T4E5: “The Fundamental Things Apply”
Título em Português: “Casablanca”
Roteiro: John Stephens
Direção: Neema Barnette
Originalmente exibido em: 21 de outubro de 2003
OPEN AT LORELAI'S HOUSE
[Lorelai is sitting out front on the grass when Rory pulls up]
RORY
Hey.
LORELAI
Hi.
RORY
What are you doing?
LORELAI
Well, I'm gardening.
RORY
What are you doing?
LORELAI
I'm gardening.
RORY
What are you doing?
LORELAI
Why don't you come over here and see, honey, since you seem so confused?
RORY
Oh, my God. You are gardening.
LORELAI
Yeah. Hello. I am gardening.
RORY
Why?
LORELAI
Because Babette bought me a bag of bulbs.
RORY
Why would she do that?
LORELAI
She thought that cultivating new life would help distract me from my current emptiness and sense of loss.
RORY
Huh. Well, that's weirdly sweet of her.
LORELAI
Yes, it was. Anyhow, I forgot about the bulbs 'til Babette brought them up this morning, so I dug them out of the garage.
RORY
Ew!
LORELAI
Where they've developed some sort of mold.
RORY
This is the planet of the mold.
LORELAI
Help me.
RORY
Mom, I'm no botanist, but I don't think anything's gonna grow from this piece of tar.
LORELAI
Just put it in the hole and cover it up.
RORY
Why didn't you just throw them out?
LORELAI
There are eyes everywhere, my dear.
BABETTE
[calls from her front porch] Hey, doll, how you doing?
LORELAI
Great, Babette. Just tending my bulbs.
BABETTE
Makes you feel better, doesn't it?
LORELAI
Absolutely - much better.
BABETTE
You need any help?
LORELAI
Oh, no. I got Rory helping me.
RORY
Hi, Babette.
BABETTE
Hi, sugar. Don't worry, I'm looking out for your mom.
RORY
I'm glad to hear that.
BABETTE
Oh, and just you wait 'til spring. You're gonna wake up one morning, walk out, and pow - color coming out of your yin-yang! I'll see you girls tomorrow. [goes into her house]
LORELAI
I'm going to have color coming out of my yin-yang.
RORY
Well, then maybe you'll finally get a man. This has got to be the grossest thing ever.
LORELAI
Forget about the bulbs. Let's talk about something else. How's school?
RORY
School's fine. It's hard but good. Tanna's fine. Janet and Paris are fighting because Janet gets up at 5:30 to go jogging, wakes Paris up, and then the resulting argument wakes everybody up, and - oh! [screams and tosses a dirty bulb at Lorelai]
LORELAI
[screams] Oh, my God! You bulbed me! You bulbed me!
RORY
I was aiming over there.
LORELAI
Oh, it got my hand! It got my hand!
RORY
Shake it off. Shake it off.
LORELAI
Oh, it won't go! It won't go!
RORY
Aah! You wiped it on my shirt.
LORELAI
It was a reflex.
RORY
To ruin my shirt?
LORELAI
I'm sorry.
RORY
You never liked this shirt.
LORELAI
It's not that. It's just that -
RORY
Aah! There's something crawling up my leg!
LORELAI
Oh no, oh no! I got it, I got it.
RORY
There's something crawling up my leg!
LORELAI
I got it, I got it! Ew! It's big! Ew!
RORY
Okay, so the next time that Babette gives you a bag of bulbs to plant because you're lonely, you say...
LORELAI
No, thank you.
RORY
Class dismissed.
[opening credits]
CUT TO YALE DORM
[Rory is asleep in her bedroom]
PARIS
[overheard from common room] You could at least open a window.
JANET
Why?
PARIS
Because it smells like a locker room in here!
JANET
Tough luck!
PARIS
Fine!
[Paris walks into the bedroom]
RORY
Did the alarm go off?
PARIS
I shut it off. Who needs an alarm when you've got Workout Barbie around? Never mind that some of us were up finishing a chem lab 'til 2:30 in the morning! I for one love waking up at five a.m. to the sound of someone grunting out crunches in the common room!
RORY
I told you - earplugs.
PARIS
You know, she talks to herself when she stretches. "Come on, Janet. Push it, Janet. Love the pain, Janet." It's pornographic.
RORY
What time is it?
PARIS
I know what she's doing. It's psychological warfare. Don't let your enemy sleep. Push him 'til he cracks. Charlie tried the same tricks on our boys at Khe Sanh, and let me tell you, if she keeps this up, I am not gonna be responsible for what happens.
RORY
Oh, my God! Paris, breakfast is over in five minutes!
PARIS
I know. It's Tuesday, too. That's waffle bar day.
RORY
Why didn't you wake me?
PARIS
Oh, sure, blame me. I'm the victim here, remember?
CUT TO YALE CAFETERIA
[Rory rushes in wearing her pajamas and a robe]
RORY
Excuse me, excuse me. Can I... [she grabs the last waffle from a tray before the kitchen worker throws it out] Yes, thank you.
MARTY
Rory.
RORY
Marty.
MARTY
You remembered.
RORY
Well, I wasn't the one passed out in the hallway, so I had a better shot.
MARTY
True, very true. So, I see you're a little late for breakfast.
RORY
Yeah. My alarm was turned off.
MARTY
Well, hey, you want some eggs or something? I always take enough for ten. I blame my brother. He always took the biggest piece of chicken.
RORY
And left you none?
MARTY
No, there was plenty more. I just really wanted that big piece.
RORY
Oh. Well -
MARTY
Hey, I want you to meet The Breakfast Crew.
RORY
Oh, well, I'm kind of -
MARTY
Well, we all just started eating breakfast together every morning, so someone came up with the name The Breakfast Crew. I mean, it's not like an official club or anything. There's no hats. At least not until we can all agree on a color. Uh, excuse me, guys. I want you all to meet Rory.
GUY 1
Who?
MARTY
The robe.
GUY 1
Oh, the robe. Nice to meet you.
MARTY
I told them about your act of kindness.
RORY
Oh, it was nothing, really.
GUY 1
I wouldn't say that. That was one nice robe.
GUY 2
We all took turns trying it on.
MARTY
Uh, not true. Ignore him. I'm sorry I haven't gotten it back to you yet.
RORY
Oh, it's okay.
GUY 3
Nice bunny shoes.
RORY
Thank you. Uh, well, it was nice meeting you all. I actually have to go, so - [walks away]
MARTY
[follows her] I embarrassed you.
RORY
It's fine.
MARTY
I'm sorry. I was just so relieved that I could finally approach you.
RORY
Why couldn't you approach me?
MARTY
Well, that night was really humiliating, so every time I saw you after that, I just hid. But then when I saw you show up this morning like that, I thought, here's my chance to even the playing field.
RORY
Marty, this is not as embarrassing as being totally naked.
MARTY
No, it's not. But it's close
RORY
Um, well, consider the playing field leveled.
MARTY
Good. Uh, see ya, Rory.
RORY
See ya, Marty.
