T3E5: “Eight O’Clock at the Oasis”
Título em Português: “Horas no Oásis”
Roteiro: Justin Tanner
Direção: Joe Ann Fogle
Originalmente exibido em: 22 de outubro de 2002
OPEN IN STARS HOLLOW
[Lorelai and Rory are walking down the street toward the diner]
LORELAI
And the rabbit says, 'How about that schnitzel!' Well?
RORY
Well what? There's no punchline.
LORELAI
That is the punchline.
RORY
'How about that schnitzel!' – that's the punchline?
LORELAI
Well, no, not when you say it like that.
RORY
How am I supposed to say it?
LORELAI
Like a punchline.
RORY
How about that schnitzel!
LORELAI
Oh, forget it.
RORY
What?
LORELAI
You ruined my joke.
RORY
Um, no, the punchline ruined your joke.
LORELAI
Ha!
RORY
What?
LORELAI
You admit it's a punchline.
RORY
Oh my God.
LORELAI
Ha, I am vindicated. 'How about that schnitzel!' has officially been declared a punchline.
RORY
A really bad punchline.
LORELAI
No one asked for the Norton Critical Edition. All the schnitzel and I wanted was some recognition and now we have it.
[they walk into Luke's Diner]
LORELAI
Oh, man, it's packed in here.
RORY
I guess we counter it.
LORELAI
Oh, I guess we do.
[they sit down at the counter]
LUKE
What?
LORELAI
What do you know, your face really can freeze that way.
RORY
Are you okay?
LUKE
Yeah, I'm fine, I'm great. It's a big fat happy sunshine day for me.
LORELAI
Business looks good.
RORY
Yeah, the place is packed.
LUKE
Sure, it's been taken over by the J. Crew catalog.
[Several families with little kids are seated at the tables]
RORY
Oh, look, babies!
LORELAI
I never wanna hear that come out of your mouth again.
WOMAN
Find the yellow ball.
MAN
[searching through a diaper bag] Yellow ball, yellow ball, yellow ball... ah, yellow duck.
WOMAN
Ball.
MAN
Yellow ball, yellow ball, yellow ball.
LUKE
Every weekend, the same stupid group comes in here and take up all my tables and every chair they can get their sticky hands on, and they do that. They sit, they stand, one person holds the kid, another person holds the kid.
MAN 2
I've got Choo-Choo Joe.
LUKE
This guy runs in and out and back and forth, the other guy never takes his head out of that stupid bag, the women can't figure out which kid is which, and they do it all morning long, and then order two iced teas to go, and that is it.
LORELAI
I'm sure you're exaggerating.
LUKE
I am not exaggerating.
WOMAN 2
Oh god.
LUKE
Oh, now, this is good, you see – Choo-Choo Joe will not be working.
WOMAN 2
Get the Bongo Bear. Get the Bongo Bear.
RORY
How'd you know that?
LUKE
Because Joe has not been working for the last six months. Personally, I don't think he's broken, I think he killed himself to get away from that family.
LORELAI
Oh, now that kid's a major drooler.
RORY
Yeah, it's like a fountain.
LUKE
Okay, that's it, they have to go.
LORELAI
Luke, come on, it's just spit. Pretend you're at a baseball game.
LUKE
No no no, I've had enough. Let them go not spend money at Al's, I'm through.
[He starts to walk toward the people when a woman stands up and starts unbuttoning her shirt. Luke walks back to Lorelai and Rory]
LUKE
Is that woman doing what I think she's doing?
[the woman has started nursing her baby]
LORELAI
Um, well, I can't be a hundred percent sure, but... oh yeah, that's lunch.
LUKE
Why, why do they do this? This is a public place, people are eating here.
RORY
They sure are.
LUKE
This cannot be sanitary.
LORELAI
I agree. You don't know where that thing's been.
LUKE
When did that become acceptable? In the old days, a woman would never consider doing that in public. They'd go find a barn or a cave or something. I mean, it's indecent. This is a diner not a peep show!
LORELAI
Hey, consider making it a combo. You could charge more for your cheeseburgers. Of course, no one would ever feel the same ordering a glass of milk again, but ...
LUKE
I have to do something. I just can't stand here and let the lactating continue.
LORELAI
Luke.
RORY
Gross!
LUKE
I'm gross? I'm not the one exposing myself for the entire world to see. That's it.
[Luke starts to walk over to the woman, then walks back to the counter]
LUKE
You go make her stop.
LORELAI
I'm not going over there.
LUKE
Why not? You're a woman.
LORELAI
So what?
LUKE
So you have the same parts.
LORELAI
What?
LUKE
You shouldn't be scared of it.
LORELAI
Scared of it? You know, you're gonna be a bachelor for a really long time.
LUKE
I am being taken advantage of here, and I do not like being taken advantage of. I hate this!
[Jess walks down into the diner and sees the woman nursing]
JESS
Oh geez!
[Jess quickly turns around and walks back upstairs]
LUKE
Okay, well, that was kind of fun.
[opening credits]
CUT TO INDEPENDENCE INN
[Lorelai walks into the lobby as Michel walks in from another direction carrying some pillows]
LORELAI
Aw, is it your nap time?
MICHEL
The Tylers in twelve asked to have their toxic pillows removed.
LORELAI
Our pillows aren't toxic.
MICHEL
According to the complimentary travel magazine that we put in their room, down pillows can carry airborne diseases and mold.
LORELAI
Unbelievable – I didn't think anyone ever read those magazines.
MICHEL
I think she had to, there was a picture of a roast chicken on the cover.
LORELAI
Michel.
MICHEL
She is large.
LORELAI
Michel.
MICHEL
And her husband in ugly.
LORELAI
Hey!
MICHEL
They threw pillows at me!
[phone rings]
LORELAI
Independence inn.
EMILY
You really should identify yourself when you answer the phone at work.
LORELAI
Sorry. Independence Inn, major disappointment speaking. Better?
EMILY
Yes, thank you. Now I wanna talk to you about something.
LORELAI
Shoot.
EMILY
I'm in charge of the Society Matron's League's annual antique auction next Tuesday and I thought maybe you'd like to come.
LORELAI
Society Matron's League? That's quite a name.
EMILY
And what is wrong with that name, Lorelai?
LORELAI
Nothing, it just sounds so serious. Brings to mind a room full of old ladies wearing black dresses and cameos and pushing spoonfuls of cod liver oil on the kids.
EMILY
That's a very flattering portrait of my friends you're painting.
LORELAI
I didn't mean your friends. I meant the other old ladies in the league, the ones who don't like you and your friends 'cause you guys are so young.
EMILY
Kindly wrap this up soon, Lorelai.
LORELAI
Consider it wrapped.
EMILY
Thank you. As I was saying, all the proceeds from the auction go to the children's hospital, and we're going to be offering some lovely pieces which I think would like very nice in that inn of yours.
LORELAI
What sort of pieces?
EMILY
Basically a lot canes and shawls, a couple of walkers. I believe we finally talked Old Lady Rollins into giving up her teeth.
