T3E3: “Application Anxiety”
Título em Português: “Ansiedade”
Roteiro: Daniel Palladino
Direção: Gail Mancuso
Originalmente exibido em: 8 de outubro de 2002
OPEN AT LORELAI’S HOUSE
[Lorelai and Rory are on the sofa watching "The Brady Bunch Variety Hour"]
RORY
This is sublime.
LORELAI
It was the golden age of television.
RORY
The music, the costumes, the sets.
LORELAI
All cylinders were fired on this one, boy!
RORY
And who knew that they all had such musical talent?
LORELAI
And such far out booty shaking abilities, as well.
[The mailman walks through the front door and sets the mail on the bench]
EDDIE
Mail, ladies.
LORELAI
Thanks, Eddie!
[Eddie walks back out; Rory walks over to get the mail]
RORY
Did you see that TV Guide had this on their list of the worst fifty shows of all time?
LORELAI
I know! Who are they to judge?
RORY
I know, it’s on my top fifty best.
LORELAI
Yeah, right after "Holmes and Yoyo" and "Hee Haw Honeys." Oh, Rory, get back here! They’re in clown suits and headed for the pool.
RORY
Oh my God.
LORELAI
Honey, come here.
RORY
It’s here.
LORELAI
What’s here?
RORY
My application to Harvard.
LORELAI
Oh my God. [walks over to look at it] It’s beautiful.
RORY
Impressive letterage, huh?
LORELAI
Oh, yeah, it’s so. . .
RORY
Very.
LORELAI
Can I hold it?
RORY
Be careful.
LORELAI
Oh, it’s heavy, heavy with importance.
RORY
I feel dizzy.
LORELAI
Are you sure that’s not just the sight of Robert Reed in the tight clown pants?
RORY
Oh, geez. Let the record show that when my application to Harvard arrived, we were watching "The Brady Bunch Variety Hour."
LORELAI
You don’t lose points for that, do you?
RORY
I hope not. Man, this morning I was reading Dead Souls – it couldn’t have come then?
LORELAI
Well, we’ll just tell people that’s what you were doing, and that I was studying a really big globe. They’ll never know.
RORY
You can keep a secret?
LORELAI
Not so far, but there’s always a first.
RORY
Dead Souls and a really big globe.
LORELAI
Deal. [looks at TV] Oh, kayaks!
[opening credits]
CUT TO LORELAI’S KITCHEN
[Lorelai sits at the table with the Harvard application while Rory gets a drink from the refrigerator]
LORELAI
Come on, come on, I wanna get started.
RORY
Hold your horses there little Miss Horsie Holder.
LORELAI
They’re going to expect a higher level of wit when you’re at Harvard. Oh, watch that drink.
RORY
I’m nowhere near it.
LORELAI
Well, keep it that way. This is an uncontaminated area. I even cleaned the table using something other than the sleeve of my sweater and spit. [shows her a bottle of cleanser]
RORY
Lovely image. I’ll be careful.
LORELAI
All right, here we go. First question. Uh! Oh my God.
RORY
What?
LORELAI
"What were you doing the moment you received this application?" counts for fifty percent of your eligibility.
RORY
Stop.
[Lane walks out of Rory’s bedroom]
LANE
I need help.
LORELAI
With what?
RORY
She’s writing her drummer-seeks-rock-band ad.
LANE
And it’s not reading right to me. Could you guys look it over?
RORY
Let’s see – "Drummer with strong beat seeks band into the Accelerators, the Adolescents, the Adverts, Agent Orange, the Angelic Upstarts, the Agnostic Front, Ash. . ." You went alphabetically.
LANE
Seemed tidy.
LORELAI
And a little OCD.
RORY
And a little long.
LANE
I can’t make cuts.
RORY
It’s three pages, single spaced – make cuts.
LANE
But this is the cut-down version. I mean, just from the letter A, I excluded AC/DC, the Animals, and A-Ha, footnoted as a guilty pleasure.
RORY
If we can’t get through it, no one can.
LANE
Okay.
RORY
Okay.
LANE
I’ll try to make cuts, but no guarantees. [goes back into Rory’s bedroom]
LORELAI
Okay, personal information. . . state your full name. Better not get that one wrong.
RORY
I’ll try.
LORELAI
And nickname, if any.
RORY
That would be Rory.
LORELAI
Or Droopy Drawers.
RORY
That was never my nickname.
LORELAI
Wrong, I called you that as a baby.
RORY
What?
LORELAI
That’s right. You had these little OshKosh cords and they were way too big and once at the mall, they fell right down to your knees and I said, "Whoa, there, Droopy Drawers!" – and I’m just afraid if we don’t answer everything accurately, the Harvard police will come and hit you with an atlas and say something mean in Latin.
RORY
How would they know that you called me Droopy Drawers?
LORELAI
Well, we could be at a Harvard event and I could slip up and say, "Pass me a lobster puff, Droopy Drawers," and they could hear me, and that’ll be that.
RORY
How ‘bout you don’t drink at any of these Harvard events?
LORELAI
Okay, parental information. Mother – breathtaking.
RORY
I think they just want your name.
LORELAI
Father – ostracized. Personal statement.
RORY
Oh, the essay – the big kahuna.
LORELAI
You can evaluate a significant experience that’s had an impact on you. How ‘bout that time your drawers dropped at the mall?
RORY
Enough with the drawers.
LORELAI
Or you can write about a person who has had a significant influence on you.
RORY
You?
LORELAI
Or one of your authors, Faulkner or. . .
RORY
Or Sylvia Plath.
LORELAI
Hm, might send the wrong message.
RORY
The sticking her head in the oven thing?
LORELAI
Yeah. Although she did make her kids a snack first, shows a certain maternal instinct.
[Lane walks out of Rory’s bedroom]
LANE
Okay, I just crunched the numbers and at two thousand words and twenty-five cents a word, this stupid ad’s gonna cost five hundred dollars! That’s five months worth of Minwaxing end tables at my mom’s store. I give up.
RORY
No, don’t give up. Just cut down your influences to the most important ones, like with David Bowie.
LANE
Gotta have Bowie.
RORY
But do you have to list every album he ever recorded plus your personal rating between one to ten?
LANE
Maybe not.
LORELAI
And what’s with Jackson Browne making the list?
LANE
Ah, see, cool people know that he’s more than a mellow hippie-dippy folkie, that he actually wrote some of Nico’s best songs and was in fact her lover before he bored us with "Doctor My Eyes." That will separate the poseurs from the non-poseurs.
RORY
Wax on, wax off.
LANE
I hate this. [goes back into bedroom]
LORELAI
Okay, what activities interest you?
RORY
All of them except for the sports.
LORELAI
I thought you were the lacrosse kid.
RORY
Mom, just a modicum of seriousness as we do this would be much appreciated.
LORELAI
Hm, so, circle all of them except sports. Oh, they want a picture. How about the one of us sticking our heads through the carved out holes of Johnny Bravo and SpongeBob Squarepants?
RORY
There’s the seriousness I crave.
[Lane opens the bedroom door]
LANE
I’m going to have to crank the Ramones if I have to make deep cuts.
[Lane shuts the door, and a second later, music starts blaring from the room]
RORY
We’ll move outside.
LORELAI
The outside’s contaminated.
[Rory grabs the bottle of cleanser and they walk out the back door]
CUT TO LUKE’S DINER
[Dean and Rory are sitting at a table. Luke refills Rory’s coffee mug]
RORY
Thank you.
LUKE
Do they let kids drink coffee before school?
RORY
Why, do you think it might lead to harder stuff? Lattes, cappucinos. . .
LUKE
Forget I asked. [walks away]
RORY
So, what are you doing Saturday?
