T2E8: “The Ins and Outs of Inns”
Título em Português: “Incertezas”
Roteiro: Daniel Palladino
Direção: Michael Katleman
Originalmente exibido em: 20 de novembro de 2001
OPEN AT ELDER GILMORE RESIDENCE
[Lorelai, Rory and Emily are eating dinner.]
EMILY
How's the meal?
RORY
Tasty.
LORELAI
Very tasty. New cook?
EMILY
Yes, Marisella. She's introduced us to some wonderful dishes so charmingly specific to her native country.
LORELAI
What country is she from?
EMILY
One of those little ones next to Mexico.
LORELAI
How charmingly specific.
RORY
Too bad Grandpa's not here. He likes weird food.
LORELAI
Yeah, where's he eating his weird food tonight? Argentina? Morocco?
EMILY
Akron.
RORY
Ohio?
EMILY
Yes.
LORELAI
Get out of here.
EMILY
I will not get out of here.
LORELAI
No Mom, I didn't mean really get out of here, I mean...
RORY
Why is Grandpa in Akron?
EMILY
I don't know.
LORELAI
It was just a saying.
EMILY
They sent him to deal with some problem with their local office down there.
LORELAI
A saying, you know, like 'save me' or 'get me out of here'. Things like that.
EMILY
Lorelai, would you like me to put a mirror in front of you so you can look at yourself while you have this conversation?
LORELAI
Sorry, Dad's in Akron.
EMILY
Yes. The amenities are atrociously lacking. He had to eat at a coffee shop last night. The whole thing's terribly insulting. He's miserable.
RORY
I hate that he's miserable.
EMILY
So do I. We really ought to do something.
RORY
Yes, I agree.
LORELAI
Warning, warning.
EMILY
I'm glad to hear you say that Rory, because I thought of a wonderful way to cheer him up.
RORY
Cool, what?
LORELAI
Danger, Will Robinson, danger!
EMILY
An oil portrait of you for his study.
RORY
An oil portrait.
LORELAI
I tried, have fun.
EMILY
It could hang right over his mantle. He'd just love it.
RORY
Well, I guess that would be okay.
LORELAI
Oh Mom, please, don't make her do this.
EMILY
She just said she would.
LORELAI
Fine, paint the picture, but don't make her sit and pose for it. Paint it from a photo.
EMILY
A photo? That's what they do at malls.
RORY
I'll sit, it's fine.
EMILY
Just because your own experience sitting for a portrait was bad doesn't mean Rory's has to be.
RORY
What portrait? I haven't seen this.
LORELAI
They never finished.
EMILY
Three painters started, and they all three quit.
RORY
Why did they quit?
EMILY
She wouldn't stop scowling.
LORELAI
I was going for a Billy Idol thing.
EMILY
The one from Italy had some sort of breakdown.
RORY
Oh my God.
LORELAI
Hey, it didn't hurt Van Gogh, the guy should thank me.
EMILY
A year later, I swear I saw him rummaging through our recyclables.
RORY
Well, I'm happy to sit. If it's for Grandpa, why not?
EMILY
Wonderful. I'll set it up first thing in the morning.
LORELAI
Psst. If you want, I can teach you the Billy Idol. Most people focus on the lip thing, but the eyes are just as import...
[Emily slams the salt shaker on the table. Lorelai stops talking.]
OPENING CREDITS
CUT TO LUKE'S DINER
[Lorelai and Luke are sitting at a table talking.]
LUKE
So, the first thing you and Sookie would do is incorporate.
LORELAI
Wow. Sounds so big time.
LUKE
Not really. It just means you're a single business entity. You'll both be officers and shareholders, and you'll get to make up a name for your company and everything.
LORELAI
Mmm, I'm terrible at coming up with names. When we first bought out house, Rory and I wanted to name it, you know, like Jefferson named his place Monticello, but all we could come up with is The Crap Shack.
LUKE
Nice.
[Jess walks over with a coffeepot]
JESS
Coffee?
LORELAI
Oh, yeah, thanks. How are you Jess?
JESS
Well, I'm not bleeding or anything.
LORELAI
Well, then it's gonna be a good day, huh?
JESS
Yeah. It's 7:45.
LUKE
So?
JESS
So do you want me to go to school or do you want to openly defy child labor laws?
LUKE
Go. Stay out of trouble.
JESS
Guess that means calling off the chickie run down at the salt flax.
LUKE
Out. [Jess leaves]
LORELAI
Wow, so much love.
LUKE
So, you guys have a site in mind for the inn?
LORELAI
Yes.
LUKE
Great, where?
LORELAI
You've seen pictures of it. The Rachel property.
LUKE
Oh, right.
LORELAI
Sorry.
LUKE
It's okay.
LORELAI
I just meant, Rachel took the pictures, and the pictures kind of got us into the place, so we started calling it the Rachel property 'cause it made sense at the time and then it became a habit. But now out of respect for you, I'm gonna stop repeatedly using her name and uh, think of another name to call it. Let's see, The Crap Shack's taken.
LUKE
It's okay. Call it what you want.
LORELAI
So, who taught you about all this business stuff? Your dad?
LUKE
Please. My dad didn't even have a checking account until I finally got taller then he was. He bought this land with cash from working construction, built this place himself. Didn't have a bookkeeper, an accountant, or anything.
LORELAI
Wow, so you had no one showing you the ropes.
LUKE
Nope, I figured I had to just dive in on my own, fail if that's my destiny, and forget what the experts say.
LORELAI
That is exactly my philosophy. Exactly. Except I'm not diving in on my own, I'm diving in with Sookie, and, uh, failure is not even a choice of destinies, and I'm consulting any expert who will listen to me. Otherwise, it's identical.
LUKE
Well, I should be getting going. You gonna write this meal off?
LORELAI
Why?
LUKE
Oh, we talked business. You gotta be thinking about these things.
LORELAI
No, I mean, why? I'm not paying for it. [Luke sighs] Exactly.
LUKE
You're gonna do fine.
CUT TO INDEPENDENCE INN KITCHEN
[Lorelai and Sookie are talking in the kitchen as Michel walks in.]
LORELAI
It shouldn't be too flashy.
SOOKIE
How about something historical, like 'The Paul Revere'?
LORELAI
Oh, that could work.
MICHEL
What could work?
LORELAI
We're thinking up names for the inn we're gonna open.
SOOKIE
I mean, if you want simple, something like 'The Country Rose'.
LORELAI
That's pretty good.
SOOKIE
We could line the front path with multicolored roses.
LORELAI
Or. . or 'The Inn by the Hollow'. Kind of long.
SOOKIE
No, but nice.
MICHEL
How about 'The Money Pit'?
LORELAI
Boo.
MICHEL
Or 'The Outhouse'. Go international.
SOOKIE
Go back in your hole.
MICHEL
Or 'The Inn Heading for Bankruptcy'. Kind of long, but nice.
SOOKIE
You who have no dreams rain on those who do.
MICHEL
I say this because I care about you. It's risky what you are doing. Most new businesses go down within two years.
LORELAI
I say if we go down after two years, it'll be the most exciting two years of our lives.
