T3E2: “Haunted Leg”
Título em Português: “Mal Entendido”
Roteiro: Amy Sherman-Palladino
Direção: Chris Long
Originalmente exibido em: 1 de outubro de 2002
OPEN AT ELDER GILMORE RESIDENCE
[Lorelai, Rory, and Emily are sitting in the living room]
RORY
Well, this is nice, isn’t it? [pause] So, Grandma, Grandpa is traveling again, huh?
EMILY
Yes, he is.
RORY
Business must be good.
EMILY
Seems to be.
RORY
That’s great. Isn’t that great, Mom?
LORELAI
A jig is forthcoming.
RORY
Mom’s business is great, too. I mean, not that it’s without its problem, you know, but they’re usually funny problems. . .like, um. . .oh! Mom, why don’t you tell Grandma about the mouse?
EMILY
What mouse?
RORY
Mom?
LORELAI
There’s a mouse at the inn.
EMILY
Is the place dirty?
LORELAI
No, it’s just surrounded by this thing called nature and. . .mice happen.
EMILY
Mice carry diseases, you know.
LORELAI
It’s a tiny little field mouse, Mom.
EMILY
I don’t care how big it is, it’s still a rodent.
LORELAI
Let’s just change the subject, shall we?
EMILY
You should set a trap.
LORELAI
Got it covered.
EMILY
Just make sure you don’t use poison.
LORELAI
Got it covered.
EMILY
They will eat the poison and then go into the walls and die, decompose, and the entire place will smell.
LORELAI
I’ve got it covered, but thanks.
EMILY
I just have to say, I don’t know why you’re the one sitting here with an attitude. I’m the one who should be mad.
LORELAI
Let’s not do this, okay Mom?
EMILY
After all, you’re the one who just walked out of here last week without saying a word.
LORELAI
Because I couldn’t get a word in.
EMILY
Your father and I were shocked and upset.
LORELAI
So what else is new?
EMILY
You didn’t give us five minutes to digest the news.
LORELAI
Please, find the off switch.
EMILY
You simply dumped it on us and walked out. I hardly think that’s fair.
LORELAI
Mom, it doesn’t matter. It’s over. Let’s just move on, okay? We came here to have a nice evening, so. . .come on, let’s have it. [picks up the newspaper from the coffee table]
RORY
Something smells good.
EMILY
Braised lamb shank.
RORY
Oh, braised lamb shank! I love a lamb shank when it is braised.
LORELAI
Oh my God.
EMILY
Reading in front of other people is extremely rude, Lorelai.
LORELAI
Shauna Christy shot her husband.
EMILY
What?
LORELAI
Shauna Christy, you remember Shauna Christy.
EMILY
Yes, I remember Shauna Christy, she was a lovely girl.
LORELAI
Well, apparently this lovely girl came home to find her husband giving the nanny a nice little bonus package. And they say good help is hard to find.
EMILY
That’s just gossip.
LORELAI
Gossip? The man was shot thirty-five times. He looks like a sprinkler system.
EMILY
I can’t believe this. Shauna was always such a nice girl. She was bright, cultured, well-spoken.
LORELAI
And apparently a big Annie Oakley fan.
EMILY
This is not funny, the woman committed a crime.
LORELAI
Okay, fine.
EMILY
This is a tragedy.
LORELAI
My bad, sorry.
EMILY
A man is dead, a young woman ruined.
LORELAI
Consider the subject dropped.
EMILY
At least she had a husband to kill.
LORELAI
This is nice, isn’t it?
CUT TO LUKE’S DINER
[Lorelai and Rory are sitting at a table; Lorelai sneezes]
RORY
Bless you.
LORELAI
Thank you. Ugh, I hate having a cold.
RORY
I know you do.
LORELAI
Ugh, it’s bad enough being sick, but anybody can have a cold.
RORY
I know they can.
LORELAI
I mean, I’d like to have a good illness, something different, impressive. Just once I’d like to be able to say, "Yeah, I’m not feeling so good, my leg is haunted."
RORY
See, there’s a reason why you only take one packet of TheraFlu at a time.
LORELAI
Yeah, yeah, yeah.
[Luke brings their food]
LUKE
All right, pancakes, one fried egg, side of bacon. Chicken noodle soup, side of mashed potatoes.
RORY
Thanks, Luke.
LORELAI
Thanks.
LUKE
How’s the cold coming?
LORELAI
It’s fine.
LUKE
Any better?
LORELAI
It’s fine.
LUKE
It’s the third day in a row you’ve ordered soup for breakfast.
LORELAI
Oh, thanks for the tally.
LUKE
You know what helps get rid of a cold?
LORELAI
Endless vague questioning first thing in the morning?
LUKE
A healthy immune system.
LORELAI
My second guess.
LUKE
And you know how you get a healthy immune system?
LORELAI
Remember when you hated me? That was fun, wasn’t it?
LUKE
Is it eating nothing but crap all day and blowing out your brain cells with coffee?
RORY
No.
LUKE
That’s right, no.
LORELAI
Why are you helping him?
RORY
No seemed like the right answer.
LUKE
Eat a vegetable now and then, maybe some high fiber cereal in the morning.
LORELAI
Listen, Grandpa, my soup’s getting cold.
LUKE
At least eat the carrots in the soup this time, not just the noodles.
LORELAI
I promise.
[Luke walks away; Lorelai holds her bowl of soup toward Rory]
LORELAI
Eat my carrots.
RORY
Apparently, maturity is extremely overrated in your universe.
LORELAI
That’s right. The Empress Bobo Belle forbids it. Eat.
[Jess’ girlfriend Shane walks up to Jess at the counter]
SHANE
Hey.
JESS
Hey.
[they kiss]
SHANE
So?
JESS
One sec.
SHANE
Jess.
JESS
Relax. I’m out. Let’s go.
SHANE
Okay.
[they leave]
LORELAI
Ladies and gentlemen, an entire conversation in ten words or less.
RORY
A true meeting of the minds.
[Dean walks up to their table]
DEAN
Okay, so, uh, please don’t hate me, but I already ate breakfast.
RORY
See, nice full sentences.
DEAN
What?
LORELAI
Don’t ruin it.
CUT TO INDEPENDENCE INN
[Lorelai and Michel are looking into the fireplace]
LORELAI
You’re sure?
MICHEL
Positive. It ran right across the lobby and into the fireplace.
LORELAI
I don’t see it.
MICHEL
Well, it must’ve found a hole to crawl into.
LORELAI
We cannot have this mouse running around the inn. Customers will freak.
MICHEL
Well, tell them it’s a baby. People love babies. They’ll talk to it in funny voices.
LORELAI
Did you call an exterminator?
MICHEL
Why, no, what a wonderful idea. I was actually going to fasten a large wedge of cheese to my head and lay on the ground until Mickey gets hungry and decides to crawl out and snack on my face.
LORELAI
When does he get here?
MICHEL
He said we were the first stop.
LORELAI
What do we do until them?