DEAN
Just my usual chores.
RORY
Your usual chores, John-boy?
DEAN
Well, what else do you call house jobs?
RORY
I call them the stuff you avoid until the Environmental Protection Agency steps in.
DEAN
Why do you ask?
RORY
I thought we could see a movie or something.
DEAN
You’re not free.
RORY
How do you know?
DEAN
‘Cause you’ll be working on your application all weekend.
RORY
No, I’m not.
DEAN
Really?
RORY
It’s not due for weeks, and I already have my essay topic picked out.
DEAN
Which is?
RORY
Hillary Clinton.
DEAN
Sounds perfect.
RORY
I know. She’s so smart and tough and nobody thought she could win New York but she did and she’s doing amazing, and have you heard her speak?
DEAN
Only when you’ve played me the thousands of hours of C-SPAN footage you taped.
RORY
She’s a great speaker, strong and persuasive with a wonderful presence, and even those suits of hers are getting better.
DEAN
I’d include that in the essay.
RORY
Anyhow, now that I have Hillary, all I need is a date for Saturday. Suggestions?
DEAN
You’re on.
RORY
Great. Oh, there’s my bus. Sip. [sips coffee] Kiss. [they kiss] And bye.
DEAN
Bye.
[Rory exits the diner and runs to catch her bus as Luke walks over to the table]
LUKE
Fast runner.
DEAN
It’s the coffee.
LUKE
Not your face?
DEAN
Excuse me?
LUKE
Sorry, just missed my youth for a second. I’m back. Coffee?
[Luke looks out the window and sees Taylor taking photographs of the store next to the diner]
CUT TO CHILTON HALLWAY
[Rory is waiting outside the auditorium while Paris argues with a teacher]
PARIS
Everyone always says that! This is my speaking voice. This is its natural volume! Fine, fine! [walks over to Rory and they walk into the auditorium]
PARIS
Short-sighted morons.
RORY
What now, Paris?
PARIS
We went to all this trouble to set up this stupid seminar. I say we, but let’s face it, I did most of the work, and Mr. Hunter won’t let me do it the way I want.
RORY
The panelists are up there. We sit across from them and ask questions. What’s the problem?
PARIS
It’s boring and predictable and done to death. I wanted Charlie Rose.
RORY
To ask the questions?
PARIS
His style. I wanted us sitting at a round table with black backdrops.
RORY
But the audience won’t be able to see anything.
PARIS
I was working with the losers in the AV club to project it on a giant video screen. And all Mr. Hunter said was, "Paris, this isn’t the Beatles at Shea Stadium." Nice anachronism, huh? Like they had video screens in sixty-three. His references are as topical as his suits.
MR. HUNTER
[on stage] Ladies and gentlemen, can I have your attention please? We can get this seminar started. I’d like to bring up the organizers of this little event, Paris Gellar and Rory Gilmore.
[There are two tables on the stage. A man and a woman are seated at one of them; Rory and Paris walk on stage and sit at the other]
PARIS
Thank you, Mr. Hunter. Everybody, this is a seminar called "The Business of Getting In." Its goal is to help guide us through the torturous process of applying to, and getting into, the right college. My panelists are Jim Romaine, admissions officer at Princeton University, and Ivy-League college consultant, Rose Samuels. Welcome, panel.
RORY
Yes, welcome.
PARIS
Now, panel, you’re addressing a group of kids just beginning the stressful process of applying to college. Question – what is the biggest mistake a person can make on his or her application? Mr. Romaine?
MR. ROMAINE
Well, forgetting to send it in would be the worst mistake, but perfunctory answers would be high on my list.
PARIS
Explain.
MR. ROMAINE
I’m talking about run of the mill responses, a lack of originality, particularly in the essay category. If I read one more over-adulating piece of prose about Hillary Clinton and her profound influence, my head will explode.
MS. SAMUELS
I hear that. Sometimes a mistake like that comes from writing what one thinks an admission officer wants to read.
MR. ROMAINE
Big mistake.
MS. SAMUELS
And sometimes it’s just a lack of original thought.
MR. ROMAINE
Just as big a mistake.
PARIS
Personal anecdote – when I was twelve and I was writing the first of my trial essays in practice for the day I’d write my real essay, I chose Hillary Clinton. Then I realized every braindead bint in a skirt would be writing about Hillary, but it was good to clear the pipes. Now, what are some other mistakes?
MR. ROMAINE
Well, small thing, but if your printing is bad, that says something we don’t like. If your extracurriculars and volunteer activities are too by-the-book, that says something we don’t like.
MS. SAMUELS
Yes, those activities should have a personality behind them – a focus, a direction. I’ve seen applications where the student has circled every activity listed. Again, you’re trying too hard there. One can’t be interested in everything.
MR. ROMAINE
They’re the ones who’ve had college paraphernalia on their walls their whole lives.
MS. SAMUELS
Too hungry, it’s a little immature.
PARIS
Interesting, interesting. Rory, do you wanna ask a question?
RORY
No.
PARIS
What?
RORY
No, thank you.
PARIS
Okay. So, how early should a student get an application in?
MR. ROMAINE
By the due date. Earlier makes no difference. It’s a complete myth that there’s a benefit to be derived from early admission. I do think it’s important to talk about the interview process. I believe it’s an opportunity to weed out the hyper-intense candidate. . .
CUT TO ELDER GILMORE RESIDENCE
[Lorelai and Emily walk into the living room]
EMILY
So, she’s meeting you here?
LORELAI
Yeah, she had a thing after school, a rumble or something. She said she’d be over after.
EMILY
A rumble?
LORELAI
Yeah, a bunch of kids meet in an alley, they pirouette, they pull knives, it’s a whole to-do.
EMILY
So she’s meeting you here?
LORELAI
Yes, she’s meeting us here. Where’s Dad?
EMILY
The magazines. [walks away]
LORELAI
That was weird. . .and unresponsive.
[Lorelai walks over to the couch as Emily returns with a stack of magazines]
EMILY
These are college issues of various magazines. I’ve been collecting them for a couple of months now.
LORELAI
Oh, well, Rory’s probably seen all those, but thanks anyway.
EMILY
Have you read these?
LORELAI
No.
EMILY
Well, you should. I’ve unearthed some shocking statistics. I mean, do you have any idea how hot the competition is to get into a school like Harvard?
LORELAI
Well, yeah, it’s very hot. It’s one of the top schools in the country.
EMILY
In the world. People from China, Russia, India, children from every country apply to Harvard. There’s more competition than ever before.
LORELAI
Really, Mom, I know all this.
EMILY
With the dot-com bust and the job market dwindling and the stock market going up and down like a yo-yo, everyone and his brother knows the best chance for success and financial security is not just to go to college, but to go to a top college.
LORELAI
Thank you, got it, appreciate the info.
EMILY
Every child that applies has the same high grade point average, they’ve taken the same AP classes, and they’re all on the student council.
LORELAI
They’re not all that identical.
EMILY
One college admissions officer said that he sometimes puts a random stack of applications in the yes pile and the rest in the no pile because he knows it doesn’t make any difference. He doesn’t even so much as glance at them.
LORELAI
That does not sound real.
EMILY
And now it’s the in thing for young Hollywood celebrities to go to universities. What do they call themselves, the Brat Pack?
LORELAI
About a hundred years ago.
EMILY
They get into wherever they want based on name recognition. I was watching TV and that insipid Kate Hudson was talking about going to a university. If she decides to go to Harvard, she’ll get right in over Rory, who we know is more qualified.
LORELAI
How ‘bout a drink, Mom? You want a drink, ‘cause I sure do.
EMILY
Lorelai, hold on here. What are we gonna do about this?
