T2E17: “Dead Uncles and Vegetables”
Título em Português: “Tios e Legumes”
Roteiro: Daniel Palladino
Direção: Jamie Babbit
Originalmente exibido em: 16 de abril de 2002
OPEN AT LORELAI’S HOUSE
[The phone is ringing. Lorelai rushes down the steps to answer it, but the machine picks up before she can get it.]
LORELAI
[on answering machine] Hey, we’re not in, so – ah, bashed my thumb! Leave a message.
EMILY
I am so tired of this ridiculous machine. I get it every time I call. . .
LORELAI
Oh, that was close.
EMILY
You are Rory are always out. What is it that you do? Is your house that awful you can’t be in it? It’s too much excitement, if you ask me. . .
LORELAI
Well, what isn’t in Emily’s rules of conduct?
EMILY
I don’t want to talk to a machine, I’ll just call you later. [hangs up]
LORELAI
If you had your way, Mother, you’d lock us up like veal. That’s what she wants, veal children.
[phone rings again]
LORELAI
[on answering machine] Hey, we’re not in, so – ah, bashed my thumb! Leave a message.
EMILY
It’s me again. Listen. . .
LORELAI
You’re talking into the machine.
EMILY
Don’t forget that my DAR meeting is on Tuesday. Please. . .
LORELAI
It’s burned into my brain. It’s there forever.
EMILY
. . . it’s at three o’clock and all the women are all extremely punctual.
LORELAI
When I’m senile and ga-ga and drooling into a cup, and yet I can’t remember my name, I’ll still remember that your DAR meeting is that Tuesday.
EMILY
. . . this Tuesday. I’ll talk to you about some other things later. [hangs up]
LORELAI
I’m gonna have to be de-programmed by cult de-programmers to get that Tuesday out of my brain.
[phone rings again]
LORELAI
[on answering machine] Hey, we’re not in, so – ah, bashed my thumb! Leave a message.
EMILY
Your phone message is annoying. . .
LORELAI
Unbelievable.
EMILY
Do you know how annoying it is?
LORELAI
I think I have a standard against which to measure it.
EMILY
. . .to it yourself. Have you heard it lately?
LORELAI
I can’t because I’m amputating my ears.
EMILY
. . .and that thumb bashing thing, is that a joke? Why is it that your jokes are always. . .
LORELAI
Ah, an earless world, what a dream!
[opening credits]
CUT TO INDEPENDENCE INN
[In the dining room, Emily is sitting at a table tasting soups as Lorelai and Sookie stand by watching.]
LORELAI
Haven’t you already tasted that one, Mom?
EMILY
Mm.
LORELAI
Twice, you’ve tasted that soup twice.
EMILY
You’re keeping a running count?
LORELAI
I’m morbidly fascinated.
EMILY
Well, Lorelai, when you’re tasting anything, the first taste acclimates the palate, the second establishes the foundation, and the third is to make your decision.
LORELAI
Oh, there’s going to be a third taste.
EMILY
Isn’t that what this is for – to taste the soups?
LORELAI
Taste them, yes, not to orally deduce their chemical structures.
EMILY
Everything has to be at your pace.
LORELAI
Or at a pace that can’t be measured by the number of times the earth circles the sun.
SOOKIE
You know, actually, I’ve heard that.
LORELAI
What?
SOOKIE
One is to acclimate, two is for foundation, and three to judge.
LORELAI
Traitor.
EMILY
The women in my DAR group are very picky. My God, when the pate at the meeting Heddy Cubbington organized was slightly less chilled than appropriate, she was ostracized for a month.
LORELAI
Well, that hussy Heddy had it coming.
EMILY
Lorelai.
LORELAI
[to employee] Oh, gosh, they’re on time for once, good. Hey, do me a favor and, uh, tell Michel that on Wednesday. . .
EMILY
Lorelai, please.
LORELAI
Thanks. Um, Mom, I got a lot of other things happening here that can’t come to a grinding halt for this.
EMILY
So your full attention for a short period is too much to ask for?
LORELAI
Mom, I’m already giving you more attention than I would someone in these circumstances. No one else would get eight separate soups to taste for a lousy DAR. . .sorry, a not lousy DAR meeting. We only do this for weddings.
EMILY
Well, would you like me to pay for the tasting?
LORELAI
No, Mom, just decide in this calendar year.
SOOKIE
Hey, can I. . .I’m sorry. The mushroom is a great choice. It’s super popular, and it’s my Jackson’s favorite.
EMILY
Whose?
SOOKIE
Jackson, my fiancé.
EMILY
Oh, you’re getting married?
SOOKIE
To the best man in the world.
LORELAI
Oh hey, while we’re on the subject, um, bridesmaids outfits?
SOOKIE
Ooh, I’m way ahead of you. I’ve already got a couple of ideas.
LORELAI
Is one of them having me design and make them so I don’t secretly hate what you pick and then harbor a secret grudge against you for the rest of our lives?
SOOKIE
It is now.
LORELAI
I’ll do it!
SOOKIE
We’re a good team.
MICHEL
That fellow’s on the phone from the restaurant.
LORELAI
Who?
MICHEL
The flannel man with the protruding ankles.
LORELAI
Oh, Luke?
MICHEL
I forgot his name from the desk to here, that’s how memorable he is.
LORELAI
Okay, thank you.
EMILY
Where are you going?
LORELAI
Oh, to talk to Luke.
EMILY
Can’t you call him back?
LORELAI
Have your third taste, Mom. [leaves]
EMILY
Lorelai! Is she always this scattered?
SOOKIE
She’s the stablest person I know.
EMILY
That’s very sad. Well, I think you’re right, mushroom.
SOOKIE
Great.
EMILY
So, tell me more about your wedding.
SOOKIE
Oh, I’ve just started planning so there’s not that much to tell.
EMILY
Well, have you decided on anything yet? The location or the music for the ceremony, maybe?
SOOKIE
Oh, we’ll probably just, you know, wind up playing something off a CD.
EMILY
Oh.
SOOKIE
What?
EMILY
Well, CD’s can be very unreliable. They break sometimes, or they skip, or the person assigned to turn them on and off gets distracted and the whole ceremony is ruined.
SOOKIE
I hadn’t thought of that.
EMILY
Have you thought about live music?
SOOKIE
Well. . .
EMILY
A nice string ensemble.
SOOKIE
Ooh, that sounds nice.
EMILY
There are a couple of wonderful groups I could recommend.
SOOKIE
Sure. I mean, I guess it doesn’t hurt to check ‘em out.
EMILY
No, it doesn’t. Mushroom soup.
SOOKIE
String quartet.
CUT TO FRONT DESK
[Lorelai walks over and picks up the phone]
LORELAI
Luke?
LUKE
Yeah, hi.
LORELAI
Hello.
LUKE
How’s it going?
LORELAI
Pretty good, pretty good. How’s things with you?
LUKE
Oh, not bad. Dropped some eggs.
LORELAI
Bummer.
LUKE
Hazard of the business. Am I catching you at a bad time?
LORELAI
Oh, no, it’s kind of slow here. So slow, in fact, that Michel and I were about to get the tetherball out.
LUKE
That’s the thing with a ball tethered to a rope?
LORELAI
Hey, I never knew that’s where the tether comes from.
