T3E22: “Those Are Strings, Pinocchio”
Título em Português: “São as Cordinhas, Pinóquio”
Roteiro: Daniel Palladino
Direção: Jamie Babbit
Originalmente exibido em: 20 de maio de 2003
OPEN IN TOWN SQUARE
[The troubadour starts playing a song. Lorelai and Rory push past him with large backpacks on their backs]
RORY
Coming through! Heavy packs.
LORELAI
Out of our way, peace boy! No offense, love the song. Carry on. Go.
[Lorelai and Rory walk into Luke's Diner]
LORELAI
Ugh. And wuss patrol, halt.
[they drop their backpacks on the floor]
RORY
I've never known such pain.
LORELAI
We are so not walking around Europe with those annoying things on our backs.
RORY
But we're backpacking through Europe. How're we gonna do this without backpacks?
LORELAI
But all the time we've talked about backpacking, I never actually pictured us with backpacks.
RORY
Well, what were you picturing?
LORELAI
Spry, accommodating European men with neat mustaches trailing after us, carrying our luggage, hailing taxi cabs, constantly reminding us how beautiful we are.
RORY
No, it's just the two of us humping our backpacks around.
LORELAI
Well, at least my new walking shoes are all broken in. If you count broken skin, broken toes.
[Luke walks over]
LUKE
Don't do that.
LORELAI
Don't do what?
LUKE
Don't take your shoes off. This is a restaurant.
LORELAI
I don't see a "No shirt, no shoes, no service" sign.
LUKE
It's right here, don't do that.
RORY
We're in pain, Luke.
LUKE
But it's great that you guys are bearing it so nobly. And can you move these?
RORY
Can? No.
LORELAI
Would if we could? Debatable.
[Luke moves the backpacks out of the way]
LORELAI
Look at that.
RORY
Spry and accommodating.
LORELAI
Hey, would you grow a mustache and follow us around Europe?
LUKE
Sorry, got travel plans of my own.
LORELAI
Really?
LUKE
Yup, I'm closing down the diner for a couple of weeks and taking Nicole on a little trip.
RORY
Fun.
LUKE
We're driving through Western Canada and then taking a cruise up to Alaska.
RORY
A cruise?
LORELAI
Intimate.
LUKE
I guess. Is it?
LORELAI
[sings] The Love Boat.
LUKE
What?
LORELAI
A cruise is a good spot to get down on one knee.
LUKE
And do my ventriloquist act?
LORELAI
And propose.
LUKE
I have no plans to propose.
LORELAI
You don't now, but after you've had dinner at Captain Stubing's table and Isaac's served you up a couple of mojitos.
RORY
Romantic cruises say commitment, my friend.
LUKE
I am not committing and I am not proposing, so drop it.
LORELAI
Okay, it's dropped.
LUKE
Really drop it.
LORELAI
Did I not just say it's dropped?
RORY
Heard it with my own ears.
LUKE
Thank you.
LORELAI
[sings] The Love Boat.
[Luke gives her a look]
LORELAI
If you'd get a radio in here, I wouldn't have to do that.
LUKE
Okay, so your graduation is Wednesday at four, correct?
RORY
You know, you really don't have to go to it, Luke.
LUKE
I want to. I feel like I've been through this whole Chilton thing with you.
RORY
Okay, good, I want you there.
LUKE
Good. So what do you want?
LORELAI
Are you hungry?
RORY
I'm just sore.
LORELAI
Let's go home and rest.
[they get up and start to leave]
LUKE
Hey, wait, don't leave these.
RORY
Store 'em for us.
LORELAI
Yeah, until we hire a flatbed truck to carry 'em home for us.
LUKE
No.
LORELAI
Ugh, my left foot hurts. My right foot hurts. Carry me.
RORY
You carry me.
LORELAI
You carry me.
RORY
No, you carry me.
LORELAI
Come on.
[opening credits]
CUT TO THE DRAGONFLY INN
[Lorelai and Sookie are standing in the front yard]
SOOKIE
What is taking him so long?
LORELAI
I don't know. Luke, come on!
[Luke walks out of the inn]
LUKE
Oh, geez, I walked right into a cobweb.
LORELAI
Aw, aw. So, uh, what's the shape of the place?
LUKE
It was a really big cobweb.
SOOKIE
Terrible. So what's the story?
LUKE
Is there a spider on me?
LORELAI
Suck it up, big guy, and tell us the scoop.
LUKE
It's not so bad.
SOOKIE
So it's not so good.
LORELAI
Not so bad is not so good.
LUKE
No, really, it's not bad. The floors -
SOOKIE
Are rotted!
LORELAI
I knew it. They need to be replaced.
SOOKIE
It's a disaster.
LUKE
The floors are fine. They need refinishing, but they're really nice quartersawn oak floors.
LORELAI
What about the roof?
LUKE
The roof -
LORELAI
Is shot?
SOOKIE
It's caving in.
LORELAI
The walls, too?
SOOKIE
Along with our hopes and dreams.
LUKE
No, the roof is fine. Some shingles need replacing, but that looks like the extent of it.
[Kirk leans out of an upper-story window]
KIRK
Almost done here, folks.
LORELAI
Great, Kirk. You find any mold?
KIRK
You mean, did I find any silent death? Not so far, no.
LORELAI
Good.
KIRK
I did tell you about the dangers of mold, right? And Ed McMahon's dog?
LORELAI
Yes, you did.
KIRK
Suffered memory loss due to mold infestation. Forgot how to sit.
LORELAI
Yes, it was horrible.
KIRK
It's a growth industry right now, pardon the pun. Mold is money. I just wish I wasn't so scared of finding it.
LORELAI
Well, don't look too hard then.
KIRK
Thanks.
LORELAI
So, what's the final prognosis, Luke? We're not buying a money pit, are we?
LUKE
You're gonna spend money, but it's not a pit. Might be a steal.
LORELAI
It's a steal!
SOOKIE
We are such great businesswomen.
LUKE
Once you start work, you can probably have this place up and running in four or five months.
SOOKIE
Which will give the Independence Inn owners plenty of time to find our replacements.
LORELAI
We could be running our own inn in less than a year.
[Kirk runs out of the inn]
KIRK
Oh, ohhh!
LORELAI
What's the matter Kirk? Mold?
KIRK
No, mouse!
CUT TO CHILTON
[Students are in line to record messages for the video yearbook]
STUDENT
We all knew that our education at Chilton would be exemplary, but it was the people at Chilton. All my friends - Hi Marcy, love you. Cody and Debbie, love you, too. The faculty, the administrative staff. Even our janitorial staff - Jaime and Joachim. I can't count the number of times you guys made me laugh...
