T4E21: “Last Week Fights, This Week Tights”
Título em Português: “Brigas e Reconciliações”
Roteiro: Daniel Palladino
Direção: Chris Long
Originalmente exibido em: 11 de maio de 2004
OPEN AT STARS HOLLOW TOWN CENTER
[Miss Patty is trying to get a group of children to dance around a Maypole. Kirk watches from the side of the gazebo.]
MISS PATTY
No, no, boys. You go clockwise! Clockwise! Can't you tell time?
CHRISSY
The other way, boys! They're not getting it, Miss Patty.
MISS PATTY
Well, the wedding's tomorrow. We gotta get it.
CHRISSY
It's the Banyan boys. They won't do what I tell them.
KIRK
Nice maypole, Patty! Really organized!
MISS PATTY
Oh, shut up, Kirk!
LORELAI
Tough day, Patty?
MISS PATTY
I've worked with Joan Crawford. This is worse.
KIRK
I don't call that a "maypole." I'd call that a "maybe-not pole."
LORELAI
What's with him?
MISS PATTY
He's mad because I made Chrissy my dance captain over him.
LORELAI
Kirk has forty-three jobs.
MISS PATTY
Would you go talk to him, please? I got my hands full here.
LORELAI
The Banyan boys?
MISS PATTY
Oh! Lucifer tired of them in hell and dumped them here.
LORELAI
I'll talk to Kirk.
MISS PATTY
Thank you. All right, Chrissy, let's give it another go!
LORELAI
Hey, Kirk, maybe you want to ease up on Patty a little.
KIRK
But the maypole is an expertise of mine. I re-enacted the dwarf's maypole choreography from "The Safety Dance" video, my junior-high talent show. Chicks were falling at my feet. I'm less than impressed, Patty!
LORELAI
Take a break, please. I've seen Miss Patty get violent. It's not pretty. Remember that time?
KIRK
That's when she beat me up.
LORELAI
Yeah. Let's not repeat that.
KIRK
Okay.
[Jess sits on a nearby bench. He and Lorelai glance at each other as she passes. He looks like he's reading Punk Planet, but inside the magazine he's hiding You're Not Alone, one of the self-help books Luke gave him.]
CUT TO DRAGONFLY INN KITCHEN
JACKSON
They're the best I've got.
SOOKIE
That's sad for you and the whole vegetable industry.
JACKSON
They're the best in the state. I stand by them.
SOOKIE
They're puny. They're tasteless.
JACKSON
Puny? These are not puny.
SOOKIE
If they're small enough to shove up our son's nose, they're too small!
JACKSON
No way could you shove one of these up Davey's nose.
SOOKIE
Bet you five bucks.
JACKSON
Get him in here!
LORELAI
[entering] Hey, guys. You probably shouldn't shove a radish up your son's nose. Just thinking out loud.
SOOKIE
All right, I'll take these if it's all you've got.
JACKSON
Well, don't do me any favors. [leaves]
LORELAI
You two are back big-time.
SOOKIE
That actually felt good. [Chuckles] Like getting a Jack LaLanne workout.
LORELAI
Dead or alive?
SOOKIE
Jack LaLanne? Dead. No -- alive. [Lorelai's phone rings] Oh, now that's gonna bug me.
LORELAI
Hello?
RORY
[walking through Yale campus] There is so much joy around me, I'm gonna hurl.
LORELAI
Hey, what's wrong?
RORY
You should see all the boisterous high-fiving going on all around me. It's sad. It's just really sad. Hey, do you mind, buddy?
LORELAI
Kids are in party mode, huh?
RORY
The kids are clicking their heels like there's no tomorrow. And there is no tomorrow for those who do not have a final on Saturday morning, such as me. I'm pathetic. I should stand between two of them and have them high-five my head from opposite sides and put me out of my misery.
LORELAI
Just one more final to go, then you'll be free.
RORY
Ahh, two more boisterous bozos just rubbing my face in it.
LORELAI
You know, I do have one thing to run by you. Do you have the brain power?
RORY
I think I can swing it.
LORELAI
It involves the "J" word.
RORY
Oh, not more about Jesus. I'm sick of him and Mel Gibson.
LORELAI
Jess.
RORY
Oh, what about him?
LORELAI
He's in town for that wedding and I never know where we stand on the Jessometer. I've been seeing him. I was just wondering if you want me to tell you when I do.
RORY
Sure.
LORELAI
Really?
RORY
Why not?
LORELAI
Okay. It's just always so weird -- this "J"-word topic of ours.
RORY
You don't have to refer to him as "the 'J' word." Call him "Jess," and feel free to tell me when you see him.
LORELAI
Okay.
RORY
I mean, if you see him eight times in one day, you don't need to call me eight different times to tell me. That's clearly overdose.
LORELAI
Sure.
RORY
Maybe, like, you could limit the reports to just significant sightings. If you see him a hundred yards away, disappearing around a corner, I really don't need to know that. If he comes up to you and spits in your face, report that.
LORELAI
Permission to spit back?
RORY
You know what I'm saying.
LORELAI
I know what you're saying. Hey, you know what I should do? Run up, tell him I love him, then run away really fast -- a taste of his own medicine.
RORY
Don't do that! Don't do anything out of the ordinary.
LORELAI
I won't. Honey, I'm kidding. [Gasps]
RORY
What?
LORELAI
There's a horse in the dining room.
RORY
What?
LORELAI
Cletus is in the dining room.
RORY
Why?
LORELAI
He heard about the terrific continental breakfast? I don't know. I gotta go look into this.
RORY
Okay. Bye.
LORELAI
Cletus, honey!
MICHEL
Lorelai, I need your signature on this, please.
LORELAI
Michel.
MICHEL
Yes?
LORELAI
Do you see the big-nostriled thing next to me here?
MICHEL
The horse?
LORELAI
Uh-huh, the horse.
MICHEL
It's been here for twenty minutes.
LORELAI
Oh. What were you doing about it?
MICHEL
Eh, nothing.
LORELAI
Oh, no, nothing?
MICHEL
It's a giant, smelly horse. I figured someone was already taking care of it.
LORELAI
Oh.
SOOKIE
He's alive!
LORELAI
Who?
SOOKIE
Jack LaLanne. I just googled him. Hi, Cletus.
