELAI
Geez, look at this place.
RORY
It’s a mess.
LORELAI
How long – .
LUKE
Nope – can’t sit here.
LORELAI
Why not?
LUKE
Three people got nailed in the head here earlier.
LORELAI
But their food was okay, right?
LUKE
Will you just move? [Lorelai’s cell phone rings] Outside.
LORELAI
You know, if I sit here one more second, I just might be outside. Order me some coffee.
[Lorelai walks away; Jess walks over to the table and hands Rory an open umbrella]
LUKE
Oh, you are really funny. You and Tom should put an act together. I’d leave it open.
[cut to outside]
LORELAI
Go ahead Mom, I can hear you now.
EMILY
I wanted to know if you’d like a gift certificate for a weekend at the Birch Grove Spa.
LORELAI
Are you serious?
EMILY
I bid on it at the DAR Symphony Fundraiser and I won.
LORELAI
Birch Grove? That’s supposed to be an amazing place, why don’t you go?
EMILY
Oh, I’ve never had any real desire to go to a spa.
LORELAI
Why’d you bid on it then?
EMILY
It was for charity, I had to bid on something. And I certainly didn’t want another portrait of George Washington. I’ve got four in the attic already.
LORELAI
Well, I’d love it.
EMILY
Good.
LORELAI
Two days of total mind-numbing pampering. Massages, facials, aromatherapy.
EMILY
My goodness, you make it sound like heaven.
LORELAI
It’s as close as you’ll ever come to being a dog.
EMILY
I beg your pardon?
LORELAI
You know, a whole life of nothing but eating, sleeping, lying on your back and getting rubbed.
EMILY
I’d love the comparison to stop there.
LORELAI
Deal. Um, hey, when’s it for?
EMILY
This weekend, actually.
LORELAI
Oh, well, I’ll be there.
EMILY
So will I.
LORELAI
Excuse me?
EMILY
Well, the certificate is for two, and since you make it sound like the most wonderful place in the world, I might as well try it with you.
LORELAI
Oh, but - .
EMILY
That’s all right, isn’t it, if I join you? You don’t mind?
LORELAI
No, I don’t mind at all.
EMILY
Wonderful. I’ll pick you up tomorrow morning. You know, I’m actually looking forward to this.
LORELAI
Oh yeah, me too. Thanks Mom. Buh bye.
CUT TO INSIDE LUKE’S
[Rory is sitting at the table holding the umbrella over her head. Lorelai walks in and sits down]
LORELAI
I’m going to a spa with my mother.
RORY
Lean forward.
[opening credits]
CUT TO LORELAI’S BEDROOM
[Lorelai is sitting on the bed as Rory walks around packing a suitcase]
LORELAI
[on phone] So, then we’re all confirmed. Uh, great. Thanks so much for your help. Okay, bye. [hangs up] Yeeessss!
RORY
That was an evil yes.
LORELAI
Not an evil yes. It’s a ‘yes, I’m pretty, but hello, I’m smart’ kind of a yes.
RORY
Oh, my mistake.
LORELAI
So here’s the deal – I go into my facial just as my mother is finishing her salt glow, which will end ten minutes after I’ve hit my scalp treatment which puts me in the watsu massage pool at least six minutes into her back facial. Uh, in fact, the day is so well planned, I won’t see her until dinner which will be cut tragically short by the food poisoning I plan to contract.
RORY
You are twelve and disgusting.
LORELAI
I am trapped and desperate.
RORY
You really think you can avoid Grandma the entire weekend?
LORELAI
Hey, I’m nothing if not a great organizer. Now, let's talk about what you're gonna do tonight. Throwing a party, I hope? Inviting hundreds of bikers and lowlifes who are gonna trash the place?
RORY
I am going to do laundry, watch TV, order Indian food and go to bed early.
LORELAI
And then come the bikers and lowlifes who are gonna trash the place?
RORY
I may even fall asleep on the couch with the TV on.
LORELAI
When do the bikers and lowlifes get to trash the place?
RORY
You're all packed.
LORELAI
Rory, you have to do something bad when Mommy’s out of town. It's the law. You're seen Risky Business, right? Now I'm not asking for a prostitution ring, but how about a floating craps game or something?
RORY
I'll see what I can do.
LORELAI
I would greatly appreciate it.
[a car honks from outside]
RORY
I think Grandma’s here.
LORELAI
What’s she honking for? She hates honking. She calls it a mechanical bodily function. [looks out window] Ugh, geez.
RORY
[looks out window] Oh, cool!
CUT TO OUTSIDE
[Emily is standing in front of a limousine as Rory and Lorelai walk out of the house]
EMILY
Hello, hello, hello!
LORELAI
What, are we going to the prom?
EMILY
I just thought since this weekend is all about relaxing, we should start with the ride.
RORY
This is cool, Grandma.
EMILY
Thank you, Rory. So, are we all ready to go?
LORELAI
I guess so, Miss Daisy. Bye sweets.
RORY
Bye. Bye Grandma.
EMILY
Goodbye Rory.
RORY
Have a good time.
LORELAI
Bikers and lowlifes.
RORY
I’ll get right on it.
CUT TO CHILTON CLASSROOM
TEACHER
In general, the lab reports weren’t bad – but they weren’t great either, which leads me to question whether everyone has the grasp of electrochemistry I prefer before we move on. To that end, I will be giving another test on Tuesday covering chapters fourteen through eighteen in your textbooks, as well as the material from lab. Now please proceed with the assignment we all started yesterday, as that too will be included on the test.
PARIS
Madeline?
MADELINE
What?
PARIS
What are you guys doing tonight?
MADELINE
It’s Friday night.
PARIS
So you’ve got dates?
MADELINE
Well, yeah, why?
PARIS
I was kind of hoping you could study with me.
MADELINE
On a Friday night?
PARIS
Yes.
MADELINE
But we’ve got dates.
LOUISE
What is she saying?
MADELINE
She wants us to study with her.
LOUISE
On a Friday night?
MADELINE
Yeah.
LOUISE
But we’ve got dates.
PARIS
I know you have dates, I was hoping maybe you’d cancel them.
MADELINE
To study?
PARIS
Yes.
MADELINE
On a Friday night?
LOUISE
What’d she say?
MADELINE
She wants us to cancel our dates to study.
LOUISE
On a Friday night?
MADELINE
That’s what she said.
LOUISE
But we have - .
PARIS
Oh my God, forget it! [walks over to Rory] So, I suppose that you have big Friday night plans also?