[cut to Rory and Paris in line]
PARIS
Does she need medical attention?
RORY
Paris.
PARIS
Jaime and Joachim aren't even getting a copy of this. She's maroon.
RORY
It's the end of the year, people get nostalgic.
PARIS
So, how's your valedictorian speech coming along?
RORY
Oh, um, it's okay. Pretty standard. Boring. 'We love the school, blah blah blah.' No one listens to those things anyhow, so -
PARIS
Relax, I'm okay with you making valedictorian over me.
RORY
Oh, good, thanks.
PARIS
Sure. I actually googled the personal histories of Ivy League valedictorians going back twenty-five years, and found some enlightening statistics. They don't necessarily do too well in later life, did you know that?
RORY
No.
PARIS
Oh, yeah. A lot of business failures, crumbled marriages, suicides, obesity.
RORY
Okay.
PARIS
A bunch died in car crashes, several did time, one suffocated when his cat fell asleep on his face.
RORY
Okay, well, thanks again.
[Louise and Madeline take their turn in front of the camera]
LOUISE
Okay, A/V geek, just pan my body nice and slow.
A/V GEEK
Why?
MADELINE
Yeah, why?
LOUISE
Because I'll never look better than I do now.
PARIS
Come on ladies, we don't have all day. A/V geek, I'm going to need six minutes.
A/V GEEK
You're only allowed two.
PARIS
Rolling!
A/V GEEK
Rolling.
PARIS
Fellow Chilton seniors, it's been quite a year...
CUT TO INDEPENDENCE INN
[Sookie and Michel are at the front desk.]
MICHEL
I hate this.
SOOKIE
One guest. In the whole inn, one guy.
MICHEL
And I pulled towel duty today. It's especially awful handling guest towels when you know exactly which guests the towels belong to. It's his mites on those towels.
SOOKIE
Don't be gross.
MICHEL
This is degrading for a man of my capabilities.
SOOKIE
Well, what about me? I've got no kitchen. I'm a chef. My skills are deteriorating. I need to sauté, emulsify, marinate.
MICHEL
I need more mental stimulation.
SOOKIE
I need to frickin' fry a dead animal in a skillet. I'm going nuts.
MICHEL
I should've been a dancer.
SOOKIE
What?
MICHEL
My mother put me in dance school and I rebelled, I wanted to kick the football. I should not have.
SOOKIE
I've seen you dance and you jump around like a duck.
MICHEL
You know, I'm getting mighty sick of you.
SOOKIE
Not as sick as I am of you.
MICHEL
You know what, you do his towels. I'm not doing his towels anymore.
SOOKIE
I'm not doing his stupid towels. I hate that stupid guy with his stupid newspaper. He's stupid.
[Lorelai walks over]
LORELAI
Yo, guys, no bickering in front of the guest.
SOOKIE
Tell it to Deney Terrio here. I should've been a dancer.
MICHEL
Lorelai, how long can we keep this up?
LORELAI
Keep what up?
MICHEL
We have one guest, half the rooms are still closed from the fire, most of the staff is laid off, I am doing mite towels, and the owner's son is walking around with a bunch of men in suits.
SOOKIE
Yeah, John's here. That can't be good.
LORELAI
John is here looking things over for the renovation that will reopen all the closed rooms so we can be up and running again. Stop worrying.
MICHEL
Okay.
SOOKIE
Okay.
[Michel and Sookie walk away. The phone rings]
LORELAI
[answers] Independence Inn, Lorelai speaking.
EMILY
Lorelai, it's your mother.
LORELAI
Mother, hi.
EMILY
I'm calling to find out how it's going to work at Rory's graduation. Are we going to be sitting together?
LORELAI
Well, hm, hm, hm.
EMILY
Lorelai.
LORELAI
Sorry. Hmm.
EMILY
Lorelai.
LORELAI
Mom, of course we'll be sitting together. We're family.
EMILY
Well, I knew that. I just wasn't sure if you did.
LORELAI
Well, we're sitting together.
EMILY
Good.
LORELAI
Yes, it is.
RICHARD
Ask her about the gift, Emily.
LORELAI
Dad?
EMILY
He's on the other line.
LORELAI
Oh, sure got the quiet thing down there.
RICHARD
I'm on the upstairs portable, but I'm on my way downstairs. I see your mother now. Hello Emily.
EMILY
Hello Richard.
RICHARD
I'm on my way to the couch and am about to sit.
LORELAI
It's like the thrilling day of radio here.
EMILY
We wanted to ask you about a gift for Rory.
RICHARD
It's a big gift, a little extravagant.
EMILY
But it's a big occasion, so it makes sense.
RICHARD
We wanna buy her a car.
LORELAI
Well, I think that's a great idea.
EMILY
Really?
RICHARD
Wonderful.
LORELAI
Yeah, Rory needs to get back and forth from Yale a lot, and the quicker she can do it, the more I get to see her, so it's really kind of a present for me, too.
RICHARD
Yes, right.
EMILY
I suppose so.
RICHARD
Didn't think of that.
LORELAI
Just not a gas guzzler. And no Ferrari's or Lamborghini's.
RICHARD
So nothing Italian?
LORELAI
No, it can be Italian, just sensible Italian.
RICHARD
All right, well, good.
EMILY
I'm glad we had this settled.
LORELAI
Good. Well, maybe I'll see you at the graduation, maybe I won't.
EMILY
What?
LORELAI
See you there. Bye.
RICHARD
Goodbye.
EMILY
Bye.
[they hang up. A man walks over to the front desk]
LORELAI
Hey, you and your Armani posse want something to drink, John?
JOHN
No, no, Lorelai. We're fine, thanks.
LORELAI
Okay. So, I've been lying to people about you all day.
JOHN
About what?
LORELAI
Oh, about how it's not a big deal that you're walking around with a concerned look on your face with a group of men with concerned looks on their faces. I think I've been lying to me a little, too.
JOHN
We have to close off three more rooms.
LORELAI
Three rooms? That'll leave us with two.
JOHN
And, uh, the estimate for the repairs to get everything back to the quality we had and up to code... it's not pretty.
LORELAI
No, that's not pretty.
JOHN
Mom's leaning toward selling.
LORELAI
Selling.
JOHN
Nothing's final yet.
LORELAI
Yeah, nothing's final. I just... Rory grew up here. I grew up here.
JOHN
Yeah, I better get back to my group.
LORELAI
Right, sure, you go. Hey, be careful not to trip over our guest.
JOHN
I won't.
CUT TO SOOKIE'S HOUSE
[Sookie and Jackson are watching television. There's a knock at the front door.]
LORELAI
[calls from outside] Sookie, Jackson, you better not be in bed.
JACKSON
Are you expecting Lorelai?
