T4E6: “An Affair to Remember”
Título em Português: “Para se Lembrar”
Roteiro: Amy Sherman-Palladino
Direção: Matthew Diamond
Originalmente exibido em: 28 de outubro de 2003
OPEN AT ELDER GILMORE RESIDENCE
[Lorelai, Rory, Emily, and Richard are eating dinner]
EMILY
It's simply disgraceful.
RICHARD
For years, we've had peace in the neighborhood.
EMILY
I knew the Richmonds were going to be trouble when they missed the block party last month.
LORELAI
I don't understand. They gave out full-size candy bars for Halloween. So what?
EMILY
Not full-size candy bars, Lorelai - king-size candy bars.
RICHARD
We've been giving out full-size candy bars for years now.
EMILY
And then those people move in and throw the entire balance of the neighborhood off. They made everybody look ridiculous.
RICHARD
It's very embarrassing.
EMILY
I think we have to do something about this - maybe go to the homeowners association.
LORELAI
Two Halloweens ago, someone painted the Duprees' Chihuahua orange and nobody went to the homeowners association then.
EMILY
Well, everybody hated Taco.
LORELAI
I think you're making a little too much of this.
EMILY
I saw Mae Richmond at Bay Wellington's two weeks before Halloween. She had ample time to bring it up then, and nothing - not a word. I think it might be time to go after their ball machine.
RORY
Their ball machine?
RICHARD
They have a ball machine on their tennis court that is extraordinarily loud and unpredictable.
EMILY
Flying, thumping balls all over the place.
LORELAI
Flying, thumping what all over the place?
EMILY
Balls.
[Lorelai giggles]
EMILY
You are four.
LORELAI
And balls are funny.
RICHARD
Don't worry, Emily. If the homeowners association doesn't do anything, we'll take this to the neighbors, get a petition going.
LORELAI
Or if that doesn't work, you could throw some hoods on and burn a full-size Mars bar on their front lawn.
EMILY
King-size, Lorelai - king-size.
RORY
So, how's work, Grandpa?
LORELAI
Look how smoothly she changes the subject.
RICHARD
Work is lovely, Rory. How's school?
RORY
Crazy.
LORELAI
She's taking too many courses.
RORY
I am not.
EMILY
How many are you taking?
LORELAI
Five.
EMILY
Is five a lot?
RORY
It's not a lot
LORELAI
It is a lot.
RICHARD
I took five courses when I was a freshman. Rory takes after me.
RORY
I like to be busy.
RICHARD
Idle hands are the devil's playthings.
LORELAI
That's actually the title of one of her classes.
RORY
Please don't worry about me.
LORELAI
She says to the mother and the grandmother.
EMILY
Are you done?
RORY
Oh, yes, thank you.
EMILY
Good, because we have mini lemon bundt cakes for dessert.
LORELAI
Oh.
EMILY
What?
LORELAI
Well, they're serving full-size bundt cakes over at the Richmonds' house.
EMILY
She's done.
LORELAI
Oh, no, I have a carrot.
EMILY
She's done.
LORELAI
Bet the Richmonds would have let me eat my carrot.
[opening credits]
CUT TO ELDER GILMORE RESIDENCE
[Emily walks into Richard's study, where a photographer is setting up to take a picture of Richard and Jason]
EMILY
All right, this should do it.
RICHARD
May we please get this over with?
EMILY
Patience is a virtue, Richard.
RICHARD
And time is fleeting, Emily.
EMILY
You're starting a new partnership. You need new photographs, especially with that new look.
JASON
I thought I'd give a beard a try.
EMILY
Well, I like it. All right, Helmut, we're all set here.
HELMUT
Okay. Important men doing important things. [takes a picture] Good. Oh, one more time. We're going to sign, and... [takes another picture] We're done.
EMILY
Thank you, Helmut. That was wonderful.
RICHARD
And now we sign the real papers.
JASON
I'm feeling historic. You?
RICHARD
Oh, yes. It's Gettysburg all over again. Thank you.
JASON
Important men doing important things.
RICHARD
Now that makes it official. Jason.
JASON
Let's give 'em hell.
RICHARD
You bet.
EMILY
Oh, I should have had Helmut get the handshake.
RICHARD
The signing was fine, Emily. Sorry about the photo session.
JASON
Oh, no, that's okay. I think it's a cute idea.
EMILY
Yes, and when the financial papers call for an official photo, it'll be downright darling.
RICHARD
I learned long ago, Jason, when it comes to things like this, Emily is always right.
JASON
I am sure she is.
EMILY
Thank you both. Jason, how's your time? Would you like to join us for dinner?
JASON
Oh, I'd love to, Emily, but I should get these papers up to my lawyer's office. Next week?
EMILY
Consider it an open invitation.
JASON
Thank you. Richard, I'll see you tomorrow morning.
RICHARD
Yes, you will.
[Jason leaves]
EMILY
"I think it's cute."
RICHARD
He's young, Emily.
EMILY
Yes, well, a good smack on that scruffy face of his would age him up a bit. All right, let's discuss the launch party. Do you have any sort of particular feel in mind?
RICHARD
Well, I'll leave that to your discretion. Just make sure it's dignified.
EMILY
We probably shouldn't go too fancy. Maybe we'll do one of those vodka bars - caviar, a Russian theme. I love that it's okay to be Russian again.
RICHARD
It sounds lovely.
EMILY
How's the 23rd?
RICHARD
Perfect.
EMILY
And I want you to get a new suit.
RICHARD
I don't need a new suit.
EMILY
And find out what Jason's going to wear. I don't want the two of you showing up looking like the Bobbsey twins.
RICHARD
Oh, yes, that would be embarrassing.
EMILY
I'll need a guest list.
RICHARD
Uh huh.
EMILY
A Russian theme. I like that.
CUT TO YALE CLASSROOM
[Rory is in one of her classes]
PROFESSOR
The conquering peoples impose their own values on the subjugated peoples through education, and quite often through the appointment of a priesthood from among their own ranks. This means we should not assume that the system of values has in some way evolved in a region. It is almost always imposed with the explicit purpose of keeping power in the hands of the powerful. Something to think about until next week, when we will burst more of your illusions... which brings me to a bit of bad news. There was an error in the syllabus you received. The dates were wrong, which means that all of your reading has been pushed up one week. I apologize for this cruel little life experience, but what can I do? I just found out my in-laws are moving back to town. None of us are immune. I'll see you all Tuesday.
CUT TO THE DRAGONFLY INN
[The construction crew is working on the inn. Lorelai and Tom walk over to the barn.]
LORELAI
So, we were thinking maybe two horses to start with. See, it's so charming with the overhang here.
