T3E17: “A Tale of Poes and Fire”
Título em Português: “Poemas e Incêndio”
Roteiro: Daniel Palladino
Direção: Chris Long
Originalmente exibido em: 15 de abril de 2003
OPEN IN LUKE'S DINER
[Lorelai and Rory are sitting at a table with papers and books spread out in front of them.]
LORELAI
Okay, let's see. Looks like Harvard definitely has the smallest class sizes.
RORY
Okay, we've got our first entry here. It's a pro for Harvard.
LORELAI
Oh, whoa, whoa, those are not the final official pro/con lists.
RORY
Why? What's wrong with them?
LORELAI
Well, the lines are crooked, the printing's all sloppy. Harvard, Princeton and Yale cannot see them looking like that.
RORY
They're not going to see our pro/con lists.
LORELAI
What if they subpoena them?
RORY
Then I'll roll 'em up in a ball and eat 'em.
LORELAI
Oh, a big pro for Yale – they have 1100 members of the maintenance staff. Clean, clean, clean.
RORY
All three of these places probably have the same number.
LORELAI
But Yale must be crowing about it for some reason. Princeton might only have two.
RORY
Two?
LORELAI
Yeah.
RORY
You think there're a total of two guys cleaning all of Princeton?
LORELAI
Write "Princeton's stinking filthy" in big letters.
RORY
Yeah, I'm pretending to write it as we speak.
[Kirk walks over carrying a box of T-shirts]
KIRK
Good morning, ladies. May I interest you in a shirt?
LORELAI
Oh, Kirk. You're not selling your laundry again, are ya?
KIRK
No, these are part of my latest money-making endeavor. I'm going to print daily T-shirts featuring a humorous topical headline of something I witness around town.
RORY
Neat.
KIRK
I got the idea when I read about something a man was doing in Portland.
LORELAI
What was he doing?
KIRK
He was printing daily T-shirts featuring a humorous topical headline of something he witnessed around town.
RORY
Is that today's?
KIRK
Sure is. [he holds up a shirt]
RORY
[reads] "Babette ate oatmeal." Huh.
LORELAI
Yeah.
KIRK
I'm keeping it real.
RORY
It's good.
LORELAI
It paints a picture.
RORY
I can just see her... eating oatmeal.
[Luke walks up to the table]
KIRK
They're $14.95. How many can I put you down for?
LUKE
No solicitors, Kirk.
KIRK
How about if I cut you in for a piece of the action?
LUKE
How about I toss the shirts out the door first so you can have something to land on?
KIRK
Got it. [walks away]
LUKE
What's with the lists?
LORELAI
You ready? My Rory, our Rory, Stars Hollow's Rory... got into Harvard, Princeton, and Yale.
LUKE
Wow, wow, wow, I can't believe it. I – I feel like I...
RORY
Yeah.
[Luke awkwardly hugs Rory's head]
RORY
Oh.
LORELAI
Oh.
RORY
Okay.
LORELAI
Wow.
[Luke pulls back]
LUKE
Oh, I'm not good at hugging.
RORY
Oh, I thought it worked.
LUKE
Thanks. Man, this is big, right?
RORY
Very big.
LUKE
But what's with all the pro/con lists?
LORELAI
That's how we make our important decisions, you know that.
LUKE
But you know what it's gonna be, Harvard.
RORY
Probably.
LORELAI
But not necessarily.
LUKE
But Harvard's all you've talked about for years.
LORELAI
Well, who knew she'd be wanted by everyone?
LUKE
Hey, which school best teaches how to make an important life decision without doing a stupid pro/con list? Whichever one it is, add it to the pro column.
LORELAI
Do not mock the sciencificity of our selection process.
RORY
I've gotta head to school.
LORELAI
Hey, why go anymore? You're in college. Let's go truffle hunting or something.
RORY
Maybe after I graduate.
LORELAI
All right, but if all the good truffles are gone, don't say I didn't warn you.
RORY
Bye. [leaves]
LUKE
I can't believe how great that is, all three.
LORELAI
Well, they have good taste.
LUKE
Well... you know, uh, Jess also... well, it's so tiny compared to this, it's gonna sound dumb.
LORELAI
What? Tell me.
LUKE
Well, you know how Jess works at Wal-Mart.
LORELAI
Yes, I do.
LUKE
Well, it seems he was actually chosen Employee of the Month.
LORELAI
Really?
LUKE
I knew it would sound tiny.
LORELAI
No, Luke, that's not tiny. That's really good.
LUKE
Yeah. I mean, there's probably hundreds of people working at that branch, and they singled him out.
LORELAI
Yeah, it shows he can work hard and get along with people and all that. You should be proud. Did you tell him you're proud?
LUKE
Well, he didn't even tell me about it. I got a letter addressed to the family of Jess Mariano inviting me down to some little ceremony they're having.
LORELAI
Are you going?
LUKE
Oh, he'd hate it if I was there. You know, seeing him participating in some corporate ceremony like that, being called upstanding and responsible, it would kill him. Yeah, I'm going.
LORELAI
Good boy.
[Luke sees that Kirk is trying to sell his shirts at another table. Kirk quickly pushes the shirts off the table into a box]
[opening credits]
CUT TO INDEPENDENCE INN KITCHEN
[Lorelai walks in]
LORELAI
Hey Sookie, Sookie... where's Sookie?
SOOKIE
Down here.
LORELAI
Down where? Marco?
SOOKIE
Polo.
[Lorelai finds Sookie kneeling on the floor next to a cat]
LORELAI
Why are you down there?
SOOKIE
Papaya won't eat, so I'm pretending to eat out of her bowl so she'll copy me.
LORELAI
Sookie, you named the cat?
SOOKIE
She looks like a Papaya, doesn't she?
LORELAI
But it's a stray. You'll get close to it and it'll wander off and you'll be sad.
SOOKIE
I'm keeping my distance. Come on, Papaya. Lap, lap, lap.
LORELAI
All right, we're getting you up here. Come on.
[Lorelai helps Sookie stand up]
SOOKIE
Oh boy, being a cat is hard on the knees.
LORELAI
Since when are you a cat person?
SOOKIE
Well, ever since I got pregnant, I've become very nurturing toward all living things. Jackson, too.
LORELAI
Well, both your bodies are changing.
SOOKIE
Yesterday.. .ugh, it was awful. Jackson moved a table and just kind of nicked this spider. He didn't see the little thing, and just clipped one of its legs. And it was having trouble walking and we were so upset, but Jackson made a new leg for it out of a paper clip, but jamming the clip into the spider killed it instantly. Little Satchmo.
LORELAI
You named the spider Satchmo?
SOOKIE
After Jackson's uncle.
LORELAI
Oh, I'm sure he'll be very touched.
SOOKIE
Maybe if I wore ears!
LORELAI
What?
[Sookie holds two napkins up behind her head to look like cat ears, then kneels back down on the floor]
SOOKIE
Papaya! Look at Mommy, look at Mommy, look at Mommy.
[Lorelai walks into the lobby]
LORELAI
Oh, is this everyone from the Edgar Allen Poe Society?
MICHEL
If you mean the I-should-be-sterilized-so-that-my-disturbing-idiosyncrasies-aren't-passed-onto-the-next-generation society, then yes, that's them.
LORELAI
[to guests checking in] Hi, welcome to the Independence Inn.
