T5E16: “So…Good Talk”
Título em Português: “Então... Bom Papo”
Roteiro: Lisa Randolph
Direção: Jamie Babbit
Originalmente exibido em: 1 de março de 2005
LORELAI'S HOUSE
[At the front door, Lorelai is receiving her mail from the mailman.]
LORELAI: Thanks, Skip! Love that you're back in shorts. Missed those stems of yours, baby. [She closes the door and sorts through her mail.] Now, come on.
[She picks up the phone and dials. Rory answers.]
RORY
Hello?
LORELAI
Yeah, we've got to talk mail.
RORY
Not again.
LORELAI
It's all for you. Every piece. How can that be? You only half live here.
[Scene cuts between Rory's dorm and Lorelai's living room.]
RORY
This mail envy of yours is not pretty.
LORELAI
Catalogues, business solicitations, credit card offers, oh! And for me, some more stupid Greenpeace return address labels.
RORY
Well, you are the environmental philanthropist in the family.
LORELAI
Well, I feel very badly for the planet right now.
RORY
Hey, you called my cell.
LORELAI
I know.
RORY
Well, I told you to call my land line. My cell phone bill is astronomical.
LORELAI
But a conversation with me, priceless. [She continues sorting the mail, then holds up a postcard.] Oh, joy.
RORY
What?
LORELAI
Well, I did get a piece of mail. The temple of Apollo.
RORY
Grandma still hitting you with the postcards, huh?
LORELAI
As if nothing even remotely unpleasant happened between us. How does she do that? Compartmentalize like that? It's weird. She's the serial killer who goes to work and talks about a funny Seinfeld he saw and then goes home and cooks himself a man-flesh sandwich.
RORY
Ew.
LORELAI
Let's see how her trip has been since the last card. [Pretends to read] Dear Lorelai, kicked a dog then punched a gypsy in the groin. Oh, that's nice.
RORY
Mom –
LORELAI
[continuing her bit]
Complained about the foie gras to a waiter whose yearly pay is less than I spend monthly on silver polish, then kicked another dog.
RORY
Come on.
LORELAI
Tripped a nun, then burned down an orphanage.
RORY
Sounds like a busy itinerary.
LORELAI
And the sun sets on Apollo. [She rips the postcard in half.]
RORY
At least you don't get the nothing said all about it reminders about Friday night dinner.
LORELAI
She's putting her hooks in you, huh?
RORY
Yeah, three cards in a row, reminding me in no uncertain terms that they'll see me soon.
LORELAI
Well, she's smart enough not to do that to me.
RORY
Well, I'm mad at her too, you know. Just for the record.
LORELAI
I know.
RORY
Anything else?
LORELAI
Whoa. One minute of talk, and then I get the bum's rush?
RORY
I'm right in the middle of studying.
LORELAI
I gotta pop out of an envelope for you to have an interest in me?
RORY
I'll be home Friday. We'll eat, we'll talk, we'll laugh. What a time we'll have.
LORELAI
Skip's back in shorts.
RORY
I am not wasting cell phone minutes on Skip's shorts!
LORELAI
It's the Reno 911 short shorts. Ooh, disturbing.
RORY
I'm hanging up now.
LORELAI
Fine. So Friday?
RORY
Friday. Bye.
LORELAI
Bye-bye.
OPENING CREDITS
LUKE'S DINER
[Luke bangs the coffee pot down on the coffeemaker. He picks up a plate of food, carries it to a table, bashing into a waiter on his way, and clatters it down in front of a customer. Lane walks over to Zach, who is sitting, reading a magazine, with his feet up on another chair.]
LANE
Sit up.
ZACH
Huh?
LANE
Sit up and feet off the chair.
ZACH
What's with being a Chilean dictator dude?
LANE
Luke is on a tear, so this is for your own protection.
ZACH
He's always on a tear.
LANE
This is different! And you have to pay today.
ZACH
For the ice-cold, undercooked fries? I don't think so.
LANE
Zach, please! [She kicks his feet off the chair.]
ZACH
Ow!
LANE
I do this because I care for you. You know I care for you, right?
ZACH
Yeah. Gosh.
CUSTOMER
Excuse me, miss?
LANE
Can I help you?
CUSTOMER
Sorry to be a pest, but I asked for my omelette soft. This is way overdone.
LANE
Shh. Not so loud.
[Luke storms over and opens the door.]
CUSTOMER
You should probably make me another –
[He is cut off as Luke grabs him under the arms and throws him into the street. He proceeds to slam the door.]
LUKE
How's everyone else's eggs, huh?
REMAINING CUSTOMERS
Great.
[Luke stares at Zach. Zach un-crumples some bills and places them on the table.]
ZACH
That's all I've got, man.
[Luke glares and heads back to the counter.]
ZACH
[to Lane]
His eyes. Red, like the fires of Mordor.
LANE
Go, go. I'll see you later, and keep low! [Zach leaves.] How are you doing, Kirk?