SOOKIE
No.
LORELAI
[calls] Come on. The night is young and the champagne's cold.
SOOKIE
The champagne?
[they answer the door]
LORELAI
Surprise!
SOOKIE
What is this?
LORELAI
It's a celebration.
SOOKIE
For what?
LORELAI
Sookie, get some glasses, and Jackson, put some music on. Whatever you want, just make it festive.
JACKSON
Got it.
SOOKIE
I don't know what this is, but it's fun.
JACKSON
Let's see. I've got Creedence Clearwater Revival.
LORELAI
Good energy, too hillbilly.
JACKSON
Okay.
LORELAI
How you coming with those glasses, Sook?
SOOKIE
Just wiping off the fancy ones.
JACKSON
Huey Lewis and the News? It's Sookie's.
SOOKIE
Hey, we all have our guilty pleasures.
JACKSON
Herb Albert and the Tijuana Brass?
LORELAI
Ah, fun, festive, that's perfect! Crank it. Okay, I've got some cold Dom for me and Jackson.
JACKSON
Happens to be my brand.
SOOKIE
Oh, I love this song.
LORELAI
And, uh, for Sookie and little baby, uh, whatever-it-is, we've got the, uh, apple bubbly stuff. And cheers.
JACKSON/SOOKIE
Cheers!
SOOKIE
Well, come on, what are we celebrating?
LORELAI
Well, you ready?
SOOKIE
Yeah.
JACKSON
Definitely!
LORELAI
The Independence Inn is closing.
JACKSON
Yay!
SOOKIE
Yay! The inn is closing.
LORELAI
Not closing, closed. We're finished. It's all over. They're boarding the place up as we speak. Who wants more?
JACKSON
Well, did they find some gold in the basement or something 'cause I'm missing the celebrating angle.
LORELAI
You should always celebrate new challenges, and that's what this is.
SOOKIE
A new challenge.
LORELAI
Yes. They'll be some severance pay, then nothing.
SOOKIE
Nothing!
LORELAI
Nothing but exciting new challenges. Cheers!
SOOKIE
The inn is closed.
JACKSON
Well, I guess this means that you guys can focus solely on refurbishing the Dragonfly, getting that up and running. That's exciting.
SOOKIE
Yes, it is.
LORELAI
Yeah, I agree. But just drink some more. How're you feeling?
SOOKIE
A little drunk, and all I'm drinking is apple juice.
LORELAI
Well, good, 'cause I've got another little piece of news for you. We can't buy the Dragonfly because I can't swing my share of the money because I no longer have a steady income.
JACKSON
Wow, that is great.
SOOKIE
I'm sorry, was that an exciting challenge too?
LORELAI
Absolutely. Yesterday our lives were boring and predictable. We had jobs, we were gonna start our own business. But now everything is wide open. We can do anything we want because we're not penned in. That's good.
SOOKIE
Yes, that's good. And thinking of those new challenges is a nice way to distract me from the fact that we don't work together anymore so we're gonna see way less of each other.
LORELAI
Which will make our limited time together more enjoyable.
JACKSON
Right. And since I'm your vegetable supplier, I'm losing work, and seeing my wife and close friend way less than before.
LORELAI
Cheers!
CUT TO TOWN MEETING
[Taylor is at the podium in front of a bored-looking group of townspeople]
TAYLOR
That would convert it into a town bylaw, a minor but nonetheless important change from local ordinance, giving us the leeway to enforce charter amendments five and six and grandfathering in previously proposed statutes with no procedural delay. So all those in favor of going ahead of this, say aye.
[silence]
TAYLOR
All those opposed?
[silence]
TAYLOR
People, what's going on? People!
MISS PATTY
Oh, sorry, Taylor.
TAYLOR
What is the matter with you?
LUKE
I think it might be the first time sixty people lost their train of thought all at the same time.
BABETTE
Yeah, Taylor, your voice always makes me think of my grocery list. We need croutons.
MOREY
Got it.
TAYLOR
Moving on. Now, people, I know it's an unpleasant subject, but the deer population in this town is reaching monstrous proportions.
GYPSY
Not this again.
MISS PATTY
He's always going on about the deer.
LUKE
Leave 'em alone, Taylor.
TAYLOR
But they're taking over the town. We need to institute partial elimination.
MOREY
Partial elimination?
GYPSY
You wanna kill the little romping Bambi's?
TAYLOR
People, do I have to detail the problems that these deer cause?
LUKE
No, but you will.
TAYLOR
Lyme disease, auto accidents, plane accidents.
LUKE
We have flying deer?
MISS PATTY
Oh, that's scary.
BABETTE
Yeah. Those ones you can snuff.
TAYLOR
But the worst problem is the crop loss. Dean, hand me the blow-up please.
GYPSY
Hey, Dean, he's paying you for all this, right?
DEAN
Yeah.
KIRK
Really, how much?
TAYLOR
People, this is a randomly chosen but typical landscaped area in the town that was denuded by these ruminant pests.
GYPSY
Randomly chosen?
LUKE
Taylor, that's your backyard.
MISS PATTY
This is a little self-serving.
TAYLOR
It might be my yard. Uh...
BABETTE
Might be? Taylor, no one else has a "Kiss the Gardener" sign.
MOREY
This is a trumped up problem.
TAYLOR
So none of you are interested in addressing this scourge?
KIRK
I have a thought.
TAYLOR
Go ahead, Kirk.
KIRK
A controlled hunt.
BABETTE
Guns?
KIRK
Not guns, wolves.
LUKE
What?
KIRK
You release a pack of wolves, they eat the deer, problem solved. Of course, then you'll have to deal with your wolf problem.
MISS PATTY
I say that we defer this unsavory topic for another year.
TAYLOR
Now wait a minute.
MISS PATTY
All those in favor?
EVERYONE
Aye!
MISS PATTY
Taylor's opposed. Meeting adjourned.
[People get up to leave. Rory walks in the back door]
RORY
I missed the whole thing?
LANE
Yes, and I'm still semi-grounded, so I only have a limited amount of time in the outside world.
RORY
Well, hurry and show me your prom pictures.
LANE
[picks up a large bag] These are them.
RORY
Lane, how many did you take?
LANE
Three hundred. I'll leave them with you, they're pretty self explanatory.
RORY
What's this?
LANE
Our chicken piccata.
RORY
Ah, and this?
LANE
Our chicken piccata after one bite.
RORY
So, don't tell me, two bites?
LANE
Yup.
RORY
Okay, I think I can follow this.
LANE
Gotta run. Keep 'em in order.
RORY
I will.
[Lane leaves. Rory walks over to Dean, who is cleaning up at the front of the room]
RORY
Hi.
