T2E22: “I Can’t Get Started”
Título em Português: “Nem pra Saída”
Roteiro: Amy Sherman-Palladino e John Stephens
Direção: Amy Sherman-Palladino
Originalmente exibido em: 21 de maio de 2002
OPEN AT INDEPENDENCE INN
[Lorelai, Rory, Michel, and Sookie are sitting at a table in the dining room listening to music]
SOOKIE
Huh?
LORELAI
Sookie, you’ve gotta be kidding.
SOOKIE
What?
LORELAI
You cannot walk down the aisle to that.
SOOKIE
Why?
LORELAI
It’s depressing.
SOOKIE
It’s Ella.
LORELAI
It’s morbid.
SOOKIE
It’s a classic song.
LORELAI
A classic song with lyrics about a woman who can’t make her relationship work, whose life is filled with emptiness and regret and pain.
SOOKIE
Oh, who listens to the lyrics?
LORELAI
Anybody not hanging out with Annie Sullivan by the water pump.
RORY
What are these?
SOOKIE
Oh, those are some alternative songs, but I really like this one the best.
LORELAI
Alternative songs, good. Let’s see. Hey Jude.
SOOKIE
Paul wrote it for Julian to cheer him up.
LORELAI
Seasons in the Sun?
SOOKIE
Oh, a sentimental favorite.
LORELAI
Cat’s in the Cradle?
SOOKIE
Oh, it makes you re-examine your priorities.
LORELAI
Don’t Cry Out Loud? Sookie, do you even like Jackson?
MICHEL
Okay, I have a wonderful suggestion.
LORELAI
Great, let’s hear it.
MICHEL
Okay, here we go. How about I leave?
LORELAI
And then do what?
MICHEL
That’s it. I leave and I don’t have to listen to this insanity anymore. What do you think, huh? Because I love it.
LORELAI
Michel, I am in the wedding, which means you have to run the wedding all by yourself, something you’ve never done before.
MICHEL
Oh, please.
RORY
I’ll tell you what, Sookie. How about Lane and I come up with a few more suggestions for you? Still melodic, but not quite as Girl, Interrupted.
SOOKIE
All right, fine.
LORELAI
Great. Michel, how’s the RSVP list coming?
MICHEL
Well, I must say this has been especially challenging for me. I mean, when you are talking about a wedding with up to forty people all living within a five mile radius, how can one person be expected to keep track of all of that?
LORELAI
Just an answer will do.
MICHEL
I mean, it got a little hairy there for a moment – I almost had to use a second sheet of paper, you know.
LORELAI
You know, I’m not gonna let you annoy me out of making you handle this.
MICHEL
Oh, we’ll see.
SOOKIE
Hey, my cousin Carl canceled so I have two empty seats. Anyone else you wanna invite?
RORY
I’ve got Lane, I’ve got Dean, I’m good.
SOOKIE
What about Emily and Richard?
LORELAI
Emily and Richard who?
SOOKIE
Your Emily and Richard.
LORELAI
Oh, Sookie, you are way too sweet.
SOOKIE
What? She went to all that trouble to help me plan the first phase of the wedding.
LORELAI
The crazy phase of the wedding.
SOOKIE
It was still sweet and I appreciated it. I mean, if it wasn’t for your mother, I never would’ve settled on the color pink.
LORELAI
Why is that?
SOOKIE
Well, I wanted yellow and she said no.
LORELAI
Oh, with logic like that.
SOOKIE
Come on, just ask her. I want you to.
LORELAI
Okay, I’ll ask her.
SOOKIE
Good.
LORELAI
What are you doing?
SOOKIE
It’s get happier the second time you hear it.
LORELAI
Unh.
SOOKIE
Huh? Snappier, isn’t it?
[opening credits]
CUT TO ELDER GILMORE RESIDENCE
[Rory, Lorelai, and Emily are sitting in the living room before dinner.]
LORELAI
Huh. You know what I just realized? Oy is the funniest word in the entire world.
RORY
Huh.
LORELAI
I mean, think about it. You never hear the word oy and not smile. Impossible. Funny, funny word.
EMILY
Oh, dear God.
LORELAI
Poodle is another funny word.
EMILY
Please drink your drink, Lorelai.
LORELAI
In fact, if you put oy and poodle together in the same sentence, you’d have a great new catch phrase, you know? Like, oy with the poodles already. So from now on, when the perfect circumstances arise, we will use our favorite new catch phrase.
RORY
Oy with the poodles already.
LORELAI
I’m telling you, it’s knocking ‘whatcha talking ‘bout, Willis?’ right out of first place.
EMILY
Lorelai, for God’s sake, be quiet.
MAID
Dinner’s ready, Mrs. Gilmore.
EMILY
Bless you, Inga. Please go tell Mr. Gilmore. He’s in his den.
MAID
Yes, ma’am.
EMILY
Shall we?
RORY
Okay.
LORELAI
Oh, hey Mom, uh, Sookie wanted to know if you and Dad would like to come to her wedding.
EMILY
Really?
LORELAI
Yeah, it’s gonna be great. Small, low key, but fun. She’s catering it herself so the food’ll be fantastic, and you’d get to see me and Rory walk down the aisle in two of the least obnoxious bridesmaid dresses ever created.
EMILY
Well, that sounds very nice. When is it?
LORELAI
A week from Sunday.
EMILY
A week from Sunday?
LORELAI
Yes.
EMILY
The wedding is in one week?
LORELAI
Yes.
EMILY
So this is a pity invite?
LORELAI
A what?
EMILY
Someone canceled at the last minute and rather than being left with two empty seats, Sookie asked you to ask us. How nice.
LORELAI
That’s not what happened.
EMILY
No, that’s quite all right. Far be it from me to be invited with the first batch of actual wanted guests. This is just fine.
LORELAI
Mom, it’s not a pity invite. She really wants you to come.
EMILY
Is that so?
LORELAI
Yes, that’s so.
EMILY
Where’s our invitation?
LORELAI
What?
EMILY
Our invitation. I mean, she must’ve at least given you an invitation to give us.
LORELAI
She thought it would be more special coming directly from me.
EMILY
So she was out of invitations. I never felt so special.
LORELAI
Mom, she wants you to come. There’s no reason to be insulted here.
EMILY
I guess I should be thrilled that I didn’t just get a call from the road as you were on your way there.
LORELAI
Do not turn this into something that it’s not.
EMILY
Do we have a choice between chicken or fish, or at this point do we just bring our own?
LORELAI
Stop.
