T2E5: “Nick & Nora/Sid & Nancy”
Título em Português: “Novidades”
Roteiro: Amy Sherman-Palladino
Direção: Michael Katleman
Originalmente exibido em: 30 de outubro de 2001
OPEN AT LUKE'S DINER
[Lorelai and Rory are sitting at a table. Lorelai's eating breakfast while Rory watches her.]
RORY
How are the eggs?
LORELAI
Good.
RORY
I'm glad.
LORELAI
They're still good.
RORY
I'm still glad.
LORELAI
Look freak, we will not be late.
RORY
It's the first day of school. I wanna get there early.
LORELAI
We will be there early, I promise.
RORY
I have different classes this year, my routes aren't the same. I haven't found the quickest path around. And my locker, they moved it, so I don't even know if it'll work properly and then I'll have to get a new one and God knows how long that'll take or where it'll be and that could send the whole day into chaos. I'm just excited.
[Lane walks into the diner]
LANE
Oh, thank God, you haven't left yet.
RORY
Nope, what's up?
LANE
Well, I found the greatest record store in the world. It's ten minutes from your school and I'm wondering how much you love me.
RORY
Address.
LANE
Record Breaker Incorporated, 2453 Berlin Turnpike.
RORY
Got it. Place your order now.
LANE
Okay, Charles Mingus, "The Black Saint and the Sinner Lady."
LORELAI
Mm.
RORY
Right.
LANE
The Sonics, Here are the Sonics.
RORY
Burn me a copy. Next.
LANE
MC5, Kick Out the Jams. Fairport Convention, Leige and Lief. BeeGees, Odessa.
RORY
BeeGees, really?
LANE
Well, Mojo says.
RORY
So it must be true.
LANE
Okay, that's it. Now if I could just find a copy of Whistler, Chaucer, Detroit and Greenhill, I will finally be done with the sixties.
RORY
I can get there today, tomorrow at the latest.
LANE
I love it when you go back to school.
RORY
Me too. Hey!
LORELAI
I am getting donuts for later. As soon as I do, I will take you to school and the nice men in the white coats will pick you up.
[Lorelai walks up to the counter. Taylor is standing there with a group of Boy Scouts.]
TAYLOR
Everybody, listen up. Decide what you want, place your order, and then proceed to the end of the line.
BOY 1
I want a burger.
BOY 2
I want grilled cheese.
BOY 3
Me too.
BOY 2
And I want fries, and make them really really cripsy.
BOY 1
I want mine crispy too.
BOY 2
You didn't order fries.
BOY 1
So?
LUKE
So you can't order crispy fries without first ordering fries.
BOY 1
Why not?
LUKE
Because you can't make something crispy that doesn't exist.
BOY 1
Why not?
LUKE
Get him away from me Taylor.
TAYLOR
Have some respect. These boys have just completed the first leg of their outdoor survival training.
LUKE
Meaning you had them sit under a tree and glue rocks together for two hours.
TAYLOR
You're a very jaded man Luke. What happened to you as a child?
LUKE
Some creepy guy in shorts and knee socks tried to sit me under a tree and glue rocks together for two hours. Put that down!
BOY 4
Why?
LUKE
Because otherwise you're going under it.
BOY 4
I won't fit.
LUKE
Oh yes you will.
LORELAI
Hey, donuts please.
BOY 1
We were here first!
LORELAI
On the planet?
BOY 1
Huh?
LORELAI
You lose. Chocolate, cinnamon and sprinkles.
[phone rings; Lorelai and the kids moan as Luke goes to answer it.]
LUKE
All of you pipe down.
LORELAI
Grups, huh?
LUKE
[on phone] Yeah, I'm working. What do you think I'm doing? Uh huh. Uh huh. Oh man, what did you do? Excuse me, are you serious? Just like that, huh?
[Lorelai goes behind the counter and gets her own donuts]
BOY 2
Hey Mr. Doose. She's not supposed to do that.
TAYLOR
That's right. She's breaking the rules, and people who break the rules end up very lonely with no friends because they have become society's outcasts.
LORELAI
Planning on burning a little Huck Finn after lunch, Taylor?
TAYLOR
Excuse me?
LUKE
[on phone] This is unbelievable! You won't ever change, will you? . . . Okay, fine. Do what you want, make the arrangements. Now I'm working, we'll finish this later. [hangs up]
LORELAI
Is everything okay?
LUKE
Do you have a sister?
LORELAI
Um, no.
BOY 1
I do.
LUKE
You have my sympathies.
BOY 1
Thanks. I appreciate that.
[opening credits]
CUT TO FRONT OF LUKE'S DINER
[Luke walks towards the diner carrying several shopping bags. He drops a bag on the sidewalk. Lorelai is walking by and stops to help.]
LORELAI
Hey.
LUKE
Hello.
LORELAI
What are you doing?
LUKE
Ah, just redecorating the sidewalk.
LORELAI
Oh, it looks nice.
LUKE
Yeah yeah yeah, you don't think too much blue?
LORELAI
No, just enough.
LUKE
Yeah, well, thanks for the input. You can go now.
LORELAI
Need some help?
LUKE
Nope.
LORELAI
Need some help?
LUKE
Nope.
LORELAI
Need some help?
LUKE
Nope.
LORELAI
So do you need some help?
[Luke sighs.]
CUT TO OUTSIDE LUKE'S APARTMENT
[Luke and Lorelai walk down the hallway to Luke's apartment. Luke is carrying the shopping bags, Lorelai is carrying a box of cereal. Luke unlocks the door.]
LORELAI
Frosted Flakes? Since when do you buy Frosted Flakes? [Luke drops some bags, food spills all over.] Okay, now what is going on?
LUKE
Nothing.
LORELAI
Nothing? You just all of sudden woke up this morning and decided you were gonna buy every food item in the world that you don't actually eat?
LUKE
It's not for me.
LORELAI
Well who's it for?
LUKE
Someone who's not me.
LORELAI
Like who?
[cut to inside apartment]
LUKE
Like my nephew.
LORELAI
Oh, your nephew's coming to visit.
LUKE
No, he's coming to stay.
LORELAI
You're sister's moving here?
[they start picking up the spilled food in the hallway and bringing it inside]
LUKE
Nope.
LORELAI
Well, I'm sorry, I don't get it.
LUKE
There's nothing to get. It's just Liz. She's too busy, she can't handle him, she's sending him here.
LORELAI
Where's his dad?