LORELAI
Look, there is no we, okay? It’s me – me and Rory – that’s the we. I appreciate your concern and your prodigious research, but it’s all gonna be fine. Rory’s special.
EMILY
Well, you know that and I know that but those idiots at Harvard may not necessarily know that.
RORY
[calls from hallway] Hello?
LORELAI
Uh, we’re in here, honey, and hurry!
[Rory walks into the living room]
RORY
Hi Grandma.
EMILY
Hello Rory. You look flushed.
RORY
I ran from the bus stop, I’m okay. Mom, hey, I’ve been trying to call you – can I talk to you for a second?
EMILY
Is something wrong?
RORY
No, I just need to talk to Mom about something, that’s all. We’ll be quick.
LORELAI
Okay, hon. We’ll be back.
CUT TO RICHARD’S STUDY
[Rory and Lorelai walk in]
RORY
I’m not getting into Harvard.
LORELAI
What? Who says?
RORY
Well, I’m completely unprepared, and I have no original thoughts!
LORELAI
No, no, don’t blame yourself, it’s not you. It’s those jerks at Harvard – I hate them!
RORY
What?
LORELAI
Well, apparently, it doesn’t matter how qualified you are, those lazy-ass admissions officers just take applications and stick it in the yes and no piles without even glancing at them!
RORY
Well, it won’t matter because my Hillary Clinton essay will be just like every other girl’s Hillary Clinton essay because apparently that’s all we can think of. I’m such a hack.
LORELAI
Is it true everyone has the same GPA? How is that possible?
RORY
Because we all take the same classes and we all give the same perfunctory run-of-the-mill responses. And I’m interested in too many things, I have to limit them. I’m gonna circle travel on my application. From now on, that is what I am interested in, travel.
LORELAI
No, no, don’t do that, no! Because all those people coming from China and India and God knows where else, they’re all nuts for traveling – that’s why they’re traveling here! And...and jobs are dropping and dot-com bombing and something’s acting like a yo-yo, I don’t know what but it’s not good! And over my dead body is Kate Hudson getting your spot, let me just say that right now!
RORY
Mom, you’re freaking out!
LORELAI
Yes, I’m freaking out!
RORY
Well, you can’t freak out, I’m freaking out! [cell phone rings] Hello?
PARIS
What the hell did Romaine mean when he was going on about weeding out the hyper-intense in the interview process? He stopped just short of calling me by name, I’m losing it!
RORY
Not now, Paris.
PARIS
I tried to throw the questioning over to you because I was about to heave and you left me hanging so I had to come home and heave.
RORY
I’ll talk to you tomorrow, Paris. [hangs up]
PARIS
Wait!
LORELAI
Okay, we gotta calm down here.
RORY
So, set an example.
LORELAI
Hey, I’m human, too.
RORY
My forehead is burning up.
LORELAI
My heart is beating so fast, it’s gotta slow down.
RORY
Okay, just. . .let’s take a breath.
LORELAI
Okay. This freaking out is not good.
RORY
It sucks.
LORELAI
We can do this. If others can do this, we can do this!
RORY
Well, I’m not so sure anymore.
LORELAI
That is unacceptable!
RORY
Well, I don’t wanna accept it.
LORELAI
Then we won’t.
RORY
Well, what do we do?
LORELAI
I don’t know. We definitely need some sort of perspective.
RORY
I think we need therapy.
LORELAI
And booze! For those of us over twenty-one. Okay, are we calming? Are we less-freaked?
RORY
I’m totally freaked out.
LORELAI
Well, hide it!
RORY
I can’t hide it.
LORELAI
Then prepare yourself for an evening of magazine recitations by Emily "DJ Doom-meister" Gilmore.
RORY
I’ll hide it.
CUT TO LORELAI’S HOUSE
[Lorelai is making coffee in the kitchen when the phone rings]
LORELAI
[answers] Hello? . . . No, Lane should be here any minute. Is this about the ad? . . . Well, uh, give me your number and she’ll call you back. . . Okay, then, what’s the number of the dude whose couch you’re sleeping on? . . .Uh! Dude doesn’t have a phone? Well, try back later, dude. Thanks. [hangs up] Rory, are you up? If not, get up! [phone rings again] And where’s Lane? She’s supposed to be fielding these. [answers phone] Hello? No, she’s not, may I take a message? [Lane walks in through the back door] Oh, wait a minute – here she is, hold on. [holds out the phone toward Lane]
LANE
Sorry. [answers phone] This is Lane. [walks out of kitchen]
[Rory walks out of her bedroom]
LORELAI
Hey.
RORY
Hey.
LORELAI
Aw, what’s up?
RORY
I didn’t sleep so well.
LORELAI
Poor thing.
RORY
I’m fine. I’m just a little bummed.
LANE
[on phone] No, wait, wait, wait, progressive rock is a really passé style now but I listed it as an influence because it was a progenitor of great things that came afterwards. I mean, I contend that you can draw a straight line from Yes to Jethro Tull to the Jam to Nirvana, bing bang boom. . . Who are the Jam? [to Rory and Lorelai] That’s disturbing. [walks away]
LORELAI
Hey, maybe instead of going to college, you should drop out and I could quit my job and we can form an all-girl band with Lane, you know, like Bananarama. We could call it Tangerinarama or Banana-fana-fo-fana-rama. . .or something. Honey, I’m just kidding, you gotta go to college.
RORY
I’m up for anything at this point. I gotta go. I’ll see you later?
LORELAI
Feel better, okay?
RORY
I will.
LANE
You are not telling me that you did not know that Kim Deal was in the Pixies before the Breeders! I refuse to accept that! [hangs up] These kids have no sense of history.
CUT TO LUKE’S DINER
[Luke walks up to a customer at the counter]
LUKE
Hey Tom, what’s up?
TOM
Nothing much. Why don’t you get me a ham on rye, mustard, no mayo.
LUKE
You got it.
[A young boy walks up to the counter]
BOY
Hi.
LUKE
You got money?
BOY
Yes, sir.
LUKE
What can I get ya?
BOY
Let’s see. How about a nice, cold egg cream?
LUKE
A what cream?
BOY
An egg cream. A nice and cold one.
LUKE
What is that?
TOM
It’s like, uh, milk and soda water with flavoring, isn’t it?
LUKE
You asking me?
BOY
Nice and cold.
LUKE
I heard that part.
TOM
Used to get ‘em at Coney Island.
LUKE
Go to Coney Island, kid.
[The boy leaves, and another boy walks up to the counter]
BOY
Sir, can I get something to go?
LUKE
You got money?
BOY
Uh huh.
LUKE
What do you want?
BOY
A black cow.
LUKE
Aw, now, come on.
BOY
It’s just root beer and ice cream.
LUKE
Root beer and ice cream?
BOY
Uh huh.
LUKE
Well, I can do that.
BOY
As long as the ice cream’s made the old fashioned way – on the premises.
LUKE
Now wait a second.
[Kirk walks up to the counter]
KIRK
Hey, Luke, can you whip me up something in a hurry?
LUKE
What, Kirk?
KIRK
A chocolate phosphate.
LUKE
Okay, now, what the hell is this? Why do you want a phosphate?
KIRK
Because nothing says refreshment like a phosphate.
LUKE
This is Taylor, right? Is he behind this?
KIRK
I’m not at liberty to say.
LUKE
[to boy] Okay, then, you tell me. And remember, if you lie, you’ll go to hell.
BOY
He didn’t say you’d get mad.
LUKE
Come on.
[Luke drags Kirk and the boy out of the diner]
CUT TO DOOSE’S MARKET
[Luke pulls Kirk and the boy into the market]
TAYLOR
What is this?