DEAN
Hi.
RORY
Taylor's paying you to do all this work, isn't he?
DEAN
He knows I need money, so he's helping me out with extra stuff to do. He's a good guy.
RORY
Yeah, he is a good guy. A very good guy. So how are the old wedding plans?
DEAN
They're fine.
RORY
You know, my mom's held about a million weddings at the inn and I've worked on a lot of them, so I'm a fountain of useful tips.
DEAN
Good.
RORY
For instance, your photographer, have him take candid photographs along with the other ones, so that way you'll capture a lot of your favorite moments and you won't be stuck with just the stiff, you know, posed shots.
DEAN
Candid, okay.
RORY
And if the ring bearer is younger than five years-old.
DEAN
My nephew, he's three.
RORY
Don't give him the ring until the last second because I have seen many a ring swallowed, and well, it takes a couple days to get it back.
DEAN
Good point. It's actually been kind of overwhelming. I mean, you have to rent the hall like a year in advance.
RORY
And make sure that your deposit is refundable as long as you can.
DEAN
Yeah, it is. And then there's a lot of stuff that we have to buy, too, for our place.
RORY
Oh yeah, about that. Come on, sit.
[they sit down and Rory hands him a shopping catalog]
DEAN
What's this?
RORY
Your wedding gift.
DEAN
What?
RORY
You can get anything you want, but I've marked a bunch of pages with stuff that I think would be most appropriate, and I just wanted to get in early so I'd be the first one to get you a blender, not the third one.
DEAN
You don't have to do this.
RORY
I know. That's why it's fun.
DEAN
This has everything.
RORY
I'd recommend the mixing bowls, those are really nice. Or a knife set and a sharpener. Sharpening's very important. I learned that from Sookie. If you leave 'em too long, it's too late. Respect your knives.
DEAN
Thanks, Rory.
RORY
You're welcome. So just look through it with Lindsay and pick out what you want and I'll order it.
DEAN
I will.
RORY
Bye, Dean.
DEAN
Bye, Rory.
CUT TO LORELAI'S LIVING ROOM
[Rory is trying on her graduation dress for Sookie and Lorelai]
SOOKIE
Maybe we should bring it in a bit more.
RORY
Oh sure, but first we'll have to use a medieval torture instrument to crush my ribs and flatten my spinal cord in order to accommodate your sadistic wish there.
LORELAI
Don't use subtlety on us. We're slow.
SOOKIE
I think she's saying that we don't need to bring it in anymore.
LORELAI
Take it off, you're done.
SOOKIE
Ugh, I should go. I've got a stupid job interview tomorrow morning, and you know what, I'm nervous.
LORELAI
Which place?
SOOKIE
Harrington's in Woodbridge.
LORELAI
Nice.
SOOKIE
They want me to be their executive chef four nights a week. God, I can't imagine working someplace else. And without my Lorelai!
RORY
But it's only a few months until the Dragonfly opens, right?
SOOKIE
Uh... you haven't told her yet.
RORY
Told me what?
LORELAI
I was waiting for an opportunity.
RORY
To tell me what?
LORELAI
Which apparently is right now. Okay, um, hon, listen. We, um... we're not buying the Dragonfly.
RORY
What?
LORELAI
It's just not the right time.
RORY
You're crazy. It's the perfect time.
LORELAI
Not really.
RORY
But if you wait, someone else is gonna buy it. You said so yourself.
SOOKIE
I'm gonna go, guys. Sorry to spill the beans.
LORELAI
That's okay. I'll see you later.
[Sookie leaves]
RORY
Mom, why put it off? I mean, I know the Independence Inn closing is a setback.
LORELAI
Big one.
RORY
But we've got the rest of Grandpa's money, that's plenty to buy the Dragonfly Inn, and we'll just scrimp on everything until it's all up and running and successful.
LORELAI
It would take a lot of scrimping.
RORY
Well, I'm a master scrimper. I would make the Olympic scrimping team. I'm that good, boy.
LORELAI
Honey, we didn't get financial aid for Yale.
RORY
What?
LORELAI
No scholarships, no hardship money, no money-off coupons, no gift certificates, nothing.
RORY
I don't understand, what happened?
LORELAI
Well, irony of ironies, the money I got from your grandpa took us out of the running for financial aid 'cause it made it look like we have money.
RORY
Well, send them proof - a bank statement, a letter from Grandpa. Here, take a picture of this couch - no one will think we have money after looking at this couch.
LORELAI
I tried everything, I swear.
RORY
Why didn't you tell me this?
LORELAI
With everything that's going on, finals and all your personal stuff, I didn't want you worrying.
RORY
But Grandpa's money -
LORELAI
Is paying for Yale.
RORY
No! No way!
LORELAI
Rory.
RORY
I'll take a student loan out from the bank. That's what banks are for.
LORELAI
Honey, I don't want you to be buried by loans the day you graduate from college.
RORY
Well, then I'll major in something that'll immediately make me a lot of money when I graduate. I'll major in business or engineering.
LORELAI
You are not changing your major from journalism because of my lack of money.
RORY
It's our lack.
LORELAI
Look, if you need to work as a low-paid intern for a magazine or a stringer for some small-town newspaper or Tom Brokaw's toupee comber-outer before you make real money, then that's what you'll do.
RORY
There has to be another way.
LORELAI
I've looked. There's nothing.
RORY
This is so not fair to you.
LORELAI
I'll have my own inn one day, I promise. But Yale comes first.
[Rory starts walking to her bedroom]
LORELAI
What are you gonna do now?
RORY
Rail at God for awhile.
LORELAI
Tell her I said hi.
CUT TO LORELAI'S HOUSE
[Lorelai is in the living room, which is cluttered with clothes and other stuff to pack for their trip]
LORELAI
Hey, what happened to our packing elves who were gonna pack our packs over night?
[Rory walks into the room holding a black sweater]
RORY
How about this?
LORELAI
You hate the dress I made you that much?
RORY
Not for graduation, for Europe.
LORELAI
Oh, it's perfect. It's black so it won't show dirt or wrinkles, and if you wear it with a moody look on your face like you're thinking of Bolsheviks, they'll mistake you for Simone de Beauvoir. Pack it.
RORY
It's too heavy.
LORELAI
So, was that a trick question?
RORY
We both need to cut weight from our packs.
LORELAI
I am doing my part here.
RORY
Well, you don't need five pairs of boots.
LORELAI
I'll drop some boots if you drop some books.
RORY
I can't drop books.
LORELAI
You can't bring twelve books.
RORY
You also need to cut your undergarments. Don't forget, we'll rinse in Woolite every few days.
LORELAI
This is going to an uncomfortable place.