MR. HATLESTAD
Thank you. We're Jim and Milly Hatlestad.
LORELAI
Okay, I've got you right here. Well, once again, welcome, and let me assure you there are no human body parts buried in the floor of your room to keep you awake tonight. Sound good?
MR. HATLESTAD
I guess.
LORELAI
Room 8.
[The Hatlestads walk away]
LORELAI
The Tell-Tale Heart. That's a Poe story. Did they not get that?
MICHEL
The Hatlestads are not with the Poe Society.
LORELAI
Why didn't you tell me that?
MICHEL
If I had thought to, I still would not have.
FRED
Hi, my name is Larson, I'm checking in.
LORELAI
Poe Society, right?
FRED
That's me.
LORELAI
Good. Well, welcome to the Independence Inn. There will be a complimentary cask of amontillado on the table in your room, and if you're expecting your friends Doctor Tarr and Professor Fether, I'll send up another one. [pause] You said you were with the Poe Society.
FRED
Yeah, but it's just a hobby. We're not Trekkies.
LORELAI
No, no, I didn't mean to imply... I mean, you're not freaks, no way. Here, room six.
FRED
Thank you. [walks away]
MICHEL
You might want to stop trying to cute things up.
LORELAI
I hear that.
MICHEL
[to guest] Hello sir.
CUT TO WAL-MART BREAK ROOM
[The manager walks to the front of the room. Luke walks in and sits down in back.]
MANAGER
Hello everybody. Hope you're having a good day today. You folks know we do this every month, just a little get together to honor our new Employee of the Month. Nothing fancy, just a quick 'thanks' and a 'way to go.' Oh, and there's two hundred bucks in it. I think that's how we got our honoree to even show up to this thing. You know him as a trooper, our Mr. Reliable. The first time this young man sat down on that forklift, well, it was like an extension of himself. And yeah, he's not one for small talk, but this boy's production is out of sight. It's Jess Mariano everybody.
[The other employees applaud as Jess walks up to accept a plaque]
MANAGER
Would you like to say anything Jess?
JESS
Nope.
MANAGER
Well, that's our Jess. Give him another hand folks, and, uh, have a good one.
[Jess walks to the back of the room and sees Luke]
JESS
What are you doing here?
LUKE
[pinches Jess' cheek] I'm so proud of my boy.
JESS
Stop it.
LUKE
Do you have a tissue because I think I'm gonna be emotional.
JESS
I mean it, stop, now. It came with cash, it's the only reason I'm here.
LUKE
Don't forget the plaque. You should hang that over your bed, shine a little spotlight over it.
JESS
I gotta get back to work.
LUKE
Yeah, the forklift's going 'where's the extension of me?'
[Jess leaves. The manager walks over to Luke]
MANAGER
Hey. Saw you jawboning with our boy there. I'm Bill Borden.
LUKE
Luke Danes, I'm Jess' uncle.
MANAGER
Nice meeting you.
LUKE
Yeah, so he's doing good, huh?
MANAGER
Wish I had a dozen more Jesses. He's my go-to guy.
LUKE
That's great to hear.
MANAGER
Works like a dog on his regular shift, and if someone calls in sick – and they always do – Jess is there even if he's already done forty hours that week.
LUKE
Wow, I am so... forty hours? He never works forty hours.
MANAGER
More like forty-five, that's what I'm saying. Good boy, that one.
LUKE
Wait, how is that possible? He's got school, he works for me, it can't be forty.
MANAGER
Well, I can't say I sign every time card, but I'm pretty sure it's at least that. Uh, maybe I'm mistaken.
LUKE
Yeah, maybe.
MANAGER
Oh, thought you might like this. A little keepsake for ya. [hands him an Employee of the Month sign with Jess' picture on it]
LUKE
Great, thanks.
CUT TO MISS PATTY'S DANCE STUDIO
[A man dressed as Poe is reciting The Raven at the front of the room.]
POE 1
Then this ebony bird beguiling my sad fancy into smiling, by the grave and stern decorum of the countenance it wore, "Though thy crest be shorn and shaven, thou," I said, "art sure no craven."
LORELAI
[quietly to Rory] That Poe was downright funalicious.
RORY
He was a troubled man. He enjoyed a little bit too much of the hmm-hmm. [makes a drinking gesture]
LORELAI
Mime?
RORY
You know what I meant.
LORELAI
Oh, mime. That reminds me – Yale, best drama school bar none. Put that in the pro column.
RORY
I'm not taking drama.
LORELAI
No, but it means you'll have the best on-campus productions. You'll get to see the next Meryl Streep all goofy and eighteen and doing crap like, "Hey, name an occupation!" "Plumber!" "Name a farm tool now!" "Tractor!" "Hey, I'm a tractor doing... plumbing."
RORY
That's what the do at the Yale drama school?
LORELAI
So I've heard. Oh, that's weird.
RORY
What?
LORELAI
Over there. [points to another man dressed like Poe seated in the audience]
RORY
A second Poe?
LORELAI
It's like a Poe story in itself.
RORY
The Case of the Two Poes.
LORELAI
The Messrs Poe and Poe.
RORY
Oh, that's good.
LORELAI
Oh, hey, there's Dean. Hey, is that, uh...
RORY
That's Lindsay.
LORELAI
Hm.
[Dean sees them and waves. Lindsay glances at Rory]
LORELAI
Oh, I think she's ready to go to the ghetto on you.
RORY
Well, I don't have a problem with her. She's really nice. And, you know, once she –
LORELAI
Bought you a magnet shaped like Mark Twain's head? Yes, I've heard the anecdote.
RORY
Sorry.
LORELAI
I think she should just mellow. I mean, you've both moved on. What's the problem?
POE 1
But the raven, sitting lonely on the placid bust, spoke only that one word...
LORELAI
I don't remember The Raven being this long.
RORY
It could've used some editing.
LORELAI
Oh, hey, did you put drama school on the Yale pro list?
RORY
Nope.
LORELAI
Come on, do it, we'll forget.
RORY
I don't have a pen.
LORELAI
Aw, jeez. [leans toward Luke and Nicole sitting across the aisle] Hey, psst. Hi, Nicole.
NICOLE
Hi, Lorelai.
LUKE
Hey, how long is this thing?
LORELAI
He's got at least five nevermores to go.
LUKE
Ah, jeez.
LORELAI
Do you got a pen?
LUKE
No.
LORELAI
Come on, cough it up.
LUKE
I don't have a pen.
LORELAI
You've got a restaurant. Where's the pen you take orders with?
LUKE
I wasn't anticipating taking orders at the Poe reading.
LORELAI
Hm, there goes your Boy Scout badge.
RORY
Uh, Mom.
[Poe 1 gives her a look, then continues]
POE 1
Take thy beak from out my heart, and take thy...
LORELAI
Busted by a Poe.
RORY
Hope he doesn't put a curse on us.
LORELAI
Or complain when he goes back to being Fred Larson, Tampa dentist.
NICOLE
Hey, Lorelai.
LORELAI
Hm? [sees Nicole holding out a pen] Oh, you're an angel, thanks.
NICOLE
I'll need it back.
LORELAI
Yeah, sure.
RORY
Hm, looks like Nicole's got a little Lindsay attitude going.
LORELAI
Not really. Really?
MISS PATTY
Hey, how many nevermores do you think he's got to go?
