T4E2: “The Lorelais’ First Day at Yale”
Título em Português: “O Primeiro Dia em Yale”
Roteiro: Daniel Palladino
Direção: Chris Long
Originalmente exibido em: 30 de setembro de 2003
OPEN AT LORELAI'S HOUSE
[Rory walks out of her bedroom with some beauty products. She goes into the living room to pack them in a suitcase]
RORY
I've got too much stuff.
LORELAI
[calls from upstairs] What?
RORY
Stuff! And it's your fault. You inculcated into me a tolerance for rampant consumerism.
LORELAI
What?
RORY
When did I become one of those girls with dozens of beauty products, none of which are expendable? It used to be a touch of mascara, dab of Coppertone, zip, bam, boom, out the door.
LORELAI
I heard copper and boom.
RORY
Never mind. And what's going on? We're late.
LORELAI
I'm looking for the camera.
RORY
Oy vey, she's looking for the camera.
LORELAI
I heard that.
RORY
That she hears.
[Lorelai comes down the steps]
LORELAI
It is my prerogative as your mother to record any event in my daughter's life that I so choose. It's in the mother's handbook.
RORY
Does Luke know that you can't drive a stick?
LORELAI
Why?
RORY
Because you borrowed his truck and it's a stick.
LORELAI
I can drive a stick.
RORY
You can stir coffee with a stick, but you can't drive a stick.
LORELAI
Okay, I am glad I did not choose to record that particular moment in my daughter's life 'cause that was just ugly.
RORY
I just want you to get there in one piece.
LORELAI
You look out for me.
RORY
Let's hit the road.
LORELAI
Oh, wait, wait, this is it! This is the precise moment that I've been looking for. This is my daughter going off to college, this is my shot!
RORY
Okay, fine.
LORELAI
Okay, I'm lining you up, now look candid.
RORY
Okay, see, the very definition of candid means that the subject doesn't know the picture's being taken.
LORELAI
So forget the camera's there.
RORY
I'll try.
LORELAI
And smile.
RORY
Okay, okay.
[Lorelai takes a picture]
LORELAI
I'm not happy.
RORY
Why?
LORELAI
It looks posed.
RORY
How about this?
LORELAI
Yeah, you know the stick we were talking about before? It looks like it's somewhere else now.
RORY
You're having serious Annie Leibovitz delusions here.
LORELAI
But it just looks like you're standing in the house. No one will know that you're going off to college.
RORY
Shall I hold a sign?
LORELAI
Or you could do the "going off to college" walk.
RORY
The what?
LORELAI
The walk, the this. [imitates the walk]
RORY
You look like Alfalfa coming to pick up Darla.
LORELAI
Here, hold some of your stuff. At least it'll look like you're moving or something.
RORY
Okay.
LORELAI
Ugh, it looks like you're taking out the trash.
RORY
Okay, that's it, we're going.
LORELAI
All right. I'll just have to make do with one of the pictures I already took.
RORY
Good.
LORELAI
Ooh, I'll put it on the computer and then superimpose an important person standing next to you seeing you off, like Kissinger or Lady Bird Johnson or Pat Summerall or something.
RORY
Pat Summerall?
LORELAI
Well, you think of somebody better.
RORY
Orson Welles.
LORELAI
It can't be a dead person.
RORY
Pat Summerall's dead.
LORELAI
No, he's not.
RORY
Pat Summerall is dead.
LORELAI
No, I'm telling you, he's not. Lady Bird Johnson is dead.
RORY
No, she's not.
LORELAI
How much you wanna bet?
RORY
Five bucks.
LORELAI
Let's google him right now.
RORY
Mom, Yale?
LORELAI
Yeah, Yale can wait for us to google Pat Summerall.
RORY
Come.
LORELAI
Where are your priorities?
[opening credits]
CUT TO LUKE'S DINER
[Rory walks in and sits at the counter]
RORY
Hey, Luke.
LUKE
Hey, Rory. Isn't today Yale?
RORY
Um, yeah, I'm going right now.
LUKE
You look so calm. How do you feel?
RORY
A little nervous, but a last Luke's fix before I go will help.
LUKE
Well, today is whatever you want on the house.
RORY
Wow, I feel important.
LUKE
You are important. Where's your mom?
RORY
She's coming. She's having a wee bit of trouble with your truck.
[Luke looks out the window and sees Lorelai backing his truck toward the diner]
LUKE
What is she doing?
RORY
Well, she, uh, backed the truck out of our driveway all fine and everything, but once she hit the road, she couldn't get it out of reverse, so she -
LUKE
Backed it here?
RORY
Slow but steady.
[Luke walks outside to the truck]
LORELAI
Something's wrong with your truck.
LUKE
Nothing's wrong with my truck. Stop the truck.
LORELAI
It won't go out of reverse.
LUKE
You can't drive a stick.
LORELAI
I can't drive an uncooperative stick.
LUKE
My stick's not uncooperative. Come on, hit the brakes.
[Lorelai stops the truck and gets out. Luke gets in]
LORELAI
Okay, good luck. I don't think it's gonna happen.
[Luke drives the truck forward and parks it along the curb]
LORELAI
This is a misogynistic truck!
LUKE
What?
LORELAI
It's anti-woman, it's gender-selective, it's "Oh, let's drink a beer and watch the game and hike our shorts up."
[Luke gets out of the truck and they start walking toward the diner]
LUKE
I changed my mind, you can't borrow my truck.
LORELAI
But it's full of our stuff.
LUKE
You should've hired movers.
LORELAI
You could've said no when I asked to borrow the truck.
LUKE
You said you could drive a stick.
LORELAI
Yeah, not the Joe Sixpack of sticks. Not the "Oh, let's scratch our bellies and eat some corn nuts and pick our teeth."
[they walk into the diner]
LORELAI
Really, Luke, I can drive it.
LUKE
Okay, fine. Just be careful and have it back by four.
LORELAI
Four-ish it is.
LUKE
Four, I need it at four.
LORELAI
: Give or take a few min-
LUKE
Four.
LORELAI
: God, he's so possessive about the stupid truck.
LUKE
It's my truck, I possess it!
LORELAI
: I'm just kidding. I'll have it back by four, calm down.
LUKE
Okay, I'm just... I'm not in much of a kidding mood with all this other stuff going on. Divorce papers. Fun, huh?
LORELAI
Zero fun. Sorry, Luke.
LUKE
It's not that I wasn't expecting them, it's just... the law firm that Nicole works for sent them. I called with a simple question they could've answered over the phone, but they insisted on sending someone down to see me.
LORELAI
I take it you're not looking forward to that.
LUKE
I'm about to build a moat of fire.
