T4E18: “Tick, Tick, Tick, Boom!”
Título em Português: “Bomba Relógio”
Roteiro e direção: Daniel Palladino
Originalmente exibido em: 20 de abril de 2004
OPEN AT LUKE'S DINER
LORELAI
All right, Davey, here comes the airplane.
JACKSON
What did they say to kids to get them to open their mouths before there were planes?
SOOKIE
"Here comes the choo-choo."
JACKSON
And before there were trains?
LORELAI
"Here comes the spoon."
JACKSON
That's so on the nose.
LORELAI
One more bite, honey. Come on, now. Here comes the airplane again. It's flying through the air. It's beginning its descent. It's commencing its approach. It's lowering the landing gear.
LUKE
[approaches the table]. It's signaled the ground crew. They're flipping their flashlight thingies. Would you shove that in the kid's mouth?
LORELAI
Oh, look -- it's Bilbo Baloneypuss just in from the shire.
LUKE
Just hurry up and order.
LORELAI
What's the rush?
LUKE
I don't like babies.
JACKSON
[jumps to his feet] Hey! Huh. I suddenly felt violently protective. [pause] It's gone. [sits again]
LUKE
It's the noise they make.
LORELAI
This baby has not made a peep.
LUKE
He will and at the worst possible moment.
LORELAI
Like when you're defusing a bomb or something?
SOOKIE
[gasps] That would be awkward.
LUKE
You've got one minute to order, then six minutes to eat.
LORELAI
Yessiree, come on down to Luke's, where the motto is "eat it, then beat it."
LUKE
One minute.
[Taylor enters wearing a toupee.]
TAYLOR
Hello, all.
LORELAI
Taylor.
TAYLOR
Top o' the morning to you.
LORELAI
Top o' the -
SOOKIE
Yeah, on top there, you got the -
JACKSON
It's definitely -- it's a -
SOOKIE
Beautiful top. It's --
LORELAI
Top o' the morning right back at you. You were just on a cruise, weren't you?
TAYLOR
Yes, and it was heaven. The Caribbean -- ever been?
LORELAI
I'm sorry. What did you say?
TAYLOR
Ever been to the Caribbean?
LORELAI
God, I'm sorry. I missed it again.
TAYLOR
Never mind. Uh, Luke, I have an issue I need to discuss with you.
LUKE
Good -- something to write about in my diary.
TAYLOR
There is a distinct odor outside our establishments, and I have to assume it's coming from the diner.
LUKE
There's no odor coming from my diner.
TAYLOR
It wasn't there when I left for my trip. Where else could it be emanating from?
LUKE
I don't know. Have you checked underneath that thing on your head?
TAYLOR
I'm combing it differently.
LUKE
The comb didn't loosen the glue?
JACKSON
You know, I smelled something, too, but it was across the square.
SOOKIE
Me, too, over by the hair stand -- newsstand.
MAN SITTING AT COUNTER
I smelled it by Gypsy's -- horrible.
TAYLOR
So the whole town smells? How can that be possible?
LORELAI
It is an old town -- 200 years.
JACKSON
So, it's decaying from age?
TAYLOR
Or we've got skunks again.
KIRK
[from a nearby table] I think you're right, Taylor!
TAYLOR
Ten years ago we got infested. They crawled under houses, met their fate, and the town smelled for weeks.
KIRK
That must be it, Taylor! Good work. Good work!
TAYLOR
Thank you, Kirk. I'm going to have to mobilize the community. We've got the flower show coming up. We have to deal with this quickly.
KIRK
Let me go door to door and make sure every townsman looks under his house, Taylor. I'll even knock some heads together -- get medieval on their ass.
TAYLOR
That's a nice offer, Kirk, but the block captains will see it gets done. I better start making my calls. [leaves]
LUKE
[walks back to the table] Your minute's up. Order.
LORELAI
We're not ready.
LUKE
Then it's coming out of your eating time.
SOOKIE
Hey, get violently protective so Luke will back off.
JACKSON
I don't know if I can summon it like that.
SOOKIE
Try.
JACKSON
Argh-eee! Luke.
LUKE
In five minutes, you're all gone. [walks off]
JACKSON
[ Sighs ] I let you down.
LORELAI
The "argh" was good, and then you kind of petered out.
JACKSON
I need to practice more.
SOOKIE
You'll get it there.
LORELAI
Read, read. [glancing nervously at impatient Luke]
CUT TO DRAGONFLY INN
[Michel and Dean are moving a bookcase.]
LORELAI
Try it against that wall there.
MICHEL
We've already tried it there.
DEAN
It's no problem.
MICHEL
No problem for you, but this is giving me cuticle damage. Do you know how long cuticle damage takes to heal?
DEAN
Thank God, no.
LORELAI
No, it doesn't work there either.
MICHEL
What an enormous shock. Anywhere else you want to try it -- maybe at the Lincoln Memorial on his giant lap?
LORELAI
How 'bout over there?
SOOKIE
Yeah, there.
MICHEL
I'm sending you my manicure bill.
DEAN
Yes, mine, too.
MICHEL
Don't be snotty.
TOM
[enters carrying clipboard] Seems a little out of place no matter where you put it.
LORELAI
Yeah, unfortunately.
TOM
If you'd ordered it from me, I would have guaranteed it. You didn't order it from me.
LORELAI
I know, we ordered it before we hired you. We should have waited.
TOM
It's always best to do it through your contractor. [exits]
DEAN
I don't think it fits here.
MICHEL
Oh, my God, I'm getting a blister.
SOOKIE
Hey, how about by the front desk?
LORELAI
We could give it a shot.
MICHEL
That's it! I'm jumping off the Amistad. This is heavy, my back hurts, I'm not moving it again.
DEAN
No problem. [grabs bookcase] I can do it. [carries to front desk]
MICHEL
It's not me. It really is heavy.
DEAN
You mean here?
TOM
They already tried it there.
SOOKIE
I think it's a lost cause.
LORELAI
We've got the Dennis Kucinich of bookcases.
TOM
I wish you'd gone through me.
LORELAI
I could just give it to Rory. She could use it at Yale.
LINDSAY
[enters from front door] Hi, everybody.
SOOKIE & LORELAI
Hi!
LINDSAY
Hi, Michel.
MICHEL
Hi, Lindsay. [standing slightly hunched]
LINDSAY
Are you okay? You're standing kind of funny.
MICHEL
It's nothing funny. It is how you stand in these pants.
[Lindsay walks over to Dean]
LINDSAY
Keys, please.
DEAN
You got it. [They kiss.]
[Sookie and Lorelai watch from afar]
LORELAI
Annette and Frankie really found each other.
SOOKIE
They float together. Y'know, they just sort of float.