LUKE
Yeah, it’s tethered. It’s tied, like an anchor is tethered to a rope on a boat.
LORELAI
Neat, neat.
LUKE
Yeah, most people probably don’t put that together.
LORELAI
Probably not.
LUKE
Yeah.
LORELAI
So, anything else?
LUKE
Uh, yeah, actually – if I needed a room or two for a couple of days, would that be possible?
LORELAI
You need rooms?
LUKE
Like nine.
LORELAI
You need nine rooms?
LUKE
Just for a couple of days, Wednesday and Thursday.
LORELAI
Uh, well, I can take care of that. What’s it for?
LUKE
Uh, just got some family coming in.
LORELAI
Reunion? ‘Cause we can get the tetherball out.
LUKE
Nah, funeral.
LORELAI
What?
LUKE
Yeah, my Uncle Louie died last night and I’m arranging the funeral for him.
LORELAI
Oh, Luke, I’m so sorry. Here I was babbling about tetherball.
LUKE
And you weren’t babbling.
LORELAI
Well, you’ve got nine rooms, Wednesday and Thursday.
LUKE
You sure?
LORELAI
It’s a done deal.
LUKE
Thanks.
LORELAI
Luke, I’m so, so sorry.
LUKE
It’s okay. It sounds like he went peaceful. He was eighty-five.
LORELAI
But it’s always hard. Um, are you okay?
LUKE
Yeah, I’m okay.
LORELAI
Can I help you with anything else?
LUKE
No, the rooms are help enough.
LORELAI
Are you sure, ‘cause I’m dealing with my mom now and I’d be happy to rush over and help with whatever. You’d be doing me a favor.
LUKE
The rooms are all I need, thanks.
LORELAI
You’re welcome.
LUKE
Well, I gotta go.
LORELAI
Call if you need anything.
LUKE
I will. By the way, that French guy’s a putz.
LORELAI
Oh yeah, he knows.
LUKE
All right, see ya.
LORELAI
Bye.
CUT TO SIDEWALK
[Lorelai and Rory are walking down the street towards the diner]
RORY
It’s so sad.
LORELAI
I know.
RORY
Was Luke, like, shaken over his uncle dying?
LORELAI
I don’t know. He’s so unflappable. It’s hard to tell.
RORY
The man definitely can’t be flapped.
CUT TO INSIDE LUKE’S DINER
[Lorelai and Rory walk through the door. Luke is on the phone while several customers try to get his attention.]
WOMAN
Can I get another cup of coffee?
LUKE
In a minute.
SY
Hey, is that my food?
MAN
More coffee here, too, please.
LUKE
In a minute.
SY
Is that my food?
KIRK
More coffee for me, too.
LUKE
Shut up, Kirk.
SY
Is that my food?
LUKE
Yes, Sy, that’s your food.
SY
Well, can I have it?
LUKE
I’m doing all I can here, folks.
KIRK
I asked nicely.
MAN
Hey, hey, watch the cord!
LUKE
Try ducking.
KIRK
You should update to a cordless.
LORELAI
Hey, whatcha doing? Watch, watch it.
LUKE
Ah, buh buh buh. . .thanks, thanks, I’m on the phone.
LORELAI
We noticed.
LUKE
Yeah, I can’t serve and be on the phone.
RORY
We noticed that, too.
LORELAI
But your reenactment of Jerry Lewis in The Diner Guy is gonna wow the critics.
RORY
Where should the poached eggs go?
LUKE
Crank in the hat.
SY
Hey, I’m not a crank! You’re a crank, crank!
RORY
He is a crank.
LORELAI
And the French toast?
LUKE
Lady with the giant purse. Ah, yup.
MAN
This is not good.
LORELAI
Hey, fall back cowboy.
LUKE
Yo, whoa, whoa, whoa – what are you doing?
LORELAI
Come here. Just stay on the phone and give me these. Where do they go?
LUKE
Table by the window.
LORELAI
Don’t you number your tables?
LUKE
No.
LORELAI
You should number your tables.
LUKE
What good would that do? If I said a number, you wouldn’t know what table was what number.
LORELAI
But all restaurants number their table. You should number your tables.
LUKE
Table five, they go to table five.
LORELAI
Cool. Which one is that?
LUKE
Table by the window.
LORELAI
By the window, Elma.
RORY
Got it, Gertie.
KIRK
Hello? How 'bout that coffee?
LORELAI
I got it.
LUKE
Thanks.
KIRK
But, but – mine's a quarter caf.
LORELAI
Huh?
KIRK
Three-fourths decaf, one-fourth caffeinated.
LORELAI
I four-fourths don't care.
KIRK
Fill it up.
LUKE
Sorry about this.
LORELAI
It's okay.
LUKE
Sometimes you get the world’s full of people who micromanage their lives to the point where they can't wait an extra second for anything.
LORELAI
We're running out of coffee.
LUKE
I'll make some more.
LORELAI
No, I got it.
LUKE
Do you know how?
LORELAI
Do I . . . ugh. . .I am Cathy Coffee, mister, the bastard offspring of Mrs. Folger and Juan Valdez.
RORY
Hey Luke, where's Jess?
LUKE
I don't know.
RORY
School?
LUKE
Please. He’s probably upstairs.
RORY
Really? Excuse me.
LUKE
It's too strong.
LORELAI
No, it's not.
LUKE
No, it's too strong.
LORELAI
You're on the phone.
LUKE
Not everybody likes it that strong.
LORELAI
Well, then I shall convert them. I am the Jehovah's coffee girl.
CUT TO UPSTAIRS
[Rory knocks on Luke’s apartment door]
RORY
Jess, open up! I know you're in there.
JESS
My, aren't we bright eyed and bushy tailed.
RORY
Luke needs you downstairs.
JESS
Why?
RORY
Because he's on the phone with someone and Caesar's off today and the place is packed and he needs help.
JESS
I'll be down in a minute.
RORY
No, now.
JESS
I'm in the middle of something.
RORY
Just assume that Jeannie’s gonna get Major Healey out of whatever scrape he's in.
JESS
Gee, thanks for spoiling it for me.
CUT TO THE DINER
KIRK
I need some more Equal.
LORELAI
There’s one right there.
KIRK
I need seven
LORELAI
Seven? You’re not squirreling these away in your pocket for home use, are you, Kirk?
KIRK
No, I use seven in my coffee.
LORELAI
Okay, good, then allow me. [pours seven Equals into his cup] There you go. Go ahead and give that a taste, see if it’s to your liking.
KIRK
Okay. [takes sip] Perfection.
LORELAI
Good.
[Jess stumbles into the diner, followed by Rory]
LORELAI
Well, you’re very graceful.
JESS
She pushed me.
RORY
Sue me.
JESS
I could’ve broken my neck.
RORY
As long as it’s not your arm. We need your arm.
JESS
Despot.
LUKE
Took me twenty minutes to get pass this place’s stupid busy signal, then they put me on hold forever.
LORELAI
Who’s keeping you on hold?
LUKE
That mortuary in Florida where my uncle’s at.
LORELAI
Florida? I thought he was in the area.
LUKE
No no, he spent most of his life here but retired to Orlando, so I gotta ship the body back here.
LORELAI
Aw, he wanted to be buried in Stars Hollow?
LUKE
Nah, my dad wanted my uncle buried in Stars Hollow right next to him.