LORELAI
Oh, so you already saw the horse?
SOOKIE
Yeah. Sure, he's been here, what, twenty, thirty minutes?
MICHEL
About twenty-five.
LORELAI
New Dragonfly Inn rule -- everyone listening? Okay, if you see a horse in the inn or any other large quadruped or biped or anything that's not -- what's the word -- human, figure no one's doing anything about it and do something.
MICHEL
Oh, fine with me.
SOOKIE
Yeah, same here.
MICHEL
If we had the rule before, I would have done something.
LORELAI
Okay. Great. Thanks. Bye. [to Cletus] Come on, troublemaker.
CUT TO YALE DORM
RORY
Hittin' the road, Glenn?
GLENN
Yep, and I got a hot date tonight.
RORY
Who's the lucky girl?
GLENN
I'm getting back together with my girl from back home. Want to see her picture?
RORY
Sure. Glenn, this girl is, like, twelve years old.
GLENN
It's her when she was little. Don't make this into something dirty! She drives and everything.
RORY
Have a good summer, Glenn.
TANA
Oh, Rory, perfect timing. I want you to meet somebody. This is my boyfriend, Chester Fleet.
RORY
Oh, hi, Chester. I've heard a lot about you.
CHESTER
You can't believe everything you hear.
TANA
Oh, it's kind of a weird day to meet him because he lost a bet with me. And that means that for the entire day, he can only talk in clichés. It's so much fun.
RORY
Sounds it.
CHESTER
It's always fun till someone gets hurt.
JANET
Hey, I'm leaving, guys. Rory, you get yourself a funky monkey?
RORY
What?
JANET
Everyone poured all the alcohol they had left into a bowl and that's what's in the cup. Tastes gross, but does the trick.
TANA
I stashed one in the fridge for you. It was poured for me, but I'm not having one.
CHESTER
Lips that touch wine shall never touch mine.
TANA
So much fun!
JANET
Well, I guess this is goodbye. See you, Rory. Have a good one.
RORY
Bye, Janet.
PARIS
Janet, wait, wait! [runs into the room and hugs Janet] I hate that our little clique is breaking up. It's so the end of something.
JANET
You off your meds, Paris?
PARIS
You never get emotional at goodbyes?
JANET
With people I like. See you.
PARIS
Keep in touch.
TANA
So I made a collage of photos of people in the building, and I'm having everyone sign. Will you two do me the honor?
RORY
Sure.
PARIS
I'll honor you.
TANA
Isn't it a great keepsake? There's Janet with her boyfriend and Lana with hers. That's Mark and Stacy -- they're inseparable. And, oh, there's one of you, Rory.
RORY
That's me.
TANA
And, um, Janet and her boyfriend again, and me with Chester.
CHESTER
You're the apple of my eye.
PARIS
That's getting annoying there, Chester.
TANA
And, uh, there you are again, Rory, with...oh, that's a lamppost. Oh, here's a bunch of couples from Valentine's Day. You're not in that one. And here you are with all the cafeteria ladies. I can make you a copy of that, if you'd like.
RORY
That's okay.
PARIS
Rory, you've had quite the dry spell this year.
RORY
I have not had a dry spell.
PARIS
There's not one picture of you with a guy.
TANA
Oh, no. No. There's one. See? That's Rory with the statue of Eli Yale.
PARIS
People are gonna talk.
RORY
I don't care what people say. Are people talking?
PARIS
Not that I've heard. You just don't get out enough.
CHESTER
All work and no play makes Jack...
RORY
Say goodbye before you leave?
TANA
Will do.
[Rory and Paris go into their room.]
RORY
Since when are you someone who defines a girl by whether or not she's with a guy? I mean, you embarrassed me in front of Tana and Chester.
PARIS
Please. They were singing the lumberjack song at the top of their lungs. They're embarrassment-proof. [hands Rory a piece of paper] Here.
RORY
What's this? Leonard Fleming?
PARIS
Asher's son. He's a terrific guy -- good looking, runs a mutual fund, newly divorced, and on the hunt.
RORY
I don't think so.
PARIS
The apple doesn't fall far from the tree. He is one hot apple, juicy to the core.
RORY
I got it. Nice, hot apple.
PARIS
I just want you to be happy.
RORY
Please, don't feel sorry for me. I'm fine.
PARIS
I don't want you to have a long, dry summer.
RORY
Please stop talking about my love life.
PARIS
Fine. Wish me a merry trip to jolly old England.
RORY
Have a merry trip.
PARIS
And hey, if you call Leonard and one of his kids answers, hang up. They still think Mommy's coming back.
CUT TO KIM'S ANTIQUES
LORELAI
Oh, hey, Mrs. Kim.
MRS. KIM
Hello, Lorelai. What can I do for you?
LORELAI
Well, do you still have the big door knockers -- metal with the chipped red paint? [Mrs. Kim picks up a door knocker.] You're a magician. Do you know that? Oh, it's great. Isn't it big?
MRS. KIM
And good price, seeing as how it may have belonged to James Madison. It was commonly known that James Madison liked big knockers.
LORELAI
[laughing] I bet a lot of the founding fathers liked big knockers. I'm sorry for laughing. I'd explain if I could.
MRS. KIM
It's a double entendre. I've been in this country 20 years. I get things.
LORELAI
I never doubted.
MRS. KIM
It's ninety dollars.
LORELAI
I'll take it.
MRS. KIM
Here.
LORELAI
What's this?
MRS. KIM
Mail for Lane. I know you go to Luke's, where she works. If you could pass this on to her, I would appreciate it.
LORELAI
Mrs. Kim, hasn't this gone on long enough?
MRS. KIM
Not for you to say.
LORELAI
She's your only child. I know you miss her. She misses you. Call her. See her. Don't avoid her.
MRS. KIM
This is between me and my daughter.
LORELAI
Well, as your mailman, I hereby resign.
MRS. KIM
Fine. It comes to $140.
LORELAI
You said ninety.
MRS. KIM
Wrapping charge.
CUT TO LUKE'S DINER
[Liz and her friends sit at one of the tables laughing while Luke works on a plate of turkey legs at the counter.]
CARRIE
And it's not just guys -- girls are not supposed to be monogamous, either. We're homo sapiens, not rocks.
LIZ
That'so unromantic.
WOMAN 1
You can say that. You got lucky.
