T2E7: “Like Mother, Like Daughter”
Título em Português: “Filho de Peixe”
Roteiro: Joan Binder Weiss
Direção: Dennis Erdman
Originalmente exibido em: 13 de novembro de 2001
OPEN AT LUKE'S DINER
[Lorelai and Rory walk in and sit at a table.]
LORELAI
Wow, busy today. Has Luke been advertising or something?
RORY
He gets good word-of-mouth.
LORELAI
Well, we have to start spreading bad word-of-mouth so we can always have a table.
RORY
Well, that would be wrong, but sure. Vermin?
LORELAI
Or no potable water.
RORY
Or no potable vermin.
LORELAI
That would scare them away.
RORY
Or confuse them away.
[Lorelai sees Luke talking with one of the customers.]
LORELAI
It's so weird to see him talking like that.
RORY
Like what?
LORELAI
Just all friendly. He's usually only good for a quick couple of gruff monosyllables, and then he's off.
RORY
He is the master of the monosyllable.
LORELAI
He never flirts with any of the women, do you notice that?
RORY
He's flirted with you numerous times.
LORELAI
Don't start.
RORY
Hey, flirt with him now, we need coffee.
LORELAI
Oh Luke, we're just dying for some refreshments.
LUKE
Keep your pants on.
LORELAI
Hmm. He can turn it off and turn it on so fast.
RORY
Hey, I found a CD under the front seat of our car. Did you lose one?
LORELAI
Not that I know of, but I'm kind of sloppy with them.
RORY
So, you didn't hide it?
LORELAI
Why would I hide a CD?
RORY
I don't know. Bay City Rollers?
LORELAI
It's not a Bay City Rollers CD.
RORY
How do you know?
LORELAI
Because I know what's not hidden under that seat.
RORY
Ha! Because you know that Barry Manilow is under that seat.
LORELAI
Ugh.
LUKE
Where's Barry Manilow?
RORY
Under Mom's seat.
LORELAI
All right, I confess, I was hiding Barry Manilow.
RORY
You confess!
LORELAI
But he was very big when I was very small and it's the live version where he does a medley of all the commercial jingles he's written.
RORY
Don't worry. Everyone's allowed a guilty pleasure now and again.
LORELAI
Hm, very diplomatic from the girl who had the Bryan Adams poster above her bed for two years.
RORY
Fink.
LORELAI
Do you have a guilty pleasure Luke?
LUKE
Nah.
LORELAI
Are you into music?
LUKE
Sure.
LORELAI
Monosyllabic man strikes again.
RORY
We'll have two muffins please.
LUKE
You got it. [walks away]
LORELAI
Do you think he's dated anyone since Rachel?
RORY
I don't know. Where would he meet anyone? He's either here or in his apartment.
LORELAI
Maybe he has a secret life. Maybe he's got a little chippy stowed away in Mount Pilot.
RORY
Well, we'll know eventually.
LORELAI
I say he's a bachelor for life.
RORY
I say there's someone for everyone. [starts laughing]
LORELAI
What?
RORY
Uhh, Barry Manilow.
LORELAI
Ugh, stop.
RORY
[sings] Looks like we made it...
LORELAI
Oh yeah? Spice Girls.
RORY
Duran Duran.
LORELAI
Dido.
RORY
Olivia Newton John.
LORELAI
The Macarena. You and Lane for hours and hours, for weeks on end.
RORY
Hey, we were mocking. You can't mock the mocking.
LORELAI
All right. It's getting ugly. Let's stop.
RORY
Let's be friends again.
LORELAI
All right.
RORY
[giggles]
LORELAI
Stop it.
[opening credits]
CUT TO LORELAI'S HOUSE
[Rory is in the kitchen, Lorelai walks in.]
LORELAI
Agh.
RORY
What?
LORELAI
The car won't start.
RORY
What happened?
LORELAI
I don't know. It's just dead. I turned the key and it makes a horrible sound.
RORY
What kind of sound?
LORELAI
Like rrrar, rrrar, rrrar. You know, but less feminine.
RORY
That's the battery.
LORELAI
Well, what did I ever do to make the battery mad?
RORY
Let's see. You've kept the radio on all night, killing the battery. You've kept the lights on all night, killing the battery. You've kept the door open, which keeps the ceiling light on, all night, killing the battery.
LORELAI
Okay, well then I've done multiple things to make the battery mad.
RORY
You gonna walk?
LORELAI
I'm wearing heels.
RORY
Change your shoes.
LORELAI
I'd have to change my outfit.
RORY
Change your outfit.
LORELAI
I'd have to walk upstairs.
RORY
Suddenly I'm living with Zsa Zsa Gabor.
LORELAI
I'm gonna call Michel.
RORY
This thing is too small.
MICHEL
Independence Inn.
LORELAI
Hold on Michel. That backpack is not too small.
RORY
It's miniscule.
LORELAI
Just take your schoolbooks and leave some of the other books.
RORY
I need all of my other books.
LORELAI
You don't need all of these.
RORY
I think I do.
LORELAI
Edna St. Vincent Milay?
RORY
That's my bus book.
LORELAI
Uh huh. What's the Faulkner?
RORY
My other bus book.
LORELAI
So just take one bus book.
RORY
No, the Milay is a biography, and sometimes if I'm on the bus and I pull out a biography and I think to myself, 'Well, I don't really feel like reading about a person's life right now' then I'll switch to the novel, and then sometimes if I'm not into the novel, I'll switch back.
LORELAI
Hmm. Still there Michel?
RORY
Yes, I. . .
LORELAI
Hold on. What is the Gore Vidal?
RORY
Oh, that's my lunch book.
LORELAI
Uh huh. So lose the Vidal or the Faulkner. You don't need two novels.
RORY
Vidal's essays.
LORELAI
Uh huh. But the Eudora Welty's not essays or a biography.
RORY
Right.
LORELAI
So it's another novel, lose it!
RORY
Unh uh. It's short stories.
LORELAI
Ugh. This is a sickness. Michel.
RORY
I am growing very old.
LORELAI
Come pick me up?
MICHEL
I am already here.
LORELAI
Put Carol on the desk and come pick me up.
MICHEL
I am not speaking to Carol. She ate my low-fat cheese.
LORELAI
Michel, come pick me up and I will buy you some cheese.
MICHEL
Low-fat cheese.
LORELAI
Low-fat cheese.
MICHEL
Low-fat American cheese.
LORELAI
Low-fat American cheese.
MICHEL
And a meringue cookie.
LORELAI
Just get over here.
MICHEL
Fine.
RORY
Ha! I made it all fit. Edna, Bill, Gore and Eudora, all safe and sound.
LORELAI
Cool. That's your French book.
RORY
Hmm? Oh, I know. I'm carrying my French book.
LORELAI
Mm hmm. You so thought that French book was already in there.
RORY
I did not.
LORELAI
You have a problem.
RORY
No I don't.
LORELAI
You're gonna tip over from the weight of that backpack.