LUKE
That’s my question. Now what the hell’s going on here?
TAYLOR
I have no idea what you’re talking about.
LUKE
They’re asking for phosphates and egg creams and black cows, and they already gave you up, so tell me what’s going on.
TAYLOR
Who finked?
KIRK
Him, him.
BOY
Snitch!
KIRK
Well, you did.
LUKE
It’s not the kid’s fault, Taylor. Now what is this about?
TAYLOR
Well, you are so close-minded to new things, Luke, that I decided to make an admittedly desperate attempt to convince you of the need for something that I think is a terrific idea.
LUKE
Which is?
TAYLOR
An old fashioned, turn of the century soda shop!
LUKE
Aye yi yi yi yi!
TAYLOR
It’s just the kind of wholesome hang today’s teens need to keep them off the streets.
LUKE
And our streets are so wild and out of control?
TAYLOR
If you ask me, yes – and I have proof. [hands Luke an envelope of pictures]
LUKE
What are these?
TAYLOR
Surveillance photos of town goings-on, the dark side of Stars Hollow, Luke – not a pretty picture.
LUKE
These are kids on skateboards.
TAYLOR
Slaloming around pop bottles right down the middle of the street. I’m telling you, Luke, if we don’t quick furnish these skateboarding z-boys with a moral distraction, they’re gonna turn Stars Hollow into Dogtown.
LUKE
[points to a picture] This is the space next to the diner.
TAYLOR
I know.
LUKE
I own the space next to the diner.
TAYLOR
I know.
LUKE
You wanna open the soda shop in the space next to the diner?
TAYLOR
It’s the only one that’s appropriate.
LUKE
Taylor, no, no, no, no, and every day from now on ‘til the end of my life, I am gonna come in here and say, "Taylor, no!" And when I die, I’m gonna have them freeze me next to Ted Williams, and when they find the cure to what I died of and they unfreeze me, my first words are gonna be, "How’s Ted?" followed closely by, "Taylor, no!"
TAYLOR
But the space is empty!
LUKE
Not for long.
TAYLOR
And what are your plans for it?
LUKE
A skateboard and pop bottle shop.
TAYLOR
That’s not funny.
LUKE
With in-house experts to teach the craft of street slaloming.
TAYLOR
Still not funny.
LUKE
Well, I’m not in a very funny mood!
KIRK
Luke, are you taking applications for jobs at your skateboard and bottle shop?
LUKE
Yeah, I’m interviewing people today, Kirk.
KIRK
Great. Shall I go home and change or will casual suffice?
LUKE
I like the going home part.
KIRK
I don’t understand.
CUT TO LORELAI’S HOUSE
[Lorelai is sitting on the couch when Rory walks through the front door]
RORY
Hey.
LORELAI
Hey. Guess who I actually had a very productive conversation with today? Headmaster Charleston.
RORY
You’re kidding.
LORELAI
No, and I think we came up with the solution to our application anxiety, you wanna hear it?
RORY
I guess.
LORELAI
Well, we spent the first ten minutes on him bugging me to volunteer for more stuff at school, or in lieu of that to make a donation to build the new basketball court, and then another couple of minutes of me convincing him that what sounded like me going "Ha!" was really me clearing my throat, but after that we had a very pleasant, productive conversation.
RORY
And?
LORELAI
He suggested setting up a meeting with a Harvard graduate, like a dinner or something. He even gave me the number of someone he knows.
RORY
An alumni dinner?
LORELAI
Yes, exactly.
RORY
Do they do that?
LORELAI
According to Charleston, it’s done all the time.
RORY
Wow.
LORELAI
Yeah, it would be an opportunity to talk with someone who’s been through it all and did it successfully. You can ask questions, he can give some perspective, it seems perfect.
RORY
It sounds a little weird.
LORELAI
Yeah, a little, but I’ll go with you and what’s the worst that can happen? We’re bored and we blow a meal, but if this person can help, then that’s a good thing, right?
RORY
I do have some questions. . . a lot of questions.
LORELAI
Well, let’s call him.
RORY
Now?
LORELAI
Yes, yes, there’s no time like the present, come on. [they walk over to desk] His name is Darren Springsteen of Westport, Connecticut, Harvard class of 74. Uh! Ask if he has a brother named Bruce.
RORY
I’m not gonna ask him that. [dials phone number] It’s ringing.
LORELAI
Hee!
[Rory hangs up the phone]
LORELAI
Why’d you hang up?
RORY
I’m not good at these things.
LORELAI
Did he answer?
RORY
Yes.
LORELAI
Yes? Rory, that’s a really terrible first impression. [phone rings] Uh oh.
RORY
Him?
LORELAI
Maybe.
RORY
He star sixty-nined us?
LORELAI
Well, the Harvard people can afford all the latest technology. Answer!
LORELAI
[on answering machine] Hey, you’ve reached Suffragette City, and if you’re calling about Lane Kim’s ad, sorry we’re not in, but don’t commit rock and roll suicide – just crank a message with some feedback.
RORY
Oh geez.
LORELAI
Well, if he is related to Bruce, he can dig it.
DAVE
[on machine] Hey, my name’s Dave Rygalski, I’m calling about the ad. I left my number before, so call when you get a chance.
GIRL
[in background on machine] Where’s my –
DAVE
[on machine] Relax, I’m coming.
[Lorelai stops the message]
LORELAI
Let’s try this again. [dials number]
RORY
Can we please just do this later?
LORELAI
No, let’s get it done now. It’s ringing.
RORY
Let’s do it later.
LORELAI
It’s ringing. [hands her the phone]
RORY
I’m gonna say the wrong thing or have the wrong tone in my voice. I’m not in good first impression mode right now. [hands phone back to Lorelai] Unh!
LORELAI
[answers phone in high voice] Hello? Hello, um, this is Rory Gilmore. I believe you were expecting my call. . .Um, oh, well, this is such a wonderful opportunity for me. . .Whatever’s good for you will be great for me. . .
RORY
Not so breathy.
LORELAI
That’s how chickens talk! [on phone in high voice] Lunch? Oh yes, let me just check my organizer. . .oh, perfect. My mother will be there, too. She’s terrific. . . All right, I’ll see you this weekend. . . Mm, bye. [hangs up]
RORY
You’re no Danny Gans.
LORELAI
I never claimed to be.
RORY
He’s gonna be expecting Chilton High School senior Trixie McBimbo.
LORELAI
And her mother, Bambi McBimbo.
RORY
But I guess it can’t hurt, right?
LORELAI
It can only help.
RORY
Okay.
LORELAI
And look, if it’s a total bust, we’ll grab a pole and Trixie and Bambi’ll take it on the road. That’s something to put on your application, huh? It’ll set you apart.
RORY
Thanks Mom.
LORELAI
[in high voice] Bye Trixie!
CUT TO OUTSIDE THE SPRINGSTEEN RESIDENCE
[Lorelai and Rory walk up the pathway to the house]
LORELAI
So, alumna is a girl graduate.
RORY
Right.
LORELAI
And alumnus is a man.
RORY
Singular.
LORELAI
So an unmarried man?
RORY
No, not not-married. He can be married or single, all alumnus means is one man singular as opposed to many men plural.
LORELAI
And plural is alumni.
RORY
Right, and that can be girls and guys.
LORELAI
Kinky!
RORY
No, not kinky, just what it is. [rings doorbell]
LORELAI
Ugh, you’re no fun when you’re nervous.
RORY
Oh yes, because you and I usually have so much fun with Latin.
LORELAI
So what do we call this guy, alumnus Darren, you know, like you’d say farmer John or the butcher Lazar Wolf?