MICHEL
Make cat sounds?
[Kirk walks into the inn carrying a package]
KIRK
Excuse me, Lorelai?
LORELAI
Oh, hey Kirk. Hold on a sec. [to Michel] Just stand here and make sure it doesn’t come out.
MICHEL
Oh, goody, a promotion.
LORELAI
[walks over to Kirk] Hi Kirk. What can I do for ya?
KIRK
I have a delivery for Sookie.
LORELAI
Oh, well, anything good?
KIRK
No, just some wedding photos.
LORELAI
Great. Well, she stepped out for a minute, but I’ll take ‘em to her. I swear, I’ll give ‘em to her. If you want, I’ll leave and find her and then I’ll give them to her.
KIRK
No, that won’t be necessary.
LORELAI
Okay, well. . .
KIRK
Uh, Lorelai, can I speak to you for a moment?
LORELAI
Oh, sure.
KIRK
Could we sit?
LORELAI
Sit. . .sure, let’s sit. [they sit down on the sofa] Is everything okay?
KIRK
Okay?
LORELAI
Yes.
KIRK
With me?
LORELAI
Yes.
KIRK
Well, my mother has developed a condition – makes her knees enormous. Yesterday I spent all morning cutting holes in her pants so she could sit, but other than that and the dyspeptic parrot problem, everything is fine.
LORELAI
Well, good, I’m glad. Okay, well, um, I’m gonna –
KIRK
I was just wondering . . .
LORELAI
Yes. . .wondering what?
KIRK
We’ve known each other for a good amount of time now. Our, uh, paths have crossed professionally and socially a number of times, all with relatively pleasant results, and well, I was just wondering if you would like to have dinner with me?
LORELAI
Oh.
KIRK
In two weeks.
LORELAI
Two weeks?
KIRK
I heard you have a cold. I think two weeks is enough time to ensure the virus is out of your system.
LORELAI
Well, Kirk, I –
KIRK
You don’t have to answer me right away. I know that this is completely out of the blue for you. Take a few days and think about it. [starts walking toward the door]
LORELAI
Kirk, wait.
KIRK
By the way, I think you might be the prettiest girl I’ve ever seen. . .outside of a really filthy magazine.
LORELAI
Thank you.
[Kirk leaves; Lorelai walks past Michel]
LORELAI
Don’t.
MICHEL
I am doing nothing. Ben, however, has dropped dead from laughter.
CUT TO RORY’S BEDROOM
[Rory wakes up and sees Lorelai sitting in a chair staring at her]
RORY
How long have you been sitting there?
LORELAI
Not long. An hour. . .and a half.
RORY
Why?
LORELAI
Because.
RORY
‘Cause why?
LORELAI
Because today is the last first day of high school you’re ever gonna have.
RORY
You’re insane.
LORELAI
I’m not insane, I’m just sentimental, and you’re grown.
RORY
I’m not grown.
LORELAI
Yes, you are, you’re all grown up and soon you’ll be going off into the world.
RORY
Not yet.
LORELAI
But soon. And after you spread those wings and fly away, I won’t have the opportunity to give you this.
[Lorelai hands her a piece of paper]
RORY
What is it?
LORELAI
It’s your bill.
RORY
My what?
LORELAI
Yeah. I’ve been crunching the numbers, you know, adding up what you’ve cost me over the years – raising you, clothing you, feeding you, et cetera, et cetera, et cetera.
RORY
Mmhmm.
LORELAI
Yes, I’ve itemized everything here by years and income ratio. I thought you could factor it into your student loan.
RORY
Oh boy.
LORELAI
One thing that’s painfully obvious here – you’ve used an extraordinary number of diapers.
RORY
I’m gonna go take a shower.
LORELAI
Really, it’s cost a fortune. What were you using all those diapers for?
RORY
I was building my ‘make Mommy go away’ castle.
LORELAI
All right, you got home too late last night and I didn’t get a chance to talk to you.
RORY
I got home at ten and you were already asleep.
LORELAI
Well, I was trying to watch The Legend of Bagger Vance again.
RORY
Okay, what did I miss?
LORELAI
Okay. Kirk asked me out.
RORY
Shut up!
LORELAI
Yesterday he came to the inn and asked me to dinner.
RORY
That’s so sweet.
LORELAI
Sweet?
RORY
You should wear your dress with the ponies on it. I bet he likes ponies.
LORELAI
Rory, I cannot go out with Kirk.
RORY
Why?
LORELAI
Uh huh. . .why? He’s. . .he’s Kirk!
RORY
Well, as long as he loves you.
LORELAI
You are not serious.
RORY
I just want you to be happy.
LORELAI
"Hello Headmaster Charleston, this is my stepfather Kirk. Please don’t make any sudden movements, he’s a fear biter."
RORY
Okay, so how will you let him down?
LORELAI
I don’t know. That’s why I needed to talk to you, you’re the nice one in the family.
RORY
Well, you could just tell him the truth. You could tell him that you’re not interested in dating him and that you just wanna be friends.
LORELAI
That sounds so lame.
RORY
You could tell him you’re involved with someone.
LORELAI
Yeah, because my current karma is so great in that area, I can really afford to jinx it with that kind of lie – no!
RORY
Okay, then you figure it out.
LORELAI
All right. . .we’re gonna have to move.
RORY
Okay.
LORELAI
Take off in the middle of the night, leave everything behind, assume different identities. I’ll join a local community theater and I’ll drive you to soccer. It’ll work for many years until the FBI comes to get me, and by that time, you’re on your own.
RORY
I don’t play soccer.
LORELAI
You do now.
[they walk into the kitchen; as they start getting out stuff for breakfast, Rory laughs.]
LORELAI
Stop!
RORY
It’s funny.
LORELAI
It’s not funny, it’s bad! I have to see this guy. He works at every business in town, I can’t get away from him!
RORY
Well, then you should marry him and move in with his mother.
LORELAI
I’ll handle it myself, thank you very much.
RORY
Sorry, just trying to help.
LORELAI
So you have your swearing in ceremony today.
RORY
At three, do not be late.
LORELAI
I will not be late.
RORY
Okay, I have something to tell you.
LORELAI
Is it about Vince Foster?
RORY
It’s about Grandma.
LORELAI
Oops.
RORY
She’s coming today.
LORELAI
No!
RORY
Mom, I’m sorry. She found out about it, she called. . .
LORELAI
And you said yes?
RORY
She’s my grandmother.
LORELAI
So?
RORY
So what am I supposed to say?
LORELAI
Say "Sorry, Grandma, but if my mother sees you, she’ll run screaming down the hall."
RORY
You’ll be sitting there listening to the ceremony, you hardly have to talk at all.
LORELAI
Rory.
RORY
Hey, we are family.
LORELAI
Yeah, well, look how great that worked out for Sister Sledge.
RORY
I’m gonna go take a shower. You’ll be pouting out here when I’m done?
LORELAI
No, I gotta go to work. I’ll see you this afternoon.
RORY
At three.
