T5E1: “Say Goodbye to Daisy Miller”
Título em Português: “Adeus à Inocência”
Roteiro e direção: Amy Sherman-Palladino
Originalmente exibido em: 21 de setembro de 2004
OPEN IN LORELAI GILMORE FRONT YARD
[Long view of Rory's bedroom window]
DEAN
[OS] I love you, Rory.
RORY
[OS] I love you, too, Dean.
CUT TO RORY'S BEDROOM
[Rory and Dean lie together in her single bed, following their lovemaking]
RORY
Are you comfortable? Am I killing your arm?
DEAN
My arm is fine.
RORY
I could move.
DEAN
Don't you dare move.
RORY
This right here, is -- the textbook definition of a perfect moment.
DEAN
Yeah, it is.
RORY
And earlier? [pause]
DEAN
That was pretty perfect too. However, as a guy, I was trying not to be a pig. [kisses her shoulder gently]
RORY
And I'm happy, are you happy?
DEAN
I'm very happy.
RORY
[smiling] Happy, but not chatty?
DEAN
I'm just... trying to make sure that all this is really happening.
RORY
It is. [they kiss] Hey, you know what I think we need?
DEAN
What?
RORY
A song. Like a song that's "our song".
DEAN
Okay.
RORY
Something romantic, but not mushy, something that will make us remember this.
DEAN
[chuckle] Ah, believe me, I'm remembering this.
RORY
Oh, I know. [She reaches over to the nightstand and loads a nearby CD into her player and turns it on.] Okay. Perfect. So, from now on, no matter what you're doing, where you are, you'll stop and think of me when you hear this [clicks remote on. Sammy Davis Jr.'s "The Candy Man" plays.]
DEAN
[laughs] That's not gonna be our song.
RORY
Why not? It's perfect. It's happy. It's hopeful. It has the word 'candy' in it. Hey, what is more hot than candy?
DEAN
Pick something else.
RORY
[She bobs to the music beat and repeats the lyric in a high squeaky voice] "Who can take the sunrise... sprinkle it with dew"
DEAN
Okay, okay, okay, okay. I'll pick something else. [He struggles to snatch the remote from her.]
RORY
No.
DEAN
Hand it over, I can't take it anymore.
RORY
This is what happens when the women get the remote, ah-ha!
[Thud noise from outside the bedroom interrupts them]
DEAN
What was that? [door closes]
LORELAI
[OS] Rory!
[CUT TO THE KITCHEN A FEW MOMENTS LATER]
[Rory darts out of her room followed closely by Dean]
LORELAI
Hey, what's going on?
RORY
[smoothing her hair] Dean came over to borrow something.
[CAMERA POV CHANGES TO KITCHEN DOOR LOOKING IN FROM OUTSIDE]
DEAN
Yeah, thanks.
RORY
You're welcome.
DEAN
Well, ah, I should go... bye, Lorelai.
RORY
Bye, Dean.
[Dean walks out the kitchen door and closes it. He listens to the conversation coming from inside]
LORELAI
[OS] So, what did he borrow?
RORY
[OS] I'm sorry I didn't talk to you about it first. I - I know I promised I would, but I swear, I didn't know that this was going to happen. I mean, I didn't know he was going to show up tonight, and it just happened. It's awful for you to find out like this, I know, but everything's okay. I'm okay, and we were, you know, safe - so all those Trojan Man jokes all these years really apparently stuck. And I'm lucky, too, because Dean, he's -- well, aren't you glad that it happened with someone who's good and really loves me?
LORELAI
[OS] He's married.
RORY
[OS] You don't understand the situation.
LORELAI
[OS] Is he still married?
RORY
[OS] Yes, but -
LORELAI
[OS] Then I understand the situation.
[Outside, Dean cringes and walks around to the front of the house to leave. The conversation still audible, he sees Rory through the lacey drapes and pauses.]
LORELAI
[OS] I just want what's best for you, that's all!
RORY
[OS] You're just mad because I didn't come running to you to discuss whether or not I was ready for this step. I decided it on my own.
LORELAI
[OS voice fades as Dean exits] Obviously, you weren't ready for this step.
[CUT TO EXTERIOR FRONT DOOR]
[Rory exits front door and pulls on sweater. Dials a number on her cell phone, as she steps off the front porch]
LINDSAY VOICE
[answering phone] Hello? Hello? Hello?
[Rory hangs up and sinks to her knees and begins to cry. Lorelai exits the front door and watches her daughter sobbing on the front lawn. She slowly approaches her daughter, bends over her and gently touches her shoulder.]
LORELAI
Hey. [Rory flinches from her touch] Let's just talk.
RORY
No. [She stands and stumbles back into the house. Lorelai looks grim.]
[OPEN IN ELDER GILMORE HOME FRONT DOOR]
[Door opens and Emily rushes in with determined purpose. Richard enters at a slower pace and follows her to small cluttered desk in a corner.]
RICHARD
You do realize you just leapt out of a moving vehicle.
EMILY
Everything cannot be on your schedule, Richard. [shuffles through small drawers on the desktop] Now, where is it? I know I put it in here. [She picks up a small, thin blue booklet.] Aha!
RICHARD
In all the years we've been together, I have never seen you behave as irrationally as -- Emily, I'm talking to you! Will you stop? [Emily storms down the hallway, brushing aside a nearby potted palm tree frond] Emily, this feud of ours has now reached comical heights that... Charlie Chaplin, himself, would find hilarious, and he's dead.
EMILY
Don't follow me, Richard.
RICHARD
Oh, wait, come back. Let me get you a cane and a derby.
[CUT TO BASEMENT]
[Emily descends the stairs to a room crowded full of boxes, trunks, unused furniture, dusty oil paintings, a discarded pool table, old silver trays and brass pieces. Richard follows her.]
RICHARD
What are you doing?
EMILY
I'm looking for my European luggage, which some imbecile has chosen to hide from me.
RICHARD
What do you need your European luggage for?
EMILY
To put things in.
RICHARD
You're making a mess.
EMILY
I don't care if I'm making a mess.
RICHARD
Well, who's going to clean all this up, you?
EMILY
Yes, me, or the maid, or perhaps Pennilyn Lott could come by after one of your clandestine luncheons and take a stab at it.
RICHARD
Oh, for heaven's sakes. Not that again. She's just a friend!
EMILY
[provoking grin] I am going to Europe, Richard. I am going to Europe, and I'm going to have a marvelous time. I'm going to get up at 10:00, and I'm going to have two glasses of wine at lunch every single day.
