T3E13: “Dear Emily and Richard”
Título em Português: “Queridos Emily e Richard”
Roteiro: Amy Sherman-Palladino
Direção: Gail Mancuso
Originalmente exibido em: 4 de fevereiro de 2003
OPEN AT ELDER GILMORE RESIDENCE
[Lorelai, Richard and Emily are sitting in the living room]
LORELAI
Mom, I swear, it was Aunt Maureen.
EMILY
Aunt Maureen would never hike up her skirt in public.
LORELAI
She would after half a gallon of eggnog.
EMILY
Richard, who was the one who got drunk at our Christmas party and hiked up her skirt in front of the Town and Country photographer?
RICHARD
I'm sorry, did you say something?
LORELAI
I don't know about you, Mom, but I've never felt so fascinating in my entire life.
[Rory walks in]
RORY
I'm so sorry I'm late. Hi Grandma, Hi Grandma.
RICHARD
Hello Rory.
LORELAI
Oh, now he closes the paper.
RORY
Hey, Mom, I stopped by the bookstore on the way here.
LORELAI
You got them?
RORY
I got 'em!
EMILY
Got what?
LORELAI
Rory and I are starting to plan our Europe trip.
RORY
The day after graduation, we are gone.
RICHARD
Well, that sounds very exciting.
EMILY
Lorelai, what are these?
LORELAI
Those are guidebooks.
EMILY
"Europe Through the Backdoor." "The Rough Guide to Europe." What kind of guidebooks are these?
LORELAI
The cheap kind.
RORY
They have all the good information about backpacking and staying in hostels.
EMILY
Backpacking and staying in hostels?
RICHARD
Who's backpacking and staying in hostels?
LORELAI
We are.
[Emily and Richard laugh]
EMILY
No, you're not.
RICHARD
What a ridiculous thought.
RORY
We are. We're going to backpack around Europe.
EMILY
Yes, I know, it's fun to tease your grandmother, dear. They're going to backpack across Europe, Richard.
RICHARD
I heard, sounds delightful. Perhaps we should join them.
EMILY
That sounds wonderful. Tomorrow I'll go out and buy some cutoffs.
LORELAI
Guys, we're not kidding.
EMILY
You're telling me you're seriously going to traipse across Europe with your possessions strapped to your back and sleep in a room with thirty other people?
LORELAI
Yes.
RICHARD
No.
RORY
Grandpa.
RICHARD
It's not safe. I forbid it. Call our travel agent.
RORY
But we want to be spontaneous. Jump a train to Paris, head off to Spain.
LORELAI
Oh no, it's raining in Spain. But since the rain in Spain stays mainly in the plain...
RORY
Looks like Italy for us!
LORELAI
Mamma mia!
RICHARD
You can still travel around aimlessly and stay in a decent hotel.
LORELAI
We wanna do it cheap.
EMILY
We'll pay.
LORELAI
No.
RORY
Grandma, it's going to be fun, really.
LORELAI
Kids do this all the time.
EMILY
Yes, but you're not a kid, you're a grown woman. What are people going to think when they see a grown woman bunking down with a bunch of twenty-year-olds?
LORELAI
Well, if the twenty-year-olds are cute, they'll probably think, "Lucky!"
RORY
Grandma, don't be upset. It really is going to be great.
EMILY
[reads from book] What's so traumatic about a night without a bed anyway? My survey shows those who have had the opportunity to be a refugee for a night have their perspectives broaden and actually enjoy the experience." Richard, this book is encouraging them to sleep in a park like a squirrel.
LORELAI
It's okay, Mom.
EMILY
My first trip to Europe, I went to Paris and stayed at the Ritz.
LORELAI
Well, I tell you what, if it'll make you happy, we'll go to Paris and eat out of their dumpster.
[opening credits]
CUT TO SIDEWALK
[The construction crew is working in front of the soda shop]
TOM
All of this goes in there. Let's move, we're getting backlogged.
DEAN
Tom, I brought over the nails you asked for.
TOM
Good. Get the guy's lunch orders, will ya?
DEAN
Already done.
TOM
You're a good kid, Dean. You hardly bug me at all.
DEAN
High praise.
TOM
Yeah, yeah, go, get the food. And don't forget the pickles.
DEAN
I wouldn't dare.
TOM
Oh, what do I gotta say to get this crap inside where it belongs? You got a language I'm not privy to? 'Cause I'm a fast learner.
MISS PATTY
Dean-o, Dean-o, Dean-o. If you grow any taller, I'm gonna have to get myself some mountain climbing equipment.
DEAN
You're getting dangerous to even walk near, you know that, Patty.
MISS PATTY
I've been told.
DEAN
You looking for Mr. Doose?
MISS PATTY
Oh, precious, no. I'm just looking.
DEAN
Ah.
MISS PATTY
Yeah.
DEAN
Okay. Well, uh, enjoy.
MISS PATTY
Oh, I always do. Ahh.
CUT TO LUKE'S DINER
[Luke is leaning on the counter, reading a book]
JESS
Move.
LUKE
What? Oh, sorry.
JESS
What's that?
LUKE
It's nothing.
JESS
You reading?
LUKE
It's nothing.
JESS
I never see you reading.
LUKE
Will you just... I read.
JESS
What are you reading?
LUKE
I read, I read.
JESS
What do you read?
LUKE
Invoices, expiration dates.
JESS
I stand corrected. [takes Luke's book]
LUKE
Hey!
JESS
"Hidden Romantic Gems of the Restaurant World." Well, well, well.
LUKE
I would like my property back, please.
JESS
Planning something special?
LUKE
No, nothing special. I'm just taking Nicole to dinner on Friday and I wanna find a place.
JESS
A place you don't normally go to?
LUKE
Yes.
JESS
So a special place.
LUKE
Will you stop saying that word, please? And yes.
JESS
Find anything good?
LUKE
Every single description in here talks about tablecloths and dish design, nothing about the food.
JESS
You are really going through an awful lot for this lawyer.
LUKE
She's not a lawyer. I mean, yes, she's a lawyer, but she's also a lady, and a very nice lady who probably expects good food with her fancy plates and sparse yet elegant décor.
JESS
You're pathetic when you're in love.
LUKE
I'm not in love, I'm dating. This is what you do when you're dating.
JESS
It's not what I do when I'm dating.
LUKE
Well, Rory's a lucky girl. Work. I'm going upstairs.
JESS
Fine, but if a horse-drawn carriage shows up here, my throwing up will be eternal.
[Dean walks up to the counter]
DEAN
I gotta place an order.
JESS
Talk into the clown.
DEAN
I am.
JESS
What do you want?
DEAN
Six burgers, three with cheese -- two cheddar, one Swiss. Two plain, one with chili, cheese and onions on the side. Your memory's that good?
JESS
You're screwing with me.