LORELAI
That’s nice.
LUKE
Well, they were really close, and Louie didn’t have any wife or kids to look out for things and before my dad died, he asked me if I’d look out for him.
LORELAI
For Louie?
LUKE
Yeah, he just wanted me to make sure he got a proper funeral. You know, respectful, dignified.
LORELAI
No horseshoe carnation wreaths, got it. Good man, that dad of yours.
LUKE
And since Louie’s a war veteran, the town Revolutionary War reenactors will attend the service, do the salute thing, you know. I mean, it makes me nauseous, but my dad wanted it. [on phone] Yeah, hi, I’m still here. . .Yes, the deceased is Louie Danes. . .Right. . .No, Hartford’s not too far, I can do that. Thanks. [hangs up] Great, that’s done. Uh, okay, I should probably go pick out a coffin before he gets here.
LORELAI
Great, go.
LUKE
I have to close up.
LORELAI
No, you don’t. You’re covered.
LUKE
You don’t have to do this.
LORELAI
We don’t mind. Go. It’ll give me a chance to number all the tables.
LUKE
Be my guest.
LORELAI
Also, are they arranged like this for any particular reason?
LUKE
Don’t change anything.
LORELAI
It’s totally not feng shui.
LUKE
Gertie.
LORELAI
Go.
CUT TO DOOSE’S MARKET
[A customer walks up to Taylor]
MRS. CASSINI
Excuse me, Taylor, where are your Brussels sprouts?
TAYLOR
My supplier was out of them this week, Mrs. Cassini. Maybe next week.
MRS. CASSINI
Oh, I wanted to make them tonight.
TAYLOR
Sorry.
MRS. CASSINI
Okay, I’ll just try across the street. Thank you.
TAYLOR
You’re welcome. Across the street? [goes outside] What is that?
MRS. CASSINI
It’s a farmer’s market. Isn’t it wonderful? It just opened this morning and. . .I see sprouts!
[Taylor walks over to the farmer’s market]
TAYLOR
Who’s the proprietor here?
PROPRIETOR
That would be me. What can I do for you?
TAYLOR
Wait a minute, I know you. You’re that long-haired freak that wanted to be town troubadour even though that weird brown-corduroy-jacket-wearing freak was already it.
PROPRIETOR
That’s right, good memory! How are ya? [hugs him]
TAYLOR
Let go of me!
PROPRIETOR
Don’t like to be touched, that’s cool. Got a little David and Lisa thing happening? Made a mental note, no problem. Can I help you find something?
TAYLOR
I just want to know what inspired you to open a produce stand right across the street from my market.
PROPRIETOR
Oh, is that your market?
TAYLOR
Yes, that’s my market.
PROPRIETOR
Well, it’s real nice, homey. Bought a box of tissues there – good stuff, good stuff.
MISS PATTY
Excuse me? Your parsley – is it priced per bunch or per pound?
PROPRIETOR
Per pound, beautiful.
MISS PATTY
Mmm, good deal.
TAYLOR
Patty!
MISS PATTY
Oh, hi Taylor, how are you?
TAYLOR
You mean not counting the knife sticking in my back?
MISS PATTY
Oh, sure honey, whatever.
TAYLOR
There must be some mistake – this just isn’t right.
PROPRIETOR
It’s all approved by the proper authorities. I followed the rules, it’s what my father taught me. Cop for twenty years, got shot in the butt. Good man – tips over sometimes when he sits – but good man.
MRS. CASSINI
Beautiful sprouts.
PROPRIETOR
For a beautiful lady.
MRS. CASSINI
Thank you.
TAYLOR
I feel sick.
PROPRIETOR
That’ll be four dollars. See ya, Mr. Doose.
TAYLOR
I wanna lie down.
CUT TO INDEPENDENCE INN
[Michel is at the front desk as Lorelai walks over]
MICHEL
Ah, Lorelai, good – tell me about the nine rooms set aside here. There’s no name anywhere that I can see, and no credit card to hold them. Mistake?
LORELAI
No, it’s for Luke.
MICHEL
For who?
LORELAI
Luke from Luke’s Diner.
MICHEL
Nine rooms for Luke from Luke’s Diner?
LORELAI
That’s right.
MICHEL
French fry convention?
LORELAI
No, just personal.
MICHEL
Milkshake symposium?
LORELAI
No Michel, it’s something personal and I’m vouching for him.
MICHEL
Soda pop seminar?
LORELAI
Stop!
MICHEL
Pickle party?
LORELAI
He’s got nine rooms, now stifle.
[Lorelai walks away as Emily enters the inn]
LORELAI
Oh, Mom, hi there.
EMILY
Lorelai, hello.
LORELAI
I’m sorry, did we get our signals crossed? I don’t remember making an appointment with you.
EMILY
We have to make appointments to see each other?
LORELAI
No, but – good one.
EMILY
I’m not here to see you.
LORELAI
Oh, this isn’t about the DAR meeting?
EMILY
No, that’s all ready to go. I’m here to meet with Sookie.
LORELAI
Sookie?
EMILY
I’m a little late, traffic was awful. Excuse me, would you?
CUT TO DINING ROOM
[The tables are set with fancy place settings and flowers.]
LORELAI
Oh my God.
SOOKIE
Aren’t they beautiful?
LORELAI
Gorgeous. What are they for?
SOOKIE
My wedding.
LORELAI
Your wedding?
SOOKIE
Emily, hi!
EMILY
Well, is this everything I said it was?
SOOKIE
And more.
LORELAI
What do you mean they’re for your wedding?
SOOKIE
Oh, it’s this company’s sample place setting. Emily set me up with them. They did Celine Dion’s wedding, and Steven Spielberg’s daughter’s Jack Russell Terrier’s Bark Mitzvah.
LORELAI
You’re putting me on.
SOOKIE
I couldn’t make that up.
EMILY
Excuse me, this one’s slightly asymmetrical. Fix these.
LORELAI
Hey, um, what is with the fancy place settings? I thought you were just gonna keep it simple.
SOOKIE
It is simple.
LORELAI
It lights up.
SOOKIE
Just flip a switch, simple.
LORELAI
Tell me how my mother got so involved in all of this.
SOOKIE
She’s not that involved. She just mentioned the other day when she was here that she knew some people that could make some samples of stuff for us, like table settings and flower arrangements.
LORELAI
But we were gonna do the flowers ourselves.
SOOKIE
I know, but what a hassle that would be.
LORELAI
It’s to save money – flowers cost a fortune.
SOOKIE
Yeah, but, the sampling of – what they’re doing today – it’s free. I’m not committed to any of this.
LORELAI
I hope not.
SOOKIE
It’s true – I say no, it all goes away. Not a penny is spent.
LORELAI
Okay.
SOOKIE
And it’s fun.
LORELAI
I don’t wanna take away your fun, I just want you to be careful. See, you’ve entered Emilyland.
SOOKIE
Emilyland?
LORELAI
It’s an upside down world where the Horchow House is considered low-rent and diamonds less than twenty-four carats are Cracker Jack trinkets and Bentleys are for losers who can’t afford a Rolls.
SOOKIE
But I’m okay, really.
LORELAI
All right. I have to help Luke with the lunch rush today, so I gotta go.
SOOKIE
Go, we’re fine.
LORELAI
Okay. Bye Mom.