RORY
Well, kind of.
PARIS
So the fact that I’m seeing my entire Harvard career slip away apparently is of no interest to anyone?
RORY
What are you talking about?
PARIS
I got an A-minus, okay?
RORY
So?
PARIS
What do you mean, so? I got an A-minus. I have never gotten an A-minus. I just can’t focus lately. Things are so weird at my house. My dad finally figured out exactly how much it was gonna cost him to divorce my mom, so now he’s back and it’s bad enough that I wasted all that time crunching the numbers with him, but now that he’s back, they’re fighting and redecorating. The place is a mess. I need help.
RORY
Look, I can’t tonight, but if you’re still freaked out after the quiz on Tuesday, I will spend everyday next week helping you prepare for the final, okay?
PARIS
I guess.
RORY
Relax. It will be fine, I promise.
PARIS
All I had to do was move a decimal point and none of this would’ve happened.
CUT TO BIRCH GROVE SPA
[Emily and Lorelai walk into the lobby]
EMILY
Oh, look at this place. It’s lovely. And that smell – what is that, eucalyptus?
LORELAI
I don’t know.
EMILY
Well, it’s lovely. Oh Lorelai, come over here, look. They have cucumber slices in the water.
LORELAI
Oh wow! Now if they have ranch dressing in the soap dispensers, this place is great.
EMILY
You know what? I love it here.
LORELAI
Hm. Careful Mom, that’s how they get you in the Moonies.
EMILY
I feel more relaxed already. Mm, that’s the most delicious water I’ve ever had. Have a sip.
LORELAI
Let’s just check in, shall we?
EMILY
Okay. [they walk to the front desk] Hello, I’m Emily Gilmore. This is my daughter, Lorelai.
BOBBY
Ah, yes, welcome to Birch Grove. My name is Bobby. I have everything all set for you. Do you have luggage?
LORELAI
Yes, it’s in the Luca Brasi mobile out front.
BOBBY
Okay, well, we can take care of that for you. Here are your room keys and a copy of all of your spa activities. You ladies are booked solid, I see.
EMILY
Well, we intend to leave here completely different people.
LORELAI
Yes, I’m going to be Ted Nugent.
BOBBY
Anyhow, your rooms are right down this hall. Fruit and yogurt is served by the pool in the mornings, and your lunch and dinner seatings are on that itinerary. Any questions?
LORELAI
Yes, where can one get a cup of coffee around here?
BOBBY
Ah, we don’t serve anything with caffeine here.
LORELAI
And you think that’s safe?
EMILY
Thank you, Bobby. We’re sure we’re going to have a wonderful time.
LORELAI
Mom, there’s no coffee.
EMILY
It won’t kill you to go two days without coffee, Lorelai.
LORELAI
No, I think it will.
EMILY
Lorelai, just focus on all the pampering we’re going to have. Look at all the wonderful things we have to look forward to.
LORELAI
Oh no.
EMILY
What?
LORELAI
Oh, um, I’ll be right back. They screwed up our appointments.
EMILY
Again?
LORELAI
What do you mean, again?
EMILY
Well, on the way to your house I called to confirm our schedule and found out they had us booked separately for every single one of our treatments. Luckily, I insisted on speaking to a manager and was able to straighten everything out. Yes, those are right.
LORELAI
They are?
EMILY
I even had them move the pedicure tubs together in the same room so we can talk during it.
LORELAI
Okay, I’m really gonna need a cup of coffee.
EMILY
Have some cucumber water.
LORELAI
No, see, that’s not gonna do it because it’s – .
EMILY
Drink, Lorelai.
LORELAI
– cucumber water. Yuck.
CUT TO STARS HOLLOW
[Rory and Dean are kissing by a tree]
RORY
Wow, your lung capacity certainly has improved.
DEAN
Well, I’ve been playing a lot more basketball lately.
RORY
Yet another reason to continue the fight to keep physical education in schools.
DEAN
So, tonight.
RORY
Yes?
DEAN
I was thinking.
RORY
Yes?
DEAN
Since your mother’s gonna be gone.
RORY
Mm hmm.
DEAN
Maybe I’d come over.
RORY
Oh.
DEAN
What?
RORY
Actually, I was thinking of pulling kind of a hermit thing tonight.
DEAN
Why?
RORY
I don’t know. J.D. Salinger seems to dig it.
DEAN
You don’t want me to come over?
RORY
No, I just. . .I almost never get the house all to myself and I thought with my mom gone, I can finally do my laundry exactly the way I like it. You know, not just separated into whites and colors, but the colors separated into darks, mediums, and lights, with a separate pile for white T-shirts and T-shirts with some kind of writing on them, like, you know, Rock Star, Evil, or Kafka was here.
DEAN
You wanna be alone to do laundry?
RORY
And watch TV and eat the Indian food that I love but my mom hates the smell of and go to bed early and. . .are you mad?
DEAN
Why would I be mad? You wanna spend tonight alone.
RORY
But hey, tomorrow, the whole day is all about you. I mean it, from morning ‘til night. You plan it, or I’ll plan it, or we can get a professional to plan it, whatever you want. Just don’t be mad.
DEAN
I’m not. I’m not mad.
RORY
Good.
DEAN
I’m confused, but I’m not mad.
RORY
Fine
DEAN
I’m a saint, but I’m not mad.
RORY
Thank you.
DEAN
You’re welcome.
RORY
So, deep breath and. . .
CUT TO BIRCH GROVE SPA
[Lorelai is in her room unpacking. She hears knocking and opens the door to the hallway. No one’s there, so she opens another door. Emily walks in wearing a bathrobe.]
EMILY
How do I look?
LORELAI
Like a landlady. What is this?
EMILY
I got adjoining rooms so we don’t have to go out in the hallway to get to each other.
LORELAI
Great thinking!
EMILY
God, this robe is fabulous. How do they get it so soft?
LORELAI
Well, I think having about forty other people wear it first is part of the secret.
EMILY
Oh, stop it. So are you all ready for our skin rejuvenating and revitalizing collagen facial and eye treatment?
LORELAI
Almost.
EMILY
It has vitamin C and plant extracts in it, which is the hottest thing in skin care these days. And the eye treatment is supposed to reduce puffiness and minimize the appearance of fine lines.
LORELAI
Okay, no more brochures for you. All right, I’m ready, let’s go.
EMILY
Aren’t you gonna wear your robe?
LORELAI
What?