LORELAI
We're guessing four.
MISS PATTY
Poor Edgar Allen Poe, he suffered so much. And now we gotta suffer along with him.
RORY
Yale drama, got it.
MISS PATTY
Rory, why do you waste your time on those pro/con lists? It's going to be Harvard, we all know it.
RORY
I know.
LORELAI
If the list says it is.
RORY
Right.
MISS PATTY
When you were six and took my cheerleading class, you wouldn't even cheer for any other school than Harvard.
RORY
That's true. That is true.
LORELAI
Well, then the list will reflect it.
POE 1
And my soul from out that shadow that lies floating on the floor shall be lifted... nevermore.
[the audience claps]
LORELAI
Excellent. Bravo, bravo.
RORY
Very nice.
WOMAN
That was wonderful, wasn't it? Thank you very much for that rendition.
POE 1
Thank you.
[He goes to sit down and the second Poe walks to the front]
LORELAI
What's with the Poes?
RORY
They look upset.
MISS PATTY
Wanna hear the scoop?
RORY
Please.
MISS PATTY
I was here when they both arrived. They got their signals crossed. They were supposed to perform different things, but they both came to do The Raven.
LORELAI
If the Poes start fighting, does that punch a hole in the space/time continuum?
RORY
And throw us into a universe where everything is the exact opposite of what it is here?
LORELAI
Cool. There'll be funny sitcoms there.
WOMAN
Ladies and gentlemen, we have a special treat for you. It'll allow you to compare and contrast interpretations of Poe's most famous work.
RORY
Oh no.
LORELAI
Compare and contrast?
RORY
That can only mean...
WOMAN
Please enjoy this second recitation of The Raven.
LORELAI
Do we bolt?
RORY
Do we dare?
LORELAI
At least if I'd brought a flask, we could've played the nevermore drinking game.
RORY
Oh, maybe this is what drove Poe to the bottle.
LORELAI
His own work.
POE 2
Once upon a midnight dreary while I pondered weak and weary, over many a quaint and curious volume of forgotten lore, while I nodded, nearly napping...
[Lorelai and Nicole share a look; Rory and Lindsay share a look]
LORELAI
Weird vibe in here. Very Poe.
RORY
Very Poe.
CUT TO OUTISDE
[Lorelai and Rory walk out of the dance studio]
RORY
Well, that was pretty good.
LORELAI
Oh, come on. You can't do that thing where you complain, then when you walk out you reassess based on the relief you're feeling that it's over.
RORY
Well, I was able to compare and contrast between readings.
LORELAI
I was able to nap for twenty minutes.
[The first Poe walks over to them]
POE 1
Good evening, ladies.
LORELAI
Oh, hi Poe.
RORY
Good job in there.
POE 1
I thank you. Young miss, do correct me, but I heard tell that you are considering attending Harvard University.
RORY
I am.
POE 1
I myself attended West Point.
LORELAI
Wow.
POE 1
I'm embarrassed to say that I was court-martialed in 1832 and forced to leave.
[The second Poe walks over]
POE 2
Excuse me, but I was expelled from West Point in 1831, not 1832.
LORELAI
Oh.
POE 1
No, I do believe it was 1832. It was an election year.
POE 2
It was not an election year. President Jackson was to serve five more years.
POE 1
I'm sure it was '32. I'm sad to say it was the same year my older brother William passed away.
POE 2
Okay, that's not right either, Fred.
POE 1
Fred? I don't know this Fred you speak of.
POE 2
Oh, knock it off. I'm tired. [walks away]
POE 1
Will you excuse me?
LORELAI
Yeah. [he walks away] Poes are very testy people.
RORY
Mmhmm.
[Kirk is sitting at a table with stacks of T-shirts]
KIRK
I've got your latest topical T-shirts here, people. Brand new topical T-shirts for sale.
RORY
What's this one say?
[Kirk holds one up]
LORELAI
[reads] "Faux Poes foes."
RORY
Very clever, Kirk.
KIRK
It was an inspiration. But they're not selling much better than the "Babette ate oatmeal" shirts.
LORELAI
Keep the dream, Kirk.
[Dean and Lindsay walk out of the dance studio]
DEAN
Hey guys.
RORY
Oh, hi. Mom, this is Lindsay.
LINDSAY
Hi.
LORELAI
Hi. The Mark Twain magnet-head girl!
LINDSAY
The what?
LORELAI
You don't know the anecdote? You're the star.
LINDSAY
The anecdote?
RORY
It's nothing, really. Um, it's the field trip we took to Mark Twain's house in the fourth grade, and I wanted this magnet and you lent me the money and I got the magnet.
LORELAI
She usually tells it better.
LINDSAY
I kinda remember.
DEAN
So, uh, congratulations on Harvard.
RORY
Oh, yeah, thanks.
DEAN
I got into Southern Connecticut State.
RORY
Oh, that's great.
LORELAI
It is. That's great, Dean.
RORY
You're... you're... wow.
DEAN
Yeah, thanks.
LINDSAY
I've gotta get home.
DEAN
And I gotta take her, so I'll see you guys.
LORELAI
See ya.
RORY
Bye.
[Dean and Lindsay walk away]
LORELAI
So you say she was nice?
RORY
Was, I guess, being the operative word. So are we going?
LORELAI
No, you go on ahead, I'll catch up.
RORY
Okay. Try and make it home in time for Charlie Rose. Billy Joel's on, and he might cry or something.
LORELAI
Okay.
[Rory leaves. Luke walks over to Lorelai]
LORELAI
So, how was Jess' Employee of the Month thing?
LUKE
Oh, it was okay.
LORELAI
Just okay?
LUKE
There was punch.
LORELAI
So the punch wasn't good?
LUKE
No, it was just... the manager came up afterwards when Jess was gone and he was talking about how Jess is working forty, forty-five hours a week.
LORELAI
What? That's full time.
LUKE
That's what I said.
LORELAI
How does he swing it?
LUKE
He must be pulling double shifts on the weekends. It's all I can think of.
LORELAI
No, he's pretty much duding it with Rory on the weekends.
LUKE
Well, then he must be getting up super early on weekday mornings and going in.
LORELAI
Have you ever seen him do that?
LUKE
No, but I don't trail him either.
LORELAI
Yeah, but you sleep in the same room with him.
LUKE
Oh, the manager must be getting Jess confused with somebody else.
LORELAI
Or...
LUKE
Or what?
LORELAI
I don't wanna say, forget it.
LUKE
No, say it, go ahead.
LORELAI
Or he's working when he should be in school.
LUKE
Impossible, no way.
LORELAI
Why?
LUKE
Because he knows the rules – he's gotta graduate to stay living with me. He's going, he's getting everything done, he's doing his work.
LORELAI
You've seen this work he's doing?
LUKE
Not for awhile, but I just know that he is. No, no way he's cutting school, it's suicide, no way.
LORELAI
I shouldn't have brought it up
LUKE
Ah, that's okay.
LORELAI
Okay.
LUKE
Goodnight.
[Kirk walks up to the second Poe]
KIRK
Say, how can I have a career as a Poe?
POE 2
It's not a career, this is just an event that we do. I write technical manuals for a living.
KIRK
Yes, but how can I have a career as a Poe?