CUT TO LUKE'S DINER
[Lorelai is talking on her cell phone. While she talks, Luke tries to get her to take it outside. She walks slowly and lingers by the door]
LORELAI
[on phone] Exactly, yes, that's just the kind of thing we're looking for. Well, I'm so glad to hear that because the last three designers we met with had very different philosophies. Uh-huh. No, I didn't know you did the Silver Thatch Inn. Oh, that was so beautiful. Yeah. Okay. Well, why don't we, uh, meet, uh, Friday, say, around two o'clock? Okay. Luke's Diner. It's right in the middle of the town square. You can't miss it. Just follow the love. Okay. Thank you. Bye-bye. [hangs up]
LUKE
What was that?
LORELAI
I was taking it outside.
LUKE
Three people came in while you held the door open.
LORELAI
You're exaggerating.
LUKE
Why can't you respect the rules of my diner?
LORELAI
I do respect the rules of your diner. It's that baseball cap I have issues with.
[Michel walks in and sits down]
LORELAI
Hi.
MICHEL
Hey. All right, I've done extensive research, checked references, and prescreened three other designers for you. Here are their names.
LORELAI
Well, hopefully I won't need these. I think I just found a new designer for the inn.
MICHEL
Well, good. I love doing research just for the sake of doing research. I live to grow. Are you still buying me lunch?
LORELAI
I'd be happy to buy you lunch, but I should probably take you somewhere else.
LUKE
Why should you take him somewhere else?
LORELAI
Because, Kook Danes, Michel eats a very specific diet.
MICHEL
Normally, yes, that's true. However, every six months I give myself a crazy day where I can eat anything I want, and today's crazy day. Talk to me about your chocolate cake.
LUKE
What do you want to know?
MICHEL
Is it Mexican?
LUKE
Is what Mexican?
MICHEL
The chocolate.
LUKE
How would I know?
MICHEL
It would say so on the wrapper. You could go look. I'll wait.
LUKE
Take him somewhere else.
MICHEL
Oh, just bring me a doughnut, but put some sprinkles on it, okay?
[Lorelai's cell phone rings]
LORELAI
[answers] Hello?
EMILY
Do you know what one of life's great mysteries is?
LORELAI
Uh, Mom...
EMILY
Whether or not you're going to be joining us for Friday night dinner.
LORELAI
Uh huh.
EMILY
And since you pretend to be ignorant of the concept of the RSVP even though I know it was taught to you as a child, I am reduced to calling and asking you, are you coming?
LORELAI
Uh huh.
EMILY
Is that "uh huh, yes, I'm coming" or "uh huh, I was reading while you were talking"?
LORELAI
Um, tell you what, Mom - plan on me coming, and if I don't, then it'll just be a little more for everyone else.
EMILY
Lorelai, you know very well our dinners do not work like that. There is careful planning and shopping and preparation that goes into every meal no matter how boring and simple it may seem to you.
LORELAI
Oh, Mom -
[Lorelai throws something at Luke to get his attention.]
LUKE
Hey, what... get off that phone!
LORELAI
Oh, shoot, Mom, there's no cell phones in here. I'll call you back later. Bye. [hangs up] And when I need you - nowhere.
CUT TO YALE CLASSROOM
[Rory is in her English class]
HEATHER
It's obvious Hemingway is just using Jake's impotence to indict a society which exploited its underclass to fight in the trenches of the first World War.
PROFESSOR
Interesting theory, Heather. What does everyone else think?
RORY
I don't know. I mean, isn't Jake's impotence more about that generation's loss of faith in love?
HEATHER
Ugh, please. That grossly ignores the social context.
TREVOR
Rory's right. The book's about a guy who can't sleep with the woman he loves. It's not some Woody Guthrie song.
HEATHER
But -
PROFERSSOR
Okay, hold that thought, Heather. We're out of time. Okay, everyone, we'll continue this Thursday. I'll see you all then.
RORY
Thanks for the save.
TREVOR
No problem. Heather can get a little "workers of the world, unite" sometimes.
RORY
Yeah, I've never actually met someone who likes the word bourgeois so much.
TREVOR
So, what are you up to this weekend?
RORY
Oh, studying. Sleep, hopefully. A rarity in my dorm room.
TREVOR
Yeah? Do you eat?
RORY
Habitually.
TREVOR
Ever been to Pancia di Lucca? I hear it's good.
RORY
Uh, no, I haven't.
TREVOR
Well, I was thinking of going there this weekend.
RORY
Oh, cool. Tell me how it is.
TREVOR
Okay, I will. Or, hey, you could come with me.
RORY
I can't this Saturday, but if it's good, maybe another time, okay?
TREVOR
Sure, okay. So, see you next week.
RORY
Bye, Trevor.
CUT TO LORELAI'S HOUSE
[Rory walks into the house carrying a laundry basket]
LORELAI
Hey, what are you doing home?
RORY
Well, it seems that if you leave your laundry in the machine for even two minutes after it stops, some incredibly impatient person will come and take your nice clean clothes out and dump them.
LORELAI
Where?
RORY
Anywhere. The floor, the top of another dirty washing machine. My Belle and Sebastian t-shirt was in the garbage. So now, on top of a massive amount of reading and studying, I get to rewash my formerly perfect clean clothes.
LORELAI
Well, that's just wrong. I think you should quit school in protest.
RORY
Okay, if you say so.
[Rory reaches for a slice of pizza from the coffee table]
LORELAI
Oh, no, wait. That's not ours.
RORY
What do you mean it's not ours? Who's it for?
[Lane rushes into the house]
LANE
I've got five minutes. Where's the pizza?
LORELAI
Uh, there.
LANE
Thanks. Hi, Rory.
RORY
Hey, Lane.
LANE
My mom ordered all the okra in the Western Hemisphere. She got a great deal and I'm starving to death.
RORY
Swallow.
LANE
Between Seventh Day Adventist college and my mom's new fascination with ordering on the internet, my future looks very grim.
RORY
You want a Coke?
LANE
No, no time for liquids. I have to be home for dinner in four minutes. Another piece, please? Okay, great. Okay, this is good. You all look good. Things are good?
RORY
Things are -
LANE
Okay, gotta go. Thanks for the grub. [leaves]
LORELAI
She is so throwing up on the way home.
RORY
I'm gonna go put this stuff in the washer.
LORELAI
Wait, wait, have some pizza and tell Mama all about your day.
RORY
Okay. Oh, yesterday Janet woke up to find that Paris had chaired her in her room.
LORELAI
Oh, nice.
RORY
And then, later, when Janet had climbed out the window, she retaliated by gluing shut the opening of Paris' glue gun.
LORELAI
Wow, she went for the crafts.
RORY
This war is getting totally out of hand. This morning Paris turned off my alarm because Janet woke her up. I almost missed breakfast. I ran down to the dining hall in my pajamas and bunny slippers, and of course I ran into Marty.
LORELAI
Naked guy.
RORY
It was totally humiliating.
LORELAI
Humiliating 'cause naked guy's hot?
RORY
It was humiliating because I had terrycloth rabbits on my feet.
LORELAI
So naked guy's not hot?