LORELAI
It's off-the-charts adorable.
MICHEL
[frowning] Yep. The Deans of the world always get the Lindsays. The pretty little things just like the bookcase lifters.
LORELAI
That's a category -- jocks, nerds, bookcase lifters?
MICHEL
I was born with this bad back. It was heretical.
LORELAI
Congenital.
MICHEL
Ugh! Well, I hate that bookcase. I wish you had never ordered it. I wish you had never thought of it. I can't even be in the same room with it, mocking me for how alone I am.
LORELAI
It's mocking you?
SOOKIE
It's three pieces of wood.
MICHEL
Well, I hate it -- hate it, hate it, hate it!
TOM
[appears] If you had ordered it from me, he wouldn't be experiencing this psychological trauma.
CUT TO ELDER GILMORE DINING ROOM
LORELAI
I mean, they were extremely common until just recently -- historically recently, not recently like "metrosexual is a word now" recently, but recently.
EMILY
Are we still talking about anvils?
LORELAI
Yes, where did all the anvils go?
EMILY
You're talking about those big, heavy, metal things?
LORELAI
That blacksmiths hammered horseshoes and stuff on. Everyone had them. They were featured prominently in every movie western, so where did they all go?
RICHARD
I don't know that they were that common.
LORELAI
Wile E. Coyote used them. That's how common they were.
EMILY
Who?
LORELAI
The cartoon. He was always trying to drop an anvil on the Road Runner's head or shoot it at him out of a giant slingshot or fire it at him out of a cannon. Inevitably, the cannon tilted up, shot it in the air, it fell down, and made an anvil-shaped impression on Wile E. Coyote's head.
EMILY
This is a cartoon?
LORELAI
No, no, this just happened to me the other day. I was walking down the street, and this giant anvil -- yes, mother, it's a cartoon.
RORY
I know she sounds nuts, but it's a very common cartoon.
RICHARD
But that doesn't prove that anvils were so common.
LORELAI
It does. It proves that anvils were so ubiquitous at one point -- is that the word, ubiquitous?
RORY
It depends on where you're going.
LORELAI
That they knew that children would know what they were and delight in them. That's how common they were -- children watching cartoons.
RORY
That was the word.
RICHARD
I've forgotten your point.
LORELAI
Where are all the anvils? I mean, is there some sort of secret anvil storage facility the government is keeping from us?
RICHARD
Or they fell into disuse with the advent of other technologies, and so they melted them down and they're gone.
LORELAI
But they're not supposed to melt. They were made to withstand the red-hot hammer of the town blacksmith.
EMILY
This is easily the most pointless conversation we've ever had.
LORELAI
I don't hear anyone chiming in with rational theories.
EMILY
Please change the subject, I beg of you, anyone.
RICHARD
Well the girls don't know the big news about Jason and me.
LORELAI
You're pregnant?
RICHARD
We're acquiring another company.
LORELAI
I was close.
RORY
Already? You just started yours.
RICHARD
The insurance business is changing so rapidly, you have to adapt to keep up.
RORY
It's a dog-eat-dog world, Grandpa.
RICHARD
Don't get the wrong idea. It's not a big company. It's smaller than ours, but very powerful.
LORELAI
Wait, the company is smaller than yours? Your company is two guys -- you and Jason.
RICHARD
This company is a one-man operation -- Bob Sutton.
LORELAI
So, you're acquiring Bob?
RICHARD
We're acquiring his company, and his company is him.
LORELAI
Did he have to give himself two weeks' notice? [Rory snickers.]
RICHARD
No.
LORELAI
Is there gonna be a sad little going-away party where he brings in his own cake and blows out his candles?
RICHARD
We are all celebrating with a dinner tomorrow -- us and the wives.
EMILY
Ugh.
LORELAI
You're not big on the Bob?
EMILY
Bob's fine. We've known him for years. It's that dolt he's married to -- classic trophy wife.
RICHARD
She is quite young.
LORELAI
How young?
EMILY
Her car looks [high, squeaky voice] just like Barbie's.
RICHARD
Regardless, I hope you will be kind to her at dinner.
EMILY
I'll have to bring my English-to-dumbbell dictionary.
RICHARD
Try and focus on Bob. Bob's as sharp as they come.
EMILY
He's very brilliant, I'll give you that.
LORELAI
Bob's brilliant, huh?
RICHARD
He's a Rhodes scholar.
LORELAI
Ask him where the anvils went. ...Or not.
CUT TO TAYLORS SWEETS SHOP
TAYLOR
And forty-seven cents comes to $5. Thank you, Mrs. Cassini.
MRS. CASSINI
Thank you. I don't know what it is about you, Taylor, but you look so healthy, so invigorated, so youthful.
TAYLOR
Thank you, Mrs. Cassini. [big grin] Must be the vacation.
MRS. CASSINI
Or the fake hair.
TAYLOR
[smile disolves] Come again, Mrs. Cassini. Tracy, change out the scoop water. It's an unsightly color. And tell Franklin when he gets here - [sees Kirk hovering] tell him that he keeps forgetting to punch out -- Kirk, something wrong?
KIRK
Well, I-I - [fiddles nervously]
TAYLOR
don't touch the candy.
KIRK
I'm sorry. I didn't want to touch the candy. It's just...
TAYLOR
Kirk, I just had a spat with my sourball distributor, and I'm not in the mood. Now, what's the trouble?
KIRK
It's eggs.
TAYLOR
What? What's eggs?
KIRK
In the square -- the smell. It's not skunks, it's eggs. Easter eggs from the Easter egg hunt.
TAYLOR
But Easter was over a week ago.
KIRK
And I did it just like you told me. I personally hid 300 eggs around the town square, and the kids had a blast hunting them down, except the Banyan boys. They're bad seeds. Going to hell -- both of them. But the kids only found 241 of them.
TAYLOR
Are you telling me that there are fifty-nine rotting eggs hidden in the square?
KIRK
I thought they would naturally decompose and just disappear.
TAYLOR
Eggs smell when they decompose.
KIRK
I just found that out. [Angry and speechless, Taylor walks away. Kirk follows him.] I find your hair very believable.
CUT TO EXCLUSIVE GOLF COURSE ON FAIRWAY
[Richard completes his drive with big swing.]
JASON
Nice shot. Beautiful!
RICHARD
You're being extremely charitable.
JASON
Oh, Richard, if I get that far on four shots, it would be a miracle on the order of loaves and fishes.
BOB
Yeah, and I'm in the sand.
RICHARD
I don't think any of us are gonna make Tiger shake in his spikes.
JASON'S CADDY
I'd go with a driver or 3-wood.
JASON
Whatever is gonna make me look less like Dorf.