CUT TO LORELAI'S BEDROOM
[Lorelai is sleeping when Rory walks in with the cordless phone]
RORY
Mom. Mom, wake up.
LORELAI
What?
RORY
Mom, it's Tobin at the inn, something's wrong.
LORELAI
What's wrong?
RORY
The fire alarm's going off.
LORELAI
That stupid alarm. It's always doing that. Tell him if he doesn't smell smoke, to reset it, and tell him he's fired and I'm gonna kick his ass around the lobby for waking me up.
RORY
He sounds freaked.
LORELAI
Ugh. [takes phone] Tobin, what?... Oh my God... Okay. [hangs up] Get dressed.
RORY
What is it?
LORELAI
Get dressed, get dressed.
CUT TO FRONT OF THE INDEPENDENCE INN
[The inn staff and guests are all gathered out front as the fire department puts out the fire.]
CHIEF BAKER
[into a walkie talkie] We've got the first engine laddering the roof, first engine. Yeah, and we need PD for traffic control.
[Lorelai and Rory rush up to the crowd]
SOOKIE
Ah, Lorelai, thank God.
LORELAI
Hey, what's going on?
SOOKIE
This is Lorelai Gilmore.
LORELAI
What's going on?
CHIEF BAKER
In a minute, ma'am.
RORY
Yeah, Mom, let him do his thing.
LORELAI
You're right. Sookie, Michel, um, is everyone out?
MICHEL
Yes.
LORELAI
Are you sure?
MICHEL
Yes.
SOOKIE
Yes. We're sure, the fire department's sure, we did a head count.
LORELAI
We need to double check, triple check. Julio! He doesn't start 'til six but sometimes he comes here early because his sister-in-law Rita gives him a ride on her way to work in Salisbury.
SOOKIE
Oh! [points to Julio in the crowd]
LORELAI
[walks over and hugs him] Ah, Julio, Julio. Ah, I'm so glad to see you, you beautiful man.
[The fire chief walks over to Lorelai]
CHIEF BAKER
Ma'am, I'm Chief Baker.
LORELAI
Oh, I'm sorry I jumped on ya.
CHIEF BAKER
That's okay. The good news is that this is almost out. The structure's stable, and you're probably gonna be able to get back in in about 24 hours.
LORELAI
Excellent. Twenty-four hours, the structure's stable, thank you.
CHIEF BAKER
That's okay.
LORELAI
The statue of you is going up just as soon as we get back in. Eighty feet tall.
CHIEF BAKER
I'm looking forward to it.
LORELAI
Here we go guys, phase two.
SOOKIE
Loving the pace here.
LORELAI
Um, we need food, we need computers with Internet, we need phones. Michel, I need this on you stat. Hurry, hurry. Rory?
RORY
Yeah?
LORELAI
Um, help the guests with the kids, make sure they're not freaked out. Gather them up and entertain them for awhile so the adults can catch their breath.
RORY
Right. I have never entertained kids – how do I do that?
LORELAI
Uh, take your socks off and do a puppet show.
RORY
You've clearly never entertained kids either.
LORELAI
It's all I can think of. Get cracking.
RORY
Yes, ma'am.
LORELAI
[to the guests] Hi everybody. Good morning, and uh, whoa, talk about your change of plans here. Unfortunately, you, uh, can't get your stuff out for at least a day. However, if you wanna get home immediately, we will check planes, trains, whatever you need. We will send your stuff to you later as soon as we get it. But if you can't get home yet, we will provide everything short of anything illegal, and that's gonna start with the best breakfast of your lives. [to Sookie] Uh, Sookie, go to the market and get whatever food and supplies we need for breakfast.
SOOKIE
Going.
[Sookie leaves. Lorelai walks over to Michel, who is on his cell phone]
LORELAI
Hey, who are you on with?
MICHEL
The Cheshire Cat Inn.
LORELAI
Ah, great, find people places to sleep. Excellent. [walks away]
MICHEL
[on phone] Yes, my name is Michel Gerard, I used to work at the Independence Inn and I was wondering if there were any positions available.
[Lorelai walks back over and grabs the phone from him]
MICHEL
Phones, computer, I'm on it.
CUT TO LUKE'S DINER
[Lorelai, Sookie and the inn's guests enter]
SOOKIE
Morning.
LUKE
What, what is this?
SOOKIE
Phase two.
LUKE
Phase two?
SOOKIE
Into the back, guys. March!
[Sookie's cooking staff carries food and supplies into Luke's kitchen]
LUKE
Hold on, those guys can't go back there.
LORELAI
Oh, we're in luck, lots of empty tables. Go on and take your seats, guys.
LUKE
Lorelai, what is this?
LORELAI
We had a fire.
LUKE
Fire, where?
SOOKIE
Weston's Bakery.
LUKE
You're kidding.
SOOKIE
They'll have fresh blueberries.
LORELAI
Perfect. Um, Weston's, hurry.
LUKE
Where... Weston's caught fire?
LORELAI
No, the inn.
LUKE
Your inn?
SOOKIE
Just move all of Luke's stuff aside, we don't need it.
LUKE
Hey, wait a minute.
LORELAI
Everyone's fine, the inn's still standing, we're into phase two.
LUKE
What is phase two?
SOOKIE
Just shove it aside.
LUKE
What are you doing?
SOOKIE
Making breakfast.
LUKE
You can't make breakfast here.
SOOKIE
Got any plates that aren't cracked?
LUKE
You're the one that's cracked.
SOOKIE
Nice thing to say to a pregnant woman.
LUKE
You're pregnant?
LORELAI
Could you be any farther behind?
SOOKIE
Yo, Caesar, help my guys and there's a twenty in it for you.
LUKE
We both can't be making different stuff at the same time.
LORELAI
You know, you're right. Listen, all you people who were here before we invaded, are you willing to cancel your current orders for Sookie's famous blueberry-lemon pancakes, Belgian waffles or bananas foster?
MAN
Sure.
WOMAN
Sounds good.
SOOKIE
Okay, pull all of Luke's stuff off the grill and let's get cooking!
LUKE
I'm an island.
LORELAI
Luke, I'm sorry about all this, but I'm not anticipating the inn catching fire ever again, so it's a one time only thing, okay?
LUKE
Like I have a choice?
LORELAI
You do. Say the word and we go.
LUKE
Stay, cook, eat. I'll be upstairs.
LORELAI
You're a doll.
SOOKIE
No, get rid of it! Dump it, dump it! I don't wanna see it!
CUT TO OUTSIDE
[Rory is entertaining some kids by using her socks to give a puppet show. Lorelai walks over]
RORY
"Where are you going? I told you to take out the garbage!" "Nag, nag, nag. I wanna watch football and sit in my reclining chair." "Get back here or I'm gonna get you... " [sees Lorelai] Oh, hey, guys, hold on a second.
BOY
No, keep going.
RORY
Oh, calm down there, little scooter. I'll be right back.
[Rory walks over to Lorelai]
LORELAI
Hey Shari Lewis, how's the show going?
RORY
Oh, they're riveted.
LORELAI
Good.
RORY
Yeah, but I stink. I keep repeating the same stuff over and over again.
LORELAI
Must be working.
RORY
But I named them Mr. and Mrs. Sock Puppet. I put no energy into this.
BOY
Come back, Rory.
RORY
You would think that a lame-o sock puppet show would bore them to tears.