TOM
You want me to turn this into stables?
LORELAI
Yes.
TOM
Without a magic wand or some sort of fairy dust?
LORELAI
Preferably, yes.
TOM
Let me take a look inside.
LORELAI
We'd like to keep the existing structure, please.
KIRK
Lorelai, I'm all set up as soon as you're ready.
LORELAI
Be right there, Kirk.
KIRK
Okie dokie.
TOM
How attached are you gonna get to these horses?
LORELAI
What?
TOM
You gonna name 'em, feed 'em apples, braid their tails?
LORELAI
Why, Tom?
TOM
Well, the roof's about to cave in so I can stay within our budget, but then I'd just call 'em all Trigger.
LORELAI
Just tell me how much more it's gonna cost.
TOM
Okay.
[Sookie arrives]
SOOKIE
Hey, you're here.
LORELAI
I'm always here.
SOOKIE
Listen, I want to talk to you about something very exciting.
LORELAI
Ooh, very exciting. I love very exciting.
SOOKIE
This morning I got a call from your mother.
LORELAI
This is the very exciting?
SOOKIE
Yes! She's doing a launch party for your father's new business and she wants us to do the catering.
LORELAI
Us?
SOOKIE
Us!
LORELAI
Did you say us?
SOOKIE
Yes.
LORELAI
To her. Did you say "us" to her?
SOOKIE
Yes.
LORELAI
So she knows about us?
SOOKIE
Yes, she knows about us, I think. What does she know about us?
LORELAI
That we have a catering business?
SOOKIE
Yes.
LORELAI
Oh, man!
SOOKIE
What? Did I do something bad?
LORELAI
No, nothing, nothing. It's my fault. I forgot to tell her.
SOOKIE
How could you forget to tell her?
LORELAI
Well, I've only seen her forty or fifty times since we started the business. Now what did she say exactly?
SOOKIE
Well, she asked me to cater, and I said we'd love to, and then she said, "we?" so I said you and I had started a company, so it'd be the both of us together, and she said fine.
LORELAI
Was there a pause before "fine" or was it just "fine"?
SOOKIE
I don't remember. I just remember the "fine."
LORELAI
She's mad.
SOOKIE
I swear she didn't sound mad.
LORELAI
Okay.
SOOKIE
Good.
LORELAI
Now let's talk about how much I can't do this.
SOOKIE
Look, I knew it would be a thing working for your mother, but it's perfect timing. This is probably the last job we'll be able to take before I have the baby.
LORELAI
Something else will come along.
SOOKIE
Not that pays like your mother does.
LORELAI
You know why she pays so much? So she can torture you and you won't throw knives at her.
SOOKIE
Look, you already know the house. Decorating, planning - it's gonna be a snap for you. I bet you can spend ninety percent of the evening in the kitchen, then we get to take home the pretty, pretty money.
LORELAI
Sookie.
SOOKIE
Pretty, pretty money. Aren't you a big fat wad of pretty money?
LORELAI
Fine.
SOOKIE
Really?
LORELAI
Shouldn't ask again.
SOOKIE
Accepting and moving on.
KIRK
Excuse me, Lorelai.
LORELAI
Oh, my God, Kirk, I forgot you were here.
KIRK
If I had a nickel for every time I heard that.
LORELAI
I'm very, very sorry. You have my full attention.
SOOKIE
I'm gonna go. Um, we'll talk tomorrow about the details.
LORELAI
Okay. All right, Kirk, show me what you got.
KIRK
If you'll just follow me, I would like to present you with my new line of one-of-a-kind mailboxes.
LORELAI
Wow. They look very nice, Kirk.
KIRK
And whimsical. They say to the world, "I'll take my mail with a smile."
LORELAI
Yes, they do say that.
KIRK
And since you are one of our preferred customers, with the purchase of one of our mailboxes, I'll throw in a carved-duck doorstop and a garlic peeler.
LORELAI
Wow, that's quite an offer, Kirk, but I think it's a little early for me to pick a mailbox. We haven't even settled on a color for the inn yet.
KIRK
Well, whimsy goes with everything.
LORELAI
Kirk, I promise, just as soon as... is that Condoleezza Rice?
KIRK
Yes, it is. I'm a fan, and her big mouth is perfect for shoving mail in.
LORELAI
Ha. Uh, I'll have to think about it.
KIRK
Fair enough. So, I hear you're running a catering business now.
LORELAI
Oh, yeah, just temporarily.
KIRK
You guys any good?
LORELAI
Not bad.
KIRK
And how much would one have to pay for your culinary services?
LORELAI
It depends, the type of food, number of people, kind of venue.
KIRK
Simple food, two guests, my mother's living room.
LORELAI
Really?
KIRK
I have a visitor coming in from out of town and I thought it would be nice to serve her a catered meal.
LORELAI
Her?
KIRK
Actually, she was my brother's ex-girlfriend - Lulu.
LORELAI
Good name.
KIRK
I had sort of a crush on her for a while, and she's coming home to visit her mother, and she called me.
LORELAI
Kirk, you have a date.
KIRK
No, just an appointment to take Lulu to dinner.
LORELAI
That's a date.
KIRK
I don't have high hopes for it, if that's what you're thinking.
LORELAI
Kirk, it's very sweet, but are you sure you want to have dinner in your living room?
KIRK
Well, the breakfast nook doesn't seem festive enough.
LORELAI
Right, but while you're having dinner in your living room, where will your mother be?
KIRK
Probably in the living room.
LORELAI
Is that what you really want? To have dinner with your mother watching?
KIRK
I could ask her to face the wall.
LORELAI
Or you could take Lulu out to a restaurant.
KIRK
Which one?
LORELAI
Well, what does she like?
KIRK
I don't know. Should I call my brother and find out?
LORELAI
I think if he knew, she'd probably still be with him.
KIRK
I just really want it to be nice.
LORELAI
Just take her someplace where you're comfortable. It doesn't have to be fancy. If you like it, she'll like it.
KIRK
Okay.
LORELAI
Just not one attached to a bowling alley.
KIRK
That narrows it down a bit. I'll figure something out.
LORELAI
Good. You'll see - it'll be great.
KIRK
Do you think I could stop by tomorrow with some wardrobe choices for you to pick out?
LORELAI
Kirk, you can dress yourself. Just look nice. You know, not too fancy. Clean. No jeans. Oh, maybe a sport coat. Eleven sound good?
KIRK
Perfect.
LORELAI
Okay.
CUT TO YALE DORM
[Rory walks into her suite. Janet is jogging on a trampoline in the common room]
RORY
A trampoline. That's new.