SOOKIE
Same here. Boredom stinks.
MICHEL
Fine, proceed blindly. [hands Lorelai some papers] Here, it came in ten minutes ago. It does not involve the Independence Inn, therefore delivering it was beyond my official obligations, so I am taking an extra long lunch break. [leaves]
SOOKIE
He's so genuine.
LORELAI
Oh my God.
SOOKIE
What?
LORELAI
It's the title search for the Rachel property. And guess who owns it.
SOOKIE
Tell me it's not that bastard Donald Trump.
LORELAI
Fran.
SOOKIE
Fran from Weston's Bakery?
LORELAI
Sweet little Fran, the cupcake lady. Not some cigar-chomping, dirty dealing city slicker.
SOOKIE
Ooh! That's good. Hey! 'The Country Slicker.' Funny name, cutesy idea...
LORELAI
Mm, it's a little much.
SOOKIE
It's way too much.
LORELAI
I'll call Fran.
SOOKIE
'Fran's Old Place'! It'll be like Ruth's Chris Steakhouse. People will be trying to figure out who Fran is. Or 'The In Inn'! It's like an inn that's in with the in crowd. . .I'm gonna go sit down.
LORELAI
Do that sweetie.
SOOKIE
Okay.
CUT TO OUTSIDE DOOSE'S MARKET
[Taylor walks down the sidewalk to his store. Right in front of it, there is a chalk outline of a body on the sidewalk surrounded by police tape.]
CUT TO BAKERY
[Lorelai is sitting at a table as Sookie walks in and sits down with her.]
SOOKIE
Honey, I'm so sorry. Am I late late or just late?
LORELAI
Two pieces of carrot cake and a rumball.
SOOKIE
Ah, I am so sorry! I swear I meant to be on time, but I was prepping the raspberry glaze for tonight's dessert special, and it struck me. I made a blueberry glaze for the soufflé I made last Tuesday, and this is Tuesday, and a lot of locals come every week on the same night every week, and I just didn't want to serve them some. . .like a similar dessert even though it's a completely different berry. . .
LORELAI
I need another rumball.
SOOKIE
Ah, I'm sorry.
LORELAI
No, you're a perfectionist, and that attention to detail is why people call you the Maestro.
SOOKIE
Really? Who calls me that?
LORELAI
The people who eat the rumballs.
[Fran walks over to their table.]
FRAN
So ladies, how are we doing here?
SOOKIE
Oh, we're doing great Fran.
FRAN
Oh, well that's wonderful.
LORELAI
Fran, could Sookie and I talk to you for a couple minutes?
FRAN
Oh, of course. Marjorie can handle things. [sits down] Oooh.
LORELAI
Fran, are you okay?
FRAN
Aw, it's this bum hip. It needs to be replaced, again. And I have this awful angina.
SOOKIE
Oh, we're so sorry to hear that.
FRAN
So, I know you didn't come here to listen to me gripe, so tell me what's on your mind.
LORELAI
Okay, well Fran, we understand that you own the old Dragonfly Bed and Breakfast, that whole property out there.
FRAN
Why, yes I do. It was my parents' business.
SOOKIE
It's a beautiful place.
FRAN
Oh, it used to be. But it's in such disarray now.
LORELAI
Yes it is, and that's kind of why we're here. We'd actually like to buy it.
FRAN
Buy the Dragonfly?
LORELAI
Yes, we'd like to buy it and make it beautiful again, and we're prepared to make you an offer right now.
FRAN
Oh my, well this is a surprise.
LORELAI
See, Sookie and I are gonna start our own inn and we've been searching for the perfect place.
FRAN
Your own inn?
LORELAI
Yeah.
FRAN
Oh how wonderful! You are going to be so successful.
SOOKIE
Thanks Sweetie.
LORELAI
That means so much, like we have your blessing.
FRAN
But I can't sell you the property.
SOOKIE
What?
LORELAI
How come?
FRAN
I just couldn't. You know, I have no siblings and no children and in a ways, that place is really the only family I have. I'm the last Weston left, so I plan to own it forever.
LORELAI
Forever?
FRAN
Forever and ever.
LORELAI
That's a very long time.
SOOKIE
A very long time.
FRAN
I'm so sorry.
LORELAI
Fran, may I ask. . . um. . .
FRAN
Go ahead honey, ask me anything you want.
LORELAI
Well, what happens to the place if you. . .well, if forever isn't quite forever?
FRAN
I don't understand dear. All I know is that I can't sell the place.
LORELAI
Oh no, I don't mean selling it. I mean, you would keep it forever, but what happens once you're no longer in the position of physically controlling the property?
FRAN
How could that be?
LORELAI
Uh, well, if you um, if you...
SOOKIE
Take a long vacation.
LORELAI
Yes, take a long vacation. Thank you.
SOOKIE
You're welcome.
LORELAI
And when you're on that long vacation, the property is just left sitting there. Well, what happens then?
FRAN
Oh, I don't enjoy vacations. I toured the California gold country ten years ago, it was hot and the bus smelled.
LORELAI
Okay, I mean a longer vacation than a trip to California.
SOOKIE
To a different place.
FRAN
What kind of place?
LORELAI
A place out there.
SOOKIE
Way out there Fran.
FRAN
Europe?
LORELAI
I mean the ultimate long vacation.
SOOKIE
Yeah, Francie, eventually, we're all gonna take the same long vacation.
LORELAI
And with that being the case, you might want to sell the property now and enjoy the money.
FRAN
I'm very sorry, but I can never sell the place.
LORELAI
Oh, well thanks for your time Fran.
SOOKIE
Yeah, thanks Fran.
FRAN
Bye now.
LORELAI
Bye.
SOOKIE
Bye.
FRAN
You both look so sad. Would you like a cupcake?
LORELAI
Please.
SOOKIE
Yeah.
FRAN
Good.
CUT TO SIDEWALK
[Rory and Lane are walking down the sidewalk in Stars Hollow.]
LANE
So, Janie Fertman's trying to be my friend again.
RORY
Yikes. What kind of vibe are you giving her?
LANE
Oh, my patented Keith Richards circa 1969 'don't mess with me' vibe, with a thousand-yard Asian stare thrown in.
RORY
That should do it.
[They see a police car and a large crowd down the street in front of Doose's market]
RORY
What's happening up there?
CUT TO OUTSIDE DOOSE'S MARKET
[A crowd has gathered around the chalk outline.]
POLICEWOMAN
Just try to calm down Taylor.
TAYLOR
Calm down! Why should I calm down?
BOOTSY
Yeah, why should he calm down?
TAYLOR
I want action not words.
BOOTSY
Yeah, action not words.
TAYLOR
Don't you need to get back to your newsstand, Bootsy?
BOOTSY
No buddy, I'm all yours.
POLICEWOMAN
We're gonna get to the bottom of this, I promise you.
TAYLOR
A crime was committed right in front of my store.
POLICEWOMAN
Now, we can't say that for sure yet.
TAYLOR
How come you can't say that for sure? This is a police tape. You're the police, you own the tape!
POLICEWOMAN
Taylor, we've contacted everyone in the precinct. No one knows anything about this.