DEAN
I'm placing an order.
JESS
For all of Connecticut?
DEAN
For the construction crew next door.
JESS
Oh, you're Taylor's errand boy now.
DEAN
And you're Taylor's waitress.
JESS
Say that a little closer.
DEAN
I thought you had a girlfriend.
JESS
Give me your order and get out.
DEAN
Service with a smile. Uh, six burgers, three cheese -- two cheddar, one Swiss. Two plain burgers, one chili burger with cheese and onions on the side. Three ham on ryes - one mayo, one mustard, one combo. A combo means mustard and –
JESS
I know what a combo means.
DEAN
Sorry, guess that confused look is just how your face is.
JESS
Do you wanna talk about this outside?
DEAN
Just as soon as I'm finished. Uh, four hot dogs. Two egg salads on white. One chicken salad on wheat. A chef's salad with ranch. Five fries. Five onion rings. Two chips. Extra pickles.
JESS
On what?
DEAN
Excuse me?
JESS
What are the extra pickles on?
DEAN
On the side.
JESS
On the side of what? On the side of the burgers, on the side of the sandwiches, or on the side of the road where the ditch I'm gonna dump your body into is?
DEAN
Just make sure there's enough for everyone.
JESS
Fine.
DEAN
Aren't you gonna read it back?
JESS
Nope.
DEAN
Okay, but these men were hired by Taylor, which means if they aren't satisfied with their orders, they will send them back. And they will continue to send them back until they are happy, which means you could be making this order until you die.
JESS
Six burgers, three with cheese – two cheddar, one Swiss.
DEAN
Slower, please. I'm checking them off as we go.
JESS
Two plain burgers, one chili with cheese and onion on the side.
CUT TO INDEPENDENCE INN
[Lorelai is at the front desk on the phone]
LORELAI
[on phone] Hey, it's your party, we just want you to be happy. Okay. No problem. All right, I'll talk to you then. [hangs up] Ridgemont called.
MICHEL
No.
LORELAI
He's changing his mind about the theme for his retirement party again.
MICHEL
No!
LORELAI
We have to call the florist.
MICHEL
But this is the fourth theme he's picked. He had the fishing one, and the Kentucky Derby with the chocolate horsies, and the Tibet with the Richard Gere pictures everywhere.
LORELAI
I know.
MICHEL
And he promised that the golf would be the last one.
LORELAI
Well, he decided that golf was dull and he doesn't want to be remembered as dull.
MICHEL
Would he like to be remembered as limping, because I can be a fabulous help with that.
[They walk to the dining room, where workers are decorating the room in a golf theme]
LORELAI
Hey, guys...
[Everyone groans]
LORELAI
I'm sorry, I'm really sorry.
MICHEL
Here's an idea – it's a retirement party, yes? Okay. So what happens after you retire? You die.
LORELAI
He changed his mind.
LANE
Again?
MICHEL
So, why don't we dig a big hole, throw him in, hand everybody a shovel, they take turns covering him up. We go inside, have dinner, the wife gets used to eating alone...
LORELAI
We are not going to bury him alive.
MICHEL
Well, fine then. What is the new theme?
LORELAI
He is calling me back at four.
RORY
I got the flags and... he changed his mind again.
LANE
He's worse than my mother at the Glory of Easter T-shirt stand.
LORELAI
You kept the receipt, I hope.
RORY
Yup.
LORELAI
Good God, this party is gonna be the death of me.
MICHEL
Or someone.
LORELAI
Go call the florist.
RORY
You're stressed.
LORELAI
You're observant.
RORY
Well, I was going to save this for later, but you look like you need it now.
LORELAI
What's that?
RORY
I have been cordially invited to Sherry Tinsdale's C-section.
LORELAI
No way!
RORY
[reads from invitation] Friday, February seventh, six o'clock p.m. Join the girls for a toast, a hug, a wave to the mommy as they wheel her off, dinner at Sushi Sushi, and then back to the hospital for a formal viewing of brand-new baby Georgia. RSVP at your earliest convenience. P.S. -- gifts are not necessary, but always appreciated.
LORELAI
I don't even know where to start.
RORY
I knew you would like it.
LORELAI
You have to RSVP to a C-section.
RORY
And bring a gift.
LORELAI
I wonder if Laura Mercier makes Demerol.
RORY
You wanna keep it?
LORELAI
Oh, yes, please.
RORY
But don't lose it. I need the phone number.
LORELAI
So, are you going?
RORY
Well, I don't know. I mean, I know it's weird, but I kind of wanna see Georgia. She's sort of my sister.
LORELAI
She's more than sort of your sister.
RORY
I just think it would be cool to meet her the night that she's born. It's a good story to talk about.
LORELAI
You should go.
RORY
I should, shouldn't I?
LORELAI
And you should take pictures and wear a hidden microphone 'cause I wanna hear everything.
RORY
I'll see what I can do.
LORELAI
Oh, shoot.
[Lorelai walks to the kitchen, where Sookie is frosting a golf ball cake]
LORELAI
Sook...
[Sookie flips the cake into the garbage can]
SOOKIE
God!
CUT TO LORELAI'S HOUSE
[Lorelai and Rory walk up to the house with boxes of Beanie Babies]
RORY
I just need to go on record that a grown man should not throw himself a Beanie Baby retirement party.
LORELAI
Just hold your breath this one actually takes.
RORY
And how is Sookie supposed to plan a Beanie Baby menu?
LORELAI
Lots of beans.
RORY
I think this is ridiculous.
LORELAI
Angel face, you need to learn that there are going to be times in your life when you have to do ridiculous things for money. If you're Adrian Zmed, that includes everything that ever happens in your whole career. [sees a box on the porch] Oh Rory, come on. Did you order from Amazon again? 'Cause we're going to get your books their own house.
RORY
I didn't, I swear.
LORELAI
It's from my mother.
RORY
What is it?
LORELAI
It's heavy. Must be her hopes and dreams for me.
RORY
I thought she discarded those years ago.
[they walk into the house]
LORELAI
Just drop the Beanies by the door. [reads note attached to the box] "Girls, here are some travel books I stumbled across in your father's study. I thought they could help in the planning of your European adventure." She's insane.
RORY
We have travel books.
LORELAI
No, sweetie, these aren't our kind of travel books. These are Paris and Nicky Hilton's kind of travel books.
RORY
[pulls some books out of the box] "Selected Hotels of Europe," "Hotels, Restaurants and Inns of Great Britain and Ireland, 1986", "Myra Waldo's Travel and Motoring Guide to Europe, '78."
LORELAI
Wow, these will be an enormous help in planning our trip. Hey, you wanna go see the Berlin Wall?
RORY
Sounds great.
LORELAI
My God, I remember these books. I think the only person in my house who ever read them was me.
RORY
This hotel is five hundred dollars a night.