EMILY
Your robe, you’re supposed to wear your robe.
LORELAI
Oh, well, I’m sure they’ll give me one when I get there.
EMILY
But these robes are wonderful.
LORELAI
Mom.
EMILY
They help you relax.
LORELAI
We’re late, Mom.
EMILY
They’re wonderful, relaxing robes.
LORELAI
Oh my God.
EMILY
And yet, you stand there like it’s some badge of honor not to put on your robe like everyone else in this place. [Lorelai goes into the bathroom to change] This isn’t for me, you know, it’s for you. I already have on my robe. I’m already relaxed. What are you doing?
LORELAI
[from bathroom] You’re kidding me, right?
EMILY
Well, hurry up, we’re gonna be late.
LORELAI
[opens bathroom door] Happy?
EMILY
Apparently you didn’t see the matching slippers.
CUT TO FACIAL ROOM
FACIALIST
So, how are we doing?
LORELAI
So good.
FACIALIST
Okay. Well, I’m gonna leave you to sit for a few minutes, so just relax and enjoy, and I’ll be right back.
LORELAI
Thanks.
[As the facialist leaves, Lorelai closes her eyes. Emily quietly enters the room and sits down next to Lorelai.]
EMILY
Are your feet sweating?
LORELAI
Mom?
EMILY
Those booties make my feet sweat. Don’t they make your feet sweat?
LORELAI
What are you doing in my room?
EMILY
Magda left me sitting for twenty minutes. Fine time to take a coffee break.
LORELAI
She’s not taking a coffee break. Your skin is supposed to be absorbing the moisture in your mask – in your room.
EMILY
Let’s see what’s next on our agenda, shall we? Stop moving Lorelai, you’ll electrocute yourself. Ooh, the Egyptian mud bath. I wonder if the mud bath is one of those things you see in brochures where they wrap you in towels like you’re in a cocoon of some sort. That might be nice. Especially if their towels are as good as their robes because I just love these robes. I wonder where they get these robes. Shouldn’t be so hard to find the manufacturer. I could order a few of them. One for me, one for you and one for Rory.
CUT TO HALLWAY
[Lorelai and Emily walk down the hallway in their robes]
EMILY
I still can’t get over it, it really was mud. I mean, I know it said mud bath but I didn’t really think they meant a real mud bath. And the odd thing is I should’ve been more repulsed by it. Sitting in a tub of hot dirt, which is basically what mud is, should’ve made me ill, and yet I really enjoyed it. Did yours have twigs? Mine had twigs, and when I asked the woman about them, she told me they were there because of the healing qualities. . .
[they walk through a door marked ‘Quiet Room.’ A few seconds later, the door opens and Lorelai ushers Emily out into the hall]
EMILY
What are you doing? Lorelai, stop it! You’re pushing me!
[Lorelai bangs on the door, showing Emily the ‘Quiet Room’ sign, then they walk back into the room]
CUT TO MASSAGE ROOM
[Lorelai and Emily are both getting massages.]
MASSEUR
How’s the pressure – too much?
LORELAI
Yup.
MASSEUR
Sorry, I’ll go lighter.
EMILY
Your hands are amazing. Compliment your masseur’s hands, Lorelai.
LORELAI
Oh my God.
EMILY
Excuse me?
LORELAI
Nothing.
EMILY
You were muttering under your breath. Years of experience have taught me that when you do that, it’s usually about me.
LORELAI
Mom, you signed us up for a couple's massage.
EMILY
So?
LORELAI
A couple's massage is for a couple – not a couple of people.
EMILY
It's more efficient this way. We'll both be finished at the same time.
LORELAI
Mom, do you know what most people who get these massages do about five minutes after it's over? They have sex, together, probably while wearing their robes.
EMILY
Could the two of you excuse us for a moment please? Thank you. [the masseurs leave] Well, that was appalling!
LORELAI
Well, that was true!
EMILY
You're just determined to spoil this, aren't you, Lorelai?
LORELAI
Why, because I want a quiet, private massage?
EMILY
You've been pouting and sulking and sighing.
LORELAI
Oh, I have not been sighing.
EMILY
Rolling your eyes, mumbling.
LORELAI
Well, that's how I detox.
EMILY
Ever since we got here, you've made it your mission to be as miserable as possible.
LORELAI
That's not true.
EMILY
It's completely true. And if you don't care that you're hurting my feelings, maybe you care that you're wasting all your relaxing time acting like a petulant four-year-old.
LORELAI
Well, I'm sorry.
EMILY
Do you want me to try to get myself another room?
LORELAI
No.
EMILY
I saw a supply closet down the hall. Maybe my masseur could finish me in there.
LORELAI
Okay, Mom.
EMILY
Or perhaps I could just roll myself against a stucco wall, eliminate the need for a masseur altogether.
LORELAI
Lie down Mom, please.
EMILY
If you say so. Lorelai?
LORELAI
Yes, Mom?
EMILY
Would you go get the boys, please?
CUT TO LORELAI’S HOUSE
[Rory, while on the phone, is sitting on the living room floor surrounded by piles of clothes]
RORY
No, that’s two orders of garlic gnon, three simosas, and a chicken vindiloo. And rice, and the green sauce, and no salad, and. . . oh wait, sorry. Can you hold on a sec? [answers the call waiting] Hello?
LORELAI
Hi, this is Phil’s Liquor. I’m supposed to be delivering a keg there tonight.
RORY
Hold on. [switches to other call] Hi, sorry. Yeah, that’s it. Forty minutes, great. Bye. [switches back] Hey.
LORELAI
Who was that?
RORY
Sandeep’s.
LORELAI
Oh, you’re ordering the Indian food?
RORY
Yup.
LORELAI
Good, enjoy. Can you burn the house down afterward, ‘cause that’s the only way we’ll get the smell out.
RORY
Absolutely. How’s the spa?
LORELAI
Tranquil.
RORY
Really?
LORELAI
I wasn’t done. Tranquilizers, uh, will be required if I have to spend one more minute with my mother.
RORY
Please tell me you’re at least trying to get along with her?
LORELAI
Oh, hey, I’m being a peach.
RORY
Really?
LORELAI
Well, I smell like a peach. Was that the doorbell?
RORY
Yeah, I’ll call you later.
LORELAI
Oh wait, I wanna find out who it is.
RORY
The sooner you get back to your weekend, the sooner it’ll be over.
LORELAI
Okay, but before you go, can you get out my address book and count how many friends I have? I’ll wait.