RORY
Hish-kabibble.
[A man opens the door]
DARREN
Hello there.
LORELAI
Hello, I’m Lorelai Gilmore.
DARREN
Darren Springsteen, nice to meet you. And this must be the reason we’re all here.
RORY
Yes, hello. I’m hope we’re not putting you out.
DARREN
Putting us out? Today you are the Springsteen family’s raison d’être. Come in, come in. [they walk inside] Was your drive long?
LORELAI
Not too.
DARREN
Stars Hollow is charming. The last time we drove through there, there was a pumpkin patch.
LORELAI
Sounds like us.
DARREN
In March.
LORELAI
Oh, that would be the year the pumpkins arrived late.
DARREN
Sounds like a Dr. Seuss book. You came bearing gifts?
RORY
What? Oh, this. No, this is not a gift. These are my records – grades, SATs.
LORELAI
It’s Rory in a bag – you add water and her brilliance springs out.
DARREN
Why don’t I just glance at this some other time, mm? This afternoon, why don’t we just talk and get to know one another, okay?
RORY
Sounds good.
LORELAI
You’re a very nice alumni.
DARREN
Thanks. [walks down the hall]
RORY
That’s the plural.
LORELAI
Ah, rats!
[they follow him into the living room]
DARREN
Lorelai, Rory, say hello to Marie, my wife.
MARIE
Hello, so good to have you here.
LORELAI
Hi.
RORY
Thank you.
MARIE
How about drinks? Iced tea, water?
RORY
Iced tea’s good.
LORELAI
Same here.
MARIE
Okay. [leaves room]
DARREN
Do you like art, Rory?
RORY
Very much.
DARREN
Modern painting is my passion. I’ve got a Hockney, a Kline – what I don’t have is a Diebenkorn so please don’t ask, "Where’s the Diebenkorn?"
LORELAI
Uh, you warned me just in time.
DARREN
I only recently got into sculpture. My latest acquisition, it’s a Zoltan Kemeny. Very provocative. Don’t you just love its audacity?
LORELAI
Yes, it’s very audacious.
DARREN
So, what are some of your other interests, Rory?
LORELAI
Oh, well, pull up a comfy chair there, Darren, because they are widespread and extensive.
RORY
I read a lot. I’m into the Russians lately.
DARREN
Tolstoy, Turgenev?
RORY
Gogol is my thing right now – Dead Souls.
DARREN
One of my favorites.
LORELAI
You were reading that when we got your Harvard application in the mail, weren’t you sweetie?
RORY
Yes, yes I was.
LORELAI
I saw that Harvard logo on the envelope and I said, "Rory, get your nose out of your Gogol and get over here!" Of course, we have a TV somewhere, but it’s really more of a funny little table to put a cup of chai tea on, you know what I mean?
DARREN
I’m afraid I don’t. I watch way too many sports, and I go to all the Harvard games. How about you – do you like sports?
LORELAI
Yes.
RORY
No.
LORELAI
That is, we follow certain things.
RORY
We enjoy various aspects of certain sporting endeavors.
LORELAI
But it wouldn’t be the kind that you could ask any follow-up questions on.
RORY
It’s a general interest.
DARREN
Got it. It’s pretty much a waste of time, but it’s how I waste my time. I collect memorabilia, too. I’ve got each year’s Harvard team pennant going back to 1927.
LORELAI
Lots of displayed Harvard paraphernalia, huh?
DARREN
It’s all over the walls at the rec room.
LORELAI
See, see, lots of paraphernalia.
RORY
Watch the ribs there.
[Two kids walk in from the backyard]
DARREN
Ah, here are the kids. Jack, Jennifer, this is Lorelai and Rory.
JACK
Hi there.
JENNIFER
It’s nice to meet you.
LORELAI
Likewise.
RORY
Hi.
DARREN
Jack’s premed at Princeton and Jennifer is bound for Harvard like you Rory.
JENNIFER
Oh, we should talk.
RORY
Sure.
JENNIFER
If not today, another day, okay?
RORY
Okay.
JENNIFER
Uh, do you wanna pick a time now or later. . .
RORY
Later’s fine.
JENNIFER
I’ll make a note in my palm pilot.
RORY
Cool.
MARIE
[enters room with a tray of drinks] Here are your teas.
RORY
Thank you.
MARIE
Ah, Darren, we should really get the chicken going.
DARREN
Right, right. You’re getting my famous chicken today – I hope you like chicken.
RORY
Love it.
DARREN
I’ll be right back. Here’s some of my Harvard yearbooks, peruse them if you like.
LORELAI
Oh.
[Marie and Darren leave the room]
JACK
Yeah, and we should go clean up, Jen.
JENNIFER
Mm, definitely. [to Rory] I will see you in a jiff.
[Jack and Jennifer leave the room]
LORELAI
Ew!
RORY
What?
LORELAI
Did they just leave to take a shower together?
RORY
Oh, gross!
LORELAI
What? They bounced in together, they bounced out together.
RORY
New topic.
LORELAI
Can’t take gritty reality?
RORY
Or slanderous postulating.
LORELAI
And how is it they just came off the tennis court and they’re not even sweating?
RORY
I don’t know. Maybe when you’re that white, you don’t sweat.
LORELAI
Darren’s nice though, isn’t he?
RORY
He’s very nice. Hey, do you think I’m making a good impression?
LORELAI
Great impression. He loves you, especially when he found out you share his love of various aspects of certain sporting endeavors.
RORY
Hey, you started it. We could have just told the truth and said we weren’t into sports.
LORELAI
I was trying to humanize us.
RORY
Yeah, with our funny looking chai tea table. Very humanizing.
LORELAI
[in robot voice] Zoltan Kemeny.
RORY
What?
LORELAI
That artist’s name – it sounds like robot language, doesn’t it? Zoltan Kemeny.
RORY
Don’t say it again.
LORELAI
Zoltan Kemeny, Zoltan Kemeny.
RORY
Stop, don’t!
LORELAI
Zoltaaaan –
MARIE
[enters room] Oh, I’m sorry. I’m interrupting the fun.
LORELAI
No, that’s all right, you’re not. We were just laughing at all the funny haircuts, that’s all.
MARIE
I know, aren’t they a blast?
LORELAI
It’s just a sea of goofy sideburns.
MARIE
Lunch will be ready in just a few minutes. [leaves]
LORELAI
Zoltan.
RORY
Stop!
CUT TO DINING ROOM
[Lorelai, Rory, Marie and Darren walk into the room]
LORELAI
Aw, wow, what a beautiful table.
RORY
Yes, you didn’t have to do that.
DARREN
Oh, Rory, honestly, it’s our pleasure.
[Jack and Jennifer walk in wearing similar outfits]
DARREN
Perfect timing, kids.
JACK
Excellent.
JENNIFER
Nice looking lunch, Mom.
LORELAI
[to Rory] Color coordinated.
RORY
Shh!
DARREN
Guests of honor, why don’t you sit over there.
RORY
Thank you.
LORELAI
Aw, family pictures. You have another girl, don’t you?
MARIE
Yes, we do.
LORELAI
Well, where is she? What does she do?
DARREN
Oh, um. . .
MARIE
She’s not here.
LORELAI
I’m sorry, I shouldn’t have asked.
DARREN
Oh, no no, it’s all right. That’s Carol. She’s a year ahead of Rory. She’s. . .
MARIE
She’s following her own path.
DARREN
Right. Carol’s doing her own thing.
LORELAI
Okay.
DARREN
Well, let’s eat everybody. Honored guests, please choose from the chicken first.
RORY
Thank you very much.
DARREN
[to his kids] You two are gonna have to fight over the breast as you always do. So, Lorelai, what’s your alma matter?