TAYLOR
Well, what am I supposed to do? I've got a dead body right in front of my store!
POLICEWOMAN
No, you have a chalk outline of a dead body in front of your store.
BOOTSY
Meaning that there were two crimes.
POLICEWOMAN
What?
BOOTSY
What do you mean what? Somebody got murdered, then somebody stole the body. It's open and shut, bing bang boom.
POLICEWOMAN
Is this your son?
TAYLOR
I should say not.
BOOTSY
Oh.
POLICEWOMAN
Look, my partner's doing a headcount to see if anyone in town is missing. Until then, just hang tight. [leaves]
[Rory and Lane walk up to Dean in the crowd.]
RORY
Hey.
DEAN
Hey.
RORY
What's going on?
DEAN
I don't know. I got here and this is what I found. I mean, I told him it looked fake, but he didn't believe me.
RORY
And you have such an honest face.
DEAN
Well, he must not love me as much as you do.
LANE
Okay, you two are officially sickening. [leaves]
[The policewoman walks up to Taylor]
POLICEWOMAN
Everyone's accounted for Taylor. It looks like this is just an elaborate prank.
TAYLOR
But it looks so real. Where'd they get the police tape?
POLICEWOMAN
Kids have their ways.
TAYLOR
Who'd be depraved enough to pull a stupid prank like this?
POLICEWOMAN
Hard to say.
[Rory sees Jess standing across the street smirking as he watches the crowd]
CUT TO INDEPENDENCE INN KITCHEN
[Rory is sitting at a table doing work, Lorelai is getting coffee, Sookie is cooking.]
RORY
Mom, you're not writing what you purchased on the back of any of the inn's credit cards receipts.
LORELAI
Oh, well, just put cooking spray and sponges.
RORY
Okay. And when an auditor wants to know why you need such large amounts of cooking spray and sponges?
LORELAI
Then I drop my pencil and I put the scoop neck sweater that I'm now making a mental note to wear to good use.
RORY
Well at least you've got a solid well thought out plan.
SOOKIE
I had a dream last night about us and Fran.
LORELAI
Oh, what was it?
SOOKIE
Well, it was in the future and we were all old, you and me and Rory and Jackson and Michel, everyone. Gray hair, walking around with canes, we're all kind of ailing, you know? I had those big cataract glasses on. You were hard of hearing and kept going, Huh? Huh?
LORELAI
Oh, that's attractive.
RORY
Its you kids with your rock and roll.
SOOKIE
But wuh-ho, here walks up Fran, and guess what. She looks exactly the same, even better.
LORELAI
Ugh! That's not fair.
SOOKIE
That woman is gonna live forever.
LORELAI
Not necessarily. Hey, did you look up angina? I forgot to.
SOOKIE
Yeah, it's nothing major.
RORY
You guys have got to stop talking like this.
LORELAI
Like what?
RORY
We love Fran, remember? Fran is great.
SOOKIE
No, honey, of course we love Fran. We just wanna know what God's little plan is for her, that's all.
[Michel walks into the kitchen]
MICHEL
I would advise at least pretending to look busy, the boss is here.
RORY
Mia!
LORELAI
You're kidding! When?
MICHEL
I just spotted her walking in.
LORELAI
Let's go.
CUT TO LOBBY
[Lorelai and Rory walk out from the kitchen over to Mia.]
RORY
Mia!
MIA
Uh! Oh my babies! Ooh! [hugs them]
RORY
Did we know you were coming?
MIA
I didn't know I was coming.
LORELAI
This isn't a surprise inspection is it?
MIA
That's exactly what this is. Ready? Oh, you're too thin as always.
RORY
But we eat.
MIA
And you're both too beautiful.
LORELAI
Yes, that's true. We often feel guilty monopolizing the amount of beauty we're in possession of.
MIA
And I don't see you enough which is my fault, so you both pass.
LORELAI
Aww.
[Michel walks over to them]
MIA
Ooh Michel. Ooh, how nice to see you. Uh, and look at that suit. You are quite the dandy, aren't you?
MICHEL
Well, I had a feeling that a lovely woman was going to be visiting today so I decided I must look my best for her.
MIA
I'm sorry honey, I didn't catch a word of that.
RORY
He said he missed you.
MIA
You've been in the U.S. quite some time Michel, your enunciation really should be better by now.
MICHEL
The customers seem to understand me just fine.
MIA
I didn't get that either. Did you get the tapes I sent you?
LORELAI
Hey, maybe you should hit the desk. A couple of people are looking for help.
MICHEL
Right away. Mia, uh, I. . . [salutes and walks behind the desk]
MIA
So, are you too busy to sneak out with me for a walk?
RORY
Not if it's okay with the boss.
MIA
It's a demand at this point.
LORELAI
Let's go. Michel, hold down the fort?
MICHEL
Oh, it's a little slow now, so it's no problem.
RORY
Oh, he says that he's never liked you and that you're a problem.
MICHEL
I said no such thing!
MIA
I don't know where this hostility comes from. Can we work this out?
MICHEL
There's nothing to work out.
RORY
He told you to get out.
MICHEL
I did not!
MIA
I don't know what I did to make him hate me.
CUT TO LUKE'S DINER
[Luke is at the counter fixing a toaster as Lorelai, Rory and Mia walk in]
MIA
Look at this place, it's exactly the same.
LORELAI
Actually, I made him paint it a few months ago.
MIA
Well, good for you.
[Luke walks over and hugs Mia]
LUKE
Mia hey!
MIA
Nice to see you Lucas.
LUKE
You're the only person in the world who can call me that, Mia.
MIA
I know this.
LUKE
I'm saying it for others who plan to try it later.
LORELAI
Whatever Lucas.
LUKE
Mia, you know anything about toasters?
MIA
Not a damn thing.
LUKE
Well, then sit down and let me get you some coffee.
[Luke goes to get coffee as they sit down at a table.]
LORELAI
So, Mia, how's living in Santa Barbara?
MIA
Horrible. Did you know the damn sun shines all the time out there?
RORY
They've written songs about that.
MIA
Well, no one told me that's how it was. Half of my wardrobe is obsolete.
LORELAI
Aw, drag. Hey, you know that vintagey blue coat?
MIA
You're not getting it.
LORELAI
Right.
[Jess walks up to Luke, who's fixing the toaster again.]
JESS
You're making that worse.
LUKE
Big help, thanks.
LORELAI
Luke's nephew.
MIA
Luke, that's your nephew?
[Luke brings their coffee to the table]
LUKE
It's Liz's kid. Jess, this is Mia, she owns the Independence Inn.
JESS
Huh.
LUKE
That's 'Hello, nice to meet you' in slacker.
JESS
You don't need me down here, do you? [leaves]
LUKE
I'm sorry Mia. He's just...
MIA
Oh please, forget it. You weren't exactly a talkative boy yourself when you were his age.
LORELAI
That's right, you knew Luke as a boy.
RORY
I can't imagine Luke as a boy.
LUKE
Can we change the subject?
MIA
He would help people carry groceries home.
RORY
Oh, how very Boy Scout-y of you.
MIA
For a quarter a bag.