LORELAI
There goes my little vice president, off to rule the world.
RORY
Well, Paris will be ruling the world. I will be holding her keys.
LORELAI
I’m still proud of you.
RORY
I appreciate it.
LORELAI
Honey, you have power, brains, now all you need is a dimwitted, drunken or drug-addicted relative to constantly humiliate you while you serve in office.
RORY
Will you work on that for me?
LORELAI
Two steps ahead of you.
CUT TO CHILTON
[Rory is standing in the hallway as Lorelai runs up to her]
LORELAI
Ah, time?
RORY
3:01.
LORELAI
No, oh man, not fair, stupid traffic lights!
RORY
That’s okay, it doesn’t start ‘til 3:15.
LORELAI
But I so tried to . . . you lied to me.
RORY
Did I?
LORELAI
You said it was at three, and it’s at three-fifteen.
RORY
Well, I guess I did.
LORELAI
Ah! That’s it, I’m standing up in the middle of your speech and demanding a recount.
RORY
Shall we seat you?
LORELAI
Betrayed, lied to and humiliated.
[they walk into the auditorium]
RORY
Well, get used to it – I am in politics now.
LORELAI
Hey, where’s, uh. . .
RORY
She’s not here yet.
LORELAI
You told her the real time, didn’t you?
RORY
Well, Grandma can handle structure. How’s this?
LORELAI
Fine.
RORY
Okay, great. You can sit there and you can put your purse on that chair to save it for Grandma.
LORELAI
Oh, yeah, great idea.
RORY
Mom.
LORELAI
Fine, yeah, saving the seat. [sits down and puts her purse on the chair next to her] There, all saved.
RORY
Thank you. Now, I’ll meet right outside afterwards, okay?
LORELAI
Okay. I just want you to remember three things while you’re sitting up there: I love you, you’re the greatest kid in the world, and you’re in a skirt, keep your knees closed.
RORY
Bye.
LORELAI
Hey, this is good advice. When I was in school, Linda Lee was class treasurer and she could not keep her knees closed if they were magnetized. Hanes should’ve given her an endorsement deal.
[Rory walks away; Lorelai takes her purse off the seat next to her and holds it on her lap...then puts it back on the chair...then picks it back up again. She’s about to put it back on the chair when Emily walks up]
EMILY
Lorelai!
LORELAI
Hi Mom.
EMILY
[sits down] You could’ve put your handbag there to save my seat, you know.
[cut to Headmaster Charleston at the podium on stage]
HEADMASTER
Ladies and Gentlemen, I welcome you. Assemblies like this are always happy ones for me, initiating in a new group of school leaders. Chilton’s always prided itself on the quality of its student government, and this year we may have outdone ourselves. These young men and women up on this stage represent the best and the brightest of what this school has to offer. Ladies and gentlemen, it gives me great pleasure to present to you your student body government of 2003. [applause]
[cut to later in the ceremony]
RORY
[at podium] . . .a larger awareness of the world around us. Problems that not only face us here at school but will face us when we leave school, and more importantly, will face the next generation that follows us. We must learn that our actions have consequences, that someone else will have to clean up our mess. We need to figure out how to make that mess a little smaller. If a small fraction of these things can be accomplished this year, then I will feel like our administration has done its job. Thank you. [applause]
[cut to later in the ceremony]
PARIS
[at podium] In the past, all great empires have fallen. The feeling seems to be that it’s inevitable – that something like what the Romans built could not last. Maybe they’re right. Maybe there is no way of keeping something that big and prosperous permanently. Maybe there is no way of keeping our legacy from becoming obsolete. Well, I intend to fly in the face of such thinking, and damn it, I will succeed. I certainly don’t wanna come back here twenty years from now on Alumni’s Night and find this place turned into a high priced charm school, pink and white with big cheerleading megaphones painted on the walls. I wouldn’t be able to take it. I would have to dismantle the place stone by stone with my bare hands. . .
[cut to later in the ceremony]
ALL STUDENTS ON STAGE
I have faith in the Chilton Handbook, so let it be forever.
HEADMASTER
Congratulations and good luck. [applause]
CUT TO HALLWAY
[Lorelai and Emily are waiting outside the auditorium.]
EMILY
Is Rory coming out?
LORELAI
That’s what she said. It was a nice ceremony.
EMILY
Yes, it was.
LORELAI
Long.
EMILY
Very long.
LORELAI
The longest.
EMILY
Lorelai –
RORY
[walking up to them] Hey. You’re both here.
LORELAI
Yeah, we’re here.
EMILY
Of course we’re here. We wouldn’t have missed it for the world. You looked wonderful up there, Rory.
LORELAI
Yeah, good job with the knees.
RORY
Thank you. I’m gonna run to my locker and get my backpack, then we can go.
LORELAI
I’ll be here.
RORY
Bye Grandma. [walks away]
LORELAI
You know, you don’t have to wait, Mom, if you have things to do.
EMILY
Oh. . .well, all right. [starts to walk away, then turns back] Lorelai, I was wondering if we could have lunch.
LORELAI
Lunch?
EMILY
Yes, just the two of us.
LORELAI
Oh, well –
EMILY
Tomorrow would be good for me.
LORELAI
Tomorrow, lunch tomorrow, lunch with you tomorrow. . .
EMILY
We can do it anywhere you’d like. Perhaps at that Luke’s Diner you two seem to love so much.
LORELAI
Lunch – at Luke’s – with you? Wow, I can’t even put the visual together.
EMILY
I can meet you there at one.
LORELAI
One? Well –
EMILY
If one isn’t good, you pick a time. I’ll make it work.
LORELAI
All right. One o’clock at Luke’s.
EMILY
Wonderful. I’ll see you then.
CUT TO CHILTON CAFETERIA
[Several students are sitting at a table as Paris walks around them talking]
PARIS
Look, let’s face it, the last administration might have just as well been running around yelling ‘Toga!’ for all the brilliant things they accomplished. But this year – everything changes, starting with the library. It’s completely out of proportion with its subjects. I mean, there’s five hundred volumes on the French Revolution, yet only three on the Crusades. How do they expect us to get a decent education with inferior resources like that? Huh, seems like the hour’s almost up. Okay, well, I think this has been an extremely successful first gathering. I appreciate all the class presidents coming and being on time. So before I adjourn this meeting, is there anything anyone would like to say?
RORY
People’s names might have been nice.
FRANCIE
Actually, I have something I’d like to put on the table to be discussed.
PARIS
Oh, okay. Well, we only have a couple of minutes, so give us the Reader’s Digest version.
FRANCIE
As president of the senior class, a certain problem has been brought to my attention. For the past thirty years, the Chilton regulations have stated that skirts must be no higher than three-quarters of an inch above the knee, that’s it. Any higher, the student gets written up. I propose to put to an immediate vote an amendment to raise hemlines an additional inch and a half.
PARIS
Hemlines?
FRANCIE
That’s right.
PARIS
That’s the major issue on the senior class’ mind?