JANET
Helps with my shin splints.
RORY
Huh. Wow. Squeaky.
JANET
Yup. Phone.
RORY
Thanks.
[Rory walks into her bedroom. The phone is ringing. Paris is ignoring it]
RORY
Paris, can you get the phone? Paris?
PARIS
Don't answer it.
RORY
Why not?
PARIS
It's Jamie and we're fighting.
RORY
Well, does he know you're fighting? 'Cause he's not hanging up.
PARIS
Oh, he knows. Trust me, he knows.
RORY
Okay. You're seriously not gonna answer that?
PARIS
Nope.
RORY
Paris, come on.
PARIS
Fine. [picks up the phone, then hangs it back up] There.
RORY
Why are you and Jamie fighting?
PARIS
Because he's wrong.
RORY
Oh, okay.
[the phone starts ringing again]
PARIS
He won't listen to me. [picks up the phone] You won't listen to me! [hangs up] He's in love with the sound of his own voice. You'd think he was already president and I don't want to be Hillary. I don't want to wait for a hundred years while he does his thing so by the time I get my chance, I'm too old to enjoy it.
RORY
Well, I don't think Hillary's too old to enjoy it.
PARIS
Fine. Be on his side.
RORY
I'm not on his side. I'm on her side.
[the phone starts ringing again]
PARIS
Don't answer it.
RORY
Paris, I have to study!
PARIS
Go ahead.
RORY
I can't!
PARIS
Why not?
RORY
The phone.
PARIS
Don't, Rory! I mean it!
RORY
[answers the phone] Hello? Hi, Jamie. Yes, she is here.
PARIS
No.
RORY
Paris, you're acting stupid, okay? You love Jamie, so just get on the phone and work it out so that I can study, okay?
PARIS
[takes the phone] What? No, I haven't thought about what you said. Because I'm very busy, Jamie, and contrary to your beliefs, I have better things to occupy my time with than thinking about you. Or what you said. Or what you meant or what you want or anything about you or concerning you. [Rory grabs the phone from her] Hey!
RORY
Have him call you back on your cell phone. Then you can talk to him outside. It's nice outside. There are birds and trees.
PARIS
My cell phone is dead.
RORY
Then take mine.
PARIS
What's your phone plan?
RORY
Why?
PARIS
'Cause I'm not gonna borrow your phone and get slammed with a massive charge because your phone plan sucks.
RORY
Paris!
PARIS
[on phone] Jamie, I'm going to call you back on Rory's cell. Yes, I am. Yes, I am!
RORY
Yes, she is!
PARIS
Okay, bye. [hangs up]
RORY
Here.
PARIS
I'll be back.
RORY
Take your time.
[Paris leaves. Rory sits down to study, but is distracted by the sound of the TV. She walks to the common room]
RORY
Tanna, I'm trying to study.
TANNA
Okay.
RORY
I can hear the TV through the wall.
TANNA
Okay.
RORY
It's distracting.
TANNA
Are you telling me to turn it off?
RORY
I'm not telling -
TANNA
You can, you know, because your grandma paid for the TV.
RORY
I'm not telling you to turn the TV off.
TANNA
Because you can.
RORY
The TV belongs to all of us.
TANNA
If it's a matter of volume, I could press my ear to the speaker and then I could turn it really low.
RORY
Never mind.
TANNA
The problem there is that the speakers for the TV are mounted up in the corner of the ceiling, but perhaps if I got a ladder.
RORY
Never mind, Tanna.
TANNA
Are you sure you don't want me to turn it off?
[Rory leaves]
CUT TO LORELAI'S HOUSE
[Sookie takes a pan of broccoli tarts out of the oven. She picks one up and holds it out toward Lorelai]
SOOKIE
Try this one.
LORELAI
Sookie, I love you, I love your cooking, but I swear if you make me eat one more bite of broccoli tart, I will beat you to death with it.
SOOKIE
Your mother is the pickiest woman I have ever catered for. She has impeccable taste, the highest standards, and she can smell an inferior tart a mile away.
LORELAI
Well, depending on how long it's been left out, we all can.
SOOKIE
You know, she still hasn't called yet.
LORELAI
She will.
SOOKIE
But she was supposed to call about the details a couple of days ago.
LORELAI
She will, Sookie.
SOOKIE
But it's coming up and we still don't know if she wants a fish course or a cheese course.
LORELAI
We'll make a fish-cheese combo course just to be sure.
SOOKIE
Lorelai.
LORELAI
Why do I have to call her?
SOOKIE
Because technically you're doing the organizing, and I've got batter hands. Oh, ask her about the foie gras. Is it too expected? 'Cause I can make it with a, you know, cherry compote. Okay. You know... you know what to say.
LORELAI
[on phone] Hello, Mom.
EMILY
Lorelai, hello. How nice to hear from you.
LORELAI
How are you doing?
EMILY
Well, I'm just fine, thank you for asking.
LORELAI
Good, I'm glad to hear it.
EMILY
And I'm glad to report it.
LORELAI
Uh, so the reason I'm calling is we haven't heard from you yet, and we really need to nail down some of the details of the party.
EMILY
"We" haven't heard from you yet?
LORELAI
Yes, we - me and Sookie.
EMILY
Ah, yes, the Independence Catering Company.
LORELAI
Uh huh. So, anyhow -
EMILY
You know, a few years ago, there was a company called Independent Catering. They were all the rage until they catered the Kirov benefit for diabetes that sent 300 people to the hospital with a vicious case of food poisoning. Well, needless to say, they went out of business immediately, and I believe one of them left town without packing.
LORELAI
Oh, well, that's a good story. Hans Christian Anderson?
EMILY
You know, some people could mistake the Independence Catering Company with the Independent Catering Company, and that would just be a shame for you, wouldn't it? Now if I'd known what you were going to name your company, I could have warned you.
LORELAI
Mom, I swear, I tried to tell you.
EMILY
You did?
LORELAI
Yes, I did. I sent you a flier. Didn't you get my flier?
EMILY
No, I did not get your flier.
LORELAI
Oh, well, I sent it, and to be, um, honest with you, I was a little hurt that you didn't call to congratulate me, but now that I know you didn't get it, I forgive you.
EMILY
When did you send a flier?
LORELAI
Last week.
EMILY
What did it say?
LORELAI
Oh, you know... come and get it.
EMILY
You wrote "come and get it" on your business flier?
LORELAI
Well, no, it was your basic "Introducing the Independence Catering Company", uh, flier. You know, it had our phone number, our address, and an amusing caricature of us.
EMILY
Well, that sounds like a very nice flier.
LORELAI
Oh, it was.
