T3E14: “Swan Song”
Título em Português: “O Canto do Cisne”
Roteiro: Daniel Palladino
Direção: Chris Long
Originalmente exibido em: 11 de fevereiro de 2003
OPEN AT ELDER GILMORE RESIDENCE
[Lorelai, Rory, and Emily are eating dinner]
EMILY
And then she just brushed me off with a wave of her regal hand. Not even a word, just a... like I'm her cabana boy. Next thing you know, instead of just walking out of the room, she'll make me bow and back out. Imperious attitude, she never gives it a rest. I schlepped her to the doctor the other day – by command, not request – and the elevator operator there greeted us nice and friendly. Her doctor's on the second floor and by the time we got there, that operator was in tears.
LORELAI
Whew.
EMILY
What?
LORELAI
Well, Mom, you just did twenty straight minutes on Gran.
EMILY
It wasn't twenty minutes.
RORY
It was getting there.
LORELAI
How about a moratorium on the Gran stories for a bit?
EMILY
Fine. I'd rather not spoil the meal with talk of her.
LORELAI
Good.
EMILY
I should just wash my hands.
LORELAI
Okay.
RORY
We'll wait.
EMILY
I mean of her.
LORELAI
Oh, good, wash those hands.
EMILY
She sucks her olive pits.
LORELAI
Short moratorium.
EMILY
Trying to extract every last ounce of flavor out of them like she does people.
LORELAI
She sucks flavor out of people?
RORY
Can we change the subject?
EMILY
Life, not flavor.
LORELAI
Hey, you know what Gran needs?
EMILY
What?
LORELAI
A fella.
RORY
With or without an umbrella.
EMILY
He'd have to look like an olive pit to get her attention.
LORELAI
It's like a Dean Martin Roast.
RORY
Those are never funny to me.
LORELAI
Yeah, they're mean.
RORY
Except for Don Rickles.
LORELAI
Totally except for Rickles.
EMILY
I think she did have a man for a time squiring her around to her biddy affairs. Richard thought so, too, and it horrified him.
LORELAI
Didn't want a new Daddy, huh?
EMILY
And then he seemed suddenly out of the picture.
RORY
So Great Grandma never talked about him?
EMILY
Never. Even though I could tell practically the day she stopped seeing him. Those kinds of things are always obvious.
RORY
Yeah, I guess.
EMILY
When a couple is in a relationship and then suddenly isn't.
RORY
Right.
LORELAI
Right.
RORY
Is she still looking?
LORELAI
Yup.
RORY
Right. Um, you know, Grandma, did I mention that unfortunately I'm not with Dean anymore?
EMILY
No, you didn't.
RORY
Well, I'm not.
EMILY
Well, yes, I've known for weeks actually. But it's good that you confirmed it.
RORY
How did you know?
EMILY
Well, you very abruptly stopped mentioning him eleven dinners ago, so I figured that was the case.
LORELAI
Eleven dinners, you kept count?
EMILY
Eleven.
LORELAI
Eleven.
RORY
Well, I'm sorry I didn't tell you Grandma.
EMILY
Well, I think you should have. I mean, what if I had invited Dean to an event and you were no longer with him, and that's how I found out? It would've been embarrassing.
LORELAI
What sort of event would you have invited Dean to?
EMILY
I don't know, a wedding.
LORELAI
For who?
EMILY
A mutual friend or something.
LORELAI
You and Dean have mutual friends in common that Rory and I don't? Who would that be, the Talbotts or that senior partner at Deloite and Touche?
EMILY
You know what I meant. It's always best to tell each other major life events so that there's no awkwardness.
RORY
Well, then, Grandma, I probably also failed to mention that I'm seeing someone else.
EMILY
Who?
RORY
Jess.
EMILY
Jess?
LORELAI
Luke's nephew. Luke from the diner.
EMILY
Oh, I see. Well, am I going to get to meet him soon?
RORY
Oh, I don't know.
LORELAI
Yeah, Mom, that might be hard to arrange.
EMILY
Well, how hard can it be? Just bring him over for dinner sometime. How about next Friday?
RORY
Oh, I don't know.
LORELAI
Uh, yeah, Mom, that might be hard to arrange.
EMILY
It's perfect timing. Richard will still be out of town and it would be nice to round off the group with a fourth.
LORELAI
He works Fridays, doesn't he?
RORY
Yeah, that's his usual night. Friday night. It's a bad night.
EMILY
Oh, okay. Well, I suppose I'll eventually meet him someday at some function.
LORELAI
Perhaps a wedding.
EMILY
Or Rory's graduation. That's good. That way we'll all get to meet him at once. Myself, Richard, Gran. Maybe I'll bring a couple of girls from the DAR. Reverend Mahoney might like to come also.
RORY
You know what, Grandma, now that I think about it, I think Jess does have next Friday night off.
EMILY
Really?
RORY
Let's make it a foursome.
EMILY
That'll be nice.
RORY
Yeah, it will be nice, right Grandma?
EMILY
Very nice. We'll have lamb.
RORY
So, it will be nice for everybody? Everybody will be nice to everybody? The key word being nice.
EMILY
Yes, very nice.
RORY
Really, really nice?
EMILY
Of course it'll be nice. That's what I just said.
RORY
Good. Nice would be nice.
EMILY
And a nice night it'll be.
LORELAI
Well, not so nice for the lamb.
[opening credits]
CUT TO LORELAI'S HOUSE
[Lorelai and Rory are sitting at the kitchen table]
LORELAI
Okay, Saturday morning I've got hair appointment, nails, and Jim.
RORY
You don't go to the gym.
LORELAI
No, Jim is coming here to fix the garbage disposal.
RORY
Jim Dunning, got it.
LORELAI
I also have resha plebisham.
RORY
What?
LORELAI
I don't know, I can't read it.
RORY
Shouldn't you change your system, go electronic or something? You're a busy woman.
LORELAI
Uh, hey, my system works.
RORY
Yeah, tell that to the guy who calls tomorrow because you missed your resha plebisham appointment.
LORELAI
I hate that we have to coordinate schedules. You're my daughter.
RORY
But if we don't, we may never see each other.
LORELAI
We didn't use to have to do this.
RORY
Well, we're busier now.
LORELAI
Let's just run away together and leave all this behind.
RORY
You mean our house?
LORELAI
No, we'll take the house, we'll leave everything else.
RORY
Put it on your list.
LORELAI
So what's your day like tomorrow?
RORY
Hanging out with Jess for most of the day, studying at night.
LORELAI
Cool. Alex and I are having dinner tomorrow night.
RORY
Good. That'll make it nice and quiet for when I study.
LORELAI
I'm that loud?
RORY
You are when you dance around singing 'Rory's Studying' songs.
LORELAI
Oh, what's this I have down for Sunday – slatha bang trafficking?
RORY
Lane's band practicing.
LORELAI
And underneath it – net fracks?
RORY
Get snacks.