FRANCIE
It’s one of the major issues, yes.
PARIS
Well, okay – thank you, Francie, for giving us something really important to mull over here. I anticipate a lot of sleepless nights for many of the people in this room. I will take that under advisement and get back to you as soon as I can.
FRANCIE
Oh, okay, fine. Thanks.
PARIS
Now, if that’s it, I officially call the first meeting of the Chilton student body presidents to a close. I’ll see you all Friday. [bangs gavel on the table]
GIRL
What idiot gave her a gavel?
[Rory walks up to Paris]
RORY
Okay, see, the whole point of having an informal ‘get to know you’ gathering was actually to have an informal ‘get to know you’ gathering.
PARIS
What’s your point?
RORY
You just spent an hour walking around talking about your agenda.
PARIS
I’m student body president – that’s my job.
RORY
But we got donuts, and we didn’t touch the donuts. The donuts are still sitting next to the coffee that we never passed out. We were supposed to spend this time to talk, bond, get to know each other.
PARIS
Geez, Rory, we’ve been sitting in a room together for sixty minutes – what else do you want, a ring?
FRANCIE
Hi. Excuse me, Paris? I just wanted to say on behalf of the entire senior class, congratulations on your win and I’m really looking forward to working very closely with you this year.
PARIS
Thanks.
FRANCIE
Okay. See you later. Bye Rory. You two are gonna make a great team. [leaves]
PARIS
Yes, the jerseys are coming on Friday. [to Rory] Okay, I’m gonna drop the demand for the librarian’s resignation tonight. You wanna read it before I send it?
RORY
Are you sure the first thing you wanna do in office is to get a ninety-three year old woman sacked?
PARIS
Hey, at least I’m not putting her on an iceberg and shoving her off to sea, which considering the fact that you can’t find the Shakespeare section without psychic powers yet the Cliffs Notes rack practically smacks you in the face on the way in, is totally justified.
RORY
And we’re off.
CUT TO INDEPENDENCE INN
[Sookie walks up to Lorelai in the lobby]
SOOKIE
Okay, I just got a message that a vegetarian menu was requested for tonight.
LORELAI
Yeah, Lasano’s, party of five at eight o’clock.
SOOKIE
I thought you said you weren’t gonna let vegetarians in here anymore.
LORELAI
No, you said you weren’t gonna let vegetarians in here anymore.
SOOKIE
But I’m making my baked stuffed pork chops for tonight.
LORELAI
Well, make ‘em for the other guests and make something else for the Lasano’s.
SOOKIE
Like what?
LORELAI
I don’t know. Pasta, you make great pasta.
SOOKIE
But that’s boring, anyone can make pasta. I’m an artist. You don’t dictate to an artist, you don’t tell him what to do. I mean, no ever walked up to Degas and said, "Hey, pal, easy with the dancers, enough already. Draw a nice fruit bowl once in awhile, will ya?"
LORELAI
A great artist can make art out of anything, including pasta.
SOOKIE
Fine, pasta, whoo.
LORELAI
Is there coffee?
SOOKIE
Just made some.
LORELAI
Great.
SOOKIE
So today’s your lunch with Emily.
LORELAI
Yup.
SOOKIE
Any idea what she’s gonna say?
LORELAI
No, but I bet it’s not, "I’m joining the circus, feed your father until I get back." I should just cancel.
SOOKIE
You can’t cancel, you’re meeting her in an hour.
LORELAI
I know, but this goes against every rule I have in the Gilmore survival guide. Number one – no running with scissors. Number two – no pageboy haircuts. Number three – never ever have lunch alone with a mother.
SOOKIE
It might not be so bad.
LORELAI
Saying yes to this lunch with my mother is like saying "Sounds fun!" to a ride with Clemenza.
[they walk into the kitchen]
SOOKIE
Think good thoughts, she could surprise you.
LORELAI
I guess.
SOOKIE
People change, you know. They do it every day. I mean, one minute you could be. . .oh, let’s say a vegetarian, and the next minute you could accidentally have a bite of a stuffed pork chop that changes your entire way of thinking.
LORELAI
Sookie.
SOOKIE
Oh, suddenly life’s fun, suddenly there’s a reason to get up in the morning – it’s called bacon!
LORELAI
Forget it.
SOOKIE
Come on!
LORELAI
Pasta.
SOOKIE
Let the people grow, dammit!
CUT TO CHILTON HALLWAY
[Rory is walking down the hallway when someone pulls her into the bathroom. Francie and two of her friends are in there.]
FRANCIE
Rory, hi, nice of you to join us.
RORY
Francie, what –
FRANCIE
No, I talk, okay? Great. Now let’s discuss Paris.
RORY
What about her?
FRANCIE
She seems to have the very strange idea that she’s actually in charge around here, and I thought it’d be good if I let you in on a little secret. . .she’s not.
RORY
Why don’t you tell her this yourself?
FRANCIE
Because talking to Paris is like shopping for a bathing suit in December – frustrating, fruitless, and a complete waste of time. Now, you, you might be the wallflower, but you’re obviously the Meyer Lansky behind this organization.
RORY
I am not the Meyer Lansky.
FRANCIE
What’s that noise? What is that noise? Oh wait, it’s me, still talking. Didn’t you hear it? Obviously not. Anyhow, Paris is student body president – big fat deal. There are three other class presidents – the junior class president, the sophomore class president, and oh, yes, the senior class president – me.
RORY
I know all this.
FRANCIE
Well, then, it’s off the short bus for you, isn’t it? Now if Paris thinks she’s gonna march around dictating mandates and ignoring what I have to say, then she’s in for a major bikini wax.
RORY
Thanks for the visual.
FRANCIE
Without me, she’s nothing. Just another power mad, insecure, friendless, dateless, highlight-less loser wandering around trying to make someone care that they exist at all, which, by the way, no one does. I control the senior class. I am also the leader of the Puffs, the most exclusive society on this campus, and I have the power to make her life a living hell.
RORY
Francie, she’s just –
FRANCIE
I can make sure she does nothing this year but lead the student body in whatever version of the Pledge of Allegiance happens to be constitutional at the time.
RORY
What do you want me to do about it?
FRANCIE
I want you to go back to Margaret Thatcher and tell her to play ball. She’s gonna support the hemline issue, and any other issue that I bring up for the rest of the year. Otherwise I’ll make her so ineffectual, she’ll make Jimmy Carter look like Martin Sheen – do you get me?
RORY
We’re supposed to be representing the interests of the student body. We are not supposed to be brokering backdoor deals and pushing through agendas with intimidation and bribery. I mean, what are we, French skating judges?
FRANCIE
Wise up, Goldilocks.
RORY
My hair’s brown.
FRANCIE
This is politics. If you’ve got a problem, tell it to Noam Chomsky. I live in the real world, now blow. Oh, and I would keep this conversation between you and me. Paris tends to get a little paranoid when there’s other mammals at the watering hole, so her finding out that you were conferring with me might not make your vice presidency any easier.