RORY
Bye.
LORELAI
Mean!
RORY
Steal me soap! [hangs up the phone, then opens the front door] Paris. What -.
PARIS
I tried to stay home and study myself but I can't. I don't know what anything means anymore. I mean, I can't even read my own handwriting. What does this say? The person who wrote this should be dressed in a clown suit stuffing bodies under their porch. You're in your pajamas.
RORY
I know.
PARIS
This was the big night you had planned – a rendezvous with Mr. Peanut?
RORY
Well...
PARIS
You're doing laundry.
RORY
Yes.
PARIS
You're doing laundry in your pajamas.
RORY
My mom is out of town and I never get the house all to myself.
PARIS
You mean you never get to go months on end without seeing your parents, just getting an occasional postcard that doesn’t even have a courtesy "Wish you were here" written on it? That does suck. Don't let me stand in your way.
RORY
Paris, wait.
PARIS
No, forget it, I don't want to get in the way of your big night. I hear there's gonna be some hot knitting going on later.
RORY
Fine, I'll study with you.
PARIS
You will?
RORY
For one hour, that’s it. We can do a quick review and a pop quiz and then you are going home. Deal?
PARIS
Deal.
RORY
Okay, so, go sit on the couch. I’ll be out in the minute.
PARIS
Where are you going?
RORY
I’m going to go change.
PARIS
Okay, but my hour doesn’t start until you get back out here, right?
CUT TO BIRCH GROVE SPA
[Emily walks into Lorelai’s room]
EMILY
Are you ready?
LORELAI
Wow, you look great, Mom.
EMILY
Are you being sarcastic?
LORELAI
No, I’m being completely serious.
EMILY
Oh, well, thank you. That’s a pretty color. What is that?
LORELAI
It’s called Vicious Trollop.
EMILY
Oh, stop it! Now why would you name a lipstick something like that?
LORELAI
‘Cause ‘dirty whore’ was taken?
EMILY
You frighten me.
LORELAI
You wanna try some?
EMILY
No, thank you.
LORELAI
Go on, Mom, try it.
EMILY
It won’t look good on me.
LORELAI
Sure it will.
EMILY
Well, all right, but if I look ridiculous. . .
LORELAI
I’ll be the first one to point it out. You’re a vicious trollop, you’re a vicious trollop.
EMILY
Lorelai.
LORELAI
Sorry.
EMILY
Well?
LORELAI
I like it.
EMILY
You do? I like it too.
LORELAI
Good, let’s go then, I’m starving.
EMILY
Oh, me too. What are they serving for dinner tonight?
LORELAI
Well, let’s see. [looks at menu] Hmm.
EMILY
They certainly do like their tofu here, don’t they?
LORELAI
And the word steamed. Well, they have dessert at least. Cookies sweetened with sprouted mungbean.
EMILY
That sounds dreadful.
LORELAI
Yes, it does.
EMILY
Where are you going? You aren’t going to change, are you? Our seating’s in ten minutes.
LORELAI
Get your coat.
EMILY
I don’t need a coat to go to the dining room.
LORELAI
We’re not going to the dining room.
EMILY
Well, where are we going?
LORELAI
Out.
EMILY
Out where?
LORELAI
We’re gonna leave the spa, find a restaurant, and have a steak.
EMILY
A steak?
LORELAI
Who’s gonna stop us?
EMILY
A steak.
LORELAI
Come on, Mom. What’s it gonna be – vicious trollop or the wide world of mungbeans?
EMILY
Let’s go.
LORELAI
I’m right behind you.
CUT TO LORELAI’S HOUSE
[Rory and Paris are studying in the living room]
RORY
So, given that those are the reactions occurring in the two half-cells, what do you do next?
PARIS
Well, if we add them together, doubling the coefficients of the silver half equation but not the voltage, we get the equation for the complete reaction.
RORY
Well, you’re in much better shape than you wanna think you are.
PARIS
Impossible. [doorbell rings; Rory walks toward the door] Where are you going?
RORY
That’s my food.
PARIS
Another half hour, please!
RORY
No, you got your hour. You need to go.
PARIS
But – .
RORY
Go!
PARIS
Fine.
[Rory opens the door. Jess is holding a box of food]
JESS
Delivery.
RORY
What are you doing here?
JESS
Well, Luke figured since you’re along tonight that maybe you wouldn’t have any food in the house, so he sent over a care package.
RORY
I don’t need a care package. I ordered food from Sandeep’s.
JESS
Really? Planning on burning down the house afterwards?
RORY
Jess.
JESS
The only way to kill the smell. Where should I put this? [walks into house]
RORY
Well. . .
JESS
Kitchen?
RORY
Um. . .sure.
[cut to kitchen]
RORY
God, how much food is in there? This could feed twelve.
JESS
Excuse me, I’ve seen you eat.
RORY
Fine, six.
JESS
Yeah, well, he wanted you taken care of. He wasn’t sure how long your mom was gonna be gone for.
RORY
Just tonight.
JESS
Oh, he didn’t know that.
RORY
Well, now you can tell him.
JESS
I will.
RORY
So how come Caesar didn’t bring this over?
JESS
I volunteered.
RORY
Why?
JESS
Just wanted to get out of the construction zone. There’s nothing but banging and yelling. That place gives me a headache.
RORY
Oh.
JESS
Why – did you think I wanted to come over here and see you?
RORY
No.
JESS
Just needed some quiet.
RORY
Fine.
JESS
That is all.
RORY
Got it.
JESS
Clear my head.
RORY
I understand.
JESS
So, aren’t you gonna eat?
RORY
Eventually.
JESS
It gets cold fast.
RORY
I can heat it up.
JESS
Reheated French fries really suck.
RORY
Hm, they do suck.
JESS
Yeah, so, eat.
RORY
Okay, I will. You’re still standing there.
JESS
I know. You didn’t give me a tip.
RORY
You want money?
JESS
No, I’ll take a fry though.
RORY
Okay, yeah, have as much as you want.
JESS
Okay, great. [takes off jacket]
RORY
What are you doing?
JESS
Getting ready to eat.
RORY
You’re staying?
JESS
Didn’t you just invite me?
RORY
No, I -.
JESS
No, you told me to have all I wanted. That sounded invitation-like.
RORY
You wanna stay here and eat?
JESS
Beats being at Luke’s.
RORY
But – .
PARIS
[walks in from living room] I can’t find my flashcards.