RORY
No I'm not.
LORELAI
I'm gonna have to buy you a forklift. Bye.
CUT TO CHILTON CAFETERIA
[Rory walks in carrying her lunch tray. She sits down at a table, puts on her walkman, and starts reading a book. A woman suddenly taps her on the shoulder.]
MRS. VERDINAS
I startled you. I didn't mean to.
RORY
That's okay. I'm easily startled.
MRS. VERDINAS
I'm Mrs. Verdinas, the guidance counselor. Your name's Rory, isn't it? Rory Gilmore?
RORY
Yes. Hello.
MRS. VERDINAS
Hello. I'd love to sit and talk to you. Can we do that?
RORY
Sure. Anytime.
MRS. VERDINAS
How about after you finish your lunch?
RORY
Oh, that soon?
MRS. VERDINAS
I think soon would be good.
RORY
Okay, what's this about?
MRS. VERDINAS
We'll talk about it then.
RORY
Not even a hint?
MRS. VERDINAS
See you in a little bit.
RORY
Right. Right.
CUT TO MRS. VERDINAS' OFFICE
[Mrs. Verdinas is sitting at her desk; Rory knocks at the door.]
MRS. VERDINAS
Come in. Hello Rory, have a seat.
RORY
Thank you.
MRS. VERDINAS
So don't worry about being late for your next class. I'll write you a note if you are.
RORY
Okay.
MRS. VERDINAS
I know from your record you're a stickler for punctuality.
RORY
I am a stickler, yes. I only slipped one time last year. I hit a deer. Actually, he hit me. Or she did. Or not me, my car. But, um, then he or she ran away, and I think it turned out okay. I didn't see it again, so I can't definitively say but I did look for him or her. It's a big story for me, I'm surprised I don't tell it better.
MRS. VERDINAS
Why don't we get to the reason I asked you here?
RORY
Okay.
MRS. VERDINAS
Headmaster Charleston brought you to my attention a few weeks ago. He's worried, and after observing you a bit, I'm worried too.
RORY
You've been observing me?
MRS. VERDINAS
We've been concerned about your social behavior here at school.
RORY
What about it?
MRS. VERDINAS
You don't seem to interact much with the other students.
RORY
I do sometimes. In class, all the time.
MRS. VERDINAS
But rarely outside of class. At lunch, you're always by yourself.
RORY
That's when I catch up on my reading.
MRS. VERDINAS
And that walkman, it makes you very unapproachable.
RORY
You approached me.
MRS. VERDINAS
And you almost jumped out of your skin. What does that tell you?
RORY
That I'm jumpy. On the Fourth of July, forget it, I'm a wreck. And when the Stars Hollow orchestra begins to play in the gazebo, the guy banging the cymbals, I'm. . .it drives me nuts.
MRS. VERDINAS
Denying a problem doesn't solve a problem, Rory. Unless something changes, this could affect your future.
RORY
But I don't understand. I get good grades, isn't that enough?
MRS. VERDINAS
You know, it's not. Rory, when we make recommendations to universities on behalf of a student, that student's social skills are a big part of it. Now, I assume you want to go to a university?
RORY
Absolutely.
MRS. VERDINAS
Well, universities do not look kindly on loners.
RORY
But I'm not a loner.
MRS. VERDINAS
Really? Well, what do you think a loner is?
RORY
Loners are those guys that you see walking around wearing, I don't know, out of date clothing, bell bottoms, and they tend to carry a duffel bag with God knows what inside. That's a loner.
MRS. VERDINAS
Loners come in all different shapes and sizes, even pretty girls. Just try to improve Rory. Mix it up with others. You may even enjoy it. Start with lunch.
RORY
I don't suppose there's a lunchtime reading/walkman-listening club I can join, is there? I guess that's no.
CUT TO LORELAI'S FRONT YARD
[Lorelai and Rory sit on the porch as Kirk fixes Lorelai's Jeep.]
LORELAI
So what does she expect you to do?
RORY
She said mix it up.
LORELAI
Mix it up, what does that mean?
RORY
I guess that means going up to strange kids at school and saying, 'Hey, mind if I awkwardly butt in where I don't belong and don't want to be?'
LORELAI
The whole thing's ridiculous. Chilton is a cult.
KIRK
Lorelai, do you know what this is? [holds up a bundle of wires]
LORELAI
Um, no.
KIRK
Damn.
RORY
I don't know. Maybe there is something wrong with me.
LORELAI
Oh, don't say that.
RORY
Maybe I am a loner. I mean, you were mocking my backpack today. I might just be one step away from carrying a mysterious duffel bag.
LORELAI
Oh no, no you don't. Don't you go doubting who you are or how you should be. How dare that woman do this to you!
RORY
It wasn't just her. The whole meeting was Charleston's suggestion.
LORELAI
Well, good. It's time I called on old Schnickelfritz Charleston to tell him to stop messing with my kid's mind.
RORY
Mom.
LORELAI
No, I'm sorry. I don't like this. Schools like Chilton try to stamp out every vestige of individuality and I'm not gonna let that happen.
KIRK
It's all fixed. I found a loose terminal. I reconnected the battery and jumped it, so it's set to go.
LORELAI
Oh, thanks Kirk.
KIRK
And I'm not gonna charge you for the time I spent stuck underneath the car.
LORELAI
That's great Kirk.
KIRK
And I just want you to know that I overheard, and you're absolutely right. I carried a duffel bag and ate lunch by myself my entire school career, and I turned out just fine. [leaves]
LORELAI
I'm still going down there.
CUT TO CHILTON
[The secretary walks Lorelai into the Headmaster's office.]
SECRETARY
Ms. Gilmore is here. [leaves]
LORELAI
Hello Mr. Charleston.
HEADMASTER
Ms. Gilmore, so good to see you.
LORELAI
It's good to be here.
HEADMASTER
You know, I checked my records to remind myself why I asked you in only to discover that you had actually called for this meeting.
LORELAI
Yes I did.
HEADMASTER
I'm surprised. We don't see you often. We'd forgotten what you'd looked like.
LORELAI
Well, I'm pretty much the same. Rosy cheeks, strong of bone, sly of wit.
HEADMASTER
How nice. So why did you want to see me?
LORELAI
Well, I wanted to talk to you about Rory and uh, this ridiculous accusation about her being a loner and how that's somehow something bad.
HEADMASTER
Well, it is bad.
LORELAI
No, it's not bad, it's just her. I raised Rory to do what she wants as long as it doesn't hurt anyone else. And I don't see how her reading a book or listening to a walkman is hurting anyone.
HEADMASTER
It's hurting her.
LORELAI
I respectfully disagree.
HEADMASTER
That doesn't surprise me, based on my research.
LORELAI
What research?
HEADMASTER
When I saw your name on the appointment list, I decided to have a look at the file.
LORELAI
Ah yes, Rory's file's been of a lot of interest to you guys lately, hasn't it?
HEADMASTER
I wasn't talking about Rory's file. I was talking about yours.
