T5E14: “Say Something”
Título em Português: “Diz Alguma Coisa!”
Roteiro e direção: Daniel Palladino
Originalmente exibido em: 15 de fevereiro de 2005
RECEPTION HALL
[Lorelai is looking for Luke. Christopher is chasing after her.]
CHRIS
Will you stop?
LORELAI
Get away from me, Christopher.
CHRIS
I just want to talk.
LORELAI
Get some coffee, Christopher!
CHRIS
This wasn’t the way I wanted it to go down. I wanted to get you alone and – what are you doing?
LORELAI
I’m going after Luke!
MARILYN
Oh, there you are! [Calling to Emily] I’ve got her! [She pulls Lorelai toward the cake.] Oh, you cannot keep a room full of Anglo-Saxons waiting for cake this long! They start to form more clubs. [To the photographer] Take her, take her, take her!
PHOTOGRAPHER
All right, wonderful. There we are. [The four of them are lined up – Rory, Richard, Emily and Lorelai.] Okay. Everyone, in just a little closer. That’s perfect, hold that.
LORELAI
[leaning into to whisper in Emily’s ear]
You and me, we’re done.
PHOTOGRAPHER
One, two, three.
[The camera flashes. Lorelai grabs her purse and coat and gets ready to leave.]
RORY
Are you leaving?
LORELAI
Party's over. It is so over.
RORY
Are you okay?
LORELAI
Yeah. I'm fine. It's just time to go.
RORY
Are we okay? I mean, that wasn't exactly my proudest moment.
LORELAI
Aw, honey. You're the daughter of a woman who has had no end of less than proud moments. Don't worry.
RORY
Luke was so mad.
LORELAI
That's because to Luke you're still ten years old wearing feathered angel's wings going door-to-door inviting people to a caterpillar's funeral.
RORY
Oh, now, I did that once.
LORELAI
Luke is fine.
RORY
I hope so.
LORELAI
Look, go back in. Catch up with Logan. Tell him everything is fine.
RORY
He went right to his car, he split.
LORELAI
I don't blame the boy.
RORY
And what's with you and Grandma?
LORELAI
All these questions!
RORY
Sorry.
LORELAI
Look. Go back in, huh? Make the best of things. Luke is just, um, bringing the car around. I'll talk to you later.
RORY
Are you sure we're good?
LORELAI
Always.
RORY
'Kay. Bye, Mom.
LORELAI
Bye, mister. [Rory goes back in. To attendant] Oh, excuse me. I'm going to need a cab, please?
ATTENDANT
Yes, ma'am.
PHOTOGRAPHER
[rushing forward]
There you are. I'd love to get a few more shots in.
LORELAI
Yeah, so would I. [She leaves.]
OPENING CREDITS
STARS HOLLOW - STREET OUTSIDE LUKE'S
[Lorelai pulls up in a cab. Some funky music is coming from the diner. She walks up to the door and knocks. She can see Caesar eating at the counter. He comes to let her in.]
LORELAI
Hi.
CAESAR
I was just on my break.
LORELAI
Oh, that's no problem. Caesar, listen -
CAESAR
I clocked out too, so it should say so on my time card.
LORELAI
Right.
CAESAR
Although the ink is kinda weak and faded. It's really hard to see.
LORELAI
That's fine. Great. Caesar, is Luke back yet?
CAESAR
Didn't you guys go somewhere tonight?
LORELAI
Yeah.
CAESAR
Did you get separated or something?
LORELAI
Something like that. So have you seen him?
CAESAR
Not unless I fell asleep. And I never fall asleep.
LORELAI
Well, so if you didn't fall asleep you know for a fact he's not back.
CAESAR
Right. So you didn't come back together, huh?
LORELAI
Long story. Getting kinda late, so -
CAESAR
If I see him, should I tell him to call you?
LORELAI
Yes, please.
CAESAR
Okay. And, if you talk to him, could you maybe not mention the radio, or eating the pie? He hates when I eat out of the pie plate.
LORELAI
You were eating out of the pie plate?
CAESAR
[hesitates]
No. No.
LORELAI
Well, thanks, Caesar. See ya.
CAESAR
I've got lots of work to do, and I'm hankering to get to it.
LORELAI
Okay. Bye.
[Caesar goes back into the diner. Lorelai turns to head down the street.]
BABETTE
Lorelai! Hey!
LORELAI
Hi! Babette! Hey, Morey.
MOREY
Hey, Lorelai.
BABETTE
Look at you all dolled up and walking the street. I'm not calling you a hooker or nothing.
LORELAI
Well, thank you. Hey, um, did you guys pass Luke, or see his truck any time tonight?
MOREY
Uh-oh.
BABETTE
You're not with Luke?
LORELAI
Not at the moment.
BABETTE
Uh-oh.
LORELAI
What?
BABETTE
Didn't you go to your parents' wedding thing tonight?
LORELAI
Yes.
MOREY
Uh-oh.
LORELAI
What?
BABETTE
You didn't come back together?
LORELAI
Well, of course we did. We're just not together at the moment.
BABETTE and MOREY: Uh-oh.
LORELAI
Would you guys stop doing that?
BABETTE
Everything's all right between the two of you, isn't it?
LORELAI
Of course it is.
BABETTE
I hope so.
MOREY
Otherwise Taylor would go crazy.
BABETTE
He's got all these contingency plans, remember, in case you guys split? He's worried what it would do to the town. Big anal creep.
LORELAI
Well, there's no splitting happening here. Everything's fine.
MOREY
Good.
BABETTE
Well, we'd better be going. Take care, doll.
LORELAI
Talk to you guys later. Bye. [They walk away. She takes out her cell phone and dials a number.] Luke, it's, uh, me. Again. Uh, well, another very exciting night comes to a close, huh? Um, I don't think you're home, so I'm going home. Um, I'll leave my cell phone on, or call me at home. Anytime you want. 'Kay. Bye. Er - just please, call me, okay? 'Bye. [She hangs up, and looks back into the diner. Caesar is dancing to the radio.]
YALE - RORY'S DORM
[Rory enters and turns on the light. She checks the message board, then flips through some papers by the phone.]
RORY
Paris!
[She opens Paris' bedroom door.]
RORY
Paris. Paris!
PARIS
[asleep]
Wha?
RORY
Are you asleep?
PARIS
[mumbles]
Don't turn the light on. [Rory turns the light on.] Aah! I said don't turn the light on!