WOMAN 2
Yeah, T.J. Is yum, yum.
LIZ
I did get lucky, didn't I?
CARRIE
We're animals, and animals in the wild don't mate for life, except, like, tigers, but they're retarded.
LUKE
Hey, Liz.
CARRIE
Men are good for two things. Make that one, and the one thing they're not that good at.
LUKE
Excuse me, sorry to break up the festivities, but do you have any idea if I'm doing this right?
CARRIE
Most guys don't know if they're doing it right.
LIZ
Uh, not my expertise, bro, but they smell good, if that helps.
LUKE
Well, there should have been an instruction book of some kind.
LIZ
I'm so sorry this got dumped on you, but the turkey leg guy knew that going into that bar violated his parole. You can't reason with him.
LUKE
Is this how turkey legs are supposed to look?
CARRIE
I don't know. Take off your pants and let us see.
LUKE
Hey, weren't you guys going to a spa or something?
LIZ
Yeah, we're going, right?
WOMAN 2
In a minute.
JESS
[coming into the room and speaking to Luke] I need to get some batteries. I'll be back.
LIZ
Jess! Jess! Come over here and meet my oldest friends.
LUKE
Watch the one on the left.
JESS
Thanks.
LIZ
Girls, this is Jess.
CARRIE
Hello, handsome.
WOMAN 1 & 2
Hi.
JESS
Hi.
LIZ
He's gonna walk me down the aisle. Is that cool or what?
JESS
It's no big deal.
LIZ
It's a very big deal.
[A man dressed in a delivery uniform opens the diner door.]
LUKE
Can I help you?
MAN
Got a package here.
[Carrie and other women sit up straighter.]
LUKE
From who? I'm not expecting anything.
MAN
It's a very important package.
LUKE
But there's no address on it.
JESS
Have fun.
LUKE
Have fun with what?
MAN
This package is for Liz Danes.
LIZ
Oh, that -- that's me.
MAN
Do you accept delivery?
LIZ
I -- I guess.
[The man starts to strip as the women cheer.]
CARRIE
Shake it, doll, shake it.
LUKE
No, don't shake it in here.
WOMAN 1
Luke, we need change!
WOMAN 2
Turn these twenties into ones!
LIZ
I don't believe this, you rats!
CARRIE
Earn your money for Mama!
CUT TO DOOSE'S MARKET
[Kirk is working the cash register. Jess gets in line behind Dean.]
KIRK
Nail polish remover -- $1.40. Ladies Speed Stick -- $2.60. Good choice on that one. Keeps you dry all day and into the night. Jasmine body lotion -- nice price on that. Might want to get a couple.
DEAN
[to Jess] It's for my wife.
KIRK
And, with your emery boards, it comes to $19.67.
DEAN
Keep the change.
CUT TO ELDER GILMORE RESIDENCE
EMILY
I'm so sorry you have a final tomorrow. I thought you'd be free as a bird tonight.
RORY
Them's the breaks.
EMILY
You could have stayed at school and studied if you had to. I hope you know that.
LORELAI
You're playing different music.
EMILY
Hmm?
LORELAI
The music -- it's different. Some chick is singing.
EMILY
It's "Blossom Deary." You don't like it?
LORELAI
No, I like it fine. You've just never played it. You and Dad always play classical music.
EMILY
We just thought we'd try something new tonight.
LORELAI
We?
EMILY
He's out of town, but you know what I mean. We talked about changing the music. So when will you be done with your final tomorrow?
RORY
Around noon, depending on how fast I write.
EMILY
Any friends left behind to keep you company -- girlfriends, boyfriends?
RORY
Well, my roommates are all gone, and I'd say 95% of the class has vamoosed.
EMILY
And you don't have a boyfriend?
RORY
Not really.
LORELAI
Why, do you? [on Emily's look] I'm making a joke.
EMILY
I was just wondering. We haven't talked about your love life in a while. I get to ask sometimes, don't I?
RORY
Um, sure.
LORELAI
Where'd you say Dad was?
RORY
[enunciating] In Philadelphia.
LORELAI
Thanks, Mom. Philadelphia, huh? Funny, you didn't mention that to me when we talked earlier. You just said he wouldn't be here.
EMILY
Well, what do you want, Lorelai? For his secretary to fax you his schedule?
LORELAI
No, I just want to be kept informed.
EMILY
Well, a lot of his schedule these days has to do with Floyd AKA your ex-boyfriend's father. I didn't know how much detail you wanted to hear.
LORELAI
I hear you. Blossom hears you. We're good.
EMILY
So you'll be a free girl around noon?
RORY
Around then.
EMILY
I just wanted to know because I to be thinking about you right at that moment when the weight is lifting off your shoulders.
RORY
I'll be looking forward to it.
EMILY
I'll be right back. I'm going to see if Kiki put the raspberry soufflés in.
LORELAI
Dad hates raspberries.
EMILY
No, he doesn't.
LORELAI
Oh, sorry, thought he did. Sorry.
[Emily leaves.]
RORY
What is going on here?
LORELAI
I'm trying to get her to fess up to the separation.
RORY
No, me! Am I cloaked in loneliness or something? Everybody has been pestering me about my love life this week.
LORELAI
That was not about you. It was about evading my questions. It's a classic Sun Tzu "Art of War" maneuver. If you're being attacked from the east, attack whoever's to your west, and you were the west. I never read the book. It's full of crap like that.
RORY
Well, stop attacking her so she'll stop attacking me.
LORELAI
Well, you butted into my line of inquiry with your, "He's in Philadelphia" stuff. She was about ready to crack.
RORY
She was not ready to crack. She was ready to say, "He's in Philadelphia."
LORELAI
Did he sound like he was in Philadelphia when he called?
RORY
You mean, did I hear guys in the background saying, "Get your Philly cheesesteak here?"
LORELAI
Why aren't you seeing anybody, by the way?
RORY
I'm gonna throw a roll at you.
LORELAI
I just gotta know what's going on with them.
RORY
They're having some sort of marital difficulty, Mom, and pressuring her like this is not going to help.
LORELAI
But I'm dying here. I mean, if he's out of town, is she actually staying here instead of that hotel she checked into? Or is she staying here permanently, and he's the one who's at a hotel? Or --
EMILY
Well, thank God I checked or we would have been soufflé-less.