RORY
Naked guy is Marty, and it's not like that. He's sweet.
LORELAI
Ah. Sweet means bad butt.
RORY
Sweet does not mean bad butt. Sweet means sweet.
LORELAI
Poor naked guy. He should've left his clothes on.
RORY
Okay, you have got to stop talking about naked guy. I just met Marty.
LORELAI
All right. If not him, are there any other guys on the horizon?
RORY
Nope.
LORELAI
No? How about a professor - someone older, wiser, with brown cords and whiskey breath?
RORY
Oh, well, yeah. There's one of those.
LORELAI
Come on, Rory.
RORY
Well, this guy asked me to go try this restaurant this weekend, but it was a totally casual thing.
LORELAI
So what'd you tell him?
RORY
That I was busy.
LORELAI
You don't like him?
RORY
No, I like him fine. I mean, he's smart, and he takes my side in the debates, and he's decent to look at.
LORELAI
So, why'd you say no? Too many clothes?
RORY
I don't know. He... he carries a bottle of water around with him all the time. That's just weird.
LORELAI
Right. Hydration. Very creepy.
RORY
And he's preppy, and I don't really like preppy. Plus, he's gonna go study in Barcelona next year.
LORELAI
So?
RORY
So it's a waste of time. It can't go anywhere.
LORELAI
It could go to dinner, maybe a movie.
RORY
Mom...
LORELAI
No, look, Rory, I know you've never really dated.
RORY
What are you talking about? I've dated.
LORELAI
Who did you date?
RORY
Dean.
LORELAI
You and Dean did not date. You had a relationship.
RORY
Well, Jess.
LORELAI
Was relationship number two.
RORY
So maybe I've never dated, but you haven't either.
LORELAI
I have dated at least once.
RORY
Mmhmm. You had me with dad - relationship.
LORELAI
Yes, but -
RORY
Max - relationship. Dad again - relationship.
LORELAI
Okay, fine, I may not be the world's best dater, but I do it and you should give it a shot. I mean, you're in college now. What else is there to do in college but date?
RORY
I'm gonna go wash my clothes now.
LORELAI
Wait. Was that it? Is this conversation over? Sorry, did I win?
CUT TO LUKE'S DINER
[Lorelai and the decorator have books spread out on several tables around them]
NATALIE
Okay, here, I wanted to show you this.
LORELAI
Castles of Ireland?
NATALIE
There is a room in here that I've always wanted to do. Here it is.
LORELAI
Oh, I love that. What is that wall treatment?
NATALIE
That's anaglypta wallpaper.
LUKE
What are you doing?
LORELAI
I'm looking at anaglypta wallpaper.
LUKE
And the other three tables are here for support?
LORELAI
Well, we just had a lot of books to go through. Uh, Luke, this is Natalie Zimmerman. Natalie's gonna help us design the Dragonfly.
NATALIE
Nice to meet you.
LORELAI
Did I tell you we're gonna have horses?
NATALIE
The property already has stables, so why not?
LORELAI
I love horses. I've always loved horses ever since I was a little girl, and now I finally have a grown-up excuse to buy a pony.
LUKE
Great. Listen, National Velvet, you have to move this stuff out of here.
LORELAI
Why?
LUKE
Because this is a diner. People wanna sit.
LORELAI
This is business.
LUKE
No, this is business, and it's open, and it's decorated, and it wants its seats back.
LORELAI
Fine. Sorry about that. He's trying to steal the "World's Grumpiest Diner Guy" title from Mel.
NATALIE
No problem.
LORELAI
So you were telling me about anaglypta wallpaper?
NATALIE
Yes, it's a textured paper that we can paint or treat. We can even distress it if you want to give it a more, you know, vintage-y look.
LORELAI
Hm, that sounds interesting.
NATALIE
You know, Emily actually has some in the smaller upstairs guest bath. You should take a look at it the next time you're there.
LORELAI
Um, Emily? You mean like my mother, Emily?
NATALIE
Yes.
LORELAI
I didn't know you knew Emily.
NATALIE
Oh, yeah. I did her second-floor remodel about a year ago. I thought that's how you got my name.
LORELAI
Oh, no, I, uh, got your name from a magazine. So you know Emily?
NATALIE
It's a small world, isn't it?
LORELAI
Yes, yes, really small. About the same square footage as that box they threw McCain in.
NATALIE
So, are you ready to see bedrooms?
LORELAI
Yes, sure. Why not?
CUT TO YALE CLASSROOM
[Rory is in her English class]
PROFESSOR
Next week we finish up with "Snows of Kilimanjaro", then it is Hemingway's pal Scott Fitzgerald, so do yourselves a favor - get a jump on "Tender is the Night."
RORY
Wow. Good session today, huh?
TREVOR
It was fine.
RORY
I can't believe we sit around and talk about books and get graded on it. I mean, there's almost nothing I like more than talking about a good book or a bad book or a really thick magazine.
TREVOR
Mmhmm.
RORY
Hey, Trevor. You know what else I like to do besides talk about a really good book? Eat. Isn't that weird? And, actually, for me, they're linked. It's true. When I talk about a book, I get really hungry - starving. You ever experience that?
TREVOR
Not really.
RORY
Oh. Well, it happens to me all the time. Like right now, for example, starving, really. And I enjoyed "The Snows of Kilimanjaro" so much that I will probably be hungry for quite some time. All weekend, probably. Especially Saturday night.
TREVOR
Saturday night?
RORY
Saturday night.
TREVOR
Are you saying you want to go to dinner on Saturday night?
RORY
Wow. Um, okay. Yeah. Well, I will be hungry.
TREVOR
Well, that fact has been pretty well established.
RORY
Okay. Sure. Yeah, let's go to dinner Saturday night.
TREVOR
So, you're at -
RORY
Durfee, suite 5.
TREVOR
I'll pick you up at 7:30.
RORY
Sounds good.
TREVOR
Okay.
RORY
Wow. I gotta hand it to you there, Trevor. You sure are persistent.
CUT TO THE TOWN SQUARE
[Lorelai and Sookie walk down the street]
LORELAI
Davey? You're naming him Davey?
SOOKIE
Yes.
LORELAI
I love Davey.
SOOKIE
Me, too.
LORELAI
Oh, I can't believe you finally picked a name. It makes it real.
SOOKIE
Yes, because the stomach and massive ankles were too ambiguous.
LORELAI
Does Jackson like it?
SOOKIE
Uh, well, he's okay with the stomach, but the massive ankles freak him out.
LORELAI
The name Davey.
SOOKIE
It was actually his suggestion.
LORELAI
Really?
SOOKIE
He wanted Davey if it was a boy and Colgate if it was a girl.
LORELAI
Colgate?
SOOKIE
His great-grandmother's name.
LORELAI
Great-grandmother Colgate.
SOOKIE
Yup.
LORELAI
That's horrible.
SOOKIE
You know what's worse, she looked like a Colgate.
LORELAI
Well, at least you know it's gonna be a boy.