RORY
I am not conferring with you. A hand came out of the bathroom and pulled me in.
FRANCIE
What are you talking about? You sought me out because you thought Paris was a little out of line today and you wanted to make sure my very delicate feelings weren’t hurt. You are so sweet to think of me. I feel much better now that I have you on my side. Bye now, see you at the hemster.
CUT TO LUKE’S DINER
[Lorelai walks through the door and looks around for Emily]
LUKE
What the hell are you doing here?
LORELAI
Ah, I came for the warmth.
LUKE
Well, you’re just not usually here this time of day, that’s all.
LORELAI
Well, I’m meeting someone for lunch.
LUKE
Oh, Kirk?
LORELAI
What?
LUKE
You’re meeting Kirk?
LORELAI
Why would you say that?
LUKE
Well, I know he asked you out so I just assumed.
LORELAI
How do you know he asked me out?
LUKE
He told me.
LORELAI
He told you?
LUKE
Yesterday.
LORELAI
Oh my God.
LUKE
Hey, relax, I think it’s great.
LORELAI
Why, why would he tell you?
LUKE
Well, actually, he came to me for a little advice.
LORELAI
About what?
LUKE
About whether or not I thought he had a shot with you. After all, I know ya, I’ve been to your house, I know whether or not you have stain resistant rugs.
[Lorelai sits down at a table]
LORELAI
I’m lying down now.
LUKE
When he found out you had wood floors, he seemed very pleased.
LORELAI
Oh, Luke.
LUKE
I told him you like movies and junk food, and of course, talking incessantly, but we both agreed that there’s nothing like some good lovin’ to shut a person up, if you know what I mean.
LORELAI
I’m sorry, can you bring me a sharper fork? I’m not sure this one will go all the way through your hand.
LUKE
Okay, now, I know it’s new so you probably don’t wanna jinx it, so I won’t talk about it anymore. But I have to tell you, seeing that guy’s face when he was talking about you. . .he almost had an expression.
LORELAI
Far, far away from me.
LUKE
[sings] Love is in the air.
[Lorelai throws a spoon at him as he walks away]
LORELAI
Ha!
[Emily walks into the diner]
EMILY
Why are you throwing cutlery in a public place?
LORELAI
Uh, ‘cause I feel stupid doing it at home?
EMILY
I’m sorry I’m late, there was a little traffic on the way. Perhaps had I been on time, there would still be the possibility of soup.
LORELAI
I haven’t been here that long. See, I still have a knife.
EMILY
I’m glad to hear it.
LORELAI
So, you gonna sit?
EMILY
Oh, yes, of course. [wipes off the seat, then sits down] There we go. Well, this is nice. You certainly can see the whole town from here, can’t you?
LORELAI
Yes, you can.
EMILY
I can see why you come here so much. It must be fun to just sit and people-watch. Well, let’s see what they’ve got, shall we? [opens menu] Oh, Caesar salad – is that good here?
LORELAI
Uh, I’m sure it is.
EMILY
You’ve never had it?
LORELAI
No.
EMILY
Has Rory?
LORELAI
No.
EMILY
Oh. Well, Caesar salads can be extremely unsafe if they use bad eggs.
LORELAI
Get something else.
EMILY
Of course, if they’re coddled, it would be fine. Do you know if they coddle the eggs here?
LORELAI
I have no idea.
EMILY
You don’t know? You come here every day.
LORELAI
Why don’t you ask Luke if they’re coddled?
EMILY
Oh, he’ll just say they are. I’ll have a Cobb salad. What are you going to have?
LORELAI
A Caesar salad with extra uncoddled eggs on the side.
EMILY
Really, Lorelai, would a serious answer once in awhile kill you?
LORELAI
Sorry, Mom. Uh, honestly, I’m a little confused.
EMILY
About what?
LORELAI
About this.
EMILY
What’s confusing? We’re having lunch.
LORELAI
I know we’re having lunch, but we don’t usually have lunch, especially not in my town at Luke’s Diner.
EMILY
I just figured you had to work, it’d be easier on you this way.
LORELAI
Okay, that’s fine, if I –
[Luke walks up to the table]
LUKE
You two ready to order?
EMILY
Yes. How is your Caesar salad dressing prepared?
LUKE
I’ll have to call Paul Newman and ask him.
EMILY
A Cobb salad and an iced tea.
LORELAI
Cheeseburger, fries, onion rings and a cherry coke.
LUKE
Any pie today?
LORELAI
Hm, no thanks.
LUKE
Cutting back a little, huh? Trying to look good for the big day. Smart, very smart.
LORELAI
Make sure you check that frying oil with your face.
[Luke walks away]
EMILY
What was that all about?
LORELAI
Ah, nothing, just a little small town charm. Now, please, Mom, tell me – why did you ask me to lunch?
EMILY
Because I wanted to spend some time alone with my daughter.
LORELAI
Mom.
EMILY
Well, Rory drops by after school every now and then, so we see her alone.
LORELAI
Mom.
EMILY
But we never see you alone. . .unless Rory leaves the room for a second, and even then you try to go with her. If I had a nickel for every time you’ve used the ‘Girls always go to the bathroom together, Mom’ line, I’d be a very rich woman.
LORELAI
You are a very rich woman. Mom, please, is this really a ‘me and you’ lunch? No hidden agenda?
EMILY
Of course not.
LORELAI
Okay, fine.
EMILY
I talked to Christopher.
LORELAI
What?
EMILY
I called him last week, we talked for a very long time, and I have to tell you, he is not in love with that woman.
LORELAI
Oh my God.
EMILY
He never came out and said it, but I could tell from his voice. He would much rather be with you and Rory.
LORELAI
Are you out of your mind?
EMILY
I think you need to talk to him.
LORELAI
And that would be a yes.
EMILY
All he needs is to hear that you want this, too.
LORELAI
Mom, what the hell are you doing calling Christopher?
EMILY
Well, somebody had to.
LORELAI
No, somebody didn’t have to!
EMILY
Oh, I certainly wasn’t going to just sit by and watch this situation explode. You two belong together. It took you years to figure that out, and now that you finally have it, you can’t let it go away just because of a little complication.
LORELAI
Mom, his girlfriend is pregnant – that is more than a little complication.
EMILY
Women have gotten pregnant since the beginning of time, Lorelai.
LORELAI
And before I result to the totally called for duh, please tell me what your point it.
EMILY
This woman is trying to trap him. Don’t you see that? You can’t let that happen.
LORELAI
Mom, this is none of your business.
EMILY
Yes, it is! It affects Rory, it affects you – both of whom are my business.
LORELAI
Do not get involved in this, I mean it. Butt out! Don’t call Christopher and talk about me or us, just stay out of it!
EMILY
Where are you going?
LORELAI
I have to get back to the inn.
EMILY
Do not walk out on me.
LORELAI
Mom, I am not gonna discuss this with you now or ever. I would love for you to respect that but I know you, so give Christopher my love.