LORELAI
What sort of pieces, Mom?
EMILY
We have a couple of wonderful writing desks, and some French end tables, rocking chairs, picture frames, lamps, davenports.
LORELAI
Well...
EMILY
The worst that can happen is you won't find anything you like and you've wasted a couple of hours. And who knows, you might find something you love. Plus, I will be way too busy to sit with you if that is of concern.
LORELAI
That is not a concern. Define 'way too busy.'
EMILY
Are you interested or not?
LORELAI
When is this auction?
EMILY
Tuesday at one o'clock.
LORELAI
I'll think about it.
EMILY
I'll see you Tuesday.
LORELAI
Bye. [hangs up]
MICHEL
I'm sorry, did I hear you mention something about an auction?
LORELAI
Uh, my mother's women's group is having one next week.
MICHEL
Oh, well, you know – I love a good auction. The drama, the strategy.
LORELAI
The strategy?
MICHEL
Oh, yes. First, you mustn't be too eager because that drives the price way up.
LORELAI
Don't be too eager, got it.
MICHEL
And you must always be extremely careful of your paddle movements.
LORELAI
Well, that certainly calls for a "Dirty!"
MICHEL
Mm, how's your arm raise? Good?
LORELAI
Pretty good.
MICHEL
Ah, I have an excellent arm raise.
LORELAI
That's what it says on the bathroom wall.
MICHEL
Yes, well, if you need some tips...
LORELAI
I'll give you a call.
MICHEL
Good. Take me to the auction!
LORELAI
Michel.
MICHEL
Take me, I insist you take me!
LORELAI
You don't even know if it's gonna be any good. It's just a bunch of society women.
MICHEL
If your mother's involved, it will be impeccable and I haven't been to an impeccable auction in over a year.
LORELAI
Well, I don't know.
MICHEL
What do you want?
LORELAI
Michel, I don't want anything.
MICHEL
Stop playing coy with me. I want into that auction, you name your price.
LORELAI
Okay, you have to work weekends for the rest of this month.
MICHEL
Done.
LORELAI
And you have to answer the phone when it rings.
MICHEL
Done.
LORELAI
And you have to answer it in English, unless the person is actually foreign.
MICHEL
Done.
LORELAI
And you have to oversee the nature hikers next week.
MICHEL
No.
LORELAI
Michel, if you wanna go to this auction, you have to be in the lobby at six o'clock Friday morning. You have to hand out towels and water bottles, you have to show them the hiking trails, and you have to let them give you a nature name.
MICHEL
Fine, I will let them give me a nature name.
LORELAI
All right, then, you can come.
MICHEL
Thank you.
LORELAI
Buttercup.
MICHEL
You cannot give them suggestions!
CUT TO LORELAI'S FRONT YARD
[Lorelai and Rory get out of the Jeep; Lorelai is carrying a pizza, Rory is carrying a brown takeout bag]
RORY
I can't believe you got into a fight with Pete.
LORELAI
Hey, you do not suddenly decide that garlic is an extra topping, not after five years, not after all we've been through. We single-handedly helped Pete pay for that new delivery truck of his, and I thought he needed to be reminded of that fact.
RORY
Very loudly.
LORELAI
Not that loudly.
RORY
Dogs started barking.
LORELAI
Because they heard about the garlic incident, and no one likes getting screwed, Rory, not even a Schnauzer. Pete's a swindler. He takes advantage of single mothers and their innocent children and for that, he must pay – what?
RORY
He gave us free cheesy bread.
LORELAI
He did? Oh!
RORY
Yeah.
LORELAI
I love the cheesy bread.
RORY
I know you do.
LORELAI
It's all hot, too.
RORY
Now doesn't someone feel a little silly?
LORELAI
Me?
RORY
Should we call Pete tonight?
LORELAI
Okay, after cheesy bread.
RORY
Fine, after the cheesy bread.
LORELAI
I'm gonna go get the mail – go on inside.
RORY
Okay, I'm gonna go melt some more cheese on the pizza.
LORELAI
Melt away.
[Rory goes inside. Lorelai walks to the mailbox as a man walks across the yard]
DWIGHT
Hey! Hello there, neighbor!
LORELAI
Hi. I'm sorry, are we neighbors?
DWIGHT
Yes, yes we are. I just moved in across the way.
LORELAI
Oh, oh yeah, yeah, yeah, Beenie Morrison's old place.
DWIGHT
That's right, Beenie Morrison's old place.
LORELAI
Aw.
DWIGHT
Beenie Morrison's old place. I live in Beenie Morrison's old place. Isn't that great?
LORELAI
Only if Beenie Morrison didn't want to live there anymore.
DWIGHT
Oh no, I paid him a very good price. Overpaid, actually, but it was worth it. I've been dreaming about a place like Beenie Morrison's old place for a long time, and then I found it. I'm sorry, I'm just really excited.
LORELAI
That's okay, it's nice.
DWIGHT
It's a great neighborhood.
LORELAI
Yes, it is.
DWIGHT
Everyone's so friendly. Babette – do you know Babette?
LORELAI
Everybody knows Babette.
DWIGHT
Oh, she's a great lady. Oh, uh, anyhow, I'm Dwight.
LORELAI
I'm Lorelai. And if you see a teen walking around with a halo and a book, that's my daughter Rory.
DWIGHT
Very nice to meet you, Lorelai.
LORELAI
Nice to meet you too, Dwight. Welcome to the neighborhood. If there's anything I can do to help out, let me know.
DWIGHT
Really?
LORELAI
Sure.
DWIGHT
Well, that's great. Actually, I have this little favor I'd love to ask.
LORELAI
Oh, right now?
DWIGHT
Well, this week. You know, I just got this beautiful lawn put in, really amazing shade of green, and the guy who put it in for me, he told me that I have to keep each bade of grass very moist for the first few days while the roots take, but I have to go on a business trip for a few days. Huh, last minute, and believe me, I tried to get out of it but my boss said, 'Dwight, get off your keister and go make us some money', so I gotta go.
LORELAI
Well, sure, when the word keister's being thrown around, what are you gonna do?
DWIGHT
Exactly. So I was wondering if maybe you could water my lawn?
LORELAI
Oh.
DWIGHT
Only for a few days. You know, a little in the morning, a little in the late afternoon or evening, depending on your schedule. It would be a really big favor.
LORELAI
Uh, well, I guess, I could water your lawn, Dwight – sure.
DWIGHT
Boy, that is something. If I would have asked somebody back where I used to live to water my lawn, I would've gotten a much more HBO kind of answer. I love it here! Uh, so, uh, can you come on over now?
LORELAI
Excuse me?
DWIGHT
So I can show you where the on/off nozzle is. It'll only take a second.
LORELAI
Oh, my daughter's waiting inside for me, I –
DWIGHT
Oh, uh, well, we can do it tomorrow before I leave.
LORELAI
Great. What time are you leaving tomorrow?
DWIGHT
Six a.m.
LORELAI
Now sounds fine.
DWIGHT
That's so terrific. Uh, follow me.