EMILY
Perhaps she would also like us to pick up some extra ice along the way, or help out parking the cars.
LORELAI
Mom, look, isn’t Rory pretty?
RICHARD
Apologies all around. I could not get Adamson off the phone.
LORELAI
Dad, glad you’re here. We’re just talking about how pretty Rory is. Big eyes, baby. Give him the Bambi face.
RICHARD
Oh, Rory gets lovelier every day.
RORY
Why, thank you, Grandpa.
EMILY
Oh Richard?
LORELAI
Oh my God.
EMILY
Guess what Lorelai just told me?
RICHARD
What?
EMILY
We are invited to Sookie’s wedding.
RICHARD
Oh, how nice. When is it?
EMILY
A week from Sunday.
RICHARD
Oh, so it’s a pity invite.
EMILY
Ha!
LORELAI
Oy with the poodles already.
CUT TO LUKE’S DINER
[Rory and Dean are at a table eating breakfast.]
RORY
How are your pancakes?
DEAN
Good.
RORY
Good or really good?
DEAN
Good.
RORY
So, not really good?
DEAN
Fine, really good.
RORY
Okay. But are they great?
DEAN
Rory, uh, would you perhaps like to trade breakfasts?
RORY
You mean, your pancakes for my eggs?
DEAN
Yup.
RORY
Um, okay. Wow, you’re crazy, these pancakes are great.
[Lorelai walks by the window outside]
DEAN
That’s twelve.
RORY
Mm, two more and she’ll come in.
DEAN
I don’t know. She’s been walking back and forth out there for twenty minutes and she still hasn’t made it to the door.
RORY
Yeah, but look how much closer to the building she’s gotten.
DEAN
Why don’t we just bring her something out?
RORY
No. She and Luke have been in this fight for too long, she’s gotta do this.
DEAN
You’re cruel.
RORY
Tough love, baby. Oops, I think she’s coming in.
DEAN
How can you tell?
RORY
She’s got shoe sale face on.
[Lorelai walks in and sits down]
LORELAI
Okay, I did it, I’m in.
RORY
Good girl.
LORELAI
It wasn’t so bad. Took awhile, but not so bad. Wait, why are you eating?
RORY
You took thirty minutes to come in.
LORELAI
But I’m here now and hey, I’m like cheese.
DEAN
What?
RORY
She gets better with time.
DEAN
Ah.
RORY
Sorry gouda, we’ve got school.
LORELAI
But –
RORY
Order breakfast and I’ll leave you the paper.
LORELAI
No, but –
RORY
I’ll see you tonight.
LORELAI
Dean, don’t leave me.
RORY
You’ll do fine. You’ll do fine.
[Rory and Dean leave; Lorelai walks up to Luke at the counter]
LORELAI
Hey.
LUKE
Hello.
LORELAI
Oh, good donut selection this morning, really. Good variety, good color, good goodness, good . . . Well, so the choices are there. It all comes down to what I’m in the mood for. Sprinkled or chocolate or jelly or glazed, maple or kiki or apple or, uh, raised. Little donut rhyme there. Never mind. Can I have a chocolate and a sprinkled please?
LUKE
Okay.
LORELAI
So, this is how it’s gonna be with us now, huh?
LUKE
No idea what you’re talking about.
LORELAI
You’re pulling a Mr. Freeze on me.
LUKE
I’m not pulling a Mr. Freeze on you.
LORELAI
Please. I’m gonna need snow chains just to get out of here.
LUKE
I assume you want coffee with your donuts.
LORELAI
I’m sorry, Luke. It was a bad night. I completely freaked out. I said some things. . .did you get my note? I wrote you a note.
LUKE
Got your note.
LORELAI
You got my note. Did you read my note?
LUKE
Read your note.
LORELAI
And?
LUKE
It was very well-written
LORELAI
That’s it?
LUKE
I also enjoyed the Garfield stationary. That’s one funny cat.
LORELAI
I said I was sorry, Luke.
LUKE
Yes, you did.
LORELAI
I said it like a million times.
LUKE
You said it four times, but I understand you’re embellishing for dramatic effects.
LORELAI
Stop.
LUKE
Stop what?
LORELAI
Oh, stop this robot talk. If you’re mad, just act like you’re mad at me.
LUKE
I’m not mad at you.
LORELAI
You’re being really, really unfair. Rory was in the hospital.
LUKE
Lorelai, what is it exactly that you want me to do? I’m not mad, I’m not holding a grudge, I heard your apology, I feel I’m being polite, I listened to your donut bit, I got you your coffee. What would make you happy?
LORELAI
I want Luke back.
LUKE
He’s standing right here.
LORELAI
No, he’s not.
[Lorelai walks out of the diner]
CUT TO CHILTON AUDITORIUM
[Paris is at a podium on stage addressing a room full of students]
PARIS
Better drinking fountains, updated lockers, clearly marked boys’ and girls’ restrooms, non-dairy and wheat-free alternatives to the cafeteria, a larger voice in the monetary dispersal of charitable funds donated to our institution – because it is our institution, yours and mine. Remember people, if Chilton soars, we soar. If Chilton fails, we fail. It is up to us, we must get involved, we must care. It is not enough to sign a petition to get a Little Debbie machine installed in the senior corridor. Snack cakes will not change the world. Cream filling will not decide our legacy. How will future generations of Chilton students remember the class of 2003? John F. Kennedy once said, ask not what your country can do for you, ask what you can do for your country. Those eloquent words are just as relevant to here in this hall today. What can you, the future of Chilton, of America, of the world, what can you do for your school? I will tell you what you can do. You can vote for me, Paris Gellar, for student body president, and let me start tomorrow for you today. Thank you.
MRS. O’MALLEY
Ladies and gentlemen, I would like to thank Reese McGinly, Schatzi Leason and Paris Gellar, your presidential candidates for next year. Elections will be held this Friday. Good luck to all of you. This concludes today’s assembly. You are all dismissed.
[As people exit the auditorium, Paris walks over to Rory, who is writing in a notebook]
PARIS
Hey.
RORY
Hey.
PARIS
Did you get the Little Debbie comment?
RORY
Uh huh.
PARIS
All of it? The cream filling, the snack cake?
RORY
Every delicious morsel.
PARIS
Good, good. So, how do you think it went?
RORY
I think it went fine.
PARIS
Fine, as is better than Reese and Schatzi?
RORY
Fine as in fine.
PARIS
Well, how are you skewing the article?
RORY
Well, you’ll have to wait and read about it in the Franklin like everyone else.
PARIS
Fine, write whatever you want.
RORY
I will.