LUKE
Oh well, the great prize that my sister picked up at a Der Wienerschnitzel left her about two years ago, whereabouts unknown.
LORELAI
Aww, geez.
LUKE
Yup.
LORELAI
So she's just sending him here, just like that?
LUKE
Oh no, I'm sure she put at least five or six minutes of thought into it.
LORELAI
But why?
LUKE
Well, 'cause apparently he's been getting into some trouble and Liz is afraid he's heading for something bad, and rather than handle it herself, she's just giving up. She's sending him here so I can straighten him out.
LORELAI
You?
LUKE
Yes.
LORELAI
You can straighten him out?
LUKE
Yes.
LORELAI
You, Luke Danes, the great communicator, you're going to straighten the kid out?
LUKE
All he needs is a change of pace, a new crowd, and to get away from the nutjob that, unfortunately, is my sister.
LORELAI
Well, how long is he staying?
LUKE
I don't know. Indefinitely.
LORELAI
And how old is he?
LUKE
Seventeen.
LORELAI
Oh, wow. That is very generous of you.
LUKE
Well, it's family, what else can you do?
LORELAI
Right. So what kind of trouble has he gotten into?
LUKE
Ah, just kid stuff, you know, staying out late, getting rowdy. I don't know exactly.
LORELAI
Well, you might want to find out. Ask a couple of subtle questions, you know, has he seen The Shawshank Redemption, did the setting seem homey to him? Stuff like that.
LUKE
Look, his problem is obvious, it's his mother. You never could count on Liz for anything. Our mom died when we were kids, right? It was just my dad, me and Liz. And my dad worked all the time and I worked in the store with my dad, and Liz was off doing God knows what.
LORELAI
Well, I bet losing her mom so early was kind of hard on her.
LUKE
It was hard on all of us, but we did our part. And then the minute she graduates high school, she is outta here. Didn't matter that my dad was sick, didn't matter that the store was failing, she just took off. Married the hot dog king, had a kid, he left, now here we are. [Luke starts pumping up an air mattress]
LORELAI
Yeah, wow, that's...I'm sorry, what are you doing?
LUKE
I'm blowing this up.
LORELAI
What is it?
LUKE
It's a bed.
LORELAI
A bed?
LUKE
For Jess.
LORELAI
Jess?
LUKE
Jess, my nephew.
LORELAI
Luke, um, that's not a bed, that's a raft, which is fine if you're gonna build a moat around the diner but...
LUKE
It's fine.
LORELAI
Luke, the kid needs a bed. If you want to get him something inflatable, make it a blonde.
LUKE
I'm getting him a bed, this is just temporary.
LORELAI
Hey, how does Jess feel about this?
LUKE
I don't know.
LORELAI
You haven't talked to him about it?
LUKE
No.
LORELAI
Don't you think you should?
LUKE
Why? He doesn't have a choice. His mom's a flake, he's coming here, end of story.
LORELAI
Are you sure you're ready for this?
LUKE
Of course I'm sure.
LORELAI
I mean, taking on a full time kid, that's a lot of work.
LUKE
I know.
LORELAI
And a seventeen-year-old that's been getting into trouble and now is being shipped off without his consent, that could be even harder.
LUKE
Look, all he needs is to be around someone who's not a selfish basketcase, who will give him a little space, who will treat him like a man.
LORELAI
Maybe you should think about this.
LUKE
There's nothing to think about. He's family. You take care of family, period.
LORELAI
Yes, I respect that, but what if he turns out to be Fredo?
LUKE
Are you seriously telling me not to do this?
LORELAI
No, I'm not telling you not to do this.
LUKE
Then what are you saying?
LORELAI
I'm just saying that if you need any help, I'm here.
LUKE
Thank you.
LORELAI
You're welcome.
LUKE
Look, I got a lot of things to do before he gets here so...
LORELAI
Okay, I'm leaving. Oh, you do have an extra set of sheets, right?
LUKE
Yes, I do.
LORELAI
Sorry, just checking. Bye. [leaves]
LUKE
[grabs keys] Sheets, sheets.
CUT TO CHILTON
[Rory is walking down the hallway towards a classroom. Paris, Madeline and Louise are walking towards the same room from the other direction. They stop in front of the doorway and look at each other before going inside.]
RORY
Okay, round two.
CUT TO INSIDE CLASSROOM
[Rory walks over to Paris.]
RORY
Five seconds?
PARIS
Four.
RORY
Fine.
PARIS
Now it's three.
RORY
Paris, it does not have to be like this.
PARIS
No?
RORY
You and I are going to have to spend a lot of time in class together on The Franklin.
PARIS
I know.
RORY
We're gonna have to sit in the same classroom, share the same oxygen, occasionally make eye contact.
PARIS
I can avoid that.
RORY
Look, I'm not saying that we should be friends. I don't want to be friends. I'm just saying that maybe we should look at this like life.
PARIS
Life?
RORY
Yes, in life there will be people that you don't like, but that you have to coexist with.
PARIS
I am well aware of that.
RORY
So I'm just suggesting that we coexist.
PARIS
You're just scared that I'm gonna make your life on The Franklin a living hell. Especially since I'm the editor and you're...oh, what's the word...not.
RORY
If you want to spend the precious energy that you'd normally spend on the paper obsessing on ways to make me miserable, then that's your choice. I'm just suggesting an alternate plan. The paper could be really great this year.
PARIS
I know.
RORY
So, can't we just agree on that and make all the rest of it go away?
[Louise and Madeline walk over]
LOUISE
Everything okay?
RORY
Yeah, Riff, everything's fine.
PARIS
We were just talking.
MADELINE
Talking? You two?
PARIS
About The Franklin.
MADELINE
Oh. Nope, still seems weird.
PARIS
Hey, look, we're all on the paper together. There's gonna be a lot of long afternoons and weekends.
LOUISE
Weekends?
PARIS
We need to coexist, right?
RORY
Right.
LOUISE
I'm sorry. Back up to the weekends.
PARIS
So that's what we'll do. Now the first meeting of The Franklin is today.
RORY
Yes it is.
PARIS
Four o'clock.
RORY
Sounds good.
LOUISE
Weekends were never mentioned. I need my weekends. All of this gets done on weekends.
CUT TO BUSSTOP
[Luke is waiting on the bench. The bus pulls up and Jess steps off.]
LUKE
Jess.
JESS
Luke.
LUKE
Okay, so uh... [Luke walks towards the diner, Jess follows]
CUT TO LUKE'S DINER
[Luke and Jess walk through the door.]