RICHARD
Only prostitutes have two glasses of wine at lunch.
EMILY
Well, then buy me a boa and drive me to Reno because I am open for business.
RICHARD
I -- I can't talk to you when you're like this. I'm going to bed. [exits to stairs]
EMILY
You go to bed. I'll go to France.
[Richard climbs the stairs to the main floor. Door slams ]
[ After a pause, light piano music begins playing faintly from upstairs. Emily struggles with a large steamer trunk, dragging it up the stairs. As she reaches the door, she grasps the door knob and discovers the door won't budge.]
EMILY
Richard! Richard! [pounds on the door] The door is stuck! Richard! This isn't funny!
[She descends the stairs and looks around anxiously. Spying a high set window, she approaches and opens it and calls out.]
EMILY
Richard? Richard!
RICHARD
[OS] Emily?
EMILY
You locked me in.
RICHARD
[OS] I did not lock you in.
EMILY
You certainly did lock me in.
RICHARD
[OS] The door must be jammed. Did you try jiggling the knob?
EMILY
I suppose I could do that, or you could just get the hell down here and let me out!
RICHARD
[OS] Give me a moment, please.
EMILY
If you don't come down here right now, I will climb out the window.
RICHARD
[OS] You will not climb out the window.
EMILY
I will. I will climb out the window right now.
RICHARD
[OS] Don't you dare.
EMILY
I'm doing it. I'm climbing out the window. [she begins crawling out the window]
RICHARD
[OS] You better not climb out the window.
EMILY
[skirt catches on a nail] Damn it.
RICHARD
[OS] Emily Gilmore, I better not catch you climbing out the window. [sounds of footsteps]
EMILY
[panics and unzips her skirt to break free] I'm out the window. I'm out the window.
RICHARD
[descends the stairs] Get down from there.
EMILY
No! [slips out the window in only her sweater and hose]
RICHARD
Emily, get back here. Emily! [snatches her empty skirt dangling from nail]
[CUT TO EXTERIOR]
[Emily pulls her long sweater tightly down to cover herself and tiptoes to the back. Door opens ]
RICHARD
Are you having an aneurysm or something? Get inside and put this on.
EMILY
Get away from me!
RICHARD
Do you seriously think after 39 years of marriage, I would resort to locking you in a basement? [follows her to front of house]
EMILY
I don't know what you'd resort to. I don't know who you are at all.
RICHARD
I knew the mental illness in your family would catch up with you eventually.
EMILY
Aunt Cora was not mentally ill! She was athletic!
[flashing lights of a car approaches]
RICHARD
Oh, fine.
[ Indistinct talking over radio. Door of a DuBaldo Security Systems car opens and officer approaches. ]
SECURITY OFFICER
Is there some sort of problem here, folks?
RICHARD
No. There's no problem.
SECURITY OFFICER
We got a call from some of your neighbors complaining about a disturbance.
RICHARD
We apologize. We're going inside right now.
EMILY
Do not tell me what to do.
SECURITY OFFICER
Can I have your security password, please?
RICHARD
[sarcasm] Look, it's getting late, so either shoot us or go away.
SECURITY OFFICER
Fine. We'll just write up a report here and be on our way.
EMILY
Are you happy, Richard? Now there's a report, and a report means we'll be in the police blotter. Petal Huffington reads the police blotter religiously. It's like heroin to her. You've turned us into the scandal of the neighborhood. [Officer exits.]
RICHARD
Do you know what, Emily? If nothing else, this display tonight demonstrates clearly that you are no longer the woman I married.
EMILY
The woman you married was your partner. You listened to her. You consulted with her. You respected her. So, you are right, Richard. I am definitely not the woman you married. [ Engine turns over as she exits to the house]
[CUT TO INTERIOR OF DRAGONFLY INN - FRONT DOOR]
[Lorelai enters and immediately sees Luke in the front sitting room. Kirk is propped face first on the sofa naked, his butt in the air and a blanket covering him. ]
LORELAI
Oh, no.
LUKE
It's okay.
LORELAI
What happened?
LUKE
He landed butt first in Taylor's rose bushes.
LORELAI
Oh, poor thing!
LUKE
Didn't slow him down, though. I managed to tackle him as he headed toward the miniature goat pen, dragged him back here, threw one of your blankets over him, and, well, there he is -- he's gonna be fine.
LORELAI
Well, that's good.
LUKE
Yeah. So, you were gone for a while.
LORELAI
Yeah, I just had some things to take care of at home. Are you sure he can breathe?
LUKE
Oh, yeah, I propped his head up. ? [He notices she is distracted.] So, uh...you okay?
LORELAI
Yes, I'm fine.
LUKE
Okay, just -- nothing you want to talk about with -- with me or - ?
KIRK
Oh!
LORELAI
Oh my God. We need to take him upstairs.
KIRK
[still face down] LuLu can't see me like this.
LORELAI
But, Kirk --
KIRK
[hysterical] LuLu can't see me like this!!
LORELAI
Okay, she won't. I promise. Can I take a look?
KIRK
[quickly responds] Okay.
LORELAI
I don't want to take a look.
LUKE
Well, I'm not looking.
[Sookie descends the stairs and approaches]
SOOKIE
Hey! It's a party. What's everybody doing up?
LORELAI
Aw, hey, good timing, Squiggy.
[Luke and Lorelai approach Sookie]
SOOKIE
I was just going to check on my loaves and make sure they're rising properly. The air's a little more humid than I thought it was going to be, and if the loaves aren't rising properly, then -- what are you doing? [They both pull Sookie closer to the sofa]
LORELAI
We need you to look at Kirk's butt.
SOOKIE
Why?
LORELAI
Well, because he ran into some rose bushes, and he's got some thorns stuck in it, and I thought of you.
SOOKIE
Me? Why me?
LORELAI
Well, because... you're a chef.
SOOKIE
What?
LUKE
And you have a kid.
LORELAI
Yes, that's better. You have a kid.
LUKE
Neither of us has kids. Well, she does, but it's big and -- and -- and can look at her own butt.
LORELAI
I got this, thanks.
SOOKIE
Okay, well... oh, oh! I'm gonna need Bactine, antiseptic, and lots of hot towels.
LORELAI
I'll go. I'll be right back. [she exits]
KIRK
Ohh.
SOOKIE
Hey, Kirk? How are you feeling?