JESS
I didn’t know you had company.
RORY
This is Paris. We were just studying.
JESS
Huh.
PARIS
Don’t worry, I was just leaving. If you find my flashcards, call me, okay?
RORY
No.
PARIS
What?
RORY
Stay for dinner.
PARIS
But I thought. . .
RORY
We have a ton of food, and we can go over the notes more later.
PARIS
You’re sure?
RORY
Positive.
PARIS
Is that mac and cheese?
RORY
It sure is.
PARIS
I love mac and cheese.
RORY
Great.
PARIS
I’m not allowed to have mac and cheese.
RORY
Splurge. Come on Paris, stay.
PARIS
Do you have a twenty-four hour pharmacy just in case I have an allergic reaction to something?
RORY
Believe it or not, we do.
PARIS
Okay, can I borrow your phone?
RORY
It’s by the door.
[Paris walks away]
JESS
Interesting.
RORY
What is?
JESS
You think we need a chaperone?
RORY
No, I don’t.
JESS
You just invited one.
RORY
I’m just being polite. Paris is alone tonight and you yourself just said we have enough food for six.
JESS
With me around, it’s down to four.
RORY
With Paris around, it’s down to two.
JESS
Works out well.
RORY
I think so.
PARIS
[on phone] Hola, es Paris. Voy a comer la cena de cas de Rory. Hay mucho mac and cheese!
CUT TO RESTAURANT
[Emily and Lorelai check their coats, then walk toward the hostess]
EMILY
My goodness, look at this place.
LORELAI
I bet there’s no cucumber slices in the water here. [to hostess] Hi there, party of two.
HOSTESS
Okay. Uh, well, I can take your name, but I probably won’t have a table for about an hour.
LORELAI
An hour!
EMILY
I can’t wait an hour.
LORELAI
Me either.
EMILY
I’ll pass out.
LORELAI
Go first, you can break my fall.
EMILY
Can we bribe you?
HOSTESS
Sorry.
LORELAI
Please? She’s loaded.
EMILY
Lorelai!
HOSTESS
You know, a couple of stools just opened up at the bar, and we do serve our entire menu there.
LORELAI
That is a great idea. Thanks. Come on.
EMILY
We cannot eat dinner at a bar.
LORELAI
I don’t wanna wait an hour, and I’m wearing the wrong shoes for a drive thru.
EMILY
But what are people going to think?
LORELAI
That we’re loose women with questionable morals.
[they sit down at the bar]
EMILY
Doesn’t seem right to eat dinner when your feet aren’t touching the floor.
BARTENDER
What can I get you ladies?
LORELAI
Hi Steve, nice to meet you. We will have two. . .martinis?
EMILY
Why not?
LORELAI
Two vodka martinis, straight up with a twist, very dry, very cold, and a couple of menus, please.
EMILY
And some peanuts.
LORELAI
Ah, peanuts, good idea.
BARTENDER
Here you go, I’ll get your drinks.
LORELAI
Thank you. You’re a good man, Steve. Okay, I’m thinking steak and Caesar salad if it’s not too anchovy-y, and hey – do you wanna split a shrimp cocktail to start?
EMILY
That sounds fine.
LORELAI
Ah, I just love the idea of shrimp cocktail with a steak dinner, you know? It’s so Casino, Big Joe, steak and shrimp – hey, save some for winter, there.
EMILY
I never realized how wonderful peanuts were before.
BARTENDER
Want a refill?
EMILY
Oh, yes, please.
LORELAI
Cheers, Mom.
EMILY
Cheers. I must tell you, I never expected this.
LORELAI
What?
EMILY
Me inhaling peanuts at a singles bar.
LORELAI
This isn’t a singles bar, Mom. It’s a sixty-forty bar.
EMILY
A what?
LORELAI
Sixty-year-old men hitting on forty-year-old women, divorcees mostly.
EMILY
Really?
LORELAI
Look around.
EMILY
Hm. Oh, now, she can do better than that. What does she see in him?
LORELAI
Big will, short life span, the usual draw. Hey Mom.
EMILY
I wonder if they have pretzels, too.
LORELAI
Don’t look now, but I think you’re passing for a forty-year-old woman.
EMILY
What?
LORELAI
Two o’clock, silver fox, totally checking you out.
EMILY
Oh, he is not.
LORELAI
Well, he’s not staring at Steve.
EMILY
You’re being ridiculous. He’s definitely not looking at me.
LORELAI
He’s still looking.
EMILY
Drink your martini, Lorelai.
CUT TO LORELAI’S HOUSE
[Rory, Paris, and Jess are eating at the kitchen table]
PARIS
A tragic waste of paper.
JESS
I can’t believe you just said that.
PARIS
Well, it’s true, the Beat’s writing was completely self-indulgent. I have one word for Jack Kerouac – edit.
JESS
It was not self-indulgent. The Beats believed in shocking people, stirring things up.
PARIS
They believed in drugs, booze, and petty crime.
RORY
Well, then you can say that they exposed you to a world you wouldn’t have otherwise known. Isn’t that what great writing’s all about?
PARIS
That was not great writing. That was the National Enquirer of the fifties.
JESS
You’re cracked.
PARIS
Typical guy response. Worship Kerouac and Bukowski, God forbid you’d pick up anything by Jane Austen.
JESS
Hey, I’ve read Jane Austen.
PARIS
You have?
JESS
Yeah, and I think she would’ve liked Bukowski.
PARIS
What are you doing?
JESS
Salt and pepper dip. Only way to eat a fry.
PARIS
Really?
RORY
It’s fast food gospel.
PARIS
Mm. That’s good. That’s really, really good.
[phone rings]
JESS
You like hot sauce?
PARIS
I don’t know. Should I?
JESS
I think it’s wise.
RORY
[answers phone] Hello?
DEAN
Hey.
RORY
Oh, hey. Where are you?
DEAN
On my way to see you – if that’s okay?
RORY
Oh, well -
DEAN
I know you wanna be alone, so I’ll only stay a minute. I just wanna say hi.
RORY
We just said hi.
DEAN
Well, I wanna say hi a little closer.
RORY
But, I’m a mess, really. It’s not pretty. You won’t recognize me.
DEAN
Well, then put a name tag on ‘cause I miss you.
RORY
I miss you too, but –
DEAN
But what?
RORY
But. . .Paris is here.
DEAN
Why?
RORY
She freaked out about a grade and she wanted to go over some notes, and you know Paris – she will not be denied.