LORELAI
Well, good, good. Gotta have that soufflé.
EMILY
So, where were we?
RORY
We were all about to switch to new subjects.
EMILY
Oh, okay.
LORELAI
Dad hates chicken Kiev, doesn't he?
CUT TO LANE'S APARTMENT
ZACH
Well, who called Groton?
BRIAN
I didn't.
LANE
Me neither.
ZACH
Someone in this room called someone in Groton at 11:37 P.M. on the 16th, and it wasn't me.
LANE
That was the night you had those two trampy girls over, Zach.
ZACH
They weren't trampy.
LANE
I heard one of them call her boyfriend and brag that she had scored some sucker beer.
ZACH
I'll pay for Groton. [Doorbell rings.] Does that doorbell run on electricity? 'Cause that's eating up money, too. We have to tell people to knock.
LANE
[opening the door] Aunt Jun.
JUN
I'm here on your mother's behalf. She would like to visit.
LANE
Here?
JUN
A social call.
LANE
When?
JUN
Here are three times she can come this week. If none are convenient, she will offer three more. If those are not good, she will rescind the offer. Does this sound reasonable?
LANE
Very.
JUN
Fine.
LANE
Is she bringing a Bible?
JUN
She didn't say. Here's your mail.
LANE
Thank you. Would you like to come in?
JUN
No.
CUT TO YALE DORM
[Rory is playing loud music and drinking from a plastic cup as she packs.]
EMILY
Rory?
RORY
Grandma, hi.
EMILY
You busy?
RORY
No, I was just packing and having a little lemonade here.
EMILY
You're done with your final, right?
RORY
Yes. What are you doing here?
EMILY
Well, I had lunch today on campus with a friend -- Cassie Sullivan. She's with the alumni committee. Didn't I mention it last night?
RORY
Not that I remember.
EMILY
Anyway, she has a son who's a freshman also -- Graham Sullivan. You haven't met him?
RORY
I don't think so.
EMILY
Would you like to?
RORY
Sure.
EMILY
Is now okay?
RORY
Now?
EMILY
Graham! [Graham comes into the room.] Graham, this is Rory. Rory, Graham. Graham's family and ours go way back. I remember this young man in diapers. He's one of the poor unfortunates who had a Saturday final, too.
GRAHAM
Chemistry.
RORY
Philosophy.
EMILY
I meant to introduce the two of you ages ago. I hate that it's last minute like this. I feel awful.
RORY
Oh, that's okay. Don't feel bad.
GRAHAM
[whispering to Rory] Alcohol on your breath.
EMILY
Graham mentioned that he and his group were going out tonight to celebrate. What did you call them -- "the Saturday orphans"?
GRAHAM
Yes, I did.
EMILY
And he thought you might like to go.
GRAHAM
Yeah.
EMILY
Would you...like to go?
RORY
Um...sure.
EMILY
Wonderful!
GRAHAM
I actually tried to get your grandmother to go, too, but she made up some dumb excuse.
EMILY
You're something else, you know that? Well, I feel good about this. My orphan is an orphan no more. I'll go now. Bye, Rory.
RORY
[mumbling as she turns her head so that Emily won't smell her breath as they hug] Bye, grandma.
GRAHAM
Okay, well, lesson number one -- when your mom or your grandmother starts trying to pin down your specific whereabouts at a specific time and place, and she's smiling kind of weird, begin evasive maneuvers immediately.
RORY
Got caught in that one myself.
GRAHAM
And lesson number two -- never, ever let anybody outside of your family see you in diapers.
RORY
You were young...I hope. [Graham starts helping Rory pack.] Oh, you don't have to do that.
GRAHAM
Oh, I just taped up eight of my own boxes. I'm a box-taping machine. Use me.
RORY
Oh, thank you.
GRAHAM
So, uh, the plans for tonight -- they're pretty casual. There'll be about ten of us. You're totally welcome to come.
RORY
I was just gonna go home, but, I don't know, maybe.
GRAHAM
We're gonna get some food, hang out. I'll leave you my cell phone number. You got a piece of paper?
RORY
Um...yeah.
GRAHAM
Great. [reads the paper] Leonard Fleming.
RORY
Ignore that.
GRAHAM
Maybe I'll see you later.
RORY
Yeah.
GRAHAM
Enjoy your lemonade.
CUT TO LUKE'S APARTMENT
[Luke and Jess are dressing for Liz's wedding.]
LUKE
What is wrong with this shoe polish?
JESS
Pontius Pilate was alive when you bought it?
LUKE
Shoe polish goes bad?
JESS
It's all chunky.
LUKE
Aah, it messed up my shoes.
JESS
Just wipe them off. They'll be fine.
T.J.
[coming out of the bathroom] Don't you have a full-length mirror?
LUKE
Don't need one.
T.J.
You don't like looking at your bottom half? I love looking at my bottom half.
LUKE
I look down to look at my bottom half. I don't need a mirror to do that.
T.J.
You seem nervous.
LUKE
I'm not nervous.
T.J.
I don't see why you would be. I'm the one getting shackled today. Looks like old polish.
LUKE
Yep.
T.J.
The Queer Eye guys are very against old polish.
LUKE
Ohh.
T.J.
[to Jess] He's very nervous.
LUKE
I'm not nervous.
JESS
Maybe it's time you put a shirt on.
T.J.
Why, am I getting you hot?
JESS
I need the bathroom.
LUKE
Just hold on.
T.J.
I am lovin' these tights. They're fantastic. They lend support everywhere you need it, but they breathe.
JESS
[to Luke, who is trying to choose a tie] This one.
LUKE
Thanks.
T.J.
Hey, Luke, I had to borrow your deodorant. I hope that's okay.
LUKE
Ohh.
JESS
Allow me. [throws it into the trash can]
CUT TO STARS HOLLOW STREET
[Luke is standing outside his diner when Lorelai walks up to him.]
LORELAI
Greetings, my lord. Your lady hath arrived to be escorted forthwith.
LUKE
That's pretty good. I didn't know you spoke Renaissance.
LORELAI
Oh, yeah. I'm quite fluent in Renaissance. You look nice. I'm lovin' the tie.
LUKE
Thanks. You look beautiful.
LORELAI
Flattery will get you everywhere, my friend. Shall we?
LUKE
Let's go.