KIRK
Is Luke here?
LUKE
I'm right here, Kirk.
KIRK
Sorry I bit you.
LUKE
It's okay, Kirk.
KIRK
They were after me, so I ran away.
SOOKIE
Who was after you, honey?
LUKE
Assassins. He thinks assassins are after him.
KIRK
They were under my bed in my room, so I ran, and they followed me down the hall, down the stairs, past Luke and Lorelai kissing, through the yard, over that fence. [Sookie rolls her eyes and smiles in disbelief, Luke looks uncomfortable]
SOOKIE
Well, the assassins are gone now, Kirk.
KIRK
I imagined them?
SOOKIE
I think so.
KIRK
What about Luke kissing Lorelai?
SOOKIE
[ Chuckles ] I think you imagined that, too. [she glances at Luke and does a double take when she sees his expression]
KIRK
They looked so real.
SOOKIE
Okay, Kirk, you just settle down and relax, and I'll be right back. [She drags Luke away from the sofa out of earshot.] Ohh. [ Gasps ] Oh, my God!
LUKE
Sookie!
SOOKIE
You kissed?
LUKE
[tries to suppress a grin] Yes.
SOOKIE
I can't believe she didn't tell me. Why didn't she tell me?
LUKE
It just happened.
SOOKIE
Ooh, Luke, that's wonderful! [pulls him into a big hug]
LUKE
[ chuckles ] Thanks.
SOOKIE
[giggling with excitement] I can't wait to tell Lorelai it's wonderful!
LUKE
Um, could you maybe not say anything for a little while?
SOOKIE
Why?
LUKE
Well, I'm just not so sure she wants this out yet.
SOOKIE
What makes you think that?
LUKE
Do me a favor and keep it to yourself. Let her tell you if she wants to, okay?
SOOKIE
Sure. Okay. Call me Belinda, 'cause my lips are sealed.
LUKE
Thank you. [chuckles]
SOOKIE
Hey, Luke?
LUKE
Yeah?
SOOKIE
This is good. [exits to return to Kirk leaving Luke alone]
LUKE
I hope so.
[CUT TO DEAN AND LINDSAY'S APARTMENT]
[Dean quietly enters and deposits his keys on the entry table]
LINDSAY
Hey.
DEAN
[Startled, he turns around and sees her sitting at kitchen table] Hey.
LINDSAY
My mom brought by brownies. [Dean doesn't respond but walks past her to the kitchen] You worked late again.
DEAN
Yeah.
LINDSAY
Do you have to work tomorrow?
DEAN
I work at Doose's tomorrow.
LINDSAY
Oh. Well, will you be home for dinner? 'Cause I was thinking of cooking or something.
DEAN
I guess. I'll try. I don't know.
LINDSAY
You want a brownie?
DEAN
No.
LINDSAY
My mom put gummy bears in them like I'm still three or something. [silence] Oh yeah, and I found your phone. It had fallen in the couch cushions.
DEAN
Thanks.
LINDSAY
It rang a little earlier, about 20 minutes ago. I answered, but they hung up.
DEAN
You answered my phone?
LINDSAY
Well, it kind of woke me up.
DEAN
Why are you answering people's phones?
LINDSAY
Dean.
DEAN
I mean, you know it's my phone, Lindsay. This isn't your phone. I mean, who was it?
LINDSAY
I don't know. They hung up.
DEAN
So you didn't take a message?
LINDSAY
I told you -- they hung up.
DEAN
So, great, uh, you're just answering my phone and not taking messages? That's great, Lindsay.
LINDSAY
Dean, wh--
DEAN
Taylor calls on this phone, and Tom. I mean, this phone is for business, okay? That's why I have it!
LINDSAY
Fine.
DEAN
What if Tom called, and he had an extra shift for me tomorrow, huh? I mean he calls to tell me, and you answer, and he thinks maybe he doesn't have the right number, and he hangs up, and then I just lose out, which means we lose out. God, Lindsay, you know, you don't -- you don't get it, do you? I mean, you have absolutely no respect for me at all. That's just obvious.[ Sighs ]
LINDSAY
I don't want to fight. We always fight. I won't answer your phone anymore. I was asleep. I didn't think. I'm sorry, okay?
DEAN
Yeah...okay.
LINDSAY
You coming to bed?
DEAN
In a minute.
LINDSAY
[ Inhales ] Okay. [stands to leave] You mad at me?
DEAN
No. Just tired. Long day. I'll be right there.
[CUT TO BREAKFAST BUFFET LINE AT DRAGONFLY INN - MORNING]
[LuLu and Kirk are admiring the food table and taking samples on their plate
LULU
Everything looks so good.
SOOKIE
[giggles] I know it does.
LULU
[they move to a small nearby table. LuLu sits down.] I want half of that cranberry square.
KIRK
Okay.
LULU
Kirk, sit.
KIRK
I'm good.
LULU
You can't eat standing up like that. My mother says it gives you cancer.
KIRK
Really? Mine, too.
[Jackson enters]
JACKSON
Hey, look who came to visit.
BABETTE
Oh, my God, the baby's here!
SOOKIE
[approaches] Hey, Shortstuff. How's it hangin'?
JACKSON
He just came to say hi to everybody and to see the place on which his entire college education depends. What do you think? Is it gonna be Ivy League, or is it gonna be "Murray's House of Learnin'"?
SOOKIE
If we're going by the donut demand, I think he's in pretty good shape.
JACKSON
Okay, Ivy League it is. [baby talk to Davey] I just hope you're not stupid. Yeah?
SOOKIE
Well, you have fun. Mommy's gotta get back to work. Be nice, and don't throw up on the buffet.
PATTY
Jackson, you get over here right now with that baby.
[CUT TO FRONT LOBBY NEAR STAIRS]
[employee approaches Michel and presents a clipboard]
EMPLOYEE
Can you sign this? [when finished he exits as Taylor descends the stairs]
[Michel ignores him]
TAYLOR
Michel, hold it right there. Michel. Michel, I have a complaint. Michel? Michel?
MICHEL
Can I help you?
TAYLOR
I was talking to you, and you just walked away from me.
MICHEL
Oh, I'm sorry, I thought you were calling someone else.
TAYLOR
Someone else named Michel?
MICHEL
If only I could read minds. What can I do for you?
TAYLOR
One of my shoes is missing, and the other has been chewed.
MICHEL
Is this a riddle? I'm very busy.