DEAN
Okay, then I’m not really ruining your alone night, someone else did that.
RORY
Yes, but –
DEAN
I’ll see you in a sec. [hangs up]
JESS
I can’t get into poetry. It’s kind of like, geez, just say it already, we’re dying here.
RORY
Wow, you know, I just noticed the time, and it’s getting really late.
JESS
It’s seven o’clock.
RORY
I know, but Paris and I still have a lot more studying to do. Jess, please thank Luke for me. It was really nice of him.
JESS
Who was on the phone?
RORY
No one.
JESS
No one wouldn’t happen to be heading over here now, would he?
RORY
Jess.
PARIS
What’s going on?
RORY
Nothing.
JESS
Dean’s on his way over and Rory doesn’t want him to find me here.
RORY
Why?
JESS
Yeah, why?
RORY
You know why.
JESS
We’re just eating dinner.
RORY
Jess, I’m asking you as a friend, just please leave now.
JESS
You really want me to go?
RORY
I really wanna avoid a fight with Dean.
JESS
Okay, I’m going.
RORY
Thank you.
JESS
Ow!
RORY
What?
JESS
Ooh! I just twisted my ankle. I better go lie down.
RORY
Jess!
JESS
God, you’re no fun when you’re tense. Are you sure you want me to go? ‘Cause maybe this whole thing can be solved between me and Dean if we just sat down and had a little heart to heart. He can tell me his issues, I’ll tell him mine.
RORY
Jess!
JESS
I promise I’ll speak slowly.
RORY
Bye! [pushes him out the front door]
JESS
Okay, well, give him my best, would ya? [sees Dean in the front yard] Actually, I guess I could do that myself.
RORY
Dean, Jess just came by to bring me some food.
JESS
From Luke’s.
RORY
He wanted to make sure I ate.
JESS
Luke did.
RORY
Right, Luke did.
JESS
Personally, I could care less if she eats.
RORY
Yeah, true, he could care less.
JESS
I see you brought a little something, too. Is that ice cream? That’s so nice. A tiny little ice cream package just big enough for two. Hey, are you guys gonna feed each other ‘cause that’s just so darn cute. Oops. You’re doing that towering over me thing. Huh. I tell you, you’ve really got that down. It helps that you’re twelve feet tall, but this Frankenstein scowl really adds to the whole – .
RORY
Jess.
JESS
Okay, I’m going. Look, man, I really was just dropping off some food, so don’t get all West Side Story on me, okay? [leaves]
RORY
So, do you wanna. . . [Dean walks into the house] . . .come in?
[cut to kitchen]
DEAN
What the hell is going on?
PARIS
Hi.
RORY
Dean, you remember Paris, right?
DEAN
Yeah, hi. So Jess just dropped this off, huh?
RORY
Oh, well. . .
DEAN
Now I know you eat fast, but this is a lot of food to put away that quickly, even on your best day.
RORY
Okay, so he didn’t just drop it off but - .
DEAN
You told me you were doing laundry tonight.
RORY
I was.
DEAN
And now you are here with Jess.
RORY
And Paris!
DEAN
Jess, Rory!
RORY
Ah, well, I swear, I didn’t –
DEAN
You didn’t what? You didn’t know he was coming over?
RORY
I didn’t.
DEAN
And you also didn’t know he was gonna stay, right?
RORY
It just happened.
DEAN
How does that just happen?
RORY
Well, he was. . .and the diner, the diner was. . .and I. . .
DEAN
And you what? What? Say something!
RORY
Stop yelling!
DEAN
You totally lied to me!
RORY
I didn’t!
DEAN
Turn the situation around, Rory! How’s it looking?
RORY
It’s looking complicated and I’m trying to explain it to you.
DEAN
Ugh, that’s crap.
PARIS
It’s my fault.
DEAN
What?
PARIS
It’s my fault that Jess was here. I saw him in the diner the day I came to Stars Hollow and I thought he was cute and since I’m not great at the whole ‘batting the eyelashes, look at my belly shirt’ kind of thing, I asked Rory to help me. I thought if she could maybe get him over here, we’d have a chance to talk and. . .I don’t know, it seems totally stupid now and it obviously didn’t work – shock, but that’s why he was here. Thanks for trying to cover for me.
RORY
That’s okay.
PARIS
Anyway, I should get going. I’m probably gonna break out in some sort of rash any second now. [leaves kitchen]
DEAN
So Paris likes Jess?
RORY
Yeah.
DEAN
Rory, is this true?
RORY
Yes it is.
DEAN
Paris and Jess?
RORY
I know. There’s no explaining attraction. Dean, listen to me, if I was going to have anyone over tonight, it definitely would’ve been you.
DEAN
Okay.
RORY
Really?
DEAN
Well, if you say so, then I have to believe it, don’t I?
RORY
Yes.
DEAN
Well, okay then. I’m sorry that I yelled.
RORY
Completely justified under the circumstances.
DEAN
I’m gonna get going.
RORY
No, wait, don’t you wanna stay for ice cream? We could hang out.
DEAN
Nah, I’m just gonna go.
RORY
I’m still seeing you tomorrow, right?
DEAN
Yeah, sure.
RORY
Hey.
DEAN
See you tomorrow. [leaves]
[Rory walks into the living room]
RORY
What was that?
PARIS
What?
RORY
That, the story, the save? You helped me. Why would you do that?
PARIS
I don’t know, it just came out.
RORY
You have no idea what you did.
PARIS
It was no big deal.
RORY
No, it was a very big deal. It was a huge deal.
PARIS
Well, you helped me tonight when you didn’t want to, so I owed you.
RORY
Thank you.
PARIS
You’re welcome. Okay, well, I’ll let you get back to your alone night.
RORY
You should stay.
PARIS
Stay?
RORY
Yeah. We could hang out, maybe watch some TV. You can even spend the night if you don’t wanna drive all the way back to Hartford.
PARIS
Spend the night, like a slumber party?
RORY
Sort of.
PARIS
You’re just doing this because I lied to Dean for you, right?
RORY
I’m doing this because it’s what you do with friends.
PARIS
We’re friends?
RORY
I’m not sure if there is an exact definition for what we are, but I do think it falls somewhere in the bizarro friends-ish realm. Come on, stay.
PARIS
Okay. But if you’re doing all this so you can freeze my bra, I’ll kill you.
RORY
Duly noted.
CUT TO RESTAURANT
[Lorelai and Emily are eating dinner.]