CUT TO STARS HOLLOW TOWN CENTER
LORELAI
No, really, a nice, manly wreath in your hair wouldn't work?
LUKE
There's no such thing as a manly wreath.
LORELAI
Oh, I don't know. Julius Caesar pulled it off. He was very popular with the ladies. Cleopatra used to pull his leaves off -- very sexy.
T.J.'S BROTHER
What's this? Surely these be time travelers from the future in such foreign, mystical garb.
LORELAI
And who be you, kind sir?
T.J.'S BROTHER
T.J.'s brother. I got a patio furniture store down in Nutley. Plastic, metal, teak -- whatever you need, I can hook you up.
LORELAI
Okay, thank you.
LUKE
Just do me a favor. I'm gonna try to keep a happy, proud look on my face to cover the smirking and about-to-laugh-my-ass-off face just underneath. Help me achieve this.
LORELAI
Oh, come on. They have a community of people, friends, you know, who travel together, engage in silliness, dress in costume. I think it's nice.
CARRIE
Hi, Lucas.
LUKE
Oh! Hi, Carrie.
CARRIE
Is that a power suit?
LUKE
It's my only suit.
CARRIE
Looks pretty powerful to me. So, um, Barry stayed home.
LUKE
Who?
CARRIE
The ball and chain. I'm flying solo tonight. Save a dance for me?
LUKE
Uh, I don't dance.
CARRIE
You will dance.
LORELAI
Hey, how 'bout we work on him together? I think there's a hoofer buried deep inside there, don't you?
CARRIE
I guess.
LUKE
Carrie, this is Lorelai.
CARRIE
I know. Hi.
LORELAI
Hi.
CARRIE
So, um, there's gonna be a little delay. Liz ripped her dress, and it's gonna take a while to fix it. I'm supposed to spread the message.
LUKE
Well spread it, Car -- the message, the message. [Carrie walks away.] She makes me very uncomfortable.
LORELAI
Poor Liz. Does she know how to fix something like that?
LUKE
She was never one for household skills.
LORELAI
I'm gonna go see. She's at Miss Patty's?
LUKE
Don't leave me alone.
LORELAI
Carrie found the guy with the codpiece. That will keep her occupied.
LUKE
Hurry back.
CUT TO MISS PATTY'S
LORELAI
Hey.
MISS PATTY
Oh, Lorelai, thank heavens. I'm so bad with wardrobe.
LIZ
I ripped it getting up. I'm such a klutz.
LORELAI
Oh, well, that's why I'm here. Patty, you have a sewing kit?
MISS PATTY
Oh, yeah. Right here, sweetie.
LIZ
I'm holding everyone up.
LORELAI
No, no. Hey, today's your day. If anyone gets to hold things up, it's you. Relax.
LIZ
Ohh, I'm nervous. Do I look nervous? I sound nervous.
LORELAI
You look great. It's normal to be nervous on your wedding day.
LIZ
This is my first wedding of mine that I've ever been sober for. I'm probably gonna remember this one.
MISS PATTY
The ones that you remember are the ones that stick.
LIZ
What was your wedding like? Were you this nervous?
LORELAI
Never been married.
LIZ
You got a kid.
LORELAI
Found a way around that.
LIZ
I see. You want to get married?
LORELAI
Oh, now, Liz. It's inappropriate for you to propose to me on your wedding day.
LIZ
But do you want to get married? You must want to get married.
LORELAI
I guess so, you know, if I meet the right guy.
LIZ
I hate being single. Ever think, if you got married today or even in the next few years, you could be married for fifty years -- for most of your life. Same with me and T.J. I could be married most of my life to him. Isn't that weird to think about?
LORELAI
I could be married for most of my life.
LIZ
I don't want to screw up this marriage even more than I want some pot. That's how serious I am.
LORELAI
Hm.
JESS
[Jess knocks on the door as he walks in.] Are you ready? The crowd's getting restless.
LIZ
You're getting restless. Hey, do you two know each other?
LORELAI
Oh, Jess and I go way back. He dated my daughter.
LIZ
Oh, you broke her daughter's heart?
JESS
Ah, I, uh...
LORELAI
No, no, he didn't. It just didn't work out.
LIZ
Good, 'cause I don't want him to be like his father, breaking hearts. I want him to be like T.J. Or my second husband or, like my boyfriend after my third husband, who died. They were good guys.
LORELAI
Oh. You're all done.
LIZ
Oh, it's perfect!
MISS PATTY
Oh, she's a miracle worker.
JESS
I'm gonna go tell the others.
LIZ
Thanks, hon! [to Lorelai] And thank you. You're gonna make a great wife some day and a great sister-in-law to some very lucky girl.
LORELAI
Well, I hope so.
LIZ
Now, go on, Luke's waiting. Unless my friend Carrie suffocated him with her boobs.
LORELAI
Well, that would be festive. Here, Patty.
MISS PATTY
Let's check your hair real quick, sweetie.
LIZ
Oh, okay.
[Lorelai starts to leave, then stops to look in Jess' open bag on the table. She sees a book titled You Deserve Love inside.]
MISS PATTY
You look absolutely beautiful.
CUT TO STARS HOLLOW TOWN CENTER
LUKE
Everything okay?
LORELAI
Crisis averted.
[The band starts to play.]
LUKE
Must be starting.
LORELAI
Think they know any Zeppelin? [Two women dance down the aisle tossing roses.] Ooh, roses -- nice.
LUKE
Does she remind you of someone?
LORELAI
Can you say Leslie Van Houten? [A jester tumbles down the aisle.] Now, that's impressive.
LUKE
Yeah.
T.J.
These tights, I'm telling you -- the best. I'm happy, my boys are happy, and they don't ride up. [lifts his arms] Hey...still dry. Thanks, buddy.
LORELAI
You dried his armpits?
LUKE
I don't want to talk about it.
[Two men push a cart, with Liz seated on it, up to the entrance.]
LORELAI
Oh, I want one of those. She looks happy.
LUKE
Yeah, she does.
T.J.
She looks hot.
T.J.'S BROTHER
Smokin'.
T.J.
Don't you say that.
[Jess walks Liz down the aisle then takes a seat in front of Luke and Lorelai.]
LORELAI
[whispering] Where's the minister?