TAYLOR
No, this is not a riddle. This is fact. Look at this shoe. This shoe was practically brand-new, worn twice, and only on smooth-surface floors. [Lorelai descends the stairs and avoids them] I leave it in your hallway, and in the morning, I find this. [LuLu and Kirk enter. Kirk overhears their conversation]
KIRK
Oh, my God, what have I done? [rushes after LuLu up the stairs]
[Lorelai enters and approaches]
LORELAI
Excuse me. I'm sorry. Taylor, why did you leave your shoe in the hallway?
TAYLOR
Your complimentary shoeshine.
LORELAI
Our - [Confused]
MICHEL
I don't know what he's talking about.
[Luke bounds down the stairs with his duffel bag over his shoulder]
LUKE
Hey, Lorelai --
TAYLOR
Oh, no problem, Luke. Butt right in. I couldn't possibly be talking about anything important.
LUKE
Good.
LORELAI
Uh. [She joins Luke a few feet away]
LUKE
I just -- I have to get back to the diner.
LORELAI
Okay, well, um - I... [glances at Michel and Taylor]
TAYLOR
I'm still standing here.
LORELAI
I have to - [distracted]
LUKE
Uh, sure.
LORELAI
Okay. But, thank you so much for coming.
LUKE
Okay, I'll...guess I'll see you later.
LORELAI
Yeah. [immediately returns to Taylor and Michel]
TAYLOR
You think I'm making all this up.
[Luke hesitates at the door watching her before leaving]
LORELAI
No, Taylor, I don't think you're making it up.
MICHEL
You're making a scene is what you're making.
TAYLOR
All right, fine. I'm going to find wherever I read that you said you have shoeshine service. I'm going to show you, and then he can take that look off his face.
LORELAI
Taylor, seriously, I completely believe you. [calls after him as he storms off]
MICHEL
That man is why mail-order brides were invented.
LORELAI
Mm.
[Michel exits and she turns to see Rory enter the front door]
LORELAI
Oh, my, my. Well, what a surprise.
RORY
People will expect me to be here for breakfast.
LORELAI
Yes, they will.
RORY
Okay, so I'm here for breakfast.
LORELAI
Enjoy! [Rory enters to dining room]
BABETTE
Rory, we were wondering what happened to you.
RORY
I just ran home early this morning to get something. Hey, Davey. Came for breakfast?
PATTY
Yes, he did. Didn't you, Davey?
JACKSON
Yeah, he did. Oops, he's got that look on his face. You might want to give him back to me.
PATTY
Oh, please, if I went running every time some guy tried to crap all over me, I never would have gotten married. [Lorelai passes through to the kitchen]
[CUT TO DRAGONFLY INN KITCHEN]
[Lorelai enters]
LORELAI
Hey, Sookie, what did you want to talk - Oh my!
SOOKIE
[ Squeals and hugs Lorelai] I'm so happy!
LORELAI
I'm so glad you're so happy! Is this is a normal happy or was there cooking sherry involved?
SOOKIE
I promised I wouldn't say anything, but I can't help it! It is so wonderful. Do you know how wonderful it is?
LORELAI
No, no, I don't, but I would love to weigh in.
SOOKIE
You're with Luke!
LORELAI
Ah, how did you know?
SOOKIE
Luke told me.
LORELAI
Oh?
SOOKIE
No, I'm sorry, Luke didn't tell me. Kirk told me.
LORELAI
Kirk told you?
SOOKIE
He saw you. He saw you kiss Luke. Oh, my God! You were kissing Luke!
LORELAI
Well, Sookie, I --
SOOKIE
I am so glad! You two are perfect for each other. I have always thought that someday, if you just sort of turned around and opened your eyes that you'd see it, and now that you have, I'm just so damn happy.
LORELAI
Well, I'm --
SOOKIE
You're not gonna die alone. I mean, somebody will be there. Somebody will know. Somebody will find the body and call the police and --
LORELAI
Yes, that is a relief. I can't believe Kirk saw us. I thought he was asleep.
SOOKIE
Don't worry. I convinced him he was dreaming it all, so I don't think he'll say anything. I know you're concerned about that. Why are you concerned about that?
LORELAI
Who said I was concerned about that?
SOOKIE
Luke -- he asked me not to say anything. He said he wasn't sure if you wanted it out. Why wasn't he sure if you wanted it out?
LORELAI
I don't know.
SOOKIE
How was it?
LORELAI
How was - ?
SOOKIE
You know. Was it on top of a table? 'Cause I always thought it would be on top of a table -- oh, like in "Bull Durham"!
LORELAI
There was no sex.
SOOKIE
No sex? Why no sex? [ Gasps ] Can't Luke?
LORELAI
I'm sure he can. There was no time. Everything happened so fast. We were here with the town -- and my parents flipping out and Jason showing up. Oh, no! Jason! What happened to Jason?
SOOKIE
Oh, his condo was on fire.
LORELAI
It was?
SOOKIE
Well, that's what Michel had me say when we called his cell phone. Hey, you don't seem happy.
LORELAI
About what?
SOOKIE
About Luke!
LORELAI
Of course I'm happy about Luke. It's just new. I'm still processing it, that's all.
SOOKIE
But he knows you're happy, right? I mean, he knows you're processing, but once you process, there's gonna be sex, right?
LORELAI
He knows. I think he knows. He should know. I hope he knows.
SOOKIE
Well, make sure he knows, okay? Because you two together -
LORELAI
Equals getting to the morgue before I smell. I got it.
SOOKIE
Okay. [giggles]
[CUT TO FRONT LOBBY]
[Lorelai enters and sees Rory at the front desk]
LORELAI
Hey. Finish your breakfast already?
RORY
Yeah, I was just leaving you a note.
LORELAI
Oh, you kind of wolfed it down, there.
RORY
I'm a light eater.
LORELAI
So, um, you leaving?
RORY
Yep.
LORELAI
Rory, don't you want to talk?
RORY
We already did.
LORELAI
Oh yeah, but you didn't hear what I wanted to talk about, which was how Jackson is probably gonna have to dislocate several of Davey's limbs trying to pry him away from Patty and Babette.
RORY
I have to go.
LORELAI
[ Sighs ] Rory, can't we just sit down for a second and talk about this?
RORY
I already heard everything you had to say last night.
LORELAI
You know what? Fine. I give. It's your life. Do what you want.
RORY
Thank you.
LORELAI
You're 19. You know what you're doing.
RORY
I do know what I'm doing.