RORY
And your toothpaste - you have three full tubes.
LORELAI
So?
RORY
Why three?
LORELAI
If I lose one, I'll have another to take its place.
RORY
If you're bringing three tubes of toothpaste, I am bringing twelve books plus a dictionary.
LORELAI
Then I'm bringing a gallon of mercury which is one of the densest and heaviest substances known to man.
RORY
I think the writing's on the wall here.
LORELAI
Cancel Europe.
RORY
I've gotta run. I love my graduation dress.
LORELAI
I know.
RORY
Hey, it's a shame about Europe being canceled, huh?
LORELAI
That's okay. It's not supposed to be that great anyway, except for the cheese.
RORY
Nine books for two toothpastes.
LORELAI
Deal.
CUT TO ELDER GILMORE RESIDENCE
[The doorbell rings. Emily and Richard walk toward the door]
RICHARD
Who is it, Emily?
EMILY
I don't know, Richard. My x-ray vision isn't working at the moment.
RICHARD
I was wondering if you were expecting somebody.
EMILY
I wasn't expecting anybody.
[They open the door. Rory is on the porch]
EMILY
Rory.
RORY
Hey Grandma, hey Grandpa.
RICHARD
What brings you here on this busy day?
RORY
I have sort of a time-sensitive issue I need to talk to you about.
RICHARD
Time sensitive. Well, come in, come in.
[they walk to the living room]
EMILY
We were just getting ready for your ceremony.
RICHARD
And I was just retying my tie for the third time. No matter how many times I tie a tie, there's always room for error.
RORY
It's not an exact science, is it?
RICHARD
Nor an art form. It's pretty much nothing.
RORY
Sit down, please.
RICHARD
Okay.
EMILY
All right. Should we be nervous?
RORY
No, you shouldn't be. I am a little.
RICHARD
Well, what is it?
RORY
I need money.
RICHARD
You need money.
RORY
For Yale.
RICHARD
You need money for Yale.
EMILY
Stop repeating everything she says.
RICHARD
I'm sorry, I'm processing.
RORY
Look, it's a long story, but no other financing came through and all of the other options that Mom and I have are just... well, not good enough. So here's the offer - I would like for you to loan me the money for four years at Yale, and in return I will get a part time job and pay you in installments. I will continue this payment schedule after graduation increasing the payment amounts in proportion to my income. Plus, I will reinstate Friday night dinners with me. Every Friday night, I will be here, seven o'clock on the dot.
EMILY
Well, how wonderful.
RICHARD
We've missed you, Rory.
RORY
I've missed you, too. So this should work out for everyone, right?
EMILY
Absolutely. We're happy to do it.
RICHARD
Not so fast.
EMILY
Richard.
RICHARD
Oh, I'm happy to pay for Yale, but I don't want it to be a loan.
RORY
No, I don't want that. I want it to be a loan, because otherwise it's too easy.
RICHARD
Well, then here's my counteroffer. Let's make it a loan, but I insist that you not start paying it back until at least five years after you graduate. Seven years if you go for your Master's.
RORY
That sounds fair, but I should pay interest.
RICHARD
No.
RORY
Grandpa.
RICHARD
You are not going to pay me interest on this money, no way. That's a deal breaker.
RORY
Okay.
RICHARD
Good.
EMILY
Wonderful.
RICHARD
We have a deal. Listen, if journalism doesn't work out, you might consider working for me after you graduate. You've got good deal-making skills. Eye of the tiger.
RORY
I'll keep that in mind. Well, I should go.
EMILY
Rory, does your mother know you're here?
RORY
No. This is my thing. I'll see you at the ceremony.
CUT TO CHILTON COURTYARD
[Lorelai and Sookie walk to the seating area]
SOOKIE
Where do you wanna sit?
LORELAI
Is there no special designated area for family and friends of the valedictorian?
SOOKIE
Like a skybox or a velvet rope on one of the rows.
LORELAI
We're the Chilton equivalent of 50 Cent's posse. Where are the boys?
SOOKIE
Over there. [points to Luke and Jackson standing by the building]
LORELAI
They're doing that thing guys do around fancy buildings.
SOOKIE
Talk about their construction.
LORELAI
The insurance costs.
SOOKIE
Hey guys, get over here.
LORELAI
Here's a row. Let me see, how many seats do we need? Uh, you, me, Luke, Jackson.
SOOKIE
That's four.
LORELAI
Plus Picklepuss and Sauerkraut.
SOOKIE
Your parents make six.
JACKSON
These stones have to be carved by hand.
LUKE
Without the tools we have now. No electricity.
JACKSON
Just pulleys and fulcrums.
SOOKIE
Hey, Bob Vila, take a seat.
LORELAI
Okay, we have to vow not to make fun of any of the kids because inevitably their family will be sitting right behind us just like at the play.
SOOKIE
Right. Ugh, the big-eared Romeo fiasco of '98. Gotcha.
[Lorelai's pager goes off]
SOOKIE
Who's paging you?
LORELAI
Uh, maybe there's a special surprise party for the valedictorian's mom backstage before the ceremony.
SOOKIE
I bet there is.
LORELAI
I'll be right back. Wow, look at the gargoyles.
LUKE
What? Wow, yeah.
JACKSON
Oh, now those have to be imported from Europe.
LUKE
The insurance on this place must be astronomical.
CUT TO INSIDE CHILTON
[In the crowded cafeteria, Paris walks over to her Nanny and three young children]
PARIS
Nanny, you brought the kids! Você trouxe as crianças.
KIDS
Paris!
PARIS
Ah, minha queride Elzira, Catarina. E olindo Enrique, Antonio Banderas.
[Lorelai walks up to a student]
LORELAI
Oh, excuse me. Hi, I'm looking for Rory Gilmore. She's the valedictorian. I'm her mom.
[Rory walks over]
RORY
Mom.
LORELAI
Uh, no, wait, go away. I wanna tell a bunch of other people that I'm the valedictorian's mom and I'm looking for you.
RORY
I've got good news I wanna tell you real quick. Come here.
[they walk into the hallway]
RORY
Okay, you ready?
LORELAI
I hope so, ready for what?
RORY
You're getting your inn.
LORELAI
What?
RORY
Go put in the bid on the Dragonfly. You've got the money now, Grandpa's money.
LORELAI
What are you talking about? How do I have money?
RORY
Grandma and Grandpa are paying for Yale.
LORELAI
Now wait a minute.
RORY
I explained the situation, they totally understand, and they're loaning me the money for Yale.
LORELAI
When did they approach you about this?
RORY
They didn't. I approached them.
LORELAI
No.
RORY
I just left them now. It's a done deal, so go make the call, put in the bid, before someone else does.