SOOKIE
Yes, but he doesn't know it's going to be a boy. And I realized he has to know that I thought Colgate was an insane name, but if I didn't fight him on it, it must be because I knew we weren't gonna have a girl and then he would know we were gonna have a boy, and that would spoil everything for him. So I told him, "We are not naming our daughter after a toothpaste!" We got in a big fight and we're not talking.
LORELAI
Cool!
SOOKIE
Yeah, I know. Everything's perfect. My baby has a name and my husband's sleeping on the couch. Oh, and I figured out that I'll go with the Avery stove for the inn. Is that okay? Because I know it's a little more expensive.
LORELAI
It's your kitchen, Sookie.
SOOKIE
Okay, good. I'm gonna call Natalie the minute I get home.
LORELAI
Hm.
SOOKIE
What's wrong?
LORELAI
Nothing.
SOOKIE
It's the Avery. It's too extravagant.
LORELAI
No, the Avery's fine. Everything's fine.
SOOKIE
You're sure?
LORELAI
I'm sure. Just... Natalie knows my mother.
SOOKIE
Emily? How?
LORELAI
Yes, because she did her second-floor remodel like a year ago.
SOOKIE
Oh, so she really knows your mother.
LORELAI
They've been shopping together. It's a bond. Sookie, I don't know if I -
SOOKIE
Lorelai, no.
LORELAI
She knows my mother.
SOOKIE
So what?
LORELAI
Sookie, my whole life, my whole existence, my essence, my being, my ability to be this sparkling creature standing here before you -- all of this depends on the complete and total separation of my life from my mother's life. That's how it works.
SOOKIE
But we like Natalie.
LORELAI
We do like Natalie.
SOOKIE
Remember all the other designers we met that we didn't like before Natalie? Remember the one that wanted to put the tiny mannequin in every room so that the lonely people would have someone to talk to?
LORELAI
Yes, I do.
SOOKIE
Or the purple, purple, purple guy.
LORELAI
Purple, purple, purple.
SOOKIE
They were horrible. And then we met Natalie, and she was perfect. Look, just try. At least give Natalie a chance, okay? Please?
LORELAI
I'll try.
SOOKIE
Good. I'm gonna go home and get going on the Avery.
LORELAI
All right. I have to stop by Luke's. I'll call you later.
SOOKIE
Okay. It's going to be fine.
LORELAI
Yes, it is.
CUT TO LUKE'S DINER
[Lorelai walks in]
LORELAI
Hey, Luke. What's going on?
LUKE
Oh, well... Tom called. The banister on the stairs has to be replaced. It'll be $4,000. Tamsin Cordally called. He needs a deposit on the quartersawn oak. It'll be $4,000. Julio the landscaper called. I have no idea what he said, but it's going to be $4,000. Vicki from Vicki's Horse Supply called. She thinks Pepper and Gunsmoke would suit your needs, but Gunsmoke snores, so the stables can't be too close to the guests' bedrooms. Rory's looking for her black Converse, and, oh, one last thing - I'm not taking messages for you anymore!
LORELAI
Sorry.
LUKE
What did you do, have business cards printed up?
LORELAI
People just know I'm here a lot.
LUKE
I missed a call from my meat guy because I was on the phone discussing Gunsmoke's deviated septum.
LORELAI
I'm gonna call all these people today and tell them never to call me here again.
LUKE
You bet you will.
LORELAI
Consider it done.
LUKE
Good.
LORELAI
Just -
LUKE
What?
LORELAI
Just, uh, one more thing. Did a package arrive for me here today?
LUKE
What?
LORELAI
I'm sorry. Never mind, never mind.
ED
Luke. Sorry. I'm cutting it kind of close here.
LUKE
Oh, sorry, Ed. I didn't realize you were cutting it kind of close. Everybody, drop everything. Ed's cutting it kind of close. Here's your tickets.
ED
You seem mad.
LUKE
Look, Ed, just go to the game and enjoy it, okay? Choke on a hot dog while you're at it.
ED
I have to tell you, Luke, I am never accepting anything free from you again.
LUKE
What a threat! Boy, you're a real master of fear, there, Ed. Look out, Jason and Freddy. Ed may never mooch off of either one of you ever again!
LORELAI
What is wrong with you?
LUKE
Nothing.
LORELAI
You're yelling at Ed.
LUKE
Ah, Ed bugs me.
LORELAI
Ed cries.
LUKE
I'm just having a bad day.
LORELAI
Zzz.
LUKE
Excuse me?
LORELAI
Days. You've been stomping around, barking at people for days.
LUKE
I have not.
LORELAI
Yes, Cujo, you have.
LUKE
I always talk to people like that.
LORELAI
No, Benji, you don't.
LUKE
I'll be fine tomorrow.
LORELAI
Really, Lassie? Why is that?
LUKE
Look, I bought these tickets for Nicole 'cause she's a Yankees fan. I thought it'd be nice if we went to a game together.
LORELAI
Oh, man.
LUKE
And it's no big deal. I mean, the closer it got to the game, the more I felt like a loser. I mean, I'm sitting on these tickets, which means I thought I'd still be in a relationship. I don't know. Stupid. I broke my own rule. I asked for it.
LORELAI
What are you talking about?
LUKE
Never plan for anything more than two days in advance.
LORELAI
That's your rule?
LUKE
Yes, 'cause when you make plans, then you have expectations, and when you have expectations, then you will get disappointed.
LORELAI
Having expectations also gives you something to look forward to.
LUKE
Yes, then you're looking forward to being constantly disappointed.
LORELAI
You're not that cynical.
LUKE
I am today.
LORELAI
Hey, I have an idea. Tomorrow night is usually movie night.
LUKE
What?
LORELAI
Rory and I would always rent a bunch of movies, order food -- it was our thing. Now she's at school and busy, so why don't you come over? It might be fun.
LUKE
Okay.
LORELAI
Yeah?
LUKE
Sure, what else have I got to do?
LORELAI
Ah, I love when men say that to me.
LUKE
What time?
LORELAI
Eight.
LUKE
Eight it is.
LORELAI
I'll stop by the video store and pick us up a couple movies. What do you want to see?
LUKE
I don't know.
LORELAI
Well, come on, tell me. I don't want to get something you've seen.
LUKE
Don't worry about it. I haven't seen anything.
LORELAI
People always say that.
LUKE
Well, with me, it's true.
LORELAI
"Casablanca"?
LUKE
Nope.
LORELAI
You have never seen "Casablanca"? Are you kidding?
LUKE
Just get anything, please.
LORELAI
"Chinatown"?
LUKE
Anything at all.
LORELAI
"Bonnie and Clyde"?
LUKE
A video game would be nice also.
LORELAI
"It Happened One Night"? "His Girl Friday"? "Treasure of the Sierra Madre"? "Diner"?
LUKE
I saw "Mr. and Mrs. Bridge."
LORELAI
Oh. My house, eight o'clock. We have such work to do.
LUKE
I'll see you there.
LORELAI
Oh, by the way, if my package arrives today, bring it with you, okay? Thanks.