LORELAI
So you don't want to talk. We won't talk.
RORY
Good.
LORELAI
I wasn't thinking we had to talk like mom and kid. I thought we could talk as friends, but hey, forget it.
RORY
I will.
LORELAI
Not that I take back what I said.
RORY
That's your perogative.
LORELAI
[ Clears throat ] I mean, he's married, and as your friend, I have every right to point out the obvious.
RORY
Which you did twice now.
LORELAI
Okay, and I stand by it, though I felt maybe I could help you figure out how to handle this as your friend who you usually turn to to help you figure out how to handle things, but if you don't want to talk, then fine.
RORY
Great.
LORELAI
We won't talk.
RORY
Love the thought.
LORELAI
Don't worry about me nagging you to talk anymore. I'm out.
RORY
Terrific.
LORELAI
In fact, I'm really busy, so if you did change your mind --
RORY
Which I won't.
LORELAI
Okay. But if you did, I'm sorry. I can't help. Taylor lost a shoe, so get in line.
RORY
Any end to this speech in sight?
LORELAI
Bye.
[Rory exits and door slams ]
[ Footsteps down that stairs - Taylor spies Lorelai]
TAYLOR
Aha! I told you I'd seen it somewhere. Look at this.
LORELAI
Ah, right. Uh, Michel, hi. Could you come over here for a minute? Very sorry about this, Taylor.
MICHEL
Yes?
LORELAI
Hey. Here I have a list of services, all printed up nice and neat, including seaweed wraps, facial peels, watsu massage, and complimentary shoeshines, all of which we do not offer.
MICHEL
Well, we should.
LORELAI
Michel.
MICHEL
I mentioned them several times before, but you don't listen to me. Sookie wants to make each guest a meringue hat, and you say, "Oh, Sookie, what a brilliant idea." But I want to pamper our guests with services that we don't have, and you tell me to answer the phone.
LORELAI
I'm very sorry about this, Taylor. We will replace your shoes, I promise you.
TAYLOR
Fine. I'm a 6 1/2, narrow.
LORELAI
Okay. I can't believe you did this.
MICHEL
Oh, you can too.
LORELAI
Get on the phone and find me shoes and have them here by tonight, and get your dogs off the premises immediately.
MICHEL
My dogs aren't --
LORELAI
It's been a rough weekend. Don't screw with me.
MICHEL
If Kirk can sleep inside, why can't my Chows?
LORELAI
Get them and take them home.
MICHEL
Okay, okay, I just have to locate Pau-Pau.
LORELAI
What?
MICHEL
He went out for a walk. He's around. He was just testing his boundaries.
LORELAI
Apparently, so are you.
MICHEL
I'm going. [ Whistles ] Pau-Pau?
[Lorelai pulls out her cell phone and dials number]
[CUT TO LUKE'S DINER DURING LUNCH RUSH]
[ Telephone ringing - Luke answers ]
LUKE
Luke's.
LORELAI
Hey. [scene switches back and forth between diner and inn]
LUKE
Hello?
LORELAI
[ Louder ] It's me.
LUKE
Oh, hi.
LORELAI
Can we talk?
LUKE
Well, we're kind of busy.
CAESAR
[places two plates on kitchen ledge] Burger and patty melt.
LORELAI
I just wanted to talk.
LUKE
Talk about what?
LORELAI
What?
LUKE
Talk about what?
LORELAI
Could you find a quieter place?
LUKE
Like where?
LORELAI
Just go outside.
LUKE
Phone doesn't reach outside.
CAESAR
[presents another plate of food] Something that looks like tuna.
LORELAI
Use your cell phone.
LUKE
Uh, I don't have a cell phone.
LORELAI
What happened to the phone Nicole gave you?
LUKE
She got it back in the divorce. Actually, I threw it in the lake after the divorce.
[ Davey crying at the inn - Dishes crashing at the diner]
LUKE
Jeez, what the hell is going on over there?
LORELAI
What's going on over there?
LUKE
Hold on!
LORELAI
You hold on, too.
[Luke stretches phone cord into storeroom and shuts door. Crying continues as Lorelai moves to the inn front closet. Closes the door and leans against it. Noises fade]
LORELAI
I'm good.
LUKE
I'm good, too.
LORELAI
Good!
LUKE
So...you wanted to talk.
LORELAI
Yeah. I just realized that, uh, you know, when I got back last night, I was, um, a little distracted. [slowly slides down the door to sit on the floor and notices Pau-Pau laying next to her chewing on Taylor's missing shoe] Uh,eh.
LUKE
Hey, no big deal.
LORELAI
Uh, no, no, it really was a big deal. I just, um --
LUKE
Seriously, you don't need to --
LORELAI
We kissed. [silence as Luke smiles while remembering] You and me, we kissed?
LUKE
I remember.
LORELAI
And it was...unexpected.
LUKE
Lorelai, relax. I'm fine if you want to just forget it ever happened, really.
LORELAI
No, I don't want to forget it ever happened. It was a great kiss.
LUKE
Yeah?
LORELAI
If one of us had been a frog, it would have had some seriously impressive consequences.
LUKE
Okay.
LORELAI
So, what do you think?
LUKE
I think I'm really relieved you feel that way.
LORELAI
So you concur?
LUKE
Dear God, yes.
LORELAI
Good. So, then, I guess we'll discuss this later.
LUKE
Tonight?
LORELAI
Tonight.
LUKE
Okay. Thanks for the call.
LORELAI
Well, my pleasure.
[ Phone clicks, dial tone ]
LORELAI
You better finish that whole thing, Pau-Pau.
[CUT TO STARS HOLLOW SIDEWALK]
[Rory walks to a payphone and hesitatingly dials a number]
RORY
Hi, it's me. We need to meet.
[CUT TO MISS PATTY'S DANCE STUDIO]
[ Knocking on door ]
RORY
Come in.
DEAN
[whispers] Hey.
RORY
Hey.
DEAN
I'm glad you called.
RORY
Me too.
DEAN
Everything okay at home?
RORY
Yeah. Everything's okay.
DEAN
Good. [moves closer and takes her hands] Did I ever tell you I like your hair?
RORY
My hair?
DEAN
Your shorter hair.
RORY
It's grown out a little.
DEAN
I like it.
RORY
I like it, too.
[Their foreheads touch, then they kiss.]
DEAN
So, um, you wanted to talk?