BOB
You know, my wife's very excited about the merger, Richard -- very excited.
RICHARD
Oh, do give Trish our best. Emily and I were just talking about her -- terrific girl.
[Jason swings and misses ball. Bob and Richard laugh.]
BOB
At least he held onto the club this time.
RICHARD
Now, it's hard to know whether he should yell "fore!" Or "duck!"
JASON
Why can't businessmen do deals over air hockey? I am great at air hockey. [A man approaches the group.]Oh, looky here.
RICHARD
Hmm? Your father?
JASON
One of the many hazards on this golf course.
FLOYD
I thought that was you. Groundskeeper must be unhappy that you're here today.
JASON
Aha. Divots -- I do produce a lot of divots. Good one.
FLOYD
Richard, nice to see you. [approaches and shakes hands]
RICHARD
Same here, Floyd.
FLOYD
And, Bob, didn't know you were a duffer.
BOB
More like spoiling a good walk.
RICHARD
You want to play through, Floyd?
FLOYD
Actually, I was heading back to the clubhouse, and you caught my eye. How's Emily?
RICHARD
She's fine.
FLOYD
Good health?
RICHARD
Very good. And Carol?
FLOYD
Fine, fine. You know, she really misses Emily -- misses her company.
RICHARD
And vice versa, I'm sure.
FLOYD
You couldn't drag those two apart at a function.
RICHARD
They were like conjoined twins.
FLOYD
I know she'd love to see Emily again.
RICHARD
I'm sure the feeling is mutual.
FLOYD
Well, then, perhaps we should get those two together.
RICHARD
Well, we could arrange that.
FLOYD
I can tell Carol to give her a call.
RICHARD
Any time.
FLOYD
You know, if it's a meal, we men could tag along if they'd let us.
RICHARD
That's a big "if," but that could happen.
FLOYD
Maybe Jason could tag along, too.
RICHARD
That would be a nice little gathering.
FLOYD
I'm out of town next week, but this Friday's free.
RICHARD
Friday would be perfect.
FLOYD
I hope it happens.
RICHARD
I hope so, too.
FLOYD
Glad to run into you.
RICHARD
Same here, Floyd.
FLOYD
Bob, Jason. [leaves]
RICHARD
[joins Jason] He wants to have dinner.
CUT TO ELDER GILMORE HOUSE - KITCHEN
EMILY
Was it Carol's idea or Floyd's?
RICHARD
It's hard to say.
JASON
This is very good, Richard.
RICHARD
It was public. The whole club saw.
EMILY
But did he say that Carol had wanted it or that he had wanted it? [to Jason] What did you hear?
JASON
I was out of earshot.
RICHARD
Rapprochement with Floyd Stiles. Never in my wildest dreams.
JASON
And it came from him. Who saw this coming?
EMILY
Did he bring up Carol before or after he brought up the dinner?
RICHARD
I didn't have a tape recorder, Emily.
EMILY
I'll offer to host it here. I've got the perfect menu. Friday, right? So it's Lorelai and Rory, too.
RICHARD
Well, Friday was his suggestion. I wasn't in a position to counter.
EMILY
No, of course not. That's fine.
RICHARD
And he saw us with Bob, too.
JASON
And still he made the offer.
RICHARD
Acquiring Bob was a great idea.
EMILY
There'll be seven of us. That's an unbalanced table, but that's okay. Oh, this is wonderful!
RICHARD
Floyd wants peace.
JASON
So it seems.
[Richard chuckles.]
CUT TO RORY'S YALE DORM ROOM
[Rhythmic knocking on door]
RORY
[opens door] Dean.
DEAN
Surprise.
RORY
What are you doing here?
DEAN
Um, I come bearing gifts.
RORY
A bookcase?
DEAN
[carries it into dorm] Yeah, the one from the inn. Do you see what's going on out there?
[They both look into the hallway where Glenn struggles to drag a beer keg up the stairs.]
GLENN
[muttering to himself] Almost there, almost there. [breathing heavily as another student passes him on stairs] Thanks for the help.
DEAN
Should I give him a hand?
RORY
If he doesn't work for his inebriation, he won't appreciate it. There's a big party on Friday night. It must be for that.
DEAN
Yeah? You going?
RORY
I have two papers due, so I'll be in Stars Hollow avoiding the fray. I'll just have a brewski there.
DEAN
[ Laughs ] So, uh, which way's your room?
RORY
Thataway. [Dean carries the bookcase to her room.]
RORY
So, where did this come from?
DEAN
Well, your mom had it made for the Dragonfly, but it didn't fit, so she thought you could use it here. She didn't tell you?
RORY
Nope.
DEAN
Small.
RORY
Yes.
DEAN
There's no place to put this.
RORY
Yes again.
DEAN
What was your mom thinking?
RORY
That I have books, and that's probably the extent of it.
DEAN
Right. So, I guess I'll take it back.
RORY
I'm sorry you had to make the trip.
DEAN
No, it's okay. It's kind of nice seeing where you live.
RORY
So, are you on your way back to school?
DEAN
Oh, no, I'm just off from work. I'm actually gonna take a little break from that.
RORY
From what, school?
DEAN
Yeah, just for a semester or two, you know.
RORY
A semester or two? But I thought it was going so well.
DEAN
It was. It's just that Lindsay and I really need some extra money right now, and this job with Tom has been perfect.
RORY
Extra money for what?
DEAN
What do you mean? For life, things.
RORY
What kind of things?
DEAN
Well, um, Lindsay's got her heart set on having a townhouse by the end of the year, and we're kind of cramped where we are, so I think it's a good idea.
RORY
You do?
DEAN
Yeah.
RORY
I don't.
DEAN
What?
RORY
I think it's a horrible idea.
DEAN
It's just temporary.
RORY
Maybe.
DEAN
Rory.
RORY
A lot of people who drop out say that it's just temporary. It usually doesn't work out that way.
DEAN
I'm gonna go back.
RORY
I hope so.
DEAN
Have some faith, will you?
RORY
I just think this is a mistake.
DEAN
Rory, I'm married, remember? I have responsibilities.
RORY
You'll lose your momentum.
DEAN
I need the money.
RORY
Can't the townhouse wait?
DEAN
Jeez, lighten up.
RORY
I just think this is a really bad idea.
DEAN
Graduating from college doesn't guarantee you a job anymore. It's not like it was with our parents.
RORY
So you're not going back?
DEAN
You're twisting my words.
RORY
And you're just gonna work in construction?
DEAN
What, are you gonna get all elitist on me now?
RORY
We're friends, so I get to tell you what I think.
DEAN
Fine.
RORY
You should go to school.
DEAN
Great. Now you've told me three times. I get it. You don't need to tell me again, okay? [long pause] You want me to take this now?