RORY
I didn't hear the ‘don't’.
PARIS
Why do you think I would tell you to turn on the light when I'm dead asleep?
RORY
I didn't know you were dead asleep.
PARIS
The room is dark. I'm under the covers and completely immobile. Deduce, Sherlock.
RORY
Well, you're awake now. Can I ask you a question?
PARIS
Bite me.
RORY
Were there any messages for me?
PARIS
Yes. Four other people called and asked that you bite me.
RORY
[sighs]
Look, I'm serious here. Come on, Paris. It is especially important tonight that, if there was a message for me, that that message gets to me.
PARIS
If there was a message, I would have left it on the message board.
RORY
The board is blank. And you are not the most reliable message leaver.
PARIS
No messages.
RORY
Okay. I don't mean to insult you, but are you maybe telling me there's no message because you're mad that I woke you and there really was a message?
PARIS
[sits up]
Oh, my God, you're annoying tonight! [She notices Rory's suit.] What's with being all k.d.lang?
RORY
It was for my grandparents' vow renewal. I was the best man.
PARIS
Is that kinky or something?
RORY
It was a cute thing.
PARIS
So, who's the boy?
RORY
What boy?
PARIS
The boy you're dying to get a message from. I assume it's a boy.
RORY
Not necessarily.
PARIS
Well, no one called, left a note, smoke signaled, Morse coded, semaphore flagged or came by. Male, female or hermaphrodite. [She flops back into her bed.]
RORY
Okay, thanks.
PARIS
[getting up]
I'm wide awake. It's your fault. You owe me Boggle.
RORY
Paris -
PARIS
Boggle!
RORY
One game and then it's back to bed!
STARS HOLLOW - STREET
[Lorelai walks along. She stops to stare at Kirk playing a dancing game in the video arcade. Kirk finishes his dance and wipes his face with a towel.]
KIRK
Hey, Lorelai.
LORELAI
Kirk, you're dripping wet.
KIRK
Sweat is the curse of the b-boy. Mos Def. So, are you feeling better?
LORELAI
Yeah. I'm feeling fine, why?
KIRK
Luke told me you weren't feeling well.
LORELAI
Luke? You've seen Luke?
KIRK
He came into the movie theater. I'm on my break, so I figured I'd come down and bust a sweet move.
LORELAI
When, when?
KIRK
Oh, about a half hour ago. [He hands her the towel.] I asked about you and he said you weren't feeling well. Then he rejected my 'buy two Junior Mints, get a free hunk of onion beef jerky' offer with a disgusting profanity, then took a seat.
LORELAI
So, he's there now?
KIRK
Probably. Nothing's up with you two, is there? I mean, you seem just fine.
LORELAI
No, nothing. Nothing's wrong at all.
KIRK
Uh-oh.
LORELAI
Kirk, we have not broken up.
KIRK
Well, why are you guys dressed up but not together? Luke's in a suit, which seems awfully formal for a movie theater that recycles its popcorn -
LORELAI
Oh, well, we had a fancy event to go to, um, then I got the sniffles, and so Luke decided to see a movie, but now I'm feeling better, so I came looking for him.
KIRK
I hope that's true, 'cause Taylor would go nuts if you two broke up.
LORELAI
Well, that is not the case, so there's nothing to worry about. Do you think he's still there?
KIRK
The movie just started when I left.
LORELAI
Great. Thanks a lot, Kirk. So I can go in without paying?
KIRK
No!
LORELAI
Thank you. [She hurries away.]
KIRK
My towel!
[He fans his face with his hands, then heads back into the arcade.]
BLACK, WHITE AND READ MOVIE THEATER
[Lorelai sneaks in. The movie is playing. Luke is sitting alone on the 'Big Red' couch. Lorelai joins him. He sighs.]
LORELAI
What are you watching?
LUKE
Something stupid.
[They watch the movie for a minute.]
LORELAI
Man. They sure talked fast in these things.
LUKE
Yep, they, uh, they did. Fast.
LORELAI
I have been frantically trying to call your cell phone.
LUKE
I turned it off.
LORELAI
That's what I figured. [Pause] So do you want to hear my explanations, 'cause I've got 'em. Explanations, perspective, apologies, I've got 'em all, and I'm dying to share them with you.
LUKE
I just need some time.
LORELAI
Time -
LUKE
A little time, to think.
LORELAI
And to process.
LUKE
[nodding]
Right.
LORELAI
I get that. I get that. I just have so much I want to say to you.
LUKE
Not right now. I need to clear my head.
LORELAI
You'll call me when you're ready?
LUKE
Yeah.
LORELAI
Okay. Good. Okay. So, I should - [She gestures toward the door and gets up. Luke ignores her. She stops to look at him before she leaves.]
DRAGONFLY INN - LOBBY
[Lorelai is showing a guest around.]
LORELAI
- Figure as your little girls arrive, we'll have them here in the living room. We'll have the pocket doors to the dining room closed. Then, when it's time for breakfast, we'll open the doors, and voila, the full, beautiful effect.
WOMAN
Wonderful.
LORELAI
We'll have music with a nice little fanfare. You like Yanni?
WOMAN
Hate him with every fiber of my being.
LORELAI
Oh, good, we're in perfect sync. And then, we'll have small-scale tables set with china, a silver tea service, little plates, little cups, and twelve little chairs for all of them to sit on.
WOMAN
That's so cute.
LORELAI
Yeah.
MICHEL
Wait, twelve? I thought there were six. Six little girls.
LORELAI
Six girls and their six dolls.
MICHEL
I beg your pardon?
LORELAI
This is a pancake breakfast for the girls and their dolls.
MICHEL
Get out of town.
LORELAI
I thought you knew that.
MICHEL
Dolls, as in they don't have stomachs, lungs or spleens? And we are serving them breakfast?
LORELAI
That's right.
MICHEL
Teeth? Throat? Colons? They don't have these things either? Unless they are Brides of Chucky.
LORELAI
I'm not paying attention to you anymore. [To the woman.] All right, well, I'll order everything, and all you have to do is show up.
WOMAN
The girls are looking forward to this. So are the dolls!
LORELAI
Aw, love that.
WOMAN
'Bye.
LORELAI
Okay, bye.
MICHEL
[watching her leave]
Is she psychotic?
LORELAI
Shh.
[They head into the kitchen.]
DRAGONFLY INN - KITCHEN
[Lorelai and Michel enter. Sookie is preparing stuffed peppers.]