RORY
Yeah, talk. [Dean caresses her arm and face before he leans close again] words... wow. [Their kiss becomes more passionate.]
[CUT TO LANE'S APARTMENT - LANE'S BEDROOM]
LANE
[shocked] You what?
RORY
I slept with Dean in my room last night, in my bed.
LANE
Oh, my God!
RORY
I know. Who would have even thought that Dean could fit in my bed. I mean, it's so small, and he's not small. He's tall, not small. Great, I'm rhyming.
LANE
I didn't know you were even back together.
RORY
Well, we're not. I mean, I guess we are now, but -- I'm out of breath.
LANE
Sit down.
RORY
My mom caught us.
LANE
Oh, my God.
RORY
I mean, she didn't catch us. We were done, but she -- we were still horizontal, and then she saw Dean come out of my room, and she just said all these things.
LANE
Oh, my God! Oh, my God! Oh, my God!
RORY
What?
LANE
I'm just picturing it in my head, and -- oh, my God!
ZACH
[OS] Lane!
LANE
I'm busy!
ZACH
[OS] Okay, but hello?
LANE
Go, talk, please.
RORY
So, we had a fight.
LANE
You and Dean.
RORY
No, me and my mom.
LANE
Right.
RORY
So then I called him today, and I told him that we need to talk because there were questions and clarifications and many tiny details that were totally ignored, because he's, like, perfect, you know? But I had it all planned out, every word. I was going to be practical, and I was going to be adult, and then --
LANE
Yeah?
RORY
And then he walked in.
LANE
Yeah?
RORY
And he kissed me, and I couldn't think. It was just -- and then we --
LANE
Again?
RORY
Well, once you get the hang of it, it's pretty easy to duplicate.
LANE
Where?
RORY
What?
LANE
Where did you do it the second time?
RORY
At Miss Patty's.
LANE
You did it at Miss Patty's?
RORY
Yeah.
LANE
She would be so proud.
RORY
I had it all planned out. I was going to get everything straightened out. Why did he have to walk in like that?
ZACH
[OS] Lane!
LANE
[yells back] In a minute! [takes Rory by the hand]
RORY
Lane.
LANE
Okay, I'm sorry, I just have to ask you. [whispers] How was it?
RORY
Why are you whispering?
LANE
Because I just think that no matter where she is, my mom can hear this conversation.
RORY
It was a little scary.
LANE
Was he nice to you?
RORY
Yeah. It was -- I mean, he loves me, and I love him.
LANE
Oh, my God.
GIL
[OS] Lane! Come on!
[Lane opens her door and enters the front room]
LANE
What?!
GIL
We were supposed to practice a half an hour ago.
ZACH
Brian's been yammering on about germs and spores for 20 minutes. I'm completely freaked out to touch a microphone ever again.
BRIAN
I'm just saying, at the end of the night, who cleans them?
ZACH
Shut up, Brian.
GIL
Look, man, I only have the babysitter till 6:00, then it's my turn to drive them to Gymboree.
ZACH
Dude, you promised you wouldn't talk about the parental issue during band practice.
GIL
We're not having band practice, and it's not a parental issue. It's being part of the cycle of life, and that, my friend, is pure rock 'n' roll.
ZACH
Go join "The Polyphonic Spree," you fruitcake.
BRIAN
I'm just saying my bass strap has a smell.
LANE
Hey! Shut up, all of you! Now, that is my friend, and she is here in desperate need of some girl talk, and in case you haven't noticed, I am a girl, and this, right here, is what it's like to have a girl in the band, so all of you -- deal! [returns to her bedroom] Sorry.
RORY
Lane, I think I did something that -- what do you think?
LANE
Of what?
RORY
Of what I did. I need some perspective.
LANE
From me?
RORY
Yes.
LANE
You need some perspective on sex from me?
RORY
I need some perspective on sex with Dean from you.
LANE
Oh, well, Dean loves you.
RORY
I know.
LANE
And you love him.
RORY
I know.
LANE
So it seems like --
RORY
He's married.
LANE
I know.
RORY
How did I overlook that fact? I mean, he said that the marriage was over. He said that he had told Lindsay or that he was going to tell her or that she already knew somehow, but I didn't ask anything else. Why didn't I ask anything else?
LANE
I don't know.
RORY
I don't remember what he said. I don't remember what he told me. I didn't ask anything important.
LANE
You can ask now.
RORY
I tried to ask now. I ended up having sex on an Al Gilbert record. I need to know some things. I need -- I don't know what I need to do.
LANE
Maybe you should talk to Lorelai.
RORY
No.
LANE
But she already knows about you guys.
RORY
No.
LANE
She's better than me at this sort of thing because she at least has a frame of reference.
RORY
Talking to her is not an option.
LANE
Okay, well, then --
[ Drumsticks clicking. Rock music plays - Lane enters to see Zach behind her drum set]
LANE
What do you think you're doing?!
BRIAN
I told you she'd be mad.
LANE
Get away from my drums!
ZACH
You were in there talking about panty hose or whatever the hell you chicks talk about --
LANE
You do not, under any circumstances, touch my drums.
GIL
He adjusted your seat also.
LANE
You what?!
[CUT TO DRAGONFLY LOBBY AREA]
[Lorelai speaks to one of the maids]
LORELAI
So, make sure they all get the thank-you cards and light the lemon candles so the rooms smell pretty when they get up there. Thanks, and great job this weekend -- great job. [startles when she sees Emily sitting on the sofa] Oh! My God!
EMILY
My, what a lovely greeting.
LORELAI
How long have you been sitting there?
EMILY
Ten minutes. Why?
LORELAI
You scared me.
EMILY
Like I'm Dracula?
LORELAI
Oh, my God, my heart won't stop pounding.
EMILY
Stop being so dramatic. I just showed up for lunch. It's not as if I did anything truly terrifying like telling you that butt-crack-baring jeans had gone out of style.
LORELAI
What do you mean you showed up for lunch?
EMILY
Our lunch...at 1:00. You, me, Rory -- the three of us. We're having lunch, aren't we?
LORELAI
I didn't think so.
EMILY
You didn't?
LORELAI
Well, no, but --
EMILY
When you invited your father and me for the weekend, you said it included a lunch with you and Rory.
LORELAI
Well, yes, I know, but that was before you left.
EMILY
What does my leaving have to do with anything?
LORELAI
Well, when you left, you weren't here anymore. You were gone, so we just assumed lunch was --
EMILY
this lunch was your idea.