PARIS
Just make sure you mention that Schatzi pulling the Sharon Stone/Basic Instinct bit was a cheap attempt to distract the whole student body from my mandatory recycling program.
RORY
Go away, Randolph.
[Madeline and Paris enter the auditorium]
MADELINE
We got it!
PARIS
[walks over to them] You do? Well, come on, tell me.
LOUISE
Okay, a hundred and fifty students were polled.
MADELINE
A total cross section.
LOUISE
We talked to people that we should never have even had to stand near.
MADELINE
The hairstyles alone proved the Farrelly brothers are not making this stuff up.
PARIS
I’m sorry, have I ever been mistaken for a patient person?
MADELINE
Right, sorry. Okay, so we added the votes up.
PARIS
You added?
MADELINE
She added.
PARIS
Good, continue.
MADELINE
Okay, when asked which of the three candidates is the most qualified for the job of president, ninety percent said you.
PARIS
Really?
LOUISE
And when asked who of the three candidates would be the most competent president, overwhelmingly the answer was once again you.
PARIS
So that’s it, I’m in.
MADELINE
Not quite.
PARIS
How is that not quite? Most competent and most qualified, what else is there?
LOUISE
Well, we also polled likability.
PARIS
And?
MADELINE
And while people think you’re smart. . .
PARIS
And competent.
LOUISE
And competent, they also find you, well, a tad. . .
MADELINE
Scary.
LOUISE
Someone thought a Halloween mask of you would sell big.
PARIS
Well, fine, they don’t like me. Big deal, right? I’m still most competent.
LOUISE
Yes, but when asked if the likability issue would affect their voting choice, almost a hundred percent said yes.
PARIS
That’s crazy. You mean, people would rather vote for a moronic twink who they liked over someone who could actually do the job?
LOUISE
Sad, but true.
PARIS
Well, what do I do?
MADELINE
Hope for a sex scandal?
PARIS
Louise?
LOUISE
Oh, I’m on it.
[Louise and Madeline leave. Paris walks back over to Rory.]
PARIS
Hey.
RORY
Tomorrow with everyone else.
PARIS
So, I have been wracking my brains for weeks trying to figure out exactly who should be my vice presidential candidate, you know? Who would be yin to my yang, Joel to my Ethan, Damon to my Affleck, and then suddenly, it hits me – the perfect person.
RORY
Who?
PARIS
You.
RORY
What?
PARIS
It’s genius. We could announce it in the Franklin tomorrow, Gellar and Gilmore. We even have the g-thing going. Never underestimate the power of alliteration, my friend.
RORY
I don’t wanna be vice president.
PARIS
Oh, come on. Every little girl wants to be vice president.
RORY
Not this one.
PARIS
But you have to. It’s the only way. Please? I’m begging you.
RORY
Paris.
PARIS
They hate me, okay?
RORY
Who hates you?
PARIS
Everyone. Everyone in the whole school hates me. Oh, yeah, they think I’m the best for the job, but they don’t want to go to the mall with me so they won’t vote for me and that means I’m going to lose.
RORY
Well, how is my running with you gonna change anything?
PARIS
Because people think you’re nice. You’re quiet, you say excuse me, you look like little birds help you get dressed in the morning. People don’t fear you.
RORY
Hey, I haven’t been dressed by a bird since I was two.
PARIS
You will soften my image.
RORY
You’re crazy.
PARIS
Please!
RORY
No, I don’t want to be in politics. I just want to write about politics.
PARIS
You wouldn’t have to do anything. I’ll do all the work and make the speeches. You just have to sit there and be nice.
RORY
No.
PARIS
But –
RORY
Bye.
PARIS
Harvard loves this kid of crap. Being vice president is just one more thing to put you ahead of the rest of the hundreds of thousands of straight–A students who are applying for the same spot you are. Think about it. You say no, then comes the day when the letter from Harvard arrives. They’ve turned you down. Enjoy Connecticut State, sucker. Tell me you won’t be thinking, what if I had just run with Paris? What if the one thing that could’ve ensured my place behind those ivy covered walls I just walked away from?
RORY
Fine.
PARIS
Yes! Okay.
RORY
I guess the thought of just being nice to people never occurred to you, huh?
PARIS
See, that is exactly what I need from you, Rebecca of Sunnybrook Farm for the new millennium. Hey, wear some braids tomorrow with bows. I mean, hell, let’s sell it, sister!
CUT TO DOCTOR’S OFFICE
[Rory sits on the exam table as Lorelai stands next to her]
LORELAI
So, how do you feel?
RORY
Great.
LORELAI
Not at all sad?
RORY
About getting my arm back? No.
LORELAI
Really? ‘Cause I’ve kind of gotten used to Casty over here. I mean, we decorated him, we talked to him, we protected him from getting wet in the shower.
RORY
Okay, it’s time to wean you off of getting attached to inanimate objects.
LORELAI
Casty, no one understands you like I do. What? No, I did not know Mr. Band-Aid said that to you. Ugh, I will talk to him when we get home.
[The doctor walks into the room]
DR. SUE
How you doing?
RORY
Dr. Sue, thank God.
DR. SUE
Okay. So Rory, let’s get this thing off your arm, huh? What do you say?
RORY
Not a word.
CHRISTOPHER
[from hallway] This one here? Wait, which one? Hey, you in the white, come on, point a finger.
RORY
Dad?
LORELAI
Christopher? [pulls open the door]
CHRISTOPHER
Aha, there you are. Is it still on?
LORELAI
What are you doing?
CHRISTOPHER
Oh, great, I didn’t miss it. Hey, doctor, I’m the dad.
DR. SUE
Hey, nice to meet you, Dad.
LORELAI
I can’t believe you’re here.
CHRISTOPHER
Why? I told you last week I wanted to come down for the big unveiling.
LORELAI
I know, but I didn’t think you would drive all the way from Boston again. You were just here.
CHRISTOPHER
You getting sick of me?
LORELAI
Frankly, yes.
DR. SUE
Okay, is everyone here now?
RORY
I think so.
DR. SUE
Okay, then let’s do it.
CHRISTOPHER
Great, and doctor, if at all possible, we’d like to keep the arm.
DR. SUE
Oh, I’ll try my best.
CUT TO SIDEWALK
[Lorelai, Rory, and Christopher walk down the street]
CHRISTOPHER
So where to next?
RORY
Um, actually, I have to get home. I have to review my campaign platform.
CHRISTOPHER
Campaign platform?
LORELAI
Yes, our little Hilary Clinton here is running for student body vice president.