CAESAR
Here you go, Rory. [hands her a bag]
RORY
Thanks, Caesar. Since we were short on time, I had them make us something to go. My Yale special.
LORELAI
Oh, share, share.
RORY
Sausage wrapped in a pancake tied together with bacon.
LORELAI
You made that up?
RORY
I don't know how I do it.
LUKE
Here. [shows Lorelai a piece of paper]
LORELAI
What's this?
LUKE
A shift diagram for the truck, nice and simple. D is for drive, R is for -
LORELAI
The R in drive!
LUKE
R is for reverse.
LORELAI
Right, reverse.
LUKE
And one is -
LORELAI
The loneliest number that you'll ever know!
LUKE
The first gear.
LORELAI
I know, Luke. Really, I can handle it.
LUKE
I hope so.
RORY
Thanks, Luke.
LUKE
Good luck, Rory. [sees a man enter the diner] Oh, goody, a guy in a suit.
LORELAI
Good luck to you.
[Lorelai and Rory leave; the man walks up to Luke]
RUSSELL
MR. Danes?
LUKE
Unfortunately.
RUSSELL
I'm Russell Bynes. I'm with Blodgett, Sage, Albet, Pettruccio, Stein, Lemming, and Stein, attorneys for Nicole Diana Leahy.
LUKE
And the sun just went down, thanks for coming.
RUSSELL
Pardon me?
LUKE
You're wasting your time. I had a simple question, where do I sign? It didn't require a personal visit.
RUSSELL
Whoa, whoa, there's no place to sign because this is just a document informing the defendant of the type of action being filed.
LUKE
What are you talking about? Who's the defendant?
RUSSELL
You are.
LUKE
Oh my God.
RUSSELL
Didn't you read the papers?
LUKE
Yeah, the Red Sox lost by three, Bush is at the ranch chatting up a Swiss dude.
RUSSELL
The divorce papers.
LUKE
I know what you meant. Look, I didn't kill anyone. Nicole and I just kind of accidentally got married and now we want out. We both want the same thing.
RUSSELL
Don't try to play me,
MR. Danes.
LUKE
I'm too busy for this.
RUSSELL
Fine, because I should just be dealing with your legal representation.
LUKE
I don't believe this.
RUSSELL
Not giving us your lawyer's information is only going to prolong the process.
LUKE
Okay, if I give you my lawyer's name, will you leave?
RUSSELL
I will leave.
LUKE
Okay, you ready?
RUSSELL
Yes.
LUKE
His name is Don Dewey. He works at the firm of Dewey...
RUSSELL
Dewey.
LUKE
Cheatham...
RUSSELL
Cheatham.
LUKE
And Howe.
RUSSELL
Dewey, Cheatham, and Howe. That was very immature.
LUKE
Yeah, well, tickled me.
RUSSELL
My bosses are gonna wanna hear this.
LUKE
Oh, come on, they've heard that one before. Oh, hey, if you want Don's number, it's 555-5555.
[Russell leaves. Lorelai walks back in holding out the stick shift diagram]
LUKE
I thought you were gone.
LORELAI
Nothing's where it says it is.
[Luke flips the paper over]
LORELAI
It's gonna be fine.
CUT TO YALE UNIVERSITY
[Lorelai is standing in a parking space in the street in front of the school. Rory pulls up in her car]
RORY
Nice score!
LORELAI
Thank you. Oh, and later, I'll, uh, point out the seven or so fellow Yalies who already hate you because your obnoxious mother wouldn't let them park in the only open spot left.
RORY
Oh, goody. You get the truck here okay?
LORELAI
Oh, we had some bickering, but we made it.
[a girl walks over to them]
TESS
Hello. Name?
LORELAI
Oh, hey. I was told it was okay to hold the spot. A guy told me, I forget his name. He had, uh, like, a jacket.
TESS
It's okay. I was just wondering what our newcomer's name is.
RORY
Rory Gilmore.
LORELAI
Right, Rory Gilmore
TESS
[checks list] Rory Gilmore, Rory Gilmore... there you are. Welcome to Yale.
LORELAI
Oh, hold the shake, hold the shake.
RORY
Mom.
LORELAI
Wait, lens cap, lens cap.
RORY
Sorry.
TESS
They all do this.
LORELAI
Shake. [takes picture] Got it. Who are you?
TESS
I'm Tess, I'm Rory's freshman counselor. I'll be living in the building and be there for whatever she needs.
LORELAI
And you look twenty-one, convenient for beer runs.
TESS
I'll be giving a tour for Durfee girls you should not miss.
RORY
Oh, I know. Tour's at twelve, followed by the optional express lunch twelve to two, which is all followed by the telecommunications orientation and internet ID distribution, parents' reception eleven to one.
TESS
You memorized the schedule.
LORELAI
Yeah, she's not weird or anything, she just has a good memory.
TESS
And I see you brought your own mattress.
LORELAI
Oh, right. See, the guy... name, name, name. I forget his name. Three syllables. Uh, he said it was okay, and he had, like, a mustache.
TESS
It's allowed as long as you make arrangements to dispose of the one that was already there. Did you do that?
LORELAI
Yes, we did.
RORY
Yes.
TESS
Good. Get your camera ready.
LORELAI
Why?
TESS
I'm giving Rory her key.
LORELAI
Thanks for the warning. [takes picture]
TESS
See you at the tour.
RORY
Yes, Tess, thank you.
[Tess walks away]
RORY
So, she's nice.
LORELAI
Yeah. I'm dying to see your room. Come on, grab a bag.
RORY
So, you made arrangements to get rid of the old mattress?
LORELAI
Yes, I did.
RORY
Really?
CUT TO YALE DORM
[Lorelai and Rory walk in]
RORY
Because it specifically says here that you're supposed to make arrangements to have the old mattress picked up before arrival.
LORELAI
Ooh, very grand.
RORY
So, what time are the mattress guys coming?
LORELAI
Uh, later today sometime.
RORY
So we have to wait in the room for them, or...
LORELAI
I think they just let themselves in. Here we are.
RORY
So do the mattress guys have their own key?
LORELAI
All right, I confess, I didn't call the mattress guys.
RORY
Well, what are we gonna do?
LORELAI
We'll find a dumpster.
RORY
Mom, they could trace it back to me.
LORELAI
I'll be long gone by then.
RORY
Mom.
LORELAI
All right, we'll burn it before we dump it. A match, a little gasoline.
RORY
We're here five minutes and we're already contemplating felonies.
[Lorelai unlocks Rory's dorm suite and they walk inside]
LORELAI
Just like I pictured it.
RORY
Did you see an emergency exit?