LORELAI
Right – for the band. See, see, it works. So, uh, you're actually bringing Jess to dinner on Friday?
RORY
It's as good a time as any. There'll only be one grandparent to contend with.
LORELAI
Man, that was some stealthy little maneuver she pulled there, huh? Applying the guilt over not knowing about the Dean breakup and making you all weak, and then using that to get Jess to come to dinner on Friday. She's like Lyndon Johnson with the Senate, effortless.
RORY
So, Sunday's for us, right?
LORELAI
Oh, yeah, yeah, yeah. I have you down right here – Cokie.
RORY
Good. Hey, it's still early. Do you wanna watch more of the extra supplementary stuff on the Lord of the Rings DVD?
LORELAI
Well, it's just the drawings and that fat guy talking.
RORY
Well, let's watch Footloose again.
LORELAI
Yeah.
RORY
Hey, you dropped some of your notes.
LORELAI
Oh, who cares? You can't read 'em anyway.
CUT TO TOWN SQUARE
[Rory and Jess are sitting on a bench looking at a book]
RORY
Do you love it?
JESS
It's great.
RORY
The Holy Barbarians. I mean, what a title. And it's by a Venice Beach beatnik about Venice Beach beatniks, and to top it off, the beatnik who wrote it is the father of the guy that does those Actor's Studio interviews on TV.
JESS
The guy with the beard?
RORY
Yeah, the pointy beard. That's his dad writing at his desk.
JESS
Oh, it's weird that a weird beatnik-y guy would have a conservative son like that.
RORY
Maybe he's not that conservative. Maybe at night, he, like, takes off his clothes and parties.
JESS
Aw, man, now get that picture out of my head.
RORY
It's a cool book, you've gotta admit.
JESS
It is. Thanks.
RORY
Oh, I'm not lending it. I'm not done.
JESS
Well, why'd you show it to me?
RORY
I like showing you the stuff I'm reading.
JESS
But you knew I'd wanna read it. You're a book tease.
RORY
You'll get it when I'm done.
JESS
Cruel woman.
RORY
So, are you going to work now?
JESS
Back to the salt mines.
RORY
So, you're not tied to the hours you have, right? You can trade if you want to.
JESS
There's some flexibility.
RORY
You got any flexibility next Friday night?
JESS
Yeah, why?
RORY
I thought maybe you could come to dinner with us.
JESS
Us?
RORY
To my Grandma's.
JESS
To meet your grandmother.
RORY
Yeah, she'll be there, so yeah, it might be rude not to introduce the two of you.
JESS
I can't, I gotta work.
RORY
You just said you could get out.
JESS
I didn't know what for.
RORY
Jess.
JESS
No.
RORY
But I already kind of agreed.
JESS
Aw, man.
RORY
So I'm kinda jammed here.
JESS
Does she know what I look like?
RORY
I don't think so.
JESS
Perfect. Find someone who vaguely resembles me. Take him. Just don't kiss him goodnight.
RORY
That's not going to work.
JESS
Andy Warhol did it all the time. [Rory gives him the book] We're just five bucks away from a deal.
RORY
[kisses him] That's worth five at least.
JESS
You Gilmores think a lot of yourselves. Okay.
RORY
Thank you, thank you, thank you.
JESS
Manipulator.
[They both walk away in opposite directions. Rory walks past the dance studio as Miss Patty walks out]
MISS PATTY
Rory, get in here.
RORY
What?
MISS PATTY
Get in here now. No questions.
RORY
Okay.
[they walk into the dance studio. Rory sits down next to Dean.]
MISS PATTY
Okay, now, for those who just arrived, I'm trying out some material for my one-woman show and I need some feedback. You are my randomly picked audience.
DEAN
Randomly shang-hai'ed.
MISS PATTY
It's part stories, part songs. Kind of like what Elaine Stritch did on Broadway, but without the bitterness. My working title – "Buckle Up, I'm Patty."
RORY
How long have you been here?
DEAN
An hour.
RORY
Poor thing.
DEAN
It's been mostly her and Kirk arguing about stuff. Apparently, he's the director.
KIRK
Patty, let's try one of your reminisces.
MISS PATTY
That's what I'm looking for, Kirk.
DEAN
Sorry I didn't save you. I didn't see you until it was too late.
RORY
I don't think anybody could've saved me.
MISS PATTY
Okay, here we go. Hey, did you know that I once met the great Bette Davis? I was a chorus girl in a bus-and-truck tour of "Guys and Dolls." Beantown, I love that town. And there I was, me and the girls backstage after the show, and in she comes. And who does she walk right up to, but little old me. And she sized me up, exhaled some smoke from that regal mouth of hers, and said, "Doll, you don't got the high notes but you sure got the gams." I'll always treasure that moment with Bette and I wanna dedicate this song to her. Uh, Ethel, key a D.
KIRK
We're gonna have to rewrite that.
MISS PATTY
What?
KIRK
It got no response. It needs a rewrite.
MISS PATTY
Kirk, it's my reminiscence. I can't rewrite it.
KIRK
How about if she says, "Doll, you've got the gams, but I've got a body in the trunk of my car."
MISS PATTY
Why would she say that?
KIRK
Because she's a murderer. I think it works.
MISS PATTY
I'm not rewriting my memories, Kirk.
KIRK
It died. Build a coffin for it, put some pennies on its eyes 'cause that stiff ain't breathing.
MISS PATTY
Well, I think that we should discuss this later, now go back to your light booth.
KIRK
Fine, start the song.
MISS PATTY
[sings] It's a quarter of three, there is no one in the place, except you and me. [strobe light starts flashing] Kirk, would you fix this?
KIRK
Fix what?
MISS PATTY
This flashing.
KIRK
That's my choice for the song.
MISS PATTY
It's disco.
KIRK
I'm trying to subvert expectations.
MISS PATTY
Well, don't. Just give me a simple spot.
KIRK
Something more obvious, got it.
RORY
This is a hit.
DEAN
It'll run for years.
KIRK
Something on the nose and expected, got it.
MISS PATTY
Kirk!
CUT TO OUTSIDE
[Later that night, Rory and Dean walk out of the dance studio]
RORY
It was nice of you to step in like that.
DEAN
Well, she could've hurt herself trying to throw the podium at him like that.
RORY
I think "work in progress" is the key phrase.
DEAN
I like that she tries.
RORY
The woman taught me everything I've already forgotten about dancing, baton twirling and gymnastics.
DEAN
Well, I'm this way.
RORY
I'm this way.
DEAN
See you later.
RORY
See ya.
DEAN
You know, I kind of liked the body in the trunk thing.
RORY
Me, too. Peppier.
DEAN
Night.
RORY
Night.
CUT TO LORELAI'S HOUSE
[Rory is studying on the couch when she hears a noise outside. She walks to the door and opens it. Lorelai and Alex are kissing on the front porch]
RORY
Oh, sorry.
LORELAI
It's okay.
ALEX
It's okay.