LORELAI
Okay.
[Lorelai follows Dwight across the yard]
DWIGHT
You just gotta go over here and make a right.
LORELAI
Yeah. Oh, yeah, I know where it is.
CUT TO DWIGHT'S FRONT YARD
[Lorelai follows Dwight up the front pathway of his house]
DWIGHT
Welcome to The Oasis! That's what I named this place, The Oasis, my oasis, a little slice of heaven right here on Earth. Gosh, I swear, I still can't believe I'm here. I was in a terrible marriage, you know.
LORELAI
Actually, I didn't.
DWIGHT
Oh, yeah, horrible, like a punishment out of Greek mythology. The women had five heads, suffering, agony. You know, I used to be taller?
LORELAI
Really, she shrunk you?
DWIGHT
I used to have more hair, too.
LORELAI
Uh huh.
DWIGHT
And higher arches.
LORELAI
Wow.
DWIGHT
But through all the screaming and the name calling, the berating and the humiliation, somewhere in the back of my mind, I knew someday I would have it – my oasis. Oh, that's what got me through. That's what kept me from sticking my head through a plate glass window every night when I got home.
LORELAI
Well, that's a really nice story, Dwight. It's very inspiring and... oh, hey, this looks like it does something.
DWIGHT
Huh? Oh, uh, yeah, this is the on/off spigot.
LORELAI
Aha.
DWIGHT
You just turn it to the right for on.
LORELAI
Oh.
DWIGHT
And the left for off.
LORELAI
Seems simple.
DWIGHT
It's very simple.
LORELAI
Okay, so, twice a day.
DWIGHT
Yeah, for a good fifteen minute soaking.
LORELAI
I will soak my best.
DWIGHT
I really appreciate it.
LORELAI
Okay, well, you have a good trip.
DWIGHT
I owe ya.
[Lorelai walks back to her house; Rory is waiting on the porch]
RORY
Where have you been?
LORELAI
Get in the house.
RORY
I thought you were gonna go get the mail.
LORELAI
Go, go, go!
RORY
What are you doing?
LORELAI
Don't look around, stare straight ahead, no more talking to people ever!
RORY
Mom!
[Lorelai pushes Rory into the house]
CUT TO AUCTION
[An auctioneer stands on a stage running the auction; Lorelai and Michel are sitting in the audience.]
AUCTIONEER
Next up, we have an occasional table from a distinguished, family-owned company in Vermont, circa 1912. We shall start the bidding at two hundred-fifty dollars. Do I hear two-fifty? Two hundred fifty, thank you.
LORELAI
Wow, lots of garbage at these things.
MICHEL
Always. You've got to be patient and wait for what you want to appear, then pounce.
LORELAI
Hm, true at an auction, true at a singles bar.
MICHEL
To put it crudely, yes.
LORELAI
Crap, crap, crap that makes the previous two items not seem like crap.
MICHEL
Could you keep your crap commentaries to yourself?
AUCTIONEER
Four hundred dollars, we have four hundred, four hundred – going once, going twice, sold to bidder number sixty-five.
LORELAI
Aw, wow, that was a good table.
MICHEL
It was a good table, not a great table.
LORELAI
We should've gone for it.
MICHEL
Too expensive and too many scratches.
LORELAI
We could've buffed the scratches out.
MICHEL
Look, if you want it that bad, it's quite obvious that the buyer's children will be selling it at his probate in the very near future.
LORELAI
You're awful.
MICHEL
And he's old, now be quiet.
[Emily walks over to them]
EMILY
Lorelai?
LORELAI
Oh, hey Mom, you remember Michel?
EMILY
Yes, from the inn.
MICHEL
Hello Mrs. Gilmore.
EMILY
Didn't you see me waving at you before?
LORELAI
Yeah.
EMILY
You didn't wave back.
LORELAI
It's dangerous to wave at an auction. You didn't see before, but when you waved you bought a motorcycle and a sidecar.
EMILY
I did not.
LORELAI
Circa 1912. Now would you drive it or would you sit in the sidecar?
[A woman walks up to them]
NATALIE
There she is, the Cobra.
EMILY
Oh, now, Natalie.
LORELAI
The what?
NATALIE
This woman gets her way or she squeezes 'til you comply.
LORELAI
Like a superhero.
EMILY
Ignore her, Natalie is just being Natalie. My daughter, Lorelai.
LORELAI
Nice to meet you.
NATALIE
Your mother's got such spunk. You must love her.
LORELAI
I think she'd squeeze me to death if I didn't.
EMILY
Natalie, you're embarrassing me.
NATALIE
Oh, hush, Emily. Listen to this... our auctioneer calls in sick this morning, they are such flakes, and what is an auction without an auctioneer?
LORELAI
Just a bunch of nuts with paddles surrounded by mismatched furniture?
NATALIE
Exactly. But your mother got on the horn with that lazy Charlie and she squeezed and squeezed 'til – voila – he suddenly felt better. The Cobra.
LORELAI
The Cobra.
EMILY
Oh, now, stop it.
NATALIE
You're humble, don't be. Nice to meet you.
LORELAI
Same here.
NATALIE
Edna's group wants to give you kudos, too, Emily. Make sure to swing by.
EMILY
I will.
[Natalie leaves]
EMILY
I should make the rounds. Say goodbye before you leave.
LORELAI
Hm, I will, Cobra.
EMILY
Stop it.
LORELAI
It goes with the motorcycle thing, too.
[Emily walks away, Lorelai sits down]
AUCTIONEER
Do I have two hundred-fifty? Two hundred-fifty, thank you. Do I have three hundred? Three hundred, thank you very much.
LORELAI
Oh, is this our end tables?
MICHEL
Shh!
AUCTIONEER
Moving on to three-fifty? Three-fifty, do we have four?
LORELAI
Let me do the paddle.
MICHEL
No.
LORELAI
I just wanna hold it, it's still your thing.
MICHEL
I'm losing my concentration.
LORELAI
Fine. I'm gonna go get a drink.
MICHEL
Please.
AUCTIONEER
Do we have five hundred?
[Lorelai walks up to the bar as a man is ordering a drink]
PEYTON
Can I get a Merlot, please?
BARTENDER
Yes sir.
LORELAI
Oh, that sounds great, make it two.
BARTENDER
[pouring drink] Got just enough for one and this is the last of the red, sorry.
LORELAI
Aw. I'll give you two bucks for it.
BARTENDER
They're free.
LORELAI
Which makes two bucks a great offer, and this is an auction, right?
BARTENDER
Yes.
PEYTON
Three.
BARTENDER
What?
PEYTON
I'll give you three for it.
LORELAI
Four.
PEYTON
Five.
LORELAI
Six.
PEYTON
Six-fifty
LORELAI
Ooh, losing steam.
PEYTON
Just weighing cost versus benefit.
LORELAI
Well, you've gotta think about these things.
PEYTON
How about this? Can I get an empty glass?
BARTENDER
Yes, sir.
[Peyton pours some of the wine into the second glass]
LORELAI
Aw. You're the Solomon of wine.