EMILY
Do you have an extra one? You can bring it with you on Friday night.
LORELAI
Uh, sure.
EMILY
Because it's very unusual these days for things to get lost in the mail. You don't think you got the address wrong, do you?
LORELAI
Mom, the party?
EMILY
All right. I'm going to want a mixture of white, off-white, and cream-colored linen. A simple bone china with a gold or deep-blue stripe will work.
LORELAI
Okay, got it.
EMILY
I'm going with tapers cut in half so that people can see each other across the table. We'll need white and sterling roses, but not too high or formal. Do you have a florist?
LORELAI
I have a florist.
EMILY
Does he have a flier?
LORELAI
Do you want clear or silver vases?
EMILY
You must think I'm a complete idiot.
LORELAI
No, Mom, I don't.
EMILY
There is no flier. You're making it up to cover for the fact that you once again neglected to tell me about an important event in your life.
LORELAI
Mom, I swear there's a flier.
EMILY
Shame on you for swearing there's a flier. That's the worst possible thing you could do.
LORELAI
Liv Tyler grew up her entire life thinking Todd Rundgren was her real father. You think that might knock this out of first place?
EMILY
I tell you, if I saw this kind of behavior from some other company I was hiring, I would fire them on the spot.
LORELAI
Then fire us, Mom.
EMILY
Excuse me?
LORELAI
You are not hiring your daughter and her friend, you are hiring a professional catering company. This is not a favor, it is a business transaction, and I must insist that you treat us exactly as you would any other person off the street.
EMILY
As you wish.
LORELAI
Thank you. Now I'm sorry, but we're very busy with preparations for your event, so I'm gonna have to hang up now. Goodbye, Mother.
EMILY
Goodbye.
[they hang up]
LORELAI
Aah! Horrible woman!
SOOKIE
You, uh, forgot to ask about the menu.
[Rory walks in]
RORY
My dorm room has turned into a "Three Stooges" movie. Shove Pop Tarts under the door in two hours please.
LORELAI
Uh, honey...
[They walk into Rory's bedroom, which is filled with trays of broccoli tarts]
RORY
You quiched my room.
SOOKIE
They're not quiche. They're broccoli tarts.
RORY
Well, then you tarted up my room.
LORELAI
I'm sorry, honey, I didn't know you were coming home today. Sookie's just trying some things out for Grandma's party.
RORY
How am I supposed to study when it smells like broccoli?
LORELAI
Well, study in the living room.
RORY
This is not living room study. This is serious bedroom study. I have a ton of work to do.
LORELAI
Well, hey, here's a crazy thought - isn't there someplace at Yale you can study? Don't they have like a hundred libraries?
RORY
Yes, but they don't have that right vibe. They're too quiet and too big and drafty. Very, very drafty.
LORELAI
At least they don't smell like quiche.
SOOKIE
Enough with the quiche, okay?
RORY
I can't believe I came all the way home and there's nowhere to work.
LORELAI
Well, it's just temporary.
RORY
'Til the sewing machine comes.
LORELAI
Oh, hey... you know how many kids in India would love to come home to a room full of quiche? Sorry - tarts.
SOOKIE
Tarts are totally different.
LORELAI
I know, honey. I know.
CUT TO LUKE'S DINER
[Kirk walks in]
LUKE
Have a seat, Kirk. I'll be right there. [walks over to Caesar] Caesar.
CAESAR
Yes?
LUKE
You know what the key to a truly successful tuna melt is?
CAESAR
What?
LUKE
Tuna.
CAESAR
That's not tuna?
LUKE
No, it's turkey.
CAESAR
Give me the plate. I'll do it again.
LUKE
Don't get exasperated with me. I'm not the one that made the wrong sandwich. [walks over to Kirk] What are you doing, Kirk?
KIRK
Say I was Tom Cruise. Where would you seat me?
LUKE
In an acting class.
KIRK
No, I mean, which do you consider the best seat in the house?
LUKE
I don't know.
KIRK
How are the acoustics here?
LUKE
What?
KIRK
Well, the bathrooms are right over there. One good loud flush and the entire mood is spoiled.
LUKE
I don't have time to kill you right now, Kirk. Come back in a couple of hours.
KIRK
All right, I'll just reserve these three tables and decide later.
LUKE
Reserve these three -
KIRK
For Wednesday night, eight o'clock.
LUKE
We don't take reservations, Kirk.
KIRK
But this is a special occasion. And Lorelai told me to go somewhere I'm comfortable, and I'm comfortable here.
LUKE
You are?
KIRK
Well, not at this moment, but previously I have been comfortable here. Please?
LUKE
What's the occasion?
KIRK
I have a date with a young lady.
LUKE
You really felt the need to add the "with a young lady" part?
KIRK
Kinda.
LUKE
Okay, you can have one table for eight o'clock.
KIRK
Thank you. Here.
LUKE
What's this?
KIRK
It's a diagram of how I would like the table set up. See - little flowers by her plate, and the champagne bucket over here so I don't accidentally knock it off the table with my elbow.
LUKE
I don't sell champagne, Kirk.
KIRK
Why not?
LUKE
Because this is a diner.
KIRK
Good champagne goes with everything.
LUKE
Get your own champagne, Kirk.
KIRK
But what about the flowers?
LUKE
Kirk.
KIRK
Okay, fine. I'll get the champagne and the flowers. Now, let's say the date goes well. How much for the place upstairs?
LUKE
You mean my apartment?
KIRK
Yes.
LUKE
Bye, Kirk.
KIRK
Okay, see you later. [to female customer] Excuse me, is that good?
CUSTOMER
Yes.
KIRK
And what is that?
CUSTOMER
Meat loaf.
KIRK
Okay, so, this meat loaf, is it a romantic food for you? I mean, is it getting you hot?
LUKE
Kirk!
KIRK
Good talking to you.
CUT TO ELDER GILMORE RESIDENCE
[Lorelai and Sookie arrive and unload some things from the back of the Jeep]
LORELAI
I can't believe we're doing this.
SOOKIE
Well, you did tell her to treat us like any other catering service.
LORELAI
"I'd like you to do a test meal, Lorelai. After all, you are a new company." Ugh, she must be so happy right now. She's probably been cackling into her magic mirror all morning.
SOOKIE
It's going to be a breeze. You wait and see.
LORELAI
Three hours of bowing and scraping.
SOOKIE
We are not going to be bowing and scraping. We're going to be serving and delighting.
LORELAI
Anything to humiliate me, anything at all.
SOOKIE
Wow! You grew up here?
LORELAI
I swear, if she makes me wear a uniform...
SOOKIE
This is Citizen Kane's house.