LORELAI
A fireplace, too! I wonder if it's woodburning.
RORY
It says here, "Upon arrival, please take note of the emergency exits."
LORELAI
Hey, hey, we could burn the mattress in there, save us a trip.
RORY
Aw, man, a piece of my map ripped off.
LORELAI
Which one's your room?
RORY
I'm missing half of the Old Campus.
LORELAI
R.G. This is it.
RORY
If I have Old Campus activities today, I'm screwed.
[they walk into Rory's bedroom]
LORELAI
Here it is. Here's where you're going to be thinking all those impressive thoughts. It's just waiting for your decorative stamp. And a little air freshener.
RORY
Where's the phone jack?
LORELAI
I don't know, Jack. Where is the pesky phone?
RORY
Mom.
LORELAI
You're one-note Nancy today.
RORY
Ah, here's a place to get replacement maps. Aw, holy cow, it's in Old Campus!
LORELAI
All right, that's it.
RORY
Hey, what are you doing?
LORELAI
You just missed it.
RORY
Missed what?
LORELAI
Walking into your dorm suite for the first time. Do over.
[Lorelai leads Rory back out to the hallway]
RORY
What? We're short on time here and we haven't unloaded.
LORELAI
It doesn't matter. You're gonna be in the moment.
RORY
Mom.
LORELAI
You're gonna be in the moment or the rest of the map gets it.
RORY
No. Okay, I'm here, I swear.
LORELAI
You're not placating me?
RORY
I'll try. Really, I'm all here.
LORELAI
Good. Oh, here's your suite.
RORY
Cool.
[they walk inside]
RORY
Wow.
LORELAI
Huh?
RORY
It is cool. My own space.
LORELAI
Well, yours and P.G.'s and J.B.'s and T.S.'s.
RORY
And a fireplace. Did you see the fireplace?
LORELAI
Was this do over justified or what?
[they walk into Rory's bedroom]
RORY
You mentioned thoughts in here?
LORELAI
Mm, all the great ones you're gonna have.
RORY
And air freshener?
LORELAI
That, too.
RORY
Thanks for putting me in the moment.
LORELAI
My pleasure.
RORY
It's something I would have not wanted to miss.
LORELAI
Good. And thank you.
RORY
For what?
LORELAI
For pretending that you're not at this moment thinking about missing your tour, finding your phone jack, navigating the Old Campus.
RORY
It's my gift to you.
LORELAI
Let's go unload and get you a new map.
RORY
Bless you.
CUT TO YALE COURTYARD
[Rory is in her freshman orientation tour]
TESS
Just keep in mind, guys, the dining hall hours are cast in stone - you snooze, you lose. And it's a post-9/11 world, so your ID's are important. You'll be asked for it a lot, so always have it, always, always. It also operates the laundry machines and is also your meal card. That's right, it's practically magic, so don't lose it.
[Another tour group walks by]
TOUR GUIDE
If you're stupid enough to get ripped, I'm here to help, but I do not hold buckets, if you get my drift. Now, pay attention to street parking, it is severely restricted in most places. Walk or take the shuttle when you can.
TESS
First floor Durfee.
TOUR GUIDE
Third floor Bingham.
TESS
They're babies.
TOUR GUIDE
Tots. Third floor Bingham, through the gate, make a left.
TESS
Get an internet ID whether you think you'll use it or not. It'll be your name at yale.edu, and there's no changing what you get.
GIRL
Think there's gonna be a test?
RORY
Probably not. Oh, you were joking. Good one.
TESS
No bottlenecks, girls. There's about a hundred behind you waiting for the same stuff. Do not get precious about your ID pictures. They are what they are.
GIRL
Did you get that down? They are what they are.
RORY
I'll remember.
PHOTO GUY
Next!
GIRL
That would be you.
RORY
What?
PHOTO GUY
It's picture time.
RORY
Oh, sorry. [sits down to get her picture taken] I didn't think pictures were today. Do you mind if I take a second to -
PHOTO GUY
One thousand and one. [takes picture] Next!
CUT TO YALE DORM
[Rory's tour group walks into the dorm]
TESS
Always have your keys. Never open the door to someone you don't know. Walk in twos at night. That's it, any questions? Later on, you'll have questions. I'll be around. Now go do stuff.
[Rory walks into her suite. A girl follows her in and sits down in the common room. Rory goes into her bedroom, then peeks out at the girl. Lorelai enters the suite.]
LORELAI
Rory, you back?
[Lorelai goes into Rory's bedroom]
LORELAI
Who is that?
RORY
I don't know. She just followed me in here like a puppy dog without saying a word.
LORELAI
Maybe she's lost.
RORY
Or maybe she's one of my new suitemates who I'm already off to a swell start with.
LORELAI
Do you know how vulnerable you are to venereal disease?
RORY
All hail to the queen of the non-sequiturs.
LORELAI
This parent orientation I went to was a nonstop litany of the horrors awaiting college freshman. You're supposed to carry a whistle, a flashlight, a crucifix, and a loaded Glock with you at all times.
RORY
We should go out there. She'll think we're hiding.
LORELAI
Okay, just don't shake hands with her. Bacteria.
RORY
Mom.
LORELAI
Or tell her where you live.
RORY
Too late.
LORELAI
Oh, you touched the doorknob.
RORY
Good grief.
[they open the door]
LORELAI
Say something.
RORY
What?
LORELAI
Anything. Go, go.
[they walk out into the common room]
RORY
Hi.
TANNA
Hi. [pause] I'm adopted.
RORY
You're up.
LORELAI
What's your name?
TANNA
Tanna Schrick.
LORELAI
Well, Tanna Schrick, good. We're making some progress. Hi, Tanna Schrick. I'm Lorelai, this is Rory. She'll be living here, too.
RORY
We're suitemates.
TANNA
As they're ransacking your room, professional thieves typically start at the bottom drawer and work their way up. That way they don't have to close drawers before opening the next one. Saves time.
LORELAI
Okay. So, no storing your valuables in the bottom drawer. Got that, Rory? Good tip, Tanna. Thanks.
TANNA
I'm not so great at extemporaneous speaking, so I've memorized some quick conversational facts I can whip out at a moment's notice. Oh, when I get to know you better, I'll memorize some facts that are more specific to your person.
LORELAI
Tanna, how old are you?
TANNA
Sixteen.
RORY
Sixteen?
TANNA
On Tuesday.
LORELAI
Happy birthday, Doogie.
TANNA
Thank you.
LORELAI
And, uh, where are your parents?
TANNA
Oh, at the hotel. Mom's napping, Dad's getting a schvitz.
LORELAI
Okay, well, we still have some more stuff to do, but maybe your parents will be here when I get back. I'd love to meet them.