LORELAI
Oh, how very John Birch Society-y of you.
MIA
He was never without his skateboard for a time.
LORELAI
Were you any good?
LUKE
I could hold my own.
MIA
And there was that year you wore the same shirt everywhere you went.
LUKE
I don't remember that.
LORELAI
Must have been something flannel.
MIA
No, it was from that TV show. That famous one.
LUKE
It's not important.
MIA
Star Trek, that's it!
[Lorelai and Rory laugh]
LORELAI
Oh my God, oh my God!
LUKE
Stop it.
RORY
You were a Trekkie?
LUKE
I was not a Trekkie.
LORELAI
Uh uh, I do believe that denying you were a Trekkie is a violation of the prime directive.
RORY
Indubitably captain.
LUKE
It was a gift from my aunt, I wore it to make her happy.
LORELAI
I've never wanted to make any aunt of mine that happy.
MIA
Did I say something I shouldn't have?
LORELAI
Oh no Mia, that's okay. I just have to cancel everything I have scheduled for the next three months 'cause I'll still be laughing my ass off.
[Taylor walks into the diner.]
TAYLOR
Luke, I need to talk to you right now.
LUKE
What is it Taylor?
TAYLOR
I have conducted a thorough investigation of all the people who may have inadvertently been witness to the phony murder at my store last night.
MIA
There was a phony murder?
LORELAI
Yeah, the town's too dull to work up a real murder.
RORY
But you're one 'beam me up Scotty' reference away from being the victim of one.
LORELAI
Mm.
TAYLOR
Luke, are you going to listen?
LUKE
What's this got to do with me?
TAYLOR
Three people have reported seeing Jess in that area late last night, skulking, lurking.
LUKE
There were a lot of people out late last night. I know because I fed some of them. I'll give you their names so you can add them to your suspect list.
TAYLOR
Another person witnessed Jess walking out of an arts and crafts store two days ago with what appeared to be chalk.
LUKE
You appear to be bugging me Taylor.
TAYLOR
What are you gonna do about it Luke?
LUKE
About what?
TAYLOR
About the results of my investigation.
LUKE
Absolutely nothing, but thanks for the info.
TAYLOR
You have to do something. People want action.
LUKE
People, meaning you.
TAYLOR
Not just me. I speak for the Stars Hollow Business Association, the Stars Hollow Tourist Board, the Stars Hollow Neighborhood Watch Organization, and the Stars Hollow Citizens for a Clean Stars Hollow Council.
LUKE
All of which are you.
TAYLOR
So are you going to act.
LUKE
Yes I am. I'm gonna act like you never came in here.
TAYLOR
Fine, have it your own way. But I warn you, there's gonna be a lot of unhappy people at S.H.B.A., the S.H.T.B., the S.H.N.W.O. and the S.H.C.C.S.H.C.
LUKE
F-I-N-E.
TAYLOR
Oh, you're. . .you're impossible, you are impossible! [starts to leave] Oh, hi Mia.
MIA
Nice to see you Taylor. [Taylor leaves] Ah, I gotta get out of Santa Barbara. I miss the small town theater. And I miss you. Hey, do you realize it was fifteen years ago almost to the day?
LORELAI
Yes it was.
RORY
What was?
MIA
To the day when this skinny little teenage girl showed up at the inn. She had this tiny little thing in her arms.
LORELAI
A little thing named Rory. [pinches Rory's cheeks]
RORY
Okay, no physical reenactments.
MIA
You marched up to me, looked me right in the eye and said, 'I'm here for a job. Any job.'
LORELAI
Well, IBM had turned me down for the CEO slot, so I was desperate.
MIA
Work experience none, recommendations none, skills...
LORELAI
Besides flawlessly applying mascara in a moving car, none.
MIA
Not one thing to recommend hiring her. Just that...how do I put it and remain a lady...that 'who cares' look in her eyes, so I gave her any job. The other maids hated you.
LORELAI
Yeah, well they were all so slow.
MIA
You were special.
RORY
Mia, why don't you move back here? We miss you.
LORELAI
Or at least visit more? You used to check in. You never come at all.
MIA
I don't have to. You've made me redundant.
LORELAI
I have not.
MIA
Don't be humble. The inn is beyond covered. It's never run this well or been this successful. That inn is like your place now. Without you I wouldn't know what to do, I'd be lost.
LORELAI
Lost, yeah.
RORY
Yeah.
MIA
You look sad now, why?
LORELAI
Oh, nothing.
CUT TO INDEPENDENCE INN KITCHEN
[Sookie is cooking while Lorelai talks to her.]
LORELAI
In all the excitement, I hadn't thought about telling Mia. What is wrong with me?
SOOKIE
Nothing is wrong with you.
LORELAI
I feel terrible. I should've told her before. I should've told her the day the idea occurred to us. She deserved that. [phone rings] After all she's done for me. [answers phone] Hello?
EMILY
Lorelai, your daughter's being impossible. She won't pose in an appropriate manner.
RORY
I'm trying to Grandma. It's just awkward.
LORELAI
Let me guess how you're posing her. She's in a silly gown on a silly chair with both of her hands raised in some silly way.
EMILY
No, just the one hand is raised, and none of it's silly.
LORELAI
Pick a simpler pose, Mom.
EMILY
This is the simplest, and it wasn't my choice.
LORELAI
And your choice is...
EMILY
I wanted the swan to sit regally aside Rory's throne.
LORELAI
Swan? Throne?
EMILY
Oh, now you have a problem with swans and thrones.
LORELAI
Because swans and thrones scream one thing Mom, Siegfried and Roy.
EMILY
Who?
LORELAI
Make a change Mom.
EMILY
I suppose you'd just have her sitting in a chair reading a book.
LORELAI
Now that sounds great.
EMILY
Oh, be serious.
LORELAI
I am. That's a completely natural pose for Rory. And a painting of her reading that's gonna be hung in Dad's study seems just crazy enough to work.
EMILY
Well, maybe it's not such a bad idea.
LORELAI
Give it a try. And let her lower her arm.
EMILY
Rory, you can lower your arm.
RORY
Thanks.
[swan honks]
EMILY
I think he's just hungry. We're going to lose the swan.
LORELAI
Good going Mom. Bye. [hangs up] Ugh. So how do I do this? How..how...how do I tell Mia that I'm leaving?
SOOKIE
Get her drunk first?
LORELAI
Oh, I can't believe it. I'm gonna let down the one person in my life who was there for me when I needed it the most. I'm great, aren't I?
[Mia and Michel enter the kitchen]
MIA
I wanted to put it on the front desk but I think it might be a tad short.
MICHEL
Well, we could get a carpenter to build up a base and raise it up two inches and then it would be perfect.
MIA
Great idea. Hey, I got that, every word!
MICHEL
Yes!
MIA
Oh, oh, I'm so proud!
[Michel and Mia leave]
SOOKIE
So you gonna tell her now or later?
LORELAI
Later, because she's so happy that she can finally understand Michel and that the lamp is fixed and that...
SOOKIE
[clucks like a chicken]
LORELAI
And that too.