LORELAI
It’s silly fun, Michel, girls love dolls. Chill.
SOOKIE
I'm making little pancakes for the dolls, and I found these little forks they can use.
MICHEL
They do not have opposable thumbs!
SOOKIE
Who, the girls? Oh, this is a handicapped group! Poor things.
MICHEL
No, the dolls.
SOOKIE
The dolls? How can a doll be handicapped?
MICHEL
My point exactly! They are plastic and made in Banglagor!
LORELAI
We're doing this. So hop on board, or hop off.
MICHEL
Okay! You don't need to snap my nose off! [He leaves.]
SOOKIE
He's getting on your nerves, huh?
LORELAI
Completely. I'm starving.
SOOKIE
Didn't you have anything at Luke's today?
LORELAI
Not today. There's no food in this fridge.
SOOKIE
It's stuffed with food.
LORELAI
Food that's edible. Food to consume. Everything in here you have to cook.
SOOKIE
I'm a cook.
LORELAI
Oh, forget it.
SOOKIE
What's wrong?
LORELAI
Nothing. Luke and I had a little disagreement last night.
SOOKIE
At the wedding? What happened?
LORELAI
Christopher showed up.
SOOKIE
Oh, no.
LORELAI
My mother invited him.
SOOKIE
Oh, no!
LORELAI
And I hadn't exactly told Luke about that tequila night with Chris after his dad died, so I told him and there was a big blow-up. Chris went nuts, Luke went nuts, and he got mad, and he left. And now he says he needs time to think.
SOOKIE
How much time?
LORELAI
He just said, 'Time'.
SOOKIE
Ooh, I hate when men do that. It's so vague.
LORELAI
I should have told him when it happened. But I blew it. Now, if he'd just give me ten minutes we could hash it out and be back on our way, and not waste time. What's enough time?
SOOKIE
I don't know.
LORELAI
It's been twelve hours. That enough?
SOOKIE
I'd say no.
LORELAI
I'll be distracted until we fix this.
SOOKIE
Well, don't worry, because when a relationship is right, things work out.
LORELAI
I hope so.
SOOKIE
I heard about this couple on one of those morning show, similar to you guys - all lovey-dovey, perfect for each other, you know, headed for marriage - and something happened, and they broke up in their senior year of college, even though they were madly in love with each other. They moved to different parts of the country. They married different people.
LORELAI
They married different people?
SOOKIE
Oh, had kids, grandkids. Then their spouses died, oh, and they were available again, and they talked and they hooked up, and now they're together and they're happily in love after forty years apart. Uh!
LORELAI
[shocked]
That's a horrible story!
SOOKIE
No, it's not!
LORELAI
What morning show was that on? I hate that story!
SOOKIE
But they ended up together!
LORELAI
Was it Katie Couric? She seems very dark to me.
SOOKIE
The point is that even if it takes forty years to figure it out, there's still a chance for a happy ending!
LORELAI
But that's all they had! An ending! I don't want to have just an ending with Luke!
SOOKIE
I know, but -
LORELAI
I don't want to have those stupid kids or those ugly grandkids with that loser other guy!
SOOKIE
You don't know, he could be a nice guy.
LORELAI
Even if he's a nice, guy, he's not the guy I want to be with!
SOOKIE
You're right. It's not fair to him.
LORELAI
It's not fair to him, it's dishonest.
SOOKIE
We should name the other guy. I feel like he'd be a Larry.
LORELAI
We're not naming the other guy.
SOOKIE
Okay. I guess it was a bad example. Sorry.
LORELAI
Oh, it's okay.
SOOKIE
But you know, I read a story about another guy that had a fight with his girlfriend, and he said he needed like a week to think it over, and he only needed a day. And he and the girl were back together and were happy forever. No Larry, or loser kids, or anything.
LORELAI
Uh-huh.
SOOKIE
They don't put stuff like that in the newspapers, 'cause it's not as sexy as the forty year story, but it happens all the time, really.
LORELAI
Thanks for making that up.
SOOKIE
You're welcome.
LORELAI
I'm going to go take a walk. I've got some errands to run.
SOOKIE
Good. Clear your head. And it was Katie Couric.
LORELAI
I knew it.
[Lorelai leaves.]
YALE CAFETERIA
[Rory and Paris are collecting bowls of different kinds of cereal.]
PARIS
Don't forget the raisin bran. It's good for you. Keeps you moving.
RORY
Whatever that means. Ew, I just got what that means!
PARIS
Cognitive skills are slow today. Grab some Corn Flakes. Nietzsche and Lichtenstein went ape guano over Corn Flakes.
RORY
They make you smart, German and depressed. Why do they have so much Wheat Chex? It doesn't go with anything.
PARIS
Wheat Chex are sort of the pumpernickel bread of the cereal world.
RORY
Well put. So what combo are you thinking today?
PARIS
Cap'n Crunch over a foundation of Rice Krispies, with a perimeter of Shredded Wheat.
RORY
Bold.
PARIS
I like its prospects.
RORY
I love cereal.
PARIS
It rocks.
[Rory takes her phone out of her pocket and sets it on the table as they sit down.]
PARIS
So, you never told me who the guy was.
RORY
Guy?
PARIS
The guy you were dying for a message from? The guy who has you yoked to your cell phone?
RORY
I am not yoked to my cell phone. I can't hear it when it's in my pocket.
PARIS
Oh, God! Tell me it's not Huntzberger.
RORY
What if it is?
PARIS
With the hair, and the chin like he's the fourth Bee Gee?
RORY
You know, I could put the phone away if it's bothering you.
PARIS
Don't. That pathetic boat you're in? I'm first oarsman. [She pulls out her cell phone and puts it on the table.]
RORY
How so?
PARIS
I'm waiting for Doyle to call. I expected a call yesterday to set something up for last night, but it never came. So I ate a family-sized bag of salt and vinegar potato chips and went to bed at seven-thirty.
RORY
That was the smell.
PARIS
We're better than this, you and me. We're the children of Emma Goldman and Hillary Clinton. Strong, independent. We're better than this.
RORY
Apparently not.
PARIS
I blame Chilton. Great education, but horrific socialization. We need guidance.
RORY
I'm not calling Love Line.
PARIS
Rory, come on. We're sitting in a sea of expertise in this field. The college campus. There's no end of knock-headed bimbos with tons of dross to dispense. There's two now.
RORY
Paris, don't.
PARIS
Althea! Janet! Come here!