LORELAI
It's your narrative skills. I mean, is he gonna take the garbage out, is he not gonna take the garbage out? I'm on the edge of my seat.
RORY
Yeah, but they won't let me stop and I have to get to school eventually.
LORELAI
Okay. [to kids] Hey, guys, go on over to the diner and have breakfast with your families, and then ask the nice man in the baseball hat and the flannel shirt to do sock puppets for you. And if he says no, just ask him louder – it's part of the game!
BOY
Oh boy!
LORELAI
Go!
[the kids run toward the diner]
RORY
You're cruel and they love you.
LORELAI
Come check in at Patty's with me.
CUT TO MISS PATTY'S STUDIO
[A table has been set up with a computer, phone, and other supplies as the temporary inn headquarters. Michel, Babette, and Miss Patty are at the table.]
BABETTE
I love computers, I just know nothing about 'em. What does pushing that F3 button do?
MICHEL
Annoy me to no end.
BABETTE
What about the F4?
[the phone rings]
MISS PATTY
[answers] Hello, this is the Independence Inn emergency headquarters. I'm Miss patty, I'll be assisting you today. How may I help you? [pause] The printer will be here in half an hour, I'll let him know. Thank you. Goodbye. [hangs up] The printer will –
MICHEL
I heard, and you've got to shorten your greeting.
MISS PATTY
What?
MICHEL
You do not need to recite the Gettysburg Address every time you answer the phone.
MISS PATTY
I was Ricardo Montalban's receptionist for six months and he never complained.
MICHEL
Who?
MISS PATTY
Don't make me hit you.
[Lorelai and Rory walk in]
LORELAI
You all set up here?
MICHEL
Computer with Internet, phones forwarded here, printer on the way.
MISS PATTY
I'm the receptionist.
BABETTE
And I'm learning the computer.
MICHEL
And I'm looking for my cyanide capsule – have you seen it?
LORELAI
It's nice of you to help guys, thanks. Now, at least half the Poe group needs to stay another night, so we're gonna need to find places to put them up.
MICHEL
Everything is booked.
LORELAI
You checked the Cheshire Cat, the Maiden's Teacup, the Cookie House, the Sugarbear Inn?
MICHEL
Every place that sounds like Glinda the Good Witch threw up, yes – all booked.
LORELAI
Well, then, we're gonna have to take people in.
MISS PATTY
Well, I can take a couple in, sweetie.
BABETTE
I can, too. We got cots. Ooh-hoo-hoo, we got cots.
LORELAI
Great. Michel?
MICHEL
Forget it. The Poes are weird. I'd fear being killed in my sleep. Plus, I don't like strangers using my toilet.
BABETTE
I bet the Kims could put people up. And Taylor. And Al.
LORELAI
And we've got our couch and my room.
RORY
Nope.
LORELAI
What?
RORY
They can have my room, not yours.
LORELAI
No, hon, mine's fine.
RORY
Mom, no, mine. You are stressed out enough without losing your room. You need your rest, so you keep your bed, period.
LORELAI
I'll look selfish.
RORY
Well, if anyone calls you that, I'll kick their sorry butts.
LORELAI
Okay, your room under protest.
BABETTE
Hey Michel, I just hit F4 and the num lock key and the one with the little apple on it and it's freaking out like it's on acid or something.
MICHEL
Oy vey.
[phone rings]
MISS PATTY
I got it. [answers] Yeah?
MICHEL
Well, you need to say more than that.
MISS PATTY
Well, make up your mind.
RORY
I've gotta go, but page me if there's any news or anything.
LORELAI
Okay. You mean, like if Michel kills Babette and then Patty then himself in a bizarre murder-murder-suicide pact?
RORY
Amongst other things.
[they hug]
LORELAI
We had a fire.
RORY
I know. Bye.
CUT TO CHILTON CLASSROOM
MRS. O'MALLEY
It'll be the last midterm of your high school careers, so rejoice over that if nothing else. [bell rings] Now, before you go, I just wanna mention that it looks like another banner year for Chilton grads seeking top colleges. I wanna congratulate all of those who have heard and advise patience for all of you who have not. No one has escaped from Chilton without going onto another terrific school if that is his or her goal.
LOUISE
Good to hear.
MRS. O'MALLEY
And I know that at least one of you has been accepted to Harvard. It's an immense honor, that. Congratulations.
[students start to leave]
RORY
Have you guys heard from Paris?
MADELINE
Heard what?
RORY
Anything?
LOUISE
She's not here?
RORY
She's been gone for five days.
LOUISE
Huh.
MADELINE
Didn't notice.
LOUISE
Although, it did seem like there was a lot more air in here.
CUT TO PARIS' BEDROOM
[Paris is in bed watching television. There's a knock at the door. She ignores it, and there's a second knock]
PARIS
Come back for the tray later, Nanny.
RORY
It's not Nanny, Paris. It's Rory. Can I come in?
PARIS
I guess.
[Rory walks in]
RORY
Hi. I brought a bunch of school stuff from the past few days. If there's anything missing, I can bring it over later.
PARIS
Thank you. No offense, but my soap's starting.
RORY
So, you're sick, huh?
PARIS
You know what's wrong. You of all people. That's Martin. His sister-in-law got kidnapped and he thinks his former lover is behind it.
RORY
Juicy.
PARIS
So, don't you have an announcement?
RORY
What do you mean?
PARIS
Did you get in?
RORY
You know, we don't have to...
PARIS
I know you did. You've got that Harvard glow about you, the glow of destiny.
RORY
Paris.
PARIS
Just tell me.
RORY
I got in.
PARIS
Ugh, Amanda and Richard. I'm so over them.
RORY
So you've been incommunicado lately.
PARIS
I've had Nanny hold all my calls, and the mail. My parents are away, so I've been totally Howard Hughes-ing it.
RORY
So did you tell them about Harvard?
PARIS
No.
RORY
Don't you think you should?
PARIS
No.
RORY
Well, don't you think they'll find out?
PARIS
How?
RORY
Well, you not moving out might be a tip-off.
PARIS
I'll get an apartment in Cambridge, buy a Harvard sweatshirt, talk about Mira Sorvino a lot. It's doable. I did tell my mother about having sex with Jamie, and her only reaction was to talk about how my father hasn't pleased her in fifteen years.
RORY
Yikes.
PARIS
Like I couldn't tell.
RORY
And what's going on with your boyfriend?
PARIS
I haven't called him either.
RORY
So the only people in your life right now work at General Hospital?
PARIS
This isn't General Hospital. I don't deserve General Hospital.
RORY
Okay, you've got to stop doing this.
PARIS
What happened? Harvard was my destiny. I was flipping through Harvard class schedules when you were still delighting to The Adventures of Gumby and Pokie.
RORY
I was more of a Pee Wee Herman kind of gal.
PARIS
It's partly my parents' fault, they didn't brand me properly. I should've been at the 92nd Street Y or Brick Church.
RORY
Prep schools?
PARIS
Pre-schools. It decides everything. But I'm not totally blameless. I found a spot in my interview that I'm sure doomed me.
RORY
You recorded your Harvard interview?
PARIS
The plan was to archive everything, then donate it to the university upon my demise. Little did I expect that my demise would come this early.