LORELAI
Drape one of those napkins over my arm.
SOOKIE
Is there a moat?
[they ring the doorbell]
LORELAI
Just help me out here, okay? Run interference whenever you can.
SOOKIE
I promise.
[the maid answers the door]
MAID
May I help you?
SOOKIE
Hi. We're the caterers. We're here for -
MAID
The servants' entrance is around back. [shuts the door]
SOOKIE
Was that a maid?
LORELAI
Come on.
SOOKIE
What are all those tennis balls doing over here?
CUT TO YALE DORM
[Rory walks in and heads toward her suite. A student walks past her]
GLENN
Irish studies suck, German studies suck, everything here sucks, sucks, sucks, sucks, sucks!
RORY
That yoga's really working for you, Glenn.
[Rory stops outside her suite door and listens to the noise inside - the television, the squeaking trampoline, the phone ringing.]
PARIS
[from inside the suite] Don't get that, I mean it! Do not touch that phone!
[Rory walks out of the dorm. She goes outside and sits down under a tree to study]
CUT TO ELDER GILMORE RESIDENCE
[Emily is seated at the dining room table, Lorelai is standing next to her. Emily adjusts the position of a wineglass]
LORELAI
Oh, great, I'm glad you got that. It's been bugging me for the last...
EMILY
Is this the off-white or the cream?
LORELAI
Uh, the off-white. The cream is more creamy. I cut those myself so they could be adjusted either way. I mean, they could be adjusted smaller. Taller would be tougher once they're cut, but, uh, if they tell a lie, they'll shoot right back up.
EMILY
I assume you'll have servers.
LORELAI
Yes, we will.
EMILY
I assume you'll instruct your servers to omit the Pinocchio humor.
LORELAI
Yes, we will.
[Sookie walks in with some dishes of food]
SOOKIE
Okay, here we go. Now, we would start off with either the roasted asparagus with the Parmesan or the trio of winter soups - tomato basil, butternut squash, and Catalonian garlic.
EMILY
Very ambitious.
SOOKIE
And very tasty.
[While Emily examines the food, Lorelai and Sookie gesture to each other, then quickly stop when Emily looks up]
LORELAI
I'll tell the servers not to do that either.
EMILY
Lorelai?
LORELAI
Yes?
EMILY
My napkin.
LORELAI
Oh, oh, well, yes. Napkin, yes, your napkin. I got it. Do you want me to just tuck it in your shirt there or...
EMILY
My lap will be fine.
LORELAI
Okay. There you go. Feel free to spill anything you want down there. You are covered.
[Emily tries some of the food while Lorelai and Sookie look on]
EMILY
What is the next course?
SOOKIE
Lobster potpie.
EMILY
You may bring it out now.
SOOKIE
Okay.
EMILY
Sookie, how far along are you?
SOOKIE
Eight months.
EMILY
Lorelai, there doesn't seem to be any reason for a pregnant woman in her eighth month to be running back and forth to the kitchen, does there?
LORELAI
No, there doesn't.
EMILY
You should take my plate. Otherwise, you'll have no place to put the potpie.
LORELAI
Oh, I can think of a place.
EMILY
What was that?
LORELAI
Plates going bye-bye.
[Lorelai walks to the kitchen]
LORELAI
[to the maid] Okay, when I give the signal, you run in and distract her and I'll take her down. Got it?
[Lorelai returns to the dining room]
LORELAI
Here we go - Sookie's famous lobster potpie.
EMILY
Very nice crust.
SOOKIE
Thank you.
EMILY
Well, Sookie, I must say your food is as accomplished as I remember it.
SOOKIE
Oh, thank you, Emily.
EMILY
And I think after we fine-tune the presentation, we'll have ourselves a very nice dinner party.
SOOKIE
So we got the job?
EMILY
Yes, you got the job.
SOOKIE
We got the job. Thank you. You will not be disappointed.
EMILY
No, I will not. The event starts at 7:30, I would like you to be here at four o'clock. I'm going to make a Xerox copy of my notes here so the two of you can peruse it on the way home. [leaves the room]
SOOKIE
We did it, we got the job! What a score! We landed a whale.
LORELAI
Yeah, we always had the job, Sookie. The whale was just toying with us. She was swatting us with her tail and hosing us down with her blowhole because that is the whale's M.O. - humiliate and rip apart every other fish in the sea until there's nothing left but a bloody pile of chum.
SOOKIE
Boy, you really hate whales, don't you?
CUT TO YALE DORM
[Rory is on the phone]
RORY
It's amazing. Out of the blue, bam! It was right there.
LORELAI
Well, things always happen when you least expect it.
RORY
I have to tell you, this tree is perfect.
LORELAI
All girls think their tree is perfect.
RORY
It fits my back completely, and there's plenty of grass, and it's in a great area - just far enough away from anything major so there's not a lot of noise but still not in Siberia.
LORELAI
Hey, can it cook? 'Cause I can get it a great gig with a crazy woman.
RORY
Grandma's not crazy. She's specific.
LORELAI
Well, at least one of us is happy.
RORY
And thank God it's me.
LORELAI
My feelings exactly.
RORY
You have no idea how much studying I got done today. Seriously, ask me anything.
LORELAI
Okay. Um, how'd I get shanghaied into catering a party for my mother?
RORY
You keep repeating yourself.
LORELAI
Well, as soon as I hear you talking about a study shrub, I'll know it's time to move on.
RORY
Okay, fine, I have to go.
LORELAI
Yeah? Gonna go shopping for a nice yellow ribbon?
RORY
Have some chili fries for me.
LORELAI
I will.
CUT TO LUKE'S DINER
[Lorelai walks in]
LORELAI
Cheeseburger, onion rings, and a list of people who killed their parents and got away with it. I'm looking for heroes.
LUKE
How'd the tasting go?
LORELAI
We got the job.
LUKE
Would have been pathetic if you hadn't.
LORELAI
I can't do this.
LUKE
It's a gig.
LORELAI
Yes, it is a gig. It's Prince opening for the Rolling Stones. That's the kind of gig it is.
[Lorelai sees Kirk sitting at a table with a video camera set up across from him]
LORELAI
Luke...
LUKE
Yeah?
LORELAI
What's Kirk doing?
LUKE
Practicing.
LORELAI
Hm. For what?
LUKE
His date. He's doing a test run - talking, eating, making conversation. Then he's gonna go home and review the tape and adjust from there.
LORELAI
Boy! You ever think about how many different ways Kirk could get kicked out of the Army?
LUKE
What a poor slob. He's pathetic.
LORELAI
He likes a girl. That's sweet.