LORELAI
Five hundred dollars a night twenty years ago.
RORY
What could a hotel possibly have that would make it five hundred dollars a night?
LORELAI
An English menu?
FLASHBACK – ELDER GILMORE RESIDENCE
[Young Lorelai and Christopher walk through the front door]
LORELAI
Christopher, stop it, I'm trying to open the door. Graceful and lovely they enter.
CHRISTOPHER
Is she home?
LORELAI
I don't know. Mom, are you home?
CHRISTOPHER
Mom, are you home?
LORELAI
Shh, she'll hear you.
CHRISTOPHER
So, she likes me.
LORELAI
Oh, that's right. Mom, it's me, Lorelai, I'm home! I'm home and I'm taking my sweater off. I'm taking my sweater off and dropping it on the floor. I'm dropping it on the floor and walking away from it. I'm walking away from it and leaving it on the floor, and in two years I'm gonna register Democrat. Looks like no Emily.
CHRISTOPHER
Where's Sofia?
LORELAI
Fired.
CHRISTOPHER
Already.
LORELAI
She touched the Baccarat unicorn.
CHRISTOPHER
My God, is she insane?
LORELAI
Apparently so.
CHRISTOPHER
Okay, so, to recap, there's no Emily and there's no Sofia.
LORELAI
And there's no supervision whatsoever. What will we do?
CHRISTOPHER
Let's celebrate.
LORELAI
Celebrate what?
CHRISTOPHER
No more midterms.
LORELAI
Hear, hear.
CHRISTOPHER
Okay, I say that we drink to it.
LORELAI
Hear, hear.
CHRISTOPHER
Scotch, vodka, or gin?
LORELAI
Hear, hear.
CHRISTOPHER
Okay.
LORELAI
And put a cherry in it. It looks like the Gilmores are planning a trip again.
CHRISTOPHER
Where to this time?
LORELAI
Someplace fabulous where they'll stay at a fancy hotel with a lot of other rich Americans so they won't have to talk to anyone who actually lives in that country.
CHRISTOPHER
"Myra Waldo's Travel and Motoring Guide to Europe." Hello Myra.
LORELAI
Oh God, I hope they go over Christmas. That would be as holly jolly as it gets. Smooth.
CHRISTOPHER
Hey, guess what I decided – I'm not gonna go to college.
LORELAI
Are you serious?
CHRISTOPHER
I'm taking a year and I'm going to Europe. I'm gonna backpack, train it, sleep on a bench, see the world.
LORELAI
And you've told Straub and Francine about your big plans, I'm sure.
CHRISTOPHER
Ah, it doesn't matter.
LORELAI
Mmhmm.
CHRISTOPHER
I'm outta here the second that diploma's in my hand.
LORELAI
Sounds good.
CHRISTOPHER
You're coming with me.
LORELAI
Oh, I am?
CHRISTOPHER
Yup.
LORELAI
I'm sleeping on a bench? Okay, how does that picture look to you, 'cause to me it looks like a big no.
CHRISTOPHER
Fine, you we get a room for, and then I'll just sleep on the bench outside.
LORELAI
Much better arrangement.
CHRISTOPHER
So you'll go?
LORELAI
Christopher, you're supposed to go to college. I'm supposed to go to college. Then you're supposed to join your dad's firm where you'll get a corner office and big stick to shove up your butt.
CHRISTOPHER
Change of plans.
LORELAI
You can't just change the plans. The plans came over on the Mayflower.
CHRISTOPHER
Come on, Lor. Let's get out of here, let's get away from this place. Let's take Myra and just bolt. Leave a note on the dining room table. "Dear Richard and Emily, I don't belong here, I'm going somewhere else, I'll call you when I get there. Love, Lorelai.' How does that sound?
LORELAI
Well, the word "whoopee" comes to mind.
CHRISTOPHER
So, then, it's a plan.
LORELAI
It's a plan.
CUT TO LORELAI'S HOUSE (PRESENT)
[Lorelai and Rory are still looking through the guidebooks]
RORY
Hey, I want to sleep amongst thirteenth century tapestries and chocolates made by local artisans.
LORELAI
Okay, then, it's settled. We're not staying at any place that wasn't built for Napoleon the third's doctor or doesn't have a Chagall in the bathroom.
RORY
Hear, hear.
LORELAI
Now we just have to figure out how we're gonna pay for it. Hey, how good's your organ grinding?
CUT TO CHILTON
[Students are gathered in a meeting room]
MADELINE
I called last night and I asked her to talk me through the Korean War and she said she was busy.
LOUISE
Oh, she's definitely got a boyfriend.
MADELINE
I know.
LOUISE
Well, I for one think it's about time.
MADELINE
I agree.
LOUISE
It wasn't healthy, all that non-dating.
MADELINE
It definitely didn't help that whole skin thing she was going through.
LOUISE
How come she didn't tell us?
MADELINE
I think she just wanted to make sure it was gonna take.
LOUISE
So, tell us, what's this Jamie like?
RORY
You know, I really don't feel like talking about Paris right now. Or ever.
MADELINE
Oh, come on, you know him, we don't.
LOUISE
Is he sexy?
MADELINE
Does he have a good car?
LOUISE
How's the trust fund?
MADELINE
How's the profile?
LOUISE
Will the prom pictures work?
MADELINE
How are his friends?
LOUISE
Yes. Is there spin-off potential? [Paris walks in] Whoops.
MADELINE
Bye.
PARIS
Okay, everyone, gather around. I have in my hand the 2002 Franklin Yearbook photos. I got copies for everyone, so let's leave the Barney's clearance sale reenactment for another day, shall we? And, please take note of the fact that the idea of posing under the new school banner was a major, major success.
RORY
Um, Paris.
PARIS
Yes?
RORY
I'm sneezing.
PARIS
What?
RORY
In the picture. I'm sneezing and my head is turned.
PARIS
Oh, yeah, I noticed that, but every picture had something wrong with it and I had to pick the one that was the best for the largest number of people.
RORY
We took ninety pictures.
PARIS
What's your point?
RORY
My point is in ninety tries, there wasn't one other picture that was good for the group and didn't have me looking like I'm in Cirque du Soleil.
PARIS
Sorry. Life can play some cruel tricks sometimes.
RORY
Life had a little help from the Gellar camp this time. [cell phone rings] We are not done. [answers phone] Hello?
MAUREEN
Rory, hi, listen. I just got the call and – hold on a sec. I'll call him back. I'm back, sorry. Where was I?
RORY
Who is this?
MAUREEN
Maureen Rollins, Sherry's friend.
RORY
Oh, yes, uh, right, Maureen, I'm sorry, I -
MAUREEN
Don't worry about it. Listen, I know the invitation said that we were all gathering at the c-section next week, but Sherry just went into labor.
RORY
What?