LORELAI
I have a file?
HEADMASTER
You most certainly do.
LORELAI
It's tiny.
HEADMASTER
It's very thin.
LORELAI
Well that's good, right? It means I haven't gotten into a lot of trouble.
HEADMASTER
On the contrary, a thin file for a parent indicates lack of participation.
LORELAI
Oh, now wait a minute. I've participated in stuff.
HEADMASTER
You attended the bake sale.
LORELAI
And I sold stuff.
HEADMASTER
Then promptly left.
LORELAI
I was busy.
HEADMASTER
Without fraternizing with the other Chilton parents at all.
LORELAI
Busy, busy, busy like a really tall bee.
HEADMASTER
Like mother, like daughter.
LORELAI
Okay, hold on.
HEADMASTER
Ms. Gilmore, active participation in Chilton activities for a parent is vitally important.
LORELAI
But...
HEADMASTER
This is a list of organizations sponsored by Chilton. Parent groups dedicated to certain specific tasks.
LORELAI
Uh, my...
HEADMASTER
Any one of them would be honored by your participation.
LORELAI
Okay, my schedule is...
HEADMASTER
We're all tremendously busy, Ms. Gilmore. I hope you're not too busy to do what's best for you or what's best for Rory, are you?
LORELAI
No.
HEADMASTER
Excellent. Let us know what it will be.
LORELAI
I will. [stands up to leave] Oh, may I go?
HEADMASTER
Yes, you may.
LORELAI
Okay.
HEADMASTER
I'm glad you came in today. It was a good idea.
LORELAI
Yes. I'm just full of good ideas.
CUT TO LORELAI'S KITCHEN
[Lorelai sits at the table going through papers as Rory comes home.]
RORY
Hey.
LORELAI
Hey.
RORY
Hey.
LORELAI
Yeah, look Fat Albert. Get me a soda, will you?
RORY
Mom, what are you doing here? You were supposed to meet me in my Latin class after meeting with Headmaster Charleston.
LORELAI
Oh my God. I was. I totally forgot. Ugh, I'm so sorry.
RORY
Mom, come on, what happened. Did you talk to him?
LORELAI
I did. I told him that he was completely out of line with this treatment of you, that you are not a loner freak, you have plenty of friends, and you don't own a long black leather Matrix coat, and they should fall down on their kneesocks everyday that you deign to show up at that loser school.
RORY
And?
LORELAI
And then he yelled at me.
RORY
He what?
LORELAI
He pulled out a file and told me I was a bad Chilton mom.
RORY
He did not.
LORELAI
And that I don't participate in school activities.
RORY
Well, you work.
LORELAI
And I don't make posters.
RORY
You have no artistic capabilities.
LORELAI
And I don't chaperone school dances.
RORY
Does he know that you got pregnant at sixteen?
LORELAI
Basically I'm not doing my part to help further your educational future.
RORY
So we both got busted.
LORELAI
Yes.
RORY
Great.
LORELAI
Now I have to pick a group or a cause or sponsor a club or something.
RORY
This sucks.
LORELAI
But hey, I've been thinking. I mean, the whole reason we did this Chilton thing is for you to get into Harvard, right?
RORY
Right.
LORELAI
And these fanatics that run your school, they're the ones that write the letters to the fancy colleges saying things like, 'Hey she's keen, look at her' or 'Have you seen the L tattooed on her forehead, 'cause it sure is a big one.'
RORY
So you're saying we should just go along with this?
LORELAI
Yeah, go along with it. Talk to some kids, I'll hang out with their moms, and we'll get into Harvard, take over the world, then buy Chilton and turn it into a rave club. What do you say, deal?
RORY
Deal.
LORELAI
Oh, look, the Chilton Cheer Society wear matching hats. Eh? Go Harvard.
CUT TO CHILTON CAFETERIA
[Rory walks in with her tray and is about to sit down at a table by herself, but then walks over to another table.]
RORY
Hey.
FRANCIE
Hey.
RORY
There's a bad draft over there where I usually sit. It's kind of like a big downward gust. It's not exactly 'Toto, we're not in Kansas anymore', but it's still pretty darn uncomfortable, especially when you're just gotten your hair to behave. So can I sit here?
FRANCIE
Uhh, yeah.
RORY
Thanks. [sits down] Nice table. It's much more level than the one over there.
FRANCIE
Your name is Lori.
RORY
Rory.
FRANCIE
Right, Rory.
RORY
What's yours?
IVY
Francie.
RORY
You're Francie?
IVY
No, she's Francie, I'm Ivy.
RORY
Francie's spokesman.
FRANCIE
Well, I am a very important person, and everyone knows very important people never speak for themselves.
RORY
I did not know that, but I do now.
FRANCIE
That's Dijur, Lily, Seline, Lana, Asia, Anna, and Lem.
RORY
Lem.
LEM
Short for Lemon.
RORY
Oh sure.
FRANCIE
We were just discussing homecoming. Thoughts?
RORY
Great movie. Oh wait, that was Come Home. Sorry.
FRANCIE
I truly believe the whole homecoming dance ritual's be put to sleep.
IVY
Or at least assigned a new color scheme.
[Paris walks by with her lunch tray, walks back to stare at Rory for a moment, then walks away.]
FRANCIE
Hmm. Rory, huh? Do they call you Ror?
RORY
Not unless provoked.
IVY
No nickname?
RORY
Actually, Rory is a nickname. My full name is Lorelai.
LEM
Lorelai. That's a weird name.
RORY
Well, Lem, what can I say?
FRANCIE
Sounds southern. Are you a belle?
[bell rings]
RORY
Uh, no, but apparently I command them.
FRANCIE
Well, see you later your highness.
CUT TO HALLWAY
[Rory walks out of the cafeteria and runs into Paris.]
RORY
God! You're like a pop up book from hell.
PARIS
You were sitting with the Puffs. How did you do it?
RORY
The who?
PARIS
The Puffs, the Chilton Puffs. You were at their table and I wanna know how.
RORY
I don't know, I just sat down.
PARIS
Nobody just sits down with them, you have to be invited.
RORY
Paris, it's not the cosa nostra.
PARIS
No, they're the Puffs, the most influential sorority at Chilton.
RORY
Chilton has sororities?
PARIS
Only ten worth mentioning, and the Puffs, they have been number one for at least the last fifty years. My mother was a Puff, my aunt was a Puff.
RORY
I thought only colleges had sororities.
PARIS
And the connection you make with the Puffs, they last the rest of your life. My cousin Maddie got her internship at the Supreme Court because of Sandra Day O'Connor.
RORY
Sandra Day O'Connor was a Puff?
PARIS
Yes. She was puffed in 1946, became the president in '47, and in '48 she actually moved the group to the very table you sat at today.
RORY
God.
PARIS
It was quite a controversial move at the time, but she was just that powerful.
RORY
I had no idea.
PARIS
What did you say about me?
RORY
What?
PARIS
Did you tell them you hated me?