EMILY
[picks up a glass] Is that a fingerprint? My God, that’s a fingerprint! Who touched this? Let me see your hands!
CUT TO LUKE’S DINER
[Taylor is sitting at a table mumbling to himself as Rory walks by]
TAYLOR
Turnips, turnips, turnips. . .
RORY
What?
TAYLOR
Huh?
RORY
What about turnips?
TAYLOR
Why did you say turnips?
RORY
Because you said turnips.
TAYLOR
No, I didn’t.
RORY
I think you did.
TAYLOR
Nope.
RORY
Okay.
TAYLOR
But I’ve got turnips – good ones, too. They’re not as big as that crinite freak’s turnips, but who needs bloated turnips? Mine are unassuming. I have nice, humble turnips.
RORY
Okie dokie. [walks to the counter] Taylor’s wigging.
LORELAI
I know. He’s been sitting there like the final days of Dick Nixon for almost an hour.
RORY
Keep an eye on him.
[a customer walks in and sits at the counter]
LORELAI
Hello there, how’s it going?
CUSTOMER
Very good, young lady. You’re still serving breakfast?
LORELAI
We serve it all day. What’ll you have?
CUSTOMER
Two eggs up on toast.
LORELAI
Up, huh?
CUSTOMER
Yup.
LORELAI
Wouldn’t you rather have ‘em scrambled?
CUSTOMER
Nope, up’s how I like ‘em.
LORELAI
Come on, scrambled’s better. Give it a shot. Say you want two scrambled eggs on toast, please?
CUSTOMER
Okay, young lady, two scrambled eggs on toast.
LORELAI
Adam and Eve on a raft and wreck ‘em! That’s real live diner talk, see? The wreck ‘em is the scrambled part.
CUSTOMER
I deduced that.
TAYLOR
I don’t believe it, I don’t believe it!
LORELAI
What’s the matter?
TAYLOR
That’s Babette with an armload of rutabagas, and there’s Miss Patty again – since when does she eat so much fruit?
[Kirk enters the diner]
LORELAI
Hey Kirk.
KIRK
Hello. Where’s Luke?
LORELAI
Oh, he’s busy with some stuff so Rory and I are helping out. What can I get you?
KIRK
I don’t know. I want lunch, but I’m not sure what to get.
LORELAI
I have a suggestion. How about a hamburger with some strawberry ice cream with chocolate sauce for dessert?
KIRK
Sounds good.
LORELAI
Yo, burn one, then pass me a pink stick and throw some mud on it! God, I love this business.
[The proprietor of the farmer’s market enters the diner]
PROPRIETOR
Boy, it’s freezing out there.
LORELAI
Yes, it’s quite a cold snap. How ‘bout a hot blonde with sand?
PROPRIETOR
Coffee with cream and sugar would be great, thanks. Make sure its’ foot’s out the door.
LORELAI
Put it in a cup to go, got it.
PROPRIETOR
This icy weather hasn’t kept customers away, though. They just keep coming. A lot of vegetable soup being eaten tonight, yesiree. Hope I don’t put the good people at Campbell’s out of business. Oh, hey Taylor. Didn’t notice you there.
TAYLOR
Hello.
PROPRIETOR
Taking a little break? I don’t see how if you’re anywhere near as busy as I am. Keep waiting for a lull, I never get one. I say to the people, ‘hey, I’ll be back in a jif’ and they’re – look at ‘em – they’re lining up out there already.
TAYLOR
Well, FYI, Van Halen hair, I’m plenty busy, but a good well-groomed businessman with properly prepared staff can take a break now and then.
KIRK
It probably helped that your store was completely dead, too.
TAYLOR
It was not dead.
KIRK
I thought it was closed when I walked by, but then I saw Gabby sitting at the cash register reading a tabloid.
TAYLOR
Shut up, Kirk.
KIRK
Tapping on the counter with one of those little astrological scrolls.
TAYLOR
Enough.
LORELAI
Here you go.
PROPRIETOR
Gracias. Oh boy, it’s a mob scene. [leaves]
CUT TO UPSTAIRS
[Lorelai knocks on Luke’s apartment door]
LORELAI
Luke, it’s me.
[Luke opens the door]
LORELAI
Hey. I brought you a wimpy with a rose pinned on it.
LUKE
A what?
LORELAI
Turkey burger with onions.
LUKE
Oh, thanks. Come on in.
LORELAI
How’s the money pit coming?
LUKE
Oh, just uh. . .that’s it.
LORELAI
What’s the matter?
LUKE
Nothing. None of them are coming – not a one.
LORELAI
Who?
LUKE
My relatives – the ones I booked all the rooms for – not one is coming to Louie’s funeral.
LORELAI
You’re kidding – why?
LUKE
I don’t know, which lame-o excuse do you wanna hear first? A bunch of ‘em claimed they can’t get outta work.
LORELAI
It’s not so lame-o.
LUKE
Randy and Barbara don’t wanna miss their brat kid’s rugby semifinal.
LORELAI
Rugby has semifinals?
LUKE
My sister never even called back. My cousins Paul and Jim, who my dad helped put through college, said they were too exhausted from a fishing trip. And slightly disturbed cousin Franny said she can’t leave because her Petey’s sick.
LORELAI
Son?
LUKE
Parrot.
LORELAI
Petey the parrot?
LUKE
I saw the stupid thing once on a visit, flapping its wings like crazy, banging around, squawking the only two words it knows over and over – Petey and gorgeous. Gorgeous, Petey, gorgeous, Petey!
LORELAI
That’s disturbing.
LUKE
My family’s disturbing.
LORELAI
I’m so sorry.
LUKE
This is wrong, this is not how it’s done. A family member dies, you pay your respects – period.
LORELAI
Look at it this way – if they don’t wanna be there, you don’t want them there.
LUKE
My dad wanted ‘em to be there.
LORELAI
I know. But hey, Louie lived in Stars Hollow most of his life, so a lot of people from here will be there, right?
LUKE
Right.
LORELAI
I know it’s upsetting, but maybe it’s better this way.
LUKE
Yeah, I guess. I really hate that bird.
[Rory walks into the apartment]
RORY
Hey Mom?
LORELAI
What’s up, honey? You got a herd of bulls shopping for China?
LUKE
What?
LORELAI
Customers – how long have you owned a diner?
RORY
Sorry. Jackson’s outside, he wants to talk to you, he says it’s important.
LORELAI
About what?
RORY
I don’t know. He seems upset.
LORELAI
Ah. All right. You okay?
LUKE
Yeah, thanks.
LORELAI
You might wanna study up on that diner talk.
LUKE
I’ll do that tonight.
RORY
Hey Luke, where’s Jess?
LUKE
I don’t know, he’s probably out playing basketball or something.
RORY
That little punk.
CUT TO DINER
[Lorelai walks down from upstairs and stops at the counter to help a customer]
LORELAI
Oh, hey, uh, can I take your order?
CUSTOMER
Yes, uh, bacon, lettuce and tomato sandwich, no mayo.
LORELAI
Yo, uh, I need a piggy piggy with a green bla. . .uh, green bed, green blanket. . . BLT, no mayo! Rats.
CUT TO OUTSIDE
[Lorelai walks out of the diner over to Jackson]
LORELAI
Jackson?
JACKSON
I’m a miserable man.