MAUREEN
She screwed up, she's in labor, and she wanted me to call all the girls and beg them to get down to the hospital ASAP.
RORY
Oh.
MAUREEN
It's a big screw-up.
RORY
I guess.
MAUREEN
Can you come?
RORY
Well...
MAUREEN
You're a child, right?
RORY
What?
MAUREEN
School?
RORY
Huh?
MAUREEN
School, you have school?
RORY
Uh, yes, I have school, but –
MAUREEN
Is there anyway you could reschedule school just for today? She completely screwed up, but she's still our Sherry.
RORY
Well, I'm actually done with school now. I could grab a train and –
MAUREEN
That would be the best, the absolute best. You are a great kid. She's at Boston Memorial. I will meet you there. Listen, I have Graydon Carter on the other line.
RORY
Who?
MAUREEN
Graydon Carter. I have to go.
RORY
Okay, bye.
FLASHBACK – ELDER GILMORE RESIDENCE
[A photographer is setting up in the living room]
EMILY
Please make sure the light is very soft. I want a luminous quality.
PHOTOGRAPHER
I'm gonna have to see the young lady before I can set the final lighting.
EMILY
Yes, of course. Arletta, did you call Lorelai?
ARLETTA
Yes, ma'am. Twenty minutes ago.
EMILY
And what did she say?
ARLETTA
She said she was still getting dressed. Do you want me to go up there again?
EMILY
No, I'll do it. I swear, you'd think that it was my coming out portrait, not hers, for the amount of concern she has about all of this. I'll be right back. Don't scratch the floor.
[Cut to upstairs – Young Lorelai is in her bedroom trying to fit into her debutante gown. There's a knock at the door.]
LORELAI
Yeah?
EMILY
Lorelai, the photographer needs you downstairs.
LORELAI
I'll be there in a sec.
EMILY
He needs you now, not in a sec.
LORELAI
Okay.
EMILY
I don't hear you walking toward the door.
LORELAI
Mom, please.
EMILY
I'm coming in.
LORELAI
No.
[Emily walks into the bedroom]
EMILY
I don't have time for your attitude young lady. This man is being paid by the hour. Why aren't you dressed?
LORELAI
I just... I think the zipper's too new or stiff or something.
EMILY
Turn around, I'll do it. [tries to zip up the dress] Oh my God.
LORELAI
What?
EMILY
It's not the zipper, it's the dress. It's too small.
LORELAI
Are you sure?
EMILY
Of course I'm sure. It's too small. How can it be too small? We had a fitting three months ago. Have you gained weight?
LORELAI
No.
EMILY
Hold your breath.
LORELAI
I am.
EMILY
Hold your breath!
LORELAI
I am!
EMILY
The only thing I can think of is the dressmaker must've written the measurements down wrong. Well, what are we supposed to do now? I certainly can't take a picture of you like that.
LORELAI
Sorry.
EMILY
I'll just have to have him come back next week. And I'm going to call that woman at the dress shop and give her a piece of my mind. My God, is everyone in the world completely incompetent? Put on your sweats and run around the block. You're gonna fit into the next dress no matter what.
CUT TO LUKE'S DINER (PRESENT)
[Lorelai walks in]
LORELAI
Okay, I have five minutes to drink as much coffee as I can before I have to drive to Hartford to spend the evening with my mother alone and... who am I saying this to?
KIRK
I was listening.
LORELAI
Where's Luke?
KIRK
I don't know.
LORELAI
Well, is he here? Is he coming back? How fresh is that pot?
KIRK
I don't know, I don't know, it was sitting there when I got here but that's only been a minute so I don't know.
[Luke walks down from upstairs]
LORELAI
Oh, thank God. Hey, I desperately need a massive cup of coffee to go and – what happened to your face?
LUKE
What do you mean?
LORELAI
It's visible.
LUKE
Oh, I shaved.
LORELAI
You going to the bank?
LUKE
No.
LORELAI
Funeral?
LUKE
No.
LORELAI
Drag club?
LUKE
Let's get you your coffee, shall we?
LORELAI
Hey, isn't that the sweater that –
LUKE
Yes, it is.
LORELAI
You look nice.
LUKE
Thank you.
LORELAI
What's the occasion?
LUKE
Oh, well –
[Nicole walks into the diner]
NICOLE
Hi.
LUKE
Hi.
LORELAI
Oh, it's a girl. It's a...
LUKE
Nicole, this is Lorelai.
NICOLE
Nice to meet you. I'm Nicole Leahy.
LORELAI
Lorelai Gilmore.
NICOLE
Wow, you look nice.
LUKE
Yeah, you, too.
NICOLE
So, you ready or should I sit down?
LUKE
No, let's go, I'm ready.
NICOLE
Okay. [her cell phone rings] Oh, I'm sorry. I'll just –
LORELAI
Oh, hey, hey Luke...
LUKE
She's a lawyer.
LORELAI
So what? Luke!
LUKE
Shh!
NICOLE
Hello? Yes. No, I'm sorry, Monday's not gonna work, it'll have to be Tuesday. Yes, well, your client breaking a contract is fairly annoying also, but we're all dealing with that. Terrific to hear. Bye Michael. [hangs up] Sorry. The phone is going off now.
LUKE
It's okay. Make as many calls as you want.
NICOLE
Nice meeting you.
LORELAI
You, too.
CUT TO HOSPITAL
[Rory steps off the elevator and walks up to a woman]
MAUREEN
[on phone] As soon as I can. All right, bye.
RORY
Maureen?
MAUREEN
Yes?
RORY
I'm Rory. I'm Christopher's daughter. You called me to come down.
MAUREEN
Rory, yes, sweetie, thank God you're here. Sherry's gonna be so happy to see you. She's a basketcase. Well, who wouldn't be, right?
RORY
Where's everyone else?
MAUREEN
Oh, they're working.
RORY
What?
MAUREEN
Well, we had all planned on next week, but Sherry screwed up, so what can you do? Thank God you're here. She'll be thrilled. She's feeling a little abandoned. Now, she's right in there. Do not mention how fat she is. For some reason, she's extremely sensitive about that today. Okay, kiss. I'll call you later to find out how everything's going.
RORY
Wait, where are you going?
MAUREEN
I've gotta get back to work. I'm swamped today.
RORY
You're leaving me here alone?
MAUREEN
Believe me, I would love to stay hon – impossible. What can I say? Sherry screwed up. Anyhow, you'll be fine. If you need anything, call.
RORY
I don't have your number.
MAUREEN
Sherry's got it. [walks away]
[Rory walks into Sherry's room]
RORY
Sherry? It's Rory.
SHERRY
Rory? Oh my God, I'm so glad you're here.
RORY
How are you?
SHERRY
This wasn't supposed to happen now.
RORY
I know.