EMILY
A family life doesn’t just happen, Lorelai. You have to work for it. You have to fight for it. Lorelai, come back here!
[Lorelai walks out]
CUT TO CHILTON
[Several students are gathered at a table for a meeting]
PARIS
So as soon as she gets out of intensive care, we’ll get her signature, and then we can finally set about hiring a new librarian. Anything else?
LOUISE
Yes. Uh, I was thinking that maybe this year we should throw a little beginning of the school year dance. I mean, why wait until the tan fades to have a formal?
PARIS
Dances are distracting.
LOUISE
Dances help bring in money to pay for those stupid topiaries you want in the quad.
PARIS
Draft a proposal and have it on my desk by tomorrow. Madeline?
MADELINE
I would like to explore the option of having a professional photographer take the senior class photos. Every year we use that cheesy picture place, and every year people wind up with those VH1 ‘Before They Were Stars’ pictures, and I for one would like to stop the humiliation now.
PARIS
How are we going to get a professional photographer?
LOUISE
Helmett Newton is my godfather.
PARIS
Okay, sign him up – and tell him to leave the whips and chains at home. All right, I think that’s all we have time for today.
FRANCIE
Um, excuse me, Paris? I was just wondering if you had time to think about my proposal?
PARIS
What proposal?
FRANCIE
You know, the higher hemlines.
PARIS
Oh right. No, not yet.
FRANCIE
Okay, I guess I can wait. . . for awhile.
PARIS
Patience is a virtue.
[The meeting ends and the students disperse from the table. Rory turns to talk to Paris.]
RORY
Hey.
PARIS
What do you think about Helmett Newton being Louise’s godfather? Explains a lot, doesn’t it?
RORY
Yeah. Listen, I think it might be a good idea to consider getting behind this hemline issue.
PARIS
You’re kidding, right?
RORY
No. I mean, if girls want the option of making their skirts a little shorter, then who cares, right?
PARIS
I care. I’m building a legacy here, Rory. You want the first stand I make against the faculty to involve a fashion choice? It would be my ‘gays in the military.’
RORY
I just think it would be really smart to establish some goodwill among the other class presidents.
PARIS
Why?
RORY
Because you have to work with them, and you might even need their support on something in the future. And throwing them a tiny bone like a hemline amendment is no big deal.
PARIS
I don’t know.
RORY
Look, it’s right at the beginning of your term. No one will even remember the first stupid thing that you passed. You have plenty of time to establish your legacy. I mean it. By the time that you implement public executions for line cutters, hemlines will be a thing of the past. [pause] I was making a joke not a suggestion.
PARIS
Why do you care?
RORY
What?
PARIS
Why do you care? You seem very invested in this whole thing – why?
RORY
Hey, I’m not invested in this thing. If you don’t wanna do it, fine. I’m just giving you my opinion. I just thought you might wanna be one of those presidents that’s beloved as well as respected.
PARIS
Raising hemlines would make me beloved?
RORY
It’s certainly a step in that direction.
PARIS
All right, I’ll push it through.
RORY
Good.
PARIS
But the next genius who comes up with the brilliant plan to put Elizabeth Arden in the chemistry class can bite my ass.
CUT TO LORELAI’S HOUSE
[Rory walks into the living room as Lorelai walks down the steps]
LORELAI
Ugh, I’m not going.
RORY
You are going.
LORELAI
She has done this to me for the last time. From now on, I’m not giving her any information about my life at all.
RORY
As opposed to all the details you’ve heaped upon her in the past.
LORELAI
I can’t believe she called Christopher. She has no respect for me or my feelings or my privacy.
RORY
Well, she didn’t think of it that way. She thought that she was helping.
LORELAI
You do know there isn’t a Santa Claus, don’t you?
RORY
Please just try to forget this.
LORELAI
I’m never ever going over there again.
RORY
Not an option.
LORELAI
It should be. Sometimes you have to cut people out of your life.
RORY
She’s your mother.
LORELAI
I want proof, I want tests done.
RORY
Do you want your red purse or your blue?
LORELAI
Blue. Gee, I wonder who else she’s calling. She’s probably on the phone to Kirk right now. "I heard through my spies you’re taking my daughter out to dinner. Let’s talk China patterns." God, I’m furious! [phone rings] Don’t get that, it might be her.
RORY
Well, I doubt she’d call when we’re supposed to be over in half an hour.
KIRK
[on answering machine] Hello? Hello? [hangs up]
LORELAI
The answering machine confused him.
RORY
Yeah.
LORELAI
And that’s the guy who likes me.
RORY
I’d consider adoption if I were you.
LORELAI
My life stinks. Hey, let’s look into each other’s eyes and say "I wish I were you" at exactly the same time – maybe we’ll pull a Freaky Friday!
RORY
Or we can just pretend that we did and you can go around acting really immature. Oh wait. . .
LORELAI
I can’t believe you won’t switch bodies with me.
RORY
Forget it. Then I’d have to date Kirk.
LORELAI
I would switch bodies with you in a heartbeat if you wanted.
[phone rings again]
RORY
I know, and I appreciate that.
KIRK
[on answering machine] Lorelai, hi. I just called, I think there might be a problem with your phone.
LORELAI
Oh my God.
KIRK
[on machine] I was just wondering if I could ask you. . .
LORELAI
Let’s go.
KIRK
[on machine] . . .a couple of quick questions –
KIRK’S MOM
[on machine] Hello?
KIRK
[on machine] Mom?
KIRK’S MOM
[on machine] Who is this?
KIRK
[on machine] Mom, would you please get off the phone? Mom?
KIRK’S MOM
[on machine] Is this Dr. Marshall?
KIRK
[on machine] Mom, it’s an important phone call, please hang up. I – I – I – I’ll call you back.
CUT TO ELDER GILMORE RESIDENCE
[The doorbell rings several times]
EMILY
[walking toward door] Oh, for heaven’s sake. [answers door]
LORELAI
Hey, I don’t think your doorbell’s working.
EMILY
Believe me, it’s not the doorbell.
MAID
[walks up behind them] Oh, so it was the door.
EMILY
Yes, Sarah, once again, it was the door.
SARAH
Okay, so I just have to remember that the really big bell is the door and the small one is the oven.
EMILY
Yes, that would be a wonderful thing to remember.
[Sarah walks away]
EMILY
Okay, well, let’s have a drink, shall we?
[they walk to the living room]
RORY
So, Grandma, you have a new maid?
EMILY
Yes, I do.
LORELAI
Well, good thing we’re in time for happy hour.
EMILY
Wine, Lorelai?
LORELAI
Uh, yeah, if there’s any left.
EMILY
Rory – soda or water?
RORY
Uh, soda please.
EMILY
How about water?
RORY
Water’s fine, too.
LORELAI
What’s up, Mom?
EMILY
Nothing.
LORELAI
You seem tense.
EMILY
You always think I seem tense.
LORELAI
But tonight you seem tenser than usual.
EMILY
Well, I’m not! Rory, tell me about school
RORY
Oh, okay, um. . .school’s good.