LUKE
Well, this is my diner.
JESS
Huh.
LUKE
Belonged to your Grandpa.
JESS
Huh.
LUKE
Yup.
CUT TO LUKE'S APARTMENT
[Luke and Jess walk through the door.]
LUKE
Well, here we are. It's pretty simple. You know, this is the room. That's my bed, that's your, uh, bed for now, but the sheets are new. There's the bathroom, there's the closet, there's the dresser, the phone, and over there is the kitchen. I've got Frosted Flakes.
JESS
Wow, that's grrrrreat.
LUKE
So, is that all your stuff?
JESS
Yup.
LUKE
Not much there.
JESS
Well, Lizzie's sending the rest later.
LUKE
So, you need some help?
JESS
Nope.
LUKE
Okay, uh, I have to get back to the diner. I'm gonna close up at ten tonight, so I thought...
JESS
See you at ten.
LUKE
But wait, you need keys.
JESS
No I don't. [leaves]
LUKE
I so don't wanna know why.
CUT TO OUTSIDE
[Jess walks out of the diner, looks around the town, and walks down the street.]
CUT TO CHILTON
[Rory sits down on a bench to read before the newspaper meeting starts. She hears voices from inside the room and goes inside. Several students and a teacher are sitting at a table.]
PARIS
Pick a side people. Oh, Rory.
RORY
Hey.
TEACHER
Nice of you to join us, Miss Gilmore.
RORY
I thought we were starting at four.
TEACHER
No, we start at 3:15 sharp.
PARIS
Look, we're wasting time here.
TEACHER
Take a seat Miss Gilmore.
RORY
Sorry.
PARIS
Okay, so we were just finishing up handing out the first assignments. Now, Rory, unfortunately, since you got here so late, most everything of interest has been given out.
RORY
Why, I'm shocked.
PARIS
Wait, wait, just let me check my list here. There might be something left for you. Okay, well, here, they're paving the new parking lot tomorrow.
RORY
And?
PARIS
And you can cover it.
RORY
Cover what?
PARIS
The paving process.
RORY
You're serious?
PARIS
Absolutely. I'm sure there's an angle there somewhere. Is it environmentally safe? What are the financial ramifications? Should brick have been considered especially taking into account the architecture of the building?
RORY
Yeah yeah, I get the idea.
PARIS
But hey, if you think this is below you, you can always wait until the next issue. You can just use this time to get a nice manicure.
RORY
That's okay.
PARIS
Maybe get a massage.
RORY
I'll do it.
PARIS
Aromatherapy. Smell like a peach for a few days.
RORY
I said I'll do it, okay? I'll cover the paving.
PARIS
Okay, good. Well then, I guess that's it.
[Everyone gets up from the table. Paris walks to a computer and starts typing. Rory walks over to her.]
PARIS
Problem, Miss Gilmore?
RORY
Nope, no problem at all. I love this assignment.
PARIS
I'm glad.
RORY
I'm gonna write the greatest piece on pavement you've ever read.
PARIS
I hope so.
RORY
And next week, when you give me the scoop on the new copper plumbing installation, I'm gonna be just as thrilled.
PARIS
I like a team player.
RORY
And no matter how many crappy, stupid, useless assignments you throw at me, I'm not going to quit and I'm not going to back down. So you can go home tonight and think about the fact that no matter what you do and no matter how evil you are, at the end of the year, on my high school transcript, it's going to say that I worked on The Franklin. So, if you'll excuse me, I have some reading to do on the origins of concrete.
PARIS
A thousand words on my desk on Tuesday.
[Rory walks out of the room and starts walking down the hallway. Max is coming from the other direction. They stop in front of each other, then both turn around and go the other way. Paris watches from the classroom window.]
CUT TO LUKE'S DINER
[Luke is wiping a table as Lorelai walks into the diner.]
LORELAI
Hey.
[Luke is startled and spills coffee on the table.]
LUKE
Oh geez.
LORELAI
Sorry.
LUKE
No, I'll just...you want some coffee?
LORELAI
It's okay. I'll just lick it off the table. So?
LUKE
So what?
LORELAI
Is he here?
LUKE
He's here.
LORELAI
Yeah? How is he? [sits at counter]
LUKE
He's fine.
LORELAI
Did he see the bed?
LUKE
He saw the bed.
LORELAI
Well, where is he? I wanna meet him.
LUKE
Oh, he's out.
LORELAI
Out where?
LUKE
I don't know.
LORELAI
You don't?
LUKE
No, he just went out.
LORELAI
You didn't ask him where he was going?
LUKE
No.
LORELAI
Why not?
LUKE
Because he's not two.
LORELAI
Yeah, but Luke, he's new in town. He doesn't know his way around yet.
LUKE
Way around what? This is Stars Hollow. You take three left turns and you're back in the center of town.
LORELAI
Luke, when a kid goes out, you have to at least ask where he's going.
LUKE
Why?
LORELAI
Because you're responsible for him now. If he goes and knocks over a liquor store, it's gonna be your fault.
LUKE
If I had asked him where he was going and he actually intended to knock off a liquor store, do you really think he would've told me that?
LORELAI
If he's dumb.
LUKE
He's fine. New topic.
[Jess walks into the diner]
LUKE
Jess, hey, good. I'd like you to meet someone.
LORELAI
Hey. Hi, I'm Lorelai. I just wanted to meet you before Luke had a chance to fill your head with all kinds of little lies about me.
JESS
Hi.
LORELAI
You know, you should meet my daughter. She's about your age. She can show you where all the good wilding goes on. . . .Okay, well, it's nice to meet you. I hope you like it here. . . . . So, class dismissed.
LUKE
Uh, are you hungry 'cause I can... [Jess goes upstairs]
LORELAI
So that's Jess?
LUKE
Yup.
LORELAI
Very chatty.
LUKE
He's adjusting. He just got here. He probably just went out and realized there are twelve stores in this town devoted entirely to peddling porcelain unicorns. I've lived in this town my entire life, I still can't believe it.
LORELAI
I'm sure that's it.
LUKE
He'll be fine in a few days.
LORELAI
Hey, listen, I have a fabulous idea. What are you doing tomorrow night?
LUKE
Why?
LORELAI
Why don't you and Jess come over for dinner?
LUKE
Dinner?
LORELAI
Sookie will cook, Rory will be there. It'll be a little 'Hey, welcome to Stars Hollow and see, everyone here's not straight out of a Fellini film' kind of an evening.