RORY
I didn't mention you.
PARIS
Because I have been killing myself trying to get invited in. I spent all of last year sucking up to Francine Jarvis.
RORY
You mean Francie?
PARIS
You call her Francie?
RORY
Oh, no, someone else did.
PARIS
I have helped her with her homework, secured her a prime spot in the parking lot, organized her locker, scrunched up the plastic strands on her pom-poms to make them fluffy. I have done everything except give her a manicure, and by God, if I had any talent with an orange stick, I would've done that too.
RORY
I know I'm not the first one to say it to you, but you're insane.
PARIS
Okay, look, I know you and me, we. . .
RORY
Shouldn't be around each other armed.
PARIS
Yes. But you have to understand. I have to get into that group, I just have to. My family's name and reputation, not to mention my entire future, all depend on me getting into that group.
RORY
It's just a clique, that's all.
PARIS
Look, all I'm asking is please don't say anything horrible about me. Don't tell them that you hate me.
RORY
Paris, come on, I'm not in their group. They don't care what I say.
PARIS
They let you sit at their table all the way through lunch, you're in.
RORY
Paris.
PARIS
You know what, never mind. Do what you want, I don't care.
CUT TO ELDER GILMORE RESIDENCE
[Lorelai and Rory get out of the car and walk to the front door.]
LORELAI
Who the hell names their kid Lemon?
RORY
Someone really into citrus.
LORELAI
Ugh, crazy crazy people.
RORY
It's just so weird that the one table I sit down at is home to the secret society.
LORELAI
I know. It's like waking up one day and realizing that everyone else in your family can pull their face off.
RORY
Yes, it's exactly like that.
[The maid opens the door]
MAID
Your mother would like you to head out to the patio. We're barbecuing tonight.
LORELAI
Thanks.
[they walk inside and head towards the patio]
RORY
Does Grandma have a barbecue?
LORELAI
I don't know. Maybe she keeps it in the secret room with the paper napkins and the mismatched sheets. Wow, she really is barbecuing.
[they walk out onto the patio, where a chef is cooking on the grill]
RORY
Hey, cool!
LORELAI
What's up, Poppin' Fresh?
RORY
Ooh, corn!
LORELAI
Nice!
[They each take a corn on the cob from the pile]
LORELAI
Thank you.
[they start eating the corn]
RORY
Mm.
LORELAI
Mmm.
[Emily walks out onto the patio]
EMILY
What is this, a refugee camp? Come inside and eat at the table.
LORELAI
Mom, the whole point of barbecuing is to eat outside.
EMILY
Animals eat outside. Human beings eat inside with napkins and utensils. If you want to eat outside, go hunt down a gazelle. Make your decision, I'll be inside. [leaves]
LORELAI
What are the odds of finding a gazelle around here?
RORY
Slim to none.
LORELAI
Okay, let's go.
CUT TO DINING ROOM
[Emily is sitting at the table as Lorelai and Rory walk in]
EMILY
I'm extremely disappointed in you Lorelai.
LORELAI
Hold on Mom. [takes off her coat, sits down at the table, puts her napkin on her lap.] Okay, go ahead.
EMILY
I had lunch with Bitty Charleston today and she told me what happened with you and the headmaster.
LORELAI
What? Geez, does that woman do nothing all day but hide under his desk with a tape recorder?
EMILY
After all we've gone through to get Rory in that school, and then you humiliate all of us by not being involved. That is just incomprehensible.
LORELAI
Hey, she wasn't involved either.
RORY
Wow, just sitting here.
EMILY
You are a grown up, you have to set an example. If she's not involved with school, then she learned it from you.
RORY
Yeah.
EMILY
How hard is it to help out just once in awhile? Join a group, attend a meeting, and all for the sake of...
LORELAI
Mom, stop already, please. I have joined a group, okay?
EMILY
You have?
RORY
You have?
LORELAI
Yes.
EMILY
Which one?
LORELAI
I'm gonna join the Booster Club, mmkay? The Booster Club, I'm going to boost.
EMILY
Well, the Boosters are a very fine organization.
LORELAI
That's why I picked 'em.
EMILY
They do very good work for the school.
LORELAI
All went into the picking process.
EMILY
And the matching sweatshirts they wear are just darling.
CUT TO CHILTON
[At the Booster Club Meeting, five women are sitting at a table in the cafeteria.]
AVA
Well, we're certainly not doing it like last year.
GINGER
God, was that awful!
MENA
It wasn't that bad.
AVA
Wasn't that bad? Mena, by the time we got finished paying for everybody's stomach to be pumped, there was no money left to buy the new bleachers.
MENA
But the salsa band was wonderful.
GINGER
This is giving me a migraine. I just...
AUBREY
I vote we take a break.
[Lorelai walks into the room.]
LORELAI
Hi. Sorry to interrupt.
AVA
It's all right. Can we help you?
LORELAI
Uh, yes, actually. . . this isn't the Booster Club, is it?
AVA
Yes it is.
LORELAI
Oh, thank God you're not wearing the sweatshirts.
AVA
Excuse me?
LORELAI
Uh, you know what, never mind. I'm Lorelai Gilmore, sorry I'm late.
AVA
Oh please, you haven't missed a thing. So far, we've had coffee, debated Carolyn Masters' nose job...
MENA
Too pug.
AUBREY
Too smushed.
GINGER
Who cares?
AVA
And we started arguing about our fall fundraiser.
AUBREY
I suggested we take a break.
AVA
I ignored the suggestion, and now here we are. You're all up to date. Have a seat.
MENA
Lorelai Gilmore. So you're Emily's daughter?
LORELAI
Oh, yeah. You know my mother?
MENA
Oh, very well. We're on the philharmonic committee together. She told me to keep an eye out for you.
LORELAI
Huh, that's nice.
MENA
She wasn't sure you'd show up.
LORELAI
So, uh, fall fundrasier, what do we do?
AVA
Well, last year we had the usual luncheon with silent auction and a salsa band.
MENA
A terrific salsa band.
AVA
But every guest ended up in the hospital with food poisoning before the auction even started, and we wound up losing money.
LORELAI
Whoops.
AVA
Yes, it's quite a whoops, isn't it? Anyhow, this year we decided to do a fashion show.
LORELAI
Oh, that sounds fun.
AVA
Yes, well, Aubrey here works at Saks.
AUBREY
Uh, used to work at Saks.
AVA
Oh, sorry. Used to work at Saks, and she got several designers to donate their clothes, so now we're just trying to find a suitable caterer and location and someone to plan the event.
GINGER
Oh, it's all going very well.
MENA
I still say we approach Chateau Mimsy.
AVA
That space is too small, Mena.
AUBREY
How about something more young and fun? You know, my stepdaughter Kimberly...
AVA
Sarah.
AUBREY
Right, Sarah. Sarah. Anyhow, she told me about this new club called The Digs...[fades into background]
MENA
[whispers to Lorelai] She's been married a month and still can't remember the names of her stepchildren.