CUT TO ELDER GILMORE RESIDENCE
[The doorbell rings. The maid answers the door and lets Lorelai in]
LORELAI
Oh, hey. Uh, oh, oh, hold on, whoa. Wow, that could have been very ugly, huh? The great cappuccino disaster of 2003. Very sad -- Shelley Winters drowns. Think the coffee was stronger than I thought.
MAID
Can I take your coat?
LORELAI
Thank you.
MAID
Your daughter called and said she was gonna be late. Her class ran long.
LORELAI
Oh, so Rory's not here yet?
MAID
No, it's just you and your mother.
LORELAI
Huh. Hey. Oh, gosh. You know what? I just remembered I left something in the car, so I'll be right back. Could I - just - it's new. I can't be away from it just yet. Oh, thanks. Okay. Back in a flash.
[Lorelai goes outside to her car and turns on the radio. She starts dancing and mouthing the words to "Shadow Dancing." Emily knocks on the car door and startles Lorelai, who screams. She opens the window]
EMILY
What are you doing?
LORELAI
I was looking for my lip gloss.
EMILY
You need the radio on to look for your lip gloss?
LORELAI
Well, uh, I came out here and I couldn't find it and so I thought maybe if I tried to retrace my steps, it would turn up.
EMILY
Very clever idea.
LORELAI
Yeah, I thought so. So I put my purse on the seat and I put the keys in the car, and naturally the radio came on 'cause that's what it does, and, uh, "Shadow Dancing" was playing, which was one of my all time favorite songs in junior high.
EMILY
And you forgot to look for your lip gloss.
LORELAI
Just for a second.
EMILY
Which makes sense since it's in the ashtray right next to you.
LORELAI
Oh, hey. It is. Look at that.
EMILY
Yes, it's a miracle. Come inside, Lorelai.
LORELAI
Well, can't I just wait 'til the song... I'm coming.
[they walk into the house]
EMILY
You can't sit here for three seconds without Rory.
LORELAI
Not true.
EMILY
Oh, stop it and sit down. I want to talk to you about something. I just found out that Sookie is pregnant.
LORELAI
Uh huh. Don't look at me, I had nothing to do with it.
EMILY
May I ask why you didn't bother to tell me?
LORELAI
Uh, well...
EMILY
Lorelai, your not telling me about Sookie is unforgivable.
LORELAI
Why, it's not like you're such good friends.
EMILY
I went to her wedding.
LORELAI
So did Kirk.
EMILY
I haven't sent her a gift, Lorelai. How does that make me look?
LORELAI
Like you hate her and all childbearing women.
EMILY
You are so intent on keeping me out of your life.
LORELAI
It's not even my life. It's Sookie's life.
EMILY
A simple phone call to tell me that Sookie is pregnant.
LORELAI
How did you find out about it, anyway?
EMILY
Why, are you going to track down the informant and have him shot?
LORELAI
Maybe.
EMILY
It doesn't matter how I found out. I found out, no thanks to you.
LORELAI
Mom, please, just tell me how you found out.
EMILY
Why? Does it bother you not knowing?
LORELAI
Yes.
EMILY
Me, too.
[Rory comes in]
LORELAI
Hey.
EMILY
Rory, you're here.
RORY
I'm so sorry I'm late, Grandma. Hi, Mom.
LORELAI
You'll pay.
EMILY
So come on, sit down and tell me all about Yale.
LORELAI
If you don't, she'll find out anyway.
RORY
Yale's interesting. It's a lot more free-form than I thought.
EMILY
Well, you're an adult now. They treat you like an adult in college.
LORELAI
In college, yes. In the Gilmore house...
EMILY
We've switched subjects, in case you were wondering. So tell me, what are your plans for the weekend? Any parties going on?
RORY
Well, yeah, there are always parties going on, but I'm not going to a party this weekend. I'm actually going on a date.
LORELAI
You are?
EMILY
Well, your first college date.
LORELAI
Who's the lucky guy?
RORY
Just a guy from my English class.
LORELAI
No.
EMILY
Your English class.
LORELAI
What happened? I thought you turned him down.
EMILY
You turned him down?
RORY
I know, but I thought about it and I reconsidered.
LORELAI
What did you do? Did you ask him out?
EMILY
You asked him out? Oh, Rory, tell me you didn't ask a boy out.
RORY
I didn't ask him out. I just made sure he knew I was available.
LORELAI
Better, Mom?
EMILY
No, that's not better. Rory, you're in Yale, not Amsterdam. How you conduct yourself socially is as important as how you conduct yourself academically.
RORY
I promise, it was very proper.
LORELAI
Yes, Mom, she had a nice Tiffany lampshade over her red light.
EMILY
What do you know about this boy? Do you know where he's from, who his parents are?
RORY
No, I plan to find that out on the date.
LORELAI
What are you gonna wear?
RORY
I don't know.
LORELAI
Do you want to borrow something of mine?
EMILY
No, she does not.
LORELAI
What does that mean?
EMILY
It's bad enough that you haven't taught your daughter how to interact with the opposite sex. You will not dress her up in one of your "Sex and the City" ensembles and send her out to tell the entire campus, "Don't worry. I'll ask you."
LORELAI
How do you know about "Sex and the City"?
CUT TO KIM'S ANTIQUES
[Lorelai, Sookie, and Natalie are browsing the store]
NATALIE
Okay, see, something like this outside against a wall - very "Little House on the Prairie" with a twist.
SOOKIE
I love "Little House on the Prairie." Jack the dog. Where is Lindsay Sidney Greenbush? When she came tumbling down the hill, I would just laugh.
NATALIE
Lorelai?
LORELAI
Yeah?
NATALIE
Well, what do you think?
LORELAI
Hm, I don't know. I'm not really sure.
NATALIE
Okay. Well, just keep in mind that anything you see here I can have duplicated. I've got this guy in Delaware that can knock off anything for about half the price.
LORELAI
Maybe we should go.
SOOKIE
What? We just got started.
LORELAI
Well, maybe we should think a little more before we shop.
SOOKIE
What are you talking about? We've been thinking for months. Let's start buying! Holy mother of God, this bench is $15,000.
NATALIE
We can find something else.
LORELAI
Oh, no, we don't have to find something else.
SOOKIE
What are you talking about?
LORELAI
We have absolutely no problem paying full price for that bench.
SOOKIE
What?
LORELAI
Yeah. No money problems or problems of any kind. Our entire lives are perfect. We have no complaints and plenty of money.
SOOKIE
What are you talking about?
NATALIE
You know what, I see a lawn jockey out there that looks very interesting. I'll be back. [leaves]
SOOKIE
We cannot afford that bench.
LORELAI
Oh, I know that. I don't want her to know that.
SOOKIE
Her - Natalie, her?
LORELAI
Yes.
SOOKIE
Why?
LORELAI
Because it could get back to my mother.
SOOKIE
What could get back to your mother?
LORELAI
That we have money problems.
SOOKIE
We do have money problems.
LORELAI
I know, but I don't want my mother knowing that we have money problems. I don't want any personal information leaked out because in Emily's hands, that could be a weapon.