RORY
Yes...no. Whatever you want.
DEAN
I'll take it now.
RORY
Fine.
CUT TO STARS HOLLOW TOWN SQUARE
[A crowd has gathered.]
TAYLOR
Attention, please! Everybody, if I may!
KIRK
[yelling above the crowd's murmuring] Let's have some attention, people!
TAYLOR
We all know why we're here. There are fifty-nine rotting Easter eggs hidden throughout the square, and we've got to find them. I know what you're thinking -- what about the map, the careful, detailed map of where the eggs are hidden made each year to avoid catastrophes such as this? [Kirk stares at his shoes] Well, a map was not made this year, good townsfolk. One was not made. Now, this work is going to be exhausting and, yes, disgusting, but as my way of thanking you, help yourself to lunch at Doose's market, where everything in our prepared-foods section will be discounted 5%, 20% for our day-old sushi. Now, with the flower show due in three days, we have a clock on this, people, but when I look out at this fine group of volunteers, my heart races with pride. I see America, and I am proud. Now, are there any questions?
GYPSY
What's with the toupee? [crowd laughs]
TAYLOR
It's not a toupee.
GYPSY
And I'm blond and leggy.
TAYLOR
Are there any legitimate questions from anyone? [ man raises his hand ] Yes, Joe?
JOE
I'm Jewish.
TAYLOR
Well, that's swell.
JOE
Is it okay for a Jew to hunt Easter eggs?
TAYLOR
That's between you and your Rabbi. [Jackson raises his hand] Jackson, a question?
JACKSON
Toupee guy says what?
TAYLOR
What? [laughter from crowd] What are you laughing about?
KIRK
Jackson said, "Toupee guy says what?" Inspiring your understandable response of "what?" Thus soliciting their childish laughter. It's infantile and a total clam.
TAYLOR
Please report every found egg to me, and I will keep the running total. Now, good luck, and let the hunt begin.
KIRK
We won't let you down, Taylor, because not only are we gonna find twenty eggs within the hour, [voice raises louder] but we're going on to find twenty-five... and then thirty... and then thirty-five... and then forty... [at the top of his lungs] and then forty-five and then fifty until we find all fifty-nine and take back the square! Yeeeeee-ahhhhh!
JACKSON
Hurt your throat?
KIRK
[hoarsely] Very badly.
JOE
Found one!
TAYLOR
Fifty-eight to go.
KIRK
[ Hoarsely ] Good job, Joe. [proceeds to run madly through the crowd around the square]
CUT TO JASON'S TOWNHOUSE -- KITCHEN
JASON
Okay, dinner is ready when the cow moos.
LORELAI
Mmm. Okay. [carrying potted plant] How about here? [set plant under stairs]
JASON
Not there.
LORELAI
Why not?
JASON
It's dark.
LORELAI
Yeah, that's the point. It's a dark corner. The plant livens it up.
JASON
Plants need light.
LORELAI
They do?
JASON
It's the "photo" part of photosynthesize.
LORELAI
Oh, don't some plants just synthesize?
JASON
They really need the photo part.
LORELAI
None of the plants I ever had needed light.
JASON
Any of them live?
LORELAI
No. [brief pause] Whoa, insight!
JASON
Poor thing doesn't stand a chance.
LORELAI
Hey, so, you ready for Friday?
JASON
Ohh, dinner with my parents?
LORELAI
You haven't seen them in a while.
JASON
Well, I've seen Mom occasionally, but Floyd and I really haven't spoken since the great schism, not that Harry Chapin isn't dying to rise from the grave and write a song about us. I'm a little nervous.
LORELAI
Yeah, I get that.
JASON
And he's gonna call me "Digger." Oh, he loves calling me "Digger." And he has hated every girl I have ever dated.
LORELAI
Um, really?
JASON
Yeah, mom, too. It's some sort of reverse Oedipal thing. And not just the ones I pick. They set me up with a girl they loved, and as soon as they found out I liked her, they turned on her viciously. She moved to Alaska.
LORELAI
Why are you telling me this?
JASON
Just a heads up.
LORELAI
All it's gonna do is make me nervous, and it has.
JASON
They don't know I'm going out with you, so it doesn't matter.
LORELAI
Well, they'll find out eventually.
JASON
Well, impress them now when they don't know. Preempt their gathering hatred.
LORELAI
Unless they end up hating me retroactively.
JASON
Oh, I have seen that, too.
LORELAI
Tony Robbins has nothing on you. [walks into living room]
JASON
Sorry.
LORELAI
Ooh, how about here? [sets plant on chair]
JASON
On the chair?
LORELAI
Yeah, it's not a very comfortable chair.
JASON
How about I just get a new chair?
LORELAI
That'll work.
JASON
You know, in a warped way, you being nervous has made me less nervous.
LORELAI
So there's a bright side.
JASON
Not that that was my intent.
LORELAI
Good to know. [cow moos in background ]
JASON
Dinner.
CUT TO STARS HOLLOW MAIN STREET
LANE
There was a death-to-disco movement in the late '70s -- very intense. We had Donna Summer on the run.
RORY
"We?" You weren't born yet.
LANE
I'm a kindred spirit.
RORY
Gotcha.
LANE
So where's the passion now, huh? Where is it?
RORY
There's disco to kill anymore. They wiped it out.
LANE
But there are other things that need wiping out -- phony rappers, most techno, alt country, Christian rock, anything fusion, classic alternative radio, where all they do is play the same Nirvana song over and over -- the Rubens, the Clays, the Clarksons. [they stroll past the center square where people still wander in search of eggs]
RORY
It's gonna be a bloodbath. What are they doing?
LANE
You smell that smell?
RORY
Yeah.
LANE
Taylor left Kirk in charge of the Easter egg hunt, and they didn't exactly find them all.
RORY
They lose the egg map?
LANE
They didn't make an egg map.
RORY
They didn't make an egg map?
LANE
I was just as shocked.
RORY
They always make an egg map.
CUT TO TOWN SQUARE
[Taylor patrols the square with Joe and Kirk following]
TAYLOR
Let's have the hourly report, Joe.
JOE
Well, you know -
KIRK
[interrupting] We found three more, Taylor.
TAYLOR
I said, "Joe."
JOE
We found three more, Taylor.
TAYLOR
That's not good! That is not good! More than half are still missing, and every minute we have people deserting the cause. [stops in front of tree] What's this?
JACKSON
There's a couple in the tree. [Gypsy assists Jackson while he prods branches with a long pole)
TAYLOR
You hid them in a tree?
KIRK
Oh, right.
TAYLOR
They're completely out of reach of the children.
KIRK
The others I hid for the delight of the children. These I hid for me.