AUBREY
...so the booths are like in these pits, and then there's sand everywhere...
GINGER
Stop her.
AVA
I don't think that's exactly what we're looking for.
LORELAI
Um, I run an inn.
AVA
You do?
MENA
Which one?
LORELAI
The Independence Inn, it's in Stars Hollow.
AVA
Oh, I've been there. It's lovely.
LORELAI
And we have a terrific chef who's never once hospitalized an entire function. And, well, I mean, I don't know exactly what you're looking for, but we do functions there all the time.
AVA
Who's your function coordinator?
LORELAI
I am, actually. And since it's for charity, I could get you a really good price.
AVA
I'm sorry, I forgot to ask you, are you from heaven?
LORELAI
You like the idea?
AVA
I love the idea. I love it so much, we can finally take that break Aubrey's been dying for.
[Everyone stands up and walks away. Ava walks over to Lorelai.]
AVA
Well, this is very exciting.
LORELAI
Oh.
AVA
Would you mind if I come out there tomorrow to take a look at the place? You know, make sure it's big enough for the runway.
LORELAI
Oh, yeah, sure, I'll be there all day. So, a fashion show, huh? Are we gonna get any famous models?
AVA
Excuse me?
LORELAI
You know, to model the clothes. Any chance I'm finally gonna get to see Kate Moss eat something?
AVA
Oh, no no. We're the models.
LORELAI
We? Who's we?
AVA
We, the women in this room. Me, you, we.
LORELAI
Me?
AVA
Yes.
LORELAI
Oh well...
AVA
By the way, welcome to the Boosters. We're thrilled to have you. [hugs Lorelai]
LORELAI
Oh, ugh, thanks. That's great.
CUT TO STARS HOLLOW
[Lorelai and Rory are walking down the sidewalk]
RORY
Ha ha, yours is worse than mine.
LORELAI
Ugh, they totally just snuck that modeling thing in.
RORY
Hmm, my mom's a model. Maybe you'll get to date Leonardo DiCaprio now.
LORELAI
Plus, now I have to plan the whole stupid thing.
RORY
Lorelai Gilmore. Nope, doesn't sound model-y enough. You need something that stands out more. How about Waffle? We could call you Waffle and say you're from Belgium?
LORELAI
[dials her cell phone] Okay, I'm crabby. I need to do something about it. [on phone] Hey Mom.
EMILY
Well, hello.
LORELAI
So I went to my first Booster meeting last night, did Bitty tell you?
EMILY
No, she did not.
LORELAI
Oh, well, maybe she's still stuck under that desk. You might want to send someone out there to look.
EMILY
Well, it's certainly nice to hear you finally getting involved.
LORELAI
Yes, in fact we're planning a charity fashion show next weekend, and I volunteered to organize it.
EMILY
Well, good for you.
LORELAI
Yes, and since I know how concerned you are about how Rory's perceived at Chilton, I knew you'd want to be involved somehow, so you're gonna be one of the models.
EMILY
Excuse me?
LORELAI
Yeah, so it's next Saturday, be there at four, and we'll provide hair and makeup.
EMILY
Lorelai, you can't be serious.
LORELAI
Oh, and we'll need your measurements also.
EMILY
This is ridiculous.
LORELAI
Mom. You said you wanted me to be involved. Well, I'm involved, now don't you want to do your part to ensure Rory's future?
EMILY
All right.
LORELAI
Start measuring. [hangs up]
RORY
You feel better now?
LORELAI
Waffle's very happy.
CUT TO CHILTON CAFETERIA
[Rory starts to sit alone at her regular table when Francie walks over to her.]
FRANCIE
Sit with us, please. [walks away]
RORY
Um, okay.
[Francie sits down at her table.]
FRANCIE
Here she comes.
[Rory walks up the Puffs' table]
LEM
Welcome.
FRANCIE
We talked. We find you fascinating.
IVY
Like the monkey habitat.
FRANCIE
So we've decided to extend an invite to you. You can eat here anytime you like.
RORY
Wow, that's nice of you, thanks. So can I ask about this whole sorority thing?
FRANCIE
Pardon?
IVY
Sorori-what?
RORY
I thought you guys were...
LEM
We have no idea what you're talking about.
FRANCIE
That's right. After all, what's the point of a secret society if it's not a secret?
RORY
The whole school apparently knows about it.
[Paris leans against the wall behind their table and reads.]
FRANCIE
Well, no one has proof. It's just folklore.
IVY
Like Snow White and Rose Red.
FRANCIE
Or Mariah Carey's crackup.
LEM
Have you heard her fan message recently? She's fine and is currently staring at a really beautiful rainbow.
IVY
Survivor, hello.
[Francie sees Paris standing behind them]
FRANCIE
Friend of yours?
RORY
Paris? Oh well...
IVY
Too intense.
LEM
Way too intense.
FRANCIE
She comes from a long line of us though.
IVY
I hate nepotism.
LEM
It, however, does make the world go round.
RORY
You know, Paris, while, yes, a little intense, is also very smart.
FRANCIE
So I drop a box of matches on the floor, she can tell me how many there are?
RORY
She's editor of the paper. Amazing writer, plus funny.
IVY
She's funny?
RORY
Oh yeah. Hilarious. I mean, the times that we have spent laughing together. I tell ya, she's a regular Gary Muledeer.
FRANCIE
She asked you to talk her up, didn't she?
RORY
No, not at all.
IVY
Right.
RORY
No, really. I think she's actually thinking of joining another non-existent group.
FRANCIE
What?
IVY
But her family's fully puffed.
RORY
I don't know. Maybe I heard her wrong, but I think that's what I heard her say.
FRANCIE
A voluntary defector.
IVY
Francie.
FRANCIE
I know. [turns to Paris] Paris?
PARIS
Yeah?
FRANCIE
I think the wall can hold itself up just fine, don't you?
PARIS
What?
FRANCIE
You should sit.
PARIS
Sit?
FRANCIE
Here.
PARIS
Sit there?
IVY
Or here.
LEM
Or anywhere for that matter.
PARIS
Well...
RORY
Unless you've got somewhere else to be. Another table, perhaps.
PARIS
Another table?
FRANCIE
No, you have to sit, right here. Come, come. [moves down to make room for Paris]
PARIS
Uh, okay. I guess I can sit, for a little while anyhow. [sits down]
FRANCIE
Okay, so, have we discussed homecoming yet?
IVY
Not to my knowledge.
FRANCIE
I truly believe the whole homecoming dance ritual's be put to sleep.
CUT TO INDEPENDENCE INN
[The day of the fashion show, Lorelai walks through the lobby over to Michel at the front desk.]
LORELAI
Uh, in the dining room, and don't drip water on the floor please. Michel, did the...
MICHEL
Five minutes ago.
LORELAI
What about the...
MICHEL
He brought the wrong color, I sent him back.
LORELAI
What? When will he be...
MICHEL
Twenty minutes tops, or I told him I will hunt him down and shave his beard.