CHRISTOPHER
Wow.
RORY
Elections are on Friday, but I can honestly say that I’m very torn about which way I want it to go.
LORELAI
I spent four hours making picture buttons. You wanna win.
RORY
But if I win then I have to be vice president next year. Plus, I’ll have to spend my summer in Washington for some junior leadership program, which means six straight weeks of me and Paris together in a dorm room.
CHRISTOPHER
Hey, how about this? I’ll come back here on Thursday night and I’ll take you guys to dinner, and then we’ll break into Chilton and tamper with some votes.
RORY
We can’t.
LORELAI
Thursday’s Sookie’s rehearsal dinner.
CHRISTOPHER
Oh well, I guess you’ll just have to put your trust in a democratic system. Good luck with that.
LORELAI
But if you’re gonna be in the area Thursday night, you can come with us to the dinner.
CHRISTOPHER
But it’s Sookie’s rehearsal dinner.
LORELAI
Oh, she would love it. She’s cooking for a thousand. It’ll be fun.
RORY
Yeah, I’m bringing Dean.
LORELAI
I mean, if you can’t do it, then. . .
CHRISTOPHER
What time?
LORELAI
Seven thirty.
CHRISTOPHER
I’m there.
LORELAI
That’s great. I’ll tell her.
CUT TO SOOKIE’S HOUSE
[The house is full of people for the rehearsal dinner. Kirk starts tapping on his glass]
MISS PATTY
Ooh, ooh, a toast, everybody, a toast!
KIRK
Ladies, gentlemen, honored guests. Who owns the silver Volvo ‘cause you’re blocking me in?
MISS PATTY
Well, it’s better than the toast he made at the Ubromowitz wedding.
CHRISTOPHER
How long before I move the car?
LORELAI
Hm, give it another ten minutes.
KIRK
Come on, I’ve gotta go. My mom is waiting. This isn’t funny!
[Jackson walks up to Sookie in the kitchen]
JACKSON
We need to talk.
SOOKIE
What’s the matter?
JACKSON
Uh, the bedroom, please.
SOOKIE
Honey, I’m melting chocolate here.
JACKSON
Oh, the chocolate can wait. My father just took me aside and handed me this. [holds up a kilt]
SOOKIE
He handed you a skirt?
JACKSON
Oh, it’s not a skirt, it’s a kilt.
SOOKIE
Oh. Why did he hand this to you?
JACKSON
He gave this to me to wear on my wedding day.
SOOKIE
No.
JACKSON
Oh, yes. He wore it on his wedding day, my grandfather wore it on his wedding day. Apparently, there’s a long-standing tradition where the men in my family get very airy on the big day.
SOOKIE
Well, honey, if it means that much to him.
JACKSON
Are you crazy?
SOOKIE
Well, he’s your father.
JACKSON
You won’t let me wear shorts in public and you’re gonna let me get married in this?
SOOKIE
Well, what’re you gonna do?
JACKSON
I’m gonna wear pants. If he doesn’t like it, he doesn’t have to come.
SOOKIE
He has to come, he’s the best man.
JACKSON
Too bad! [walks away]
SOOKIE
[follows him] Jackson, come on. Shorts are different, they cut you funny!
CHRISTOPHER
Okay, that’s it, I need some air. Grab the bottle.
LORELAI
Bossy. I like it.
CUT TO OUTSIDE
[Lorelai and Christopher walk out and sit on the front porch]
CHRISTOPHER
Wow. I hope the second act’s as good as the first one.
LORELAI
Oh, well, it’s a wedding. Things are supposed to be horrible.
CHRISTOPHER
When Jackson came out holding that kilt – man, I felt for him.
LORELAI
I know, so did I.
CHRISTOPHER
Please, I saw what your face was doing.
LORELAI
What? What was my face doing?
CHRISTOPHER
It was counting up how many Brigadoon references you could come up with to torture him with at a later date.
LORELAI
How dare you accuse my face of that! My face is calling Gloria Alred when we get home.
CHRISTOPHER
How many references?
LORELAI
None.
CHRISTOPHER
How many?
LORELAI
Twelve, including a few bars of I’ll Go Home with Bonnie Jean.
CHRISTOPHER
Well, I’m begging you, take plenty of pictures of this wedding because I have a feeling it’s gonna be a classic.
LORELAI
You know, if you’re gonna be in town for the day, you should just come with us and. . .thanks. . .see all the fireworks for yourself.
CHRISTOPHER
Okay.
LORELAI
Okay?
CHRISTOPHER
Yeah.
LORELAI
Just like that, okay?
CHRISTOPHER
Well, if Sookie doesn’t mind.
LORELAI
What’s going on with you?
CHRISTOPHER
What do you mean?
LORELAI
I mean, mister ‘suddenly I’m everywhere’. How come you can just agree to come to the wedding?
CHRISTOPHER
Because I can.
LORELAI
Don’t you have to check your appointment book?
CHRISTOPHER
It’s on a Sunday.
LORELAI
Don’t you have to check with Sherry? Chris, what’s up?
CHRISTOPHER
Nothing. Sherry’s not in town.
LORELAI
Oh.
CHRISTOPHER
And even if she was, I still don’t think she’d mind if I went.
LORELAI
Because she’s the coolest chick in the world?
CHRISTOPHER
Because things aren’t going too well for us lately.
LORELAI
Oh, no.
CHRISTOPHER
She had this big business trip planned and before she left, we had a talk.
LORELAI
Yikes.
CHRISTOPHER
Yeah. We tried to come up with some answers but we couldn’t think of anything, so she left and we said we’d take this time apart to think.
LORELAI
What have you been thinking?
CHRISTOPHER
About finding an apartment.
LORELAI
Wow, um, that’s so weird. Last time I saw you two, you were. . .well, nauseating, actually.
CHRISTOPHER
Believe me, we made ourselves sick a few times.
LORELAI
I don’t know what to say.
CHRISTOPHER
No, there’s nothing to say. It’s nobody’s fault. It just isn’t it.
LORELAI
You okay?
CHRISTOPHER
Yeah, I’m okay. Thanks.
LORELAI
Well, then, it’s decided. You’ll come with me to Sookie’s wedding and you’ll make sure I stop one or two Brigadoon-isms shy of Jackson taking me out with a bagpipe.
CHRISTOPHER
It would be my pleasure.
CUT TO LORELAI’S HOUSE
[The next morning, Rory is sitting in the living room as Lorelai walks down the stairs]
LORELAI
Oh my God, I’m so tired.
RORY
Hey Mom?