SOOKIE
Well, Natalie's not gonna say anything.
LORELAI
How do you know? How do you know she's not filling my mother in on our every move on a daily basis?
SOOKIE
You're being paranoid.
LORELAI
Oh, yeah? My mother found out about you being pregnant.
SOOKIE
Not from Natalie.
LORELAI
How do you know?
SOOKIE
Because Natalie herself didn't know until about a half an hour ago.
LORELAI
That's her story.
SOOKIE
Okay. This is getting crazy now. You have got to go out there and talk to her about this.
LORELAI
I don't know.
SOOKIE
It's the only fair thing. Come on. Go.
[Lorelai walks outside to Natalie]
LORELAI
Hey, um, look, Natalie, I, uh, have to say something to you. I feel a tad silly even mentioning it, but I think I have to.
NATALIE
Did I do something that -
LORELAI
No, no, no, no, you did nothing. You've been great, really. Um, great ideas, great attitude. It's just that... you know my mother.
NATALIE
Yes?
LORELAI
That's it. You know my mother.
NATALIE
Oh.
LORELAI
And my mother and I don't exactly have the smoothest of relationships.
NATALIE
Ah.
LORELAI
Right. I mean, we're not warring or anything, but it's just that we're very different, and I feel kind of weird sharing things with her.
NATALIE
Look, I promise you, I haven't been in contact with your mother for a long time. Maybe twice she called to get a couple of names, but that was it. I hadn't even met you yet. So trust me -- she knows nothing that you haven't told her yourself.
LORELAI
Oh. Okay. I feel really stupid right now.
NATALIE
No, don't. I enjoyed working with your mother, but this inn is the kid of thing that I love to do. And the place has incredible potential and somebody's gonna get a chance to make it a wonderful inn. I would be heartsick if I lost this opportunity.
LORELAI
Oh.
NATALIE
Look, I haven't spoken to Emily in months. I doubt I'll be speaking to her in the future. I promise.
LORELAI
Okay.
NATALIE
Really?
LORELAI
Absolutely.
NATALIE
I'm so glad.
LORELAI
So am I.
NATALIE
So now that I talked myself back into a job, what do you think the outlook for this lawn jockey is?
LORELAI
Not good.
NATALIE
Hm. Emily would hate it.
LORELAI
Wrap it up.
CUT TO YALE DORM
[Rory is in her bedroom getting ready for her date]
RORY
Okay, so this is option number four. Tanna? Tanna?
TANNA
Yeah?
RORY
We're doing the whole bonding thing now.
TANNA
Okay. Sorry. Start again.
RORY
What do you think?
TANNA
Men respond subconsciously to a woman's pheromones. You should run in place 'til he gets here. It'll give you a nice musk.
RORY
Go back to your leg.
PARIS
Roommates meeting starts in two minutes. Hey, I told you to stop with the math and the Sharpies on my good sheets.
TANNA
Okay. Sorry.
PARIS
How come the puppy doesn't pee on your bed?
RORY
I'll be right out, Paris.
PARIS: Hurry up. All right, everyone, take a seat, please. Rory, one last curtsy, and let's move. [the roommates all gather in the common room]
RORY
My date will be here in ten minutes, so talk fast.
PARIS
Thank you all for coming. Now, I'd like to start this meeting by saying that no one here is on trial. This meeting is about healing, it is about redemption, it is about accepting responsibility and making amends.
JANET
I don't believe this.
PARIS
This is a forum for all of us to air our grievances so we can resolve them and go on with our lives. Hey, since I'm already standing, why don't I start?
TANNA
This is thrilling.
PARIS
Setting your alarm for 5:30 in the morning when no one else here shares the desire to put on nylon shorts and run in circles for an hour like a greyhound is selfish.
JANET
I have a partial athletic scholarship, Paris.
PARIS
The grunting and the sweating, and there are plastic balls everywhere.
JANET
One balance ball.
PARIS
No one can sleep. No one can breathe. Rory missed breakfast the other day. You've seen Rory eat. She cannot miss breakfast.
RORY
Paris has a point there.
JANET
Excuse me, but if I remember correctly, Rory missed breakfast because you turned her alarm off.
RORY
Janet does have a point there.
JANET
And while we're airing grievances, what about your stupid craft area? Everywhere you turn, there's glitter or seashells or macaroni. And the smell of the glue.
PARIS
Hey, I make things we can all enjoy. I am contributing. The coasters I make are for everyone. Those push-ups are for you and you alone.
JANET
I vote we get rid of craft corner.
PARIS
No, that's my emotional homework!
RORY
Okay, let's just all calm down for a sec.
JANET
No. I cannot calm down. I have tried to be reasonable. I have told myself over and over, "God, look at her. Imagine what she's been through to make her turn out like that."
PARIS
A lot!
JANET
But you're impossible! And frankly, I'm just sick of your constant negativity!
PARIS
You're on steroids, aren't you? That's what's behind this obsessive behavior.
JANET
You're calling me obsessive?
PARIS: I am not intimidated or afraid of you. [there's a knock at the door. Rory answers it]
TREVOR
Hi. You ready to go?
RORY
Just one sec. We're finishing up a roommates meeting.
PARIS
I'll race you.
RORY
What?
PARIS
To Hewitt Quad and back. I win, no alarm before seven a.m. You win, I move my crafts area into Rory's and my room.
RORY
Whoa, whoa, whoa.
JANET
Forget it. I am not gonna race -
PARIS
On your mark, get set, go. [runs out of the room]
JANET
Hey! [follows her]
TANNA
Now they're gonna have a nice musk.
RORY
Shall we?
TREVOR
After you.
CUT TO LORELAI'S HOUSE
[Lorelai opens the front door. Luke walks in with some bags of takeout]
LORELAI
Ah, man bearing bags of food. Come in.
LUKE
I went a little overboard here.
LORELAI
No such thing.
LUKE
I got tons of fries, half a pumpkin pie. You got whipped cream here?
LORELAI
Always.
LUKE
And, uh, I wasn't sure what to do with the burgers because sometimes you order with double cheese, sometimes you don't, so I brought one with normal cheese and one with... [sees Chinese food containers on the coffee table]... what did you do?
LORELAI
I ordered food.
LUKE
I said I'd bring food.
LORELAI
So I can't contribute, like I'm a piker?
LUKE
No. Just that I didn't need to bring food.
LORELAI
Well, I'm leftover girl. I'll have the burgers tonight and the Chinese food during the week.
LUKE
Then you just should have ordered the Chinese fresh tomorrow instead of tonight.
LORELAI
I don't like fresh Chinese food. I like stale Chinese food.
LUKE
I give up.
LORELAI
I got you a nice, cold beer.
LUKE
Appreciate it.
LORELAI
Okay. You are one click away from "Casablanca."
LUKE
Start it up.
LORELAI
No, whoa, whoa, whoa. We need to get situated. Are you all situated?
LUKE
I'm situated.
LORELAI
You need to, like, squish around a little.
LUKE
I don't need to.
LORELAI
Come on, squish around a little bit.
LUKE
I'm fine how I am.