SHERRY
Christopher's out of town. I think Maureen called him and left a message but it doesn't matter because he's not here. Where's Maureen?
RORY
Oh, well, she had to go back to work, but she said she'd call later.
SHERRY
She's at work?
RORY
Yes.
SHERRY
I'm lying in a bed. God knows what's gonna happen.
RORY
Well, you're going to have a baby.
SHERRY
And she goes back to work. I would love to go back to work, but I can't because I have to stay here.
RORY
Well, yeah, because you're going to have a baby.
SHERRY
She's not here. None of my friends are here. Christopher isn't here. No one is here. No one but you. Thank God you're here, Rory. I don't think that I could do this by myself because this wasn't supposed to happen until next week. I wrote it down. I wrote it down. I wrote it down!
RORY
Boy, do you look thin.
CUT TO ELDER GILMORE RESIDENCE (PRESENT)
[Emily opens the door for Lorelai]
EMILY
Well, it's a rare treat to have an evening alone with my daughter uncoerced.
LORELAI
Yes, it is, isn't it?
EMILY
So Rory's at the hospital?
LORELAI
Uh, yeah. She's gonna see her new half-sister fresh from the oven.
EMILY
Well, that's about an unpleasant a description as I've ever heard. I thought we'd have martinis.
LORELAI
Very good thought.
EMILY
Olives?
LORELAI
Twist.
EMILY
So how's Rory feeling about Christopher's new baby?
LORELAI
She's very excited. It's kind of cute.
EMILY
You should've gotten her a puppy.
LORELAI
Stop. No maid tonight?
EMILY
Leloni usually takes Sundays off, but she wanted to switch and seeing as it's just you and I, I said yes.
LORELAI
Leloni, huh? Very exotic name.
EMILY
She's from Honolulu.
LORELAI
Cool. Does she know Don Ho?
EMILY
No.
LORELAI
Charo?
EMILY
No.
LORELAI
The C&H Pure Cane Sugar dancers?
EMILY
Lorelai, please, we don't have a buffer here tonight.
LORELAI
So who cooked dinner? Ugh, please don't tell me it's you 'cause we can always... diet.
EMILY
Leloni made a roast before she left and I heated it up.
LORELAI
You did?
EMILY
I even added a little wine to the pan to keep it from drying out.
LORELAI
Well, who died and made you Sara Moulton?
EMILY
Drink this and be quiet.
LORELAI
So, um, how long is Dad gone for this time?
EMILY
Two weeks.
LORELAI
Didn't he just come home last week?
EMILY
Yes, he did.
LORELAI
So business must be pretty good?
EMILY
I suppose. He has to work twice as hard as he ever did, and I'm still not sure that he's actually made a dime yet. However, he does see to be having the time of his life, so what can you do?
LORELAI
Nothing, I guess. Hey Mom, can I ask you something?
EMILY
Of course you can.
LORELAI
What do you do while Dad is gone?
EMILY
Well, I do all sorts of things.
LORELAI
Like what?
EMILY
Well, I keep this house running.
LORELAI
Uh huh.
EMILY
And I have my DAR meetings and there's always a thousand calls to make. I have functions and fundraising events to organize. A million different things.
LORELAI
Okay, but what do you do at night?
EMILY
Excuse me?
LORELAI
I mean, you don't organize functions at night, do you?
EMILY
What are you insinuating?
LORELAI
I'm not insinuating anything, Mom. I'm just trying to find out a little bit about your life.
EMILY
Well, your father calls every night at nine o'clock and we talk.
LORELAI
So, you spend fifteen minutes talking to Dad and then you hang up the phone and you – what? Watch television?
EMILY
I don't watch that much television. I don't find forensic work quite as fascinating as the rest of the world.
LORELAI
But you have cable, right? I mean, you could watch movies.
EMILY
Yes, but I never know where the maid puts that guide they send you, so I always wind up turning it on after a movie has already started and I don't like to come in on the middle of things.
LORELAI
But you could tape the movies, or get a DVD player.
EMILY
I don't need a DVD player.
LORELAI
Well, why not? Then you could buy all those musicals you love and watch them whenever you felt like it.
EMILY
I'm not an invalid, Lorelai.
LORELAI
Well, of course you are, Mother. Why else would I suggest a DVD player?
EMILY
I can fill my time all by myself and I'd like you to drop this conversation right now.
LORELAI
Where are you going?
EMILY
We're going to eat. [starts walking toward the kitchen]
LORELAI
[follows her] Just because you leave the room doesn't mean the conversation's over. I started the conversation. The conversation's in me. Therefore, when I get over there, the conversation's just gonna start up again.
FLASHBACK – ELDER GILMORE RESIDENCE
[Emily, Richard, and Christopher's parents are talking in the living room]
STRAUB
This is unbelievable. Absolutely unbelievable.
FRANCINE
I feel sick.
STRAUB
Everything's gone. It's been tossed right out the window. Stop crying.
EMILY
Here Francine, drink your water. We all need to calm down. Getting upset isn't going to get us anywhere.
FRANCINE
What do we tell people?
EMILY
Well, who needs to know?
STRAUB
What do you mean, who needs to know?
EMILY
You don't have to yell at me, Straub.
STRAUB
Everybody has to know, Emily. Everybody will know. We can't pretend this didn't happen.
FRANCINE
You could send her away.
EMILY
Excuse me?
FRANCINE
Aren't there places that take girls like that?
EMILY
Girls like what, Francine?
FRANCINE
Well, girls in... I can't handle this, I can't handle this at all.
STRAUB
Stop crying, dammit.
EMILY
Christopher is just as much to blame as Lorelai is.
STRAUB
Like hell he is.
EMILY
They are in this together.
STRAUB
I don't see why. Why should Christopher sacrifice everything we've planned for him just because –
EMILY
Choose your words extremely carefully, Straub.
FRANCINE
Emily, you know we love Lorelai, you know that. But Christopher's so young, he's a baby.
EMILY
Well, Lorelai's not exactly collecting social security.
STRAUB
Why doesn't she get rid of it?
EMILY
What?
FRANCINE
Straub.
STRAUB
It's an option.
EMILY
It certainly is not an option.
STRAUB
Why not?
EMILY
Because I say so.
STRAUB
Then what the hell are you suggesting, Emily? What's your great solution to this problem?
RICHARD
They will get married, they will live here, and Christopher will go to work at my company. That is the solution. Now, we have a plan so we can all stop talking about it. Please excuse me, I have work to do.
EMILY
I think Richard's plan sounds very sensible.
STRAUB
I just have one question – why his company?
EMILY
What do you mean, his company?
STRAUB
Well, I have a law firm. Christopher could go to school.
[pan to Young Lorelai and Christopher sitting on the staircase]
LORELAI
I know we're all upset here folks, but maybe we should ask the kids what they think. Lorelai, Christopher, anything to add here?