LORELAI
Yes, angel?
RORY
Do you happen to know where the almonds I made for table five went?
LORELAI
No.
RORY
‘Cause they were here last night before Sookie’s dinner.
LORELAI
Really? How odd?
RORY
Yeah. And this morning, I found some tulle on the staircase leading up to your bedroom.
LORELAI
Hmm. Ghosts?
RORY
It took me six hours to make those almond bundles, Mother.
LORELAI
Well, see if you can beat that next time.
RORY
So you got home late from Sookie’s?
LORELAI
Yeah, I stayed to help her clean up a little. Hey, guess what?
RORY
What?
LORELAI
I know something you don’t know.
RORY
What?
LORELAI
Okay, just remember, it’s really wrong to gossip, unless it’s true or just way too good not to tell everyone you see, whether you know them or not.
RORY
Got it, what is it?
LORELAI
Well – [phone rings] Aw, if that’s my conscience calling, tell it enough already, I heard it the first time.
RORY
[answers phone] Hello?
PARIS
How’s this sound for a template? I have done my best. I have lost. Mr. Nixon has won. The democratic process has worked its will, so now let's get on with the urgent task of uniting this country.
RORY
What is that?
PARIS
Hubert Humphrey’s concession speech. Now, other than the part about Nixon, parts of it really seem to apply here.
RORY
Paris.
PARIS
Hey, I’m not going to steal it. I’ll paraphrase and I’ll give him credit.
RORY
Paris.
PARIS
Not that the person who actually wins will even know who Hubert Humphrey is, but hey, I bet they’ll organize one boffo senior ditch day.
RORY
Where are you?
PARIS
In the auditorium. I wanted to be here for one last meet and greet, get them right before they walk in the booth.
RORY
Leave that place right now.
PARIS
But – .
RORY
People will think that you’re insane and generally people are scared of the insane, so see where I’m going here?
PARIS
I’m going to lose.
RORY
You don’t know that.
PARIS
Yes, I do. Because even if I win, I only won because of you. Therefore, either way I lose.
RORY
Come on. Go get a cup of coffee, relax. You deserve this job, I swear. Put away the concession speech.
PARIS
Hubert Humphrey must not have been considered very fun either.
RORY
I’ll see you at school. [hangs up] God, she wants to win so badly, and me, not so badly. I feel terrible.
LORELAI
Aw, come on. You know you wanna win so you can spend your whole summer in Washington far away from me.
RORY
Please, don’t even talk about Washington. It gives me a stomachache.
LORELAI
It might be wonderful.
RORY
Good, then you and I will go someday.
LORELAI
Aw, look at you, trying to make Mommy feel like you don’t spend every night tunneling out of here with a spoon.
RORY
Get back to the gossip, please.
LORELAI
Oh yeah. Okay. So, guess who’s in the process of breaking up?
RORY
Brad and Jen?
LORELAI
Bite your tongue.
RORY
I don’t know.
LORELAI
Sherry and your dad.
RORY
No.
LORELAI
Yes.
RORY
Dad told you that?
LORELAI
Last night.
RORY
Wow. But they were so together.
LORELAI
I know. Well, now they’re not.
RORY
Well, is he – oh, look at you.
LORELAI
What?
RORY
You’re totally gloating.
LORELAI
I’m not gloating.
RORY
Then why are you smiling?
LORELAI
I’m not smiling. I had a little stroke.
RORY
Smiling.
LORELAI
Oh, look, if he was all broken up about it then I would be sad, but he’s not, so ha ha.
RORY
Fourth rung of hell, party of one.
LORELAI
Well, at least my feet won’t get cold.
[Lorelai pulls something out of her pocket and puts it in her mouth]
RORY
Where’d you get that?
LORELAI
What?
RORY
That. The Jordan almond that you pulled out of your pajama top and ate – where did you get it?
LORELAI
Hm, Santa Claus.
CUT TO INDEPENDENCE INN LOBBY
[Michel pulls on his coat and walks up to Lorelai near the front desk]
MICHEL
All right, the piano movers will be here at eight and the chairs will be set up at nine. All the rooms are made up and ready. I will be in at ten. Now I am going home unless you would like me to stay.
LORELAI
Actually, I would, thanks.
MICHEL
No, I’m sorry, I think I said that wrong. I am going home now unless you would like me to stay.
LORELAI
I would love you to stay, thanks for offering.
MICHEL
Okay, see, once again, my English not so good. One more time. I am going home now after working six hours longer than I usually work and performing tasks I despise and am ashamed of, and now I am going home to wash off the stench of this horrifying day, that is, unless, for some unknown Godforsaken reason, you need me to stay.
LORELAI
Well, actually – .
MICHEL
Goodbye. [leaves]
LORELAI
Hey, can I grab my bag? I’m gonna go in the back and change.
EMPLOYEE
[hands her the bag] Sure.
LORELAI
Thank you.
SOOKIE
Hey, I went with the sugared daffodils for the top tier. Let me tell you, they look great. Ooh, I’ve outdone myself this time.
LORELAI
What are you still doing here?
SOOKIE
I just wanted to double check everything for tomorrow. Don’t worry, I’m done, everything’s fine. I’m now going straight to bed.
LORELAI
Your last night as a single woman.
SOOKIE
Yup.
LORELAI
You still look good.
SOOKIE
I still feel good.
LORELAI
Just think of it. As of tomorrow, you can start wearing cold cream to bed and stop shaving your legs.
SOOKIE
That’s right, ‘cause I already got me a man.
LORELAI
Go to sleep.
SOOKIE
Okay, see you tomorrow?
LORELAI
See you tomorrow.
CUT TO INDEPENDENCE INN
[Later that night, Lorelai is decorating the lobby as Christopher walks down the steps.]
CHRISTOPHER
Well, look who’s got Martha Stewart locked in a basement. Did you do all this?
LORELAI
Yeah, I did. How’s it look?
CHRISTOPHER
It looks great.
LORELAI
Good. What are you doing up?
CHRISTOPHER
Couldn’t sleep. I sweet-talked the maid into leaving me about ten thousand pillow mints and then I proceeded to eat them all.
LORELAI
Serves you right. Oh God, I’m so exhausted.
CHRISTOPHER
Need some help?
[they sit down on the couch]
LORELAI
No, I’m almost done. I got up and went back to work just now, didn’t I?
CHRISTOPHER
Yes, you did.