RORY
You hate Althea and Janet.
PARIS
Granted, they know nothing of Ukrainian politics or the periodic table, but when it comes to boys, they're brighter than the Brontes.
JANET
What, Paris?
RORY
Hey, Janet. Althea.
PARIS
Girls, we have related problems. A little love trouble.
RORY
We?
PARIS
Bend your ears?
ALTHEA
Uh, sure.
RORY
No, Althea, please. Go. Enjoy your Sunday. There's no love trouble here.
ALTHEA
I don't mind.
RORY
I do.
PARIS
Fine, then I'll just lay out my situation.
RORY
Great. Good. 'Cause I'm out of this.
[Janet and Althea sit down.]
PARIS
Okay, so I've got a guy.
JANET
Blind?
PARIS
Can it. Last time I saw him, he strongly implied that he was going to call me. And soon. It's been four days.
ALTHEA
You ever call him to hook up?
PARIS
He's always taken the reins.
ALTHEA
What did he say exactly?
JANET
Call you later, or see you later?
PARIS
Call. Or was it see?
JANET
Very different.
ALTHEA
Call's more descriptive. If he said 'call you later' and he didn't, it's an egregious 'screw you'.
PARIS
I'm pretty sure it was see.
JANET
Then I think you could cut him some slack. You like him, right?
PARIS
Yeah.
JANET
Then call him, but have a reason.
PARIS
We're on the paper together.
JANET
Perfect.
ALTHEA
Call to ask for notes or something. But don't give him anything else. If he's into you, he'll take it from there. If he's not, at least you know, so you can dump him.
PARIS
Direct, simple. A clear path. Thank you.
ALTHEA
You're welcome. [They start to get up.]
RORY
Um, excuse me.
JANET
Yeah?
RORY
If you don't mind, I'm wondering -
ALTHEA
Yeah?
RORY
Okay, I got close to kind of getting together with a guy -
ALTHEA
You mean like 'getting together', getting together?
RORY
Yeah. But, we were interrupted. Shouldn't he be calling me to talk, or maybe set up getting together?
ALTHEA
What was the interruption?
RORY
Mom. Then Dad. Then Mom's boyfriend.
ALTHEA
Whoa.
JANET
Poor guy.
ALTHEA
Okay, you definitely have to call him.
RORY
Really?
ALTHEA
He might be afraid to call.
JANET
Thinks you're too much drama.
RORY
Too much drama.
ALTHEA
You give him a call, but keep it casual.
PARIS
She's love dense. Give her specific language.
JANET
Get together?
ALTHEA
Or hang out?
JANET
That's better.
ALTHEA
Ask him to hang out sometime. It'll give him an easy out. If he says yes, meet up, act casual, but look hot.
PARIS
I've got a pen if you want to write this down.
RORY
No, I think I can remember. Thank you.
ALTHEA
No problem.
JANET
Anytime.
[They get up and leave.]
PARIS
Styrofoam for brains, but they know their stuff.
[Rory nods.]
STARS HOLLOW STREET
[Lorelai walks along. A chef at Antonioli's is putting a large pink bow on his door, and also is wearing a smaller one. He gives Lorelai a big 'thumbs up'. Gypsy approaches.]
GYPSY
I'm on your side, Lorelai.
LORELAI
Whoa, yo, Gypsy. What are you talking about?
GYPSY
The breakup.
LORELAI
What breakup?
GYPSY
Yours and Luke's.
LORELAI
We're not broken up.
GYPSY
Break up, split up, separated - whatever you want to call it.
LORELAI
I'd like to call it nothing. We're fine. What is with these ribbons?
GYPSY
Pink for you, blue for Luke. Taylor's idea. That way we all know whose side we're on without having to talk to each other. He's a freak, but I like pink.
LORELAI
Oh my God.
GYPSY
Look out, blue incoming. [She pulls her out of the way of a man walking by.]
LORELAI
Oh, Gypsy, please. Take that ribbon off. I don't want anyone encouraging Taylor on this.
GYPSY
Oh, it's way too late. He's passed out hundreds.
LORELAI
Hundreds?
GYPSY
It was no choice for me. Luke fixes his own truck, so I make bumpkins off him. But you, you don't know a piston from a pepperoni. Lots of money in ignorance. I'm with you.
LORELAI
[Sees Luke going into Doose's market]
Okay, great. I'll catch up with you later. [She walks away.]
GYPSY
Pink power, baby. We chicks gotta stick together.
DOOSE'S MARKET
[Lorelai enters. Taylor is tying ribbons.]
TAYLOR
Lorelai.
LORELAI
I'll deal with you later. [She heads toward the back of the store.] Luke? Hi. I'm sorry to sneak up on you like this, but please, just give me a minute. We need to talk. I have so much to say. I should have told you about that night with Christopher. I know that now.
LUKE
Yeah, okay. I'm -
LORELAI
But I swear, the visit we had was so innocent. It was about his dad, and nothing happened. Less than nothing happened.
LUKE
But you hid it.
LORELAI
I know, and I shouldn't have. And I am so, so sorry. But all that talk from Christopher, at the wedding. I didn't see that coming. He was drunk. He was stupid. He's never not stupid, but I didn't see it coming.
LUKE
You should have.
LORELAI
I know. Rory warned me and I ignored her, but believe me. I am never seeing him again. Never.
LUKE
What are you talking about? He's Rory's father. He'll always be in your life.
LORELAI
In her life.
LUKE
Her life is your life.
LORELAI
Not when it comes to this.
LUKE
This is going to happen again and again.
LORELAI
No, it won't, Luke. I promise. God, if you care anything for me at all, just please trust me on this.
LUKE
I've got to go. [He pushes past her.]
LORELAI
Luke. No, wait. Wait. [She follows him to the door.] Luke, it was my mother, you know, who did all this. She was the one. She caused all this hateful stuff because Christopher is weak and she knows that and I am never talking to her again.
LUKE
They're always going to be in your life too.
LORELAI
No.
LUKE
Your mother, your father. The Gilmores will always be in your life.
LORELAI
I can cut them off.
LUKE
No, you just can't cut them off. It doesn't work that way, and they'll never feel differently about me, ever.
LORELAI
It doesn't matter, because they're gone. That's it. They are gone. I can do that.
LUKE
I can't have this out right now.
LORELAI
Okay, when? Where?
LUKE
I need more time! I told you that.