LORELAI
Okay, but, uh, you can't squish during the movie because it's distracting. That's rule number one.
LUKE
There's rules?
LORELAI
Oh, yeah, especially for a true classic like "Casablanca." It's not like we're watching a there's-nothing-else-on movie or a guilty pleasure like "Hardbodies." Oh, my God. Have you seen "Hardbodies"?
LUKE
I don't think so.
LORELAI
Three middle-aged guys rent a beach house and they hire this young local stud to introduce them to cute girls, a.k.a. "Hardbodies."
LUKE
Let's see that.
LORELAI
No, Luke, we're seeing "Casablanca."
LUKE
Then let's see that.
LORELAI
Okay, the rest of the rules - no talking during the movie. No exceptions during a true classic. And minimize distraction. You know, no shifting around a lot, no phone calls, nothing. No going to the bathroom. If you go, you miss the movie 'cause we're not pausing the movie. That's the only way to get the flow of the thing, okay?
LUKE
Fair enough.
LORELAI
Okay. Here we go. [starts the movie]
LUKE
What's that?
LORELAI
Okay, um... A, um, no talking during the movie, and B, don't tell me you've never seen the FBI warning before.
LUKE
It's new to me.
LORELAI
Oh, my God. You're beyond monk. You're uber-monk.
LUKE
Just start it up. I won't talk again.
LORELAI
Okay, just one more warning - when they showed the first motion picture over a hundred years ago, it featured a train rushing toward the camera, and, um, people were so sure the train was going to burst off the screen and crush them that they ran away in terror. Now, Luke, the train is not going to leave the screen.
LUKE
Hit the button.
LORELAI
Okay.
CUT TO ITALIAN RESTAURANT
[Rory and Trevor are on their date]
HOSTESS
Hang onto this. We'll page you when the table's ready.
TREVOR
Thank you. A riot of color. Geeky but cool. Ever been to Italy?
RORY
No. Yes. What am I saying? Yes. I was just there. Duh.
TREVOR
Hard thing to forget.
RORY
Yeah. I'm just so used to not having been anywhere, but yeah, I have.
TREVOR
And what's it like?
RORY
Terrific.
TREVOR
Boy, they have these places all over. Two in Miami, Detroit. Hey, two in my hometown. Now, that's a great town.
RORY
Definitely.
TREVOR
So you've been there?
RORY
Where?
TREVOR
Chicago.
RORY
Is that were you're from?
TREVOR
Oh, I thought you saw where I was pointing.
RORY
Oh, no. Um...
TREVOR
You know, I miss things about home that I didn't think I'd miss. Like my little brother Brian. He drove me crazy my whole life, and now I can't wait for his e-mails. You have any siblings?
RORY
No. You know, I read this article once about restaurants like this where they have an open bowl of mints that you grab on your way out. And when people come out of the bathroom, a lot of them don't wash their hands. They'll grab a mint and walk out, and people have studied the mints and they found traces of urine in them, so they're urine mints.
TREVOR
Huh. Oh. Hey, we're being paged.
RORY
Good.
HOSTESS
Right this way.
[The hostess leads them to their table. Rory sits down, and Trevor sits down next to her on the same side of the table]
RORY
Oh.
TREVOR
Thank you.
HOSTESS
Enjoy.
CUT TO LORELAI'S HOUSE
[Lorelai and Luke are watching the movie]
LUKE
Stop doing that.
LORELAI
Shh, no talking.
LUKE
Then stop doing that.
LORELAI
Doing what?
LUKE
Looking at me.
LORELAI
Vain party, table for one.
LUKE
You know what I mean. You're watching me watch the movie. It's creepy.
LORELAI
I enjoy watching people watch certain parts of certain movies.
LUKE
But you look over just before something big happens, so I always know something's coming.
LORELAI
Oh, I do?
LUKE
You did it just before Humphrey Bogart saw Ingrid Bergman for the first time.
LORELAI
Well, she's the costar. You knew something was coming. [she rewinds the movie a little]
[the phone rings]
LUKE
There goes our flow.
LORELAI
Well, we missed stuff while we were talking.
[the answering machine comes on]
LORELAI
[on answering machine] Hi, it's Lorelai. Leave me a message.
LUKE
You're back too far, we've seen this.
LORELAI
I didn't. I was looking at you.
LUKE
We'll never get through this.
RORY
[on answering machine] Mom, are you there?
LORELAI
Oh, wait, wait.
LUKE
Come on.
RORY
[on answering machine] Mom, if you're there, pick up.
LORELAI
[answers phone] Honey, are you okay?
LUKE
There goes the phone rule.
RORY
No, this whole night is sucking.
LORELAI
What? How?
RORY
You're right - I've never dated before, and I know that now because of this feeling I have. I've never had this feeling before.
LORELAI
Sort of frozen, sort of unsure, sort of wishing you'd read a lot of dating articles in preparation?
RORY
I have no idea what I'm doing here, and everyone is staring at me because they know we're on a bad first date.
LORELAI
Oh, so the guy's a dud?
RORY
Trevor's fine. I'm moronic. I bring the conversation to a crashing halt every time I speak.
LORELAI
Well, where is he now?
RORY
In the bathroom, probably pondering my brilliant anecdote about urine mints.
LORELAI
About what?
RORY
You know, when people go to the bathroom and they don't wash their hands and they come out and they take a mint.
LORELAI
Oh, my God. I've been eating those mints for years. [to Luke] Hey, did you know about urine mints?
LUKE
What?
RORY
And I've already forgotten everything that he said to me - the name of his brother and sister and best friend. And we're sitting on the same side of the table. We keep bumping menus, and my neck already hurts from trying to turn and look at him when he talks. Can I tell him to sit on the other side?
LORELAI
Honey, you just... you have to relax, 'cause it's just a date, and sometimes dates don't go well. I mean, I'm sorry I can't be of more help, but if he comes back and you're on the phone, it might make things more awkward.
RORY
Bite the bullet, huh?
LORELAI
Yeah. Sorry, but yeah.
RORY
Okay. I'll talk to you later.
LORELAI
Bye. [hangs up] Oh, poor thing.
LUKE
Dating's the worst.
LORELAI
Yeah, but they're sitting on the same side of the table and that's awkward, and she can't think of what to say next, and you know, she's just gotta go through it and figure it out on her own. You just have to throw them out there and let them learn what those wings are for.
LUKE
She could say there's a draft.
LORELAI
What?
LUKE
Where she's sitting. She could say the air conditioning is hitting her, switch to the other side, and just blame it on that.
LORELAI
That's perfect.
[Lorelai calls Rory back]
RORY
[answers phone] Mom?
LORELAI
Hey. Is he back yet?
RORY
No.
LORELAI
Say there's a draft and move to the other side of the table. It's very ladylike to feel drafts. He'll totally understand.
RORY
Okay, good.
LORELAI
And then ask what his brother and sister's names are. He'll like that you cared enough to confirm.
RORY
Yeah, that seems right.
LORELAI
Don't worry about the conversation. Just talk, and if the talk doesn't flow, it doesn't. And stay away from urine-related topics, and you're good to go.