LORELAI
Oh, good, ‘cause this is not the time to loaf. I’m so happy for Sookie. I mean, it’s like a real live love story, and I saw it all happen. I mean, I hired Jackson. I watched them meet. I watched them have several bizarrely intense arguments over mustard greens. I watched them fall in love. I got to see it all. It was a nice show. Hi.
CHRISTOPHER
Hi.
[they kiss]
LORELAI
What was that?
CHRISTOPHER
I have no idea.
[they kiss again]
LORELAI
Chris.
CHRISTOPHER
One more time and maybe I’ll have an explanation.
[they kiss again]
LORELAI
Ah, this is not happening.
CHRISTOPHER
I hope to God you’re wrong.
LORELAI
But it’s us. I mean, you and I, we. . .
CHRISTOPHER
Have never been in the same place at the same time.
LORELAI
But now. . . [they kiss] My head is spinning.
CHRISTOPHER
It’s all the plants in here, too much oxygen.
LORELAI
What do we do now?
CHRISTOPHER
You know, I’ve got a room upstairs.
LORELAI
You were that sure you’d get lucky?
CHRISTOPHER
I never dreamed I’d get this lucky.
LORELAI
Aw, that’s good.
CHRISTOPHER
So what do you say?
[They walk toward the staircase]
CUT TO INDEPENDENCE INN
[Later that night, Lorelai walks down the stairs and into the kitchen. Sookie is working on her wedding cake while wearing her wedding dress and veil.]
LORELAI
What are you doing?
SOOKIE
Daffodils. Am I insane? You can’t have daffodils on your wedding cake. What was I thinking?
LORELAI
Stop what you’re doing right now.
SOOKIE
There’s too much pink.
LORELAI
Sweetie, there’s not too much pink.
SOOKIE
Pink is for girls. Jackson’s not a girl. Jackson doesn’t like pink. I have all this pink, it’s like saying, ‘Hey, screw you. You want a say in this? Well, grow some ovaries.’
LORELAI
Hey, whoa, honey, hey! Put the pastry bag down.
SOOKIE
I can’t, I have to fix this.
LORELAI
Sookie, down. Now step away from all things edible. Hey, what happened?
SOOKIE
I don’t know.
LORELAI
When I left you, you were fine.
SOOKIE
I know. And when I went home, I was fine. And when I went to bed, I was fine. And then I had this dream where suddenly my dress is really, really short in back, you know? So I bolt out of bed and I put my dress on, and it looks okay. But then I panic – what if I’m remembering the dream wrong? What if my dress isn’t really screwed up, what if it’s my veil? So I put on the veil, then I remember I’m serving salmon puffs. Salmon puffs! Okay, completely wrong, so I had to rush over here and try to find another first course, and then I walk in and these daffodils just. . .something snapped and that’s when you walked in here.
LORELAI
Honey, you’re nervous. It’s natural.
SOOKIE
Well, I wasn’t nervous until tonight.
LORELAI
Well, that’s okay.
SOOKIE
I’m scared.
LORELAI
I know.
SOOKIE
I don’t wanna get divorced.
LORELAI
I know.
SOOKIE
I don’t wanna fight all the time and end up bitter.
LORELAI
I know.
SOOKIE
I don’t wanna be one of those women sitting around making jokes about husband number two. I want number one to last.
LORELAI
I know.
SOOKIE
I want a guarantee.
LORELAI
Sookie, you’re gonna be fine.
SOOKIE
I know. No, I don’t. Okay, I need to stop obsessing on this. Tell me something.
LORELAI
Like what?
SOOKIE
I don’t know. Anything. Tell me something to make me stop thinking about this.
LORELAI
I just slept with Christopher.
SOOKIE
That’ll work.
LORELAI
It just happened.
SOOKIE
When?
LORELAI
Tonight, in his room.
SOOKIE
Oh my God! Was it. . .?
LORELAI
Oh, yeah.
SOOKIE
Wow, what does this mean?
LORELAI
I don’t know.
SOOKIE
I mean, is this a good thing?
LORELAI
I don’t know. I think it is.
SOOKIE
Oh my God, can you imagine if you and Christopher got together after all these years?
LORELAI
Okay, hold on. We haven’t even talked about that ourselves yet.
SOOKIE
Ah, ooh God! Oh God.
LORELAI
I know!
SOOKIE
Well, when are you gonna talk about it?
LORELAI
Probably when I go back up there with the snacks I promised.
SOOKIE
He’s waiting for you?
LORELAI
Yes, he is.
SOOKIE
Ooh, you’ve gotta get back up there.
LORELAI
You have to get some sleep.
SOOKIE
I wanna hear all the details tomorrow.
LORELAI
Mmkay, I’ll grab you in between the walking down the aisle and the getting married.
[Sookie starts to leave]
LORELAI
Hey Sookie.
SOOKIE
What?
LORELAI
You’re in your wedding dress.
SOOKIE
I am.
LORELAI
You’re beautiful.
[Lorelai walks over and hugs her]
LORELAI
Now you go get some sleep.
SOOKIE
And you go get some.
CUT TO UPSTAIRS
[Lorelai walks into Christopher’s room with a plate of food.]
LORELAI
Room service.
CHRISTOPHER
I do like this hotel. Oh my God, that’s good. What is it?
LORELAI
I have no idea, but if Sookie asks, Michel ate it.
CHRISTOPHER
So, should we avoid the subject for awhile or just dive right in?
LORELAI
Call me Greg Louganis.
CHRISTOPHER
Greg. What just happened here – amazing.
LORELAI
I’m not arguing.
CHRISTOPHER
Well, does that mean there’s a chance for a repeat amazing?
LORELAI
Do you mean right now or just in general?
CHRISTOPHER
Both. Let’s start with in general.
LORELAI
I don’t know, Chris. It’s weird, isn’t it? We just found this great balance, I’ve been seeing you more, we’ve been getting along so well.
CHRISTOPHER
I know.
LORELAI
And this thing with Sherry is so recent.
CHRISTOPHER
I know.
LORELAI
And then there’s Rory to think about. I mean, we can’t just go changing everything on her now. Not unless. . .
CHRISTOPHER
Not unless it’s gonna be a pretty permanent change.
LORELAI
Yeah.
CHRISTOPHER
And you’re so sure it can’t be?
LORELAI
No, I’m not so sure.
CHRISTOPHER
The timing seems right, Lor.
LORELAI
I know it does.
CHRISTOPHER
Maybe all this stuff we went through – that’s the journey we needed to take to end up here.
LORELAI
Maybe.
CHRISTOPHER
Being a family – Mom, Dad, kid, Volvo.
LORELAI
Ugh, the Volvo will have to go.