TAYLOR
[sighs] Get them down. This is not good. We are losing men, and we are losing -
JACKON and GYPSY: [simultaneously] Hair!
TAYLOR
Time.
JACKON and GYPSY: [simultaneously] Jinx, jinx, jinx, jinx! jinx, jinx, jinx, jinx!
TAYLOR
[groaning] Oh, I miss the Caribbean. [walks off]
[CUTS TO DOOSE'S MARKET]
[Rory and Lane enter and wander aisles with shopping baskets]
RORY
So, what are we looking for?
LANE
Well, we still have no fridge, no stove, and no microwave, so nothing perishable, nothing that requires boiling water, and nothing that needs to be cooked.
RORY
I'm guessing the day-old sushi is out.
LANE
It was never in.
RORY
Beef jerky?
LANE
Definitely.
RORY
And protein bars.
LANE
Oh, I'm sorry. When did I win the lottery?
RORY
Protein bars are a luxury?
LANE
They are when you live with guys that eat ten of everything when one's the correct portion. Got to keep that proportion cost low.
RORY
Pretzels.
LANE
Perfect.
RORY
And, of course, the perennial Pop-tart.
LANE
Oh, load up on those.
RORY
Did I tell you that Dean stopped by?
LANE
Where, Yale?
RORY
He was delivering a bookcase for my mom. Hey, you want a bookcase? It's free.
LANE
I'll take it. So, how's old Dean-boy doing?
RORY
He dropped out of college.
LANE
What? You're kidding!
RORY
Says he needs money. How about marshmallows?
LANE
Sure, and throw in a Park Avenue mansion while you're at it.
RORY
Another luxury -- got it.
LANE
So, he's just working full-time?
RORY
It's such a waste. Dean is so smart. He can do so much more. Hey, melba toast.
LANE
Cheap, tasteless, and filling.
RORY
I'll grab a bunch.
LANE
And I'll get one bag of marshmallows so the boys can have a treat afterwards.
RORY
I'm mad at Dean about doing this, but I'm more mad at Lindsay. She's so selfish.
LANE
Women.
RORY
She's his wife. She should be encouraging him to go to school and think about his future, but, no, she needs a townhouse and a Rolls-Royce.
LANE
[incredulous] They're buying a Rolls-Royce? [they continue strolling down aisle]
RORY
No, but they are the townhouse, and he didn't even seem that excited about it. It's just Lindsay. I mean, why doesn't she get a job. [they turn corner] What does she do all day? [Lindsay stands in the aisle speechless. After a pause she stomps off and out of the store.] So, you think -- you think she heard?
CUT TO LUKE'S DINER
[Kirk stumbles in looking dazed.]
LUKE
Kirk?
KIRK
That's me.
LUKE
You want something?
KIRK
Why?
LUKE
Well, you usually get something here. You're in the diner.
KIRK
Oh, yes.
LUKE
Kirk?
KIRK
That's me.
LUKE
You want some coffee?
KIRK
Yes, please.
LUKE
Your eyes are spinning in different directions.
KIRK
I've been up for one and a half days straight. I haven't done that since the "Petticoat Junction" marathon in '97.
LUKE
Right. Caught a little of that myself.
[He guides Kirk to a chair. Taylor enters the diner.]
TAYLOR
Luke, turkey sandwich on rye, please -- lettuce, tomato, cucumber.
LUKE
Coming right up.
KIRK
We're gonna do it, Taylor! We're gonna find those last twelve eggs!
TAYLOR
[ignores Kirk] Cole slaw, too.
KIRK
Every last one of them!
TAYLOR
And a pickle -- make it two.
KIRK
Joe and I can divide the square in two and sweep it clean till the job's done.
TAYLOR
I'm going to pay now and wait outside if you don't mind. [places sugar container on top of his money]
LUKE
I guess not.
KIRK
I'll take the east side, he'll take the west. That way we can --
TAYLOR
[slams sugar container on the counter] That's enough, Kirk!
KIRK
Hey, watch it.
TAYLOR
You're not satisfied that I'm suffering for what you've done to this town. You have to continue to personally torture me?
KIRK
We'll find the twelve!
TAYLOR
We won't find the twelve! You have brought disaster down upon us! Are you happy?!
KIRK
No.
TAYLOR
I left you in charge of things because I thought I could trust you, but you let me down. Now I have to cancel the flower show.
KIRK
No.
TAYLOR
I'm making the call tomorrow. The flower show is history.
KIRK
But we're only missing twelve!
TAYLOR
We have to find every last egg.
KIRK
Well, then, Joe and I --
TAYLOR
Joe just left for Cabala class. I have no men left.
KIRK
You have me left.
TAYLOR
I have no men left. [disgusted] I've lost my appetite.
[Taylor takes his money and leaves. Kirk looks forlorn.]
CUT TO ELDER GILMORE PATIO
[Lorelai and Rory enter from the house.]
LORELAI
Hi, guys. Wow, love the heaters.
EMILY
It's not too cold, is it? We thought we'd start the evening out here.
RORY
It's nice. [They wander to sit near Jason.]
RICHARD
No, no. I'm not seeing the olives that Floyd likes.
EMILY
They're in the back on the right. Is this cart in the best place?
RICHARD
Move it back?
EMILY
Move it back.
JASON
[murmuring] They keep moving everything back and forth -- the cart, the heater, me. I used to be over there.
LORELAI
They're perfectionists.
JASON
It's like watching an ant farm.
RICHARD
Oh! I should go grab that gin that Floyd likes. I've got some in the freezer.
EMILY
Maybe it was better in the other spot.
LORELAI
Patio looks great, Mom, really.
EMILY
I guess. Where's that awful light coming from?
RORY
I think it's the moon?
LORELAI
You're not thinking of having the moon moved, are you, Mom?
EMILY
I suppose it will move on its own at some point. [looks at Lorelai] You look nice.
LORELAI
Thank you.
EMILY
Why do you look so nice?
LORELAI
Because I knew this was an important night for you guys, I thought I would dress up a little.
[The doorbell rings.]
EMILY
They're here. Richard, they're here! [walks off]
RORY
You do look especially nice tonight.
LORELAI
What is with everyone? It's not like I'm always in dirty sweats fresh from slopping the pigs.
RORY
You know what I mean. You don't have that just-came-from-work look about you.
LORELAI
A girl can't dress up a little?
JASON
Your mom's a little nervous.
LORELAI
[shushes Jason] Ta-ta-ta-da.
RORY
Oh, right. You're meeting the parents. I actually had not put that together before. That's why you showered.
LORELAI
That's not why I showered.
[Richard, Emily, Floyd and Carol walk out onto the patio.]
RICHARD
Here we are!