LORELAI
What’s up?
JACKSON
Remember that sweet, simple, affordable little wedding Sookie and I agreed on with minimal disagreement – no disagreement, in fact – perhaps the first time in the history of wedding planning that a couple agreed one hundred percent on everything?
LORELAI
Yes.
JACKSON
Gone. Ancient history. It’s the Library of Alexandria, it’s the Colossus of Roads, it’s Pop Rocks, it’s over, and do you know why?
LORELAI
My mother?
JACKSON
Look! [points to Sookie and Emily near the gazebo]
LORELAI
What are they doing?
JACKSON
They’re measuring the town.
LORELAI
They’re what?
JACKSON
They’re measuring the entire town with tape measures.
LORELAI
Oh my God.
JACKSON
Your mother got hers at Neiman Marcus. It’s platinum with gold leaf – it costs more than my car!
LORELAI
I am so sorry.
JACKSON
Look, I love Sookie and I want her to have what she wants, but . . . you see what they’re doing now?
LORELAI
Yeah.
JACKSON
According to their diagrams, that’s where the sixteen-piece orchestra goes.
LORELAI
How are they gonna fit a sixteen-piece orchestra in the gazebo?
JACKSON
Oh, they wanna move the gazebo.
LORELAI
What?
JACKSON
A gazebo that’s been there for a hundred years and they wanna move it. Who moves a gazebo? What kind of twisted mind even thinks about moving a gazebo?
LORELAI
Okay, I’ll take care of this.
JACKSON
She’s so excited.
LORELAI
She’s brainwashed. She’s Patricia Hearst and my mother is the SLA.
JACKSON
I just hope it’s not too late.
LORELAI
I hope so, too.
[Rory walks by, pulling Jess behind her]
JESS
Watch the shirt!
RORY
Cork it!
CUT TO THE DANCE STUDIO
[Taylor is at the podium leading a town meeting]
MISS PATTY
Well, it seems the right thing to do, Taylor.
TAYLOR
I concur. When one gazes at Stars Hollow, one can easily overlook a vital component of its beauty and that’s the humble yet spunky twinkle light.
JESS
Holy cow.
LUKE
It doesn’t get fruitier.
TAYLOR
Harry’s House of Twinkle Lights has been an integral part of this time for twenty years, so it’s only right that we honor his retirement. So I hereby designate next Tuesday, Harry the Twinkle Light Man from Harry’s House of Twinkle Lights Day.
JESS
Well, that just trips off the tongue.
[Lorelai and Rory walk in]
TAYLOR
Late again, are we?
LORELAI
Yes, I hope I’m not pregnant!
TAYLOR
What?
LORELAI
Are these seats taken?
LUKE
Don’t drag me into this.
TAYLOR
You really have to work on your punctuality, Lorelai. I banged the meeting in a half an hour ago.
LORELAI
Uh, dirty!
TAYLOR
I’m gonna take advantage of this unexpected pause in our proceedings to confer with Miss Patty about the next item on our agenda.
LORELAI
What’d we miss?
LUKE
Harry’s retiring.
RORY
The twinkle light man?
LORELAI
What do we do for twinkle lights?
LUKE
Go to any discount store?
LORELAI
Blasphemy.
RORY
What are you doing here anyhow? This is a town meeting for people who participate in and care about the town.
JESS
Well, Corky’s Country Cavalcade on public access was pre-empted, so I thought I’d check out the next best thing.
LORELAI
I’m surprised you have time to be here.
LUKE
I don’t, but I haven’t been able to get any of the war reenactors on the phone and I have to confirm them for Louie’s funeral.
TAYLOR
All right now, the last order of business is a matter relating personally to me, therefore I'm going to give Miss Patty my gavel.
LORELAI
Again, dirty!
TAYLOR
Stop that. Now don’t go power mad.
MISS PATTY
Oh, all right, gee. Now the chair recognizes Taylor Doose. Taylor, you have the floor.
TAYLOR
Thank you, Patty. My issue, ladies and gentlemen, is in the form of a grievance against this hirsute hippie who opened a produce stand in the park.
BABETTE
Oh yeah, killer veggies.
SY
Tasty.
MISS PATTY
The squash is beautiful.
BABETTE
Sexy – it’s sexy squash.
TAYLOR
Sexy or not, I demand that this man produce his permit post haste.
PROPRIETOR
Got it right here.
TAYLOR
Mm hmm, just what I thought. This is not the proper permit for this kind of business. This is a type twenty-four B, otherwise known as a cart, kiosk, cart, kiosk permit. This is not valid for your business.
PROPRIETOR
Why’d you say it twice?
TAYLOR
Hmm?
BABETTE
You said cart, kiosk, cart, kiosk.
LORELAI
It’s repetitive.
RORY
And redundant.
LORELAI
It’s repetitive.
RORY
And redundant.
LORELAI
We certainly are entertaining, Mac.
RORY
Indubitably, Tosh.
TAYLOR
It’s not redundant. It’s three separate things. It’s a cart, a kiosk, and a mechanical hybrid referred to as a cart-slash-kiosk, hence cart, kiosk, cart/kiosk.
BABETTE
He did it again.
KIRK
He’s been stressed lately. His store is deserted.
TAYLOR
I’ll make it simple. This is for businesses that roll in in the morning and roll out at night. Emphasis on the word roll – rolling businesses, businesses that roll.
PROPRIETOR
But I carry my tables out at night.
TAYLOR
But you’re supposed to roll them, Rapunzel, and carrying isn’t rolling, is it? I mean, did anyone hear the word rolling come out of his mouth? Check the transcript, I think you’ll find one word missing – rolling!
MISS PATTY
Transcript?
LORELAI
Yeah, Taylor, this isn’t Charlie Rose.
BABETTE
He’s losing his marbles.
ANDREW
It’s just a personal vendetta.
KIRK
His store is deserted.
MISS PATTY
I think that we should end the meeting right here, Taylor.
TAYLOR
Wait a second, wait a second! You there, when Lady Godiva here wanted to be town troubadour over you, I stood by your side. Why aren’t you backing me now?
TROUBADOUR
‘Cause you left me twistin’ for a long time before you did, Taylor, and it didn’t feel good. I even wrote a song about the experience.
LORELAI
Oh, I heard it. It’s called "Taylor Left Me Twistin’."
RORY
Oh yeah, it’s really good.
TROUBADOUR
You think? Because I’m having a little trouble with the chorus. Taylor left me twistin’, he set my eyes a mistin’. I’m just not sure if it has that thing, though, you know?
LORELAI
Oh, no, I love that part. I actually thought that maybe at the end you could do more about the sweater. We’ll talk.
MISS PATTY
I’m gonna wrap this up.
TAYLOR
Now, Patty, how would you feel if this guy decided to open the long-haired freak school of dance or the long-haired freak diner, Luke? Or the long-haired freak bookstore? It’s not good, right?
MISS PATTY
All right, everybody who agrees that we would not feel good about that, say aye.
ALL
Aye!
MISS PATTY
Meeting adjourned, goodnight.
LORELAI
Another fun one!
LUKE
Taylor, hold on a sec!
RORY
[to Jess] Don’t you have some cleaning up to do over at the diner?
CUT TO OUTSIDE
[As people exit the meeting, Luke runs over to Taylor and the other reenactors]
LUKE
Guys, hold it, come on, you heard me calling you, stop!