LORELAI
Good, now we need the uh...
MICHEL
Oh, yes, thank you for reminding me.
LORELAI
Anything...
MICHEL
No.
LORELAI
Okay, well, I'm going in the dining room. Come and get me if you actually need me to finish a sentence for you.
MICHEL
Will do.
CUT TO DINING ROOM
[Lorelai walks in and goes over to the man fixing the runway.]
LORELAI
Hey, how's it coming?
MAN
Working on it.
LORELAI
This cannot tilt.
MAN
I know this.
LORELAI
Women in heels will be walking on it. Make it not tilt.
[Sookie walks out of the kitchen]
SOOKIE
The lettuce is dry.
LORELAI
What does that mean?
SOOKIE
How attached are you to salad?
LORELAI
It's free to see anyone it wants.
SOOKIE
I don't want to make a salad with dry lettuce.
LORELAI
What's the alternative?
SOOKIE
I can make soup.
LORELAI
Fine.
SOOKIE
Okay, great.
LORELAI
Ah, Sookie?
SOOKIE
Yeah?
LORELAI
Did we pay for the lettuce already?
SOOKIE
Yes, we did.
LORELAI
See if you can put it in the soup.
SOOKIE
Gotcha.
LORELAI
Okay.
[Luke walks in carrying his toolbox.]
LORELAI
Ah, thank God! You brought Bert.
LUKE
Right here.
LORELAI
My men, follow me.
LUKE
By the way, you do tell people that you're the one that named my toolbox, right?
LORELAI
Toolbox, dirty.
LUKE
Oh geez.
[they walk to the man fixing the runway.]
LORELAI
Okay, um, move.
MAN
What?
LORELAI
I want Luke to look at it.
MAN
Hey, I put this thing together.
LORELAI
Yes, and I loved your work in Pisa, now get out of the way, please.
[the man walks away]
LUKE
Okay, so what seems to be the problem?
LORELAI
Uh ha! The problem is. . .that's not funny.
LUKE
I like it when you're stressed. Oh man, he put this thing up all wrong.
LORELAI
Can you fix it?
LUKE
I don't know, I'll see.
LORELAI
You can fix it.
LUKE
You can say it all you want, it doesn't make it true.
LORELAI
You can fix it.
LUKE
Not with you hovering, I can't.
LORELAI
Okay, I'm leaving. You can fix it. [walks away and sees Ava] Oh, Ava, hi.
AVA
God, the place looks wonderful.
LORELAI
Thank you. Let me show you to the room where we're all getting ready.
AVA
All right.
[As they walk towards the changing room, they pass Luke]
LORELAI
Fix it yet?
LUKE
The moron used the wrong supports.
LORELAI
Please tell me you can fix it.
LUKE
If I told you I couldn't fix it, would you accept that?
LORELAI
No.
LUKE
I can fix it.
LORELAI
Thank you. So we're right back here...[Ava stops to stare at Luke] Uh, Ava, the room's right back here.
AVA
Him.
LORELAI
Who?
AVA
There, man with tools, who is that?
LORELAI
Oh, that's Luke.
AVA
Luke, I like Luke.
LORELAI
What?
AVA
Oh, he's adorable. And he looks strong, is he strong?
LORELAI
Oh I don't know. I don't think he's gonna be in a sideshow anytime soon, but he can get the lid off a pickle jar.
AVA
Is he single?
LORELAI
Well, uh yeah, he is single.
AVA
What kind of women does he like?
LORELAI
I don't know, ones with heads. You know, I don't really know what Luke's taste in women is.
[Emily walks into the dining room]
EMILY
Lorelai.
LORELAI
Oh, um, Ava, why don't you go on in the back, go to the right, you'll find the dressing room, I'll be there in a sec. [Ava leaves] Hi Mom.
EMILY
The place isn't nearly done yet.
LORELAI
Ugh. Mom, why don't you just go on in the back and get ready.
EMILY
Did you see the clothes? What am I wearing?
LORELAI
I don't know. I just had them hang them up in the room
EMILY
God, I hope they're not tasteless or zebra striped or spandex.
LORELAI
Well, one good way to find out is to go on back and take a peak.
EMILY
You have to get ready too.
LORELAI
I'll be there in a sec.
EMILY
If I'm doing this, you're doing this. I mean it.
[Emily walks in the back, Lorelai walks over to Luke.]
LORELAI
Oh! You fixed it!
LUKE
Yup, for the time being, but I'm gonna stick around for awhile just to make sure nothing happens.
LORELAI
Oh. Okay.
LUKE
What?
LORELAI
What?
LUKE
You don't want me to stick around?
LORELAI
I didn't say that.
LUKE
Is there a reason I shouldn't stick around?
LORELAI
Are you listening? It's fine.
LUKE
Because I'm just doing this for you. I mean, if this thing goes and someone breaks their neck...
LORELAI
Luke, stick around.
LUKE
All right, if you insist.
CUT TO DRESSING ROOM
[Women are walking around getting ready. Lorelai walks in and over to Emily.]
LORELAI
Hey. Why aren't you dressed yet?
EMILY
I was waiting for you.
LORELAI
Oh, my God, you're a paranoid woman.
[Emily walks to the lady handing out clothes.]
EMILY
I'm Emily Gilmore.
LADY
[hands her a garment bag] Okay, here you go. Where's Lorelai Gilmore?
LORELAI
Oh, right here.
LADY
You two are together. [hands her a garment bag]
LORELAI
What?
LADY
You're the mother-daughter team.
LORELAI
Oh, no I'm...
LADY
I have outfits for one mother-daughter team, your names are on the outfits, you're it.
LORELAI
[unzips the garment bag] Ugh! Oh my God!
CUT TO FASHION SHOW
[A lady at a podium begins the fashion show.]
LADY
I want to welcome you here to the Chilton Booster Club's Annual Fall Festival Fundrasier, where all the proceeds from the evening go directly into the refurbishing of the Chilton auditorium. But enough about the kids. Tonight is about us, and without further ado, ladies and gentlemen, Saks presents a fabulous fall fashion extravaganza.
[Music starts and ladies start walking down the runway. After a few models, Emily and Lorelai walk down the runway together wearing similar red outfits. They do several identical turns and motions, then walk off.]
CUT TO INN'S DINING ROOM
[After the fashion show, Lorelai, Emily, and 2 women are sitting at a table talking about the show.]
MENA
Well, I must say, this was definitely better than the salsa band.
GINGER
Oh, people loved it, did you hear them? God, who picked that music?
LORELAI
Um, that'd be me.
GINGER
It was terrific. The whole thing was terrific.
LORELAI
Well, thank you.
MENA
Oh, and hiring that actor to play a horrible, rude, annoying Frenchman. What a riot!
LORELAI
Oh yeah, I thought that'd be fun.
GINGER
You know, if you plan all these damn things, we wouldn't have to have anymore of those stupid meetings.