TANNA
Yeah, well, they make a very good first impression.
LORELAI
I'm sure they do. See you later, kiddo.
RORY
Bye.
TANNA
Oh, hey, um, Rory?
RORY
Yeah?
TANNA
You nervous?
RORY
Oh yeah.
TANNA
Okay, good.
[Lorelai and Rory walk out to the hallway]
LORELAI
Odd, but nice.
RORY
I'll take it.
LORELAI
So... this is it.
RORY
This is it.
LORELAI
Learn a lot of stuff.
RORY
I'll try.
LORELAI
And, uh, you know, keep in touch.
RORY
Well, we'll at least exchange Christmas cards.
LORELAI
With a letter detailing what's happened over the year.
RORY
And a current photo.
LORELAI
Don't joke!
RORY
You started it.
LORELAI
I was masking my pain.
RORY
You'll see plenty of me.
LORELAI
It's not enough.
RORY
How about tons?
LORELAI
That's better. I love you, did you know that?
RORY
I always suspected it.
[as they hug, someone bumps into them with a box]
LORELAI
Oh, excuse me. A little fridge.
RORY
It's
CUTe.
LORELAI
I want one.
RORY
Well, go get yourself one.
LORELAI
For you, I want one for you.
RORY
I don't need one.
LORELAI
For sodas and stuff when things are closed. Late night cram sessions.
RORY
I guess it would come in handy.
LORELAI
Oh, let's see what these people have going on. [peeks into a room]
RORY
Mom.
LORELAI
A rug! A rug for your room to make it cozy. And a vase of flowers.
RORY
Well, the flowers will just die.
LORELAI
They have a vase of the most beautiful fake flowers I've ever seen. Trash cans!
RORY
Oh, you're right.
LORELAI
And a fan. I have been remiss.
RORY
No, you haven't.
LORELAI
I have got another trip to make today.
RORY
No, Mom, you've done enough today.
LORELAI
I want you fully outfitted and settled for your first night or I won't sleep.
RORY
We can get it all later.
LORELAI
No, no. Now go unpack the skimpy amount of stuff I've gotten you so far and I'll be back in a couple of hours. Copper boom.
RORY
What?
LORELAI
It's what you said to me this morning when you were trying to speed me up.
RORY
But you missed a bunch of stuff in between.
LORELAI
I think it's catchy. Go, go, unpack.
RORY
Copper boom!
LORELAI
Copper boom!
[They walk off in separate directions. Lorelai passes a guy carrying a container of stuff and she looks in it to see what he brought.]
RORY
Mom!
LORELAI
Copper boom!
CUT TO LUKE'S DINER
[Lorelai walks in]
LORELAI
Hey, Luke. [sees three lawyers sitting at a table] Oops.
LUKE
Shoot me.
LORELAI
Now, or maybe later so you're surprised?
[Luke walks over to the table of lawyers]
MR. STEIN 1
MR. Danes, a marriage contract is a contract just like any other.
MR. STEIN 2
As the higher wage earner, Nicole wants a fair settlement.
LUKE
But I want nothing from her, so there's nothing to settle,
MR... what's your name again?
MR. STEIN 1
My name is Stein.
LUKE
I thought you were Stein.
MR. STEIN 2
I'm Stein as well.
LUKE
Well, then I'm confused.
MR. BLODGETT
MR. Danes, I'm an impatient man, I'm a busy man, I'm a sensible man, I'm a skeptical man.
LUKE
Oh, you're four different men, huh? Well, are they all named Stein, too?
MR. BLODGETT
If there's one thing I've learned in this business, it's that no one wants nothing.
MR. STEIN 2
Why won't you hire a lawyer?
LUKE
Why? Because lawyers waste time and money. They're needless middlemen who slither into people's lives when they're at their most vulnerable so they can clamp on and suck like leeches until everyone but them is distraught and penniless.
MR. STEIN 1
Well, I can see why the marriage went bad.
MR. BLODGETT
Here's fair warning,
MR. Danes - if you don't hire a lawyer, you could wind up getting absolutely nothing.
LUKE
That's what I want!
MR. STEIN 1
There he goes again.
MR. STEIN 2
Maybe we should get Sage and Albet into this.
MR. STEIN 1
Hm. Pettruccio, too.
[Luke walks over to Lorelai at the counter]
LUKE
They're gonna multiply like the matrix.
LORELAI
Oh, well...
[Luke brings Lorelai over to the lawyers]
LUKE
Tell them, Lorelai.
LORELAI
Huh? Tell them what?
MR. BLODGETT
Who's this?
LUKE
This is Lorelai.
MR. STEIN 1
Are you an attorney?
LUKE
No, she's carbon-based.
MR. STEIN 2
And what's her role?
LUKE
Uh, be my character witness or something.
LORELAI
Right, okay. Well, I can vouch for this man. I mean, I know he cared for Nicole, and apparently they both got a little rash. I mean, not in 'apply to affected area twice daily' rash, I mean rash in that they hastily entered into a union.
MR. BLODGETT
We know all this.
LORELAI
But if you think he married her to get something, I know that's not true. He's basically a hermit, and happy to be one. I could show you his place upstairs. I mean, you half expect Hari Krishnas to jump out of the bathroom banging tambourines. All he likes is fishing and watching baseball, and he's got a reel and he's got a TV, so he's all set. So when he says he wants nothing, I know he means it, because when I think of Luke Danes, I think nothing.
LUKE
MR. Blodgett, Steins one and two, there you go.
MR. STEIN 1
Your choice of character witness does nothing to allay our concerns.
LORELAI
Sorry. [goes back to the counter]
MR. BLODGETT
The bottom line, time. If we do not receive a response in this matter, we're just going to have to kick this up a notch.
LUKE
Okay, there is something I want, but I've been holding back.
MR. BLODGETT
As we suspected.
MR. STEIN 2
Let's hear it.
LUKE
Okay, you know Nicole and I went on a cruise, right?
MR. STEIN 2
Oh boy.
MR. STEIN 1
Oh yeah.
LUKE
Well, the first night on the boat we, uh, went to see an act that everyone was raving about. We go in, sit down, they close the door. Turned out to be a guy playing musical drinking glasses. You know, with the half-filled cups that give off different tones. He played Mozart, and I swear I could hear Mozart banging on his coffin. Out of politeness, we stayed, and there went an hour of our lives. Next night, the sign in front of the theater said the entertainment for the night was a guy singing the songs of Sinatra. We verified with the guy at the door, the songs of Frank Sinatra, right? Not Tina, not Frank Jr., not Bill Sinatra, but Ol' Blue Eyes. "Yes," he says. "It's like Frank come to life." We go in, sit down, they close the door. Then they announce that the guy singing Sinatra is sick and the glass-playing guy is filling in. Out he comes, there's goes another hour. Next night, we meet a nice couple while walking the Lido Deck. Had some nice conversation, so we have dinner with them. Everything's going great. Then they invite us to go somewhere afterwards - guess where they took us? That's right, to see the glass guy. Three nights in a row, three hours total. Well, that's what I want - I want those three hours back.