LORELAI
Yes, I know, but --
EMILY
I did not force it upon you.
LORELAI
You're right, however --
EMILY
If you were too busy or you didn't want it to happen, then you didn't have to bring it up at all, did you?
LORELAI
No, I didn't, but you left, see, so --
EMILY
All right then. It is now 1:00. You said lunch at 1:00. I'm here. It's 1:00. I'm hungry. Where's Rory?
LORELAI
Okay, see, you left, so -
EMILY
She's not here, is she?
LORELAI
No.
EMILY
Didn't she know about the lunch?
LORELAI
Yes, mom, she knew about the lunch, but you -- so we -- and she -- I'll call her.
EMILY
I'll wait. [walks off]
[CUT TO LANE'S APARTMENT BEDROOM]
[Rory sits alone on Lane's bed listening to arguing voices in next room]
LANE
[OS] What are you doing?! [unintelligible dialog]
[Rory's cell phone rings from her purse. She walks over to answer it.]
LANE
[OS] What are you talking about?
ZACH
[OS] We're a band! We share!
RORY
Hello?
LORELAI
Your grandmother is here for her lunch. [Scene switches between inn and the bedroom]
RORY
But she left.
LORELAI
Could you just get back here?
RORY
I'm kind of busy.
LORELAI
Rory, this is not for me, okay? This is for your grandmother. You like your grandmother, remember?
RORY
Fine.
LORELAI
Great.
RORY
Bye.
LANE
[OS yelling ]
ZACH
[OS] Chill!
GIL
[OS] You're worse than Metallica!
[CUT TO STARS HOLLOW SIDEWALK]
[Rory is walking to return to the inn. She passes the butcher and notices Lindsay inside talking animatedly. Curious, she returns to eavesdrop.]
LINDSAY
I did that.
BUTCHER
Did you put in the meat thermometer?
LINDSAY
Yes, I put in the meat thermometer. I put in three meat thermometers just in case one of them wasn't working.
BUTCHER
And you put the oven on 450 for 20 minutes and then lowered it to 350 for the last hour.
LINDSAY
[upset] I did everything you told me. I did it exactly like you told me to, and it still turned out awful.
BUTCHER
Maybe you should try something else -- meatloaf or chicken.
LINDSAY
No, Dean likes roast beef! We had it at our wedding. His mother makes it every time we go over there. I'm making dinner tonight, and it has to be perfect, so just tell me how to do it again.
BUTCHER
Okay.
LINDSAY
And write it down.
BUTCHER
Okay. First, you rub it with a little oil. Then take some fresh ground...
[Rory walks away]
[CUT TO DRAGONFLY INN - OUTSIDE IN THE BACK OF THE PATIO AREA]
[Emily, Lorelai and Rory sit at a small round table. A waiter finishes filling Emily's beverage and leaves. No one speaks.]
[ Birds chirping ]
[ Horse neighs ]
EMILY
The weather's lovely.
LORELAI
Yes, it is.
EMILY
Rory, don't you think it's lovely?
RORY
It's very lovely.
EMILY
Yes. [looks at her surroundings] Lovely. Well, I don't see any reason to put this off any longer. Girls, I have something to say that may shock you, but unfortunately there's nothing I can do about that now. Lorelai, Rory, Richard and I have separated.
LORELAI
And?
EMILY
What do you mean "and"? That's not enough? You need some sort of mob-related offing to make it interesting?
LORELAI
No, Mom, that's plenty. It's just, we already knew.
EMILY
Rory didn't.
RORY
Well, I mean, I didn't know know --
EMILY
Why would you tell her?
LORELAI
Mom!
EMILY
Who else did you tell?
LORELAI
[sarcasm] So, you haven't read "Page Six"?
EMILY
Rory, if you need to talk about this to try to understand why this is happening, then by all means, do not ask your mother.
LORELAI
Okay, Mom, I'm sorry. I'm not trying to be insensitive. It just seemed like a thing you and Dad were going through. I figured you'd make up.
EMILY
Well, we didn't.
LORELAI
I see that. So, wow, you're really separated?
EMILY
That's right. Your father's moving into the pool house.
LORELAI
So then you're not separated.
EMILY
Of course we are.
LORELAI
You're separated by the pool.
EMILY
That's it. That's the end of your input on this.
RORY
I'm sorry, Grandma.
EMILY
Well, what's done is done. I'm moving on. And to celebrate the next stage of my life, I'm going to Europe by myself for the very first time since I was in college. I'm leaving tonight.
RORY
Tonight? That's fast.
EMILY
Well, I wanted to leave quickly, so I called my travel agent and insisted that he put me on tonight's plane to Paris no matter what. He finally managed to bump someone from a church group, and I've got my seat, and I'm leaving at 10:00. And, Rory, my offer to you still stands.
RORY
What offer?
EMILY
My offer to escort you around Europe this summer.
RORY
Oh. [Lorelai watches Rory's reaction carefully]
EMILY
Every young lady should do Europe the proper way at least once in her life, and I would be thrilled to have your company on this very special occasion. Of course, I know it's very short notice, so if you already have plans for the summer, I completely understand.
LORELAI
You know, I think Europe sounds great. I think you would really enjoy that. I mean, remember -- we loved Paris. You don't have anything special planned for the summer, do you?
RORY
[gives Lorelai an odd look] No, nothing special.
EMILY
Well, then? What do you say? Would you like to be impulsive with me?
RORY
Sure, Grandma, I'd love to.
EMILY
That is just wonderful! I'll call Ralphie right away and tell him to bump another Baptist. We'll have a wonderful time, you and I. It'll be just like "Gigi." Lorelai, I'm gonna use your phone.
LORELAI
Be my guest, Mom. [Emily exits. Long pause] Europe? Cool. [Rory give Lorelai a cool look] What?
RORY
So, what is this, a Henry James novel? The young lady acts up, and her family ships her off to Europe?
LORELAI
Oh, come on.
RORY
How fast did you tell Grandma that I had nothing to do this summer?
LORELAI
I'm not shipping you off.
RORY
Oh, please!
LORELAI
I'm not. I'm just -- okay, maybe I am.
RORY
Ha!
LORELAI
I wasn't planning on it, but maybe in the back of my mind, I just thought -
RORY
- Say Goodbye to Daisy Miller.
LORELAI
Okay, fine, so maybe I suggested the trip to give you some time to --
RORY
Travel back to the turn of the century?
LORELAI
To think -- but you did not have to accept.