LORELAI
Well, I was too preoccupied to go to college, what with weighing a couple hundred pounds and having feet twice my normal size and all.
DARREN
I see.
RORY
But she took night classes and graduated last year. She has an AA degree in business.
MARIE
Well, that’s wonderful.
DARREN
In fact, it’s refreshing. It might even be to Rory’s benefit. Good things didn’t come to your family in one fell swoop, you struggled for it.
LORELAI
That’s true.
DARREN
One fell swoop, interesting phrase.
JACK
Very.
DARREN
Origin?
JACK
It was coined in MacBeth and derives from Middle English.
DARREN
Very good, son. You know your Shakespeare then, do you?
JACK
More than most.
DARREN
In which play does Falstaff appear?
JACK
That would be plays.
DARREN
Mm.
JACK
Henry the Fourth, part one and two, and The Merry Wives of Windsor.
DARREN
So that was a different Falstaff than Henry the Fifth?
JACK
Aw, shoot!
DARREN
This is a little tradition with us, quizzes at meals. It keeps the Springsteens sharp.
LORELAI
Very Kennedy-esque.
JENNIFER
Mm, we love the Kennedys!
LORELAI
As do we all.
DARREN
Now, the person questioned can challenge me with a follow-up if he gets his question right. Gets pretty competitive.
LORELAI
Well, if pistols are drawn, we’re ducking.
DARREN
Jack, which Polish composer –
JACK
Chopin!
DARREN
Patience. . .became Prime Minister of his country?
JACK
Paderewski.
DARREN
That’s right, but your impetuousness cost you a follow-up. Jennifer, can you give me the three sub-classes of the Mesozoic Era?
JENNIFER
Triassic, Jurassic, and Cretaceous.
DARREN
Good.
JENNIFER
Follow-up – what preceded the Mesozoic Era?
DARREN
Paleozoic.
LORELAI
He’s good.
MARIE
It’s hard to stump Darren.
JENNIFER
Impossible, he’s brilliant.
DARREN
Open question – which mythological figure has the head of a man, the body of a lion, and the tail of a scorpion? Here’s a hint – it’s also the title of a novel by Robertson Davies.
RORY
Oh, Manticore.
DARREN
Very good, Rory.
JACK
Yes, very good, Rory.
JENNIFER
Yes, very good, Rory.
MARIE
More water, Lorelai?
LORELAI
Please, thank you.
DARREN
Do you know which French city famous for its water was the capital of collaborationist France?
LORELAI
Oh, me? Um, Evian, Perrier, uh, Le Crystal Geyser?
DARREN
Jennifer, you wanna help Lorelai out?
JENNIFER
Vichy.
DARREN
That’s correct.
LORELAI
Oh, that’s right. Vichy water, I knew that.
DARREN
What about the year of Germany’s victory in the Franco-Prussian War?
LORELAI
Huh, me again?
DARREN
If you wish.
LORELAI
I don’t know that one. I do know Instanbul is Constantinople, so if you’ve got a date in Constantinople, she’ll be waiting in Instanbul.
DARREN
That’s true.
RORY
You know, um, sorry to interrupt, but I’d like to wash my hands.
DARREN
Our fault, we rushed you in here.
MARIE
Our downstairs is being remodeled, you have to use upstairs. End of the hall.
RORY
Thank you.
LORELAI
Hurry back.
RORY
I will. [leaves room]
LORELAI
So, that painting there, wow. The colors are so great, I can’t stop staring at it. It’s just beautiful.
DARREN
It is. It’s by a student of Matisse. I think he caught the master’s colors wonderfully.
LORELAI
Oh, Matisse, love him.
DARREN
I think only a charlatan wouldn’t. Anyone know the artistic movement Matisse championed and referred to as the Wild Beast?
JENNIFER
Oh, fauvism!
DARREN
Correct.
JENNIFER
Follow up?
DARREN
And then we’ll go round robin.
CUT TO UPSTAIRS
[Rory stops outside a bedroom when she hears music inside. A girl rushes past her and goes into the bedroom]
CAROL
Coming through!
RORY
Oh, sorry. I just heard music and . . . [follows her into the bedroom] Cool room.
CAROL
Tom Waits.
RORY
What?
CAROL
The music.
RORY
Oh, I thought so. I love him.
CAROL
I worship him. I even mildly stalked him once.
RORY
Really?
CAROL
Last year, I heard he was staying at this hotel so I went there everyday and sat in the lobby drinking massive amounts of coffee waiting for him to walk by.
RORY
Did you see him?
CAROL
Nope, never came down. For all I know, he’s still there. Hand me that brush?
RORY
Oh, here.
CAROL
Stupid manager made me cover for Fiona today. That girl’s a major pie crust. Ears?
RORY
What?
CAROL
On the chair. What time is it?
RORY
Um, three. [hands her a pair of bunny ears]
CAROL
Oh, totally late for my next job. Oh well, guess Grandma had to take another trip to the emergency room, right? Are they on straight?
RORY
I think so.
CAROL
Good. Who are you?
RORY
I’m sorry, I’m Rory Gilmore.
CAROL
You’re one of the Harvard bound?
RORY
Yeah. At least, I hope so.
CAROL
[starts pulling on a bunny costume] Oh, trust me, you are. You’ve got that really good, straight, shiny Harvard hair. Zip me up?
RORY
I’m sorry, are you Carol?
CAROL
Yeah, why?
RORY
I don’t know, I just didn’t expect. . .
CAROL
What?
RORY
Well, you.
CAROL
Why?
RORY
I don’t know. Your parents just made it sound like. . .
CAROL
Like I was holed up in the Chelsea with a needle sticking out of my arm screaming Sid at the top of my lungs?
RORY
Kind of.
CAROL
Well, to them, this is pretty close.
RORY
Can I ask you what exactly you are dressing up like this for?
CAROL
Morgan Tanner’s fourth birthday party.
RORY
You’re kidding.
CAROL
Nope, this is my fifth birthday party this week. Great tips, all cash, and of course, there’s cake.
RORY
So you’re a waitress and a birthday bunny and you go to school. That’s pretty amazing.
CAROL
I don’t go to school.
RORY
Oh, sorry, I just assumed. I mean, your family . . .
CAROL
My brother and sister got stuck on that conveyor belt. I, however, escaped somewhere around the eleventh grade, thank God.
RORY
Huh.
CAROL
Oh, hey, but no offense. I mean, that’s just me. If you like being on the conveyor belt, then good for you.
RORY
I’m not on the conveyor belt.
CAROL
Okay.
RORY
I’m not. I want this. I’ve dreamt of going to Harvard since I was a little girl.
CAROL
Yeah, a lot of four year olds dream of that. It comes right after meeting Harry Potter.
RORY
Hey, I am not gonna justify myself to someone with a tail.
CAROL
You’re right, I’m sorry. It’s just that around here the Harvard brainwashing starts in the womb. If you were to tell either of my siblings that there was another life choice outside of the Ivy League, I think their khakis would wrinkle.
RORY
Well, maybe they really want it.
CAROL
Nope, my parents want it and they wanna please my parents. Have you seen a carrot?
RORY
Don’t you wanna please your parents?
CAROL
Yeah, but not at the expense of finding myself.
RORY
Or your carrot.
CAROL
You gotta have your carrot. So, tell me something, Harvard hair – how bad do you wanna please your parents?
RORY
My mom, and really bad, but it’s not hard to please my mom. She’s okay with anything I do. As long as I’m happy, she’s good.
CAROL
You’re sure?
RORY
I’m very sure.
CAROL
Then you’re lucky.
RORY
Yeah, I am lucky.