LUKE
All day long, I have this crazy person sitting in my diner ordering everything off the menu, by the way, to see which meal has less crumb-to-sweater ratio.
LORELAI
Well, if he's bugging you that much, you can ask him to leave.
LUKE
You ask him to leave. It's your fault he's here.
LORELAI
How is it my fault? I'm not going out with him.
LUKE
You're the one that told him to find someplace he felt comfortable.
LORELAI
How did I know he felt comfortable here?
LUKE
I don't know. All I know is that you talked to him, and now he's over there talking to a camera.
LORELAI
Oh, come on, Luke. Give him a break. He wants the date to go well. I mean, it's all any of us wants - to find a nice person to hang out with 'til we drop dead. Not a lot to ask.
LUKE
I guess.
LORELAI
And look on the positive side - if Kirk's date goes well, he'll be occupied, and you'll be seeing a lot less of him at the diner.
KIRK
Cut! Okay, that sucked! Let's just go again right away. Focus! Focus.
LUKE
I'll have his monogrammed booth installed tomorrow.
CUT TO ELDER GILMORE RESIDENCE
[Emily is looking over some papers in the dining room when Richard walks in]
RICHARD
All right, I think this should be everyone.
EMILY
You've double-checked it?
RICHARD
I have double-checked it, but I'm sure you will also double-check it.
EMILY
You know I will.
RICHARD
So I am entirely confident that no one will be left out. This is very nice.
EMILY
Isn't it, though? It's a florist Lorelai found. We're using him for the party.
RICHARD
Oh, I think that will be perfect.
EMILY
It has to be perfect. These are important people we're trying to impress.
[Jason walks in]
JASON
Richard, Emily.
RICHARD
Jason, what a pleasant surprise.
EMILY
Richard, you should have told me Jason was coming over. I would have had something prepared.
JASON
Oh, please, Emily, I've gained ten pounds since I came into this house.
EMILY
Men always say that and it's never true.
JASON
I just dropped by for the keys to the office.
RICHARD
Ah, that's right. Forgot to give you the keys. Oh, my apologies, Jason. Here you go.
JASON
Thank you. Sorry to interrupt your evening. I'll see you tomorrow.
EMILY
Oh, Jason, I'm going to need your guest list as soon as possible.
JASON
My guest list?
EMILY
To the launch party. Oh, Richard, you did remember to ask Jason for his list, didn't you?
RICHARD
Emily, I am a very busy man.
EMILY
Oh, honestly, Richard, that's what you have a secretary for. Jason, I apologize for my husband. The official launch party for your company is next week. I've got the entire thing organized. All I need is your guest list.
JASON
You organized a launch party.
RICHARD
Yes, and trust me when I tell you that there is no one who can throw together a more elegant event at the drop of a hat than Emily Gilmore.
EMILY
True, and thank you, and you still forgot to tell him.
JASON
Well, Emily, I really appreciate the thought, but I'm not so sure a launch party is the way to go.
EMILY
What do you mean?
RICHARD
Well, Jason, it's traditional to do something for our clients. They appreciate it. It gives us a chance to talk to them one-on-one, develop relationships.
EMILY
It's the extra little things that set you apart in business, Jason.
JASON
I couldn't agree more, and that is why I've organized a trip to Atlantic City.
EMILY
What?
JASON
You know, get everybody out, away from business, away from their spouses, away from stuffy cocktail-party music and floral arrangements. Have a little crazy fun - you know, good food, lots to drink, maybe a little gambling, a show, and trust me, nothing bonds two businessmen together more than one of them finding the other hung over with a hooker in their bed the next morning.
EMILY
What?
JASON
Just a figure of speech, Emily.
EMILY
You cannot be serious. These are dignified men and women. There are mobsters in Atlantic City.
JASON
Let's hope so.
EMILY
Talk to him.
RICHARD
Well, Jason, I'm not so sure this -
JASON
Richard, this is the kind of thing that could set us apart from the other companies. It's different, maybe a little crazy, but they will remember it and they will tell their friends about it.
RICHARD
Yes, I suppose they will.
JASON
Every other company in town is throwing a dignified cocktail party. Believe me, right now my mother has twelve caterers throttling every sturgeon they can find to get fine caviar for my father's clients. Let's not give our clients canapés, Richard. Let's give 'em some fun.
RICHARD
Well, it is different.
EMILY
You can't be serious.
RICHARD
Well, it's good to change with the times.
EMILY
You're running an insurance company, not a rap label. People aren't looking to you to give them a good time. They are looking to you to protect their livelihood.
RICHARD
Now let's think about this for a moment. I mean, how far along is this party? Is it too late to cancel?
EMILY
No, it's not too late to cancel.
RICHARD
All right. Jason, we'll try it your way. Atlantic City it is.
JASON
I think it's a good move, Richard. And Emily, thank you again for the offer. But see, now you can just hang out and relax.
EMILY
My two favorite things.
RICHARD
All right, see you tomorrow.
JASON
See you tomorrow.
CUT TO YALE
[Rory walks up to her study tree and finds a guy reading under it]
RORY
Um, excuse me, you're sitting under my tree.
GUY
What?
RORY
My study tree - this is my study tree.
GUY
What the hell's a study tree?
RORY
Okay. See, I have roommates -
GUY
So do I.
RORY
Yes, but I have Paris and I have Tanna and I have Janet, and Janet squeaks -
GUY
Look, I'm busy, okay?
RORY
Yes, I see you're very busy with your "Trucker's Monthly" there, but I finally found a great place to study, and you're sitting on it.
GUY
There's a million trees on campus.
RORY
But this one fits my back perfectly so I don't get tired, and the light is right, and it's just far enough away from anything busy so that the noise level is perfect, and it's quiet but not Unabomber, and... and anyhow, I was just hoping that maybe you would consider giving me back my tree.
GUY
No.
RORY
Oh. Well...
CUT TO LUKE'S DINER
[Kirk and his date walk in]
KIRK
After you.
LULU
Wow, this place seems nice.
KIRK
Yes, diners are apparently all the rage nowadays.
LULU
Really?
KIRK
Very hip. Very, very hip. Excuse me.
LUKE
Yes?
KIRK
I believe I have reservations for two. The name's Kirk.
LUKE
Kirk, yes. Okay. Follow me. How's this?
KIRK
Very satisfactory. Thank you. [hands him a dollar bill] There's more where that came from.
LUKE
It's my lucky night.
LULU
Wow, I'm getting the fancy treatment.
KIRK
Well, you did show up.
LULU
Yes, I did.
KIRK
I hear the meat loaf is excellent here.
CUT TO LORELAI'S HOUSE
[There's a knock at the door]
LORELAI
Coming, coming, coming. [she opens the door] Mom.