PEYTON
Everybody's gotta be something. I got a few things coming up that I'm bidding on.
LORELAI
Oh, oh. Great, the bartender and I are the only ones in the building that don't get to hold a paddle.
PEYTON
Why don't you put a bid on one of the paddles?
LORELAI
What would I use to bid on it?
PEYTON
I'm Solomon, not Einstein.
LORELAI
Bye Solomon.
[Peyton walks away as the bartender pulls out another bottle of wine]
BARTENDER
Oops, I had a spare bottle all the time.
LORELAI
Oh, thanks. This was better.
CUT TO LORELAI'S HOUSE
[Lorelai walks into the kitchen while talking on the phone]
LORELAI
Hi, yes, I was at your auction yesterday and I was wondering if you could help me. Um, I met a man there and I would like to contact him but I didn't get his name and I wondered if you could look it up for me. He was paddle number seventeen, and... Oh right, confidential, got it... Well, you know, actually, I misspoke earlier because this isn't a complete stranger I'm trying to contact here, he's an old friend from school... Good question. Well, I don't know his name because I only knew him by his nickname... Uh, Shamu. We called him Shamu. He was kind of, um, a big guy in high school, but he's slimmed down quite a bit... No, see, I don't have time to contact the high school alumni committee because time is of the essence... See, Shamu and I went to a liquor store after the auction and we bought a lottery ticket together and we tore it and I took half and he took half, and I'll be damned if the thing didn't win! ... Fourteen million dollars! ... Really, but see, we have to claim it by four p.m. today or we forfeit... Ah, yes... Oh, well, but there's one more thing that I forgot to tell you. See, um, my blood type is o-negative and he's o-negative and I have a medical condition that... All right, then. Well, thank you anyway. Bye. [hangs up]
RORY
So...
LORELAI
Yes?
RORY
You ran into your old friend Shamu?
LORELAI
Mmhmm.
RORY
And you won millions of dollars?
LORELAI
Yup.
RORY
And you need a transfusion?
LORELAI
I'm just trying to get the name of a really cool guy I met at this auction, but they won't give it to me.
RORY
Wow, that's a lot of effort. Must've been cute.
LORELAI
And witty – you don't meet that everyday.
RORY
You know who would have his name?
LORELAI
Who?
RORY
Grandma.
LORELAI
Ah, no, she only knows the Bitty's, she doesn't know the young ones.
RORY
She knows everyone at these kinds of things. You know Grandma.
LORELAI
I cannot ask her for this.
RORY
Then kiss Shamu goodbye.
LORELAI
But maybe you could ask her.
RORY
What?
LORELAI
Come on, ask her, do me a favor!
RORY
You want me to ask Grandma for the name of a man that I didn't meet at a function that I didn't attend?
LORELAI
I'll share my lottery winnings with you.
RORY
It's ridiculously transparent.
LORELAI
Fourteen million dollars.
RORY
But you're sharing half with him and taxes will take a huge chunk, and oh yeah – you didn't win the lottery. Ask her yourself.
LORELAI
You're mean.
RORY
Did you call information and ask them for paddle seventeen's listing?
CUT TO ELDER GILMORE RESIDENCE
[Lorelai, Rory, Emily and Richard are eating dinner]
EMILY
What do you think of the pork? Rory?
RORY
It's good.
EMILY
I'm not sure. Richard?
RICHARD
It's fine.
EMILY
I'm not sure.
LORELAI
It's really good, Mom.
EMILY
Yes, well, I'm not sure.
RICHARD
Pork is bred leaner these days. It has a different taste. Less fat equals less flavor. Yet another example of the great advances man has made, flavorless pork. Hurrah for the opposable thumbs.
EMILY
All right, enough talk about pork. Please, someone change the subject.
RORY
Mom had a really good time at the auction the other day.
EMILY
Did you?
LORELAI
Yes, yes, I did.
EMILY
Well, I'm glad. Did you see anything you liked?
RORY
Yeah, Mom, anything look good to you there?
LORELAI
Yes, actually, I, uh, bought a couple of end tables for the inn.
EMILY
I must say I was very impressed with the selection this year. I even wound up purchasing a couple of pieces for myself.
RICHARD
Yes, how nice to have yet another chair you can't sit in.
EMILY
It's one hundred years old.
RICHARD
Wonderful. We can put it next to the two-hundred-year-old footstool you can't put your foot on.
EMILY
Oh, Richard, please.
RICHARD
I'm only teasing, Emily. It is one of the great pleasures of my life to be able to surround you with a house full of useless objects. No, I'm never happier than when we're standing in the corner staring at our furniture.
EMILY
Eat your pork, please.
RORY
You know, I believe there was something at the auction that Mom wanted but she didn't get. Isn't that right, Mom?
EMILY
Oh really? What was that?
LORELAI
I think it was a steamer trunk for Rory to take with her to military school, wasn't it, honey?
EMILY
I don't remember a steamer trunk, but I can check on it for you if you like.
LORELAI
That's not necessary, Mom. Uh, so, Mom, it was a very nice bunch of people you had at that auction.
EMILY
Yes, very nice.
LORELAI
I was surprised at how many young people were there. I mean, you know, younger people. Um, in fact, uh, like, for instance, this guy that I talked to for quite awhile, he was... younger.
EMILY
What man was that?
LORELAI
Oh, I didn't get his name, but he was a nice looking guy. He had a gray suit and he was paddle number seventeen. He likes Merlot.
EMILY
Are you talking about Peyton Sanders?
LORELAI
Oh, I don't know, maybe.
EMILY
Wait one second, I'll look it up.
LORELAI
Oh, no no no, Mom, you don't have to ... she's looking it up.
EMILY
Paddle number seventeen, Peyton Sanders.
LORELAI
Oh great, oh, Peyton Sanders. Well, that's great that it's Peyton Sanders... 'cause that's, uh, great. How well do you know this Peyton Sanders?
EMILY
Why?
LORELAI
What?
EMILY
Why do you wanna know how well I know Peyton Sanders?
LORELAI
I don't wanna know. I was just mentioning that he was, you know, seemed... uh, you know...
EMILY
Young.
LORELAI
Yes, young. Okay, Mom, uh, Peyton and I kind of hit it off and I wondered if you possibly had his number... okay, there, I said it. Pass the flavorless pork.
EMILY
You're asking me for his number?
LORELAI
If it's not a big deal, then yes.
EMILY
Well, well, well. Richard, Lorelai's asking me for a man's number.
RICHARD
So I heard.
LORELAI
But if it's a big deal, forget it.
EMILY
It's not a big deal at all. I don't have his number.
LORELAI
Okay, then, never mind.
EMILY
I can get his number. Would you like me to get his number?
LORELAI
Um, it's up to you.
EMILY
It can't be up to me. I didn't ask for his number, you asked for his number, therefore it has to be up to you as to whether or not I get his number.
LORELAI
Okay, Mom.
EMILY
Would you like me to get his number?
LORELAI
Yes, if you don't mind.
EMILY
I don't mind at all.