RORY
I can just shut the door so you can carry on.
ALEX
No, we've carried on enough.
LORELAI
Yeah, I think we've carried on pretty good out here. I'll call you about the weekend.
ALEX
Okay.
LORELAI
Bye.
ALEX
Bye. Bye Rory.
RORY
Goodnight.
[Alex leaves. Lorelai walks into the house]
RORY
We need a signal.
LORELAI
A kissing signal?
RORY
Something to avoid this.
LORELAI
Okay, um, how 'bout I shoot off a flare when I'm outside necking with a boy?
RORY
You know what I mean.
LORELAI
Or I could bang on the door and yell, "Hey, we're necking out here!"
RORY
I still say we need a signal.
LORELAI
We'll think of something. Hey, listen. Alex and I were talking about going to New York next weekend.
RORY
Fun.
LORELAI
Yeah. He's got four tickets to a show and he's heard me talk about Sookie and Jackson so much that he wants to invite them, too.
RORY
It's not "Buckle Up, I'm Patty," is it?
LORELAI
Huh?
RORY
Nothing.
LORELAI
We'd have to leave Friday day.
RORY
So?
LORELAI
Meaning it's just you and Jess alone at dinner with the glorious Emily.
RORY
Oh, that's totally fine.
LORELAI
Are you sure?
RORY
Yeah, it might even make things easier.
LORELAI
What does that mean?
RORY
Nothing. Just, it might make it less pressure-packed.
LORELAI
So I'm loud when you study and make social gatherings worse?
RORY
Out of the goodness of your heart, you would be trying to shield me all night, and that might makes things worse. Out of love. And I love you, I hope you know that.
[phone rings]
LORELAI
Okay, I think I get it. I have the best intentions.
RORY
Bingo. [answers phone] Hello?
JESS
Hey.
RORY
Hey. How was work?
JESS
I toted the barge, lifted the bale.
RORY
Well, you're a great barge toter, I can attest to that.
JESS
How was your day?
RORY
Fine. A lot of studying.
JESS
Oh yeah? Is that all you did?
RORY
Yeah, basically.
JESS
Basically?
RORY
Jess, what?
JESS
I heard that you were basically hanging out with Dean today.
RORY
Where did you hear that?
JESS
It's all over town.
RORY
Well, I was with him for awhile. What do you mean, it's all over town?
JESS
You haven't seen the fliers?
RORY
I've been home all night. What fliers?
JESS
It says, "People are already raving about Miss Patty's one woman show."
RORY
And?
JESS
There's some blurbs. One says, "Rory and Dean couldn't stop talking about it."
RORY
We're on a flier?
JESS
You and a bunch of others. "The mailman says, even without proper postage, this show delivers."
RORY
Well, now she's making that up 'cause Ralph's not that witty.
JESS
Were you hanging out there with Dean?
RORY
I was not hanging out with Dean. We were both hauled in there to watch her try out material and we were sitting in the same area so we talked a little, and then we left at the same time. That was it. It was all by accident.
JESS
Yeah?
RORY
This is an old subject, Jess. You know that Dean and I are friendly.
JESS
I know you're friendly. That doesn't mean I don't wanna punch him.
RORY
This was not a plan. I was kidnapped by Miss Patty, so was he, that's it.
JESS
Then you two should press charges.
RORY
I think we should.
JESS
Just –
RORY
What?
JESS
Just tell me these things first so I don't have to read about them on telephone poles.
RORY
I will, I promise.
JESS
Okay.
RORY
Okay.
JESS
So, how was the show?
RORY
It's gonna need a lot of postage.
JESS
Why does it say, "Not in any way affiliated with Kirk" down at the bottom?
RORY
Oh, they had a showbiz spat.
JESS
Fill me in.
CUT TO LORELAI'S KITCHEN
[Lorelai gets out snacks for the band, who are sitting at the table]
LORELAI
Help yourselves to drinks in the fridge, guys. We've got chips, pretzels, and Brian, I remembered your allergies and got you the melba toast.
BRIAN
That's nice, thanks.
DAVE
We got a lot done today.
LANE
We've almost got a full set.
ZACH
But you know what we're missing? A straight-ahead love song.
BRIAN
Yeah, all our songs are pretty much about property destruction and a general dislike of right-wing causes.
LORELAI
Not one love song, huh?
DAVE
I think we can add one or two, that are good ones.
LORELAI
Boy, you'd think love songs are all you and Lane would wanna play.
ZACH
Man, this crunch just now sounded like the drum-fill in Baba O'Reilly.
LANE
Cool, way to go Zach.
DAVE
Yeah, Zach, a musical mouth. That's awesome.
ZACH
But why would Dave and Lane wanna play just love songs?
LORELAI
Because, I was just thinking, you know, with Dave's name – Dave – you've got the last two letters in love. V, E. And with Lane's name, you have the L. You can just dump the A and add an O and there you go.
ZACH
Makes sense.
BRIAN
Totally. We should probably start breaking stuff down. I gotta get home for dinner.
ZACH
One day soon, you're not gonna go home from dinner.
BRIAN
What, I'll be dead?
ZACH
No, we'll be on tour.
BRIAN
Right, right.
ZACH
That was a negative "right, right," man.
[Zach and Brian go outside]
LORELAI
Guys, I'm so sorry. It just slipped out.
LANE
That's okay.
DAVE
Luckily Zach and Brian are... well, Zach and Brian.
LORELAI
How long are you gonna keep it a secret?
LANE
For awhile, at least. It's easier.
LORELAI
Are you sure it would be so bad if they knew? I mean, keeping this a secret seems awfully complicated.
LANE
Not really, we've got a system.
DAVE
Um, speaking of which, it's 3:18. We'll have the stuff packed by 3:40, what's the situation?
LANE
At 3:40, my mom will be on her way to the yarn store for her bimonthly sew-a-thon with Lacey Schwartz and Bick Ho.
DAVE
The yarn store's on Peach.
LANE
Plum.
DAVE
That cuts us off from our usually route to the interstate.
LANE
There's a back road that circles around it, but it's gonna be muddy from the rains.
DAVE
How about I have the guys take the usual route, I'll go by foot on Peach, down the alley behind Al's, over the fence, and they can pick me up a half a mile down by the Shell station.
LANE
Perfect. Uh, what, that's not complicated.
LORELAI
Sorry I doubted you.
LANE
Well, okay, then.
CUT TO LUKE'S DINER
[Lorelai walks in]
LORELAI
Hey.
LUKE
Hey. Coffee?
LORELAI
Please, and hurry. I am going to Manhattan this weekend and I need to shop for some warm clothes.
LUKE
You already have warm clothes.
LORELAI
I have nothing.
LUKE
We're in Connecticut. It gets freezing here same as in New York.
LORELAI
No, it's not the same.
LUKE
Exactly the same.
LORELAI
Well, I have nothing stylish enough.
LUKE
That's not true, you got the black cashmere coat.