CUT TO STARS HOLLOW
[Lorelai, Rory, and Mia walk down the street towards Miss Patty's]
RORY
We're late.
LORELAI
We're not late.
RORY
The last time we were late, Taylor said that there would be consequences.
LORELAI
He did not. He said there would be severe consequences.
RORY
Mia, what time is it? Are we late?
MIA
I hope so.
LORELAI
Mia!
MIA
I'm sorry, but it's been two years since I've gotten to go to a town meeting and I want some controversy.
[Lorelai sees Luke in front of the diner, locking up]
LORELAI
Aha!
LUKE
Geez! Don't sneak up on me like that.
LORELAI
Yeah, boy, I was lucky you had your phasers on stun, huh?
RORY
Well, at least we're not late. Luke's never late.
LUKE
Actually, we're 2 minutes early.
RORY
Ha! We should get a prize for being on time.
LORELAI
Hey Luke, let's go back to the diner and get some pie as our reward for being on time.
LUKE
Then you'd be late.
LORELAI
A funny conundrum, but I want pie.
LUKE
You're harassing me now.
LORELAI
I'm not harassing you. We're your groupies. [in high voice] Oh Luke, you're so dreamy, be my guy!
RORY
[in high voice] No, be my guy!
LUKE
I'm bringing up the need for more police protection at this thing.
[they walk into the town meeting, which has already started]
MIA
I think we're late.
LUKE
What's going on here?
TAYLOR
Uh, nothing.
LUKE
Meeting was supposed to start at eight Taylor, it's a minute to eight.
TAYLOR
Well...
MISS PATTY
Oh, you might as well be honest with him Taylor.
LORELAI
Be honest with him about what?
TAYLOR
Well, if you must know, there was a special issue that the business community had to deal with first, so we decided to start early tonight.
LUKE
I'm in the business community and I wasn't told about it. Taylor?
TAYLOR
All right, fine. You weren't invited Luke.
LUKE
And why is that?
MIA
Controversy.
TAYLOR
You weren't invited because we are dealing with the Jess situation.
LUKE
The Jess situation?
LORELAI
Uh oh. If this was the wild west, we'd be pushing the horse aside and diving into the water trough right about now.
LUKE
Dammit Taylor!
MISS PATTY
Luke, honey, calm down.
TAYLOR
After all, this is all your doing. If you hadn't so cavalierly dismissed the issue, we wouldn't have had to do this. I lost business because of what your hooligan nephew did.
LUKE
How was business lost Taylor? If you had to open a little late that day, your customers just came back later.
TAYLOR
Not so. When Mrs. Lanahan couldn't buy her head of lettuce that morning for her lunch, she drove straight to Woodbury to buy lettuce from a competing market. Isn't that right Mrs. Lanahan? Mrs. Lanahan?
LORELAI
You really shouldn't be driving anymore.
TAYLOR
Word has it that she was telling other Doose market shoppers that Woodbury lettuce is crisper. That's business flying out the door.
LUKE
Okay fine. How much is a head of lettuce, a buck? Oh, let's go crazy, give me five heads.
TAYLOR
This goes well beyond a head of lettuce, young man. The charges against your nephew are numerous. He stole the 'save the bridge' money...
LUKE
He gave that back.
TAYLOR
He stole a gnome from Babette's garden.
LUKE
Pierpont was also returned.
MISS PATTY
He hooted one of my dance classes.
FRAN
He took a garden hose from my yard.
MAN
My son said he set off the fire alarms at school last week.
LORELAI
I heard he controls the weather and wrote the screenplay to Glitter.
BOOTSY
I think it's time for me to pipe up here.
LUKE
Oh yeah, that'll be good.
BOOTSY
I have every right to pipe in here Luke. I'm a local entrepreneur.
LUKE
You took over your father's newsstand Bootsy, it doesn't make you an entrepreneur.
BOOTSY
And you took over your old man's hardware store.
LUKE
And turned it into a diner.
BOOTSY
Big whoop. Who can't fry an egg?
TAYLOR
Let's keep it moving here boys, huh?
BOOTSY
I never liked the look of that kid from the second I saw him.
LUKE
Unbelievable.
BOOTSY
Excuse me, but I've got the floor.
LUKE
You don't have the floor.
BOOTSY
I'm standing, aren't I?
LUKE
Well I was standing first which means I have the floor and I'm not giving it to you.
TAYLOR
What is with you too?
BOOTSY
This goes way beyond the Jess matter Taylor. Luke's been on my case since the first grade when he wrongfully accused me of sabotaging a clay imprint that he made of his hand.
LORELAI
Ooh! Think hard, was he dressed like Sulu?
LUKE
No one cares about the stupid clay hand Bootsy. And you stomped on it while it was drying. Three kids saw you.
BOOTSY
No I didn't.
LUKE
You did too!
BOOTSY
No I didn't.
TAYLOR
Boys, please. The bottom line here is that there is a consensus among townspeople who are in agreement that Stars Hollow was a better place before Jess got here.
LUKE
So this half of the room gets the tar, and the other half gets the feathers?
TAYLOR
Well, there hasn't been any talk of tar and feathers. Although...
LUKE
Look, I've lived in this town my entire life, longer than most everybody here.
BOOTSY
I beg to differ. I'm five weeks older than you, that means I've been here five weeks longer.
LUKE
I've never bothered anyone. I've kept to myself and I've done the best I could. I pay my taxes, and I help people when I can. I haven't pitched in on the decorative pageantry town stuff because it all seems insane to me, but I don't get in the way of that stuff either.
TAYLOR
What's your point, Luke?
LORELAI
His point is...do you mind?
LUKE
Be my guest.
LORELAI
His point is, that if there's a problem...
LUKE
And I'm not saying there's a problem.
LORELAI
Right, he's not saying there is a problem, but if there it, give him time to deal with it before you storm his diner with torches and pitchforks.
LUKE
Right. What I'm dealing with, being a problem, that I don't necessarily agree that I even have.
LORELAI
Right.
TAYLOR
I didn't get that last part.
LORELAI
Lay off him because what you're all doing stinks.
LUKE
I'm done here. I'm done with all of you. Oh, and I was gonna stay open later in case anyone wanted to eat after the meeting. Forget that. [leaves]
BOOTSY
His turkey burgers are very dry.
CUT TO OUTSIDE MISS PATTY'S
[Lorelai, Rory and Mia walk out of the town meeting.]
MIA
Well, I must say that was quite exciting.
LORELAI
A little disturbing. I think the whole town needs a field trip.
RORY
Do you think Luke's okay?
LORELAI
I think he will be. He just needs to cool off a little.
RORY
Hey, I'm gonna go check on Dean. He's been scraping that outline off the cement for two days now.
LORELAI
Good idea. There's nothing like your face on his to make the cleaning process go faster.
RORY
She's all yours Mia.
MIA
I'll take her.
LORELAI
Bye hon. [Rory leaves]
MIA
Oh, I am just having the most wonderful time. And I am so proud of you and Rory. You both have just come so far.
LORELAI
Yeah, we have. Um, Mia, I need to talk to you about something.
MIA
Of course. What is it, honey?