LORELAI
I'm afraid of this 'more time' stuff. I'm afraid it'll take forty years and that's not good.
LUKE
Lorelai.
LORELAI
We'll miss our middle. I want a middle. And the town is dividing us up. I need that to stop.
LUKE
Don't.
LORELAI
Luke. I am all in. I'm all in. Please trust me. Let me show you what a great girlfriend I can be. But I can't wait. We can't wait. I need to know what you're thinking right now.
LUKE
Fine. You want to know what I'm thinking right now? That I can't be in this relationship. It's too much.
[He leaves.]
LORELAI
[stunned]
No.
YALE DORMS - RORY'S BEDROOM
[Rory dials a number on her cell phone.]
LOGAN
Hello?
RORY
Hi. It's Rory.
LOGAN
Rory Gilmore, as I live and breathe.
RORY
So, how are you?
LOGAN
I'm good, Ace, how are you?
RORY
I'm good.
LOGAN
Hope your life's been less exciting since the last time I saw you.
RORY
Relatively.
LOGAN
Meaning you're steering clear of country club dressing rooms?
RORY
Pretty much.
LOGAN
Good.
RORY
Yeah. So, I was wondering if maybe you -
LOGAN
Yeah?
RORY
If you'd like to hang out, or something.
LOGAN
Hang out?
RORY
Yeah.
LOGAN
When?
RORY
How about tonight?
LOGAN
Whoa, spontaneity.
RORY
I'm very 'of the moment' these days.
LOGAN
Well, sure, I'd love to hang out with you. Come on over.
RORY
To your place?
LOGAN
Absolutely.
RORY
Cool.
LOGAN
See you in a bit.
RORY
See you in a bit.
[She hangs up, proud of herself.]
YALE DORMS - A HALLWAY
[Rory knocks on a door. A stranger sticks his head out.]
GUY
Yeah.
RORY
Oh, hi. I don't think I'm in the right place.
LOGAN
[calling from inside]
Hey, who is it?
GUY
Girl scout.
LOGAN
Hey, Ace. Come on in.
GUY
Come on in.
[She goes in. A poker table is set up in the middle of the room.]
LOGAN
Welcome to my night of humiliating defeat.
ROBERT
One in a series.
COLIN
Don't gloat, Robert. It's not Christian.
ROBERT
Neither am I.
LOGAN
Everybody, this is Rory.
ROBERT
Hi.
COLIN
Hey.
LOGAN
I'd introduce you, but I only know three of them.
COLIN
It's to you, buddy.
LOGAN
Oh, joy. Come on, kiddo, sit here next to me.
RORY
Is that allowed?
ROBERT
I wouldn't object.
LOGAN
Come on, be my good luck charm. Did I raise or check?
COLIN
You been eating out of aluminum pans again, buddy?
ROBERT
Your short term memory is non-existent.
LOGAN
Yeah, it's aluminum pans.
ROBERT
The more you stall, the slower I win.
COLIN
That was almost grammatically correct.
LOGAN
Two.
COLIN
Call.
LOGAN
Hold up. You look very nice tonight.
RORY
Oh, thanks.
LOGAN
What do you know about this game?
RORY
Um, just what I've seen on T.V. The Odd Couple.
LOGAN
What?
RORY
Quincy played it, but he wasn't called Quincy, um, Oscar and Felix. Felix didn't play it. Tony Randall, he cooked for them sometimes.
LOGAN
I am so lost.
RORY
I know a little.
LOGAN
Well, if you know anything, you know I need a jack or a ten.
[Robert lays down his hand.]
COLIN
Pocket jacks.
LOGAN
Un bloody believable.
ROBERT
Do we bother with fifth street?
LOGAN
Let's see it.
[The dealer lays down. The guys cry out in disbelief.]
LOGAN
Oh, now you're just mocking me!
ROBERT
Well, your gal brought someone some luck.
COLIN
Two g's. Ouch.
RORY
That was two thousand dollars?
COLIN
Got to bet it to win it.
LOGAN
It's just money.
ROBERT
He's down nine to me from last time. Should I send an I.O.U. to your Pop, that how you want to work it? Cut out the middle man?
LOGAN
Yeah, and I'll send some to your mother.
ROBERT
Generic, unfocused 'and-so's-your-mother' style comeback. You're off your game, Huntz.
LOGAN
I'll work on a better retort and get back to you.
ROBERT
[to Rory]
So are you covering this?
RORY
Pardon me?
ROBERT
You were at the last Life and Death shindig, as I recall.
RORY
Yeah, but I'm not covering this. I'm just hanging out.
LOGAN
Yeah, back off, Robert. She's just hanging out.
[A girl brings Colin a drink.]
COLIN
Thanks, kid.
GIRL
Oh, you're welcome.
COLIN
I love the service here.
GUY
I'm out.
COLIN
Down to the tricks again.
ROBERT
I'm in.
LOGAN
Don't be a jerk, Robert.
ROBERT
What?
LOGAN
You bet without looking at your cards. Look at your cards.
ROBERT
I don't need to, with Rory here.
COLIN
I hate it when he does that.
LOGAN
You want a drink?
RORY
Me?
LOGAN
Yeah.
RORY
Well, actually I don't know how long I'm going to stay here so I think I'm good for now.
LOGAN
All right. Well, the way it's going tonight, I may not last till the next drink either. [He tosses some chips in.]
COLIN
Can we change the music?
GUY
No.
COLIN
Since when did you become Tipper Gore?
GUY
Shut up, Colin.
[Rory looks at the ground.]
DRAGONFLY INN
[A group of little girls are holding their dolls, looking bored and sad.]
SOOKIE
She's on her way, I know she is.
WOMAN
Well, I hope she is. Just hang in there, girls. I know you're hungry. [To Sookie] They're getting ready to rebel.
SOOKIE
[dialing her cell phone]
It's just that Lorelai ordered all the tables and the little china and I'm sure it's here somewhere, it's just - excuse me for just a second. [She walks over to Michel] Please, help. You're just standing there. [She hangs up the phone and dials another number.]
MICHEL
I'm staying out of the way. In situations like this, 'do not get in the way' is so valuable.
SOOKIE
Well, get in the way. Entertain the kids.
MICHEL
Like I'm Sponge Boy Big Pants or something? I do not entertain children.
SOOKIE
[hanging up again]
I'm getting worried. She left to do an errand yesterday and never came back.
MICHEL
Are you dialing the right number?
SOOKIE
I think after ten years I know Lorelai's number.