MR. BLODGETT
We'll have to confer on this.
MR. STEIN 1
Maybe do a productivity study.
LUKE
Yeah, get Blobb, Fromm and Pinnuccio in there, too.
MR. BLODGETT
We'll get back to you.
LUKE
I have no doubt.
[the lawyers leave. Luke sits next to Lorelai at the counter]
LORELAI
Wow.
LUKE
I'm exhausted.
LORELAI
Sorry I barged in like that.
LUKE
Trust me, the interruption was welcome.
LORELAI
So, did you check the clock? It's not yet four.
LUKE
Rory safe and sound?
LORELAI
Safe and sound.
LUKE
And the truck?
LORELAI
Well...
LUKE
You wrecked it.
LORELAI
It's not wrecked.
LUKE
I don't see it.
LORELAI
It's around the corner.
LUKE
You wrecked it.
LORELAI
No, but I need to use it awhile longer.
LUKE
Because you wrecked it and it's in the shop.
LORELAI
You really can't afford to alienate your chief character witness.
[they walk outside to the truck]
LUKE
It's full of stuff.
LORELAI
I know.
LUKE
Why didn't you unload it?
LORELAI
I did, this is my second load.
LUKE
You didn't say anything about a second load.
LORELAI
I didn't know I had to have one 'til I realized what a piker of a mother I'd been compared to the other kids' moms.
LUKE
It's still running.
LORELAI
Yeah, well, turns out that ignition key is just as misogynistic as that stick shift of yours.
LUKE
You just have to jiggle it a little.
LORELAI
You didn't mention any jiggling.
LUKE
It's common sense.
LORELAI
Oh, that.
LUKE
Wait, why is the mattress still there?
LORELAI
Oh, that's not the mattress, that's a mattress.
LUKE
What?
LORELAI
Rory has the new mattress. That's the Yale-supplied mattress that has microbes in it that date back to Henry Box Brown.
LUKE
Well, what are you gonna do with it?
LORELAI
Well, I was thinking maybe you could store it for me.
LUKE
Uh, no.
LORELAI
Come on.
LUKE
No.
LORELAI
Well, I can't take it back to Yale.
LUKE
I'm not storing your microbe mattress, forget it.
LORELAI
Well, then I'm stuck here.
LUKE
Fine, because I need my truck back.
LORELAI
Fine, but that leaves you with the mattress.
LUKE
I'm not taking the mattress.
LORELAI
Then let me take the truck.
LUKE
But that means you take the mattress.
LORELAI
I can't take the mattress.
LUKE
Then you can't have the truck.
LORELAI
But that sticks you with the mattress.
LUKE
If you take the truck, it comes with the mattress.
LORELAI
I can't take the mattress.
LUKE
Then you can't have the truck.
LORELAI
And that sticks you with the mattress.
LUKE
We've been here before.
LORELAI
I recognize that tree.
CUT TO YALE DORM
[Rory is in her bedroom unpacking. There's a knock at the door]
RORY
Come on in.
[Tanna walks in]
TANNA
Um, another suitemate has arrived.
RORY
Oh yeah?
TANNA
Yeah. She's a little weird. Um, I've already forgotten her name. I'm a disaster with names.
RORY
That's okay.
TANNA
It's the name of a city, like Athens or Rome or something.
PARIS
[from the common room] I'm sure things can be rearranged. I mean, why not? It's a dorm, you're supposed to.
TERRENCE
Let it go.
[Rory and Tanna walk out to the common room]
RORY
Paris?
TANNA
Yeah, that's it.
PARIS
How shocked are you?
RORY
Do you have a resuscitator?
PARIS
I'm going to Yale.
RORY
You're going to Yale.
PARIS
And we're suitemates.
RORY
Of all the gin joints.
PARIS
Give me a hug! Wait. Give me a hug!
RORY
This is a massively big surprise.
PARIS
I was gonna call and then I thought, hey, let's wait and just be right in her face.
RORY
I can't even feel my face anymore.
PARIS
This is a good thing.
RORY
No, yes, it's definitely a good thing. It's just, again, my nose... it feels like clay.
PARIS
Oh, uh, this is Terrence.
RORY
Hello.
TERRENCE
It's nice to finally meet you, Rory.
PARIS
Terrence is my life coach.
RORY
Your what?
PARIS
Don't judge.
RORY
I'm not.
PARIS
Remember my nanny? I lost her over the summer.
RORY
I'm sorry, what happened?
PARIS
She opened a pupuseria in Boise.
RORY
So she's okay?
PARIS
Yeah, but I was pretty lost. Then my rabbi conferred with my therapist who said a hypnotist he knew thought a life coach would be right for me, and that led me to Terrence. He's here to assist me with whatever I need assistance in, from wardrobe to diet to finding me a kick-ass gynecologist.
RORY
That's great, Paris, really.
PARIS
He's done so much for my people skills. I can cope with the little annoyances now. [to Tanna] For instance, the old Paris would've been bothered by your penchant to hover. It would've made her wanna ring your neck until your eyeballs popped out.
TANNA
Oh.
PARIS
But now, I accept it because I can't control everything. Paris Gellar.
RORY
That's Tanna.
TANNA
In medieval times, surnames often reflected a person's origin or occupation so they were descriptive as well as utilitarian.
PARIS
And what does Tanna mean?
TANNA
Nothing.
PARIS
We're gonna have some fun this year.
TANNA
Thank you.
PARIS
How's your face?
RORY
Better, thanks.
PARIS
Is that my room?
RORY
If your initials are P.G., it is.
[Paris checks the room out]
PARIS
Terrence, I got my southern exposure.
TERRENCE
I'm a happy camper.
RORY
So, weird, weird coincidence that we're roommates like this, huh?
PARIS
Not really. I told Terrence all about our history and he felt very strongly that our life journey was not complete, so my dad made a call.
CUT TO FRONT OF YALE
[Luke and Lorelai pull up in Luke's truck]
LORELAI
Luke, this was so nice of you, giving me a hand like this. It was above and beyond the call of duty.
LUKE
Don't start this again.
LORELAI
I'm not starting anything.
LUKE
Good.
LORELAI
I mean, if you just had stored the mattress...