LORELAI
Rory, honey, do you understand, the Gilmores do nothing altruistically. Strings are attached to everything.
RORY
There are no strings.
LORELAI
No strings?
RORY
No. I just have to pay them back starting five years after I graduate, and I have to start going back for Friday night dinners.
LORELAI
Um, hello, Pinocchio, those are strings.
RORY
But it was my idea to resume the dinners, and I obligated just me. You are in no way apart of it.
LORELAI
This can't happen, Rory.
RORY
I don't want you to defer your dream.
LORELAI
You shouldn't have done this behind my back.
RORY
Mom, Yale is my thing. I needed financing, I got it.
LORELAI
Oh, those people, those master manipulators.
RORY
Mom, this was my idea. I'm manipulating you.
LORELAI
They are manipulating you to manipulate me.
RORY
How are they doing that?
LORELAI
Rory, don't you see? If you go to Friday night dinners, Mom knows I'll go to just to be with you.
RORY
She wasn't thinking that.
LORELAI
They're getting exactly what they want.
RORY
Don't you see? We're all getting exactly what we want. It's a win-win-win situation.
LORELAI
It's not.
RORY
It is.
LORELAI
Okay, maybe, maybe it is. But just once, just once, I want you to get exactly what you want, and me to get exactly what I want, and them to get nothing.
RORY
Well, we'll see if we can't arrange that sometime. But the ceremony's about to start, I better get back out there. And go buy that inn!
CUT TO CHILTON COURTYARD
[Lorelai walks outside and finds Emily and Richard sitting by themselves]
LORELAI
Hi.
EMILY
Hello.
RICHARD
Oh, hi.
LORELAI
Uh, didn't you see Sookie? We've got seats all saved.
EMILY
Yes, but we didn't know if the whole seating issue had been resolved.
LORELAI
Well, it was. Come on.
RICHARD
Well, I don't remember it being fully resolved either.
LORELAI
Well, it was. Come on.
EMILY
We didn't know if you'd changed your mind.
LORELAI
Well, I didn't. Come on.
RICHARD
It wasn't crystal clear.
LORELAI
Fine, just stay there.
EMILY
You're not serious.
LORELAI
Ah.
[They walk over to the saved seats]
LORELAI
Uh, Mom, Dad, you've met everyone here. Sookie, Jackson, Luke.
RICHARD
Hello.
JACKSON
Hi.
SOOKIE
Hi.
LUKE
How ya doing?
RICHARD
No, uh... no Christopher?
LORELAI
Uh, no, he's out of town, but he's having us tons of pictures and order him the official video and we may even come back and reenact the whole thing when he gets home. Now sit, relax.
[they sit down]
LORELAI
[quietly to Sookie] Sookie, long story short, and a partially painful story at that, and hang onto your hat, but we can now put a bid in on the Dragonfly.
SOOKIE
What? Are you kidding?
LORELAI
No.
SOOKIE
How? What happened?
LORELAI
I can't go into it now.
SOOKIE
Okay, I've gotta tell you, even with the champagne and the Herb Albert, I've been depressed for days. I couldn't watch the Dating Game anymore.
LORELAI
Well, that's all changed now.
SOOKIE
I'll go call the attorney. You sit back and relax and enjoy the graduation.
[Sookie pushes past the people in the row]
SOOKIE
This will not happen again, promise.
[Lorelai notices an empty chair between her and her parents]
LORELAI
Uh, you're gonna have to move over one more chair to be part of the group, guys.
EMILY
Oh, I thought maybe someone else was coming.
LORELAI
No.
RICHARD
You sure?
LORELAI
Yes.
EMILY
Because if there is, it would be awkward to move during the ceremony.
LORELAI
Yes, I know what awkward is.
[Emily and Richard move over; Emily sighs.]
LORELAI
What Mom?
EMILY
Nothing. That man in front of me is extraordinarily tall, don't you think?
CUT TO THE CEREMONY STARTING
[The students file out of the school and take their seats. As Rory and Paris sit down, Paris waves to her Nanny and the kids]
PARIS
[to Rory] The middle one, Catarina, she bowled a 143 last week.
RORY
Impressive.
[Sookie pushes past several people in the row to get back to her chair]
SOOKIE
Sorry. I was here before a lot of you, it just looks like I'm late. Appearances can be deceiving. So sorry. [to Lorelai] Real estate agent wasn't in, so I left a message.
LORELAI
Rats.
SOOKIE
Did Rory walk in?
LORELAI
Yeah, first row. Right in front of the kid with the humongous... uh, the really cute kid.
SOOKIE
Darn, I wanted to get a picture of her walking in. I'll get some of her in her seat.
[Sookie pushes past the row of people again]
SOOKIE
Excuse me. Sorry. I'm not, I'm not like this. Today I am. I'm with the valedictorian, so...
HEADMASTER
Invited guests, fellow faculty, honored attendees and students, welcome to the Chilton Academy graduating class ceremony of 2003. [applause] This year's class is a distinguished assemblage, equal to or surpassing what has proceeded it. In its 200-year history, Chilton has not failed to produce a class that brings only honor to these grounds and to the academy's fine traditions. To begin, I would like to invite the student body president Paris Gellar to lead us in the Pledge of Allegiance. Paris?
PARIS
[to Rory] As his parting shot to me, Charleston never responded to the three aspects of the pledge that I had an objection to and considered rewriting. That's not going to stop me from using air quotes.
[cut to later in the ceremony]
BRAD
[at podium] Through good times and bad, Chilton formed us, brought us hope, honed our insight, gave us encouragement. Though my time here was briefly interrupted by my period spent on Broadway hanging out with Stephen Sondheim, I still consider Chilton the most rewarding experience of my young life. Now it had always been my plan in closing to recite a short poem I'd written.
LOUISE
But you reconsidered.
MADELINE
Come on, Brad. Go out a winner.
BRAD
But as I read it aloud, I realized the sentiments I wanted to share with my fellow students were better expressed in a favorite song of mine. [sings] Cherish is the word I use to describe... bong, bong. Bong, bong.
RORY
Oh, Brad.
BRAD
All the feelings that I have hiding here for you inside, bong, bong, bong. You don't know how many times I've wished that I had told you...
[cut to later in the ceremony]
HEADMASTER
It's a distinct pleasure for me to introduce to you our valedictorian. This young lady was a second-year transfer from a modest school where she distinguished herself immeasurably. She is humble, hard working, competitive when need be, and unparalleled in her academic achievements. Ladies and Gentlemen, Rory Gilmore.
[applause; Rory walks up on stage]
SOOKIE
Not crying, right?
LORELAI
Not crying. Keeping our cool so we don't miss anything.
SOOKIE
Tears get in your eyes.