LORELAI
Well, um, it's really hard, and uh, I should've brought it up ages ago, but Sookie and I are thinking of making a change.
MIA
A change?
LORELAI
We're going to open our own inn.
MIA
Oh!
LORELAI
I mean, we've talked about it for a long time and it seems like the time is right and...Oh Mia, I love the Independence Inn and Sookie loves it too and we both love you so much.
MIA
I know.
LORELAI
But it just feels like something we need to do and...you hate me.
MIA
No I don't.
LORELAI
I'm letting you down. I'm walking out. I'm being ungrateful.
MIA
Lorelai, stop. Do you think I was naïve enough to think that you'd work for me forever? You and Sookie have more talent for this business than I do. And I'm very good. You're going to open an incredible place, and if you don't let me help you in any way I can, then I'll be very mad.
LORELAI
Of course, we need your help. We'd be lost without your help.
MIA
Good. I was just wondering, what's the time frame for this big move?
LORELAI
Well, we're waiting for this perfect location to free up, that's all that's delaying us. But I promise you'll have plenty of notice and I'll be there to find our replacements and train them.
MIA
Oh yes, that's very sweet of you, but I'm wondering if you could possibly make it sooner rather than later?
LORELAI
What?
MIA
Well, you see, your leaving gives me the perfect excuse to finally sell the place.
LORELAI
Sell the place?
MIA
Oh, I get offers all the time, lucrative ones, but I never even considered it because. . . oh, of course I love the inn, but I just couldn't do that to you. And now that you have this big change coming up in your life, it might be time for one in mine.
LORELAI
Oh. Good, uh, good. Then it all works out good.
MIA
Actually, it's very good!
LORELAI
Okay. Well...good.
CUT TO INDEPENDENCE INN
[Lorelai sits at a table in the lobby organizing placecards as Sookie walks over to her with a piece of paper]
LORELAI
Hey.
SOOKIE
Hey. So I'm working on the menu for the Duncan wedding.
LORELAI
I can't read that.
SOOKIE
I know. I had it all typed up nice and neat to begin with but on the drive into work, I got an inspiration. I just started crossing it out and writing in the new stuff. And it ain't easy writing and driving, and...I can't read that. What is that - cumin?
LORELAI
Sookie, I can't read that either.
SOOKIE
Oh. I'll just get you a new one. Hey, how did your talk with Mia go?
LORELAI
Fine. Good. She took it like you said she would - classy.
SOOKIE
She is classy. Good, good. That's a relief. It is a relief right? I mean, you said she took it good?
LORELAI
Yes she did.
SOOKIE
But you look upset.
LORELAI
She's gonna sell the inn.
SOOKIE
You're kidding.
LORELAI
No, she said she gets offers and she thinks this might be kind of fortuitous timing for her.
SOOKIE
Well, great, so everybody wins, that's good. Look happy. Okay, this does not look happy.
LORELAI
I just don't understand how she can do this.
SOOKIE
What's the big deal?
LORELAI
The big deal is...she's not gonna sell it to another Mia. It's gonna be a big chain, and they'll come marching in with their business models and their corporate approved architects and designers, and change everything around and remodel, and the place will lose all its personality and charm.
SOOKIE
Well, I hope they don't do that, but hey, our place is gonna be full of charm.
LORELAI
So you don't care what happens to this place?
SOOKIE
Of course I do, but it's not up to me. I mean, I can't control that. The only thing we can control is what our inn's gonna be like.
LORELAI
I guess.
SOOKIE
You guess what?
LORELAI
We'll see.
SOOKIE
We'll see what?
LORELAI
It's just a little short sided to just write off this place when we haven't even bought Fran's yet and, hey, we don't know if we will.
[Lorelai walks to the dining room, Sookie follows her.]
SOOKIE
We don't? Why wouldn't we? Lorelai. Is this about Fran's life expectancy because I...
LORELAI
No Sookie, it's about the fact that we haven't even looked at any other places and we don't know if that's necessarily the right one and we have to be very practical about this.
SOOKIE
But it's the perfect location. We all said so.
LORELAI
Well, you can't get emotionally attached to any of our decisions about the inn. This is business. You've got to stay detached.
SOOKIE
But we are all so not detached. But...okay, do you have another location in mind?
LORELAI
Not really.
SOOKIE
Do you wanna look for a new location?
LORELAI
Oh, yeah, like I have all this time to go looking for other locations.
SOOKIE
Well, I don't know. Should we try to buy this place?
LORELAI
Aha. This place is five times what we can afford.
SOOKIE
So what do we do?
LORELAI
I don't know. It's on hold, I guess.
SOOKIE
Well, it's been on hold for years. We were moving forward.
LORELAI
Yes, well, I'm looking at the economy right now and I'm thinking, I don't know if the timing's good.
SOOKIE
Okay, that's not fair because I don't know anything about the economy.
LORELAI
Oh, well then good thing you hooked up with me because it's not looking good.
SOOKIE
Okay, what happened?
LORELAI
What do you mean, what happened?
SOOKIE
We had a vision, we had a plan. You're the one that got this whole ball rolling again, and I jumped on the ball, and then we were rolling on the ball together and then you hopped off the ball, and I'm still on the ball. And I'm confused, 'cause I see it, and I see our vision, and you saw it too up until today!
LORELAI
Well, I know you would like things to be simple and straightforward but unfortunately things are more complicated.
SOOKIE
Okay, that's why we'd be partners. If something gets too heavy for the one person, the other one's there to pick up the slack.
LORELAI
Yes, well that's great in theory, but I gotta tell you, my back is aching from all the extra slack I'm taking up!
SOOKIE
What did I do that's so wrong?
LORELAI
Let's not get into this stuff.
SOOKIE
No, get into it.
LORELAI
Well, you're not the most reliable person in the world or the most punctual.
SOOKIE
You've always known that about me.
LORELAI
Yes, but now, getting into business, it's not so cute. It could hurt us. I mean, you were late for the Fran meeting, you're constantly changing every menu you ever set, even after you've started making it.
SOOKIE
I don't believe this! Before it was kudos to me for my attention to detail. I was the maestro.
LORELAI
That's fine for an established place like the Independence, but you do that stuff at our place, it could wipe us out. Profit margins in a new business are slim, Sookie.
SOOKIE
Just stop. Just stop. Now you're talking down to me.
LORELAI
I'm not talking down to you, I'm trying to explain.
SOOKIE
Yes you are. Yes you are, and I don't know why you are, but I don't want to start crying in front of you because it'll just give you one more thing to point at to say, 'Look, she's too emotional and she's too weak for me to go into business with,' so I'm leaving. And I'll see you tomorrow, if I can remember to show up.
CUT TO STARS HOLLOW
[Rory and Dean are walking down the street.]
DEAN
Hey, I gotta drop by the market.
RORY
But it's your day off.
DEAN
Yeah, it's to get my paycheck. If I don't get it by four, Taylor locks it in a safe and it's on some kind of timer and then when I complain, he lectures me about promptly putting checks in the back and the theories of compound interest, and then my head hurts from all the nodding I do even though I don't listen...
RORY
Go, go!
DEAN
I'll just be a minute.