[she presses play on a handheld tape recorder]
PARIS
... shouldn't even be taken into account. This dovetails nicely into my feelings about population control. It's a little hot in here, can we do something about that? Anyway, population control has been dramatically successful in most European countries to the detriment of some, especially Italy, which is experiencing a marked drop –
INTERVIEWER
Do you think this has anything to do with –
PARIS
Whoa, whoa, just let me finish my thought here.
INTERVIEWER
But Paris...
PARIS
Please!
[Paris stops the tape recorder]
RORY
Well, you said please, that's very polite.
PARIS
I sound like a meth addict. I might as well record the new Justin Timberlake over this.
RORY
I hate that you're torturing yourself like this, in bed like this.
PARIS
Proust wrote all three thousand pages of In Search of Lost Time in bed. If it's good enough for him. [Rory grabs the remote and turns the TV off] Hey!
RORY
Bed is not a life plan, and you, my friend, need a life plan, so here it is. You need to tell your parents about Harvard. You need to start taking calls from people. You need to check the mail so that you can see the other millions of universities that have no doubt accepted you and that are probably dying to be in the Paris Gellar business. You need to call your boyfriend back because he's going to be worried about you and because none of this is his fault, and you need to start by getting the hell out of bed.
PARIS
You did not just say "be in the Paris Gellar business."
RORY
You know what I meant.
PARIS
There is no alternative to Harvard.
RORY
Except Princeton, Yale, Columbia, Stanford, Sarah Lawrence, et cetera, et cetera.
PARIS
Well, maybe you're right.
RORY
I'm unquestionably right.
PARIS
But I'm not jumping up this second.
RORY
You don't have to rush it.
PARIS
And I'm going to have to keep watching this, at least until Adriana's wrongful conviction for aggravated assault is overturned.
RORY
I understand.
PARIS
Thanks.
CUT TO LORELAI'S HOUSE
[Lorelai walks to the living room, where a little boy is on the couch]
LORELAI
You've got your remote, your water, your comic books. Looks like we've got you all set up here, Fred Junior.
FRED JR
Yes, ma'am.
LORELAI
Oh, ma'am. You make me feel old. Stop it.
FRED JR
Yes, ma'am.
LORELAI
No, I mean it, stop it.
FRED JR
Okay.
[Fred walks down the staircase]
FRED
I think we're out of toothpaste.
LORELAI
Oh, sorry, Fred. Below the sink there's plenty more.
FRED
Oh, thank you. This is kind of fun.
LORELAI
Oh, well, it's fun having you guys.
[Lorelai walks to Rory's room, where Rory's making the bed]
LORELAI
Aw, I would've done that.
RORY
I feel weird now.
LORELAI
Why?
RORY
About other people sleeping in my bed.
LORELAI
Oh, honey, don't worry. Fred and his wife don't seem...
RORY
Don't seem what?
LORELAI
Like they're feeling extremely romantic.
RORY
Oh, God, that didn't even cross my mind.
LORELAI
You're kidding! That's all I would've thought of.
RORY
Well, I'm thinking about it now, thank you very much.
LORELAI
Got all your stuff for Lane's?
RORY
Yeah, it wasn't a hard packing job.
[Lorelai glances at some of Rory's papers]
LORELAI
Wow, these have really changed.
RORY
What have?
LORELAI
The pro/con lists. In all the hubbub, they slipped my mind. Yale.
RORY
What about it?
LORELAI
Yale.
RORY
What do you mean?
LORELAI
Yale.
RORY
Stop saying Yale.
LORELAI
It has double the pros of the other two.
RORY
I wouldn't say double.
LORELAI
Triple over filthy, dirty Princeton. It's kicking butt.
RORY
But I'm not done collecting my data yet.
LORELAI
You have a document the length of Nicholas Nickleby here. Looks like you're done.
RORY
But...
LORELAI
What?
RORY
Look at my wall.
LORELAI
So?
RORY
So that wall says something.
LORELAI
Yeah, it says the Harvard merchandising department made a nice chunk of change off of us.
RORY
But how can I go to Yale with my wall looking like this?
LORELAI
It's a wall. Look, honey, Luke was right. The pro/con lists have to come to an end eventually.
RORY
But Luke also reminded us that it was supposed to be Harvard regardless of a list. Everyone thinks that.
LORELAI
I don't. I don't. I know I'm the one who said no to Yale loudly and a lot, but not anymore. Really, I just want what's right.
RORY
I know, but it has to be right for both of us.
LORELAI
If it's right for you, it's really right for me.
RORY
But I don't want you to hate the place I'm going.
LORELAI
Never.
[Fred and his wife come to the doorway]
FRED
Oh. Uh, are you not ready for us yet?
LORELAI
Oh, no, we're ready for you, Fred.
FRED
We hate to put you out.
RORY
No, it's perfectly okay.
LORELAI
I'm guessing you two are gonna fall sound asleep the minute your heads hit that pillow.
FRED
Oh yeah, we're exhausted.
RORY
Have a good night.
LORELAI
Yeah, guys, yell if you need anything. [quietly] I don't wanna hear you yelling for any other reason.
RORY
Shh!
[Lorelai and Rory walk into the kitchen]
LORELAI
Ah. So where's Jess tonight?
RORY
Working.
LORELAI
He works a lot, doesn't he?
RORY
He's saving a lot, too.
LORELAI
Good.
RORY
He wants a better car. The one he's got keeps stalling.
LORELAI
And he's still working at Luke's, too, right?
RORY
Yeah.
LORELAI
So is he down to part-time at school?
RORY
What do you mean?
LORELAI
Getting work credit or something?
RORY
No, he's going full time.
LORELAI
Oh yeah?
RORY
Why do you say that?
LORELAI
I don't know. It's just, Wal-Mart, working at Luke's, squiring you around town... it just seems like a lot of his time's accounted for.
RORY
Well, that's crazy. He's a senior, he's going to school full time.
LORELAI
Just wondering.
RORY
Rest.
LORELAI
I'll try.
RORY
And don't start the sock puppets with Fred Junior or he'll never let you stop. Bye.
LORELAI
Bye.
[As Rory walks out the back door, the doorbell rings; Lorelai walks toward the front door]
LORELAI
Excitement here never stops, Fred Junior.
[Lorelai pulls open the door]
MR. HATLESTAD
Hi there.
LORELAI
The Hatlestads, hi. I thought you went home.
MR.HATLESTAD
Well, breakfast was so great and the town's so nice, and you made staying over sound so fun, that we decided to take you up on it.
LORELAI
Oh.
MR. HATLESTAD
Is that okay?
LORELAI
It's more than okay. Come on in, 'cause you're staying here.
MR. HATLESTAD
Thank you. [they walk into the house]
LORELAI
Your bedroom's right upstairs, you can't miss it.
MR. HATLESTAD
Terrific, thanks. [they start walking up the stairs]
LORELAI
How much room you take up on that couch there, Fred Junior?
FRED JR
Pretty much all of it.
LORELAI
That's what I figured.
CUT TO KIM'S ANTIQUES
[Rory and Lane are making up their cots in the store area]
RORY
So, who do you have staying in your room?
LANE
The second Poe and his wife.
RORY
Well, for your sake, I hope they are very, very tired.
LANE
Why?
[cell phone rings]
RORY
Nothing. I shouldn't have said anything. [answers phone] Hello?
LORELAI
I'm a nomad.
RORY
What?