LORELAI
But it needs cleaning.
LUKE
So clean it.
LORELAI
But I need some sweaters, too.
LUKE
You've got the purple, you've got the powder blue, you've got three shades of red, you've got a ton of black, all of which will go with that coat. Plus, you've got a dozen scarves to mix and match with any of those tops.
LORELAI
Let me shop for some clothes.
LUKE
Okay. So what are you doing in New York?
LORELAI
Oh, a bunch of us are going. It'll be dinner and a show.
LUKE
Oh, what show?
LORELAI
Levittown, it's a new musical.
LUKE
Right, yeah. It's in previews, doesn't officially open for a couple weeks.
LORELAI
Wow, so informed.
LUKE
Nicole likes the theater. Her firm has an office on Madison. I've met her there a couple times. Saw Hairspray last week.
LORELAI
I cannot picture you watching Hairspray.
LUKE
It was okay. I liked The Producers better.
LORELAI
Well, aren't we just a Broadway baby.
LUKE
Gonna have any time to kill there?
LORELAI
Some.
LUKE
Got a great book, it has walking tours of old historic Manhattan. You know, before Disney got a hold of it. The Soho one's pretty good.
LORELAI
Oh, I love stuff like that.
LUKE
It's upstairs on my dresser if you wanna run up and grab it.
LORELAI
Cool, thanks.
[Cut to upstairs. Lorelai walks into Luke's apartment and finds Rory and Jess kissing on the couch]
LORELAI
Oh, oh!
RORY
Mom!
LORELAI
Surprise.
RORY
What are you doing here?
LORELAI
I came up for a book.
JESS
A book?
LORELAI
Yeah.
JESS
Got a lot of books here. Anything in particular?
LORELAI
It's one of Luke's.
JESS
Well, if it doesn't have Encyclopedia Brown in the title, that narrows it down a lot.
LORELAI
Walking tours, New York.
JESS
On the table. [hands her the book]
LORELAI
Good, here it is, okay, so, thanks. Sorry about this.
RORY
It's okay.
LORELAI
We should probably come up with a system or something.
RORY
Probably.
LORELAI
Déjà vu, huh?
RORY
Déjà vu.
LORELAI
Although, why I'd be walking into Luke's apartment like this in the future, I don't know, so put the system on the back burner.
JESS
Okay.
LORELAI
Mmkay. Carry on, or... see ya.
[Lorelai walks back down to the diner]
LORELAI
Dude!
LUKE
Hey. Find it okay?
LORELAI
Yeah. I found everything -- including a couple coupling.
LUKE
Oh, Rory and Jess?
LORELAI
No, Ben and J. Lo. Yes, Rory and Jess.
LUKE
I guess I should've told you.
LORELAI
You knew they were up there?
LUKE
They're up there all the time.
LORELAI
On the couch... horizontal, on the couch?
LUKE
They come up for air every so often.
LORELAI
And you just allow this? Luke!
LUKE
Settle down. I go up there every ten minutes pretending to get something to keep them from doing something we don't want. "Oops, I forgot my pocketknife." "Oops, uh, I'm out of ones." "Uh, hey, you see a case of mustard up here?" I put the stuff in a box. I take the box upstairs every couple days and start all over again.
LORELAI
And you think that suffices?
LUKE
Look, it's better that they're safe and upstairs than someplace else. And you going up there just now saved me a trip, so thanks.
LORELAI
Glad to be of service.
LUKE
I got a good system, it works.
LORELAI
Every ten minutes?
LUKE
Like clockwork, never a minute more.
LORELAI
Even if you're serving a customer, it's every ten minutes?
LUKE
If I'm in mid-pour, I stop and go up.
LORELAI
Ten minutes. Yeah, that's pretty much the time it took to create Rory. And that included getting dressed and freshening my lipstick.
LUKE
What?
LORELAI
Thanks for the book.
LUKE
Caesar, cover for me.
CUT TO LORELAI'S HOUSE
[Rory walks toward the staircase]
LORELAI
[from upstairs] Rory?
RORY
I'm coming.
LORELAI
Toute de suite, and I don't mean the candy.
[Rory walks into Lorelai's bedroom]
RORY
Okay, what's the packing crisis?
LORELAI
That's the thing. I have no packing crisis. For the first time in my life, there is no packing crisis. See? This has never happened to me before. I'm all packed, ready to go, and fully confident that I have everything I'll need or desire.
RORY
So you're creating a crisis out of nostalgia?
LORELAI
No, see, Alex and I talked about everything we plan to do and how he expected to dress and how I expected to dress, and we coordinated to the point where I knew each piece of clothing I had to bring, down to the Spice Girls necklace I plan to wear Saturday morning for breakfast because we agreed to keep it a little whimsical.
RORY
So, not your Jonas Salk necklace?
LORELAI
I'm trying to become as good a planner as you.
RORY
So, what's the problem?
LORELAI
I have no idea what to wear on the drive. I wanna look good, obviously, but not too good that it steps on my night outfit, and I also wanna be comfortable.
RORY
What's he wearing, a jogging suit?
LORELAI
Yeah, and then after, he and Paulie are hitting the Bada Bing.
RORY
Your point being, it's probably not a running suit.
LORELAI
Right.
RORY
And tonight's a dress?
LORELAI
And, uh, my cashmere coat and a hat.
RORY
Your stretchy jeans and your Bunnyranch T-shirt.
LORELAI
Comfort and raunch, I love it. Good. So, um, how are you guys working the logistics tonight?
RORY
I am going to study at school, then I'm going straight to Grandma's from there. Jess is driving straight from work, and then he's driving me home.
LORELAI
Home? Home here?
RORY
Yeah, he's gonna drop me off here.
LORELAI
Well, I guess that makes sense.
RORY
I thought so.
LORELAI
Although, hm, I don't know.
RORY
What?
LORELAI
Are you sure that's the best way to do it?
RORY
Yeah, why?
LORELAI
Well, it just means you're coming home to an empty house.
RORY
Well, that's your doing, not mine.
LORELAI
Yeah, but it might be kind of lonely here. Did you think about staying at Mom's?
RORY
Overnight?
LORELAI
Yeah. They've got those fancy beds that don't sag, and you're guaranteed a great Norma Desmond style breakfast the next morning. You don't have school, it works out perfectly.
RORY
I'd rather just come home.
LORELAI
Okay, sure. But, you know, staying at your grandmother's would also mean that Jess wouldn't have to go out of his way at the end of the night to drop you off. It would be much more convenient for him.
RORY
Our house is two-tenths of a mile out of his way.
LORELAI
Are you sure he's gonna have enough gas?
RORY
I'll make sure.
LORELAI
But if you can't get a hold of him, it might be safer to plan on staying at Mom's. I mean, if you run out of gas, you're stuck. And at the mercy of the Orcs.
RORY
Mom, why are you so freaked?
LORELAI
This is not freaked.
RORY
Is it because you won't be here and he will?