CHRISTOPHER
It has a nice ring to it.
LORELAI
Yeah, it does. I guess. . .
CHRISTOPHER
What?
LORELAI
I guess we’ll never know until we try.
CHRISTOPHER
So, we try?
LORELAI
Yeah, we try.
CUT TO LUKE’S DINER
[Kirk walks through the door]
KIRK
Luke, I've only got ten minutes. How quickly can you make me a ham on rye?
LUKE
I've never clocked it, Kirk.
KIRK
Well, you think it could be fast?
LUKE
Yes, Kirk. Of all the sandwiches, I do believe the ham on rye is one of the faster ones to assemble.
KIRK
What about a patty melt? Same time frame?
LUKE
Probably a little longer.
KIRK
Really?
LUKE
Yes, I have to grill a hamburger whereas with the other one I just put the ham on the bread.
KIRK
What if I wanted the bread on the ham on rye toasted? Are we talking somewhere in between the patty melt and the untoasted?
LUKE
Probably.
KIRK
Closer to the melt or closer to the - .
LUKE
Kirk!
KIRK
Peanut butter and jelly to go.
LUKE
Coming right up.
KIRK
What do you think of this suit?
LUKE
It's fine.
KIRK
I got it for Sookie's wedding. I read an article in the paper recently that said that weddings are an excellent place to meet women.
LUKE
Well, if it was in the paper, it must be true.
KIRK
I hope so, 'cause I'm so damn lonely not even Animal Planet does it for me anymore.
LUKE
Your sandwich is coming right up. Caesar, I’m going upstairs for a minute.
CUT TO LUKE’S APARTMENT
[Luke walks through the door and finds Jess inside]
LUKE
Hey.
JESS
Hey.
LUKE
How’d you get in here?
JESS
The door was open.
LUKE
No, I mean, I was in the diner. I would’ve seen you come up the stairs. . . you know what, forget it, I don’t wanna know. So, how’s everything back home?
JESS
Fine.
LUKE
Your mom?
JESS
Fine.
LUKE
You in trouble?
JESS
Nah.
LUKE
Then what the hell you doing here, Jess? You know, I, uh, I called you six times. Now I didn’t expect you to call me back so we could sit on the phone in bed and watch Sleepless in Seattle together. I just expected you to call me back, say you got home, say no one mugged me on the bus, say you were okay. Say. . .you know what, never mind. Just tell me what it is you want. I got work to do.
JESS
I wanna come back.
LUKE
You what?
JESS
I want to come back.
LUKE
Come back here?
JESS
Yes.
LUKE
Here to Stars Hollow?
JESS
Yes.
LUKE
To live in this apartment with me?
JESS
I said yes a million times already.
LUKE
You know what, you’re the one asking for something so you don’t get to be James Dean this time, okay? Now, one more time, you wanna come back?
JESS
Yes.
LUKE
Why?
JESS
I just, I. . . I just wanna come back.
LUKE
You know what people told me when I said you were coming here to live with me? They told me I was crazy, they told me I was insane, they told me to start writing letters to Jodie Foster – but I ignored them. I was so sure that I knew what I was doing and then you showed up and you know what happened? You proved them right. I was crazy, and now after all that has happened, after all the chaos and havoc that you have wreaked, you’re seriously standing there wearing a T-shirt with a picture of a butt with hands that are flipping me off, telling me you wanna come back?
JESS
You didn’t pack up my stuff yet.
LUKE
Uh, no, I’ve been a little busy.
JESS
When were you planning on sending it back to me?
LUKE
What, hey, am I wearing a little brown uniform with UPS stamped on it?
JESS
So, what do you think?
LUKE
Things are gonna have to be different, Jess.
JESS
I know.
LUKE
Okay.
JESS
Okay?
LUKE
So you’re staying?
JESS
I’m staying.
LUKE
Okay, then. Stay. I gotta get back to the diner.
JESS
I’ll help you close up later, all right?
LUKE
Sure. She’s not home.
JESS
Who?
LUKE
She’s at Sookie’s wedding with Dean, they’re still together. They seem to have gotten through the whole car incident. They’re doing really good, Dean and Rory.
JESS
Good.
LUKE
Just leave it alone, Jess. She’s got a boyfriend. Just let it go.
JESS
I don’t know what you’re talking about. I’m just going out for a walk.
LUKE
You heard what I said?
JESS
Yeah, I heard what you said.
CUT TO INDEPENDENCE INN
[Before the wedding, people are mingling in the yard.]
MICHEL
The linen closet’s the third door on the right.
[Rory watches Babette and Patty sing at the piano.]
DEAN
Hey you.
RORY
Hey. You look nice.
DEAN
Thank you. You look beautiful.
RORY
Thank you.
DEAN
So, uh, how many cocktails caused that?
RORY
Oh, they haven’t had any cocktails yet.
DEAN
Really?
RORY
Oh yeah. When they start having cocktails, we’re gonna have to hide you.
DEAN
I’m looking forward to that. [his cell phone rings] Huh, I’m not sure who’d be calling me now. Hello?
PARIS
Dean?
DEAN
Who is this?
PARIS
It’s Paris. I need to talk to Rory.
DEAN
Uh, sure, hold on. [hands phone to Rory] It’s Paris.
RORY
What? [on phone] Hello?
PARIS
We’ve got the band!
RORY
What?
PARIS
We got the band! I knew we had most of the academic clubs tied up, but band – they were the wild card ‘cause believe me, if anybody’s going to be truly scared of me, it’s some artsy loser with a tuba wrapped around his neck.
RORY
Paris, how did you get this number?
PARIS
Oh, relax. I won’t call you on Prince William’s precious phone again. I just wanted you to know that we did it, we’re in, welcome to the show. [hangs up]
RORY
I think we won.
DEAN
Wow. Uh, that’s great.
RORY
Yeah.
DEAN
So I guess this means you’ll be spending the summer in Washington.
RORY
Oh, nothing’s decided yet, believe me. Let me do a little research and then I’ll figure something out.
DEAN
Good.
LORELAI
Hey.
RORY
Hey.
LORELAI
You know what’s really great about being a grown up? This. [holds up drink]
RORY
Well, thanks for the life lesson.
LORELAI
You’re welcome. Dean, you clean up really nicely.
DEAN
Uh, thank you.
LORELAI
You know, we’re gonna have to hide him from Patty and Babette once they hit the hooch.
RORY
Already told him.
LORELAI
Okay, well, I gotta check on some things. See you guys later.
RORY
Bye.
[Lorelai turns around and walked toward the porch. Christopher is walking toward her.]