TAYLOR
What is it, Luke?
LUKE
What do you mean, what is it? My Uncle Louie’s funeral is tomorrow afternoon and I haven’t heard from any of you. The man was a World War II veteran, that’s what you reenactor freaks do – you go to vet’s funerals, so you’re gonna be there, right? Hello?
TAYLOR
You said you were gonna talk to him, Sy.
SY
Bert said he was gonna do it.
BERT
It’s Taylor’s job.
SY
You always pass the buck.
LUKE
Talk to me about what, guys?
TAYLOR
You might as well know, Luke. We don’t wanna go to Louie’s funeral.
LUKE
What?
ANDREW
We all hated Louie.
LUKE
Oh, come on, that’s not true.
TAYLOR
He always had a scowl on his face, not a kind word for anybody. He would light those hideous cigars, blow smoke in people’s faces and then spit after each puff.
SY
He was disgusting.
ANDREW
And mean.
KIRK
He kicked my dog when I was a kid.
SY
He hit on my wife repeatedly.
KIRK
Toto was always different after that.
SY
My wife was much affected as well.
KIRK
I’d toss her something to fetch and she’d start to run after it and halfway there she’d forget what she was doing.
SY
She never enjoyed her soap operas the same after that.
KIRK
She’d just lie down and go to sleep.
LUKE
This is an exaggeration.
BERT
We’re not exaggerating. We threw a big party when he left town!
SY
I made love to my life that night like I never have.
KIRK
My Toto barked a happy bark, then quietly stopped breathing. She was old.
LUKE
I don’t believe this.
ANDREW
Come on, Luke. You knew the guy.
LUKE
This man was my uncle, okay, and a war veteran. He deserves a veteran’s funeral, but hey, if you guys are too lazy to show up, then. . .
TAYLOR
He’s the lazy one. Never once did he participate in a town function. In fact, when we reenactors gathered, he’d throw things at us.
SY
And not soft things, hard things.
BERT
Rocks, and small tools.
LUKE
Okay, I’ve heard enough.
SY
And he got meaner as he got older. Never married, never had kids.
BERT
A real loner.
LUKE
To hell with you guys, who needs you! I might just throw rocks and small tools at you myself next time I see ya!
TAYLOR
A defensive hothead, just like Louie!
BERT
They’re practically clones.
CUT TO INDEPENDENCE INN KITCHEN
[Sookie is sitting in front of a computer and Michel is looking over her shoulder as Lorelai walks in]
SOOKIE
Oh my God, this is so hi-tech.
LORELAI
Hey. What’s going on?
SOOKIE
I’m downloading wedding stuff from Prague.
LORELAI
Oh, you’re kidding.
SOOKIE
It’s streaming in right now. That’s Internet talk – streaming. Did you know that? And did you know it’s not called Czechoslovakia anymore? It’s just Czech Republic. Slovakia is its own separate thing. It’s weird, isn’t it? It’s like if we just suddenly started saying there’s no more Connecticut, it’s just Connec. . . Ticut.
LORELAI
Sookie, what are you downloading from Prague?
MICHEL
Oh, this will much amuse you.
SOOKIE
Color samples for the big ceramic stands.
LORELAI
Big ceramic stands for what?
SOOKIE
For the giant papier-mâché mushrooms.
LORELAI
What are the papier-mâché mushrooms for?
SOOKIE
For the midgets dressed like angels to dance under, silly.
LORELAI
Oh my God.
SOOKIE
Emily found the best papier-mâché mushroom maker in Paris. He’s much better than the guy that makes them in Belgium – what a hack.
LORELAI
Sookie, honey, I need you stop staring and streaming for one second. We need to talk.
MICHEL
Please, please do not talk her out of these things. I do not want to die without seeing midgets dancing with a mushroom.
LORELAI
Stay out of this.
MICHEL
Oh, you’re no fun.
SOOKIE
What is it honey?
LORELAI
The danger of Emilyworld is that you don’t always know you’re in it, when actually you are.
SOOKIE
Aw, not this Emilyworld stuff again
LORELAI
Sookie, have you run the numbers on any of this? What is this costing you?
SOOKIE
I don’t know the full cost but your mother is getting me fifty percent off everything. She is so connected.
LORELAI
Okay, but fifty percent off a load of money is still half a load of money. You don’t have half a load to spend.
SOOKIE
Well, if I scrimp I can afford a quarter load.
LORELAI
That’s still too much.
SOOKIE
Well, your mother said she’d chip in a little.
LORELAI
Sookie, that is way, way, way inappropriate.
SOOKIE
I didn’t take her up on it but it was nice.
LORELAI
Sookie, this isn’t you, the midgets and the mushrooms and God knows what else. And it isn’t Jackson either.
SOOKIE
What do you mean?
LORELAI
We talked.
SOOKIE
You and Jackson talked?
LORELAI
I’m sorry but he came to me all upset, and I love you Sookie and I love him too and it just seemed like it was time for me to meddle.
SOOKIE
He was upset?
LORELAI
He was pretty upset.
SOOKIE
Why didn’t he just talk to me?
LORELAI
Because he’s Jackson, he wants you to be happy and to give you everything you want. So what it comes down to is – is this what you want?
SOOKIE
Well, maybe the midgets are a little over the top. And the mushrooms. . . oh my God, it’s all sounding so silly now.
LORELAI
You’re coming out of it, keep going.
SOOKIE
No, no, it’s not what I want! We were supposed to keep this nice and simple. God, we had it all worked out.
LORELAI
So go back.
SOOKIE
I will go back. That is, if Jackson still wants to marry me.
LORELAI
Of course he still wants to marry you.
SOOKIE
I’m gonna call him and I’m gonna tell him it’s all changing back.
LORELAI
Good.
[Lorelai’s cell phone rings]
SOOKIE
Ooh, I should call and cancel some stuff first. I’ve gotta call Belgium and Oslo and, uh, oh, Copenhagen, Bora Bora.
LORELAI
What did you order from there?
SOOKIE
I’m gonna shield you from that one.
LORELAI
Thanks. [answers phone] Hello?. . .Luke!. . . Slow down, slow down. . . Okay, I’ll come right over. [hangs up] I gotta go. Call, call, and welcome back, friend.
SOOKIE
Thanks. Ooh, I’m gonna start with Hong Kong. I’m hoping those acrobats can get another gig.
CUT TO FUNERAL HOME
[Luke is waiting impatiently near a casket as Lorelai walks in]
LORELAI
There you are. What – .
LUKE
It won’t close.
LORELAI
What?
LUKE
The lid.
LORELAI
To what? [sees casket] Oh, hello. . . Louie.
LUKE
That’s Louie.
LORELAI
Nice tan. So, now, you say the lid won’t close?
LUKE
Yes, the lid won’t close.
LORELAI
Did you buy the right size?
LUKE
Of course I bought the right size.
FUNERAL DIRECTOR
It’s the model we recommend for those of medium height and weight.
LUKE
And he’s of medium height and weight.
LORELAI
So then why won’t it close?
LUKE
Because of the stuff.
LORELAI
What stuff?
LUKE
The stuff. He left a list of stuff he wanted buried with him.
FUNERAL DIRECTOR
It’s not uncommon.