EMILY
Do you like student government?
RORY
I think so.
EMILY
And your grades are still good?
RORY
Yes.
EMILY
Do you take any sort of physical education?
RORY
Not this semester.
EMILY
But eventually you will take some sort of physical education?
RORY
I’m not sure.
LORELAI
But trust me – the minute she decides to run after a ball and take a public shower with thirty other girls, you are getting a call.
EMILY
Well, thank you.
SARAH
[enters room] Dinner’s ready!
EMILY
Sarah, one minute please.
SARAH
Yeah?
EMILY
I told you we eat dinner at seven. . .and right now, it’s six-thirty. Therefore, one could conclude that maybe it’s just a tad early for dinner.
SARAH
Oh, I’m sorry, I -
EMILY
We want to eat at seven!
SARAH
But the food’s ready now.
EMILY
Okay, never mind, we’ll eat. We’re eating. Up, up, let’s go. [they walk toward the dining room] It’s fine. It’s better – then we can all be in bed by nine. Sit down.
LORELAI
Mom, tell us what is up right now.
EMILY
What is up with what?
LORELAI
With you, with her, with you and her.
EMILY
Well, she’s new, Lorelai. She’s only been here three days, she’s still getting the hang of things. I think it’s only fair to give the woman a chance. Why are you staring at me?
LORELAI
Mom, you’ve had maids deported who were better than her.
EMILY
I have not.
LORELAI
Talk.
EMILY
Your father made a crack the other day about my not being able to keep a maid.
LORELAI
Ah.
EMILY
Of course, it’s a gross exaggeration. Yes, I’ve had maids I haven’t liked, but I’ve also had maids I’ve loved.
LORELAI
Name one.
EMILY
Daiha.
LORELAI
Who?
EMILY
You remember, she took you shopping once.
LORELAI
How old was I?
EMILY
I don’t know.
LORELAI
Guess.
EMILY
Four, five.
LORELAI
Mom, you haven’t liked a maid since I was four or five?
EMILY
I have liked a maid; you asked me whom I loved. I loved Daiha.
LORELAI
And whatever happened to Daiha?
EMILY
Oh, how should I know? But I loved her.
[the maid enters with some plates]
SARAH
Okay, so salad?
EMILY
Thank you, Sarah.
[doorbell rings]
SARAH
Oops, big bell. [goes to answer it and takes the salad plates with her]
EMILY
Sarah, the salad! Sarah! Pass the wine, Lorelai.
LORELAI
You want a straw with that?
EMILY
You’re enjoying this?
LORELAI
Well. . .yeah.
[Christopher walks in]
CHRISTOPHER
Lor, I need to talk to you.
LORELAI
Chris, what are you doing here?
CHRISTOPHER
You won’t return my calls!
LORELAI
Did you do this?
CHRISTOPHER
I knew you’d be here.
EMILY
I did not do this.
CHRISTOPHER
You gave me no choice.
LORELAI
After I told you to just stay out of it!
EMILY
Lorelai, I did not do this!
LORELAI
You have to go.
CHRISTOPHER
I’m not going until you talk to me.
[Lorelai and Christopher walk down the hallway]
EMILY
Christopher, Lorelai, come back here!
[cut to hallway]
CHRISTOPHER
Why won’t you call me back?
LORELAI
Hey, there couldn’t be a worst time to have this conversation.
CHRISTOPHER
Really, because it seems to be the only time to have this conversation.
LORELAI
Look, go home, okay? I promise I will talk to you tomorrow.
CHRISTOPHER
Well, sure, I believe that.
LORELAI
Hey, I’ve never lied to you. There’s no reason to doubt my word.
CHRISTOPHER
Really? Forty-five unreturned phone calls isn’t a reason?
LORELAI
No, it isn’t.
CHRISTOPHER
You shutting me out like this is wrong.
LORELAI
I’m not discussing this with you here in my mother’s house.
CHRISTOPHER
You don’t get to dictate this. I need to talk to you, you won’t call me back, and I did what I had to do. And I’m sorry – but after all we’ve been through, especially over these last few months – you shutting me out is wrong. And you know what hits me the hardest, Lor?
LORELAI
Apparently it isn’t the door on your way out.
CHRISTOPHER
You keeping Rory from me.
LORELAI
What?
CHRISTOPHER
I never, ever thought you’d do that.
LORELAI
I’m not keeping Rory from you.
CHRISTOPHER
Oh really? Then why hasn’t she called me back, huh? I mean, no matter where you and I have been in our lives, my daughter has always called me back – until now.
LORELAI
Hey, listen to me –
[Rory walks up to them]
RORY
I didn’t call you back because I didn’t want to. Me – Mom had nothing to do with it.
LORELAI
Okay, honey, calm down.
RORY
You promised me. You promised me at Sookie’s wedding that this was going to work, that you were going to be there, you promised me.
CHRISTOPHER
Honey, please understand –
RORY
No, I always understand, and I don’t wanna understand! I don’t even really wanna talk about this right now. I’ve got Mom, that’s all I need. Go be somebody else’s dad!
CHRISTOPHER
Don’t say that.
RORY
I’m going upstairs. Call me when he’s gone. [goes upstairs]
CHRISTOPHER
She did not get there by herself.
LORELAI
Hey, have you ever met your daughter? She could get anywhere by herself! She could get to the third dimension by herself! She was helping the crossing guard when she was four.
CHRISTOPHER
I’m going to talk to her.
LORELAI
No, you’re not. She wants to be alone and cool off. Respect that. I’ll talk to her later.
CHRISTOPHER
You’ll talk to her, great. That makes me feel a whole lot better.
LORELAI
Okay, you need to leave, right now.
CHRISTOPHER
This isn’t right. She needs her father.
LORELAI
I know she needs her father, I’ve been telling her she needs her father! But she feels like her father bailed on her and she’s mad and hurt, and I can’t change that in three minutes!
CHRISTOPHER
Do you think I like this situation?
LORELAI
Oh God.
CHRISTOPHER
Do you? I mean, after what you and I had going and now –
LORELAI
Chris, do you remember why we’re here right now? What event in your life caused this very pleasant moment we’re sharing?
CHRISTOPHER
That has nothing to do with this.
LORELAI
Oh – it – what? Chris, man! What do you want from me?
CHRISTOPHER
I wanna talk!
LORELAI
About what?
CHRISTOPHER
I don’t know. I just. . . I don’t like how things are.
LORELAI
But that’s how they are!
CHRISTOPHER
I didn’t want things to turn out this way!
LORELAI
But they did turn out this way!
CHRISTOPHER
But I didn’t want that!
LORELAI
Christopher, is Sherry still pregnant?
CHRISTOPHER
Of course she is.
LORELAI
Are you still with her?
CHRISTOPHER
Yes.
LORELAI
Are you gonna marry her?
CHRISTOPHER
Yes.
LORELAI
Then, honey, we are where we are! Accept it.
CHRISTOPHER
I can’t.