LUKE
Okay, that would be nice, thanks.
LORELAI
You're welcome.
LUKE
You won't bring up the bed?
LORELAI
Oh no, I'll definitely bring up the bed.
[Luke walks away. Rory walks in and sits at the counter next to Lorelai.]
RORY
Oh my God, I hate her.
LORELAI
Ah, me too.
RORY
You have no idea who I'm talking about.
LORELAI
Solidarity sister.
RORY
Paris.
LORELAI
Ugh. Well, that I should've guessed.
RORY
She thinks she can torture me off the paper and she can't.
LORELAI
No, she can't.
RORY
I have never met anyone like her before. Her insistence on holding onto this stupid grudge that is based on nothing and will never ever end shows an amount of commitment that I would've never thought possible. I'm beginning to admire her.
LORELAI
First day sucked?
RORY
Just the paper stuff sucked, the rest of the stuff was good.
LORELAI
Good, I'm glad to hear it. Did you happen to run into Max?
RORY
Actually, no.
LORELAI
Really?
RORY
Yeah, our paths just didn't cross.
LORELAI
Isn't he your Lit teacher?
RORY
Yeah, but I do have really tall people sitting in front of me.
LORELAI
Rory.
RORY
I saw him in the hallway and I walked the other way and...
LORELAI
Why?
RORY
I don't know. I thought that's what you'd want me to do.
LORELAI
Just because Max isn't apart of my life anymore doesn't mean he can't be apart of yours. He has to be apart of yours. You have to see him and talk to him, and that's okay. That's good. I know everything seems screwed up right now, but I don't want you to avoid him, especially not on my account. Okay?
RORY
All right.
LORELAI
I am sorry that I put you in this position.
RORY
That's okay. It's going on the list.
LORELAI
My God, that list is getting long.
RORY
You have no idea.
CUT TO OUTSIDE
[Rory and Lorelai come out of Luke's and walk down the sidewalk.]
LORELAI
We are having a little gathering tomorrow night.
RORY
What kind of gathering?
LORELAI
Well, Luke's nephew's here, and I thought we could try to make him feel a little more at home.
RORY
Did you meet him?
LORELAI
Sort of.
RORY
What's he like?
LORELAI
Well, he's not gonna be subbing for the new dodo on the Regis show any time soon, let's put in like that.
CUT TO LUKE'S APARTMENT
[Jess is sitting on his bed smoking and shuffling cards as Luke walks in.]
LUKE
So you get unpacked?
JESS
Yup.
LUKE
Get enough space in the closet?
JESS
Plenty.
LUKE
You hungry?
JESS
Eighteen.
LUKE
What?
JESS
Just counting how many questions 'til we hit twenty.
LUKE
Okay, never mind. [phone rings, Luke answers] Yeah? Yeah, Liz, he got here fine.
JESS
Got here at ten this morning.
LUKE
Okay, hang on a sec. Jess? [holds out the phone]
JESS
Pass.
LUKE
Jess, come on.
JESS
Nope.
LUKE
What am I supposed to tell her?
JESS
Tell her I gotta take another crack at that closet. You know, I think I hung my Tool T-shirt next to my Metallica T-shirt and they don't really get along.
LUKE
You really want me to tell her that?
JESS
You think a different band combo would sell it more?
LUKE
[on phone] Yeah, Liz, Jess is gonna have to call you back. Yeah, he's helping me out with a shelf thing and his hand are full...Yeah, I'll tell him. Okay, bye. [hangs up] She said to tell you that your stuff will be here on Friday.
JESS
Great, we'll have a party.
LUKE
You know, your mom thinks this is. . .you know, for the best and for your own good and. . . Anyhow, I guess you'll just call her when you feel like it.
JESS
You wanna play some poker? Five bucks a hand?
LUKE
No.
JESS
Ten?
LUKE
No.
JESS
I can't go any higher than ten.
LUKE
Jess.
JESS
Okay, fifteen
LUKE
Yeah, I don't wanna play poker.
JESS
You sure?
LUKE
I'm sure.
JESS
Okie dokie.
LUKE
So, listen, Lorelai - you met her today, remember? Anyhow, um, she invited us to her house tomorrow night for dinner. Her daughter Rory, who you didn't meet but you'll like 'cause she's a lot like Lorelai, but she's got a slightly tighter grasp on reality. Anyhow, she'll be there, and you know, it'd be a...I don't know, it'd be a chance for you to meet more people and so I, I said yes.
[Jess grabs his coat and walks out.]
CUT TO CHILTON
[Rory is sitting alone at the table waiting for the newspaper meeting to start. Paris walks in.]
PARIS
Oh, hello.
RORY
Hi.
PARIS
You're early.
RORY
Yeah, well I felt so bad about the mix up last time, I wanted to make sure it didn't happen again. It won't.
[Other students walk in for the meeting and sit at the table.]
MADELINE
Hey, did you hear that Kimber Slately and Tristin are a major item?
LOUISE
I thought that Kimber and Shawn Asher were this year's John and Jackie.
MADELINE
Nope, Shawn is with Deeds McGuire now, which pushed Jeff Trainer into Dottie Lords' arms leaving Madison Maylands alone for the first weekend since he became captain of the lacrosse team.
LOUISE
Wow, you know so much so soon. You have a gift.
MADELINE
I know. Hey Paris, what do you think about me writing a gossip column for The Franklin?
PARIS
Huh. I don't know. That's a hard one. I mean, this is The Franklin, a newspaper that's been around for almost a hundred years. There have been at least ten former editors of The Franklin that have gone on to work at the New York Times. Six have gone onto the Washington Post. Three are contributing editors at the New Yorker. I think one even went on to win the Pullitzer Prize. But never mind them. I could be the first editor in the history of The Franklin to introduce a column exclusively devoted to who Biffy's boffing today. Quandary. You know, I'm gonna have to get back to you on that one.
MADELINE
Okay.
TEACHER
Oh good, we're all here. And prompt, lovely. Well, I've read everyone's article, and they were all extremely well done. Snappy, informative, well-researched. Paris, you should be very proud of the team you've assembled here this year.
PARIS
Thank you.
TEACHER
I mean, when you've got a reporter who can take an incredibly mundane and seemingly unimportant subject like the re-paving of the faculty parking lot and turn it into a bittersweet piece on how everybody and everything eventually becomes obsolete, then you've really got something. Miss Gilmore, I was touched.