LORELAI
Oh come on. Don't you want to see how long it actually takes Aubrey to finally learn that kid's name?
GINGER
Eh, you're right. Okay, I'll see you at the next meeting. Great job, really. It's the best event we've ever had.
LORELAI
Well thanks Ginger. Bye Mena.
MENA
Buh bye.
[Ginger and Mena leave.]
LORELAI
What are you looking so ha-ha about?
EMILY
I'm not looking ha-ha.
LORELAI
Yes you are.
EMILY
All right. Whatever you say.
LORELAI
Come on Mom, fess up.
EMILY
Big success tonight.
LORELAI
Seemed to be.
EMILY
The ladies were thrilled. They adore you.
LORELAI
Yes, well, that's because I'm adorable.
EMILY
Funny isn't it?
LORELAI
What's funny?
EMILY
How nicely you seem to be fitting into the world that you ran away from. Well, goodnight Lorelai. Congratulations. [leaves]
[Lorelai looks around and gives a slightly sad look as she sees Luke talking to Ava]
CUT TO LORELAI'S HOUSE
[Rory is on the couch reading as Lorelai comes home from the fashion show.]
RORY
Is that you?
LORELAI
Nope.
RORY
How was it?
LORELAI
Oh, fine. It ran smoothly, and the food was amazing. Michel only made three people cry.
RORY
How was the fashion show?
LORELAI
Oh, you know, I walked up and down the ramp, looked pouty and sexy, now I'm ready for rehab. I brought you some Booster cake.
RORY
Put it in the fridge please.
LORELAI
Okay.
RORY
How's Grandma?
LORELAI
Uh, mmm, good.
RORY
I'm assuming that's your piece of cake and mine is safely in the fridge.
LORELAI
Hmm, you're cute.
RORY
Uh huh. So what'd you wear?
LORELAI
Oh, look at the time. I'm going to bed.
RORY
Nobody took a picture of you?
LORELAI
Uh, no. Can you believe that?
RORY
You're holding onto that purse mighty tightly there missy.
LORELAI
Yes, well, I really love this purse.
RORY
You have pictures in there.
LORELAI
You calling your mother a liar?
RORY
Yes I am.
LORELAI
Mm, well, that's why I ate your cake.
[Lorelai hands Rory the purse, Rory takes out some pictures]
RORY
Oh my God!
LORELAI
Be nice.
RORY
You look like Nancy Reagan.
LORELAI
Oh, now how is that nice?
RORY
I don't believe this. You look so completely different. Elegant, understated.
LORELAI
Yes, well I was wearing underwear with propellers on them if that makes you feel any better. I'm going to bed.
RORY
I'll send the Secret Service up.
LORELAI
Oh, uh, by the way, I would put on your good pajamas, you know, the cute ones with the cakes on them. And brush your hair and put on a little lip gloss.
RORY
Why?
LORELAI
You're being kidnapped tonight. [goes upstairs]
RORY
Excuse me? [follows her]
CUT TO LORELAI'S BEDROOM
[Lorelai walks in followed by Rory.]
LORELAI
I got a call today from Francie.
RORY
What?
LORELAI
Yes, she said that she and her friends were gonna come in while you're sleeping, wake you up, kidnap you and take you out to breakfast in your pajamas.
RORY
Why would they do that?
LORELAI
Apparently it's fun.
RORY
Well, that doesn't sound fun.
LORELAI
She told me to leave a key under the mat and some money on the coffee table.
RORY
And you said yes to this insanity?
LORELAI
Hey, I told you not to become a soc, but you didn't listen.
RORY
I can't believe that you are going to let a group of strange girls come traipsing in here and take away your only child, your precious baby girl, and off to God knows where in the middle of the night.
LORELAI
If it's someplace with doughnuts, bring me one, okay?
RORY
Fine.
[Lorelai starts looking at her modeling pictures. Rory grabs them.]
LORELAI
Uhh! Hey!
RORY
Christmas Cards.
LORELAI
More like your grandmother every day!
CUT TO LIVING ROOM
[Rory is sitting on the couch reading when she hears a car pull up out front.]
RORY
Mom, my kidnappers are here.
LORELAI
Okay, have fun.
[Rory turns out the living room light, goes into her room and pretends to be sleeping in her bed. A few seconds later, several girls with flashlights walk in.]
FRANCIE
Hit the lights.
IVY
I can't find it.
FRANCIE
Shh.
[lights go on]
ALL
Surprise!
RORY
What's going on?
FRANCIE
Rise and shine.
IVY
You can grab shoes, but no socks.
RORY
Oh wow, this is totally unexpected. I'm completely surprised.
FRANCIE
You looked it.
IVY
Okay, let's move. We've still got a couple more girls to get.
[all the girls but Paris walk out]
PARIS
So, that's how you look when you've just woken up?
RORY
Um, yeah.
PARIS
Nothing in my life is fair.
CUT TO CHILTON
[The Puffs are leading several blindfolded girls, including Rory and Paris, through the halls.]
FRANCIE
Okay, just a little further.
GIRL
[bumps into lockers] Ow!
IVY
Shh!
GIRL
Sorry.
FRANCIE
Okay, that's far enough. Ladies, here on the spot, tonight in this place, where so many others have come before you, we invite you to join us.
IVY
Ladies, remove your blindfolds.
RORY
We're at Chilton.
FRANCIE
Keys please.
RORY
What are we doing at Chilton?
PARIS
Will you please be quiet. We are being puffed.
FRANCIE
What you are about to do and what you are about to say will remain forever between the members of the Puffs and only the members of the Puffs.
[She unlocks the door. Everyone goes inside except for Rory, Paris and another girl.]
RORY
This is the headmaster's office. How did she get the keys? I'm sure he didn't give them to her.
PARIS
Stop it. We are making very important social contacts here.
RORY
Hey, I'm not looking for social contacts. I have friends. I'm fine.
PARIS
Well, how nice it must be to be you. Maybe someday I'll stumble into a Disney movie and suddenly be transported into your body, and after living there awhile, I'll finally realize the beauty of myself. But until that moment, I'm going to go in there and I'm going to become a Puff. Now get out of my way.
CUT TO HEADMASTER'S OFFICE
[The girls stand around his desk as Lem lights a candle.]
FRANCIE
The historical bell of Chilton, 120 years old. Every member of the Puffs has stood here under the cover of night to pledge her lifelong devotion to us. 'I pledge myself to the Puffs, loyal I'll always be, a P to start, 2 F's at the end, and a U sitting in between.'
RORY
Anne Sexton, right?
FRANCIE
Once you've finished your oath, you will ring the bell three times.
IVY
Rory?
RORY
Yeah?
IVY
You first.
[Rory steps up to the desk.]
RORY
Um, I pledge myself to the Puffs...
IVY
You have to hold the candle.
[Rory picks up the candle]
RORY
I pledge myself to the Puffs, loyal I'll always be...
FRANCIE
Sing out Louise.
RORY
A P to start, 2 F's at the end, and a U sitting in between.