LORELAI
Thank you.
EMILY
You're welcome.
LORELAI
I wasn't kidding about that military school.
CUT TO LORELAI'S HOUSE
[Lorelai rushes down the steps]
LORELAI
Okay, the clock is right! If we hurry, we still have time to hit Luke's for breakfast. What'd I forget?
RORY
[rushing into the living room] Pants.
LORELAI
Uh! Ooh, don't do that. Come on, let's go!
RORY
I can't.
LORELAI
You can't have breakfast? You have to have breakfast.
RORY
The clock is wrong, I'll miss my bus.
LORELAI
Forget your bus, I'll drive you to school.
RORY
You will?
LORELAI
Yes. Oh shoot!
RORY
What?
LORELAI
Dwight's lawn.
RORY
Aw, there goes the breakfast sandwich.
LORELAI
No, no, let's hurry, we can still do Luke's.
RORY
Mom!
LORELAI
Let's go!
RORY
Agh, my shoes!
LORELAI
You don't need shoes! In my day, we walked twenty miles in the snow just to get to our shoes!
RORY
Aw, come on.
CUT TO DWIGHT'S FRONT YARD
[Lorelai and Rory walk up the front pathway.]
LORELAI
Okay, come on, sprinkle. [turns on the sprinkler] There, drink up boys, we've got a breakfast to get to.
[Rory walks to the porch and finds an envelope]
RORY
Mom.
LORELAI
What?
RORY
I think this is for you.
LORELAI
Lorelai? No, it must be someone else. Hey, don't read that. Do not read that. I'm telling you, no good can come from you reading that.
RORY
'Dear Lorelai... '
LORELAI
And she's reading it.
RORY
'Just a couple of things that came to mind after we talked.'
LORELAI
Oh great.
RORY
'First of all, thank you for this very kind favor you're doing me. I still can't believe that any one person would be so kind to someone they just met.'
LORELAI
Yeah, apparently Dwight's last home was Oz, and not as in 'The Wizard Of.'
RORY
'Second, since you are already coming over to take care of my lawn, I was hoping you wouldn't mind stopping inside and watering my African violets. I have written the directions on a separate piece of paper, there's a key in the planter by the door. Please go in, make yourself at home. I have food in the fridge, satellite TV, and a great collection of board games. My oasis is your oasis.'
LORELAI
I'm not going in that house. Rory, do not pick up that key.
RORY
But we have to water the violets.
LORELAI
No, I didn't agree to violets. He threw the violets in after he'd already rooked me into watering his lawn.
RORY
Don't you at least wanna see what his house looks like?
LORELAI
Absolutely not. Key, please. Let me just say, if we walk in there and his dead mother is sitting in a rocking chair, not a bit surprised.
[cut to inside Dwight's house]
LORELAI
Oh, yeah, Dwight.
RORY
This place is great.
LORELAI
Someone took the whole lounge craze very seriously.
[they see a large cabinet filled with board games]
RORY
Oh my.
LORELAI
Oh geez, he wasn't kidding.
RORY
I have never seen this many board games. He's got Monopoly from every country in the world.
LORELAI
Hey, when you finally meet him?
RORY
Yeah?
LORELAI
Remember he owns Twister – there's a great visual awaiting you.
RORY
Got it. Hey, how come we don't have a tiki bar?
LORELAI
Well, we are not two wild and crazy guys.
RORY
You like pina coladas.
LORELAI
And getting lost in the rain.
RORY
I love it here.
LORELAI
It's quite a statement, I'll give him that.
RORY
Hey, African violets.
LORELAI
Oh yeah, right. [cell phone rings] Just a sec. [answers phone] Hello?... Hi Peyton, thanks for calling me back... Well, I hope it was a good surprise. [whispers to Rory] It was a good surprise.
RORY
Yay.
LORELAI
[on phone] You just flew back on your jet, huh? ... From Maui? Sounds great... Yes, I would love to get together with you... Um, I'm pretty flexible next week. What'd you have in mind? ... David Bowie?
RORY
What?
LORELAI
I love David Bowie, I would love to go... Oh, well, yeah, it is a ways away, but... No, I think that sounds just crazy enough.
RORY
What sounds crazy enough?
LORELAI
Well, that sounds great, Peyton. It's a plan... I'll see you then, okay, bye. [hangs up] We're having dinner tomorrow.
RORY
What were you saying about David Bowie?
LORELAI
Well, first, he asked me to the David Bowie concert next week.
RORY
You're so lucky!
LORELAI
I know! And once that was set, he said that a week was an awfully long time to wait.
RORY
He did not.
LORELAI
So we're having dinner tomorrow.
RORY
And Bowie next week.
LORELAI
And Bowie next week.
RORY
Two dates in one phone call. Talk about not wasting any time.
LORELAI
He sounds very cool, and not just 'cause he owns his own jet.
RORY
Well, remember to tell him that the way to get to you is through your daughter, who desperately wants to go to Amsterdam.
LORELAI
I will remember.
RORY
I think this place is lucky.
LORELAI
I think you may be right. Of course, creepy's the other word that comes to mind.
CUT TO LORELAI'S BEDROOM
[Lorelai is getting dressed in the closet as Rory reads on the bed]
LORELAI
[from inside the closet] The red skirt is not working.
RORY
Try the blue.
LORELAI
Blue let me down ten minutes ago, I think it's conspiring with the red.
RORY
I wish you'd just wear the dress we picked out this morning.
LORELAI
No, you know as well as I do, the morning butt and evening butt are two completely different butts.
RORY
Well, whatever butt you've got tonight had better hurry because he's gonna be here any minute.
LORELAI
Rats. Fine, okay, striped skirt, burgundy sweater, that's it. [walks out of closet] What do you think? And remember, I'm wearing this no matter what because I cannot spend one more second deciding what to wear, so the answer has to be, 'You look fantastic.'
RORY
You look fantastic.
LORELAI
[grabs a shirt from the bed] Pink and black.
RORY
With a flippy skirt.
LORELAI
Grab a necklace?
[Lorelai walks back into the closet to change]
LORELAI
Um, okay, here is my concern.
RORY
Voice it.
LORELAI
Well, you know, I only saw this guy once for like ten minutes and the lighting was only so-so and I hadn't eaten anything, and, like, what if I'm remembering him a lot cuter than he was?
RORY
I'm sure you're not.
LORELAI
Yeah, but what if I am? You know how these things are. You get bored, you need a diversion, so you superimpose a really cute guy's face over a really scary looking guy.
RORY
Well, then you'll just have to strike up a conversation with him and find out what kind of a man he is beneath the surface.
LORELAI
What? On the first date – what will he think of me?
RORY
Just order an extra dessert.
LORELAI
Okay, fine. Well?
RORY
I like the brown.
LORELAI
Come here a sec, you've got some dirt on your forehead. I'm sorry, it's just the sign of the devil, my mistake.
RORY
You look beautiful.
LORELAI
Thank you. [they hear a car pull up] I think that's him. [they look out the window] Well, the car sure is pretty.