RORY
Thanks, Mom.
LORELAI
Oh, the draft thing was Luke's.
RORY
Well, thank him for me, too. I'd better go.
LORELAI
Go, go. [hangs up] Oh, good. I feel so much better. She says thanks.
LUKE
I wouldn't trade places with her for the world.
LORELAI
Really? You wouldn't want to go out with a boy named Trevor? You might want to wait and see his picture.
LUKE
I mean dating. It's a horror.
LORELAI
It's the only cure for the singleness thing, barring ordering a spouse off the internet.
LUKE
I missed nothing by not dating.
LORELAI
Not true.
LUKE
If I had dated a lot, I'd still be single. I'd just have spent a lot of bad nights at Tony Roma's.
LORELAI
Yeah, but dating is how you get to know your potential partner. It's the only way.
LUKE
There's the gut. I can tell if I'm comfortable with someone within seconds of meeting them. I feel it here. I felt it with Rachel. I felt it with Nicole. I was immediately relaxed.
LORELAI
You've got the gut thing.
LUKE
Well, it's just knowing that someone will let you be. That's a gut thing.
LORELAI
Aah! You're fast-forwarding.
LUKE
Well, we'll not gonna get through this thing. I just wanna get to the good parts.
LORELAI
There are no bad parts of "Casablanca." Just go back. Back. I'm gonna go grab dessert.
[Lorelai walks to the kitchen as the phone rings]
LUKE
Hey, phone again.
LORELAI
Ugh.
LUKE
[answers phone] Hello?
EMILY
Who is this?
LUKE
Who's this?
EMILY
This is Emily Gilmore. Who's this?
LUKE
Luke Danes, Mrs. Gilmore. Your daughter's friend from the diner. Uh, hey, I'm not really supposed to be talking to you here. Hang on.
LORELAI
Why did you answer the phone?
LUKE
You answered it before.
LORELAI
Yeah, but that was Rory. You should have told her I'm not here.
LUKE
Then what would I be doing here?
LORELAI
Light maintenance.
LUKE
Come on, take it.
LORELAI
You broke a rule.
LUKE
You've broken every rule.
LORELAI
Yeah, but dodging my mother's phone calls is not a movie-night rule. It's an always rule. [she takes the phone] Hi, Mom. What's up?
EMILY
So now you're telling people they can't speak to me?
LORELAI
No, Mom. It's just a little movie-night rule. If you and Luke wanna talk, you guys can talk.
EMILY
I'm talking about Natalie Zimmerman.
LORELAI
Natalie?
EMILY
I called her today about sprucing up a room she did for me a year ago, and, as you would say, she blew me off.
LORELAI
Well, what did she say?
EMILY
She said she couldn't help me out, but she wouldn't say why, so I leaned on her a bit. She cracked and said she'd made you certain promises.
LORELAI
Mom, I never told her she couldn't work for you.
EMILY
She said you did.
LORELAI
Well, no. Our agreement was -
EMILY
So there was an agreement.
LORELAI
Yes, but -
EMILY
To exclude me?
LORELAI
No. Well, not exactly.
EMILY
You know, Lorelai, perhaps it would be easier if you just gave me a list of the people I'm not allowed to have contact with. So far I know there's Natalie and Sookie and Luke on movie night. What about Richard? Am I still allowed to talk to my husband?
LORELAI
Mom, this is just a big misunderstanding. Go ahead and hire Natalie.
EMILY
But you'll still have a problem with both of us using her.
LORELAI
I will cease working with her. She's all yours. I'll tell her tomorrow.
EMILY
Oh, wonderful. So it'll be my fault she loses the job. No, Lorelai, you keep her, and I promise I'll never speak to her - ever. If she's bleeding on the side of the road, I'll drive by and pretend I didn't see.
LORELAI
Mom...
EMILY
I have to go.
LORELAI
I'm firing Natalie.
EMILY
That's up to you.
LORELAI
Consider it done.
EMILY
I'll see you Friday.
LORELAI
Yup. [hangs up] I know just how you feel, Rick.
LUKE
Shh.
LORELAI
Tsk.
CUT TO LORELAI'S HOUSE
[Later that night, Rory walks through the front door]
RORY
Mom?
LORELAI
Hey, hey. Shh.
[Luke is sleeping on the couch. Lorelai covers him up with a blanket]
RORY
Tell me he didn't fall asleep during "Casablanca."
LORELAI
No, we made it through "Casablanca." He fell asleep during "Hardbodies."
RORY
How do you fall asleep during a classic like "Hardbodies"?
LORELAI
There's no accounting for taste.
RORY
He looks comfy there, doesn't he?
LORELAI
Yeah, he does. [they walk to the kitchen] So, you wanna talk about it or you wanna forget about it?
RORY
Well, there's nothing much to talk about. It was just bad. I got a little better as the night went on - talked a little more. He was very nice, just not my type. Oh, and the whole draft thing backfired.
LORELAI
How so?
RORY
Well, I switched over to the other side of the table. Then he started to feel the same draft and came over to my side.
LORELAI
But we made up the draft.
RORY
The power of suggestion.
LORELAI
Boys are so malleable.
RORY
It just all seemed so forced. I mean, I felt like I was locked into the pointless societal ritual. There has to be another way.
LORELAI
Luke and I were debating that. Luke thinks it's all about gut instinct - you know instantly if a person is right for you. I think you have to go through a lot to find a contender. And you've been very lucky with boys before. They were just always sort of there, but I think for the most part, a girl's got to hunt a little.
RORY
And go through a lot of non-contenders.
LORELAI
Yes, then the non-contenders become your fun bad-date anecdotes. In fact, on your next date, if you're stuck for a topic, tell him about your bad date.
RORY
But what if that date is bad?
LORELAI
Then you have an anecdote for your next date.
RORY
And how long does this go on?
LORELAI
You've seen "Grey Gardens." It could go on forever.
RORY
Oh, well, just shoot me now.
LORELAI
Hang in there. Go with Luke's gut thing if all else fails.
RORY
Maybe.
CUT TO YALE LAUNDRY ROOM
[Rory walks in. A guy is taking some clothes out of a dryer]
RORY
Oh, um...
GUY
Yeah?
RORY
I think my clothes were in there.
GUY
Oh, yeah, somebody had already dumped them out, so I put 'em in my basket to keep 'em clean. Hope you don't mind.
RORY
No. Thanks. Wow, that's the coolest laundry basket I've ever seen. I love The Smiths.
GUY
I had an older brother that got me into them, and when my friends were listening to Hootie and the Blowfish, I was memorizing "Meat is Murder."
RORY
Well, I have a mom who's pretty much cooler than anyone you'd meet, and she did the same thing.
GUY
Mine's a plain old soccer mom, but she's great.
RORY
Well, being away like this makes you think about stuff like that, doesn't it - home?
GUY
Totally.
RORY
Hey, would you maybe wanna get a cup of coffee sometime, in between classes or something?
GUY
I don't think so, but thanks. [leaves]
RORY
You're welcome.
THE END