LUKE
It’s a very long list. His fishing reel, bowling trophy, a flask, his antique dueling pistols, his copy of Sherman’s Memoirs.
LORELAI
So is all the stuff in there now?
LUKE
Yes, it is. I shoved it in the best I could but now it won’t close which defeats the entire purpose of having a damn casket in the first place.
LORELAI
May I?
LUKE
Give it a shot.
[Lorelai tries to push the lid close, but it pops back up]
LORELAI
Whoa!
LUKE
The football signed by Johnny Unitas gives it that bounce.
LORELAI
What if we moved the gas mask and the pith helmet down towards the feet?
LUKE
That end already has every baseball card he ever bought, thousands of them.
LORELAI
Oh, bungee cord! No. Um, what if we got some people from the office here, you know, accounting or whatever, to sit on the lid and then we could latch it? Do you have anybody you could spring. . .hm. I’m out of ideas.
LUKE
So am I. You know what, to hell with this. To hell with this!
LORELAI
Luke, now come on.
LUKE
I can’t deal with this anymore!
LORELAI
Well, it has to be dealt with.
LUKE
No, it doesn’t. It’s not as if he deserves my help or my respect.
LORELAI
The man was your uncle.
LUKE
He was a jerk!
LORELAI
Don’t say that.
LUKE
No, no, Taylor and the guys were right. I was cutting Louie slack out of respect for my dad, but the man was rotten and mean and selfish all his life. For God’s sake, he’s even selfish in death. Other people would’ve loved to have had those baseball cards. I would’ve loved to have those baseball cards. He’s got Lou Gehrig’s rookie card, Joe DiMaggio, Willie Mays, tons of others – but no! My uncle, King Tut, has to take all of them to the afterlife with him!
FUNERAL DIRECTOR
Sir, your voice.
LUKE
I’m done, I’ve had it. From now on, it’s just the bare minimum and that’s it. Dig a big hole and just dump the casket in unlatched. If stuff falls out, fine. Just pile on enough dirt and make sure nothing’s showing! [leaves]
LORELAI
I’m assuming that wouldn’t be appropriate either?
FUNERAL DIRECTOR
No.
LORELAI
I didn’t think so.
CUT TO LUKE’S DINER
[Jess is walking around the tables refilling coffee]
CUSTOMER
Young man, where’s the young lady we’ve heard so much about who’s using those delightful old diner phrases to place people’s orders? It sounds so fun. Could you point her out for us?
JESS
No. [walks to counter] That’s everyone. I’ll be upstairs.
RORY
Thanks for doing the very least you could possibly do.
JESS
You’re welcome.
[Luke enters the diner]
LORELAI
Luke, there you are. I was worried.
LUKE
Yeah, sorry, I should’ve called. Thanks for covering again. This’ll be the last time, I promise.
LORELAI
It’s okay. Where were you?
LUKE
Well, at first, I walked around a bunch, ya know, just trying to clear my head. Saw a lot of Hartford – and what a cesspool.
LORELAI
Well, you’re not a city man.
LUKE
Then I calmed down after awhile and I figured dumping Louie’s body in an open grave with all his stuff probably would be a little cold.
LORELAI
Just a tad.
LUKE
So I got a Yellow Pages and I found the Big and Tall Casket Shop in Hartford.
LORELAI
You’re kidding.
LUKE
Nope, I found a casket that would fit my hundred and sixty pound uncle and his hundred and forty pounds of stuff, got the lid to shut the first time we tried it, so the funeral’s on as scheduled.
LORELAI
Good.
LUKE
I still don’t know why I’m doing this.
LORELAI
You’re doing it for your dad.
LUKE
Yeah, I guess. Although he’s dead so he’d never know if I was doing it any different.
LORELAI
He knows. He’s got the big Luke picture screen on twenty four hours a day and he watches and smiles. And you’re doing it ‘cause you’re you.
LUKE
Hey, I’m gonna change real fast and you can retire from your diner career forever.
LORELAI
Oh no, it’s fun. I came up with some new diner phrases. Do you know what a Lucky Duck Cluck is?
LUKE
Not offhand.
LORELAI
It’s foie gras with chicken and green shamrock frosting.
LUKE
Why would anyone ever order that?
LORELAI
If they’re high. [sees Emily enter the diner] Ugh, good grief.
LUKE
What?
LORELAI
Bad vibe sandwich just came in, better retreat.
LUKE
I won’t be long. [goes upstairs]
LORELAI
Hi Mom.
EMILY
Since when do you work here?
LORELAI
I’m just lending a hand. What’s going on?
EMILY
I went by the inn to work with Sookie on her wedding.
LORELAI
Yeah?
EMILY
And she fired me.
LORELAI
I’m sure she didn’t fire you.
EMILY
She claims to have changed her mind on all the things we had planned.
LORELAI
Well, maybe she did.
EMILY
No, she didn’t. I know what’s behind this. That is, who’s behind this.
LORELAI
Mom, it was getting to be too much for her and too much for her fiancé.
EMILY
I knew it.
LORELAI
Mom, these are not wealthy people, do you understand that? They’re saving for a home and your midgets were dancing between them and their dreams.
EMILY
You say midgets like it’s so absurd.
LORELAI
Do you hear yourself?
EMILY
I don’t see what was so wrong with my just helping Sookie plan her wedding.
LORELAI
Mom, come on.
EMILY
What, come on?
LORELAI
You weren’t planning Sookie’s wedding.
EMILY
Well, then, whose wedding was I planning?
LORELAI
Mine.
EMILY
Don’t be ridiculous.
LORELAI
Mom, your vision for this wedding and all the over the top stuff and the gazillion dollar flowers and bunting and champagne fountain and the Haute Couture dress – who’s wearing that wedding dress in your mind’s eye, Mom? Is it Sookie or is it me?
EMILY
I wasn’t planning your wedding, Lorelai.
LORELAI
Right.
EMILY
The wedding I was planning was for Sookie. The mushrooms and colors, they all seemed like fun. A little crazy, just like she is. It definitely was not for you.
LORELAI
Okay Mom.
EMILY
I know that in a million years, you would never let me plan your wedding. I gave up on that dream a long time ago. Yours was going to be a Russian winter theme – the Romanovs.
LORELAI
Before the firing squad, I assume?
EMILY
Snow white roses, trees with white lights and candles, snow everywhere, you arriving in a silver sleigh with white horses.
LORELAI
Wow.
EMILY
You hate the idea.
LORELAI
No, no, I just – .
EMILY
You just hate it.
LORELAI
No, it just doesn’t seem like me.
EMILY
Yes, well, it would’ve been beautiful.
LORELAI
I’m sure it would’ve been.
EMILY
Anyhow, it’s obvious that wouldn’t even be appropriate anymore being as I’m probably standing in your reception hall.
LORELAI
Excuse me?
EMILY
Burgers and fries for the dinner? The bride walks down the aisle with a ketchup dispenser in her hand.
LORELAI
Please tell me what you’re talking about.
EMILY
I’m talking about Luke.
LORELAI
Luke? Mom!
EMILY
Well, it’s obvious, Lorelai.
LORELAI
No, it’s not, Mom.
EMILY
You’re with him constantly.
LORELAI
He feeds me.
EMILY
You bring up his name constantly.
LORELAI
Once again, he feeds me.