RORY
I owe it all to Paris.
TEACHER
I would strongly advise that next time you give Miss Gilmore something with a little more meat to it.
PARIS
Oh, yeah, great idea.
TEACHER
Okay, let's get down to work here. We've got a layout to put together.
[Rory walks to a computer and sits down. Paris walks over to her.]
PARIS
Well, congratulations.
RORY
Thank you.
PARIS
You must be very proud of yourself.
RORY
Well, I'm not hiding when I pass a mirror.
PARIS
I guess it's part of my job as editor to make sure that our best writer's are writing our best pieces, so I'm going to give you one of our best pieces.
RORY
Uh huh.
PARIS
Front page, lead story, above the fold.
RORY
Get to the catch Paris.
PARIS
No catch.
RORY
No catch?
PARIS
I'd like to start out year off with a profile on the teacher voted most popular from the year before. You know, an in-depth, no holds barred interview. Everybody wants it. You have it.
RORY
You're kidding.
PARIS
Nope.
RORY
Well, thanks.
PARIS
You're welcome. So go ahead and set up that interview with Mr. Medina as soon as possible.
RORY
What?
PARIS
I know it's short notice but I'd love it to lead off the first edition.
RORY
Mr. Medina?
PARIS
He was the winner by a landslide.
RORY
But...
PARIS
I'm sorry, is there a problem? I mean, is there some reason why you wouldn't want to interview him? After all, you of all people should be able to get the most in-depth story out of him, especially since he and your mother are involved. They are still involved, aren't they?
RORY
Let's just leave my mother's personal life out of this, okay?
PARIS
Oh, that sounds bad.
RORY
It's not bad, it's just none of your business.
PARIS
Fine. You want the interview or not?
RORY
Yes, I want the interview.
PARIS
Good. Get me something more than his favorite color, okay?
CUT TO LORELAI'S HOUSE
[Sookie and Jackson are in the kitchen cooking.]
SOOKIE
Maybe I should make grilled cheese.
JACKSON
But you're making pot roast.
SOOKIE
But not everybody likes pot roast.
JACKSON
Well, then they can have the chicken wings, the mashed potatoes, the four different kinds of salad that you're making in addition to the pot roast.
SOOKIE
Yeah, I guess you're right.
JACKSON
So I should start slicing the cheese?
SOOKIE
Would you? Oh, that'd be great.
[Lorelai walks into the kitchen.]
LORELAI
Oh, wow, something smells good.
SOOKIE
It's the garlic.
JACKSON
Three heads of it.
LORELAI
Nice.
SOOKIE
I want everything to be perfect. We are gonna make this kid think that he died and went to heaven.
JACKSON
Or Henry the Eighth's house.
[Lorelai knocks on Rory's bedroom door.]
LORELAI
Milady?
RORY
Come in.
[Lorelai opens the door, Rory is sitting at her computer.]
LORELAI
Hey, you joining the festivities?
RORY
In a sec.
LORELAI
You sound crabby.
RORY
I'm concentrating.
LORELAI
Okay, don't concentrate too hard. Boys like 'em dumb, right Jackson?
JACKSON
If you can navigate yourself around a tree, keep on walking.
[There's a knock at the front door]
LORELAI
Coming!
SOOKIE
What if he doesn't do dairy?
CUT TO FRONT HALLWAY
[Lorelai opens the front door, Luke and Jess are standing there.]
LORELAI
Hey, perfect timing. Sookie's about to break her own record for the most food served outside the Roman Empire.
LUKE
Sounds great.
JESS
Sure does.
LORELAI
So, come on in.
[They walk inside. Jess goes into the living as Luke and Lorelai keep talking in the hallway.]
LUKE
Sorry we're a little late. We had a little misunderstanding about what time we're actually supposed to leave to come here.
LORELAI
It's okay. How's it going?
LUKE
Oh, well, not bad. Oh, the bed popped.
LORELAI
Yikes. Was anyone in it?
LUKE
Me.
LORELAI
You?
LUKE
Yeah, I let him take the real one.
LORELAI
Well, that was very nice of you. Hey Jess. Wanna come on in the kitchen?
CUT TO KITCHEN
LORELAI
Sookie, Jackson, I want you to meet Luke's nephew. This is Jess.
SOOKIE
Do you eat cheese?
JESS
What?
JACKSON
Oh my God, this is the greatest lemon I have ever grown. I mean, this is a great lemon. Sookie, you gotta try this lemon. Isn't it a great lemon?
SOOKIE
That is a great lemon.
JACKSON
Try it, it's a Meyer.
LORELAI
Jackson grows fruit and then scares people with it. Rory, they're here.
RORY
Coming. [sees Jess] Hey.
JESS
Hey. [walks into Rory's room]
RORY
I'm Rory.
JESS
Yeah, I figured.
RORY
Nice to meet you.
JESS
[looking at bookshelf] Wow, aren't we hooked on phonics.
RORY
Oh, I read a lot. Do you read?
JESS
Not much. [takes a book off the shelf]
RORY
I could loan you that if you want. It's great.
JESS
No thanks. [puts it down]
RORY
Well, if you change your mind...
LORELAI
[from the doorway] Okay, we really need to get Jackson away from the lemons now, so we're moving the feast in the living room. [walks away]
RORY
Be right there.
JESS
So do these open? [looking at windows]
RORY
Oh yeah, you just have to unlatch them and then push.
JESS
Great. Shall we?
RORY
Shall we what?
JESS
Bail.
RORY
No.
JESS
Why?
RORY
Because it's Tuesday night in Stars Hollow. There's nowhere to bail to. The 24-hour mini-mart just closed twenty minutes ago.
JESS
So we'll walk around or sit on a bench and stare at our shoes.
RORY
Look, Sookie just made a ton of really great food, and I'm starving and though it may not seem like it right at this moment, it's gonna be fun. Trust me.
JESS
I don't even know you.
RORY
Well, don't I look trustworthy?
JESS
Maybe.
RORY
Okay, good. Let's eat. [walks into kitchen] You want a soda?
JESS
Oh, I'll get it.
RORY
Okay.
[Rory gets a soda and walks into the living room. Jess walks to the fridge, takes out a beer, and goes out the back door.]
CUT TO LIVING ROOM
[A table is set up in the living room. Everyone stands around it loading up their plates.]
SOOKIE
You know ham was originally made out of rice?
JACKSON
What?
SOOKIE
Mm hmm.
LORELAI
Sookie...