MICHEL
Well, where is she?
SOOKIE
I don't know. But she was in charge of everything except the pancakes, and without her all we have are pancakes! They're expecting games and stuff.
MICHEL
Oh, here's a fun game. Poke out all of the doll's eyes, mix them up, and match them to the right dolls.
SOOKIE
It's still voicemail!
MICHEL
Well, leave a message!
SOOKIE
I've left a million messages! I'm going to her house.
MICHEL
Don't leave me here!
SOOKIE
Stall, stall! [She leaves.]
LITTLE GIRL
My dolly fell. Kiss the boo-boo.
MICHEL
What part of the dolly is the boo-boo?
YALE DORMS - LOGAN'S COMMON ROOM - MORNING
[Rory is asleep on the couch. She wakes up to find the guys still playing poker.]
LOGAN
Come on, come on.
ROBERT
I've made my decision.
COLIN
I'm in. Three fifty.
ROBERT
Call.
LOGAN
I'm going to raise.
ROBERT
Ass.
COLIN
Our gentleman's courtesies still prevail, Rob.
ROBERT
Fine. Mr. Ass. Ass Esquire.
[They laugh]
COLIN
He's cracked! We've cracked Robert!
LOGAN
Mornin' there, Ace, how'd you sleep?
ROBERT
For the record you don't snore.
COLIN
We'd be happy to sign an affidavit to that effect for any prospective husband.
[Rory's cell phone rings. She digs in her purse and brings it out.]
RORY
Mom?
SOOKIE
It's me, Rory. It's Sookie.
RORY
Sookie? Are you at the house?
SOOKIE
Look, uh, something happened with your mom and Luke and your mom's in bad shape. I mean, she's down, hon. And I'm here now, but I think you oughta come. She needs you.
RORY
Oh my God. Is she hurt?
SOOKIE
No, not physically. Just come, okay?
RORY
I'm coming.
[She hangs up and gets ready to leave.]
LOGAN
I'm out. [He gets up.] You okay?
RORY
I have to go.
LOGAN
What happened?
RORY
I just have to go, I have to get home.
LOGAN
To your dorm?
RORY
Stars Hollow. Oh, no, I don't have my car.
LOGAN
Well, didn't you walk here, like a hundred yards away?
RORY
No, I mean I took it in for it's six month service. It's at the dealer.
LOGAN
You take your car to the dealer? They so rip you off there!
RORY
Well it doesn't matter where it is! I don't have it! Which means that I have to take a bus or a train or something.
LOGAN
That'll take hours.
RORY
I know. I have to go.
LOGAN
Take my car.
RORY
I don't want to drive your car.
LOGAN
No, it's a car with a driver. I've got an account with the company.
RORY
No.
LOGAN
Take it. I'll give Frank a call, tell him to meet you out front. He'll take good care of you. It's a done deal.
RORY
Okay. Thanks.
LOGAN
Go!
[He dials a number. Rory leaves.]
LORELAI'S HOUSE
[Sookie is sitting on the couch. Rory rushes in.]
RORY
Where is she?
SOOKIE
Upstairs.
RORY
[heading upstairs]
Okay, I've got it from here, Sookie. I love you.
UPSTAIRS
[Lorelai is crying, lying in bed.]
RORY
Mom? What happened?
LORELAI
Luke.
RORY
What Luke?
LORELAI
He's gone! He hates me. I blew it. I blew everything.
RORY
I don't understand. What happened?
LORELAI
I should have told him about Christopher.
RORY
That was innocent.
LORELAI
But I should have told him. I hid it. I shouldn't have hid it.
RORY
Try to sit up.
LORELAI
She got to him.
RORY
To Dad? Who did?
LORELAI
Mom. She pushed him and it ruined everything. And now they're putting up ribbons.
RORY
Ribbons? Who?
LORELAI
Taylor, the town. They hate me. They all hate me. I wrecked everything.
RORY
Mom. This isn't good. Come on. Try to sit up.
LORELAI
He said he needed time to think, but I pushed him.
RORY
He'll come around.
LORELAI
I pushed him, and now he's gone.
RORY
He waited forever for you. He's not just going to walk away.
LORELAI
It's over.
RORY
Mom, this isn't you. Lying in bed like this. You should be up.
LORELAI
You should go to school. Go back to school.
RORY
I'm here. I'm staying.
LORELAI
God, I really screwed up this time.
RORY
Shh.
LORELAI
He could have been the one.
RORY
He'll come around. Shh. Try to sleep.
LORELAI'S HOUSE
[Lorelai walks down the stairs.]
LORELAI
Rory?
[She looks into the kitchen and sees a video projector. She walks in and sees Luke sitting on Big Red.]
LORELAI
Luke?
[She walks into the Black, White and Read theater. She sits down next to Luke, smiling at him.]
LORELAI
Whatcha watching?
LUKE
Something stupid.
[The film shows Lorelai and Luke sitting in her kitchen drinking glasses of champagne, with candles all around.]
LORELAI
This isn't stupid.
FILM LUKE
Lorelai, this thing we're doing here, me, you. I just want you to know I'm in. I am all in.
[Film Lorelai says nothing.]
LORELAI
Say something.
[Luke on the couch next to her is replaced by a large blue ribbon.]
LORELAI
Say something!
[Lorelai wakes up in her bed. She rolls over and Rory is looking at her.]
RORY
You slept.
LORELAI
I guess.
RORY
Feeling better?
LORELAI
Sure.
RORY
No you're not.
LORELAI
You should get back to Yale.
RORY
Uh-uh.
LORELAI
Rory, you can't just stay here.
RORY
Sorry. I'm here for the duration.
LORELAI
No.
RORY
You need supplies.
LORELAI
I'm fine.
RORY
There's no sign that you've eaten or had anything to drink.
LORELAI
Well, I'm not hungry or thirsty.
RORY
Well, if you're staying up here you need supplies. Sustenance. Entertainment.
LORELAI
Well.
RORY
See, you're a little thirsty, aren't you.
LORELAI
A little.
RORY
What can I get you? Water? Bourbon?
LORELAI
Water is good.
RORY
What do you got food-wise?
LORELAI
Not much.
RORY
What's not much?
LORELAI
Like, nothing. Some moldy bread. I've been eating out mostly.
RORY
Okay, I'm going on a run.
LORELAI
I'm not hungry.
RORY
I'll get you some DVD's, too. Do you want magazines?
LORELAI
No.