RORY
Come on.
[cut to them walking down the stairs]
LORELAI
Okay now, if for some reason, he does turn out to have like a horn in the middle of his forehead, you will call me in one hour with a very high fever.
RORY
Deal.
LORELAI
God, I'm nervous. Why am I nervous?
RORY
Because you're crazy.
LORELAI
Yes, good, thank you.
[Lorelai pulls open the door]
PEYTON
Hi.
LORELAI
[to Rory] You're feeling just fine. [to Peyton] Hey Peyton.
PEYTON
Am I early?
LORELAI
No, you're right on time. Peyton, I want you to meet my daughter, Rory.
PEYTON
It's a pleasure, Rory.
RORY
Hi.
LORELAI
Okay, so, don't wait up and remember only two or three crackheads at the most, they eat all the good cereal.
RORY
Deal. Have fun.
PEYTON
It was nice meeting you, Rory. [to Lorelai] You look wonderful.
LORELAI
Oh, so do you Peyton. So do you.
CUT TO RORY'S BEDROOM
[Rory is in bed, Lorelai knocks on the door]
LORELAI
You up?
RORY
What time is it?
LORELAI
10:15.
RORY
Oops.
LORELAI
Yup.
RORY
What happened? He was hornless.
[Lorelai sits down on Rory's bed]
LORELAI
No, he had no horns, he also had no personality.
RORY
Yikes.
LORELAI
And no sense of humor.
RORY
Gross.
LORELAI
And no idea how boring he was.
RORY
I'm sorry.
LORELAI
That's okay. The evening started well enough – that is, until we got to the car... a Jaguar XJ8 convertible with a 290 horsepower engine, in case you were wondering. You weren't? Funny, neither was I. However, he told me anyhow. He told me a lot of other things about the car, also. Like, did you know how many inches the pistons are? I do! I also know the correct oil to use for it, how to treat the leather interior, and how to load it onto a flatbed truck in case of a flat tire.
RORY
Geez, did he talk about anything else but the car?
LORELAI
Not until we got to the restaurant ... and the wine list.
RORY
Oh no, he's a wine-y?
LORELAI
Yes, he sniffed, swirled, swished, and did every other pretentious and borderline-disgusting thing that you can do with a glass of wine in a public place, and he did it all while describing to me the vintage discrepancies and the wood they use for the barrels in Palermo and the grape crop projections for the following year. And I, in turn, chimed in with my story about getting sick on Andre Cold Duck in the back of Peter Cutler's car in ninth grade. He didn't find that quite as charming.
RORY
I can't believe that. That is one of your best anecdotes.
LORELAI
I know! So I stopped talking. He continued talking and I just sat there thinking about Peter Cutler. How was Peter Cutler? Where was Peter Cutler? Was there any chance that Peter Cutler would appear and kill the man sitting across from me talking about torque?
RORY
Was the food good at least?
LORELAI
Tiny portions, weird sauces.
RORY
I'm sorry.
LORELAI
That's okay. You don't know until you try, right? Anyhow, I am going to go to bed now and dream of Peter Cutler. Hopefully, it will be dirty.
RORY
What about Bowie?
LORELAI
Unh uh! I'm not sharing Peter Cutler with Bowie.
RORY
Are you still going?
LORELAI
No. There's no way I could stand this guy for another night. I'll catch Bowie the next time he does a farewell tour.
RORY
Bummer.
LORELAI
I know.
RORY
Night Mom.
LORELAI
Night babe. Oh, and hey, tomorrow, I'll fill you in on how many hours you have to clock to get your pilot's license.
RORY
I cannot wait.
CUT TO INDEPENDENCE INN
[Lorelai and Michel are at the front desk]
LORELAI
Well, the quilting convention is sitting down to tea.
MICHEL
Uh, I'm doing internal cartwheels.
LORELAI
Any messages?
MICHEL
Your mother called. The auction people dropped the lamp that we bought at her place and dropped hers off here and she's desperate to have it for some soiree at her house this evening.
LORELAI
Oh, swell. Well, I guess I can take it to her when I do my other errands. I can pick up Rory, too. [picks up a bowl] This is cool.
MICHEL
Yes, it was a personal purchase.
LORELAI
I want it, what is it?
MICHEL
An eighteenth century bleeding bowl.
LORELAI
A bleeding bowl?
MICHEL
When doctors bled patients, the blood had to go somewhere, no?
LORELAI
Okay – return lamp, pick up Rory, boil right hand.
CUT TO ELDER GILMORE RESIDENCE
[The doorbell rings, Emily answers. Lorelai is holding a lamp]
LORELAI
Hey Mom, I think this is yours.
EMILY
Ah! Yes, it is. And I believe this is yours.
LORELAI
Yes, it is.
EMILY
That auction house is usually so good with deliveries. I'm surprised at the mix up.
LORELAI
Oh, well, Gilmore and Gilmore – there's kind of a connection there.
EMILY
Yes, I suppose there is.
LORELAI
Okay, well, I have to pick up Rory in a little while, so we'll see you Friday.
EMILY
Would you like to sit down, maybe have some coffee?
LORELAI
Oh, I don't wanna leave her standing there.
EMILY
Well, Rory doesn't get out for another half an hour. You've got a little time.
LORELAI
Okay, I guess I can stay a minute.
EMILY
Wonderful. I'll get you a stopwatch so you can keep exact time.
LORELAI
Uh, that won't be necessary, Mom.
[they walk to the living room and sit down]
EMILY
So, how is everything?
LORELAI
Everything's fine.
EMILY
And how's everything with Rory?
LORELAI
Everything with Rory's fine.
EMILY
And how's everything at the inn?
LORELAI
Everything at the inn is fine.
EMILY
And how was your date?
LORELAI
My what?
EMILY
Your date with Peyton.
LORELAI
Well, my date was, shockingly enough, fine. How did you know about his date?
EMILY
His mother told me.
LORELAI
You know his mother?
EMILY
A little.
LORELAI
Oh good.
EMILY
So, tell me, what did you do?
LORELAI
When?
EMILY
On your date.
LORELAI
Oh, well, we just went to dinner, that's all.
EMILY
I heard you went driving around afterward.
LORELAI
Well, sure, uh, you know, we drove in the direction of my house. I guess you could call that driving around.
EMILY
I heard Peyton had a lovely time.
LORELAI
Did he? Well, that's nice, I'm glad. I should really get going, Mom.
EMILY
Oh, you have a little more time. I wanna hear more about your date.
LORELAI
Well, it was just a date, you know, nothing special. Two people eating and talking – one person talking slightly more than the other.
EMILY
Had he called you since?
LORELAI
No, but –
EMILY
Oh, well, it was only last night, there's time. I just think this is so exciting.
LORELAI
You know what, Mom, I wouldn't get too excited if I were you.
EMILY
Why not?
LORELAI
Well, because we didn't really hit it off that well.
EMILY
What?
LORELAI
No one's fault, he's just not really my type.
EMILY
What do you mean he's not your type?