[Lorelai walks into the room]
LORELAI
Oh, Rory, quick, uh, what are the three major Hindu deities, because I’ve missed four questions in a row and if I miss another one, I don’t think I get dessert.
RORY
Brahma, Shiva, and Vishnu.
LORELAI
Brahma, Shiva, and Vishnu. Hi other daughter.
CAROL
Hi.
LORELAI
And I probably shouldn’t do a gesundheit joke when I say Vishnu?
RORY
Good thinking.
LORELAI
Okay, thanks, bye. [leaves room]
RORY
Wait, I’ll go with you. [to Carol] I’m glad to have met you.
CAROL
Oh, same here. Good luck with Harvard.
RORY
Thanks.
[Rory walks into the hallway and hugs Lorelai]
LORELAI
Oh. . . oh. What’s that for?
RORY
For not putting me on the conveyor belt.
LORELAI
Yes, that was very big of me.
RORY
You don’t know.
CUT TO OUTSIDE THE SPRINGSTEEN RESIDENCE
[Lorelai, Rory, and Darren walk out of the house]
RORY
Thank you so much for this, for answering all my dumb questions.
DARREN
You asked no dumb questions, and I hope my answers sufficed.
RORY
Definitely. Bye. [walks down the front walkway]
DARREN
Au revoir.
LORELAI
Yeah, thank you so much for everything. I know it did a world of good for her.
DARREN
She’s a very impressive young lady.
LORELAI
I wholeheartedly concur.
DARREN
You molded her well.
LORELAI
Oh, no, I didn’t mold her. Rory popped out that way.
DARREN
You’re being modest.
LORELAI
You don’t know me, do you?
DARREN
So long.
LORELAI
Bye.
[Darren goes back into the house as Lorelai walks over to Rory]
RORY
What did he say?
LORELAI
That you’re Godlike.
RORY
Is that all?
LORELAI
Oh, and that his brother Bruce Springsteen would be happy to come and play at our next party or event.
RORY
That would be swell of Bruce.
LORELAI
I figured your graduation party.
RORY
I’ll be very popular.
CUT TO STARS HOLLOW
[That night, people are gathered at Miss Patty’s studio for a town meeting]
TAYLOR
All in favor, say aye.
EVERYONE
Aye.
TAYLOR
All right, let the record show that the funds have been approved to close the town bank account that holds the town funds in order to open a new town funds bank account at a different banking institution.
[Lorelai and Rory walk in]
TAYLOR
Young ladies, in anticipation of your tardiness, we saved two seats for you right there in the back.
LORELAI
Thanks for thinking of us, Taylor. [they walk up to sit in the front] Whew! Okay, raise your hand if you bathed in cologne.
TAYLOR
In the interest of getting home sometime tonight, I’d like to bring up the final point of business, and that is a certain citizen’s desire to open an old fashioned soda shop in town.
LUKE
Whoa whoa whoa whoa whoa whoa whoa.
BABETTE
Who’s the guy?
LUKE
What other putz would wanna open up an old-fashioned soda shop?
TAYLOR
Dispense with the Yiddish, young man.
LUKE
This is not a town matter, Taylor. This is a private matter between you and me which was settled when I said no.
TAYLOR
This is a town matter because when this town is in need of a particular business to provide necessary services, it’s up to the town to band together and lure it.
LUKE
How does a stupid soda shop count as a necessary business?
TAYLOR
Allow me to show you something that will make you wonder how we ever lived without it. Kirk, if you will.
[Kirk pushes a covered table in front of the podium]
TAYLOR
Kirk, I told you to get something decorative to cover it.
KIRK
Well, my mom wouldn’t let me use one of her nice tablecloths so I just grabbed a sheet from my hamper.
TAYLOR
Take it off.
[Kirk removes the sheet to reveal a miniature model of the proposed soda shop]
LUKE
What’s that, a toy?
MISS PATTY
Oh, it’s awfully cute.
TAYLOR
That is a professionally manufactured diorama of the proposed business.
RORY
Wow, there’s little people and everything.
SOOKIE
They look so real.
JACKSON
Hey, it’s me holding a tiny zucchini!
LORELAI
Look at the horse drawn carriage.
TAYLOR
My thought was to park it out front with the name of the business painted on the side. It’s very eighteen-hundreds.
BABETTE
The horse is taller than the front door.
LORELAI
Way taller.
LUKE
What are you up to, Taylor? Are you breeding giant horses?
TAYLOR
It’s slightly out of proportion.
BABETTE
Slightly? That little guy there could walk right under the horse without even ducking.
TAYLOR
You’re missing the big picture here, townsfolk. Now, this wonderful business belongs in Stars Hollow – whether Luke rents the space willingly or not.
LUKE
How would I not rent it willingly?
TAYLOR
I’m talking about eminent domain, my friend. Check the town’s bylaws. If a three-fourths majority finds it necessary to use the space for a specific function, the landowner must concede.
LUKE
That’s for taking over houses to turn into hospitals during a national emergency like the Civil War. If you wanna turn this place into a Civil War hospital, be my guest!
TAYLOR
Some would attest that the succor that my soda shop is going to offer is on the same level as the comfort that a hospital could provide.
LUKE
You’re gonna need a hospital, Taylor!
LORELAI
Hit him!
RORY
Which one?
LORELAI
Either one, I’m easy.
TAYLOR
Come on, Luke. This shop is based on the original soda shop that was in town eighty years ago. Don’t you see? You are preventing the town –
LUKE
From moving backwards. Who here wants to do that?
LORELAI
[in high voice] We like ice cream.
LUKE
Oh, come on.
RORY
A nice burger from Luke’s and an ice cream soda, yum!
LUKE
You want that thing?
LORELAI
With a cherry.
LUKE
With the striped awning and the giant horse?
[Lorelai and Rory nod]
LUKE
[to Taylor] Be ready to pay through the nose.
TAYLOR
We’ll talk terms. We have our soda shop everybody! Meeting dismissed.
KIRK
Taylor, is it too soon to talk about management opportunities?
LORELAI
[to Luke] Hey, you get to be Taylor’s landlord, that’s kind of cool.
LUKE
Thanks for your lack of help.
LORELAI
Grump.
CUT TO OUTSIDE
[As people file out of the town meeting, Lane walks up to Lorelai and Rory]
LANE
So, how was lunch with Harvard guy?
RORY
Great, he answered all my questions.
LORELAI
He makes a killer chicken, he sticks a lemon up its butt.
LANE
Nice.
RORY
And he gave me excellent tips on how to write my essay. We’re very impressed with him.
LORELAI
He passes the test.
[a boy walks up to Lane]
DAVE
Excuse me, Lane?
LANE
That’s me.
DAVE
Okay, great, I’m Dave Rygalski.
LANE
Right, hi. You’re a guitarist.
DAVE
Yeah.
LANE
But how’d you know I was me?
DAVE
The Dead Kennedys shirt was a tip off.
LANE
Good thinking. Hey, uh, isn’t it a drag that Jello Biafra isn’t singing for them anymore?
DAVE
Yeah, now their front-man’s that kid from the Courtship of Eddie’s Father.
LANE
Yeah, what’s next – Urkel joining the Wu-Tang Clan?
DAVE
Or maybe Malcolm in the Middle fronting for the Butthole Surfers.
LANE
Some things are sacred.
DAVE
I’m with ya on that.
LANE
So, um, what’s your band like?
DAVE
We do a lot of cool covers – uh, the Clash, the Kinks, et cetera. Statistically, it’s like thirty-eight of the forty-three bands you listed.
LANE
Nice percentage.
DAVE
I can play you a song we demo’d a couple weeks ago using a drum machine.