LORELAI
Stop it.
CHRISTOPHER
Stop what?
LORELAI
Stop looking at me like that or everyone here will think we did it. [they kiss] There, that’ll throw ‘em off the track.
CHRISTOPHER
So this morning you woke up and felt sorry about last night?
LORELAI
No.
CHRISTOPHER
Embarrassed about last night?
LORELAI
No.
CHRISTOPHER
Eager and willing to repeat last night?
[Lorelai sees her parents walking toward them]
LORELAI
Ah, Mom, Dad, hi.
CHRISTOPHER
Richard, Emily.
RICHARD
Well, hello Christopher. What a pleasant surprise.
LORELAI
You came.
EMILY
Of course we came, we were invited. Hello Christopher. I mean, why did you think we would not come?
LORELAI
I thought you thought the invitation was rude.
EMILY
It was rude. However, it would’ve been equally rude for us not to attend the wedding when we were perfectly capable of doing so, so we came. That’s called rising above it.
LORELAI
I see. Do you wanna come back down here long enough to get a drink?
EMILY
Yes, that would be nice.
CHRISTOPHER
I’ll get it for you.
EMILY
Champagne, please.
CHRISTOPHER
Should I make that two?
LORELAI
Absolutely.
RICHARD
I believe I’ll join you, see what sort of scotch they’re serving here.
CHRISTOPHER
When I get back, you’re gonna have to answer my last question.
[Christopher and Richard walk away]
EMILY
What on earth is Christopher doing here?
LORELAI
Um, well, he’s visiting his daughter.
EMILY
That’s very nice.
LORELAI
Yeah. Actually, he’s been visiting his daughter quite a bit lately.
EMILY
Really?
LORELAI
Yes. In fact, Mom, you might be seeing a lot more of Christopher from now on.
EMILY
Because he’ll be visiting his daughter?
LORELAI
Yes, he’ll be visiting his daughter.
EMILY
Well, I’ll be damned.
CUT TO WALKWAY
[Christopher and Rory are walking along a pathway]
CHRISTOPHER
So I’m guessing your mom talked to you?
RORY
She talks to me all the time, frequently when I’m begging her not to.
CHRISTOPHER
And she told you what we discussed?
RORY
She mentioned something about it, yes.
CHRISTOPHER
And what do you think about all this?
RORY
I don’t know. What exactly are your intentions?
CHRISTOPHER
Excuse me?
RORY
Your intentions – are they honorable?
CHRISTOPHER
Completely honorable.
RORY
Yeah? Because we have been waiting for this for a really long time and we take disappointment extremely hard. I mean it, property damage is often involved.
CHRISTOPHER
Well, I better follow through on this, huh?
RORY
I think that’s an excellent idea.
CHRISTOPHER
Come here, you. [they hug, his cell phone rings.] It’s probably work.
RORY
On a Sunday?
CHRISTOPHER
Hey lady, I’ve got a lot of responsibility now, okay?
RORY
Okay.
CHRISTOPHER
Be right back.
[Christopher walks away. Rory sees Jess and walks over to him]
RORY
What are you doing here?
JESS
Hello to you, too.
RORY
Is everything okay?
JESS
You look nice.
RORY
Thank you. What are you doing here?
JESS
I moved back.
RORY
What?
JESS
I moved back.
RORY
But – what – why?
JESS
Just wanted to.
[Rory kisses him]
RORY
Oh my God! Oh my God!
JESS
Rory.
RORY
Don’t say a word!
JESS
Okay.
RORY
I have to go. [runs away] Oh, welcome home!
CUT TO BRIDGE
[Lorelai is standing on the bridge as Christopher walks up to her]
CHRISTOPHER
Lor!
LORELAI
Ah, hey there. We’re starting any minute. Have you seen Rory?
CHRISTOPHER
Uh, yeah, I just left her over there.
LORELAI
Oh, good, okay, I’ll find her. Go get a good seat. The wind’s kicking up so this might be a really good show.
CHRISTOPHER
I have to go.
LORELAI
Huh, what, why?
CHRISTOPHER
I have to take care of something.
LORELAI
Chris!
CHRISTOPHER
I’m sorry, really. I’ll call you later to see how it went.
LORELAI
No, oh, whoa, whoa, whoa, wait a minute. What – tell me why you’re leaving? What – what’s going on?
CHRISTOPHER
Sherry called. She’s back.
LORELAI
So you’re going home. Gonna tell her you’re moving out? No? Okay.
CHRISTOPHER
I can’t believe this. I mean, I really can’t believe this.
LORELAI
Uh, okay, I don’t know. Um, just, uh, drive safe.
CHRISTOPHER
Drive safe?
LORELAI
Yeah, drive safe. I mean, you know, you’re still Rory’s dad, right? So whatever happens or doesn’t happen between us, I still need you to drive safe.
CHRISTOPHER
Lorelai.
LORELAI
Just go, Chris!
CHRISTOPHER
Sherry’s pregnant.
LORELAI
Oh. Oh my.
CHRISTOPHER
She just found out and she called me as soon as she found out, and that was her calling to tell me that she found out.
LORELAI
Pregnant.
CHRISTOPHER
Yeah.
LORELAI
Wow. Well, uh, women all over the world will line up to see that tiny woman fat.
CHRISTOPHER
I don’t know what to do. I was so happy last night and now. . .
LORELAI
Yeah.
CHRISTOPHER
I missed it before with Rory. I wasn’t there, I wasn’t apart of it.
LORELAI
I know.
CHRISTOPHER
And I never forgave myself.
LORELAI
I know.
CHRISTOPHER
So, what, I’m just. . .I’m gonna do that again? I’m just gonna take off, disappear?
LORELAI
No. You’re gonna go home.
CHRISTOPHER
This is absolutely unbelievable. I’ve waited years for this, Lor. You, Rory, the whole perfect picture and now - .
LORELAI
Listen, I have to walk down the aisle in a minute and be really happy for Sookie and right now I’m having a little trouble standing, so maybe it would be better if you would just go.
CHRISTOPHER
I’m so sorry.
LORELAI
Oh, yeah. Me, too.
CHRISTOPHER
You’ll tell Rory?
LORELAI
I will. Hey, congratulations.
CHRISTOPHER
Thanks.
CUT TO WEDDING
[The wedding ceremony is about to begin. Lorelai is waiting to walk down the aisle. Rory runs over and stands next to her, Lorelai gives her a bouquet.]
RORY
I think I’m going to Washington.
LORELAI
Oh. Okay.
THE END