[Dean walks into the market. Rory waits outside. Jess walks up to her.]
JESS
Should you be standing here all alone? I hear this is a pretty dangerous corner.
RORY
I'm fine.
JESS
Feeling succinct today?
RORY
Pretty much.
JESS
Hmm. Did I do something to offend?
RORY
Me?
JESS
Yeah.
RORY
No.
JESS
Good.
RORY
You might want to ask that same question to Luke though.
JESS
Meaning?
RORY
You've got this whole town down on him.
JESS
Really? How did I do that?
RORY
You know how you did that.
JESS
I'm not really familiar with the blue book laws in this town, so you can be talking about a lot of things. Dropping a gum wrapper, strolling arm in arm with a member of the opposite sex on a Sunday. [Rory gestures to the chalk outline] Ah. What about it?
RORY
You did it. The whole town knows you did it. They had a meeting about it.
JESS
You actually went to that bizarro town meeting? Those things are so 'To Kill a Mockingbird.'
RORY
Yes, I went. And Luke went. And when he got there, everyone ganged up on him. They all want you gone.
JESS
Wow, bummer.
RORY
And he's standing there yelling at everyone and defending you and paying Taylor back for his lettuce losses...
JESS
Wait, his what?
RORY
And now Luke's a pariah and it's all because of you! What a shock, you don't care about any of this.
JESS
I didn't say that.
RORY
Go. I'm tired of talking to you.
JESS
Fine. [starts to walk away]
RORY
You care nothing about Luke and his feelings!
JESS
Got a second wind, huh? [walks back over to Rory]
RORY
All he does is stick up for you and all you do is make his life harder. I guess that's what you have to do when you're trying to be Holden Caulfield but I think it stinks. Luke has done a lot for my mom and a lot for me, and I don't like to see him attacked. Okay, second wind over.
JESS
I didn't know they were coming down so hard on him.
RORY
Funny, I never pegged you as clueless, my mistake.
JESS
Okay. I get it. No, no, I do, I get it. So did you at least think it was funny?
RORY
That is so not the point.
JESS
Ah, you thought it was funny.
[Dean walks out of the market]
DEAN
I got it. Oh, uh, hey.
RORY
Um Dean, I don't think you two have met. This is Jess. This is Dean.
JESS
Boyfriend?
RORY
Of course.
JESS
Sorry, you didn't say. How ya doing?
DEAN
Good, good.
RORY
Okay, see you around.
JESS
Seems to turn out that way, doesn't it?
CUT TO ELDER GILMORE RESIDENCE
[Lorelai and Rory walk up to the front door]
RORY
I wonder if Grandpa's still in Akron?
LORELAI
Well for Akron's sake, I hope he's moved on to Boise. [rings doorbell; the maid answers] Hi. We're the daughter and the granddaughter.
[they walk inside]
RORY
You are majorly crabby.
LORELAI
I just have a headache.
EMILY
Oh Good! Come, come, come, it's all done, and it's great.
CUT TO STUDY
[they walk in and Emily shows them Rory's portrait]
EMILY
Tada.
RORY
Whoa.
EMILY
What do you think?
RORY
It's freaky.
EMILY
Freaky?
RORY
Well, just seeing me here, up on the wall like that, it's uh. . . I like it though. It's good, I guess. I should probably take myself out of the judging process.
EMILY
I think Richard's just gonna love it. It's the perfect thing, don't you think?
LORELAI
Mm hmm.
EMILY
You've got to admit, it turned out better than you thought it would.
LORELAI
Yeah.
EMILY
Well, come on, say a little more than that.
LORELAI
It's great Mom, it's fabulous. It's just a notch below Rembrandt.
EMILY
Well, you don't have to take that attitude.
LORELAI
What do you want from me? I'd light some sparklers and jump up and down yelling 'Yay for the painting' but I'm fresh out of sparklers and my feet hurt too much to jump. But I promise next week when I have more energy, I'll write a love song for the chandelier.
[Emily leaves the room]
RORY
Mom.
[Lorelai follows Emily]
CUT TO KITCHEN
[Lorelai walks over to Emily]
LORELAI
Hey, how dare you walk away from me when I'm being a world class jerk to you. The painting's great Mom, really.
EMILY
Thank you.
LORELAI
I really like it. It's so natural that she's reading which is great, and she's not sitting next to a goose or a giant tortoise, which is good, and Dad is gonna love it. It's a good thing you did here.
EMILY
You can be so harsh sometimes, and I just don't know where it comes from or what I've done to deserve it.
LORELAI
You did nothing.
EMILY
Well, I must've done something.
LORELAI
Oh, I've been...it's just been a bad week. Sookie and I were moving forward with plans to open our inn, and we had huge fight. And we've never had a huge fight, let alone a fight, and awful things were said and it all started when Mia showed up for a visit and I told her about our plans and she's talking about selling the Independence Inn and it just wigged me out a little. It's stupid, I don't know, but that was our home for so long, mine and Rory's. And it's just weird to think that it wouldn't be there and Mia wouldn't be there and I wouldn't be there, and I just got very upset. Anyway, I'm rambling. The painting's really great. Will you accept my apology?
EMILY
Yes, yes I will. I've had bad days too.
LORELAI
Thank you.
EMILY
Well, we should get back to Rory.
CUT TO LORELAI'S HOUSE
[Lorelai sits at the kitchen table as Luke walks in.]
LUKE
Okay, I'm pretty much done.
LORELAI
Thanks for doing this. I didn't want the rain to destroy your beautiful chuppah. And I looked and looked in the yellow pages and I didn't see a chuppah waterproofer listing anywhere.
[Luke holds up a broken wooden goat]
LUKE
How about chuppah goat figure repairman?
LORELAI
Gilbert.
LUKE
What?
LORELAI
The goat. We named him Gilbert, he's headless. Can you fix him?
LUKE
Yeah, I got some glue here. I can fix him.
LORELAI
Good. I'll make some tea.
LUKE
So, Sookie stopped at the diner this morning.
LORELAI
Oh.
LUKE
I asked her how your plans were going with the new inn, and she very awkwardly changed the subject to women's basketball.
LORELAI
Huh.
LUKE
She's never shown much interest in sports before.
LORELAI
No?
LUKE
What's going on with that?
LORELAI
Oh well, you know, women's basketball is getting super popular. That's good, I think. The tall girls need an outlet. We had a fight. A big, humongous fight. She's never going to speak to me again.
LUKE
What happened?
LORELAI
I just flat out panicked about the enormity of what we were getting into and it clobbered me, and I clobbered Sookie, and was such a jerk. Hey, if I cry, will it freak you out?
LUKE
Totally.
LORELAI
What if I whimper?
LUKE
How about you suck it up?
LORELAI
Hmm, I'll try.
LUKE
I don't get it. You're as ready as you've ever been.
LORELAI
Oh Luke, do not underestimate the complete and total lack of confidence I have in my abilities.
LUKE
What? You're the most confident person I know. Obnoxiously so.
LORELAI
Thank you.
LUKE
I mean in a good way. You're good at what you do and you know it.