LORELAI
Uh, it might've crossed my mind.
RORY
And what are you worried about happening?
LORELAI
Well, what you guys were on the on-ramp for up at Luke's the other day. Your basic boy/girl stuff. Especially with this new boy, you girl stuff.
RORY
Well, the boy is different, but I'm still me. That hasn't changed.
LORELAI
Yeah, I know.
RORY
And I have so much on my mind, so many things going on in my life, that I don't ever have time to think about that.
LORELAI
No thinking at all?
RORY
None, I swear.
LORELAI
Mmhmm, sure, sure.
RORY
And we talk about everything together, you and me, remember? So it's not like something will happen that you won't know about.
LORELAI
Good. [doorbell rings] That's Alex. Come on.
CUT TO ELDER GILMORE RESIDENCE
[Emily and Rory are sitting in the living room]
EMILY
You know, you didn't have to change.
RORY
Well, I feel kind of dumb being in my uniform when I'm not in school.
EMILY
But you look darling in it. I'm going to miss it when you go to college.
RORY
Yeah, I am, too, in a way. I mean, I like not having to think about what I'm going to wear.
EMILY
And you'll have plenty of years to stress yourself out about that.
RORY
I'm sorry he's late.
EMILY
We're fine. Dinner will keep.
RORY
I know how you like things to be punctual.
EMILY
There was a big tie-up on the 84 earlier. He's probably smack dab in the middle of that. Why don't you try him on his cell phone, see what's going on.
RORY
He doesn't have one.
EMILY
Really?
RORY
He doesn't believe in them.
EMILY
Well, I find that refreshing. Technology is encroaching too fast on every aspect of life, if you ask me. It's getting to the point where people will want robots to carry them from place to place. [the doorbell rings] There he is.
[they walk to the door. Jess is standing on the porch with a black eye]
RORY
What –
JESS
Sorry I'm late.
EMILY
Oh, that's all right. Come in, come in. It's cold out.
RORY
Um, Grandma, this is Jess. Jess, my grandmother.
EMILY
Nice to meet you.
JESS
Same here.
RORY
Uh, what happened to your eye?
JESS
It's a long story, I don't wanna bore you.
EMILY
Oh, this is new?
RORY
Brand new.
EMILY
It looks bad. Does it hurt?
JESS
I'm fine.
RORY
Is it why you were late?
JESS
No, 84 was jammed.
EMILY
We knew that, too. There was something with a big rig. Oh, those things, they scare the life out of me. And apparently, all the men who drive them are hopped up on bennies and goofballs. Come, come, have a seat at the table. I'll go check on dinner. [walks away]
JESS
Shouldn't we go with her?
RORY
Were you in a fight?
JESS
Dinner's waiting.
RORY
Jess, were you in a fight?
JESS
I told you, it's a long story, I don't wanna talk about it.
RORY
Why?
JESS
Look, Rory, I'm already in a crappy mood. Traffic sucked. Traffic I hit going to a function I didn't particularly wanna go to. And I'm thirsty. And I'm hungry. So let's eat.
[they walk to the dining room]
JESS
So do we eat standing up?
RORY
Over there.
[they sit at the table. Emily walks into the room]
EMILY
The roast looks perfect. Oh, Jess, you eat meat, I hope. I forgot to ask.
JESS
I'm a carnivore.
EMILY
Good. I don't see how anybody can resist eating meat.
JESS
It's why we have teeth.
EMILY
That's how I feel. Dinner parties used to be simple. Now every time we give one, I have to run my menu down with every person on the list. It's tiring. This one eats just about anything.
RORY
Grandma.
EMILY
I'm sorry, but the way you and your mother eat, and those slim figures of yours – it's a medical marvel.
JESS
They should be studied.
RORY
I don't think so.
EMILY
So, Rory tells me you're part of the Wal-Mart corporation.
JESS
Only out of necessity.
EMILY
They sound like wonderful stores.
JESS
Oh, yeah, I wanna be buried there.
EMILY
We've never actually been inside one, but we own the stock.
JESS
Thanks for the paycheck.
EMILY
Oh, that's very funny.
RORY
Did you just get it?
JESS
Huh?
RORY
The eye – did it just happen?
JESS
You know, we should eat these salads so the roast doesn't get cold.
RORY
I mean, it must be sometime between nine last night and now.
EMILY
Hm?
RORY
His eye.
JESS
Yeah, it was sometime in there.
RORY
But you can't narrow it down?
JESS
Rory, come on.
EMILY
Oh my God, there's no salt and pepper on this table. We'll need it for the meat. These people are supposed to be trained before I get them, but God knows that's never the case. [leaves room]
JESS
What is your problem?
RORY
You're not telling me the truth, that's my problem.
JESS
I don't wanna get into it here.
RORY
And it's obvious why.
JESS
Oh, is it?
RORY
You got into a fight with Dean.
JESS
Unbelievable.
RORY
Is that it?
JESS
It always comes back to Dean.
RORY
Because you bring it there.
JESS
You brought up Dean.
RORY
Because you got into a fight with him.
JESS
Why are you pressing this? Why? I'm trying to make some kind of quasi-positive impression on your grandmother per your request and you're forcing me to do otherwise. And what the hell are raisins doing in a salad? Why can't people leave well enough alone?
RORY
Well, in that whole speech, I didn't hear you deny it.
[Emily walks back into the room]
EMILY
We've got great choices on the prime rib. How do you like your prime rib, Jess?
JESS
Cooked.
RORY
He's not picky, Grandma.
EMILY
Good, that'll make it easier. So, what did I miss?
JESS
Nothing. Absolutely nothing.
RORY
Grandma, would it be all right if I speak to Jess for a second? We can go to the study.
JESS
We're eating.
RORY
Well, I want to talk.
JESS
You're being a little rude to your grandmother, Rory.
EMILY
I can leave the room for a minute if you want.
RORY
No, Grandma, we'll be right back.
[Rory and Jess walk to the study]
RORY
I told you nothing happened at Patty's, but you just wouldn't believe it. You had to get into a fight with Dean tonight right before meeting my grandmother. This is a disaster.
JESS
I did not get into a fight with Dean.
RORY
Bull.
JESS
Believe what you want.
RORY
I'm going to find out eventually, so why keep it from me?
JESS
What if Dean had sucker-punched me and I had to defend myself? You're not even considering the possibility that that's what happened?
RORY
Dean wouldn't do that.
JESS
Oh, no, he might get his big white Stetson dirty.
RORY
You're being a jerk to my grandmother, too.
JESS
Hey, I'm doing my best. If that means I'm being a jerk, then that's what I am. I didn't even wanna come.
RORY
No one made you.
JESS
You made me. Now I've seen it all.
RORY
You embarrassed me in front of her.
JESS
That's it, I've had it.
RORY
So have I.
JESS
If you're gonna harp on this, I'm leaving.
RORY
Oh, great, so now I have to explain to my Grandma why my boyfriend who showed up a half-hour late with a black eye is walking out.