LORELAI
I am the lonely wanderer. Hank Williams would be too sad to write a song about me.
RORY
Where are you?
LORELAI
Oh, I'm a Bedouin. I'm homeless!
RORY
Okay, stop with that. Where are you?
LORELAI
I'm walking aimlessly around town.
RORY
Why?
LORELAI
The Hatlestads showed up.
RORY
But they went home.
LORELAI
Apparently I made the whole emergency fire accommodations sound so fun that they had second thoughts.
RORY
You're a terrific salesman.
LORELAI
And a terrific idiot.
RORY
So where are you right this second?
LORELAI
Oh, I'm in the middle of the street, a.k.a. my bedroom.
RORY
Mom.
LORELAI
I'm by the school, Luke's, that area.
RORY
Luke's, good. Go there.
LORELAI
It's closed.
RORY
But Luke is upstairs.
LORELAI
Oh.
RORY
Ask him if you can stay.
LORELAI
But –
RORY
I bet the answer's yes.
LORELAI
He'll make me eat a veggie burger!
RORY
Get moving.
LORELAI
Fine. Bye.
RORY
Bye.
[they hang up. Lorelai walks up to the diner and bangs on the door]
LORELAI
[yells] Luke! Luke! Stella!
[She throws a rock at his apartment window. Luke opens it and leans out]
LUKE
Who is that?
LORELAI
Lorelai.
LUKE
What are you doing down there?
LORELAI
Enjoying some air, getting some exercise, and freezing.
LUKE
Well, go home.
LORELAI
Home? I have no home. Hunted, despised.
LUKE
What?
LORELAI
It's from Ed Wood, the movie.
LUKE
Have you gone bonkers?
LORELAI
People are bunking at my place and I need somewhere to stay.
LUKE
And it just occurred to you now to look for a place?
LORELAI
The stupid Hatlestads showed up.
LUKE
Who?
[A women leans out a nearby window]
MRS. SLUTSKY
Pipe down out there!
LUKE
Go back to bed, Mrs. Slutsky!
MRS. SLUTSKY
Don't talk to me that way, young man!
LORELAI
Throw your keys down.
MRS. SLUTSKY
I will not!
LORELAI
No, Luke, Mrs. Slutsky.
LUKE
I'll just come down.
MRS. SLUTSKY
Do something!
LORELAI
Ditto.
LUKE
I'm coming down.
LORELAI
Okay.
[Luke leaves the window. Lorelai and Mrs. Slutsky stare at each other]
LORELAI
My – my inn caught fire. [pause] Hurry, Luke.
CUT TO KIM'S ANTIQUES
[Rory and Lane are sitting in their cots. Lane is on the phone]
LANE
No, Young Chui, it was right to break up with her. Why stay in a relationship when it's not going anywhere?... Life's too short, exactly... No, I told you a joke last night, I need more time to come up with another one... Look, it's getting late. I got my math test tomorrow, I better go... Yeah, I'll call you to tell you how it went... Okay, night. [hangs up]
RORY
So Young Chui and his girlfriend are broken up, huh?
LANE
Yeah, and good riddance. She was very waspy.
RORY
What about you and Young Chui? Are you broken up?
LANE
No, my mom still thinks we're the perfect young Korean couple.
RORY
Weren't you supposed to be broken up by now?
LANE
Yeah, but Young Chui thinks it isn't time yet.
RORY
Why? This is a fake relationship. You were never really going out.
LANE
I don't know. I bring it up every night and he just changes the subject.
RORY
You talk every night?
LANE
Pretty much. He's a little needy right now.
RORY
That's a lot of talking.
LANE
Well, we're friends.
RORY
Just friends?
LANE
What are you getting at?
RORY
Just that he's calling you every night and he keeps putting off your break-up, so God knows when you'll be able to date Dave Rygalski. He's asking you to tell him jokes and to let him know how your math test went...
LANE
So?
RORY
So... it sounds like he's in love with you.
LANE
No. No. Young Chui is not in love with me. And it's not for you to take an innocent friendship like Young Chui and I have, with its air of innocence and its... innocence. Oh my God, he loves me. That stupid boy's fallen in love with me!
RORY
It's not stupid. You're a catch.
LANE
But not his catch, I'm Dave's catch. I've already been caught.
RORY
You probably need to be more direct.
LANE
That fool. And I can't break up with him or my mom will never let me date. It's gotta come from him. What do I do?
[Jess knocks on the window]
RORY
Just a second? [she walks over to the window and opens it]
JESS
Hey.
RORY
Hey.
JESS
Bizarro day, huh?
RORY
Wouldn't wanna repeat it.
JESS
The inn's still closed?
RORY
Just 'til tomorrow.
JESS
What caused it?
RORY
They're not sure. Something electrical, probably.
JESS
That's usually the culprit. Something the matter?
RORY
No.
JESS
Good.
RORY
So how was school?
JESS
Same ol', same ol'.
RORY
You're still doing okay?
JESS
Doing my reading, writing, and arithmetic.
RORY
And you're still going, right?
JESS
What? Where's this coming from?
RORY
There's been speculation.
JESS
From who?
RORY
My mom asked whether you're going full time to school.
JESS
Your mom?
RORY
Yeah.
JESS
Why's she so interested?
RORY
Because you're dating her daughter.
JESS
Oh, great, what else does she think I did? Start the fire, put Phil Spector up to it?
RORY
I told her yes, you were going.
JESS
Well, as they say on the Family Feud, good answer.
RORY
So, I didn't lie to her?
JESS
No.
RORY
No?
JESS
Look, don't worry, I got it under control.
RORY
Jess.
JESS
I'm going enough. I've been picking up some extra shifts here and there, but I'm fine. It's Mickey Mouse stuff anyway. What it takes the others hours to learn, it takes me minutes.
RORY
Well, if you're behind...
JESS
I'm not behind.
RORY
But if you get behind, I can help you catch up.
JESS
Got it covered.
RORY
If you say so.
JESS
I do.
RORY
Okay.
JESS
So how 'bout you come out?
[Mrs. Kim walks into the room holding a bat]
MRS. KIM
What's this?
LANE
He was just leaving, Mama.
MRS. KIM
Why is he here at all?
LANE
He came to borrow something. Here. [she picks up something from the table and walks it over to Jess]
JESS
Thank you. [to Mrs. Kim] Baseball bat?
MRS. KIM
Cricket.
JESS
Night.
[Jess leaves, Mrs. Kim locks the window]
CUT TO LUKE'S APARTMENT
[Lorelai and Luke are making up the bed.]
LUKE
Oh, don't do that.
LORELAI
Don't do what?
LUKE
Don't pull the sheet back after I pull it. I need more for this side.
[they continue making the bed]
LUKE
You pulled it back again.
LORELAI
Okay, I need it for my side.
LUKE
I need it to tuck in.
LORELAI
Same here.
LUKE
I always tuck it in on this side.
LORELAI
Let's tuck it in on both sides.
LUKE
You tuck a bed in on both sides?
LORELAI
Yes, and then I slip down into it like I'm in a straitjacket or something.
LUKE
Oh, you must feel right at home there.
LORELAI
I so set you up for that.
LUKE
Fine, tuck it in on your side.
[Luke walks toward the couch]
LORELAI
You know, I really should take the couch. Me taking the bed doesn't feel right.
LUKE
Oh, now, come on.