LORELAI
Then you miss things.
SOOKIE
So we're not crying.
LORELAI
Not crying.
SOOKIE
Not crying.
JACKSON
Not crying. Not crying.
LUKE
What?
LORELAI
No crying.
LUKE
I'm not crying.
RORY
Headmaster Charleston, faculty members, fellow students, family and friends, welcome. We never thought this day would come. We prayed for its quick delivery, crossed days off our calendars, counted hours, minutes, and seconds, and now that it's here, I'm sorry it is because it means leaving friends who inspire me and teachers who have been my mentors - so many people who have shaped my life and my fellow students' lives impermeably and forever. I live in two worlds. One is a world of books. I've been a resident of Faulkner's Yoknapatawpha County, hunted the white whale aboard the Pequod, fought alongside Napoleon, sailed a raft with Huck and Jim, committed absurdities with Ignatius J. Reilly, rode a sad train with Anna Karenina, and strolled down Swann's Way. It's a rewarding world, but my second one is by far superior. My second one is populated with characters slightly less eccentric but supremely real, made of flesh and bone, full of love, who are my ultimate inspiration for everything. Richard and Emily Gilmore are kind, decent, unfailingly generous people. They are my twin pillars without whom I could not stand. I am proud to be their grandchild. But my ultimate inspiration comes from my best friend, the dazzling woman from whom I received my name and my life's blood, Lorelai Gilmore.
SOOKIE
Uh oh.
LORELAI
Hang in there.
RORY
My mother never gave me any idea that I couldn't do whatever I wanted to do or be whomever I wanted to be. She filled our house with love and fun and books and music, unflagging in her efforts to give me role models from Jane Austen to Eudora Welty to Patti Smith. As she guided me through these incredible eighteen years, I don't know if she ever realized that the person I most wanted to be was her.
SOOKIE
Not crying.
LORELAI
Crying a little.
SOOKIE
Crying a little, but not blubbering. That's what we meant when we said no crying, no blubbering.
RORY
Thank you, Mom. You are my guidepost for everything.
SOOKIE
On the verge of blubbering here.
JACKSON
Not doing too well myself.
LORELAI
Not you, too.
LUKE
I'm blubbering, you're freaks.
RORY
As we prepare ourselves today to leave...
CUT TO LATER IN THE CEREMONY
[Rory and Paris are in line for their diplomas]
ANNOUNCER
Allegra Grace Fass.
PARIS
I swear, I do not recognize half of these people. [to girl in front of her] Hey. What's your name, what's your story?
[cut to the audience]
EMILY
Where is she, do you see her?
LORELAI
She's the one in the robe.
EMILY
Lorelai, please.
LORELAI
She's lost in a sea of blue polyester, Mom. I couldn't point her out if I wanted to.
JACKSON
Richard, how much to insure all this?
RICHARD
Well, the insurance is probably not prohibitive, but the deductibles would be enormous. Well into six figures.
LUKE
Six figures?
JACKSON
That's like having no insurance at all.
LUKE
So if there was a fire -
LORELAI
Guys, please stop assessing the value of the building and pay attention. Rory's coming up.
RICHARD
Ooh, ooh, sorry.
SOOKIE
I wanna get a closer shot of her getting her diploma.
[Sookie pushes past several people in the row]
SOOKIE
Ooh, sorry, sorry, I suck, I'm sorry.
ANNOUNCER
Paris Eustace Gellar.
PARIS
Finally, a name I recognize.
[Paris walks on stage and receives her diploma]
HEADMASTER
Congratulations, Paris.
PARIS
No hard feelings.
HEADMASTER
Okay.
ANNOUNCER
Lorelai Leigh Gilmore.
LORELAI
This is it.
EMILY
She looks so solemn.
RICHARD
Like a Gilmore.
[Rory walks on stage and receives her diploma]
HEADMASTER
Congratulations, Rory.
RORY
Thank you, Headmaster.
ANNOUNCER
Diana Christine Godby.
[As Rory walks across the stage, she and Lorelai make faces at each other]
EMILY
Lorelai, really.
LORELAI
I taught her everything I know.
[Sookie returns to her seat]
SOOKIE
Honest to God, last time. Sorry. [she sits down and whispers something to Lorelai]
LORELAI
Oh my God. Uh, uh, I, I need a pen. I don't have a pen. Luke, give me your pen.
LUKE
I don't have a pen.
LORELAI
Where's the pen you take orders with?
LUKE
You have got to stop assuming that I take pens with me everywhere I go.
RICHARD
[handing Lorelai a pen] Never be without a pen.
LORELAI
Thank you, Dad.
[Lorelai writes "We got the inn!" on the graduation program and holds it up to show Rory. They smile and make faces at each other.]
EMILY
Really, Lorelai, how many more times are you gonna do that?
LORELAI
I think about six.
[cut to later in the ceremony]
HEADMASTER
Class of 2003, give yourself a hand!
[applause]
CUT TO THE COURTYARD
[Rory walks over to Lorelai and Luke]
RORY
How was my speech?
LORELAI
It made everyone cry, including stone cold Luke.
RORY
Luke, you old softy.
LUKE
I will never live this down.
LORELAI
Not with me in your life.
LUKE
I gotta go, I gotta get back to the diner.
RORY
Thanks for coming, Luke.
LUKE
Oh, sure. The building's amazing. So are you.
RORY
Thanks.
[Rory walks away]
LORELAI
It really was great of you to come, Luke. It meant a lot to her.
LUKE
It was fun.
LORELAI
So if I don't see you, have fun on your trip with Nicole.
LUKE
Oh, we may not go now.
LORELAI
What? You were really looking forward to it.
LUKE
I don't know if the timing's right and... things are kinda weird right now.
LORELAI
Oh no.
LUKE
What?
LORELAI
It's because I teased you about the commitment thing and proposing. I ruined it.
LUKE
No, that's not it.
LORELAI
Please, promise me that's not it. It would break my heart.
LUKE
But you weren't wrong about that. It got me thinking and it is kind of like committing to her.
LORELAI
So?
LUKE
I don't wanna lead her on.
LORELAI
But you like her, Luke. You like her a lot, don't you?
LUKE
Yeah, she's great.
LORELAI
Then go. No matter what she's reading into it.
LUKE
Really? You think that's okay considering... I don't know... everything?
LORELAI
Yeah, I do.
LUKE
Oh, okay. I'll probably go then.
LORELAI
Good.
LUKE
I guess I was just nervous about nothing.
LORELAI
That's what I think, too.
LUKE
I'll see ya in a couple months.
LORELAI
Yeah, I'll see you then.
[Paris walks up to Rory]
PARIS
I guess we should say our goodbyes. Nanny made me a special dinner. She makes a mean farturas.