RORY
I did too.
LORELAI
No, Rory, you didn't. You're 19 now, remember? You're all grown up, and you can handle your own affairs. Sorry. That's a bad choice of words. You can handle your own life events, so if you didn't want to go to Europe, all you had to do was say you didn't want to go, but you didn't, so I assume you do want to go. [sees Rory's expression] You do want to go? How come? I mean, what about Dean? You're just gonna go off and leave now?
RORY
None of your business.
LORELAI
Did something happen? Did you guys have a fight, or is it something else? Is it Lindsay?
RORY
We didn't have a fight. Everything is fine with Dean. I want to go so I can get away from you.
LORELAI
I'm sorry, weren't you supposed to go through this phase like five years ago? 'Cause, I mean, seriously, at this point, storming into your room and blasting your goth rock -- it's just gonna confuse your roommates.
RORY
[grabs her pocketbook stands to exit] Tell Grandma I had to pack.
["If I Could Write" by Sam Phillips plays over the next three scenes that have no dialogue.]
[CUT TO DEAN AND LINDSAY'S APARTMENT]
[Lindsay enters with platter of roast beef and trimmings. She sets it down in front of Dean and anxiously watches as he begins to carve. Dean glances up at her worried face. She watches closely and jumps in jubilation when she sees the roast is a success. Dean is startled at her shout and smiles as she wraps her arms around his neck to hug and kisses him. She claps her hands and hops up and down as he continues to smile and carve.]
[CUT TO EXTERIOR OF ELDER GILMORE ENTRANCE]
[Chauffeur loads Emily's trunks and luggage into limousine. In the doorway, Emily gives last minute instructions to maid and departs. Front door closes while Richard appears in the interior distance lighting his cigar.]
[CUT TO LORELAI'S STAIRWELL]
[Lorelai appears at the top of the stairs as a cell phone rings below. Rory appears and checks the caller id as it rings. She ignores the call, turns off the phone, tucks it in her purse, and returns to her room. Lorelai slowly descends the stairs with a concerned look.]
[AIRPORT DEPARTING GATE]
[Emily hurries along the walkway]
EMILY
Come on, girls, hurry up. We have an adventure to embark on. [happily approaches the attendant] There you go -- my picture I.D. And my boarding pass. Rory, hurry up. You have to hold your own boarding pass, and you need your I.D. Lorelai, say your good byes here. If you don't have a boarding pass, you can't go farther -- am I right? [confirms with the attendant] I'm right, Lorelai. If you need to search me, that's just fine. Don't be afraid to ask. Bye, Lorelai. [exits to gate]
LORELAI
Bye, Mom. [then to Rory] Hey, hey, hold on a sec. You have everything you need?
RORY
Yeah.
LORELAI
You have trashy-magazine money?
RORY
Those magazines make Grandma crazy.
LORELAI
Yeah, well, here's 20 bucks. It's a long flight.
EMILY
Rory, hurry, please!
RORY
Coming, Grandma. I have to go.
LORELAI
Yeah, you do. Okay, so, um... have fun, and uh... if you need to talk about anything, just please call me, okay?
RORY
Okay. [uncomfortable moment before she exits. Lorelai sadly watches her depart]
[CUT TO LORELAI'S HOUSE - FRONT DOOR - NIGHT]
[Lorelai enters to the house. Looks around feeling sad and lonely. She notices message machine is blinking as she drops her keys on desk. She presses playback button, and answering machine beeps. She sits as the message plays.]
LUKE'S VOICE
Hey, it's me. Uh, listen, I got a call from my sister and T.J. They're up in Maine, and they got into a little accident -- nothing major, just each one of them broke an arm and a leg, [Lorelai looks concerned] so anyhow, they can't run the Renaissance Fair booth for a couple of weeks. So they asked me to come and help them out, and I, unfortunately, answered the phone, so I'm on my way to Maine. I'll be back in about a week. Okay? Bye.
LORELAI
Great.
[ Beeps ]
LUKE'S VOICE
Hey, it's me again. I'm not sure if we're at the point in this relationship where you actually need to know that much information about my whereabouts, [Lorelai smiles and chuckles] so if we're not, I'm sorry. I could have just said, "I'm going out of town, and I'll call you later." So I'm going out of town, and I'll call you later.
[ Beeps ]
LUKE'S VOICE
Me again, [Lorelai look of disbelief] the idiot that leaves you three rambling messages on your machine. I just wanted to tell you I got a cell phone before I left, so, you know, you could call if you want, but only if you want, so that's it.
LORELAI
Ah! [frustrated as she prepared to write down number]
[ Beeps ]
LUKE'S VOICE
Yeah, a number might be good.
LORELAI
Thank you. [writes number on paper]
LUKE'S VOICE
860-294-1986. Okay, bye.
[ Beeps ]
LUKE'S VOICE
Just...don't change your mind until I get back, okay? Okay. Talk to you later.
[ Beeps ]
[After only a few moments she picks up phone and dials number from paper and sits on sofa. Ringing cell phone. ]
LUKE'S VOICE
Hello?
LORELAI
Well, if it isn't Dean Moriarty.
[CUT TO INTERSTATE ROAD - LUKE'S TRUCK - NIGHT]
[Scene switches between Luke's truck and Lorelai's sofa]
LUKE
Yeah, this is the life.
LORELAI
So, are Liz and T.J. okay?
LUKE
Yeah, they're just not getting around too well. Liz is all panicked that if they don't finish out the season, they're gonna lose their spot next to the apple doll booth, which is apparently the prime spot, so I said I'd help them out.
LORELAI
Very chivalrous of you.
LUKE
Yeah, I'm a regular Lancelot. So, you get my messages?
LORELAI
Oh, no, did you leave a message? Sorry, my answering machine dropped dead of exhaustion. What did you say?
LUKE
Not much.
LORELAI
Okay.
LUKE
So...
LORELAI
So...
LUKE
That was a hell of a test run.
LORELAI
You mean for the inn, of course.
LUKE
Of course.
LORELAI
Yes, it was. Although, you know, until you have a successful second go-round, you really don't know if everything's gonna work.
LUKE
Then I guess there's got to be a second go-round. [smiles]
LORELAI
Well, yes, it's the only thing that makes really good business sense. So, where are you right now?
LUKE
About 10 minutes from "if I lived here, I'd blow my brains out."
LORELAI
Ah, yes, I hear it's lovely there this time of year.
[FADE OUT]
THE END