LUKE
That's where we're not starting.
LORELAI
What? It was your choice to come along.
LUKE
I wanted the safe return of my truck without the mattress guaranteed. This was the only way.
LORELAI
You know, I miss our friendship. We used to be so close. The summers at the lake...
LUKE
Let's just move along here, okay?
[Tess walks over to them]
TESS
Hi, there.
LUKE
Hello.
TESS
Is that your mattress?
LUKE
Well, uh, yeah.
TESS
Hm. Tag has a Yale stamp.
LUKE
Oh, well, when I said it was mine, it's not mine. It belongs in the dorm. We were just driving it around New Haven for awhile.
TESS
Uh huh.
LUKE
To air it out.
TESS
Oh, okay.
LUKE
We're gonna take it right back in.
TESS
Great. [walks away]
LUKE
Thanks for jumping in.
LORELAI
You seemed to have a handle on it.
LUKE
What do we do now?
LORELAI
Unload. [walks away]
LUKE
With the mattress. What do we do with the mattress?
CUT TO YALE DORM
[Rory greets Lorelai at the door to her suite]
LORELAI
Hi.
RORY
Saw you coming.
LORELAI
What's up?
RORY
You just have to see it.
[they walk inside]
LORELAI
No.
RORY
Yes.
LORELAI
Paris?
RORY
And Terrence, her life coach.
LORELAI
Like on Oprah?
RORY
Yes.
LORELAI
No.
RORY
Yes. They're setting up her crafts' corner.
LORELAI
No.
RORY
Yes.
PARIS
Lorelai!
LORELAI
Hi, Paris. It's so good to see you.
PARIS
Same here. Terrence, this is Lorelai.
LORELAI
Hi, Terrence.
TERRENCE
Nice to meet you finally.
LORELAI
Finally?
PARIS
You and I have a bit of a journey left to finish as well.
LORELAI
I'll clear my schedule.
PARIS
I was just setting up my craft corner. Some mosaic tiles, some colored beads. Still kind of kids' stuff, but Terrence showed me how working with my hands could help with my nerves.
TANNA
Oh, where are we gonna put the couch?
PARIS
Why don't you just -
TERRENCE
Paris...
PARIS
Come on, Terrence.
TERRENCE
Two steps forward, three steps back.
PARIS
But she was baiting me.
TERRENCE
Fish can choose not to bite.
PARIS
We'll figure it out.
[Luke comes to the door]
LUKE
This the place?
LORELAI
This is the place.
[Luke starts pulling the mattress into the room]
LORELAI
Oh, whoa, whoa, whoa. Oh, hold it a minute! You can't bring that thing in here.
LUKE
Well, I'm not taking it back out. Hi, Rory.
RORY
Hi, Luke.
LORELAI
No, we're unloading bags and boxes first.
LUKE
Look, that Tess already had her antennae up about the mattress and she wouldn't stop watching me, so I had to do something.
LORELAI
Well, wait until she's gone and then bring it back out.
LUKE
It's heavy. The only way I got it into the building is with help from Chip - his real name, believe it or not. Now I have to go help him unload his stuff because that was the deal.
LORELAI
No, you don't. Blow him off. He's probably busy taping his Carmen Electra poster up on the ceiling above his bed.
LUKE
The mattress stays. Now if you'll excuse me, Chip is waiting. [leaves]
PARIS
Oh no! My glue gun leaked on my macaroni!
TERRENCE
Compartmentalize... and breathe.
RORY
Let's get this thing out of the hallway.
LORELAI
Hey, uh, I got a crisp Benjamin Franklin for anyone willing to disappear a mattress, no questions asked.
RORY
Start pushing.
LORELAI
Anyone? Two Benjamins? Hold on.
CUT TO DORM HALLWAY
[Lorelai and Rory walk out of the suite toward the exit doors]
LORELAI
Anything else you need, you'll write it down, okay?
RORY
I've got more than I need. Stuff I don't need.
LORELAI
It's all necessary stuff.
RORY
The disco ball?
LORELAI
You cannot host your much-anticipated Salute to Barry White Night without a disco ball.
RORY
I forgot I was anticipating that. Where's Luke?
LORELAI
He's already out at the truck. So, this is it.
RORY
This is really it.
LORELAI
Learn a lot of stuff.
RORY
I'll try.
LORELAI
You'll be a frequent visitor?
RORY
I'll be a frequent visitor.
LORELAI
You can use the washer and the dryer.
RORY
I don't need any inducement.
LORELAI
Good.
RORY
But don't you get rid of that washer and dryer.
LORELAI
I won't. Ciao, baby.
RORY
Bye, Mom.
[Lorelai leaves. Rory walks back into her room and sits on her bed]
CUT TO STARS HOLLOW
[Luke and Lorelai arrive back in town]
LUKE
So Chip is like, "Set your side down first" and I'm like, "My side's the side with the leg missing. It's gonna collapse. You put your side down first" and he's like, "I'm losing my grip", which was his excuse with everything we carried in - the TV, the stereo speakers. And I was like -
LORELAI
Oh my God, will you, like, get over this?
[Lorelai's pager goes off]
LUKE
What's that?
LORELAI
It's my pager. [checks it] Oh no.
LUKE
What?
LORELAI
"Come back."
LUKE
What?
LORELAI
It's from Rory. It says "Come back" with about a dozen exclamation points. Uh, move, move.
LUKE
What are you doing?
LORELAI
I gotta borrow your truck.
LUKE
No way.
LORELAI
I gotta go back.
LUKE
Well, then take your own car. Remember that concept?
LORELAI
No, it'll take too long to walk back to get it. Plus, I'm out of gas. Plus, it's been making weird noises and probably can't take a long trip. Please, Luke?
LUKE
I need my truck.
LORELAI
I need it more.
LUKE
You've had it all day.
LORELAI
Don't you care about Rory?
LUKE
Of course I care about Rory. [sighs] Have it back by seven.
LORELAI
Thanks, Luke.
[Luke gets out of the truck and Lorelai slides over to the driver's side. She shifts the gear and the truck rolls back a little]
LORELAI
Ooh!
LUKE
That's reverse.
LORELAI
I know. [she drives off]
CUT TO YALE DORM
[Rory is sitting on her bed when Lorelai walks in]
LORELAI
Rory?
[Rory jumps up and hugs her]
LORELAI
Oh, whoa, oh, honey, honey.
RORY
Look at this, look at this.
LORELAI
Look at what?
RORY
Four hours at Yale and I'm already homesick.
LORELAI
Well, that's okay.
RORY
All I could think of the minute you left was "I want my mommy." I haven't thought that since I was two.
LORELAI
That's natural.