LORELAI
Oh, no, no, no. I'm good at doing what I have to do. When I had to get a job, I got it. When I had to find a house for us and a life for us, I got it. When I had to get Rory into Chilton, I did it. But I don't have to leave the Independence Inn. I don't have to go into business for myself, I don't have to walk out on that limb and risk everything I've worked for.
LUKE
Then do it.
LORELAI
What?
LUKE
Just say where you are.
LORELAI
What is this, reverse psychology?
LUKE
No, just stay at the inn. You're happy there.
LORELAI
Oh, so you think I can't hack it.
LUKE
Of course you can hack it.
LORELAI
Great, lip service, that's what I need.
LUKE
Hey, if I start to cry, will it freak you out?
LORELAI
Ugh. I couldn't stay where I am if I wanted. Mia is selling the inn. And that hit me hard too, maybe harder than the other thing. I'm gonna be without a home.
LUKE
What do you mean? This is your home.
LORELAI
No, I mean a home home. A memory home. The inn is where Rory took her first step. It's where I took my first step. It's more of a home to me more than my parents' house ever was.
LUKE
You're just scared. Just like everybody else when they're taking on something big.
LORELAI
Well, then what does everybody else do to get through this feeling?
LUKE
They run in the back, throw up, pass out and then smack their head on the floor.
LORELAI
What?
LUKE
That's what I did on the first morning I opened the diner. Look, there is no button to push to get you through this. You just gotta jump in and be scared and stick with it until it gets fun.
LORELAI
How long 'til the diner got fun?
LUKE
About a year.
LORELAI
Wow. And there's no button?
LUKE
Nope.
LORELAI
How about a lever, can I pull a lever?
LUKE
Nope.
LORELAI
Turn a knob?
LUKE
Nope.
LORELAI
You just jump?
LUKE
You just jump.
LORELAI
I wanna do it.
LUKE
You should do it. Check it out. [holds up the fixed wooden goat]
LORELAI
Gilbert. You're not worse for the wear.
LUKE
I'll go reattach him. How'd this happen anyway?
LORELAI
Oh, something must've smacked into him with a hedger.
LUKE
Uh huh, well, no one'll ever know. Oh, and uh, women's basketball is in season. You might wanna run that news past Sookie, and maybe you can go to a game or something.
LORELAI
Yeah. Or something. Thanks.
CUT TO INDEPENDENCE INN KITCHEN
[Sookie is at the stove cooking as Lorelai walks over to her.]
LORELAI
Hi.
SOOKIE
Hi.
LORELAI
Mm. Meat loaf, mashed potatoes, stuffing. Comfort food, huh?
SOOKIE
I thought it would be good with the weather changing like this, but if you don't think it's right I can make something else. Although I'm right on schedule and on budget so a change would kinda throw things off. Your call.
LORELAI
No, no, everything looks great. Hey Sookie.
SOOKIE
Yeah?
LORELAI
I'm sorry about what happened. I said stupid things, and I said them for reasons that have nothing to do with you and I hate myself for doing it and I know you do too, and I am sorry.
SOOKIE
It's okay.
LORELAI
No it isn't. You are a brilliant chef and to think that you should do things differently from how you do them now is ridiculous. You don't tell a great violinist to hold his bow differently. You don't tell a great cymbal player to crash his cymbals differently. You just let them play.
SOOKIE
There are great cymbal players?
LORELAI
Theoretically.
SOOKIE
Okay, well, it's okay.
LORELAI
I wanna go ahead with our plans. Forget my freak out. Pretend it didn't happen. Let's move forward.
SOOKIE
Well...
LORELAI
You don't want to move forward?
SOOKIE
No, I do. But I need your promise you're not gonna lose it on me again.
LORELAI
I promise.
SOOKIE
'Cause I couldn't take losing a business partner and my best friend in one fail swoop. It'd be too much.
LORELAI
Sookie, I will place my hand on whatever you want and swear that you can trust that I will not lose confidence in our dream.
SOOKIE
That's good enough 'cause I know you don't like to put your hand on things.
LORELAI
We're gonna give it our best shot.
SOOKIE
And if we go down after two years...
LORELAI
Oh, it'll be the most exciting two years of our lives!
CUT TO LOBBY
[Mia is talking to a man as Emily walks into the inn.]
MAN
How about antiques?
MIA
Absolutely, it's the best place for antiques. Michel will have a map for you if you need it.
MAN
Thank you.
[the man walks away as Mia walks over to Emily]
MIA
Hello, can I help you?
EMILY
No, thank you. I just...
MIA
Yes?
EMILY
I just wanted to meet the woman who helped raise my daughter.
MIA
Emily.
EMILY
Yes, I'm Emily Gilmore.
MIA
I've wanted to meet you too for a very long time.
EMILY
Well, that's nice.
MIA
Would you like to sit down? Or have something to eat? Have lunch with me, won't you?
EMILY
No, thank you. You have a lovely place here. It's a beautiful hotel. It's not a home, but still, a beautiful hotel.
MIA
Sometimes home is where your hat is.
EMILY
Or where your family is.
MIA
Yes, that too. You sure you don't want some tea? Tea usually makes things like this a little less awkward. There's things to hold and stir.
EMILY
I don't know why I came here.
MIA
You wanted to meet me.
EMILY
After all these years, it makes no sense.
MIA
I expected you to come eventually.
EMILY
Did you?
MIA
Mm hmm.
EMILY
And what did you expect to say to me when I did come?
MIA
When Lorelai showed up on my porch that day with a tiny baby in her arms, I thought to myself, what if this were my daughter, and she was cold and scared and needed a place to live? What would I want for her? And then I thought, I'd want her to find somebody to take her in and make her safe and help her find her way.
EMILY
That's funny. I would've wanted her to find someone who would send her home. I have to go. I'd appreciate if you didn't mention this to Lorelai.
MIA
I won't.
[Emily walks to the door, then stops]
EMILY
Do you have pictures, from back then?
MIA
I'll send you a box full tomorrow.
EMILY
Thank you.
CUT TO LUKE'S DINER
[Lorelai and Rory sit at a table eating]
LORELAI
Oh man, it's such a relief to have that Sookie thing fixed.
RORY
I know. I hate fighting with friends.
LORELAI
That's what enemies are for.
RORY
And God knows we have our share of those.
LORELAI
People who eat crunchy food with their mouths open.
RORY
People who dog ear library books.
LORELAI
People who spit when they talk.
RORY
Oh gross, you got me in the eye!
LORELAI
I did not.
RORY
You totally did!
LORELAI
You're full of it.
RORY
Luke, where's my toast?
LUKE
Ah, it's gonna take awhile. My big toaster's broken so I got stuck with just this dinky one.
[Jess pushes down the handle on the big toaster, showing Luke that it works]
LUKE
How did that happen?
JESS
You're gonna break that.
LUKE
It was broken before.
JESS
Well it must've got better.
LUKE
Inanimate objects don't usually get better. Did you fix this?
JESS
Please.
LUKE
Jess.
JESS
I have no idea what you're babbling about. I don't fix things.
LUKE
But yesterday...
JESS
I got school.
[Rory smiles at Jess as he leaves]