CAROL
Oh, your patio is beautiful, Emily!
EMILY
Thank you, Carol.
CAROL
[to Jason] Hi, honey. [They hug.]
JASON
Hi, Mom.
RICHARD
Floyd, Carol, our daughter, Lorelai,
FLOYD
How do you do.
RICHARD
And our granddaughter, Rory.
FLOYD
Hello.
RORY
Hi.
LORELAI
We've met before, but a long time ago. Hi.
FLOYD
We remember you well.
CAROL
You didn't dress up for our benefit, I hope.
LORELAI
No, no. This is nothing weird.
RICHARD
How 'bout some beverages, everybody? Extra dry martini still your drink, Floyd?
FLOYD
Absolutely.
LORELAI
Same here, Dad.
RICHARD
And bourbon with a splash of branch water, right, Carol?
CAROL
Thank you, Richard. [looks around the patio] Oh, here, Emily. You've redone the patio. It's gorgeous!
EMILY
Don't you think?
CAROL
Oh, and those trees -- I love them. What are they?
EMILY
They're African. Come see.
[They walk off together. Jason, Lorelai and Floyd sit down with Rory.]
FLOYD
I'm trying to remember when we saw you last.
LORELAI
Ah, probably at camp.
FLOYD
Right, the day we came to pick up Jason. There was a talent show. You sang a duet with a pimply fellow.
LORELAI
"Crater Face" Cutler.
JASON
He's a litigator now. Very bitter man.
FLOYD
Well, the pimply fellow stank, but you were wonderful -- very charming.
LORELAI
It was from "Grease."
JASON
How Crater Face got his pimples?
LORELAI
No, my song -- "Summer Lovin'." I had to sit on his lap. It was very uncomfortable.
JASON
Crater Face had very bony knees.
FLOYD
[to Jason] And you did a dance with somebody, if I remember correctly.
LORELAI
Oh, yes, he cha-cha'd.
JASON
Well, thank you for bringing that up.
RORY
[to Lorelai] And thank you for never sending me to camp.
LORELAI
You were great. I liked when you and your partner knocked heads.
JASON
"Clubfoot" Cindy -- she married "Crater Face" Cutler. Beautiful children.
LORELAI
Huh.
RICHARD
Here are your drinks everybody. [approaches with drinks on tray, humming ] Uh, Rory, we left your soda inside.
RORY
Oh, I'll go get it.
FLOYD
I actually had a barbershop quartet at Yale. I was by far the weakest link. That reminds me. I have a story I've been dying to tell you ever since I heard it, Richard, about Herb Benson.
RICHARD
Oh, what's the rogue up to now?
FLOYD
Later. I don't want to bore the others.
RICHARD
I can't wait. Help me take the drinks down to the ladies?
FLOYD
Absolutely. Excuse us.
[Lorelai sighs.]
RICHARD
[in the distance] Alright, ladies?
JASON
[ Sighs ] Wow, look at that.
LORELAI
Groucho, Chico, Harpo, and Zeppo together again.
RORY
[enters] Excuse me, Grandma.
EMILY
Yes, sweetie?
RORY
Elsa said to say that dinner's in fifteen minutes.
EMILY
Did she ask you to do some vacuuming, too?
RORY
Um...no.
EMILY
She sends my granddaughter out to do her job.
FLOYD
How many maids has Emily been through, Richard? We used to keep a running count.
RICHARD
No, I'm afraid western mathematical principles cannot accommodate such a task.
JASON
My father is in a particularly good mood tonight.
LORELAI
Very.
JASON
He's only said two passive-aggressive things to me since he got here, which is astounding for him. By the way, may I be the fourteenth person this evening to say how great you look?
LORELAI
It's the shower. I gotta try that more often.
CUT TO ELDER GILMORE DINING ROOM
[Carol and Floyd share grandchildren photos with Emily and Richard]
CAROL
Oh, this is our grandson's first step. We were so lucky to have the camera ready.
EMILY
Oh, that's darling.
RICHARD
Oh, ho, ho. He's gonna be big.
FLOYD
He's gonna start on the defensive line for the Bulldogs in 2021.
CAROL
[giggling] Floyd has it all worked out.
LORELAI
I believe that's you very lovingly holding your nephew, who looks very happy in your arms.
JASON
I just told him I'd opened a no-load mutual fund for him. Tracks the S&P.
LORELAI
You sentimental fool.
EMILY
You know, I have some terrific pictures of Rory. I should go get them.
RORY
But, Grandma, I'm right here.
EMILY
I know, but you're so big now.
LORELAI
Slouch down in your chair for Grandma, honey.
RORY
You know, if it's okay, I actually thought I might leave soon.
LORELAI
She's got a big paper due next week and lots of reading.
EMILY
Oh, yes, Rory. We've made you stay too long already.
RICHARD
Oh, yes, go, go.
CAROL
Thank you for looking like you weren't too bored all evening.
RORY
Oh, no, I wasn't, really. It was fun. Bye, Grandma. [kisses Emily's cheek]
EMILY
[to Lorelai] You have to go, too?
LORELAI
Oh, no, we came separately.
EMILY
Good.
RORY
Bye, Grandpa. [gives Richard a kiss]
RICHARD
Goodbye, Rory.
FLOYD
Lovely girl.
EMILY
Oh, she's a doll.
RICHARD
Well, I think this is the perfect time for those who are so inclined to enjoy a cigar. [rises from table]
LORELAI
All right, let's fire 'em up!
RICHARD
I meant the men, but would you like a cigar?
LORELAI
No, you guys go. Circle the fire. Pound your chests. We'll be waiting.
RICHARD
Floyd, Jason. [exits]
JASON
Let's do it.
EMILY
Well, let's let Elsa clean up and maybe keep her job. The living room all right?
LORELAI
We can bring the coffee?
EMILY
I was going to pour brandy.
LORELAI
Even better.
CAROL
Ooh, let's go. Oh, this evening has been so wonderful, Emily -- the two of us together again.
EMILY
Yes, it has.
CAROL
All those horrible things that happed with the business -- now, let's not let business come between us again.
EMILY
All that ugliness is in the past now, so we don't have to worry.
CAROL
Yes.
CUT TO ELDER GILMORE DEN
[The men are puffing on cigars.]
FLOYD
Smooth. '63?
RICHARD
'65. You can't get a '63 to save your life.
JASON
Still does the trick, though.
RICHARD
Oh, good port was as caught up in that ridiculous cigar boom a few years ago, remember?
FLOYD
Yes, yes.
RICHARD
Amateurs -- babes in diapers talking big in those cigar clubs, smoking Churchills down to the ring. Tobacco farmers harvested their crop green just to keep up with the demand.