JESS
Well, you like making up stories in your head so that should be easy for you.
[they walk to the front door. Jess leaves. Emily walks up to Rory]
EMILY
Is he fetching something from his car?
RORY
I don't think so.
EMILY
He left.
RORY
Yeah, he left.
EMILY
Well, you can take some prime rib back for him if you want. What do you say the girls have some dinner, huh?
CUT TO NEW YORK
[Lorelai, Alex, Sookie, and Jackson walk out of the theater]
JACKSON
So, good, good show.
LORELAI
Yeah, yeah. Alex, thank you for getting us those tickets.
SOOKIE
Great production value.
JACKSON
Oh, amazing. I mean, the way they do lighting on these things.
SOOKIE
It's magical, it's magical.
ALEX
This is the worst piece of crap I've ever seen.
LORELAI
What?
ALEX
I saw Moose Murders. This stinks worse.
SOOKIE
I thought it was me.
JACKSON
I was dying in there.
LORELAI
Every song is the same.
SOOKIE
The same two notes.
LORELAI
How does that happen?
SOOKIE
I feel so very bad. Yes, I feel so very sad.
LORELAI
I'm sad, I'm mad, I'm sad, I'm mad.
SOOKIE
I'm mad, I'm sad, I'm mad, I'm sad.
JACKSON
I'm sorry – that's better, rent a theater.
ALEX
Look, I say we hit a bar, get some drinks, continue plotting out this musical you guys are writing.
LORELAI
Cool. We'll need pens and paper.
SOOKIE
Just memorize it. I'm mad, I'm sad, I'm mad, I'm sad.
JACKSON
We'll grab a cab.
SOOKIE
Hey, that fits right in.
[Sookie and Jackson walk away to hail a cab]
LORELAI
You're nice.
ALEX
I try.
[Lorelai pulls out her cell phone]
ALEX
Who are you expecting?
LORELAI
Oh, Rory. I mean, not that I'm expecting a call because a call could mean something bad, so, um, not getting a call is probably best.
ALEX
Probably.
LORELAI
I'm just gonna give her a call.
ALEX
You know, on the drive down here, you made me promise to stop you if you were gonna call Rory for the wrong reason.
LORELAI
But I left the iron on.
ALEX
She'll turn it off.
LORELAI
She's got this boy.
ALEX
I know.
LORELAI
I shouldn't call her.
ALEX
It's up to you.
JACKSON
Hey guys, we got a cab, and the driver likes our song.
LORELAI
Putting away phone now.
ALEX
Good girl.
CUT TO ELDER GILMORE RESIDENCE
[Rory is asleep in bed. Her cell phone rings and wakes her up]
RORY
Hello?
LORELAI
Good morning.
RORY
Hey. It's early. Why are you calling so early?
LORELAI
Oh, I don't know. I must've screwed up the time difference. What time is it there?
RORY
The same time it is there.
LORELAI
Ah, sorry.
RORY
How's it going?
LORELAI
Good. A lot of walking. We all had pizza at John's in the village and wrote a musical.
RORY
Good for you.
LORELAI
Then we picked the same Dean Martin song on the jukebox twenty-five times and people started complaining, so we picked the Bee Gees' "New York Mining Disaster" and they begged for Dean Martin back.
RORY
Sounds fun.
LORELAI
So, how'd the dinner go?
RORY
Uh, not well. Far from well.
LORELAI
What?
RORY
I'm at Grandma's.
LORELAI
You stayed the night?
RORY
Yup.
LORELAI
What did she do? Did she make you stay because she didn't want Jess to drive you home? She is so untrusting. And to ruin this dinner – I'm gonna kill her.
RORY
No, Grandma was great. The whole time, even when Jess was late.
LORELAI
You're kidding.
RORY
She was a saint. Staying over was my idea.
LORELAI
Why?
RORY
Jess and I got into the most horrible fight of my life and it was... ugh. I can't even say.
LORELAI
I don't believe this.
RORY
He showed up with a big black eye.
LORELAI
A black guy?
RORY
Eye, a black eye. He got into a fight.
LORELAI
With who, Dean?
RORY
He wouldn't say, but yes, and he was all standoffish about it and things got worse and worse and he walked out. It was all horrible.
LORELAI
Wow, honey. I'm sorry. Are you okay?
RORY
I'm upset, but I'm okay.
[Emily opens the door]
EMILY
Oh, I thought I heard you up. How 'bout some breakfast?
RORY
Sure.
EMILY
Is that Jess?
RORY
No, it's Mom.
LORELAI
Hey, put her on.
RORY
She wants to talk to you. Bye.
LORELAI
See ya tonight.
[Rory hands Emily the phone, then leaves the room]
EMILY
Hello?
LORELAI
Mom, hi, listen. Rory kind of explained what happened last night, and how you were really great about it. I just wanted to thank you. I mean, I don't know all the details, but I'm sure it all could've been way worse, and you keeping your cool like that was really, really nice. Thanks.
EMILY
How can you let your daughter be with that abominable thug?
LORELAI
Mom –
EMILY
First he arrives late, how disrespectful is that? Then he's rude to Rory, rude to me.
LORELAI
Mom –
EMILY
Oh, and that attitude – I wanted to slap that monosyllabic mouth of his. And God forbid they're in another accident together or his heap of a car breaks down and Lord Jim has decided cell phones are beneath him and they're stranded in the middle of nowhere. How can you let this happen? He had a black eye. He belongs in jail!
CUT TO TOWN SQUARE
[Dave, Zach, and Brian drive down the street and stop at a stop light. Dave turns off the car radio]
ZACH
Yo, dude, that's disrespectful.
DAVE
We're really early. Let's get something to eat.
ZACH
Sure, what do we want?
BRIAN
I've only got three bucks.
ZACH
You always only got three bucks. What is it, you go to an ATM that only gives out three bucks at a time?
DAVE
Let's just pick.
BRIAN
Well, I'm sick of burgers, so if it could be a place that has more than burgers –
ZACH
What do you want, like a three-dollar sushi place?
BRIAN
It doesn't have to be sushi.
[Dave sees Mrs. Kim walking toward them]
DAVE
Guys, shut up and be cool. Don't say a thing.
BRIAN
What, why?
DAVE
Mrs. Kim, hello.
MRS. KIM
David.
ZACH
David?
BRIAN
Mrs. Kim. You're Lane's mom?
MRS. KIM
How do you know Lane?
ZACH
She's a great dr –
DAVE
Girl. We all think so.
MRS. KIM
Who are you? What is all this, David? Who are all these unwashed boys?
DAVE
Well, see, Zach and Brian here play in a combo with me when I don't play solo.
MRS. KIM
A combo?
DAVE
A Christian combo.
MRS. KIM
Oh, good. With just a guitar it can sound thin.
DAVE
Well, that's why we play music together. Uh, the light's turned, we should probably get –
MRS. KIM
Wait, I want to warn you about something.