EMILY
This is either the greatest steak I’ve ever eaten, or I’m so hungry, I’m delirious. Pass the horseradish, please.
LORELAI
I never knew you were a spicy girl.
EMILY
Oh, believe me, I can handle my heat. One summer when we were first married, your father and I stayed at this little village in Thailand where we spent two weeks eating viciously hot chilies and skinny-dipping.
LORELAI
Ah, Mom!
EMILY
Well, you certainly couldn’t put your clothes on after eating those things.
LORELAI
Stop it! I like to think of parents the old fashioned way – separate bedrooms.
FEMALE SINGER
And now it’s time for my favorite part of the evening – our salute to the Chairman of the Board.
MALE SINGER
I sure hope that’s not b-o-r-e-d.
LORELAI
Uh, uh, Mom?
EMILY
Yes?
LORELAI
Remember the man who wasn’t staring at you?
EMILY
He wasn’t staring at me.
LORELAI
Okay, well, he’s coming over.
EMILY
What?
CHAD
Excuse me, I hope I’m not interrupting, but I couldn’t help but notice that you two are having more fun than anyone at the bar.
LORELAI
Well, that’s true, we are.
CHAD
Well, good, I’ve come to the right place. Hi, I’m Chad.
LORELAI
Hi Chad. I’m Lorelai. This is my mother, Emily.
CHAD
Your mother?
LORELAI
Chad, if the next words out of your mouth are, ‘you can’t possibly be old enough to be her mother,’ I’m gonna have to cause you severe physical pain.
CHAD
Emily, do you share this rather extreme opinion?
EMILY
I think I’ll stay out of it.
CHAD
In that case, let me just say that I think you look more like sisters than mother and daughter. Yeah, I went for a variation.
LORELAI
I’ll let it slide this time.
CHAD
So, are you two, uh, local or just visiting?
LORELAI
Visiting. Mom’s from Hartford and I’m from a town, uh –
CHAD
Hartford? Great town, great town. A little of the old, little of the new. You like living there?
EMILY
Well, yes, I do.
LORELAI
And how about you, Chad – where do you live?
CHAD
Here – and by here, I mean this very bar stool.
LORELAI
Wow, admitting right off the bat that you spend your life at a bar. Do you find that people are impressed by that?
CHAD
Until now.
EMILY
Oh, I love this song.
CHAD
It’s a great song for dancing.
EMILY
Yes, it is.
CHAD
Help me out here, will ya?
LORELAI
I think he’s asking you to dance, Mom.
EMILY
What? Oh, no, I, uh, I couldn’t.
CHAD
Rumor has it you love this song.
EMILY
Oh, well, yes, but I don’t dance.
CHAD
Oh, come on. I can’t believe that.
EMILY
And I shouldn’t leave my daughter alone.
LORELAI
That’s okay. The sitter’ll be here any minute.
EMILY
Really, I’m serious, you should ask someone else.
CHAD
Is it my dancing? Because you two could work out some kind of ‘save me’ signal in case I really embarrass you.
LORELAI
Go ahead, Mom. It’ll be fun.
CHAD
Come on, the song’s almost over. You’ll hardly have to spend any time at all with me.
EMILY
All right.
[they start dancing]
BARTENDER
Hey, your mom looks good out there.
LORELAI
Yup, she sure does.
[When the song ends, Emily starts to walk away but Chad pulls her closer for another dance. After a few seconds, Emily breaks away from him.]
EMILY
I’m sorry, I have to go.
[She quickly walks over to the coat check area. Lorelai gets up and follows her]
LORELAI
Mom, what’s wrong?
EMILY
We’re leaving.
LORELAI
What happened?
EMILY
I shouldn’t have been doing this.
LORELAI
Doing what?
EMILY
Fraternizing with other men.
LORELAI
Oh, what are you talking about?
EMILY
I practically cheated on your father.
LORELAI
You did not cheat on Dad.
EMILY
I danced with another man.
LORELAI
You’ve danced with other men before.
EMILY
Not like that, not without your father present.
LORELAI
Oh, Mom, it was just a dance. You were having fun.
EMILY
I need to get out of here. How hard is it to find a coat?
LORELAI
Mom, you didn’t do anything wrong.
EMILY
I don’t know why I let you take me to this chop house in the first place. I don’t go to chop houses. What were you thinking?
LORELAI
Need food now.
EMILY
And I certainly don’t eat at bars. Hookers eat at bars.
LORELAI
Only if they can’t get a table.
EMILY
You’re not funny. You knew this whole evening made me uncomfortable and yet you kept pushing.
LORELAI
I was trying to do everything right. You manipulated me into taking this trip and still I came. You told me I was acting like a teenager, so I tried to be nicer. You said you needed to eat, so I made that happen.
EMILY
Yes, by sitting me at a bar where you practically forced me to engage in inappropriate behavior.
LORELAI
What?
EMILY
You let me get sixty-fortied!
LORELAI
You are crazy! Do you know that? We were having dinner, Mom, a nice dinner. We were talking. Hell, we were having fun.
EMILY
Oh, so watching your mother make an ass of herself was fun for you?
LORELAI
God, you know, you don’t have any right to complain about this relationship if you’re not willing to let your guard down once in awhile and just be normal.
EMILY
There’s a way for a mother to behave in front of her daughter. I’m sorry if you don’t like it, but that’s how it is.
CUT TO BIRCH GROVE SPA
[Lorelai is in her room, packing. There’s a knock on the door.]
LORELAI
Come in.
EMILY
I called the bellman to get the bags. He said it would be around ten minutes.
LORELAI
Okay.
EMILY
Thank you for agreeing to leave early.
LORELAI
No problem.
EMILY
I guess this whole thing was a silly idea anyway. I don’t know why I pushed it. We can’t even get through a dinner without a fight. What was I thinking putting us together for a weekend?
LORELAI
It was a nice thought, Mom.
EMILY
Yes, well, I guess it’s the thought that counts, isn’t it?
LORELAI
You know, if you want, um, I can just bring our bags down. I mean, they’re not that heavy, and then we don’t have to wait.
EMILY
Well, that sounds fine. Why can’t we have what you and Rory have?
LORELAI
Rory and I are different mom.
EMILY
We’re mother and daughter, you’re mother and daughter. It shouldn’t be that different.
LORELAI
It’s completely different. It couldn’t be more different.
EMILY
But why?
LORELAI
I grew up in a different environment.
EMILY
You mean an oppressive environment.