EMILY
Were you asleep?
LORELAI
Uh, no.
EMILY
Then why are you in your pajamas?
LORELAI
These aren't pajamas.
EMILY
You wear that in public?
LORELAI
Hi, Mom. Would you like to come in?
[they walk to the living room]
EMILY
You have the word "juicy" on your rear end.
LORELAI
Uh, well, if I had known you were coming over, I would have changed.
EMILY
Into what, a brassiere with the word "tasty" on it?
LORELAI
Hey, Mom, what can I do for you?
EMILY
I have to talk to you about something.
LORELAI
Is everything okay?
EMILY
I'm afraid you aren't going to be catering the launch party after all.
LORELAI
What? Why?
EMILY
Your father and I just decided to go a different way, that's all.
LORELAI
A different way?
EMILY
Now, of course, I realize you've already put out some money.
LORELAI
Yeah, we have.
EMILY
Of course, I will reimburse you for all expenses. Just give me the receipts.
LORELAI
Great.
EMILY
That's it. That's all I came to tell you.
LORELAI
Okay, well, thanks for the notice.
EMILY
You don't have to take that tone with me, Lorelai.
LORELAI
Really, I don't? After you made us do that ridiculous tasting at the house?
EMILY
You told me to treat you like any other company.
LORELAI
Oh, but you sat there like the Queen of England, making us jump through hoops and taking ridiculous notes and for what - so you could fire us? Is this payback for me not telling you about the business? Because, I have to say, Mom, even for you, it seems a little extreme.
EMILY
I understand you're upset.
LORELAI
Yes, I'm upset! We needed that money, Mom. And I knew that humiliation was part of the package, but I did it because I had to, and - just you abruptly firing us is completely wrong!
EMILY
I agree, it is wrong.
LORELAI
Well, okay, then... as long as you agree it's wrong. . what? Okay.
EMILY
I'm sorry, Lorelai. I really am. I thought your table was lovely. I thought the food was wonderful. I was really looking forward to this party. I think it might have been the best one I ever put on.
LORELAI
So, then, what happened?
EMILY
Oh, you know, times change, Lorelai. Things that were once considered proper and elegant are now considered stuffy and out-of-date.
LORELAI
Like what?
EMILY
Like canapés and cocktail parties and the people who plan them.
LORELAI
Mom, what are you talking about?
EMILY
Nothing. It's not important.
LORELAI
Mom, come on.
EMILY
Jason decided to take the clients to Atlantic City instead. He thinks that's what they would prefer to do. He's probably right anyhow. What do I know?
LORELAI
Did he know all the work you put into this?
EMILY
It's really not important, Lorelai. I do this for your father. I have done this for your father for the last 36 years. If he thinks that Jason's right, then it's fine with me. And after all, now I don't have to worry about a party. I can just relax and hang out.
LORELAI
Mom.
EMILY
Anyhow, I have to go. I'm wasting all my hanging-out time sitting here talking about this silly party. Send me those receipts and I'll get you a check.
LORELAI
Okay, well, great.
EMILY
Apologize to Sookie for me, will you?
LORELAI
Sure.
EMILY
We'll see you girls Friday night.
CUT TO LUKE'S DINER
[Kirk and Lulu are still on their date]
LULU
[laughs] Oh, my gosh, that's so funny. That's amazing, you sound just like him.
[Luke watches them for a moment, then starts making some coffee. Kirk comes up behind him]
KIRK
Luke.
LUKE
[startled] Jeez! Kirk, what are you doing?
KIRK
I need your help.
LUKE
I'm filling the coffee here.
KIRK
Look behind me.
LUKE
What am I looking at, Kirk?
KIRK
Is she still there?
LUKE
Who?
KIRK
Lulu. Is Lulu still there?
LUKE
You mean your date?
KIRK
Yes, Lulu, my date. Who else would I mean? Catch up, man. Time is of the essence.
LUKE
Yes, she's still there.
KIRK
Are you sure?
LUKE
Yes, I'm sure, now get out from behind my counter.
KIRK
I don't know what to do.
LUKE
What are you talking about? I just looked over there and everything seemed fine.
KIRK
Exactly. Everything seemed fine.
LUKE
So?
KIRK
Doesn't that seem weird to you?
LUKE
No.
KIRK
Really?
LUKE
Yes, a little, but so what? Why question it? Go back over there.
KIRK
I can't. I don't understand what's happening. I mean, she was looking at me. Directly at me. At first I thought I had something on my lip, but I brushed and brushed and nothing. She was just looking at me.
LUKE
Well, that's good.
KIRK
And I have prepared several small-talk subjects for the evening and I haven't used one of them.
LUKE
You're making too much of this.
KIRK
This is not how it's supposed to go. I'm supposed to take her out, we're supposed to exhaust my prepared subjects immediately, and then the minute I get up and go to the bathroom, she is supposed to sneak out and leave me here humiliated. Now I have been to the bathroom three times, and I have to tell you, I did not have to go, and every time I came back to the table, she was there and she was smiling, and... hey, did you see her touch my arm? What the hell was that all about?
LUKE
I think that means she likes you.
KIRK
Shut up! You take that back!
LUKE
Kirk, Kirk, I am not gonna fight with you over you not believing that this girl likes you because, to be honest with you, I'm a little fuzzy on the "why" myself, but the bottom line is she does.
KIRK
She does?
LUKE
Yes, she's laughing and smiling, and buckle up, cowboy, because I think she might actually touch you again.
KIRK
You think?
LUKE
There's a frightening chance she might, so my advice to you is to go back over there and continue doing what you've been doing.
KIRK
I was doing my Jon Cryer from "Pretty in Pink" impression.
LUKE
Duckie?
KIRK
Yes, Duckie.
LUKE
Were you near the end of the movie yet?
KIRK
No, just getting to the "Try a Little Tenderness" moment.
LUKE
You've got plenty of ammo left. Go on. Go back over there.
KIRK
You think she likes me?
LUKE
I think she likes you.
KIRK
You think she likes me.
LUKE
God help us one and all.
CUT TO LORELAI'S HOUSE
[Lorelai is sitting at the kitchen table. Sookie is throwing away the broccoli tarts]
LORELAI
[on phone] Uh, no, just leave another message that I called. Thank you. [hangs up]
SOOKIE
Number 42, see ya.
LORELAI
You don't have to throw them all out, Sookie.
SOOKIE
I didn't. I've got twenty in the freezer.
LORELAI
Great.
SOOKIE
And so do you.
LORELAI
Even better.