DAVE
Yes?
MRS. KIM
About Lane. She has a crush on you.
DAVE
She does?
MRS. KIM
I thought you should know. She's a good girl, but flighty sometimes. Be careful around her. I know you're a serious boy, I don't want you to be shocked.
DAVE
Oh, no, thank you. I'll be very careful, I promise.
MRS. KIM
Okay. Maybe I'll book your combo sometime, mix it up a little.
DAVE
It would be our pleasure. Right, guys?
ZACH
Yeah.
BRIAN
Sure.
MRS. KIM
Don't speed. [walks away]
DAVE
Okay, so, uh, where do we wanna eat?
CUT TO DOOSE'S MARKET
[Rory walks up to Dean]
RORY
Hey.
DEAN
Hey there. Did you see those fliers? Apparently, I clicked my heels for joy after one of her songs. I don't remember that.
RORY
Me neither. Can I talk to you for a sec?
DEAN
Well, yeah, what's wrong?
RORY
Dean, this whole friend thing with us isn't going to work if we're not honest with each other.
DEAN
I agree.
RORY
Okay, so, anything you wanna tell me?
DEAN
Corn's two for a dollar?
RORY
Jess has a black eye.
DEAN
Oh yeah?
RORY
Any idea where he got it?
DEAN
That would be an extremely long list.
RORY
It wasn't you?
DEAN
It wasn't me.
RORY
You swear?
DEAN
I swear. Did he say it was me?
RORY
No, he's not saying anything. He's less talkative than some.
DEAN
Yeah, sorry, I have no idea. Look, I really don't like talking about –
RORY
I know, sorry, I –
DEAN
I should get back to work.
RORY
Okay, thanks.
DEAN
Sorry I couldn't solve the mystery.
RORY
Me, too.
CUT TO LUKE'S DINER
[Luke is behind the counter, Jess walks down from upstairs]
LUKE
Whoa.
JESS
What?
LUKE
You're Petey the dog.
JESS
I prefer to not talk about this.
LUKE
Is that why you snuck in last night?
JESS
I did not sneak in. Now, could we get back to work here?
LUKE
Fine, start clearing some stuff. So when'd you get into a fight with Dean?
JESS
It wasn't a fight with Dean.
LUKE
Whoa, where's that coming from? I just asked.
JESS
What's with everybody making assumptions? I'm sick of it.
LUKE
So it wasn't Dean.
JESS
No.
LUKE
When did it happen, yesterday?
JESS
Yes.
LUKE
You went to Rory's grandmother yesterday. She punch you?
JESS
Stop.
LUKE
Where'd you get it?
JESS
Santa Claus.
LUKE
So you're not gonna tell me?
JESS
That's right.
[phone rings]
LUKE
[answers] Hello? Yeah, hey Rory, hang on a sec. [to Jess] It's Rory.
JESS
I'm not here.
LUKE
What?
JESS
Get a clue, Columbo. I don't wanna talk to her.
LUKE
You don't wanna talk to Rory? [to Rory] Yeah, Rory? Yeah, he just went someplace. Yeah, I'll tell him. Bye.
[Luke hangs up the phone, then grabs Jess by his shirt]
LUKE
Come on.
JESS
Hey.
[Luke pulls him to the storage room]
JESS
Come on, what is this?
LUKE
Look, you're my responsibility. You're exhibiting signs of violent behavior and I don't care how much you don't wanna talk about it, you're not leaving until you tell me. Now, tell me, where'd you get the black eye?
JESS
You wouldn't believe it anyway.
LUKE
Try me, tough guy.
JESS
A swan.
LUKE
Excuse me?
JESS
I was attacked by a swan. Okay, you happy? A stupid swan.
LUKE
Now, how 'bout the real story?
JESS
That is the real story. It hangs out by Larson's Dock. I was just walking by and the thing came out of nowhere and bam – beaked me right in the eye.
LUKE
It beaked you?
JESS
You still don't believe me.
LUKE
I just never heard anyone use the word beaked as a verb before.
JESS
No, no, this isn't funny. That stupid bird attacked me. He could've blinded me. It's a vicious, vicious bird, and... fine. Forget it.
[they walk back into the diner. Jess retrieves a ladle from under the counter]
LUKE
What are you doing? Where are you going?
JESS
I'm gonna do a little beaking of my own.
LUKE
Jess, not the ladle. That's a brand new ladle. Take the baster!
CUT TO OUTSIDE
[Luke and Jess are in a rowboat in the middle of the lake]
LUKE
I don't see a swan.
JESS
Put your oars down.
LUKE
They don't like oars?
JESS
Just lay low, it'll come.
LUKE
Does it act all peaceful and Bambi-like and then suddenly attack like the rabbit in Monty Python?
JESS
Your voice is probably scaring it away.
LUKE
So how'd you explain the black eye to the Gilmores?
JESS
I didn't. The whole night sucked. I'm happy it's behind me.
LUKE
Behind you? You ain't got nothing behind you.
JESS
What do you mean?
LUKE
You'll have plenty more events like that in your future.
JESS
No way.
LUKE
When you date a girl like Rory, you're involved with her whole family. Just like that last girl you dated, you were involved with her whole petri dish.
JESS
At least she was easy to figure out.
LUKE
And you were bored from day one.
JESS
I'm dating Rory, not her family.
LUKE
All these people come in a package with this girl. The mother comes with this girl. The grandmother comes with this girl.
JESS
And apparently a bunch of others. Everybody she's ever met, including Dean.
LUKE
She picked you.
JESS
God knows why.
LUKE
She knows, that's all that matters. Jess, being jealous of Dean –
JESS
I am not jealous of Dean.
LUKE
Being jealous of Dean is pointless. You're just gonna drive Rory away. You wanna have a relationship with someone, you're gonna have to learn to open up your mouth and say something.
JESS
Give it a rest, Dr. Phil.
LUKE
You can't shut down, you can't avoid her calls.
JESS
I didn't wanna talk.
LUKE
Well, when are you gonna wanna talk?
JESS
I don't know.
LUKE
So, what are you gonna do, just keep avoiding her and never take her calls again?
JESS
She'll find me eventually.
LUKE
If she keeps looking for you.
JESS
Hey, I'm not gonna be a wuss like Dean.
LUKE
Dean had that girl for two years. You have a little fight after two months, you walk out, and it's over?
JESS
I don't care.
LUKE
Okay, fine, you don't care, that's obvious.
[Jess sees a swan]
JESS
Shh!
LUKE
Is that the one?
JESS
That's it. Watch it.
LUKE
I'm watching it. It's pretty.
JESS
Shh!
LUKE
Is it gonna double back?
JESS
Maybe.
LUKE
So it's lulling us into complacency.
JESS
He's vicious, I'm telling you.
LUKE
Yeah, his butt's terrifying.
JESS
It's outnumbered. That's the problem. It knows there's two of us.
LUKE
So you want me to get under water, swim along with the boat, breathe through a straw?