RORY
I'm eighteen. I can sign contracts, I can vote, I can fight for my country. I mean, I'm an adult. Adults don't want their mommies.
LORELAI
Yes, they do, honey. I'm not a good example, but -
RORY
Everything's so foreign. I have to share a bathroom. I've never shared a bathroom with anyone but you. So I'm gonna be running into people in the bathroom, we're gonna have to make small talk. I don't know any bathroom small talk.
LORELAI
Um... gee, your hair smells terrific?
RORY
You didn't socialize me properly. You made me a mama's girl. Why don't I hate you? Why don't I want to be away from you? It's going to be very hard to be Christiane Amanpour broadcasting live from a foxhole in Tehran with my mommy. I guess you're just gonna have to learn how to operate a camera 'cause I'll need you there with me.
LORELAI
I would do that.
RORY
And how did I end up at Yale? I mean, I let Grandma and Grandpa manipulate me right out of Harvard and into Yale. That's how strong-willed I am. I know nothing about Yale.
LORELAI
Not so - you've memorized its entire history.
RORY
How can you be so fine with this? You left here without a care in the world.
LORELAI
That's not true.
RORY
You couldn't wait for me to get out of the house. What were you doing when I paged you - turning my room into a sewing room? I should hate you, not miss you. Do something to make me hate you.
LORELAI
Uh... go Hitler!
RORY
Check this out.
LORELAI
Your student ID?
RORY
I'm blinking and my head's in a funny place.
LORELAI
No, it's not.
RORY
I look like Keith Richards at Altamont. And check out the name.
LORELAI
Ronny Gilmore. Oops.
RORY
Yeah, oops. I don't even exist. And how did they get Ronny? That's not even remotely close to being short for any girl's name in the history of the entire planet.
LORELAI
Well, Veronica, actually... sorry.
RORY
Great, now I have you apologizing to me after I made you come back all this way just 'cause I'm a big fat stinkin' mama's girl. Mom! [hugs her]
LORELAI
I'm here.
RORY
But you're not supposed to be.
LORELAI
Where is it written?
RORY
Well, it's not exactly written, but it's clearly implied that the parents are supposed to leave the campus at some point.
LORELAI
Yeah, at some point. So we choose the point.
RORY
So can you stay for dinner?
LORELAI
I can stay all night.
RORY
No, you can't do that.
LORELAI
Why not?
RORY
Because then I'm the pathetic person who needs her mother to stay all night and everyone here will see and know that.
LORELAI
Okay, so I won't spend the night.
RORY
No, stay the night. [hugs her]
LORELAI
Okay.
CUT TO YALE DORM
[Lorelai walks into the common room carrying some takeout.]
LORELAI
I've got Balinese. Where does Bali go?
PARIS
We're still putting everything in geographic order. East to west.
LORELAI
That's the system. Where is Bali?
RORY
Indonesia.
PARIS
Is Indonesia east or west of the Philippines?
TANNA
East.
RORY
No, west.
LORELAI
Near Singapore? We've got Singapore here somewhere.
TANNA
Find Sri Lanka, it's a bit over from that.
LORELAI
But there's no Sri Lankan food.
RORY
Just put it by Vietnam.
PARIS
Is Vietnam east or west of the Philippines?
LORELAI
Ooh, boy, you guys really need to go to college.
RORY
We ordered too much food.
LORELAI
Hello, the point. We need a wide cross section for our local takeout test.
TANNA
I still smell glue from your glue gun.
PARIS
You're rich, you know that?
LORELAI
What is this? You've eaten Indian food, yet I see nothing about Indian food on the chart.
RORY
We'll get to it.
LORELAI
The whole point of getting everything within delivery distance is so we can judge the quality of food, speed of service,
CUTeness of delivery guys on a scale of one to ten. We cannot work from memory on this.
[the phone rings]
RORY
Where's the phone?
PARIS
Uh, under Mexico.
LORELAI
I bet it's the pizza. Come help.
RORY
Okay.
[Lorelai and Rory walk outside to get the pizza delivery]
LORELAI
Hello, eight and a half.
PIZZA GUY
I'm sorry?
RORY
Nothing. We just need to sign for the credit card?
PIZZA GUY
Yes.
LORELAI
Thank you.
[they take the pizzas and walk back toward the suite]
RORY
We're four people and we ordered for like four hundred.
LORELAI
So, what you're saying is you wanna crank it up? You wanna set it off? You wanna put a match to the keg and burn this mofo down?
RORY
I'm just saying it's a lot of food.
LORELAI
Attention, Durfee girls!
RORY
Mom!
LORELAI
Food and tons of it in suite five. Bring your appetites, bring your opinions, and, uh, hey, someone bring some music, but if it's Evanescence, you will be severely mocked. Enter, rejoice and come in.
[Other girls from the floor start walking into the suite]
CUT TO YALE DORM
[Later that night, the suite is filled with girls. Lorelai walks out of the suite to get another food delivery]
LORELAI
Oh, hey, ice cream man.
ICE CREAM MAN
Hey.
LORELAI
Here you go.
ICE CREAM MAN
Thanks. Have a nice night.
LORELAI
You, too. Ooh, um, do me a favor? Count to ten before you leave.
ICE CREAM MAN
Sure.
LORELAI
Thanks.
[Lorelai walks back into the suite]
LORELAI
Hey, rate him, rate him!
[several girls rush to the window to see the delivery boy]
LORELAI
Hey, where does ice cream stand on our organizational system?
RORY
Our organizational system broke down about an hour ago.
TANNA
Germany fell on China.
LORELAI
Well, that's Germany for ya. Okay, we're out of Chinese completely, so we know Chinese is popular. Freddy's Happy Tokyo Takeout is a bust. That's the consensus, so let's lose the Freddy's menus, although Ang the delivery guy was a solid nine. If you're gonna go to Baja Bill's, you must get the cheese quesadilla, and ask for Stan or Tommy. If you don't get Stan or Tommy, go to Paco's Tacos. The delivery guys are butt ugly but the food is better. Look at all these girls together in one room having fun. We should dance and sing a Motown song into our hairbrushes. [walks away]
PARIS
So, do you like your adoptive parents?
TANNA
Yeah.
PARIS
I think it's good to be adopted. If you get sick of them, you just dump this set and go find the originals.
[a girl walks up to Rory]
GIRL
This is awesome.
RORY
Thanks.
GIRL
Who did all this?
RORY
The woman with the hairbrush.
LORELAI
Uh, you guys, come on. I know it's cheesy but just a couple bars... You Can't Hurry Love? Someone's gotta do it, it doesn't have to be on key.