FLOYD
If I remember correctly, you found a way to rectify the problem.
RICHARD
I couldn't get Hennessy's to put my favorite cigars aside for me -- this after twenty years of giving them my business.
FLOYD
Big mistake.
JASON
Love these kind of stories.
RICHARD
So I bypassed the bastards. I found their supplier. I swooped in and bought all of my favorites in bulk -- hundreds of boxes, cash on the barrel, so now Hennessy's couldn't get them.
JASON
Hundreds of boxes?
RICHARD
Oh, I couldn't have smoked them in three lifetimes, so I kindly offered to sell Hennessy's my excess supply. They leapt at it like dogs for a bone. And I made enough to pay for the boxes that I kept.
JASON
You're creative, Richard. It's one of your many strengths.
FLOYD
I'd say it's his main strength.
RICHARD
Who ever said an insurance man can't be creative?
FLOYD
It's one of the fallacies about what we do. People think it's dry, wooden, a bunch of automatons shuffling papers. On the contrary -- it breeds daily. It's life and death, what we do. [Richard nods.] It's a new drama every day -- almost Shakespearean.
RICHARD
"Richard III," "Macbeth."
FLOYD
What day doesn't necessitate courage, tenacity, and sometimes, like your cigar story, Richard, a little vengeance?
RICHARD
And that's all before lunch.
FLOYD
Our work is wonderful. I've always felt that way -- protective of what I do, protective of what I have.
JASON
I think my cigar is out.
FLOYD
That's why I'm suing you.
JASON
Dad.
RICHARD
You're joking.
FLOYD
I'm not joking. I'm suing your company. My lawyers will be contacting you Monday morning.
RICHARD
Floyd, you're not serious.
FLOYD
Richard, you didn't think I'd let Digger walk away with some of my oldest clients and not respond, did you? Are you that naive?
JASON
Dad, this is crazy.
FLOYD
You signed a noncompete clause with me, Digger.
JASON
And I didn't break that clause.
RICHARD
He didn't, Floyd. I studied Jason's contract, and only certain clients were off limits, and those remained off limits.
FLOYD
Alexander Barnes was off limits.
JASON
That was a social lunch, and you can't prove otherwise. You have no case.
FLOYD
Maybe, maybe not. But by the time the courts figure out the situation, I'll have buried you in legal fees. I know your financial situation, Richard. You can't survive a lengthy legal process.
RICHARD
So, this is just revenge, Floyd? Are we stooping that low?
FLOYD
You just described how strongly you felt about a bunch of cigars. How did you think I was going to feel about my business?
JASON
How did you know I had lunch with Alex, Dad? You have a private investigator tailing me?
FLOYD
This whole business is so distasteful, but what was I to do? I did what I had to do -- what Richard Gilmore would do. I think I should go now.
JASON
Don't -- Dad, don't leave. Call this off!
FLOYD
Sorry I didn't get to that anecdote, Richard. Maybe some other time. [exits]
JASON
Dad! [follows]
CUT TO ELDER GILMORE SITTING ROOM
EMILY
Rory did come out and she was a beautiful debutante -- the hit of the night.
LORELAI
She did so well, we had her go back in and come out again.
[loud voices approach]
RICHARD
Floyd, wait.
JASON
Dad, I will block the door if I have to.
FLOYD
I wouldn't suggest you do that, son.
EMILY
What is going on?
CAROL
I should get my purse. [She sets her drink down and rises.]
EMILY
Carol, no.
FLOYD
Excuse us, Emily. This is rude, but we have to go.
JASON
Mom, stay.
CAROL
It's too late, Jason.
EMILY
What's going on? Richard?
FLOYD
I apologize, for how this ended.
RICHARD
We are not unprepared for a fight. We are capitalized.
FLOYD
Only because you put your pension up as collateral on all your loans, Richard.
RICHARD
How did you -
FLOYD
It's a small community, our community. Endangering your pension, Richard -- it's reckless.
JASON
Which PI did you have on me? Paluso, I assume?
FLOYD
He's the best. He gets everything. It's how I found out your daughter is dating my son.
EMILY
That's not true.
[Richard looks at Lorelai]
FLOYD
Sorry we spoiled your secret, son. We'll see ourselves out. Come on, Carol.
JASON
Dad, wait! Richard, Emily, this isn't gonna happen, period. It will resolve quickly and in our favor. Excuse me. Dad! [dashes off] Okay, now, forgetting the insufferable way that you presented this subject --[becoming more faint]
[There is a long uncomfortable silence until Jason returns.]
RICHARD
We need to talk. [He exits with Jason following.]
EMILY
You brought your own car, didn't you?
LORELAI
Yes.
EMILY
You don't need to stay. You can go.
LORELAI
I'm blocked in.
EMILY
Oh.
[Another long silence. Emily eventually walks off leaving Lorelai alone.]
CUT TO DEN
JASON
Richard, you have every right to be angry.
RICHARD
Oh, you're damn right I do. To be humiliated like this in my own house?!
JASON
It was unconscionable.
RICHARD
Why didn't you see this coming?
JASON
You know him, Richard. He doesn't show his hand. He sweet-talked us on the golf course, got himself invited to dinner. The man is a sociopath!
RICHARD
Tell me if you've done anything -- anything illegal.
JASON
Nothing, Richard, I swear to you -- nothing.
RICHARD
The lunch with Alex?
JASON
Social -- we're friends.
RICHARD
Why should I believe you?
JASON
Because I'm not stupid enough to do anything illegal or think that I could get anything illegal by you. I do push boundaries, Richard, but I never cross them -- ever.
RICHARD
How long have you been seeing my daughter?
JASON
Five months.
RICHARD
For five months you've been lying to me.
JASON
Yes, but it was a white lie. [Richard gasps] It was a timing issue. It would have complicated our relationship, yours and mine, and we didn't know if it would last, so we took a path. It was the wrong path, and I am sorry about that, too.
RICHARD
You've got a lot to be sorry about.
JASON
I do. My damned father. I should have seen this coming. As well as I know him, I keep underestimating him.
RICHARD
[ Sighs ] We both should have seen this coming.
JASON
I can make this go away.
RICHARD
How?
JASON
It's a bluff. You know my father. He hates giving money to lawyers, and this action is gonna cost him big.
RICHARD
That is true.
JASON
So we will counter sue. It's a wrongful lawsuit. We will make him pay.
RICHARD
Possibly.
JASON
And I will do anything to win back your trust, Richard. You have been so good to me. Please...let me try.
RICHARD
Okay. You've got my trust. Go get him.
JASON
Thank you, Richard. Thank you. And also, I'm gonna work on my golf game -- get it up to snuff so I stop embarrassing you around the greens.