LUKE
Hey Rory, where's Jess?
RORY
He's getting a soda.
LORELAI
Here. [hands Luke a plate]
LUKE
I'm sorry, you must've mistaken me for you.
LORELAI
Ooh, too much?
SOOKIE
Oh, I forgot the garlic bread.
LORELAI
I'll get it.
CUT TO KITCHEN
[Lorelai walks in, takes the bread out of the oven, then looks around for Jess. She walks out the back door.]
CUT TO BACK PORCH
[Lorelai walks out and finds Jess opening the beer.]
LORELAI
Oh, for me, hey, thanks. [takes a sip] Refreshing. So what, you're not hungry?
JESS
Not really.
LORELAI
Well, Sookie made you some grilled cheese if you don't like pot roast.
JESS
Oh, well, if I'd had known that...
LORELAI
Let me guess, you don't want to be here?
JESS
Doesn't matter.
LORELAI
I mean, here in Stars Hollow.
JESS
Well geez, Ms. Gilmore, why would anyone not want to be here in Stars Hollow? That just sounds plum crazy.
LORELAI
Ugh, Jess, let me give you a little advice. The whole 'my parents don't get me' thing, I've been there.
JESS
You have, huh?
LORELAI
Yes, I have. I've also done the 'chip on my shoulder' bit. Ooh, and the surly, sarcastic, 'the world can bite my ass' bit, and let me tell you, I mastered them all, in heels, yet. And everything you're feeling might be totally justified, maybe you are getting screwed. But Luke is a great guy. He's very special, and he really wants to take care of you and make things right for you. You're incredibly lucky to have him. If you give this situation half a chance, you might be surprised at how good it can be, how much you like living here, and how comfortable it feels to have someone like Luke you can really depend on.
JESS
What are you sleeping with him or something?
LORELAI
Excuse me?
JESS
I don't know. The whole starry eyed 'you're so much better off, just give it a chance' speech. You're either really naïve, or you're getting some.
LORELAI
Ugh. There have been very few moments in my life where I have actually wished I had one of those enormous cream pies you can just smash in someone's face, but this is definitely one of them.
JESS
Well, now, that's not very neighborly.
LORELAI
Hey, you know what, this is my house, and I choose how I get talked to in it, ha ha.
JESS
You know, you don't know anything about me, or my life, or my mom, or Luke, so why don't you Doctor Laura someone else.
LORELAI
I'm going inside, stay out of my fridge.
CUT TO KITCHEN
[Lorelai walks in from the back door and starts putting the garlic bread in a basket. Luke walks in.]
LUKE
Where's Jess?
LORELAI
Outside working on his "Breakfast Club" audition. He's getting good.
LUKE
What?
LORELAI
Luke, I'm sorry. That kid is way more screwed up than you think he is.
LUKE
What are you talking about?
LORELAI
I catch him outside with a beer, I don't even bust him on it, I just...I try talking to him...
LUKE
What do you mean, talk to him? What did you say?
LORELAI
I said he's got a good thing going here with you and he shouldn't blow it, and then, well then he just got charming.
LUKE
What are you doing talking to him about stuff like that?
LORELAI
I'm trying to help you.
LUKE
I don't need your help.
LORELAI
Uh, yeah you do.
LUKE
Oh, here we go again with this 'I'm not prepared for this' crap.
LORELAI
This is not crap, this is the truth. Luke, you should've heard him talking.
LUKE
I don't need to hear him talking, he's my nephew and I know what I'm doing. And I'm getting a little tired of your condescending...
LORELAI
I am not being condescending.
LUKE
Oh, you have a kid, so you know everything, right?
LORELAI
I have a kid, so yeah, I know a little more than you do.
LUKE
You know, you ever think maybe you just got lucky with Rory? I mean, you did get pregnant at sixteen. That doesn't show the greatest decision making skills, now does it?
LORELAI
Wow, two pies.
LUKE
What the hell you talking about?
LORELAI
Nothing. I'm talking about nothing. And you won't have to hear my opinion on anything ever again, okay?
LUKE
Oh, don't tease.
LORELAI
Go find Jess. [walks away]
LUKE
Don't tell me what to do. [goes out the back door]
CUT TO OUTSIDE LUKE'S DINER
[Rory are Lorelai are standing in front of the diner.]
RORY
You're being completely childish.
LORELAI
Am not.
RORY
So what, we're never gonna go into Luke's again? We're just gonna starve?
LORELAI
Rory, this was a bad one, okay? This was not Nick and Nora, this was Sid and Nancy, and I'm not going in there.
RORY
But the coffee is in there. And it's Danish Day. Are you seriously telling me that you're gonna let a stupid fight get in the way of Danish Day?
LORELAI
No, I'm not.
RORY
Good.
LORELAI
So go in there and order two coffees and two Danishes to go.
RORY
You're kidding, right?
LORELAI
And don't forget the napkins.
RORY
Mom, he's gonna know what's going on. He's not stupid.
LORELAI
He cannot prove that you're not ordering all that for yourself, can he? No, so go on. Scoot, scoot. Mommy's right here.
CUT TO INSIDE LUKE'S
[Rory walks up to Luke at the counter.]
RORY
Hey Luke.
LUKE
Rory.
RORY
Um, I'll have two coffees and two cherry Danishes to go, please.
LUKE
Two coffees and two cherry Danishes.
RORY
Oh, and some napkins.
LUKE
One of these is for her isn't it?
RORY
Who? Oh, no no no. They're all for me. I am super hungry today. I was debating ordering three, but I'll tell you how I feel after two.
LUKE
Tell you what, I'll give you one Danish and one cup of coffee, you can sit over there and eat, and when you're finished them right over there where I can see you, then I'll bring you a second one.
RORY
You're really just gonna stand there and watch me eat a Danish?
LUKE
Cable's out. I'm starved for entertainment.
RORY
Okay, this is insane. So you guys had a fight, big deal. You know you're gonna make up anyway, and what better day to make up than Danish Day, the happiest of all days. The day when we all say, 'hey, let's forgive and forget over a nice Danish and a cup coffee.'
LUKE
One Danish, one cup of coffee, take it or leave it.
RORY
I'll take it. I still think you're being silly.
[Luke hands her a cup of coffee and a paper bag.]
LUKE
Thank you for sharing. Come back soon.
CUT TO FRONT OF DINER
[Rory walks out carrying the bag and the coffee and walks over to Lorelai.]
LORELAI
Well?