RORY
I'll get you some magazines. You sure you don't want bourbon?
LORELAI
Honey, you have stuff to do.
RORY
This is my stuff. I'll be back in a flash.
LORELAI
[gasps]
The ribbons.
RORY
What?
LORELAI
Ah, the ribbons. They're all over town.
RORY
I'll just ignore them. Stupid Taylor!
LORELAI
People are going to be all over you with questions.
RORY
Then they'll feel the wrath of the Green Destiny.
LORELAI
Oh, you'll get bombarded.
RORY
Well, maybe I'll call in some reinforcements. [She kisses her head.] I've got my cell on.
LORELAI
'Kay.
RORY
Don't go rollerblading or bowling or anything while I'm gone.
LORELAI
I won't.
[She watches Rory leave, then flops back into bed.]
DOOSE'S MARKET - OUTSIDE
[Lane walks out of the store followed by a bag boy. They are both carrying large bags.]
FRANK
I'll get those, Miss.
[Frank, the driver, put the bags in the trunk of the limo. Lane gets in.]
RORY
Did you get everything?
LANE
Everything on the list. Plus, I threw in a few things of my own. Some Toll House cookie dough. Cooked or uncooked, the ultimate comfort food.
RORY
Nice.
LANE
Chocolate covered matzah.
RORY
Nice and ethnic.
LANE
And a new toothbrush.
RORY
Why a new toothbrush?
LANE
Dentists say you're supposed to change your toothbrush every three months, and I'm assuming your mother's not doing that.
RORY
Well, I'm not sure how that's going to help her depression but you are a good friend. [She knocks on the divider at the front of the limo. The window opens and she hands Frank a sandwich.] You like ham and cheese, Frank?
FRANK
Ah, thank you, Miss.
RORY
We can head home now.
FRANK
Very good. [He closes the window.]
RORY
Was Taylor in there?
LANE
'Fraid so. And he was holding court.
RORY
What?
LANE
He was talking with a bunch of people about the breakup. Big debate going on.
RORY
What debate?
LANE
Oh, about whether Elm should have gone more pink than blue, and whether Lorelai should have married that Max guy when she had the chance. Oh, and he was passing out ribbons like there was no tomorrow.
RORY
Was he. [Knocks on the divider.] Hold on, Frank.
FRANK
Yes, ma'am.
DOOSE'S MARKET - INSIDE
[Taylor is talking to a customer while bagging her groceries. Rory enters.]
TAYLOR
Luke I've known longer, because of the diner. Lorelai is much later, but she -
RORY
Where are they, Taylor?
TAYLOR
What?
RORY
Don't play dumb. The ribbons.
[Taylor shows her the box. She grabs it.]
RORY
Take piano lessons or something!
[She leaves.]
TAYLOR
She was so sweet when she was little. [Shaking his head.]
IN THE LIMO
[Rory gets in.]
RORY
Got 'em.
LANE
My compliments to your moxie!
RORY
Oh, I've got moxie coming out of my ears today. [They hear a car honking.]
LANE
They honking at us?
RORY
They better not be. Frank, are they honking at us?
FRANK
I believe so.
RORY
Oh, I am in no mood for this. We are depressed! [She stands up, her head out the sunroof of the limo.] We'll move when we move, so stop -
[Luke is honking at them. He stops, shocked.]
LUKE
Oh. Sorry.
RORY
I'm not usually in a limo. [She goes back in.]
LORELAI'S BEDROOM
[Rory has set up her purchases on a table next to the bed. Lorelai is sitting up, eating something out of a bowl. Rory enters.]
RORY
Heads up, man coming in.
LORELAI
Oh! The T.V.!
[Frank enters with the T.V.]
RORY
You won't come downstairs, I'm bringing downstairs up to you. On the table, Frank.
FRANK
Very good. [To Lorelai] Evening, Ma'am.
LORELAI
Evening.
RORY
That's Frank, my driver. So, I put all the things you will definitely need within easiest reach - water, basic foodstuffs - then, the things that you have to reach for or stand up for recede in order of frequency of use. It's not a science, but I did the best I could.
LORELAI
Well, I'm loving the cereal combo.
RORY
Five different kinds, three sweetened, with a mix of non-fat milk and half and half. It's a Paris recipe.
LORELAI
Thank her for me.
FRANK
All done here.
RORY
Excellent.
FRANK
Anything else I can get for you?
RORY
I don't think so. Thanks, Frank.
LORELAI
Yeah, thanks, Frank. [He leaves.] Wait, who's Frank?
RORY
Oh, well, I had to get out here, and my car is at the dealer for it's six month service. So my friend had a car and a driver standing by, so they let me borrow it and Frank, and, well, that explains Frank.
LORELAI
You take your car to the dealer?
RORY
Yeah.
LORELAI
They're such a rip-off there.
RORY
It says in the book to take it to the dealer.
LORELAI
If it said in the book to drive off a cliff, would you drive off a cliff?
RORY
Yes I would.
LORELAI
And 'they' is a 'he'.
RORY
Who?
LORELAI
The 'they' with the limo.
RORY
Yes, he's a 'he'.
LORELAI
Thank Logan for me.
RORY
Okay.
LORELAI
Look, you and Frank should go.
RORY
No!
LORELAI
Yale's going to get mad.
RORY
Yale's not going to get mad.
LORELAI
Rory, I'm glad you came, but look how fine I am. I'm surrounded by everything I could possibly need. I even have raw cookie dough, for God's sake.
RORY
That was Lane's idea.
LORELAI
A whole village has seen to my needs. Go. It's time. Look, I'm sitting up and everything.
RORY
And you're feeling better, I mean, for real this time?
LORELAI
I'm not a hundred percent, but I'm getting there. I swear.
RORY
The downstairs is all set too. I cleaned up. Vacuumed a little, spot dusted. Oh, and I've checked in with Sookie.
LORELAI
Oh, good.
RORY
The party for the little girls and their dolls? Michel apparently really came through and it was a big hit. He sang a medley from Annie.
LORELAI
Oh, the big guns. Good. Now go!
RORY
Okay. But I am going to call a lot.
LORELAI
I'm good with that.
RORY
And I only have one class tomorrow, so I could stop by again in the afternoon.
LORELAI
Well, there'll be no need.
RORY
You can call me, too, you know.
LORELAI
I know, Mom.
RORY
Okay. Bye.
LORELAI
Bye, honey.