RICHARD
[ Chuckling ] Yeah, do that.
JASON
Thank you, Richard.
[Door closes as Jason exits]
CUT TO EXTERIOR OF ELDER GILMORE HOUSE
[Lorelai attempts to escape tight parking in her Jeep]
LORELAI
[sighs as she move forward an inch] God. [sighs as she moves back an inch]
JASON
[approaches and talks through car window] I have a gigantic bottle of vodka at my place -- the largest bottle of vodka known to man.
LORELAI
But what will you drink?
JASON
Gin.
LORELAI
Let's go.
CUT TO STARS HOLLOW TOWN SQUARE - NIGHT
[Delirious, Kirk staggers though the square. He's still searching for eggs, still empty-handed.]
KIRK
Eggs. Gotta get the eggs. [He almost runs into a couple.]
GIRL
Whoa.
GUY
Whoa, buddy.
KIRK
Eggs. [He turns and frightens an old woman on the sidewalk.] Aaah!
WOMAN
Aaah! [She runs away.]
KIRK
Aaah! [He stumbles further and collapses to ground. He looks up and sees Luke standing before him.] Flower show's tomorrow. Flower show's tomorrow, and I can't find the last twelve eggs. [crying] I let Taylor down. He's like a father to me. I think he is my father.
LUKE
He's not your father.
KIRK
No, my father's my father, which means Taylor's my tailor. I wonder how much he charges to hem pants.
LUKE
He's not your tailor.
KIRK
I let him down! I let Taylor down. I let the whole town down. He won't like me anymore.
[Luke drops a plastic bag full of eggs on the ground before Kirk.]
KIRK
What's this?
LUKE
It's the last twelve eggs.
KIRK
The last --
LUKE
you picked some screwy places to hide them. Don't do that again.
KIRK
The last twelve?
LUKE
Tell Taylor you found them. Be the hero. [walks away]
KIRK
[climbs to feet] Thank you. Thank you! [shouting] I love you, Luke Danes! I love you!
LUKE
[muttering to himself] I'm stupid.
KIRK
[yelling loudly] I love you! I love Luke Danes! Love, love!
CUT TO INTERIOR OF RORY'S CAR - SAME NIGHT
[Rory is driving down Stars Hollow's main street. She slows to a stop when she sees Dean run out of an alley toward her car.]
DEAN
Hey. Come on.
RORY
What? Where?
DEAN
I want to talk to you. Come on. [Rory follows Dean into an alley.] I've been trying to call your cell.
RORY
I didn't have it on.
DEAN
I'm sorry, okay? I'm really sorry.
RORY
About what?
DEAN
I was a jerk at your dorm. I yelled.
RORY
You didn't yell.
DEAN
I got upset, and I shouldn't have.
RORY
No, Dean, I'm the jerk. Hounding you about school like that -- it all came out wrong. It's your life. It's your decision.
DEAN
No, I shouldn't have sniped like that.
RORY
I deserved it.
DEAN
You were concerned.
RORY
I want the best for you, and I think school is it. I still think that, but it's not up to me. I just don't want you to settle.
DEAN
Yeah, I know you don't. Sometimes it seems like you're the only one who doesn't. [ Sighs ]
RORY
I think Lindsay may have overheard me saying stuff at Doose's.
DEAN
Yeah.
RORY
I feel even worse about that. I've got such a big mouth.
DEAN
No, it's okay.
RORY
She must have been really upset.
DEAN
Kind of.
RORY
I didn't mean to hurt her feelings.
DEAN
She'll be okay.
RORY
She knows we talk, right -- that we're friends?
DEAN
She does now. She doesn't want me talking to you anymore.
RORY
Oh. Well, I guess that's understandable.
DEAN
I don't want that to happen.
RORY
I don't want that to happen either.
DEAN
Then it's not gonna happen.
RORY
Should you get home?
DEAN
Yeah.
RORY
Me too.
[Rory watches as Dean walks away.]
CUT TO ELDER GILMORE HOUSE BACK PATIO - SAME NIGHT
[Richard stands by the fence with drink in hand. Emily joins him.]
EMILY
Is it true? Did you put your pension up as collateral? Are we in trouble?
RICHARD
It's going to work out, Emily. It'll be okay.
EMILY
You and Jason talked?
RICHARD
It's going to be okay.
CUT TO JASON'S TOWNHOUSE - SAME NIGHT
[On sofa, a tipsy Lorelai uses hand signals to a tipsy Jason.]
JASON
Uh, three words. Four words. Two words. Okay, you suck at charades.
LORELAI
We're playing charades?
JASON
Yeah, weren't we?
LORELAI
You're drunk.
JASON
You're drunk.
LORELAI
Don't drunk and drive.
JASON
I would not thunk it.
LORELAI
That's a fun game to play.
JASON
What?
LORELAI
The "changing words into funny words" game.
JASON
[ Sighs ] Oh, I'm sleepy.
LORELAI
Hey, you know, your father was terrific until the end.
JASON
Yeah, the end was kind of bad.
LORELAI
It's like falling 600 feet to your death. You know, it's fun the first 599 feet, but it's just the last foot -- total sucko.
JASON
Yeah, it's a bummer -- that last foot. But, you know, there is a bright side to this evening.
LORELAI
The moon?
JASON
No, but the moon was very bright. At least our relationship is out in the open -- no more hiding.
LORELAI
Yeah, no more hiding. I'll drink to that.
JASON
And I got Richard calm, and I'll work my magic, which is what I do.
LORELAI
Dad's head looked like it was gonna go full-out piñata.
JASON
It'll be okay. He and I are going golfing in a couple days. That always puts him a good mood.
LORELAI
Yeah. Your plant is dead. How did it die so quickly?
JASON
It may have been self-inflicted.
LORELAI
Poor thing. Are you okay, though? Am I being enough supportive? Reversed those last two words.
JASON
No, I'm fine. In a weird way, my father trying to destroy me is the first time I've ever gotten any real respect out of him.
LORELAI
Hmm. Cool. Clink. [glasses clink]
CUT TO SAME EXCLUSIVE GOLF COURSE ON FAIRWAY
[Richard completes his drive with a big swing.]
FLOYD
Nice shot! Beautiful!
RICHARD
Your charity is limitless
FLOYD
You're just warming up. You've always been a closer.
RICHARD
Too true. So, we're done with the broad strokes?
FLOYD
I believe so. I'll drop the lawsuit. We'll split the clients evenly. You'll come back to the firm -- have your own company under our umbrella.
RICHARD
And Jason is out.
FLOYD
Jason's out. You'll be returning a hero, Richard.
RICHARD
Hmm. Music to my ears.
FLOYD
Beautiful day today.
RICHARD
Beautiful.
THE END