RORY
He would only sell me one.
LORELAI
Ugh! Didn't you say they were both for you?
RORY
Yes I did, and he knew that I was lying.
LORELAI
Did you do the blinky thing? You always do the blinky thing when you're lying.
RORY
I didn't have to do the blinky thing. He knows you well enough to know that you're not gonna go a whole day with no coffee and especially no Danish.
LORELAI
Ugh!
RORY
Why don't you go in there now and just make up?
LORELAI
Why don't you give me half your Danish and some coffee?
RORY
I'll give you the Danish but I'm keeping the coffee.
LORELAI
What is a Danish without coffee?
RORY
The eternal question springs up again.
LORELAI
There's no point in even eating a Danish without coffee.
RORY
I'm going to school.
LORELAI
Sad Danish, lonely Danish, step Danish.
RORY
I'll see you tonight. [walks away]
LORELAI
But... [sees a little boy crossing the street] Hey, kid, do me a favor? Come here.
[Luke watches through the window as Lorelai tries to get the kid to buy her coffee.]
LORELAI
Please, please...
[the kid runs away, Lorelai looks at the diner and pouts. The phone rings in the diner; Luke answers]
LUKE
Luke's...what is it Taylor? Slow down, you're babbling. Well, how do you know it was Jess? . . . Okay, Taylor, I'll talk to him, but if he tells me he didn't do it and nobody saw him do it, then he is off the hook, understand? [hangs up]
CUT TO CHILTON
[Rory walks down the hallway and stops in front of a door. She pauses a second before walking inside. Inside the classroom, Max is sitting at a desk.]
RORY
Hi.
MAX
Rory, hi.
RORY
Am I too early? 'Cause I can...
MAX
No, no.
RORY
...come back some other time.
MAX
This is fine.
RORY
Tomorrow maybe.
MAX
Now is good.
RORY
This is weird.
MAX
Yeah, it is.
RORY
I don't really know how to act.
MAX
I'm not completely sure of that myself. We could sit.
RORY
Sit, sure, that's good. Barbara Walters sits, or walks sometimes if the person she's talking to has a horse or a ranch or a big backyard sometimes, but usually she just sits. Okay, so I guess we should just start. [she sits across from him]
MAX
Good idea.
RORY
Do you mind if I tape this?
MAX
Oh, no, not at all.
RORY
Okay. [turns on tape recorder] So I guess I'll just dive in. Full name?
MAX
Max Arturo Medina.
RORY
You're kidding.
MAX
No, I'm not.
RORY
Where does that come from?
MAX
My father's butcher was named Arturo.
RORY
Really?
MAX
And when my mother was pregnant with me, she went through this phase where all she would eat was lamb chops. So Arturo would cut her the extra large lamb chops and only charge her for the regular sized lamb chops, which in my family made you eligible for sainthood.
RORY
Hence the Arturo.
MAX
That's right.
RORY
Well, I assume that you are aware that you were overwhelmingly voted the student's favorite teacher last year.
MAX
I teach an exceptional bunch of young people. I'm glad they seem to like me as much as I like them.
RORY
Have you ever thought of doing something other than teaching?
MAX
Well, my father wanted me to be a doctor, and my mother wanted me to be President, and I wanted to be. . . a clown.
RORY
What?
MAX
When I was a kid, I went to the circus and I saw this man who was dressed in this crazy outfit, and he could juggle and he rode on an elephant and the people loved him and I thought, 'Well, that's it. That's for me.'
RORY
How long did that last?
MAX
Junior high. And then slowly I figured out that I wanted to teach. Plus, when you told people that you wanted to be a clown they tended to get very frightened.
RORY
Mom took me to the circus once, when I was really little and, um, this clown knocked into me and I dropped my cotton candy, and we didn't have a lot of money back then so she couldn't buy me another one, and I started crying. So she literally chased the clown on stage, ripped off his wig and said she wouldn't give it back to him unless he bought me another cotton candy.
MAX
Which I bet he did.
RORY
It was twice as big as the first one and I threw up all the way home.
MAX
Yeah, that sounds like your mom.
RORY
Do you ever regret the fact that you didn't become a clown?
MAX
I don't really believe in regrets. All my experiences, even the ones that didn't turn out the way I wanted them to, I firmly believe they were all worth it.
[Rory turns off the tape recorder]
RORY
I just want you to know, I really wanted you to be my stepfather.
MAX
I just want you to know, I really wanted to be your stepfather.
[They're silent for a few seconds, then Rory turns back on tape recorder.]
RORY
So, what would you say are the great challenges facing high school graduates today?
MAX
Well, a myriad of things really...
CUT TO OUTSIDE STARS HOLLOW HIGH
[Luke is waiting out front as Jess walks out.]
LUKE
Hey. How was school?
JESS
Great.
LUKE
You learn anything good?
JESS
Oh yeah, tons of things. I've got gold stars plastered all over my forehead.
LUKE
I had an interesting call today. Wanna know who it was from?
JESS
Not really.
LUKE
It was from Taylor Doose, you know he owns the market.
JESS
If you say so.
LUKE
He said you came in today.
JESS
He did?
LUKE
And he said you took some money out of a little donation cup to help repair the bridge. I told him he was crazy, you wouldn't do that, you weren't a thief, that he was just trying to start trouble, then I hung up on him. But don't get me wrong, I enjoy hanging up on Taylor, and he is crazy, but I was just wondering if maybe any of the other things he said were true.
JESS
What do you think?
LUKE
I think that if you tell me that what he's saying is not true, then I'm gonna believe it's not true.
JESS
Okay, it's not true.
LUKE
That doesn't sound very convincing.
JESS
Look, what exactly do you want from me? You bring me here to this place, you put me in a school that says the Pledge of Allegiance in six different languages, two of which I've never heard of before. You take me away from my home, my friends, and now you want what from me?
LUKE
I'm trying to help you.
JESS
Well, stop trying. Stop talking to me, stop following me, and stop asking me questions. Just stop.
LUKE
That's what you want?
JESS
Yes.
LUKE
That's really what you want?
JESS
Yes.
LUKE
Fine, you got it.
JESS
Thank you.
LUKE
You're welcome.
[As they both walk away over a bridge, Luke pushes Jess into the lake.]
CUT TO LORELAI'S KITCHEN
[Rory's sitting at the kitchen table doing homework as Lorelai comes home.]
LORELAI
Rory?
RORY
Kitchen.