LORELAI
Well, we just don't have any of the same interests, and we didn't find a whole lot to talk about. You know, basically the date was kind of a dud.
EMILY
Oh, well, that's too bad.
LORELAI
Yeah.
EMILY
Well, you'll just have to try a little harder on the next date.
LORELAI
Excuse me?
EMILY
Aren't you going to a concert together next week?
LORELAI
Ah, that Peyton's a real Mama's boy, isn't he?
EMILY
Just because he shares his life with his mother doesn't make him a Mama's boy, Lorelai.
LORELAI
I'm not gonna go to the concert with him, Mom.
EMILY
But I thought you had a plan.
LORELAI
We did, but that was before we spent any time together and realized we can't spend any time together.
EMILY
You're not gonna cancel on him.
LORELAI
Mom, believe me, he won't be surprised. He didn't have that great a time either.
EMILY
Lorelai, you have to go to the concert. You made a commitment to someone, you have to honor it.
LORELAI
Mom, this is my business, okay?
EMILY
Ugh, this is so like you.
LORELAI
What is so like me?
EMILY
You spend five seconds with a person and if they say one wrong thing, you turn on them and never give them a second chance.
LORELAI
What?
EMILY
You are extremely judgmental, Lorelai.
LORELAI
I'm not extremely judgmental of the pot calling the kettle black. I spent two and a half hours with a man who talked about nothing but himself, his place, his car...
EMILY
He's proud of his accomplishments. What's wrong with that?
LORELAI
He didn't end world hunger, Mom. He simply made the grueling decision to spring for the bigger tires.
EMILY
Lorelai.
LORELAI
Mom, you know what, I have to go.
EMILY
We're not finished discussing this.
LORELAI
There's nothing to discuss. Rory's waiting. I'll see you Friday.
CUT TO LUKE'S DINER
[Lorelai and Rory are sitting at a table]
LORELAI
Ooh, I got you a present.
RORY
What?
LORELAI
In my purse.
[Rory reaches into Lorelai's purse and pulls out a videotape]
RORY
Cardio Salsa.
LORELAI
Yeah, they play the Miami Sound Machine and you dance around, you get a really great workout.
RORY
Why would you buy me this?
LORELAI
Because I'll feel stupid doing in alone.
RORY
Too bad.
LORELAI
Come on.
RORY
No way.
LORELAI
Salsa with me. Pretend I'm Antonio Banderas.
RORY
If you were standing in back of Antonio Banderas, I couldn't pretend that you were Antonio Banderas.
LORELAI
Don't you want your mother to live a long and healthy life?
RORY
Not if I have to do Cardio Salsa.
LORELAI
What?
RORY
Nice knowing you, senora. Adios.
[Lorelai's cell phone rings]
LORELAI
I would salsa for you.
RORY
Well, luckily, you'll never have to.
LORELAI
[answers phone] Hello... oh, Dwight, hi, it's nice to hear from you, too... yeah, hey, how did you get my cell phone number? ... oh, yeah, gotta love that Babette, huh? ... oh, the lawn's fine... okay... okay... sure, Dwight, you have a safe trip... yeah, bye. [hangs up] It seems that Dwight has been checking the weather reports and Stars Hollow is going to be extra sunny for the next few days, so he was wondering if instead of watering the lawn twice a day for fifteen minutes, we could water it three times a day for ten minutes.
RORY
He should really get a dog.
LORELAI
Only if that dog doesn't mind using the bathroom at the gas station 'cause that lawn is definitely off limits.
RORY
True.
LORELAI
So, I have to get back to the inn... could you, um, water for me?
RORY
It was your idea to do it.
LORELAI
I can't, I have a China shipment coming in.
RORY
Do it tonight.
LORELAI
Dwight says it needs it now, and if we let that lawn die, he's gonna vibe us for the rest of our lives.
RORY
Not me, I'm going off to college next year.
LORELAI
You'll be home for holidays.
RORY
Maybe not now.
LORELAI
You would stay away from me on holidays just because of Dwight?
RORY
Hey, nobody wants vibing on the holidays.
LORELAI
Rory, please? I'm gonna be seriously late if I have to go all the way home.
RORY
Fine.
LORELAI
Thank you. You're my favorite daughter.
RORY
You say that to all your daughters.
LORELAI
Yes, I do, but I only mean it with you.
RORY
Bye.
LORELAI
Bye.
[Rory leaves; Lorelai's cell phone rings again]
LORELAI
Oh, Dwight, please, you are on a business trip – get a hooker. [answers phone] Hello?
RICHARD
Lorelai, good, I'm glad I got you. I just wanted you to know that I am playing golf with Peyton's father Brennan on Sunday.
LORELAI
Okay. [pause] Wear sunscreen.
RICHARD
I will call you afterward and we can evaluate how to proceed from there.
LORELAI
What are you talking about?
RICHARD
Well, I'm not sure how much damage has been done so I need some time with the man to assess whether or not a simple apology will work.
LORELAI
Apology from who?
RICHARD
From you.
LORELAI
For what?
RICHARD
For the way you treated Peyton.
LORELAI
Are you serious?
RICHARD
Of course I'm serious.
LORELAI
Dad, this is none of your business.
RICHARD
It certainly is my business.
[Lorelai walks outside]
LORELAI
No, who I date or do not date is absolutely none of your business.
RICHARD
Peyton's mother is in the DAR with your mother.
LORELAI
I know that.
RICHARD
She's also on the Opera Committee with your mother, the hospital board with your mother, the horticultural society with your mother.
LORELAI
I get it, they hang, what's the point?
RICHARD
This woman is a very important person in our social circle. She may have taken what you did the wrong way, which could affect her relationship with your mother.
LORELAI
Dad, all I did was not go on a second date with her fully grown son. There's no way she's gonna be mad at Mom for that.
RICHARD
Lorelai, you obviously do not understand the way things work in your mother's world. There is a certain protocol that must be followed, social rules that dictate proper behavior, and these rules must be very strictly adhered to.
LORELAI
Dad, I'm not going out with Peyton again, period.
RICHARD
Lorelai, let me tell you a little story. Now, two years ago, Sally Wallington's check for the winter formal bounced.
LORELAI
So?
RICHARD
It took her two weeks to replace the check.
LORELAI
So?
RICHARD
When Sally attended the next DAR meeting, she was served the last cup of tea.
LORELAI
Soooo?
RICHARD
Before this unfortunate incident, Sally Wallington always received the first cup of tea. When she was suddenly demoted, your mother moved up to the prime tea spot, and she's held that spot ever since. Now, she's very proud of that spot, and now she's afraid that this little incident may jeopardize it.
LORELAI
Dad, I explained this to Mom and I'll explain it to you. I'm not sixteen, I don't live with you anymore, I've been making my own decisions, romantic and otherwise, for a long time now and you can play all the golf you want but the subject better be letting chicks into the Augusta Golf Club because my love life is officially off limits.
RICHARD
Didn't you hear what I just said?
LORELAI
About the tea? Yes, I heard it, and I'm sorry, but it sounds insane.