MINISTER
[strolls into the gazebo singing and strumming a guitar] As kids we shared our toys/with all the girls and boys/barrel of monkeys/your battleship sunk me/please recall the joy/Wheelo, Clue, Mousetrap/bash and spirograph/kaleidoscopes spinning/Yahtzee I'm winning/think of how we laughed/but today we share our love/today we share our love/for love is the greatest toy around/around, around
LUKE
[trying not to laugh] Help.
LORELAI
Think of something not funny.
LUKE
Can't.
MINISTER
You may plant the ceremonial sword.
[Together, Liz and T.J. plunge a sword into a tree stump.]
LORELAI
Avalanches, earthquakes...
LUKE
Not doin' it.
LORELAI
Famine...and I'm out.
MINISTER
Hello, friends. Isn't it a beautiful day? The day that Liz and T.J. share their love in front of those they love. Liz, do you want to tell T.J. how you feel?
LIZ
Yes. T.J.
T.J.
Yeah?
LIZ
My heart just pours out to you. You have been so good to me and for me. I don't know where I'd be without you. I'd be worse off, I know that. [ Sighs ] You're something else.
MINISTER
Nice. T.J.
T.J.
Well, I wrote something down, but, for all the good points about tights -- and there are a lot -- they don't have pockets. So I gotta go off the cuff. I love ya. [They kiss and hug.]
LORELAI
Aw, that wasn't so funny.
LUKE
Nah, that wasn't funny at all.
CUT TO LANE'S APARTMENT
[The doorbell rings.]
LANE
[nervously] Hi, Mama.
MRS. KIM
Hello, Lane. Thank you for having me.
LANE
You find the place okay?
MRS. KIM
Yes. Here. Multi-grain soy pudding. Extra chunky, the way you like it.
LANE
I bet we'll all like it.
MRS. KIM
We?
LANE
Come in, Mama. Mama, these are my roommates -- Zach and Brian.
ZACH
Hello, Mrs. Kim.
BRIAN
Welcome.
LANE
There's no way I could afford a place on my own, so we live together. We share all the expenses and a bathroom. That's unfortunate, but we're starving artists, Mama. These are my bandmates. Zach, would you make us some tea?
ZACH
I'd be delighted.
BRIAN
I'll get the cups.
LANE
How about a tour? This is the living room, obviously. That's where Zach and Brian sleep.
ZACH
A solid eight hours every night.
LANE
This is my room. Window's broken but the landlord's on it. Kitchen, refrigerator...
ZACH
Would you like to pick a tea? We have a whole selection.
BRIAN
Lapsang oolong, orange pekoe, Sleepy Time?
[Mrs. Kim looks panicked. She turns and runs out the door.]
CUT TO STARS HOLLOW TOWN CENTER - NIGHT
WOMAN
Harry, they've got turkey legs!
LORELAI
I was born four hundred years too late. I mean, this food is amazing.
LUKE
Here's a couple seats.
LORELAI
Okay.
[Mrs. Kim runs up to them.]
MRS. KIM
There were boys.
LORELAI
What? Where?
MRS. KIM
At Lane's -- two boys -- one with hair.
LORELAI
O-o-okay, you went to Lane's?
MRS. KIM
And the place -- broken furniture and dirt and boys and a broken window and boys --
LORELAI
Slow down.
MRS. KIM
-- and a tiny fridge and guitars and boys.
LORELAI
How many boys where there?
MRS. KIM
Two boys.
LORELAI
Two boys.
MRS. KIM
She stood in that room with two boys. I didn't stand alone in a room with two boys until I was -- I've never done that.
LORELAI
Mrs. Kim, you know why the boys were there.
MRS. KIM
She's dirty.
LORELAI
She's not dirty. She was trying to be up front with you, and that's good. She could have hid them from you, and she didn't.
MRS. KIM
I wish she did.
LORELAI
No, you don't. I've met those boys. They're innocent. As innocent as if she was living with two girls. So think of them that way.
MRS. KIM
What way?
LORELAI
Think of them as girls.
MRS. KIM
Girls?
LORELAI
Girls.
MRS. KIM
I don't like girls either.
LORELAI
Well, you like them better than boys.
MRS. KIM
True.
LORELAI
And Lane is trying so hard.
MRS. KIM
Girls.
LORELAI
Yeah, think of them as two tall, gawky, caring, sometimes unwashed girls who are watching out for your daughter's safety.
MRS. KIM
Girls. Girls. [walks away]
LUKE
Is she okay?
LORELAI
Um, she will be. She'll be okay. Ooh, hey, look. Jess made a friend.
MAN
People think prison's a waste of time, but prison's the best thing that ever happened to me.
JESS
Interesting.
MAN
Picked up skills -- metal working, laundry -- that's a skill. Doing laundry for 600 guys -- no piece of cake.
JESS
Great.
MAN
Added fabric softener for cigarettes.
LORELAI
Career guidance?
LUKE
He's doing better. He's gonna be okay.
T.J.
It's like a marketing thing. Don't call 'em "tights." You guys don't want to wear "tights." Call 'em "air pants." Here's your slogan -- "air pants -- the pants that breathe." I'm telling you, we gotta get in on the ground floor of this.
LIZ
There they are -- my two heroes. You saved the wedding.
LORELAI
I saved nothing.
LIZ
And you're always my hero, my big brother.
LUKE
Congratulations, sis.
LIZ
Wasn't Jess great? It made all the difference.
T.J.
It wasn't like it was a hard thing to do, but he did it good.
LIZ
[to Jess] Hey, hey, hey! You say "goodbye" before you leave.
JESS
I'm just going to get more food.
LIZ
You promise?
JESS
I promise.
T.J.
Come on, let's get some chow.
LIZ
Okay. Bye, guys.
LORELAI
Oh, she's so happy.
LUKE
Yeah, and he really loves tights.
LORELAI
Oh, you want to know something weird?
LUKE
What?
LORELAI
When I was at Miss Patty's, Jess was there. And he had his backpack, and it was open, and I saw this book. I thought I was seeing things.
LUKE
A book?
LORELAI
Yes. It was a self-help book with some goofy title like, "Learn to Love" or "How to Love When You're Unloved" or something like that. [Luke forces a laugh.] Isn't that bizarre?
LUKE
I don't know.
LORELAI
Well, I'll answer for you. It is bizarre.