CHRISTOPHER
Quiet, they'll hear you.
LORELAI
Not likely. I don't know how much longer I can just sit here like this.
CHRISTOPHER
It's okay, let them talk.
LORELAI
They're talking about us.
CHRISTOPHER
They're trying to figure out what to do.
LORELAI
What to do with our lives – our lives! Yours and mine and... its.
CHRISTOPHER
We're gonna need their help.
LORELAI
We can take care of ourselves.
CHRISTOPHER
How?
LORELAI
We'll figure it out.
CHRISTOPHER
It's okay. It sounds okay.
LORELAI
What sounds okay?
CHRISTOPHER
You know, working for your dad, living here. It sounds okay.
LORELAI
Chris, no! What about Europe? What about sleeping on a bench in Paris?
CHRISTOPHER
We can't do that now. I have to get a job.
LORELAI
No!
CHRISTOPHER
I have to make money.
LORELAI
No!
CHRISTOPHER
It's okay, really.
EMILY
[in background] You're not even listening to each other.
STRAUB
[in background] Oh, for God's sake Francine, shut up!
CUT TO HOSPITAL ROOM (PRESENT)
[Rory is sitting next to Sherry's bed talking on a cell phone]
RORY
[on phone] So, we'll see you next Friday at three. And once again, sorry for the short notice. Okay, bye. [hangs up]
SHERRY
Great, who's next?
RORY
Um, Sheldon Harnick.
SHERRY
Try and set him for Wednesday.
RORY
Okay.
SHERRY
Oh, and don't tell him I'm pregnant. He hates pregnancy.
RORY
Oh, how about a plumbing problem?
SHERRY
Sounds good.
[A nurse walks into the room]
NURSE
Okay, so how are we doing?
SHERRY
I'm not sure.
NURSE
Well, don't be nervous. Everything's going to be just fine. I just wanted to check on you and to see who's going to be with you in the delivery room while it's happening.
SHERRY
Oh, my fiancé's on his way. He's on his way, right?
RORY
Yes, he's on his way.
SHERRY
Okay, so when he gets here, he'll come in with me.
NURSE
And if he doesn't get here in time?
SHERRY
Then we'll just have to wait.
NURSE
I'm afraid that's gonna be a little tough to arrange. Once it starts, that's it.
SHERRY
Okay, well, then I guess it's Rory. Right?
RORY
Oh. Absolutely.
NURSE
Okay, then I'm gonna get you a gown and some gloves so you'll be all set in case you have to go in.
RORY
That sounds great.
NURSE
I'll be right back. [leaves]
SHERRY
Okay, where were we?
RORY
Um, listen, Sherry, I really need a cup of coffee. Would you mind if I ran out really quick?
SHERRY
Oh, no, go ahead. I'll make the next few calls myself.
RORY
Okay.
[Rory walks into the hallway and calls Lorelai on her cell phone]
LORELAI
Hello?
RORY
Mom, they're giving me gloves!
LORELAI
What are you talking about?
RORY
I don't want gloves, I don't want a gown, I don't wanna be in there.
LORELAI
In where?
RORY
In the delivery room with Sherry.
LORELAI
What?
RORY
Dad's not here yet and she's freaking out and she told the nurse I'm going in and –
LORELAI
Where are her other friends?
RORY
They had to work. I'm here all by myself and I'm trying very hard to be calm but I'm starting to feel nauseous, and the hospital has a smell, and there are noises, and those gowns do not stay closed and I've seen a lot of butts today! And -
LORELAI
Okay, sweetie, calm down.
RORY
I need you.
LORELAI
Rory.
RORY
I need you, I need you here, I need you now. I cannot do this alone. I need my Mommy, and dammit, I don't care who knows it!
LORELAI
What hospital is it?
RORY
Boston Memorial.
LORELAI
I'll be right there.
RORY
I really, really like you.
LORELAI
Tell Sherry to keep her legs crossed 'til I get there.
RORY
Does that work?
LORELAI
No. Bye. [hangs up] Mom, I gotta go, I'm sorry. Dinner was great.
EMILY
Where are you going?
LORELAI
Sherry's freaking out and Rory's the only one with her, so I'm going to the hospital.
EMILY
You're going to be with Rory's father's girlfriend while she has his baby?
LORELAI
Gee, Mom, I can't at all tell what your opinion on that might be.
EMILY
Why would you do this? This woman pulled Christopher away from you, away from Rory. She destroyed any chance you might have had –
LORELAI
Rory asked me to come, that's why I'm going.
EMILY
I don't understand what Rory's doing there either.
LORELAI
She's going to have a sister.
EMILY
Half-sister.
LORELAI
Thank you for a lovely dinner. I'll see you next week.
FLASHBACK – LORELAI'S BEDROOM
[Young Lorelai is watching television and eating a sandwich when she feels a pain in her stomach.]
LORELAI
Ow!
[cut to hospital – Young Lorelai is sitting in the waiting area filling out a form]
NURSE
Are you done?
LORELAI
Yes.
NURSE
Okay. Is anyone with you, hon?
LORELAI
No.
NURSE
Well, someone will be up to get you in just a second.
LORELAI
Thanks.
CUT TO HOSPITAL (PRESENT)
[Lorelai steps off the elevator and walks up to the nurse's station]
LORELAI
Um, excuse me, Sherry Tinsdale's room please?
NURSE
Right through there.
LORELAI
Thank you.
[Rory walks down the hall]
RORY
Mom!
LORELAI
Hey.
RORY
Thank you, thank you, thank you.
LORELAI
You're welcome, and I will be holding this over you for the next ten years. What are you doing?
RORY
Xeroxing.
LORELAI
What?
RORY
Sherry had some status reports she promised to fax to people by tomorrow but she didn't bring enough, and so I've been trying to find a Xerox machine. I finally conned someone in ICU into letting me use theirs. I haven't found a fax machine yet, but –
LORELAI
Okay, come on.
RORY
I have to fax these.
LORELAI
Uh huh, let's go.
RORY
But we have a deadline.
LORELAI
Mmhmm.
[they walk into Sherry's room]
SHERRY
[on phone] Yes, I'm having them faxed over right now. Yes, that's right. Well, I'm not sure if the numbers I have are the numbers that you have. That's right, that's bad. Uh huh. Well, I think you should, too. [to Rory] Did you get those things faxed?
LORELAI
Sherry, hang up.
SHERRY
No, I have to finish this call.
LORELAI
Just say goodbye.
SHERRY
But –
LORELAI
You'll call 'em back.
SHERRY
I –
[Lorelai takes the phone from her]
LORELAI
Hi. Uh, Sherry's gonna have to call you back. Yeah, I promise. Okay, goodbye. [hangs up]
SHERRY
No, that was work.
LORELAI
Sherry, you really shouldn't be working right now.