LORELAI
No, Mom, I mean a different environment. And plus, I was so young when I had Rory.
EMILY
So because I waited until I was grown and married, I can’t have a relationship with my daughter?
LORELAI
No.
EMILY
Well, then, why?
LORELAI
Rory and I are best friends, Mom. We are best friends first and mother and daughter second, and you and I are mother and daughter always.
EMILY
I wasn’t taught to be best friends with my daughter.
LORELAI
I know.
EMILY
I was taught to be a role model for my daughter.
LORELAI
I know that, too.
EMILY
I did what I thought was right. I did what I thought I had to do to protect you, and because of this we have no relationship.
LORELAI
Oh, Mom, we have a relationship.
EMILY
We do? What? What is our relationship?
LORELAI
Well, we. . .
EMILY
Exactly.
LORELAI
Maybe an intense weekend together was not the best idea for us. Maybe we need to start with something simpler.
EMILY
Like what, a brisk walk around the block?
LORELAI
No, I hate exercise.
EMILY
Oh, well, as long as you find this amusing.
LORELAI
Mom, come on. There has to be something else. Something small.
EMILY
Like what? Where are you going? Lorelai, you just don’t walk out on a person. That’s rude. That’s a robe.
LORELAI
Yes, this is my robe. And I want you to go into your room and get your robe. And then, exactly at the same time, we are gonna shove these robes in our suitcases and we are gonna walk out that door and leave with them.
EMILY
That’s stealing.
LORELAI
Yes, it is.
EMILY
You want me to steal a robe? That’s how we’re going to bond?
LORELAI
Mom, you love this robe. You’ve talked about nothing else except this robe since we got here, so this robe will be symbolic of our trip together.
EMILY
But that’s crazy. As soon as they check the rooms, they’re going to know the robes are gone and then they’re going to charge our credit card.
LORELAI
Well, how do you know?
EMILY
Because that’s what the little tag on the hanger says.
LORELAI
Well, the little tag on the hanger could be right, or the little tag on the hanger could just be there trying to scare us away from trying. Either way, whether we get away with it or not, it’s something we did, you and I.
EMILY
You’re serious.
LORELAI
I am folding this robe up.
EMILY
Lorelai.
LORELAI
I am putting this robe in my bag.
EMILY
That’s lunacy.
LORELAI
I am zipping up the bag that contains the robe.
EMILY
I have a perfectly good robe at home.
LORELAI
Now the only question is, am I doing it alone?
EMILY
Did you ever steal a robe with Rory?
LORELAI
No, Rory would never steal. She’s far too moral for that. You, however, vicious trollop – what’s it gonna be?
EMILY
I should have my head examined.
LORELAI
We’ll make an appointment when we get back.
EMILY
You do know, in the course of one night, you’ve turned me into an adulterer and a thief.
LORELAI
I’ll have you working at the chicken ranch by the end of the month.
EMILY
I cannot believe I’m doing this.
CUT TO LUKE’S DINER
[Lorelai and Rory are sitting at a table.]
RORY
You actually got Grandma to steal a bathrobe?
LORELAI
Although I did catch her trying to return it while I was getting the car.
RORY
Still.
LORELAI
I know, life with my mother, one step forward, five thousand steps back. It’s kinda like the spastic polka.
KIRK
Excuse me, are you done?
LORELAI
No, uh, sorry, not yet.
KIRK
So, you’re gonna eat that half a piece of bacon that’s been sitting there for ten minutes?
LORELAI
Kirk.
KIRK
I mean, of course, you must be if you’re saying you’re not done because that’s the only thing left in front on you, unless you eat plates.
LORELAI
Go away.
KIRK
You are hogging the table.
LORELAI
You keep it up, I’m ordering seconds.
KIRK
Fine.
LORELAI
So, Paris looked a little green this morning.
RORY
Yeah, she had a sugar/carb hangover of monumental proportions.
LORELAI
People don’t realize it, but it takes years of training to be able to eat the way we do.
RORY
Don’t I know it.
LORELAI
So, what’s on the agenda for today?
RORY
Let’s see. Dean, Dean, and uh. . .oh, did I mention Dean?
LORELAI
Wow, he must’ve been crazy mad last night.
RORY
I’d say that was a fair assessment.
LORELAI
Okay, I gotta get to the inn.
RORY
Okay. Well, I’m probably gonna have dinner with Dean, so. . .
LORELAI
I’ll have the house to myself tonight. Life’s funny, isn’t it?
RORY
I simply cannot stop laughing. I’ll get the check.
LORELAI
Thanks hon.
RORY
[walks to the counter] Hey Luke.
LUKE
What, you find a nail in your food? I swear to God, Tom, you are dead! You hear me? Dead!
RORY
There’s nothing wrong with the food, Luke.
LUKE
Oh, sorry Tom.
RORY
I just wanted to thank you.
LUKE
Yeah, for what?
RORY
For the care package. It was really sweet of you.
LUKE
What care package?
JESS
Hey Luke, I think they hit the water line again.
LUKE
Oh, what? [walks away] Tom, you are dead! You hear me? Dead!
RORY
Huh, interesting.
JESS
Hey, you wanna pay?
RORY
I don’t think Luke knew anything about the food last night.
JESS
That’ll be twelve-fifty.
RORY
Which means you lied about why you came over.
JESS
I don’t have any quarters. I’m gonna have to give you nickels.
RORY
Now why would you lie about something like that?
JESS
Here’s your change. Come again soon.
RORY
You wanted to come over.
JESS
I have to get back to work.
RORY
You’re squirming. I’ve never seen you squirm. It’s entertaining.
JESS
Oh yeah?
RORY
Yeah.
CUT TO OUTSIDE
[Lorelai walks out of the diner. Dean is standing out front.]
LORELAI
Dean, hey.
DEAN
Hey.
LORELAI
Rory’s just inside paying. She’s coming out to meet you after.
DEAN
Yeah, we’re gonna spend the day together.
LORELAI
That’s great.
DEAN
Yeah, it is.
LORELAI
So, listen, Rory told me everything that happened last night. She feels just terrible about it.
DEAN
I know.
LORELAI
Good, you should. It’s just one of those freaky unfortunate things that happens.
DEAN
Freaky and unfortunate, yeah.
LORELAI
She had nothing to do with Jess coming over. Believe me, she did not want him there.
DEAN
That’s what she told me. And Rory wouldn’t lie, right?
LORELAI
No, Rory wouldn’t lie.
THE END