[Lorelai walks into the kitchen and takes a bag of coffee from the fridge]
LORELAI
Nowhere in either Stars Hollow or it's surrounding counties can you get a decent cup of coffee. I swear, it's like a big stupid coffee conspiracy.
RORY
Why don't you just pour the water right into the bag?
LORELAI
Oh, you jest, but believe me, the thought has crossed my mind. It's looking better and better all the time. Where are you going? I'm not through complaining.
RORY
I just have to get some more notes I need.
LORELAI
Hmm. What's this?
RORY
What?
LORELAI
This that you're working on?
RORY
Oh, that's my interview with Max.
LORELAI
What interview with Max?
RORY
The paper wanted to do a piece on the student's favorite teacher from the previous year and Paris assigned it to me when she caught wind of the fact that. . .
LORELAI
Wow, nice kid that Paris.
RORY
Yeah. It wasn't that bad though.
LORELAI
No?
RORY
No. It was actually good. It gave us a chance to talk about some things.
LORELAI
Well good.
RORY
Yeah, it was good. Well, I'm gonna buy a folder for it before the store closes.
LORELAI
Okay. Some good writing here, missy.
RORY
Yeah?
LORELAI
Really good.
RORY
It's not quite up to the re-paving piece yet but I'll get it there.
LORELAI
Hmm. Boy, he sounds like a hell of a guy, doesn't he?
RORY
Yeah, he does. [leaves]
LORELAI
I sure know how to dump 'em, don't I?
[there's a knock at the back door; Lorelai opens it, Luke walks in.]
LORELAI
Hey.
LUKE
I just pushed him in a lake.
LORELAI
What?
LUKE
Jess. I got this call from Taylor that he thinks Jess stole the bridge money and I went to confront him and he was being impossible and I just pushed him in a lake. This is bad.
LORELAI
That depends, can he swim?
LUKE
He's fine. He's wet. I just, I lost it, you know. You were right. I am in so far over my head that I can't see my own hat.
LORELAI
Try turning it around
LUKE
What was I thinking? Why did I say yes to this?
LORELAI
Because you saw a kid in desperate need of some help and you thought you would throw him a line.
LUKE
But me, raising a kid? I don't even like kids. They're always sticky, you know, like they've got jam on their hands. Even if there's no jam in the house, somehow they've always got jam on their hands. I'm not the right guy to deal with that. I have no patience for jam hands.
LORELAI
Luke, slow down. First of all, Jess is seventeen, so I think he's probably past the jam hands stage by now. And second of all, you can do this. If you want to, you are totally capable. But you can't just buy a bed and some sheets and expect the rest to take care of itself. That will not work.
LUKE
I swear, I'm gonna kill Liz.
LORELAI
Hey, Liz is not the point anymore. Liz is not here, Jess is here. Focus on him. What are you gonna do about him?
[Babette walks in the back door.]
BABETTE
Lorelai, sugah? I hate to bother you, but have you seen Pierpont?
LORELAI
Um no. Why?
BABETTE
It's the darndest thing. I came out just now and I noticed that he was gone. Just like that.
LUKE
I'm sorry, who's missing?
BABETTE
Pierpont, gorgeous.
LORELAI
Her gnome.
LUKE
Her gnome?
BABETTE
The one with the pipe.
LUKE
Oh.
BABETTE
Oh God, I hope nothing's happened to him. You get so attached to their little faces, sometimes you can hear them talk to you at night.
LUKE
You know, I wouldn't worry Babette. I think you're gonna see Pierpont again really soon. [walks to the front door]
LORELAI
Oh, where you going?
LUKE
I have to take care of something. I'll see you tomorrow at the diner for your Danish, right?
LORELAI
Tomorrow isn't Danish Day.
LUKE
Just be there.
LORELAI
Yes, sir.
CUT TO LUKE'S APARTMENT
[Jess is on his bed smoking; Luke walks in with a bag and starts dropping things on his bed.]
LUKE
Okay, we got the patch, the gum, hypnosis tapes, Chinese herbs, self-help books, and several pictures of diseased lungs to hang on the fridge. Pretty, huh? This is done. [puts out his cigarette]
JESS
Hey!
LUKE
You will get up, you will go to school, you will come home, you will work in the diner until closing, you will do your homework and then you will go to bed. Where's the gnome?
JESS
The what?
LUKE
The weekends are for chores and selected pre-approved outings, i.e. cavalla studies, freeway beautification projects, Color Me Mine pottery painting, all discussible options. You will not steal, you will pay back Taylor Doose, you will graduate for high school, and you will return Pierpont to his yard.
JESS
You can't just...
LUKE
I can just. I am not letting you just fall off the face of the earth. You will not drift, I won't let it happen. Now I don't know if this is the right way to handle this, but this is the way it's being handled, and that my friend, is the end of this discussion. [Jess gets up and walks away] Where are you going?
JESS
Out. [leaves]
LUKE
Well, at least I asked.
CUT TO OUTSIDE
[Jess is walking down the street and sees Rory come out of a store. He walks over to her.]
JESS
Hey.
RORY
Hey yourself.
JESS
What are you doing out here?
RORY
I needed something for school. What about you?
JESS
Oh yeah, same thing.
RORY
Uh huh. So, that was quite a disappearing act you pulled the other night.
JESS
Potlucks and Tupperware parties aren't really my thing.
RORY
Too cool for school, huh?
JESS
Yes, that is me.
RORY
What are you doing?
JESS
Oh this? Nothing. [does an illusion with a coin] Just another little disappearing act.
RORY
Little tip?
JESS
Yeah?
RORY
If you ever want to speak to me again, don't pull that out of my ear.
JESS
So I assume the nose is off limits too?
RORY
Any place you wouldn't naturally find a coin, let's leave it that way.
JESS
So what are you doing now?
RORY
I have some homework to finish.
JESS
Okay, then I'll leave you this last little trick. [hands her a book]
RORY
You bought a copy? I told you I'd lend you mine.
JESS
It is yours.
RORY
You stole my book.
JESS
Nope, borrowed it.
RORY
Okay, that's not called a trick, that's called a felony.
JESS
I just wanted to put some notes in the margins for you.
RORY
What? [looks through the book] You've read this before.
JESS
About forty times.
RORY
I thought you said you didn't read much.
JESS
Well, what is much? Goodnight Rory.
RORY
Goodnight Dodger.
JESS
Dodger?
RORY
Figure it out.
JESS
Oliver Twist.
[Rory smiles and nods. They both walk away.]