SHERRY
I can't just stop everything because I'm...
LORELAI
Having a baby. Admitting it is the first step, honey.
SHERRY
I'm not ready. I had it planned. Christopher was supposed to be here.
LORELAI
I know.
SHERRY
I don't know what to do.
LORELAI
Well, the first thing you have to do is calm down and stop working.
SHERRY
Okay.
LORELAI
And the second thing is, you need to tell me why you're sitting like that.
SHERRY
Maureen told me that Howard Stern said that if you squat, it makes the baby come out faster.
LORELAI
Okay, as long as you have a sane reason from a reliable source.
SHERRY
I'm scared.
LORELAI
I know. It's scary, and it hurts like hell. And remember, when it comes out not to look at it too hard until they give it a good cleaning, or you'll think you gave birth to phlegm. But, um, once they give it a good scrub, it's just unbelievably cool.
SHERRY
Yeah?
LORELAI
Well, and look how good they grow up. Not bad, huh?
SHERRY
I hope I get that lucky.
LORELAI
I've got a good feeling.
SHERRY
Thank you. Lorelai?
LORELAI
Yeah?
SHERRY
My ankles are starting to hurt.
LORELAI
Okay, grab an arm.
SHERRY
I'm glad you're here.
LORELAI
Well, at this moment, you probably should be.
CUT TO HOSPITAL HALLWAY
[Rory gets some coffee from the machine as Lorelai walks over to her]
LORELAI
She's jogging in place.
RORY
Why?
LORELAI
I think she's hoping to aerobicize the thing right out of there.
RORY
Well, should we stop her?
LORELAI
I tried. She almost took an eye out.
RORY
Well, that can't be good for the baby.
LORELAI
Well, it's probably no worse than the guilt trip it's gonna get for showing up a week early.
RORY
You do know it's a girl.
LORELAI
Yes, I should probably stop calling it "it". Her "it".
RORY
I was just bringing you some coffee.
LORELAI
Thanks. Did you try calling your dad again?
RORY
His cell's not in service or out of range or something.
LORELAI
You do know if he doesn't get here, I have to go in with her.
RORY
Yes, I do.
LORELAI
Well, I don't want to go in with her.
RORY
At least you know what's gonna happen.
LORELAI
I had the cheap seat before. My view was quite a bit different.
RORY
Hey, should we buy a camera or something?
LORELAI
For what?
RORY
If Dad doesn't get here, shouldn't we maybe –
LORELAI
No.
RORY
But –
LORELAI
No.
RORY
Mom.
LORELAI
No.
RORY
I just thought it would be nice.
CHRISTOPHER
Lor, Rory!
LORELAI
Oh, thank God you're here, Chris.
CHRISTOPHER
Has it happened? Did I miss it?
RORY
No.
LORELAI
You have perfect timing.
CHRISTOPHER
I must've broken fifteen different laws getting here. I don't even remember where I left my car. I thought I wasn't gonna make it.
LORELAI
Well, take a breath, you did make it, and Sherry's gonna be thrilled.
CHRISTOPHER
Where is she?
LORELAI
Come on.
CHRISTOPHER
Is this...
LORELAI
Yeah.
[they walk into Sherry's room, where she's being transferred to a gurney]
CHRISTOPHER
Sherry!
SHERRY
Christopher, you're here! I can't believe you're here. I didn't think you'd make it.
CHRISTOPHER
Are you kidding? You think I'd miss this.
SHERRY
No, I'm sorry. It's just, I'm just in a lot of pain and I can't think straight.
NURSE
I take it this is your fiancé.
SHERRY
Yeah, this is him. This is my Christopher.
NURSE
Well, Christopher, are you coming in with us?
CHRISTOPHER
Try and stop me.
NURSE
Okay, let's go then.
[they start wheeling her out of the room]
RORY
We'll be right here, waiting.
LORELAI
Have fun.
RORY
Have fun?
LORELAI
Well...
FLASHBACK – HOSPITAL
[A nurse is wheeling Young Lorelai down the hall on a gurney]
LORELAI
Okay, this is a big pain and I'd really like it to go away, please.
NURSE
Just breathe deep, honey.
LORELAI
Breathing doesn't help, can I hit you instead?
NURSE
What?
LORELAI
Or pinch you really hard, 'cause that might make me feel better.
NURSE
No, you cannot hit me.
LORELAI
Can I bite you or pull your hair or use the Epilady on you 'cause I really need to do something.
EMILY
Lorelai Gilmore!
LORELAI
Wheel this a little faster, please.
EMILY
Lorelai, you do not do this. You do not just leave a person a note.
LORELAI
Okay, see the timing here?
EMILY
"Dear Mom and Dad, I'm in labor. See you later, Lorelai."
LORELAI
Ow.
RICHARD
Emily, please, I feel ridiculous.
EMILY
You're having a baby – do you know that, Lorelai?
LORELAI
Well, that explains the stomachache.
EMILY
You do not leave your house when you are having a baby without telling your mother. You say, "Excuse me, Mom. I'm having a baby, give me a ride to the damn hospital!"
RICHARD
Emily, please, I wore the wrong shoes for this.
EMILY
Of all the things in the world I had a right to do, driving my daughter to the hospital to give birth, especially since she's sixteen years old and doesn't have her driver's license yet, is definitely one of them.
NURSE
Ma'am, I need to wait out here, please.
EMILY
Why?
NURSE
Because we're going into the delivery room.
EMILY
I want to go in.
LORELAI
No, Mom, please.
RICHARD
Yes, Emily, please.
EMILY
Fine, we'll be right here when you're done.
LORELAI
Super.
EMILY
And do not think we're finished discussing this, young lady, because we are not!
RICHARD
Emily, let's just sit here.
CUT TO HOSPITAL (PRESENT)
RORY
I'm glad he got here.
LORELAI
Yeah. Me, too.
RORY
So I guess now we wait?
LORELAI
Yup, now we wait.
CUT TO LUKE'S DINER
JESS
Kirk, how long are you gonna sit here?
KIRK
What do you mean?
JESS
It's been four hours. Go home.
KIRK
It's boring at home. My TV's broken.
JESS
So do something else.
KIRK
Like what?
JESS
Read a book.
KIRK
What book?
JESS
Any book.
KIRK
I'm gonna need a suggestion.
JESS
Moby Dick.
KIRK
That's about the whale?
JESS
Yes.
KIRK
No. What else?
JESS
Forget it, just sit there.
KIRK
Okay.
[Luke and Nicole walk in]
LUKE
So he just drove all the way to New York, picked up the cheese, drove back. Nobody talked about it ever again.
NICOLE
Oh, God, I love cheese.
LUKE
Well, you would've gotten along very well with my father. So, you want some coffee?
NICOLE
I would love some coffee.
LUKE
Have a seat. Jess, coffee over here.