RORY
And I'm going to have Frank honk before we leave.
LORELAI
Why?
RORY
I don't know, it just sounds fun.
LORELAI
Okay.
[Rory leaves. Lorelai turns on the T.V. and flips through some channels. She turns it off again. The limo honks outside. Lorelai sighs and slumps back down in bed.]
LORELAI'S HOUSE - LATER
[Lorelai is sitting up in bed, staring. She reaches for the phone, then stops herself. She grabs it and dials a number, sniffling.]
LORELAI
Hey, Luke, it's me. I know I'm not supposed to be calling, but I am not doing really great right now, and - [Pause] I was just wondering, if, do you remember in The Way we Were, how Katie and Hubbell broke up because his friends were joking and laughing, and the president had just died, and she yelled at them and he was mad and he was going out to Hollywood, and, I mean, which she hated, and he broke up with her and she was really upset. And she called him and asked him if he would come over and sit with her because he was her best friend and she needed her best friend, and he did. And they talked all night, and they went out to Hollywood, which was a disaster, but it was good at first. With the boat, and uh, putting the books away. I've seen this movie a lot, so if you don't remember the putting the books away scene, don't feel stupid or anything. I was just sitting here thinking about it, because I, um, I'm in my house, and I was just, uh [Her voice breaks] Could - please come over. I - please. Rea
[She hangs up suddenly, realization on her face.]
LORELAI
Oh, my God.
[She gets out of bed.]
LUKE'S DINER - OUTSIDE
[Lorelai runs down the street. The diner is dark. She grabs the key from on top of the door frame and opens the door.]
LUKE'S APARTMENT
[Lorelai sneaks in, looking around to make sure Luke isn't there. She goes to the answering machine and steals the tape and leaves.]
YALE DORMS - LOGAN'S COMMON ROOM
[Logan heads to the door to answer a knock. Rory is standing there.]
LOGAN
Hey, Ace, how you doing?
RORY
Fine.
LOGAN
Come on in.
RORY
Um, Logan, wait. No, I can't stay, I'm just returning Frank.
LOGAN
Returning Frank?
RORY
And the limo. Thanks very much.
LOGAN
Everything okay back home?
RORY
Okay enough. It was good that I went. Thank you very much for your help.
LOGAN
You're very formal tonight.
RORY
What?
LOGAN
Just your tone. It's formal.
RORY
Well, that's how it is. And, I fed Frank a nice sandwich, so he's all good to go.
LOGAN
You know you ended up being extremely lucky for me, Ace.
RORY
Is that so?
LOGAN
I took Robert for everything he had, plus everything I owed him from last time. You should come to all these things.
RORY
Yeah, kiddo, maybe I should.
LOGAN
What?
RORY
Hey, did it ever occur to you when I called to ask you if you wanted to hang out that I meant that it should just be the two of us?
LOGAN
I actually wasn't sure, the whole thing was a little vague.
RORY
It wasn't vague.
LOGAN
No, hanging out's a little vague. It's not a specific boy-girl thing.
RORY
Well, I can tell you that I wasn't expecting to be Fanny Brice to your Nicky Arnstein.
LOGAN
But I already had this game going, and I couldn't just kick everybody out, so my choice is to say no and not see you at all or say yes and do it the way we did it.
RORY
Well, I wasn't expecting a group.
LOGAN
So, I should have said no, meaning I wouldn't see you at all? I wanted to see you.
RORY
Well, that's nice. I wanted to see you too. I just thought it would be a little more intimate.
LOGAN
Intimate?
RORY
You know what I mean.
LOGAN
So the only time we can see each other is to have sex?
RORY
No, Logan, that's not what I'm saying.
LOGAN
That's what I'm taking from this.
RORY
Well, don't take that. That's not what I'm saying.
LOGAN
So, we can see each other under all kinds of conditions. Alone, in a group.
RORY
Yeah.
LOGAN
Good. Last night happened to be a group thing.
RORY
Right.
LOGAN
So I don't see the problem.
RORY
Yeah. No, I guess there really wasn't a problem.
LOGAN
Glad we cleared that up.
RORY
Yeah, me too.
LOGAN
[steps forward]
Now, I'm going out of town for a few days, but I was going to give you a call to set something up for when I get back, but you called me first.
RORY
Right.
LOGAN
I'm back next Saturday. It's the first night I'm back. Want to - I don't know, what are the kids saying these days? Hang out?
RORY
I'm never listening to the breakfast cereal girls again.
LOGAN
What?
RORY
Nothing. I'm free.
LOGAN
No group this time.
RORY
No group this time.
LOGAN
Good, so next Saturday. [They kiss.] Thanks for feeding Frank.
RORY
You're welcome.
LOGAN
And I promise not to call you kiddo again, I kinda picked up on that sarcasm from before.
RORY
There are just so many other things you could call me.
LOGAN
That's an opening. [She kisses him again.]
RORY
Bye.
LOGAN
[Looking after her]
Bye, Ace.
LORELAI'S HOUSE
[She walks toward the porch. Luke comes out of the front door.]
LORELAI
Luke.
LUKE
Are you okay?
LORELAI
Yeah, I -
LUKE
Sure? I got here, there was no answer.
LORELAI
[sighs]
You got my message.
LUKE
Yeah, I was home and I couldn't reach the phone, so I ran over here. I knocked, there was no answer, so I tried the loose window, but I fixed that last week, and then I realized I fixed all the stupid ways there were to get in your house, and I broke the back door lock and I ran inside and you weren't there.
LORELAI
Oh, my God.
LUKE
It's okay, I can fix it.
LORELAI
I'm so sorry, Luke. I will never do this to you ever again. I am absolutely humiliated. I was hurting, and I knew if I called you you'd come. I never should have done that.
LUKE
It's okay.
LORELAI
No, it's not okay. It's not okay. I am not that girl. I am not the one who cries and falls apart and calls her ex-boyfriend to come and save her. Thank you so much for coming, and for breaking my door. You're an amazing guy for doing that. [She hands him the tape.]
LUKE
What's that?
LORELAI
It's the tape from your answering machine.
LUKE
From my answering machine?
LORELAI
The last crazy thing you will ever have to endure from me, I promise. [Pause.] I just want you to know that I heard you when you said that you're out. I did. I'm going to respect that from now on.
LUKE
Okay.
LORELAI
You should go. It's cold. I'll be fine.
[Luke looks like he wants to say more, but Lorelai goes inside. He leaves.]
THE END