RICHARD
Of course it sounds insane! It is insane, that is not the point.
LORELAI
Okay, then what's the point?
RICHARD
The point is your mother is upset, and I don't want her to be upset. Now, you may not understand her world, I may not understand her world, but it is her world, and in her world it is very, very important that she have the first cup of tea. And I don't care about your independence or what you told your mother or anything else you have to say – if my wife wants the first cup of tea, she's going to have the first cup of tea, that's it! Now, I will call you after I play golf. [hangs up]
CUT TO DWIGHT'S FRONT YARD
[Rory turns on the sprinklers, then walks into the house. The phone rings]
DWIGHT
[on answering machine] Hey, it's Dwight, leave a message, I'm listening.
WOMAN
[on answering machine] Dwight, hi it's Doris. Doris, your wife, remember me? The woman who was asleep in bed when you snuck out the window like a spineless little worm! How dare you sneak out like that, you sniveling little pond scum sample! I should call Erin Brockovich to bring a lawsuit against your parents, you steaming lump of toxic waste! You really thought you could get away from me? From me? I would've found you sooner if I had bothered to look, but now I have, I found you, and all I can say is this – I want my board games back! I want them back and I want them back now! And I will hunt you down to the ends of the Earth until I get them back – especially the Trivial Pursuit!
[Rory walks outside and tries to turn the sprinklers off, but instead turns them up higher]
RORY
Whoa! Agh! [she tries to turn them off] Whoa, gross! [she gives up and pulls out her text pager] Dean, please have your pager with you, please, come on. Dean, come on! Damn you and your Unabomber tendencies! Aw man! [runs away from the house]
CUT TO SIDEWALK
[Rory, soaked from the sprinklers, runs down the street and bumps into Jess]
JESS
Whoa, whoa, slow down.
RORY
Get out of my way.
JESS
I like the new look. It's very Blue Crush.
RORY
Hilarious.
JESS
What's the matter?
RORY
Nothing.
JESS
You're walking pretty fast for nothing.
RORY
Well, our president said exercise and I am very patriotic.
JESS
And completely soaked.
RORY
Where is everyone?
JESS
Who are you looking for?
RORY
No one.
JESS
Rory, stop. What's the matter – other than the fact that you're obviously out of towels.
RORY
This guy moved in across the way from us and we said we'd water his lawn and the grass can only be watered in ten minute increments, otherwise the lawn drowns, and the thing is stuck and it won't turn off and I have to find someone, Luke or Taylor or ... [Jess starts walking away] Where are you going? Jess!
CUT TO DWIGHT'S FRONT YARD
[Rory follows Jess up the pathway to the spigot]
RORY
You don't have to do this. I didn't ask you to do this. I can just find someone else to do it. [Jess turns off the sprinkler] Aw, you made it look so easy.
JESS
Yeah, it was loose. You just had to press down and give it a good twist, that's all.
RORY
Well, thank you.
JESS
You're welcome. So things are good?
RORY
Oh, yeah, really good.
JESS
School?
RORY
Good.
JESS
Still gonna do the Harvard thing?
RORY
Yeah.
JESS
Good.
RORY
Yeah, good. So... [pager goes off] My pager.
JESS
Yeah, I figured.
[Rory checks the pager, then puts it away]
JESS
Who is it?
RORY
It's, uh, Dean. I paged him earlier to come over and help me and he just got the message, so he's...
JESS
Coming over to help.
RORY
Yeah.
JESS
Okay.
[Jess turns the sprinkler back on and walks away]
CUT TO ELDER GILMORE RESIDENCE
[The doorbell rings, Emily answers the door]
LORELAI
Hi Mom.
EMILY
Hello Lorelai.
RORY
Hi Grandma.
EMILY
Hello Rory. That's a pretty sweater.
RORY
Thank you.
[they start walking to the living room]
EMILY
I do love you in blue, you should wear blue more often. Buy her more blue, Lorelai.
LORELAI
Oh, I'll get right on it. So, I brought you something Mom.
EMILY
Oh really? Soda, Rory?
RORY
Yes, please.
LORELAI
Um, these are some pictures from Sookie's wedding. There's a great one of you and Dad dancing. I put 'em in an album for you.
EMILY
Well, that's very nice, thank you.
LORELAI
You wanna see?
EMILY
I'm making drinks right now, Lorelai.
LORELAI
Right, later it is.
EMILY
[hands Rory a glass] Here you go. [hands Lorelai a glass] Here.
LORELAI
Oh, guess I'm having wine.
EMILY
You didn't want wine?
LORELAI
Wine's fine.
EMILY
Give it back, I'll get you something else.
LORELAI
No, I'm good with wine, Mom.
EMILY
I can make you a martini, would you like a martini?
LORELAI
No, I just – you usually ask me what I want, and tonight you didn't ask me what I wanted so I didn't have a chance to tell you how much I would love some wine.
EMILY
I bought some cheese to have before dinner.
RORY
Great, we love cheese.
LORELAI
It goes great with wine.
EMILY
I will be right back. [leaves room]
LORELAI
Boy, it's cold in here.
RORY
It's a lot colder where you're sitting.
LORELAI
Ugh. She's mad at me.
RORY
Yup.
LORELAI
Think she's gonna be mad at me all night?
RORY
Yup.
LORELAI
I guess I should go in there and talk to her.
RORY
Yup.
LORELAI
You wouldn't wanna go in there and talk to her for me?
RORY
Nope.
LORELAI
Good thing you don't get paid by the word.
RORY
The sooner you get in there, the sooner you get cheese.
LORELAI
Fine.
CUT TO KITCHEN
[Emily is preparing a plate of cheese as Lorelai walks in]
LORELAI
Need some help?
EMILY
No, I'm fine, thank you.
LORELAI
Mom, I just wanted to say I'm sorry.
EMILY
Sorry for what?
LORELAI
Sorry about the whole Peyton thing. When I asked you for his number, I didn't think...
EMILY
Think about what?
LORELAI
Think about what would happen if things didn't work out with us. I mean, I know his mom is your friend, and I shouldn't have even gotten mixed up in this whole thing if I wasn't prepared to remember that what I do will affect you, and to me it's just a Bowie concert, but to you, it's not. I was a little thoughtless and I'm sorry, but you have to understand that I was not lying when I said we had a bad time. We had a really, really, really, really, really bad time. I swear, it was one of the worst times I've ever had, it was awful. Do you remember skiing with the Danners and their Dobermans?
EMILY
Oh, God, yes.
LORELAI
This was worse. And, by the way, not just for me – it was pretty bad for him, too. It wasn't like he was in love and I was miserable. We were both in pain – deep pain, Marathon Man kind of pain. But despite all of this horrible pain that we were both in, and would be in again if we had to spend one more second together, if you really want me to, I will go to the Bowie concert with him.
EMILY
Well, your saying that means a lot.
LORELAI
Hm.
EMILY
Thank you, Lorelai. Borrow Rory's sweater when you go. [leaves room]
LORELAI
[sings] Ground control to Major Tom...
THE END