LANE
Great. [he takes some audio equipment out of his bag] What’s all this?
DAVE
Well, this is a headphone amp and it just boosts the volume and makes the clarity off the hook, and then these are Grado 125s, which is just really, killer, killer portable sound. I’m sort of an audio geek, sorry.
LANE
No, don’t apologize, I love you. . .for that, for being that way. I love it. Um, I’m like that too.
DAVE
You wanna go over to the bench maybe and have a listen?
LANE
Yeah.
DAVE
Okay.
[they walk away]
RORY
I think a love song’s in their future.
LORELAI
With lots of lyrics about snogging.
RORY
About what?
[Dean walks up behind them]
DEAN
Hey.
RORY
Hey. [they kiss] You missed everything.
LORELAI
That’s snogging.
RORY
Got it.
LORELAI
Bye. [walks away]
DEAN
So, any fireworks?
RORY
Well, there was a classic Luke/Taylor dispute, but it was resolved and will result in ice cream floats and twenty foot horses.
DEAN
Good deal. And what about your lunch?
RORY
Oh, it was great. I feel so much better about things now. The application’s not freaking me out anymore.
DEAN
You look unfreaked.
RORY
Well, nothing can stop me now. It’s full steam ahead.
DEAN
That’s great. Can I ask you something?
RORY
Of course you can.
DEAN
What happens when you leave?
RORY
When I leave when?
DEAN
When you leave for Harvard. . .do we break up?
RORY
Whoa, that was blunt and out of nowhere.
DEAN
Well, it seems like we should be blunt right now.
RORY
No, we don’t break up. Do you want that?
DEAN
No, but how will we see each other?
RORY
Easy, weekends – that’s what they were invented for.
DEAN
So you’ll come home, do homework all weekend, then leave.
RORY
No, I can do my homework during the week or on the train coming home to see you, who I will spend my weekends with not doing homework. Plus, we can talk during the week on the phone constantly. Trust me, it’ll feel like I never left.
DEAN
Oh yeah?
RORY
Christiane Amanpour spends half of her life standing in foxholes in third world countries, and she has a husband and a kid. And she was on C-SPAN last week getting some award, so if she and her husband can make it work, we can.
DEAN
So we’ll have access to the CNN jet?
RORY
No. Or hey, you can go to college in Boston.
DEAN
I’m going to junior college.
RORY
Boston has junior colleges.
DEAN
But not dorm rooms.
RORY
Well, you can rent an apartment.
DEAN
With the money I get when I win the lottery? I mean, I think access to the CNN jet is more likely.
RORY
Why are you being like this? So. . .
DEAN
Realistic?
RORY
Come on, be serious.
DEAN
I am. I am.
RORY
That’s too serious.
DEAN
Yeah, uh, you know, just forget it. Come on, we were gonna go to Luke’s, right?
RORY
Yeah.
DEAN
Let’s go to Luke’s.
[they walk past Lane and Dave on the bench]
LANE
It’s great, it really is.
DAVE
Okay, cool. Well, listen, then I’ll talk to the guys, uh, and we’ll get together and play next week.
LANE
Sure. Um, I’ve gotta get home.
DAVE
All right. Well, uh, it was good meeting you, Lane.
LANE
Same here.
[Lane takes off her Dead Kennedys shirt; underneath is a shirt that says Trust God]
DAVE
Trust God – is that a band?
LANE
No. My life.
[pan to Lorelai, Sookie, and Jackson]
SOOKIE
Oh, come on, you do not like modern art.
JACKSON
Oh, then I was mistaken, I guess I don’t. I’m a mindless android, I have no opinions.
SOOKIE
Well, what kind do you like?
LORELAI
Yeah, do you like the kind that looks like someone hemorrhaged on a canvas?
JACKSON
Yes, I love hemorrhaging.
SOOKIE
Or the sculpture that looks like it was dropped and then glued back together?
JACKSON
Actually, the real love of my life is being mercilessly teased by the two of you for simply stating an opinion.
LORELAI
Oh, we’re sorry.
SOOKIE
Yeah, we’re sorry. Kisses!
JACKSON
Oh, in public, no less.
LORELAI
Hey, where’s Rory? We need all the girls a-kissing ya.
JACKSON
Hey, that reminds me, what are you gonna do with Rory’s room?
LORELAI
Her room, when?
JACKSON
When she’s gone. Are you doing anything with it?
LORELAI
Well, I haven’t thought about it.
JACKSON
Well, let me know. We can work something out.
LORELAI
You want her room?
SOOKIE
For what, your burgeoning modern art collection?
JACKSON
I’m talking about my tools.
SOOKIE
Oh, your tools, yeah.
LORELAI
What tools?
JACKSON
I have this collection of antique farming tools that my dad passed down to me.
SOOKIE
Pre-Revolutionary War. They’re kind of valuable.
JACKSON
And I’ve got no place to put ‘em. I’ve been looking for the right space.
LORELAI
In Rory’s room?
SOOKIE
It’s perfect!
LORELAI
But she’s got all her stuff in it.
JACKSON
Not for long.
LORELAI
Yeah, right, not for long.
JACKSON
Just think about it.
LORELAI
Yeah, I will. I will.
CUT TO LORELAI’S HOUSE
[The phone is ringing]
LORELAI
No, no, not another band phone call!
RORY
We never gave Lane a cutoff time.
LORELAI
Let the machine get it. I cannot talk to another seventeen-year-old whose every other word is ‘uh’.
RORY
Not even a word.
LORELAI
Exactly.
[They stand next to the phone and listen to the machine]
DARREN
[on answering machine] Hello, Gilmores! This is Darren Springsteen, how are ya? I just wanted to let you know that I just finished going over Rory’s records here, and no shock, they’re perfect. Rory, you are tailor-made for Harvard. They’re lucky to have you. As far as I’m concerned, you should pack your bags. I’m gonna tell all this to the people in admissions and I’ll give your headmaster a call as well, so take care and we’ll talk again. Bye-bye. [hangs up]
LORELAI
That’s fantastic, honey.
RORY
Yeah.
LORELAI
You’re in.
RORY
Well, not officially.
LORELAI
He said pack your bags.
RORY
Yeah, cool.
LORELAI
So what are you up to today? You have, uh, newspaper stuff to do, right?
RORY
Yeah, a ton, and you were going to catch up with some stuff at the inn?
LORELAI
Payroll. . . a lot of check signing to do.
RORY
Are people waiting for their checks?
LORELAI
Kind of.
RORY
Right. You know, um, the newspaper stuff can wait ‘til Monday.
LORELAI
Really? ‘Cause I can sign the checks tomorrow.
RORY
You sure?
LORELAI
Absolutely.
RORY
So what do you wanna do?
LORELAI
I don’t know, what do you wanna do?
RORY
I don’t know, let’s just hang.
LORELAI
That sounds great.
CUT TO TOWN SQUARE
[Lorelai and Rory walk down the sidewalk past Luke’s. Luke is arguing with Taylor about a sign he is hanging over the proposed soda shop that says "Future Home of Taylor’s Olde Fashioned Soda Shoppe"]
LUKE
You had to have ordered that sign weeks ago! You were that sure that I would cave in?
TAYLOR
Well, you did, didn’t you? The right’s too high.
LUKE
And when did it become Taylor’s? It said Stars Hollow on the stupid model, and I don’t like the extra P and E at the end of shop. Get rid of it!
TAYLOR
No.
LUKE
I’m your landlord, Taylor.
TAYLOR
And as a tenant, I have rights. Talk to my lawyer if you disagree.
LUKE
And how are you spelling rights, Taylor? With two E’s and three S’s?
[Lorelai and Rory walk down the street toward the gazebo]
THE END