LORELAI
Don’t you understand that I can’t talk to you because it hurts talking to you, really hurts! Standing here right now is killing me, okay? Don’t you understand that?
EMILY
Christopher, I think you’d better go now.
CHRISTOPHER
Emily, I . . .
EMILY
Leave now, please.
[Christopher leaves]
LORELAI
You know, you need a mask and a horse when you do that.
EMILY
Something’s burning.
CUT TO OUTSIDE
[Christopher is sitting on his motorcycle as Lorelai walks out of the house]
LORELAI
Chris? Give it time.
[Christopher nods and drives away]
CUT TO STARS HOLLOW
[Rory and Lorelai walk down the sidewalk]
LORELAI
Well, now, that was a fun night.
RORY
Yup.
LORELAI
I haven’t had that much fun since labor.
RORY
Ba-dum-bum.
LORELAI
But seriously, ladies and gentlemen, is this on?
RORY
I can’t believe he just came over.
LORELAI
He misses you.
RORY
He misses you.
LORELAI
We’re very missable. Honey, he loves you so much, he didn’t mean to mess –
RORY
No, he never means to, but he does. And I don’t care what he says or does, I’m not going to this wedding.
LORELAI
You don’t have to.
RORY
Good.
LORELAI
But you might, at a later point in your life, when you’re not so angry and you make up with your dad, as we both know you will, you might be sorry you missed it.
RORY
It’s the wrong wedding.
LORELAI
Ah, things happen for a reason.
RORY
Since when is that your philosophy.
LORELAI
Since now. By the way, I’m also a communist.
RORY
Really?
LORELAI
Yes, ‘cause I look damn good in red.
RORY
I’m starving.
LORELAI
Really? Could it be ‘cause dinner sucked?
RORY
Could be.
LORELAI
Let’s do mac and cheese.
RORY
And tater tots
LORELAI
And those little pizza rolls.
RORY
Oh, and chili beef soup.
LORELAI
After which we will install our own vomitorium.
RORY
Okay, nix the soup.
LORELAI
And add some cake. Okay, let’s be organized – make it fast, make it snappy, and if there’s any impulse buying, make it chocolate.
RORY
Aye aye, captain.
KIRK
[calls from down the street] Lorelai!
LORELAI
Oh no. Go on in.
RORY
Are you sure?
LORELAI
I have to take care of this.
RORY
Good luck.
[Rory goes into the market as Kirk walks up to Lorelai]
LORELAI
Hey Kirk.
KIRK
Lorelai, I know you haven’t made up your mind yet, and I’m not here for an answer. I just need to know – are you allergic to tuna?
LORELAI
Uh, no.
KIRK
No, good. Thank you very much.
LORELAI
Uh, Kirk, I have made up my mind.
KIRK
You have?
LORELAI
Yeah.
KIRK
Already?
LORELAI
Yes.
KIRK
And it’s fully formed?
LORELAI
Yes, it is.
KIRK
You don’t need any other information?
LORELAI
No, I don’t.
KIRK
‘Cause I could have my mother call you if –
LORELAI
Totally unnecessary.
KIRK
Okay, well, then, go ahead.
LORELAI
I just got out of a really weird relationship, and I know that sounds like a line, but it isn’t. I’m just not. . .fully over the shock of it yet, and I never wanna hurt you because you’re my friend and I like you, so I have to say no. I’m sorry.
KIRK
Was the tuna inquiry too personal?
LORELAI
Oh, no, I thought it was very thoughtful
KIRK
You’re sure you won’t feel like it anytime soon?
LORELAI
Yeah, I’m sure.
KIRK
Well, at least I asked. Goodnight Lorelai.
CUT TO INSIDE DOOSE’S MARKET
[Rory walks into an aisle and sees Jess]
JESS
Doing a little shopping?
RORY
Yes. Excuse me.
JESS
Why the cold shoulder?
RORY
No cold shoulder. I just have perishables here.
JESS
Oh yeah, you wanna get home before that beefaroni goes bad.
RORY
My mom’s waiting for me.
JESS
How was Washington?
RORY
Fine.
JESS
Do anything interesting?
RORY
Nope.
JESS
Okay.
RORY
What about you?
JESS
What about me?
RORY
Anything interesting happen? This summer, I mean.
JESS
Nope.
RORY
Really?
JESS
Really.
RORY
So nothing happened this summer, at all?
JESS
It was hot. Two weeks ago there was a run on snowcones. Machine broke, people went crazy, Taylor tried to call in the National Guard, but –
RORY
I’m not talking about snowcones.
JESS
What are you talking about then?
RORY
Nothing.
JESS
Her name’s Shane.
RORY
As in ‘come back’?
JESS
Yup.
RORY
Well, great. That’s great. Really, it’s great.
JESS
So I’ve heard.
RORY
Well, it is.
JESS
Are you upset about something?
RORY
No.
JESS
I mean, me and Shane –
RORY
What about you and Shane?
JESS
I don’t know, it didn’t exactly bring a smile to your face.
RORY
Well, I’m still freaked out about the, uh, snowcone machine.
JESS
Okay.
RORY
I could care less about you and Shane.
JESS
Good.
RORY
It just surprised me, that’s all.
JESS
Why?
RORY
Because.
JESS
Because why?
RORY
Because of what happened at Sookie’s wedding.
JESS
Ah.
RORY
Yeah, so me coming back here and just seeing you with Shane just kind of threw me for a sec.
JESS
I'm sorry, did I hear from you at all this summer? Did I just happen to miss the thousands of phone calls you made to me, or did the postman happen to lose all those letters you wrote to me? You kiss me, you tell me not to say anything. . .very flattering, by the way. You go off to Washington. . . then nothing. Then you come back here all put out because I didn't just sit around and wait for you like Dean would've done? And yeah, what about Dean? Are you still with him? 'Cause last time I checked, you were, and I haven't heard anything to the contrary. Plus, the two of you walking around the other day like some damn Andy Hardy movie. Seemed to me like you’re still pretty together. I half expected you to break into a barn and put on a show.
RORY
When did you see me with Dean?
JESS
At that stupid summer insanity plea the town put on.
RORY
Oh, I’m surprised you could see anything with Shane’s head plastered to your face.
JESS
You didn’t answer me.
RORY
About what?
JESS
Did you call me at all?
RORY
No.
JESS
Did you send me a letter?
RORY
No.
JESS
Postcard?
RORY
No.
JESS
Smoke signal?
RORY
Stop.
JESS
A nice fruit basket?
RORY
Enough!
JESS
Are you still with Dean? Come on, Rory, yes or no – are you still with Dean?
RORY
Yes, I’m still with Dean, yes!
JESS
Glad to hear it.
RORY
Glad to tell you.
JESS
See you around.
RORY
Whatever.
JESS
Right back at ya.
CUT TO OUTSIDE
[Rory walks out of the market with a bag of groceries]
LORELAI
Hey, I was just gonna come in after you. You all done?
RORY
Oh yeah, I’m done.
THE END