[Rory rings the bell twice before the office doors burst open]
HEADMASTER
I wouldn't do that again Miss Gilmore.
CUT TO HEADMASTER'S OFFICE
[All the girls are sitting down in the office as the Headmaster lectures them.]
HEADMASTER
Disappointment, disillusionment, frustration, astonishment. I suppose you could say I am experiencing all of these emotions. Finding some of Chilton's best and brightest acting in such a destructive, immoral and illegal manner will make all of us think long and hard about the manner in which we are educating you girls. But that is all in the future. How do we handle this now? Well, suspension will be considered, detention and extra credit to maintain your current GPA standing will be a given.
RORY
This is unbelievable.
HEADMASTER
What was that, Miss Gilmore?
RORY
Nothing.
HEADMASTER
No, I distinctly heard you mumbling something in a rather disgruntled tone, I'd like to know what it was.
RORY
I said this is unbelievable.
HEADMASTER
And why is this unbelievable Miss Gilmore?
RORY
Because I didn't even want to be here in the first place.
HEADMASTER
Oh, now Miss Gilmore...
RORY
Things were going fine, my grades were good, I joined the paper. My routine was down.
HEADMASTER
Your routine was...
RORY
And I have friends. I have a steady boyfriend, and my mother and I are freakishly linked, and Lane and I have been best friends since kindergarten. But you don't see that because I don't live in this town, and if you don't see it then it must not be true. And you call me in here to lecture me because I'd rather read at lunch then endlessly discuss the euthanasia of homecoming.
HEADMASTER
You're reading had...
RORY
You told me and you told my mother that I needed to socialize, and if I didn't, it would be frowned upon and it would hurt me getting into Harvard.
HEADMASTER
Well, yes, we did say that.
RORY
So, I did it. I sat down at a table, a random table.
FRANCIE
Random?
RORY
And the next thing I know, I'm being pulled out of my bed in the middle of the night and I'm blindfolded and then before I know it, I end up here with the Ya-Ya Sisterhood, reciting poetry and lighting candles, and now I'm gonna be suspended because I was trying to do what you told me? What's fair about that?
SECRETARY
Headmaster Charleston, the parents are starting to arrive.
HEADMASTER
Thank you Mrs. Trager. All right ladies, we'll continue this conversation tomorrow and for many days after that. You may go. Miss Gilmore, I think that maybe you and I should talk some more. [the other girls leave]
RORY
About what?
HEADMASTER
About the fact that though I do feel it is important that students socialize, possibly we may have been a little hasty to judge in your case.
RORY
Really? So does that mean that you might reconsider my suspension?
HEADMASTER
You're an excellent student. You deserve to go to Harvard. I wouldn't want to stand in the way of that. We'll talk tomorrow.
RORY
Thank you.
CUT TO HALLWAY
[Parents are picking up their kids. Lorelai walks down the hallway over to Rory.]
LORELAI
What happened? The reception on the phone sucked, and all I heard was 'Rory' and 'Chilton' and 'get down here.' Who's butt do I have to kick?
RORY
We didn't go to breakfast.
LORELAI
What are you talking about?
RORY
We came here. They broke into the Headmaster's office as the big initiation.
LORELAI
Oh, those stupid girls.
RORY
Mm hmm. Part of the initiation was ringing a bell. So that's what I was doing when security showed up and they called you.
LORELAI
That's what you got busted for, ringing a bell?
RORY
Yeah, mm hmm.
LORELAI
That's it? Bell ringing?
RORY
Yes.
LORELAI
Uh, were you at least smoking a Cuban cigar while you were doing it?
RORY
Mom.
LORELAI
No, I mean, bad girl. How many times have I told you not to ring bells?
RORY
Let's go.
LORELAI
They can dent or scratch and they make dogs crazy. Who do you think you are, the hunchback of Notre Dame? Are you French, are you circular, I don't think so.
RORY
I'm walking to the car now.
LORELAI
Wait, hold on. How much trouble are you in? Should I go talk to the Headmaster?
RORY
No, I think it's gonna be okay.
LORELAI
Okay. Aw, was it a big bell at least?
CUT TO LUKE'S DINER
[Lorelai walks in and sits at the counter.]
LUKE
Hey, good party yesterday.
LORELAI
Yeah, not bad.
LUKE
Yeah, I like the new look. It was very high-class substitute teacher.
LORELAI
Exactly what I was going for.
LUKE
Coffee?
LORELAI
Oh, to go.
LUKE
Okay.
LORELAI
Hey Luke, uh, I feel a little weird even mentioning this to you.
LUKE
What?
LORELAI
Yesterday I saw you talking to Ava, you know, she's in my booster club?
LUKE
Yeah, I know who she is.
LORELAI
Oh, good. Well, good. So anyhow, I saw you guys talking alone and it seemed kind of private, and she mentioned earlier that you didn't make her, you know, gag, so I just figured you guys were making some sort of plans to hang out. And see, the thing is, I just think it would be a little weird if you started dating a Chilton mom. Look, I know I have no right to say anything to you, but it's just, um, if you did date her, well, I'm in the Booster Club with her, which means that I'll hear things, and I don't know, it's just, I'd like to keep that Chilton life separate from my Stars Hollow life, so if there's any way that you could not date her, that would be really great.
LUKE
Boy, I tell you, you've got nerve.
LORELAI
Okay. Well, I know this is your private business.
LUKE
It is my private business.
LORELAI
You don't see any validity to my side at all?
LUKE
I am a grown man. You cannot tell me who to date.
LORELAI
I'm not telling you who to date, I'm telling you who not to date.
LUKE
You can't tell me that either.
LORELAI
Look...
LUKE
I will date who I like, and if that screws with your plans, then sorry. And if you don't wanna hear things, then don't listen.
LORELAI
But...
LUKE
If you don't like it, you can just deal with it.
LORELAI
Okay, I'll just deal with it.
LUKE
Good.
LORELAI
I just thought that if something was going to affect our friendship in some way that you might care about that, because if the situation was reversed, then I would care, but hey, that's me, and so...go ahead, date her, marry her, make her Mrs. Backwards Baseball Cap, live happily ever after, see if I care. [starts to leave]
LUKE
And by the way, I wasn't asking her out. I was giving her directions for the quickest way back to Hartford. It was very romantic. I said you take a right at Deerfield, and you catch the I-5 and you take it south. Oh man, hot stuff.
LORELAI
That is so typical of you.
LUKE
What?
LORELAI
That is not the quickest way back to Hartford. Everybody knows that you take Maine to Cherry to Lynwood and then grab the I-11. Everybody knows that Luke. Everybody, apparently, but you! [leaves]
CUT TO CHILTON CAFETERIA
[Rory walks in, sits at a table alone, puts on her walkman, and starts reading her book. A girl walks over to her.]
GIRL
Do you mind?
RORY
Oh, no.
GIRL
Thanks.
[The girl sits down with her lunch and starts reading. Rory smiles and continues reading.]