LORELAI
What?
LUKE
You browbeat me into giving you the bed and pretending you don't want it now isn't working.
LORELAI
I'm pretending to try to be polite.
LUKE
I'm fine with the couch. You're the one that's exhausted.
LORELAI
You know, I'm actually not.
LUKE
Really?
LORELAI
I'm, like, strangely exhilarated. I mean, as awful as what happened today was, I'm happy with how I handled it. You know, you never know how you're gonna react in situations like this until something happens and I think I did pretty well.
LUKE
Yeah, I do, too.
[the phone rings.]
LUKE
[answers] Hello?... oh, hey, Nicole, hi... Yeah, I'm good... Oh, not much. There was a fire at the local inn out here and... Yeah, the one she works at, yeah... Everybody's fine. Yeah, just a lot of chaos for awhile. So how was your thing today?... All right, fill me in tomorrow... Seven's good... Okay... Okay, yeah... Goodnight. [hangs up] That was Nicole.
LORELAI
So I heard. Why didn't you tell her I was here?
LUKE
Didn't come up.
LORELAI
You mean, she didn't out of the clear blue and for no reason ask you if I was sleeping over?
LUKE
Just didn't seem necessary.
LORELAI
Well, you have nothing to hide here. You just took in a refugee.
LUKE
I know there's nothing to hide. It's just that... you've kinda become a...
LORELAI
Become what?
LUKE
A sore point with me and Nicole.
LORELAI
What, how?
LUKE
Well, on our first date, I was a little nervous and I wasn't having any luck coming up with topics, so I was just kinda blabbing a lot. And then she ordered extra fries at dinner, so it reminded me of you and I told her a quick story about you and French fries, and that seemed fine. And then later, she ordered a third cup of coffee...
LORELAI
Oh, Luke.
LUKE
And I mentioned you and your coffee thing, and I noticed that Nicole kind of reacted a little, and ever since then, she's been a little sensitive to the issue.
LORELAI
Well, of course she is, Luke. You don't talk about another woman on a first date.
LUKE
Even if it's just a friend?
LORELAI
They don't exist.
LUKE
Come on.
LORELAI
Not on a first date.
LUKE
No other women exist on a first date, not even my mother?
LORELAI
Do you really think talking about your mother on a first date is wise?
LUKE
Not really.
LORELAI
You can maybe mention a sister, maybe. And then you move on really, really quickly.
LUKE
This is why I hate dating.
LORELAI
Well, unless you wanna be Mountain Man all your life, you've got to abide by the rules and customs. Ooh, sorry, I have to get up super early tomorrow.
LUKE
No problem. What time?
LORELAI
Six.
LUKE
I get up at quarter to five every morning.
LORELAI
Why in the world would you get up that early?
LUKE
I don't know, to run my business?
LORELAI
Well, change businesses. Ooh, wow, total déjà vu.
LUKE
Really?
LORELAI
It's the alarm clock. I had a dream once that you set eighteen alarm clocks to get me up, which is not a bad way to get me up.
LUKE
Where were we?
LORELAI
We were, um, at my house. I got up, I went downstairs for coffee, and you talked to my stomach.
LUKE
Why on earth I do that?
LORELAI
Well, because I was pregnant. Twins.
LUKE
Mine?
LORELAI
What am I, dream tramp? Of course yours.
LUKE
We were married?
LORELAI
Um, yeah. Did I not mention that?
LUKE
No. You know, you shouldn't drink coffee when you're pregnant.
LORELAI
Uh, true.
LUKE
It's probably why Rory's a caffeine addict.
LORELAI
Right, you're right.
LUKE
Dream go beyond that?
LORELAI
No. Um, you talked to my stomach and then you ki... well, no.
LUKE
Oh, okay. Well... night.
LORELAI
Yeah, night.
CUT TO LATER THAT NIGHT
[Luke and Jess are snoring loudly. Lorelai has trouble sleeping, so she gets up and leaves]
CUT TO LUKE'S DINER
[Rory gets some coffee from the counter and sits down at a table with Lorelai]
RORY
Luke and Sookie have worked things out.
LORELAI
There does seem to be a grudging respect thing going on.
SOOKIE
Get the ricotta fritters started, guys. I wanna serve those first.
LUKE
Hey, we making the Cajun Eggs Benedict again?
SOOKIE
I don't know, we could.
LUKE
Let's do it, it was good.
SOOKIE
Well, the Cajun was all your doing.
LUKE
Only because I knocked the cayenne pepper into your hollandaise.
SOOKIE
Hey, how do you think they invented the Reese's cup and penicillin, my friend? We can win the Nobel here.
[Jess walks down from upstairs]
JESS
Morning.
LUKE
You're up early.
JESS
Gotta catch me that worm. See ya.
LUKE
Where you off to?
JESS
School.
LUKE
This early?
JESS
I got a lab project going on. Me and my team are meeting early.
LUKE
Well, have a good day.
JESS
If I have a choice. [walks over to Rory and Lorelai] Hey.
LORELAI
Good morning.
JESS
Talk to you later.
RORY
Later.
[Jess leaves; Lorelai's cell phone rings]
LORELAI
By the way, your boyfriend snores.
RORY
Didn't need to know that.
LORELAI
[answers phone] Hello... it is?... oh, I love you, I love you... thanks. [hangs up] We're open. Ladies and gentlemen, can I have your attention please. That was just Chief Baker on the phone who told me in that deep sexy voice of his that the inn is officially reopened. Uh, right now it's just me and the staffers, but soon, very soon, you will have your stuff back and you can go home.
FRED
Thank you, Lorelai. Listen, from our group, we want to give you this. [hands her a stuffed raven]
LORELAI
Oh, well, that's the nicest dead bird I've ever gotten. Thanks, Fred.
POE 2
It's from all of us.
LORELAI
Right. Thank you Poe Society. Coming Sookie?
SOOKIE
I'm coming. Okay, you need to caramelize the hazelnuts for the brioche French toast, add some Madeira to the pear-poaching liquid and add some chives to the cream for the sheared eggs.
LUKE
Don't burn anything, got it.
RORY
I've gotta change for school.
LORELAI
Go, go, we'll see you later.
SOOKIE
Let's go.
CUT TO INDEPENDENCE INN
[Michel and Chief Baker are waiting on the porch as Lorelai and Sookie walk up]
MICHEL
Ah, here they are.
LORELAI
Hi, Michel. Hi, Chief. Don't we love our chief?
SOOKIE
I bet he can beat up all the other chiefs.
LORELAI
For sure he can.
MICHEL
Can we get on with this?
CHIEF BAKER
Let me just unlock the door here.
LORELAI
Michel, the first thing I wanna do is get into all the rooms and get all the guests' stuff into the lobby and organized for them to pick up. Sookie, go to the kitchen and let me know what's what. Maybe we can open for dinner.
CHIEF BAKER
Dinner?
LORELAI
Yeah.
CHIEF BAKER
Anyone give you a heads up about what's inside?
LORELAI
No.
CHIEF BAKER
You might wanna wait 'til you get inside to make your plans. And go slow.
[Lorelai, Sookie and Michel enter the inn and survey the fire damage in the lobby. Meanwhile at Lorelai's house, Rory enters to find the Harvard paraphernalia on her bedroom walls has been replaced with Yale paraphernalia.]
THE END