RORY
Well, good, I'm glad you found me. I wanted to say goodbye, too.
PARIS
Good. Well, good luck.
RORY
You know, it's weird, most of the time I really hated you.
PARIS
Yeah, I really hated you, too.
[They hug. Paris walks away. Lorelai, Emily, and Richard walk over]
LORELAI
Hey.
RICHARD
Well, I think it might be time to present Rory with her graduation gift.
RORY
Oh, you guys didn't have to get me anything.
EMILY
Nonsense.
RICHARD
Uh, this one wouldn't fit in an envelope, so follow me please.
EMILY
We're really excited about this one.
LORELAI
So am I.
EMILY
Good.
[they walk toward the parking lot]
RICHARD
Rory, there is your gift. It's the one with the bow.
RORY
Um, Grandpa.
EMILY
Richard.
[the parking lot is filled with cars with bows on them]
RICHARD
Oh, for Pete's sake. Well, it was the only one there when I drove it up.
EMILY
You should've put a more distinctive bow on it.
RICHARD
Well, how was I supposed to know that every kid at Chilton was getting a car?
RORY
You got me a car?
RICHARD
We got you a car.
RORY
That's amazing. Thank you. Thank you. Which one is it?
LORELAI
Or did you get her one for every day of the week like the underwear?
RICHARD
We got her one car. It's a little Prius. It's safe, it gets great gas mileage.
EMILY
And it's the one that Leonardo DiCaprio drives.
RORY
Oh, thank you, thank you, thank you. I love you guys.
EMILY
We love you, too.
RICHARD
And don't forget to call about -
RORY
Insurance. I'll do it the second I get home.
RICHARD
Good. Congratulations, Rory. And thank you for your speech.
RORY
You're welcome. I meant it, thank you for everything.
EMILY
Have fun in Europe. Both of you.
LORELAI
Thank you, Mom.
EMILY
When do you get back?
LORELAI
The 27th.
EMILY
Terrific. We'll see you that Friday for dinner.
[Emily and Richard leave. Lorelai and Rory walk back toward the school building]
LORELAI
Explain the win-win-win thing again.
RORY
Everybody wins, that's what it is.
LORELAI
Hm.
[Rory's cell phone rings]
RORY
Hello? Hello?
LORELAI
A hang up?
RORY
Yeah.
LORELAI
You're getting a lot of those lately.
[phone rings again]
RORY
Hello? Hello?
[Lorelai waits outside as Rory takes the phone into the school]
RORY
Jess, is that you? Jess, I'm pretty sure it's you and I'm pretty sure you've been calling and not saying anything but wanna say something. Hello? You're not going to talk? Fine, I'll talk. You didn't handle things right at all. You could've talked to me. You could've told me that you were having trouble in school and weren't going to graduate, and that your dad had been there, but you didn't. And you ended up not taking me to my prom and not coming to my graduation and leaving again without saying goodbye again, and that's fine, I get it, but that's it for me. I'm going to Europe tomorrow and I'm going to Yale and I'm moving on. And I'm not going to pine. I hope you didn't think I was going to pine, okay? I think... I think I may have loved you, but I just need to let it go. So, that's it, I guess. Um, I hope you're good. I want you to be good, and, um, okay, so, goodbye. That word sounds really lame and stupid right now, but there it is. Goodbye.
[Rory hangs up; in California, Jess hangs up a payphone and walks down the street]
[Lorelai walks into the school]
LORELAI
Hey. You okay?
RORY
I'm okay.
LORELAI
Come on.
RORY
But Sookie and Jackson are out that way.
LORELAI
I wanna go back a different way, come on.
RORY
I thought we were going home.
LORELAI
I just wanna make one more stop before we do.
CUT TO LUKE'S DINER
[Luke is cleaning up the tables as Lorelai walks in]
LORELAI
Hey, Luke.
LUKE
Lorelai, hi. Where's Rory?
LORELAI
Oh, out in the car.
LUKE
Oh. It was a really nice ceremony, wasn't it?
LORELAI
Yeah, it was beautiful.
LUKE
What's up?
LORELAI
I just wanted to say something to you in case we don't see each other before you go on your trip.
LUKE
Sure, what?
LORELAI
Don't get engaged.
LUKE
What, why?
[Lorelai turns to leave]
LUKE
Lorelai?
[Lorelai leaves the diner as Luke stares after her]
CUT TO LUKE'S APARTMENT
[Luke wakes up from his dream]
CUT TO CHILTON
[Lorelai and Rory rush down a hallway]
RORY
Mom, wait.
LORELAI
Hurry, hurry.
RORY
This outfit produces a lot of wind resistance.
[they stop at the bottom of the staircase]
LORELAI
Okay.
RORY
What are we doing?
LORELAI
Leaving our mark. Got a knife?
RORY
A knife? For what?
LORELAI
Carving our initials. Come on, knife, knife.
RORY
Uh, like the switchblade I keep in my sock? No, I left it at home.
LORELAI
I must have something in here. [looks through her purse] Ah, safety pin, perfect.
RORY
We can't do this.
LORELAI
Yes, we can. People need to know we were here.
RORY
I'm in the yearbook.
LORELAI
How about the wall?
RORY
No, that's too out in the open. They'll trace it back to us.
LORELAI
They'll see LG and RG and figure out it was us?
RORY
They're are no dorks here.
LORELAI
Somewhere in the floor?
RORY
This marble is two hundred years old. Harriet Beecher Stowe walked on this marble.
LORELAI
Oh, the banister.
RORY
Was donated by Robert Frost.
LORELAI
The sconce.
RORY
Was ceremonially lit for the first time by Thomas Edison.
LORELAI
Geez, is there anything in this whole room that some famous dead person didn't have something to do with.
[they hear some people walking by]
LORELAI
Ooh, cool it, cool it. And this is some very interesting architectural do-dads and hoo-ha's.
RORY
And wingdings and tum-tum's.
LORELAI
That was close.
RORY
Look, just carve it really tiny here on the baseboard of the wall, and do it reversed, so GL and GR.
LORELAI
Oh, maybe it's not such a good idea.
RORY
The madness passes.
[Sookie opens the door at the top of the staircase]
SOOKIE
Hey, you guys coming? Party at your place, right?
RORY
Party?
LORELAI
Just a little gathering.
RORY
Cool.
LORELAI
We'll meet you back at our house.
SOOKIE
Okay, see you there. [leaves]
[Lorelai and Rory start walking up the stairs]
LORELAI
Wait, wait. Look around for a second. Notice?
RORY
Notice what?
LORELAI
It's not so scary anymore.
RORY
No, it's not.
THE END