NICOLE
So, I have to say, I really hated that restaurant.
LUKE
Good, I like that we're on the same page here.
NICOLE
I did, however, have a really good time.
LUKE
Once again, I like that we're on the same page here.
JESS
Okay, coffee.
NICOLE
Thank you.
JESS
Did you have a good time?
NICOLE
Yeah, we had a really good time.
JESS
Okay, well, I'm going to go out for about an hour.
LUKE
What are you talking about? It's 11:30.
JESS
I know. I'm just gonna go out for about an hour.
LUKE
Where?
JESS
Out.
LUKE
Out where?
JESS
Out for about an hour.
LUKE
What are you talking about?
JESS
I'm talking about going out for about an hour. What – you need more time?
LUKE
Nicole, will you excuse me for a minute?
NICOLE
Sure.
LUKE
Okay.
[Luke and Jess walk outside; they argue in front of the window]
KIRK
They have amazing communication.
[Luke and Jess walk back inside]
JESS
I guess I'm not going out for about an hour.
LUKE
Say goodnight, Jess.
JESS
I don't understand you, man.
LUKE
My mystique is part of my charm.
JESS
You at least want me to take a walk around the block?
LUKE
Jess.
JESS
Take an extra long shower?
LUKE
Go upstairs.
JESS
Sorry, I tried.
CUT TO HOSPITAL
[Lorelai is reading in the waiting room, Rory is asleep next to her. Christopher walks over to them]
CHRISTOPHER
Lor?
LORELAI
Are you a daddy?
CHRISTOPHER
Come on, come look. We'll wake Rory later.
LORELAI
Okay.
[they walk down the hall]
LORELAI
So how was it?
CHRISTOPHER
Oh, man, Lor, in my wildest dreams, I never could've imagined. I've never been that nervous or terrified or nauseous in my entire life. It was like the most amazing thing ever in the world. It was like... well, you know.
LORELAI
Yes, I do know.
CHRISTOPHER
I've never seen anything like it.
LORELAI
Yeah.
CHRISTOPHER
And Sherry was great. I'm flying, I mean it, I'm flying.
[they stand in front of the nursery window]
CHRISTOPHER
There.
LORELAI
Wow.
CHRISTOPHER
That's my daughter.
LORELAI
I can tell.
CHRISTOPHER
How?
LORELAI
I think she conned that one out of his blanket.
CHRISTOPHER
She's perfect.
LORELAI
Rory was perfect. She, however, is a good solid second.
CHRISTOPHER
I just can't believe it.
LORELAI
She's beautiful, really. Congratulations Christopher.
CHRISTOPHER
Thank you. Thank you for everything.
LORELAI
Of course.
FLASHBACK – HOSPITAL
[Young Lorelai and Christopher are looking through the nursery window at baby Rory]
CHRISTOPHER
She's pretty.
LORELAI
She's perfect.
CHRISTOPHER
So, I guess we should get married.
CUT TO HOSPITAL – (PRESENT)
[Lorelai and Christopher are still looking at the baby through the window]
CHRISTOPHER
I should wake Rory, don't you think?
LORELAI
Yeah, she'd like to see this.
CUT TO ELDER GILMORE RESIDENCE (PRESENT)
[Emily is going through the mail when the doorbell rings]
EMILY
I'll get it, Leloni. You find out where that smell is coming from. [answers door] Lorelai.
LORELAI
Hi, Mom.
EMILY
What on Earth are you doing here? What is this?
LORELAI
This is your new DVD player.
EMILY
My what?
LORELAI
Plus, I picked up Singin' in the Rain, Funny Girl, Easter Parade, An American in Paris, and as an added bonus, the new classic dance series – Urban Cowboy, Saturday Night Fever, Grease, Footloose, and Flashdance. Trust me, you're gonna be cutting up your sweatshirts all weekend.
EMILY
Why did you do this?
LORELAI
'Cause I thought you'd enjoy it.
EMILY
But I don't know anything about a DVD player.
LORELAI
Mom, trust me, once it's hooked up, all you'll have to know is how to press play.
EMILY
But who's gonna hook it up?
LORELAI
I am.
EMILY
You know how to hook this up?
LORELAI
I know how to read an instruction manual.
EMILY
Since when?
LORELAI
Hm, please.
EMILY
Maybe we should get a professional.
LORELAI
I can do this. Just give me five seconds here.
EMILY
Well? Well, can you do it? Oh, just forget it.
LORELAI
Mom, please, just let me focus on this for one more second, and if I cannot do it, I'll get a professional DVD guy in here to install it, okay?
EMILY
I still don't understand why you got me this. [looks at the DVDs] I love this movie.
FLASHBACK – ELDER GILMORE RESIDENCE
[Emily and Richard walk down the stairs]
EMILY
Lorelai, we're leaving! Well, what do you know? She finally put Rory's stroller away. It's the first time in a year I haven't tripped over that thing.
RICHARD
Where's my scarf?
EMILY
I told Tina to put everything out for you, Richard.
RICHARD
Out where?
EMILY
Look on the table.
RICHARD
You have to be more specific with her, Emily.
EMILY
Fine, Richard.
RICHARD
There should be a designated place to put things.
EMILY
Whatever you say, Richard. Lorelai, we are leaving! Please acknowledge that! Where is that girl?
RICHARD
This is not the scarf I asked for.
EMILY
Well, it looks fine. Can you just wear it?
RICHARD
No, I'm gonna go back upstairs and get the scarf I intended to wear in the first place. Well, I'm surprised at you Emily. These are your friends we're seeing tonight. You would have thought that my appearance would be a priority for you. I didn't want to go to this thing in the first place. I have an early meeting in the morning, and I would much rather go to bed and ignore the fact that the symphony has to reupholster its mezzanine this year.
[Emily reads a note on the table and starts to cry]
RICHARD
Emily? Emily?
CUT TO ELDER GILMORE RESIDENCE (PRESENT)
[Emily waits while Lorelai reads through the DVD player's instruction manual]
LORELAI
Okay.
EMILY
Well, can you do it?
LORELAI
I have no idea.
EMILY
Where are you going? Are you going to take it back?
LORELAI
I'm going upstairs.
EMILY
Why?
LORELAI
I think I should put this in your bedroom. That's your best TV.
EMILY
You just said you didn't know how to hook that up.
LORELAI
I'll figure it out.
EMILY
But there are wires involved and connections and electricity. You could hurt yourself or set the house on fire.
LORELAI
[sings] In your Easter bonnet...
EMILY
You could ruin our television set.
LORELAI
... with all the frills upon it, you'll be the grandest fella in the Easter parade. Hoo! I'll be all in clover...
EMILY
I don't like being ignored, Lorelai.
LORELAI
... and when they look us over, we'll be the proudest people in the Easter parade.
THE END