EMILY
The moment he calls, you run to his side.
LORELAI
He’s my friend, he needed me, I had to be there.
EMILY
Yes, I know you did.
[Luke comes down the stairs and walks over to them]
LUKE
Hi.
EMILY
Hello. I have to go. I’ll see you for dinner tonight, Lorelai. And Luke, I’m sure I’ll see you again soon. What do you think of the Romanovs?
LUKE
They probably had it coming.
EMILY
A match made in heaven.
CUT TO CEMETERY
[Lorelai and Luke are alone at the funeral]
REVEREND
We’re here, of course, to honor Louie, to pay our respects and to bid him a sorrowful goodbye.
LORELAI
Are you okay?
LUKE
Yeah. I’m not big on funerals in general.
LORELAI
Nobody is.
REVEREND
He passed away in his sleep, so the end came peacefully for Louie, which I’m sure is a great comfort to all who knew him.
LUKE
The passing away part was a great comfort for all who knew him.
REVEREND
I didn’t know him.
LUKE
Good thing.
REVEREND
But I understand he was a fine man, destined to be missed by many.
LUKE
Especially ones that were suing him.
LORELAI
Stop. Sorry father.
REVEREND
Reverend.
LORELAI
Right.
REVEREND
Now let us witness Louie Danes as he is interred and brought to the Lord.
LORELAI
It was a nice service. Nice and, um, intimate.
LUKE
I guess everybody deserves something at the end. Thanks for coming.
LORELAI
I wouldn’t have missed it.
LUKE
That ain’t me, is it?
LORELAI
What are you talking about?
LUKE
What Taylor said about me being like Louie, a loner, never being married and stuff. I mean, I am getting crankier as I get older, he’s not so far off.
LORELAI
You are not your uncle. I mean, would Louie ever build someone a chuppah, or help fix things around someone’s house without being asked, or make a special coffee cake with balloons for a girl’s sixteenth birthday?
LUKE
Rory told you about that?
LORELAI
Yes. And would Louie have taken in his sister’s kid without hesitating and without asking for anything in return?
LUKE
No one would’ve trusted Louie with their kid. He probably would’ve forgotten to feed him or something.
LORELAI
You get my point?
LUKE
Yeah, I get it. [he hears drumming] What’s that? [he sees one of the reenactors walking onto the cemetery] Is that Andrew?
LORELAI
I believe it is.
[the other reenactors arrive]
LUKE
That’s all of them.
[The reenactors start doing their salute]
LUKE
Thanks.
LORELAI
It’s what your dad wanted.
LUKE
Yeah. Oh, I know Louie would’ve hated this.
LORELAI
That’s just a fringe benefit.
CUT TO SIDEWALK
[Luke and Lorelai are walking toward the diner]
LORELAI
Do you think he’s in heaven?
LUKE
I hope so, just so my dad can kick his butt around the place.
LORELAI
Can you kick when you’re in heaven?
LUKE
It’s probably frowned upon.
LORELAI
Yeah, plus you’re all see-through and gauzy and your dad’s foot could go right through him.
LUKE
This is a silly conversation. What’s all this?
LORELAI
I have no idea.
CUT TO INSIDE LUKE’S DINER
[Luke and Lorelai walk into the diner, which is packed with people]
LORELAI
Hi.
LUKE
What’s going on?
RORY
It’s kind of like a wake.
LUKE
A wake?
LORELAI
For Louie?
RORY
I thought you set it up
LORELAI
I didn’t set it up.
RORY
Well, it’s going well, anyway. People brought a ton of food if you’re hungry.
LORELAI
Huh.
LUKE
This is unexpected.
LORELAI
Very.
LUKE
Don’t you have wakes for people you like?
LORELAI
I think it might be for you.
LUKE
Am I dead?
LORELAI
Face it, Luke, people like you.
LUKE
Shut up.
LORELAI
And with charm like that, how can they resist?
[The farmer’s market proprietor walks up to Taylor]
PROPRIETOR
Hey Taylor, cool threads. Very "One if By Land."
TAYLOR
Mm hmm.
PROPRIETOR
I see you’re digging into the vegetables.
TAYLOR
Thanks for the play by play.
PROPRIETOR
Brought those myself. Hey, how was the funeral?
TAYLOR
Shouldn’t you be tending to your little stand out there, friend?
PROPRIETOR
Oh, the stand’s gone.
TAYLOR
What?
PROPRIETOR
It’s gone, I’m all packed up, I’m outta here.
TAYLOR
I don’t get it.
PROPRIETOR
I just grow all that stuff in my back yard and as of yesterday, sold it all.
TAYLOR
You sold it all?
PROPRIETOR
Sold it all, made enough money to do some traveling. Have you ever been to Israel? Turbulent, I know, but I thought I’d go down and try to plant some peace down there, know what I mean? See if it grows and see if it spreads.
TAYLOR
Shut up. Why did you put me through all that hoohah at the town meeting if your vegetable business was just temporary?
PROPRIETOR
Actually, you put yourself through it, Taylor. You put yourself through it.
[Rory walks over to Jess]
RORY
Nice spread.
JESS
People have too much free time in this town.
RORY
You did a good thing.
JESS
What do you mean?
RORY
I thought my mom set this up. Turns out she didn’t.
JESS
So? Wasn’t me.
RORY
It wasn’t?
JESS
Nah, no way. It wasn’t me.
RORY
If you say so.
JESS
Look, the crazy ballet teacher called and asked when Luke was getting back from the funeral, if I could unlock the door. I came down, I unlocked the door, then went back upstairs and back to sleep.
RORY
So you did do a little something.
JESS
I unlocked the door.
RORY
So that people could come in here and put this together. Nice.
JESS
Nice for them, not for me.
RORY
You facilitated it, you made it happen, so I guess that means that you’re officially apart of our town now.
JESS
Hey, wait a minute.
RORY
Welcome.
JESS
I am not part of this town.
RORY
See you for some tree planting over at the Arbor Day Festival, buddy.
JESS
Yeah, well maybe I can knock over a liquor store while everyone else is planting those stupid trees.
RORY
As long as it’s a liquor store in town, neighbor.
[Rory walks over to a table where people are telling stories about Louie]
SY
So, like I say, it’s Halloween, right, and we’re lucky Louie doesn’t have razor wire around his yard, you know how he is. So finally one of the neighborhood kids, he gets all courageous and he goes sauntering up to the door and he goes ‘trick or treat!’ Louie finally throws the door open, looks at him and says, ‘Did you get a Reese’s cup tonight?’ And the kid looks in his bag and he says, ‘Yes sir, I did.’ So Louie grabs it, says ‘thank you very much!,’ then slams the door in his face.
LORELAI
I’m sorry I never met him.
LUKE
He was colorful.
KIRK
I never trick or treated again.
MISS PATTY
So one day I’m at the post office, I’m in line when Louie just about knocks me over and he cuts in line. I said, ‘Louie, there’s a line!’ So he says, ‘Kiss my butt!’ and I said, ‘You mind your manners!’ and he says, ‘Please kiss my butt!’ and drops his pants!
BABETTE
Oh, I got one, I got one. Louie was parked outside Al’s Pancake World, and I was trying to pull in the space behind him, when all of a sudden, he starts to back up, so I honk my horn and he – it was just a little honk, no big deal – but he . . .
THE END