JESS
Forget it.
LUKE
Maybe it's gonna get another swan and come back and make a fight of it, huh?
JESS
Forget it.
CUT TO LORELAI'S GARAGE
[Rory is talking to Lane as she sets up for band practice]
LANE
He's not even calling you back, huh?
RORY
No, and I'm not sure what to do.
LANE
Well, Dave and I have never had a fight because we haven't really truly begun dating, so I have no perspective on this.
RORY
Well, you'd better hurry up and start having bad boy troubles so I can get some feedback.
[The band walks into the garage]
DAVE
Hey there.
LANE
Hi guys.
RORY
How's it going?
ZACH
I think it's going a little weird, to tell you the truth.
LANE
Weird, why?
BRIAN
I think we need to get something out in the open here.
ZACH
Definitely.
DAVE
We ran into your mom.
LANE
My mom?
RORY
Oh boy.
ZACH
Yeah, and we're well aware that there's a situation here that you guys have been hiding.
BRIAN
We should get it out in the open here or else it's gonna get weirder.
DAVE
Yeah, I guess so. We didn't mean anything by hiding it guys.
ZACH
Well, what pisses us off is that you felt you had to hide it.
DAVE
Really?
ZACH
Yeah. Dave, you're a Christian. So what? That's cool.
BRIAN
It's nothing to hide.
ZACH
Christians can still rock.
DAVE
They can?
LANE
Yeah, yeah, Dave. Christians can still rock, don't hide it.
ZACH
Marshall Stacks don't know Christians from atheists.
DAVE
Gosh, I just wasn't sure if you guys would be accepting of my devoutness.
BRIAN
Dave, it's a part of you, and we think you're cool, so it's cool.
DAVE
Great. Thanks, guys.
ZACH
But no way are we playing Creed, man.
DAVE
Oh, no, of course not.
ZACH
Or Amy Grant. That's where we draw the line.
LANE
This is very accepting of you guys.
BRIAN
And we'd be totally into playing that gig for your mom if it pays.
LANE
Oh, Mrs. Kim pays. Uh, she's very good about that.
[a car horn honks from the yard]
RORY
That's my mom. I'm glad this all worked out.
LANE
Yeah, me too.
[Rory walks to the front yard. Alex is getting Lorelai's suitcase out of the trunk of his SUV]
RORY
Hey.
LORELAI
Oh, my little daughter.
RORY
I'm happy to see you. Thanks for bringing her back in one piece.
ALEX
No problem.
LORELAI
I'm very weak.
ALEX
She hasn't eaten in awhile.
RORY
I warned you to keep to her feeding schedule.
LORELAI
I'm drifting, drifting.
ALEX
She wanted to wait to have dinner with you.
RORY
That's sweet.
LORELAI
Must have food now.
RORY
I'll take it from here.
ALEX
Thanks.
LORELAI
Bye. [to Rory] You're not food.
ALEX
Revive her.
RORY
I will. I'm gonna run and get take out.
LORELAI
Oh, make like the wind.
RORY
Can you make it to the door?
LORELAI
I'll struggle.
CUT TO TOWN SQUARE
[Rory walks by the diner with some takeout bags. Jess walks out]
JESS
Rory.
RORY
Oh, hey.
JESS
Hey. Your mom home?
RORY
I'm bringing supplies.
JESS
Should've brought a mule.
RORY
What?
JESS
A pack mule, to carry it.
RORY
Oh, yeah.
JESS
So, sorry I missed your calls.
RORY
You were always out.
JESS
Yeah. I was getting ready to call you just now, but you would've been out.
RORY
Ironic.
JESS
Yeah.
RORY
So, I know there was no fight with Dean.
JESS
Really? How? You asked Dean.
RORY
It was the only thing I could think to do.
JESS
To go to the source.
RORY
Yup. I'm sorry I doubted you.
JESS
It's okay. I would've doubted me, too.
RORY
I need to trust you as much as I trusted –
JESS
Him.
RORY
Yeah.
JESS
This black eye screwed everything up.
RORY
Yeah.
JESS
Next time I go to your grandmother's, I'll try not to have one.
RORY
Next time?
JESS
Next time.
RORY
So what happened?
JESS
I don't –
RORY
Come on. It wasn't Dean, you can say.
JESS
Will that make you happy?
RORY
Yes, very.
JESS
Okay, I'll tell you the truth, since we're both so into the truth tonight. That's what good relationships are about, right?
RORY
Right.
JESS
But you've gotta promise not to mock me ever, and please don't tell anyone else.
RORY
Promise.
JESS
I was throwing a football with a buddy and got hit in the eye.
RORY
You poor thing.
JESS
Yeah.
RORY
But that's not embarrassing.
JESS
Yeah, now that you mention it, it's not.
RORY
I have to go.
JESS
Don't go.
RORY
I don't want to.
JESS
Then don't. Let's go somewhere.
RORY
I've got takeout.
JESS
I'll reimburse you.
RORY
My mom's waiting. Keep thinking what you're thinking.
JESS
I don't have a choice.
CUT TO LORELAI'S HOUSE
[Lorelai is lying on the couch, Rory walks in with the takeout]
RORY
Mom?
LORELAI
Hm? Is that you, Rhett?
RORY
I bring food.
LORELAI
Oh, thank God. Ha! One of everything at Al's. Bless you with gluttony. Aren't you hungry?
RORY
Yeah.
LORELAI
Well, come on, dig in. What's wrong?
RORY
Nothing. Um, listen.
LORELAI
I'm listening.
RORY
When I said before that I was too busy to think about it, I realized now that I'm not too busy to think about it.
LORELAI
Think about it?
RORY
About it.
LORELAI
Oh, it.
RORY
Yeah, it.
LORELAI
Ha, it.
RORY
Nothing's happened yet, but... it might. Maybe.
LORELAI
Maybe?
RORY
Maybe... with Jess.
LORELAI
Hm, with Jess.
RORY
You still want me to tell you everything, right?
LORELAI
Yeah. Uh, no. Well –
RORY
Which is it?
LORELAI
We're doing this now.
RORY
Yes. Which is it?
LORELAI
I don't know.
RORY
You'll let me know?
LORELAI
Yeah.
RORY
Was that, yeah, you'll let me know, or yeah, that's your answer, you wanna know?
LORELAI
I guess, I wanna know, yes, and now, sure.
RORY
Well, nothing's happened.
LORELAI
I heard.
RORY
But it might.
LORELAI
Okay. Could you tell me before it does?
RORY
Right before, or –
LORELAI
No, just... just before.
RORY
Okay.
LORELAI
Okay, good. Is that it?
RORY
For tonight, yeah.
LORELAI
Good. This... this is good.
RORY
Yeah, it is good.
LORELAI
Okay, well, let's eat.
RORY
Good.
[They start eating. Lorelai puts her arm around Rory. Rory puts her arm around Lorelai. They continue eating.]
THE END