SOOKIE
I already had that money spent. It was going towards a down payment on a safer car. Now little Davey will have to fend for himself rolling around in the back of Daddy's truck.
RORY
[entering the house] Mom?
LORELAI
Kitchen.
SOOKIE
"Hold on, Davey! Daddy's coming to a sudden stop."
LORELAI
You're being dramatic.
SOOKIE
But I'm so disappointed. I mean, all that planning, all that time, all that broccoli.
[Rory walks into the kitchen]
RORY
I lost my tree.
LORELAI
What?
RORY
My tree, my study tree - it's gone. Someone stole it.
SOOKIE
Someone stole a tree?
RORY
No, the tree's still there, but when I went there today, there was this guy sitting there reading trucking magazines and he would not give it up, so now I'm back where I started.
LORELAI
You'll figure something out.
RORY
Yes, I will figure out what my alternate profession will be because now I can't study, I'm gonna flunk out of Yale and I'm gonna have to give up all hope of being a foreign correspondent. This sucks.
SOOKIE
You're telling me? I'm eating broccoli tarts for the next four years.
RORY
Well, what am I gonna do?
LORELAI
You are gonna suck it up.
RORY
What?
LORELAI
You're in college now, Rory. If your study plan doesn't work, then come up with another one. Just figure it out, but stop complaining because you're not two. And Sookie, in pioneer times, kids traveled across the country in covered wagons and survived. Somehow I think little Davey will live without his minivan.
RORY
Mom, why are you mad?
LORELAI
I have something I have to do. I'll be back in a little while. And have these damn tarts out of here by the time I get home!
SOOKIE
Grab a fork.
CUT TO JASON'S OFFICE
[Jason is talking to his secretary when Lorelai walks in]
LORELAI
Well, hello, Digger Stiles.
JASON
Lorelai Gilmore, you sure grew up good.
LORELAI
Oh, did I, Digger? Thanks. Listen, why didn't you return my calls?
JASON
'Cause I hadn't seen you yet.
LORELAI
Four times. You never called me back.
JASON
I'll call you back now. What's your number?
LORELAI
976-bite-me.
JASON
Okay, did you get that, Ms. Lomay? Because I know how much you like having numbers in your files.
LORELAI
We need to talk.
JASON
In my office?
LORELAI
Great.
JASON
[to his secretary] You know what? You can go.
SECRETARY
All right. Goodnight, Mr. Stiles.
JASON
Goodnight. [to Lorelai] Would you like something to drink?
LORELAI
Oh, no, thanks.
JASON
So how you been?
LORELAI
Great. You?
JASON
No complaints.
LORELAI
Okay, small talk over. I want you to know something - you can't just waltz into people's lives and take over.
JASON
I don't waltz at all. It's embarrassing and a little gay.
LORELAI
You know, people were hired for this party, people who were counting on this money.
JASON
What party?
LORELAI
Launch party.
JASON
Oh, that.
LORELAI
Yes, that. And I want to tell you something else - my mother has been planning these stupid parties for years, and it was completely out of line for you to walk in there and just crap all over the whole thing and make her feel obsolete and useless.
JASON
Whoa, whoa, whoa. Hold on there. I never knew about the party. They never told me about the party.
LORELAI
Well, of course they never told you about the party because they're inconsiderate and self-centered, and they have been that way for many years, so they have dibs. But the minute you found out about the party, you should have canceled your plans.
JASON
It was too late for that. And I never called your mother obsolete, I just called cocktail parties obsolete.
LORELAI
Same thing.
JASON
I don't see how.
LORELAI
Jason, my mother is a corporate wife. Her job is putting these parties on, and you put her out of work. You know that, your mother does the same thing. Imagine if you took these functions away from her. What would she have left?
JASON
More time with the pool boy?
LORELAI
You embarrassed my mother and made her feel small. You unceremoniously canceled something she had been working on for days.
JASON
But I didn't know.
LORELAI
And then she had to come to my house and fire me!
JASON
Fire you? Why would she fire you?
LORELAI
Because I was the caterer.
JASON
Get out of town!
LORELAI
Yes, I have a partner in a small catering company.
JASON
You cook?
LORELAI
I plan.
JASON
Well, I had no idea how much chaos my little weekend was causing.
LORELAI
No, you didn't, because you didn't think. You never thought. Back in summer camp, you never thought. "Hey, if I stand up in this canoe, maybe it'll tip over." That was the extent of your thought process.
JASON
You're still mad about that.
LORELAI
I was fully dressed.
JASON
I remember - green T-shirt, no bra.
LORELAI
What?
JASON
Trust me, I was the hero of cabin five for the rest of the summer.
LORELAI
You will apologize to my mother.
JASON
Absolutely.
LORELAI
And you will let her throw that party.
JASON
Sorry.
LORELAI
Digger!
JASON
Umlauts! The party is off. Now this is business. I will apologize to Emily, but that is the best I can do.
LORELAI
I can't believe you just called me Umlauts.
JASON
You called me Digger three times before I called you Umlauts once. I think that shows great self-control.
LORELAI
Let my mother have her party!
JASON
No, I can't do it, but what I can do is take you out to dinner tomorrow night.
LORELAI
I'm sorry, how do those two thoughts even coincide?
JASON
You'd have to be in my head, but trust me, there was a track.
LORELAI
I am not having dinner with you.
JASON
Why not?
LORELAI
Because you just had me fired. You just insulted my mother.
JASON
It's interesting, I didn't know you and your mother were so close.
LORELAI
We're not.
JASON
You're being awfully protective of her.
LORELAI
Well, every family has a Fredo.
JASON
Yeah, and Fredo's family put two in the back of his head.
LORELAI
My relationship with my mother is none of your business.
JASON
Then have dinner with me.
LORELAI
No!
JASON
Why not?
LORELAI
Because.
JASON
Because your mother would hate it.
LORELAI
Yes, my mother would hate it. A lot. You suck.
CUT TO YALE
[Rory walks up to the study tree, where the same guy is reading under it]
RORY
Excuse me. Remember me?
GUY
I got here first.
RORY
I know. Look, I just wanted to tell you that I'm sorry about the other day. I got a little wound up because I do that sometimes. I get too structured and too serious and I just have to adjust, you know, because we're in college and college is about change, and you have my study tree, so yeah, I just... I have to be okay with that and just learn to kind of go with the flow. So I just wanted to tell you that, and I'm sorry if I interrupted you again.
GUY
That's okay.
RORY
I'll give you twenty bucks for the tree.
GUY
You're gonna pay me for the tree?
RORY
Go with the flow, man.
GUY
You're on.
[He takes the money and leaves. Rory sits down under the tree and starts to study]
THE END