LUKE
Maybe he's just trying to learn something, better himself.
LORELAI
Have you seen this book?
LUKE
I know nothing about this book.
LORELAI
Those kinds of books are idiotic.
LUKE
Not if they help people.
LORELAI
I can't believe you're not mocking this book, which is so pathetically mockable.
LUKE
Maybe it's more pathetic if people don't try. And maybe he's trying. You ever think of that?
LORELAI
No, but --
LUKE
He can read whatever he wants to read. I forgot to get something to drink. You need something to drink?
LORELAI
I'm fine.
CUT TO BAR
[Graham is sitting at the bar with his friends. Rory sits alone at a table.]
JONAH
No way! No way! Duke is gonna dominate the ACC Again.
GRAHAM
No way.
JONAH
Williams? Redick? Graham, Redick has a 96% free-throw average. It's a done deal.
GRAHAM
Carolina is coming back -- no question.
JONAH
Question. Question.
GRAHAM
What is that? Your patented 5-beer comeback?
JONAH
Seven free throws, man. All season -- seven. That's it.
GRAHAM
[going over to Rory] You're not drinking.
RORY
I'm fine.
GRAHAM
So you only drink alone?
RORY
Pardon me?
GRAHAM
The lemonade?
RORY
That was just a roommate thing. I don't usually drink.
GRAHAM
Oh...pity.
[Graham's friends laugh. Everyone is having a good time except Rory.]
RORY
You want to get back to your group?
GRAHAM
Not if it's suddenly gonna get exciting over here.
RORY
I wouldn't count on it.
GRAHAM
You have got to lighten up.
RORY
Gee, that's one of my favorite phrases.
[Glass shatters.]
GRAHAM
That's a sign, boys.
JONAH
Mucky duck?
GRAHAM
Mucky duck! [to Rory] Let's go.
RORY
We just got here.
GRAHAM
Well, what's a pub crawl without the crawl?
JONAH
Who's got my keys?
RORY
He's driving?
GRAHAM
He's one of the best drunk drivers in Connecticut.
JONAH
Top fifty, easy.
GRAHAM
You ready?
RORY
Actually, I just think I'm gonna take off.
GRAHAM
What?
RORY
Yeah, I'm kind of tired.
GRAHAM
Rory!
RORY
Thanks for everything.
GRAHAM
Well, do you want me to drive you home?
RORY
We came here with Jonah.
GRAHAM
Right. Well, you need money for a cab?
RORY
I got money.
GRAHAM
I feel kind of bad.
RORY
Don't.
GRAHAM
Okay. See you later.
GRAHAM
Bye. [under her breath] Putz. [to a passing waitress] Excuse me, is there an ATM here?
WAITRESS
A few blocks down. I wouldn't walk, though. It gets dicey at night.
[Rory sighs and pulls out her cell phone.]
RORY
Hi, it's me. I'm kind of stuck and I -- well, I didn't know who else to call.
CUT TO LANE'S APARTMENT
[Zach and Brian are playing video games.]
ZACH
Okay, it looks like Brian's paying for call waiting for the next two months.
BRIAN
It's not over till it's over.
[Doorbell rings.]
ZACH
Lane, door! I'll throw in my share of next month's gas bill, I'm that confident.
BRIAN
You're gonna eat your confidence.
LANE
[opening the door] Mama.
MRS. KIM
I'm back.
ZACH
Pause it, pause it, pause it.
LANE
Come in.
MRS. KIM
This, we'll clean up. Window will be fixed. Temporary fridge. You two are girls. I'll have tea now.
ZACH
I'll boil water.
BRIAN
I'll bring you our selection.
CUT TO STARS HOLLOW TOWN CENTER
[Kirk is acting as DJ.]
KIRK
Hope ye took much pleasure in Kajagoogoo. Methinks Oingo Boingo wilst soon makest an appearance. But first, please clear the floor for our happy couple...eth.
[Liz and T.J. start to dance. Lorelai walks past them on her way over to Luke.]
LUKE
[to court jester] Yeah, I'd love to see you juggle sometime. I'm a big fan of juggling. [to Lorelai] He, uh -- he juggles for money.
LORELAI
You okay?
LUKE
Yeah, yeah.
LORELAI
We okay?
LUKE
Yeah, I-I-I didn't mean to get so defensive.
LORELAI
I didn't mean to make fun of Jess and what he was reading. Maybe it's good that he had it. You know, maybe -- he's trying.
LUKE
It's okay. I mean, that book does sound pretty dorky.
KIRK
Liz and T.J. wouldst enjoy others to join them in their modest wriggles.
LORELAI
Oh, hey, so your food's probably cold. You want to go get some more?
LUKE
Sure, or we can...you know.
LORELAI
We can...do what?
LUKE
You want to dance?
LORELAI
Really?
LUKE
Yeah.
LORELAI
Um, you said before you don't dance.
LUKE
Well, I'm a compulsive liar.
LORELAI
Um, okay, yeah, let's dance.
[They walk over to the dance floor and join the other dancing couples.]
CUT TO BAR
[Dean hesitates at the door, looking around.]
RORY
Dean.
DEAN
Hey.
RORY
Oh, thank God, a friendly face.
DEAN
What happened here?
RORY
Oh, I feel so stupid. I was on this date.
DEAN
Oh, yeah?
RORY
It was a boy that Grandma saw in diapers. And she brought him over, and I tagged along on this stupid outing tonight.
DEAN
He was in diapers?
RORY
No, she knew him when he was a little kid. So it was this whole big group of people, and they were all drinking in the car, smoking. And I just thought, "These are, maybe, the last people on earth that I would want to die in a car crash with."
DEAN
Well, I'm glad you cut it short.
RORY
Poor Grandma. It's not her fault. She was just thinking I was lonely, and diaper boy was nice and doing her matchmaker thing. Did I say that I feel stupid?
DEAN
No, that's okay. It's cool.
RORY
And hungry. I haven't eaten since breakfast.
DEAN
Well, then, let's eat.
RORY
I have no money.
DEAN
I've got money.
RORY
[to waitress] Excuse me, we'd like to order.
WAITRESS
These are your menus right here.
RORY
Oh, duh, sorry.
WAITRESS
This going on your tab?
RORY
What?
WAITRESS
That card at the counter? It's still open.