CUT TO YALE DORM
[That night, Rory and Paris are in their bedroom. Paris is on the phone]
PARIS
[on phone] It's lacking in storage space, but I've accepted it. It's a bit musty, but I've accepted it. Small. Small, but I've accepted it. Hey, listen, I should be going. Jamie, Terrence is not here, he's back in his room. Oh, right, me and Terrence, that's a possibility. I really gotta go, okay? I will. Good night. [hangs up]
RORY
Has he met Terrence?
PARIS
Nope, and he's not going to for as long as I can help it.
[Lorelai walks in]
LORELAI
I fixed your shower head.
RORY
Really? But it was barely dribbling out.
LORELAI
It just needed a twist. You've got a waterfall now.
RORY
You're so handy.
LORELAI
And my rates are reasonable.
PARIS
My turn?
LORELAI
It's all yours.
[Paris leaves]
RORY
No, Mom, you sleep on the new mattress.
LORELAI
But it's yours.
RORY
Well, they're both mine, so I get to choose. I'll sleep on the Yale mattress.
LORELAI
But you have to break in your new mattress. If it molds to my body, your shorter body will be wallowing in the hollowness of my body.
RORY
In one night?
LORELAI
It's the crucial night, that first night.
RORY
Okay, but my offer still stands, so if you get the heebie-jeebies in the middle of the night over there, come join me.
LORELAI
That'll get the girls talking. We'll be those dirty, filthy, almost-French Stars Hollow girls. [in French accent] Oh, we spit on you, you repressed puritanical ninnies.
RORY
[in French accent] We smirk in your general direction.
LORELAI
[in French accent] We cast sidelong glances that are vague but slightly threatening.
RORY
[in French accent] We eschew your quaint double entendre for the appealing lasciviousness of the entendre singular.
LORELAI
We... eh... I'm out.
RORY
Me, too. Get the light.
LORELAI
Did I tell you I found good coffee?
RORY
No, where?
LORELAI
The little kiosk by the library. I found it on the way to that parents thing.
RORY
Cool.
LORELAI
I'll circle it on the map for you.
RORY
Good.
[they hear a howling sound]
LORELAI
Is that some guy howling?
RORY
I don't know, sounded like it.
[they hear another howl]
LORELAI
Sounds like the guys' floor had some fun tonight, too.
RORY
I'd say so.
[there's another howl; Lorelai responds with a howl]
RORY
Mom!
LORELAI
Well, if no one answers him, he may never stop.
[several guys start howling]
LORELAI
Or it'll get a bunch of other guys howling, one or the other. [howls again]
RORY
Oh, boy.
LORELAI
It's fun.
[Rory howls]
RORY
It is fun.
[they both howl]
LORELAI
What?
RORY
I don't know.
CUT TO YALE DORM
[The next morning, Lorelai and Rory walk out of Rory's bedroom]
LORELAI
So, what's first on the agenda today?
RORY
Well, I have a little time, so I thought I might walk around and get the lay of the land a little bit, and then I have my big freshman assembly.
LORELAI
Where they teach you the secret Yale handshake?
RORY
Amongst other things.
LORELAI
Oh my God, check out Paris' craft corner.
RORY
She gets more done before nine than other people do all day.
LORELAI
She's a craft person now, so it's not safe to leave anything around her anymore.
RORY
Maybe that's where crafty comes from.
LORELAI
Good point.
[they walk out into the hallway]
LORELAI
All right, I should go. I called Luke last night and he made me promise to get the truck back by two hours ago, so if I leave now it's sooner than I planned.
RORY
Thank Luke a lot for me, okay?
LORELAI
Okay, say goodbye to Paris and Tanna.
RORY
Will do.
LORELAI
So, this is really it.
RORY
Yup.
LORELAI
You good?
RORY
I'm good. Just keep your pager with you.
LORELAI
Always.
[they hug, Lorelai leaves]
CUT TO LUKE'S DINER
[Lorelai walks in]
LUKE
You're late.
LORELAI
I'm sorry.
LUKE
It's okay. I told you to get it back three hours before I actually needed it back and it worked out perfectly.
LORELAI
You rat.
LUKE
So it's in park?
LORELAI
It's in park.
LUKE
Engine's off?
LORELAI
Yes. Here are your keys. And thank you, Luke. I've been a huge burden on you the past couple days.
LUKE
It's okay. [he looks out the window] I don't believe it.
[They walk outside to the truck. The Yale mattress is in the back]
LUKE
It's like a horror movie.
LORELAI
Oh, Luke.
LUKE
The mattress that would not leave my truck.
LORELAI
I had no choice.
LUKE
I may cry.
LORELAI
Don't do that.
LUKE
I don't want this mattress.
LORELAI
Help me take it somewhere.
LUKE
Where? To the conveniently located old mattress drop-off station right around the corner?
LORELAI
Or if you could store it for awhile...
LUKE
I wasn't kidding about the crying.
LORELAI
I'll call a charity and have them come pick it up. I promise, and this time I mean it.
LUKE
And where's my spare tire?
LORELAI
There was a spare tire?
LUKE
I had my spare tire back here.
LORELAI
Oh, we must've accidentally unloaded it on one of our trips.
LUKE
Could you try to get it back?
LORELAI
Yes, as long as Paris hasn't made it into a planter yet. Or I'll buy you a new one, I promise.
LUKE
Okay, I'll see you later.
LORELAI
Okay, bye. Oh, and, um, Rory says thanks for everything, too. She said specifically to tell you.
LUKE
Okay, good. So she's okay?
LORELAI
She's fantastic.
LUKE
Good.
CUT TO YALE DORM
[There's knock on Rory's suite door. She answers it; two girls are there]
GIRL 1
You're up?
RORY
I was up. Come on in.
GIRL 1
We Lorelai'd a few places and found the good coffee.
RORY
Lorelai'd?
GIRL 2
Checked places out.
GIRL 1
Seems like the appropriate word. We found decent muffins, too, but I bet there's better out there.
RORY
You'll Lorelai 'em another time.
GIRL 1
[hands her a coffee] So this is thanks for last night. It was a perfect first night at Yale.
RORY
I thought so.
GIRL 2
We're gonna go to freshman assembly together. Do you wanna come?
RORY
Sure.
GIRL 1
Then we're all going to conveniently lose our student ID's and go take new pictures.
RORY
Oh my God, I'm so with you on that one.
GIRL 1
Cool.
RORY
[sips coffee] Mm. Whoa, this is really good. Kiosk by the library?
GIRL 1
Oh, you found it first.
RORY
Kind of.
CUT TO LORELAI'S HOUSE
[Lorelai walks into the empty house. She stands in the living room and looks around.]
THE END