RORY
Put your wallet away, and I hope you're hungry.
DEAN
I can eat.
RORY
We will start with the sampler appetizer platter...
CUT TO STARS HOLLOW STREET
[Luke is walking Lorelai home.]
LORELAI
This was fun.
LUKE
Yeah, it was.
LORELAI
So, hard to figure out which part of the evening was my favorite.
LUKE
There were a few.
LORELAI
Uh, T.J. throwing his tights at the bachelors instead of Liz's garter? You ducked well, by the way.
LUKE
Pure self-defense.
LORELAI
Ooh, the choking guy being Heimliched by the court jester?
LUKE
That was good.
LORELAI
Or -- or, um, the minister making out with crazy Carrie? T.J.'s brother making out with crazy Carrie? Or that last guy making out with crazy Carrie? Who was that guy?
LUKE
I think that was her husband.
LORELAI
Poor Barry! [ Laughs ] And it might be the dance.
LUKE
Really?
LORELAI
Have you been taking lessons?
LUKE
That was all God-given talent.
LORELAI
It was fun.
LUKE
Yeah, it was.
LORELAI
Well, good night.
LUKE
We should do it again.
LORELAI
What, you got another wedding coming up?
LUKE
Nah, I meant have fun. You know, like a movie or something.
LORELAI
I didn't think you were a movie guy.
LUKE
I can be a movie guy. You like movies.
LORELAI
Yeah -- good, bad, and in-between.
LUKE
How 'bout next week? Sunday?
LORELAI
Sunday?
LUKE
Sunday -- you free?
LORELAI
I-I think so.
LUKE
Okay, good. Good.
LORELAI
Good. Good.
LUKE
I'll see you...before then, but I'll see you then, too.
LORELAI
Yeah, I'll see you both of those thens.
[Lorelai stares after Luke as he walks away.]
CUT TO LUKE'S APARTMENT
[Luke walks in. Jess has his jacket on and is carrying a bag.]
LUKE
Oh, hey. You leaving?
JESS
Just hanging around, see if I'd catch you.
LUKE
Good, I'm glad you did. You can stay a couple more days, if you want. There's no rush.
JESS
Gotta get back to work.
LUKE
Right, right. Did you say "goodbye" to your mom?
JESS
Yeah, we're good. I gave her a cellphone number that's pretty permanent. Just got it. Left it for you on the fridge.
LUKE
Good.
JESS
I want to pay you back... all the money.
LUKE
You don't have to.
JESS
I want to. And I appreciate it...everything -- the money, living here.
LUKE
Well, it's good to hear, but I kind of knew that.
JESS
Yeah, but, in a relationship -- any relationship -- it's important to let the other person know you appreciate them so you don't create barriers that delay any hope for reciprocation.
LUKE
I think I read that somewhere.
JESS
Yeah?
LUKE
You're hoping for reciprocation? You got it. I'm here, Jess. I'm always here.
JESS
Thanks. [They shake hands then hug.] The tie work out?
LUKE
The tie was perfect.
CUT TO YALE
[Dean walks through the Yale campus Rory to her dorm.]
RORY
It's only hitting me now. My classes are done -- done. I don't have to think about Chaucer or Euclid or Kafka or Machiavelli for months. I can just think about Jane magazine and why did Uma wear that dress -- fun stuff like that.
DEAN
You'll still think about Kafka...and probably Chaucer.
RORY
Probably. But those other two bozos are history. You hear me? History! See in there?
DEAN
Yeah.
RORY
First semester poli sci.
DEAN
Which was your seat?
RORY
Oh, we didn't have assigned seats, but I usually sat with my back to the window so I wouldn't get distracted.
DEAN
This campus is huge.
RORY
And you're seeing it at a weird time 'cause we're probably the last two people left.
[They enter Rory's dorm.]
DEAN
Man, it's good to get out. It's good to laugh. I laughed tonight. You're funny.
RORY
I can be funny.
DEAN
That's what I just said.
RORY
Yeah, but you said it like I never am.
DEAN
You -- you're funny.
RORY
Yeah? Well, this is my room.
DEAN
I know.
RORY
Oh, right, you've been here before.
DEAN
Yeah.
RORY
Well, thanks for saving me.
DEAN
Yeah, anytime.
RORY
[uncertainly] Dean, how is it that you can be out like this, here, with me, or with anyone, for that matter? Where does Lindsay think you are?
DEAN
She thinks I'm out.
RORY
Out where?
DEAN
Doesn't matter.
RORY
What's going on with you? [The door to the building opens and Jess walks in.] What are you doing here?
JESS
I need to talk to you.
DEAN
Jess...
JESS
I need to talk to you.
DEAN
What's going on?
RORY
What are you doing here?
JESS
Rory, please.
DEAN
Rory?
RORY
[to Dean] Go -- go home.
DEAN
No.
RORY
Yes, go. You should go. [Dean leaves.] Why won't you leave me alone? You won't go away.
JESS
Rory.
RORY
What do you want?
JESS
I don't know. I just wanted to see you, talk to you. I just...
RORY
What?
JESS
Come with me.
RORY
What?
JESS
Come with me.
RORY
Where?
JESS
I don't know...away!
RORY
Are you crazy?
JESS
Probably. Do it. Come with me. Don't think about it.
RORY
I can't do that. [opens the door and walks into her room]
JESS
You don't think you can do it but you can. You can do whatever you want.
RORY
It's not what I want.
JESS
It is. I know you.
RORY
You don't know me!
JESS
Look, we'll go to New York. We'll work, we'll live together, we'll be together. It's what I want. It's what you want, too.
RORY
No!
JESS
I want to be with you, but not here. Not this place, not Stars Hollow. We have to start new.
RORY
There's nothing to start!
JESS
You're packed. Your stuff is all in boxes. It's perfect. You're ready. And I'm ready. I'm ready for this. You can count on me now. I know you couldn't count on me before, but you can now. You can.
RORY
No!
JESS
Look, you know we're supposed to be together. I knew it the first time I saw you two years ago, and you know it, too. I know you do.
RORY
No, no, no, no, no!
JESS
Don't say "no" just to make me stop talking or make me go away. Only say "no" if you really don't want to be with me.
RORY
No!
[Jess backs away and leaves. Rory sits down on a box and puts her head in her hands.]
THE END