KIRK
Great. I'm loving this blackened Cajun bread Luke made for me. I didn't even ask for it.
LANE
That's burnt toast, Kirk. You don't have to eat it.
KIRK
But I'm loving it! And look. [He scrapes some toast crumbs onto his food.] I've been mixing blackened ash with the runny eggs. Goes great with the fishy tasting bacon.
LANE
Glad you like it.
LUKE
Order's up!
LANE
[picking up the plate]
Uh, Luke?
LUKE
What?
LANE
Um, I know you're really busy back there – Is that the door to the oven?
LUKE
It fell off when I kicked it. Something wrong?
LANE
Well, I needed a side of hash browns for table three, and I'm really, really sorry, but this is hash. I think. I mean, it's hash-like.
LUKE
They'll eat it.
LANE
They might, or they might go have breakfast at Weston's like the lady with the walker you threw out about an hour ago.
LUKE
So, let ‘em go to Weston's. [Shouting] Huh? All of you! If you can eat ceramic cow creamers and kitty cat salt and pepper shakers and stupid little flowers drawn in powdered sugar on your plate, then that's where you belong anyway! [Some customers get up and leave.]
LANE
[to Kirk]
Unidentified breakfast food, on the house?
KIRK
Terriff. [He takes the plate from her.]
DRAGONFLY INN – FRONT DESK
[Lorelai is on the phone. As she is talking, Sookie comes in.]
LORELAI
No, I don't understand. Well, yes, of course I'll hold. I thought you'd never ask.
SOOKIE
How's your reservation book looking?
LORELAI
What?
SOOKIE
Are we booked up, half full, kinda light?
LORELAI
For when?
SOOKIE
Next two to three months.
LORELAI
Um, we're fairly booked. I'd say eighty, ninety percent.
SOOKIE
Eighty, ninety percent! Now, did they seem hungry?
LORELAI
What?
SOOKIE
Oh, and where are they from? Any from Jersey? People from Jersey love my Chinese chicken salad. Any Texans? Oh, any from France?
LORELAI
[on the phone]
Yes, I'm still here. Yes, great. [On hold again] What's the panic, Sookie?
SOOKIE
What's the panic? I'm giving birth!
LORELAI
Right now?
SOOKIE
No, not right now, but eventually. And when I do, I'll have to have all the menus made out, and a food order put in, and a backup plan, in case there's a bad tomato crop, or if Oprah decides to get mad at beef again.
LORELAI
Hello, Blaine! Yes, you were about to explain to me the reason you once again raised our premium here. [Pause] Uh-huh. Those were all very small claims due to the snow, and – right. Well, who else would we come to, but our trusty insurance agent. Guy. Stud. Pick the appropriate term and insert here. Now. Eh – yes, well, of course. Holding's one of my great pleasures.
SOOKIE
Problem?
LORELAI
The charmers at our insurance agency get mad when you try to claim something.
SOOKIE
The stable roof.
LORELAI
Yes, and – and now I've been disconnected. Coincidence? I think not.
SOOKIE
[Pointing at the computer]
Have people made dinner reservations?
LORELAI
Be my guest.
SOOKIE
Okay.
[The phone rings.]
LORELAI
Dragonfly Inn, Lorelai speaking.
EMILY
Lorelai, it's your mother, I –
[She is cut off as Lorelai hangs up the phone.]
SOOKIE
Hey, we've got vegetarians in April! What, were you hiding them?
LORELAI
Yes, I'm evil that way.
[The phone rings again.]
LORELAI
Dragonfly Inn, Lorelai speaking.
EMILY
Lorelai, you just hung up –
[Lorelai hangs up again.]
LORELAI
Hey, so who do you think will take over while you're gone?
SOOKIE
I was thinking about Chantelle.
LORELAI
The one who got her face caught in the mixer?
SOOKIE
She's better now. She just got her new nostril last week.
LORELAI
That's good.
[The phone rings.]
LORELAI
Dragonfly Inn.
RICHARD
Ah, yes. Lorelai. It's your father.
LORELAI
Oh, Dad! How was your trip?
RICHARD
Fine, Lorelai. Thank you very much.
LORELAI
And the flight back?
RICHARD
Very smooth.
LORELAI
Smooth is good.
RICHARD
Actually, your mother wanted to talk to you for a moment. [He hands the phone to Emily.]
EMILY
Hello, Lorelai, I –
[Lorelai hangs up the phone.]
LORELAI
Hey, do you have any of that really great braised lamb risotto thing leftover from last night?
SOOKIE
I think so, why?
LORELAI
Well, since I'm not going to Friday night dinner tonight or ever again, and I'm not in the mood for pizza, I thought I'd have a little fancy food with my movie.
SOOKIE
You're going to a movie!
LORELAI
I Netflixed all three ‘A Star is Born's.
SOOKIE
Janet, Judy and Babs.
LORELAI
The holy trinity. I thought I'd hunker down with some fabulous food and watch all the men that got away.
SOOKIE
What? No, you can't do that!
LORELAI
Why not?
SOOKIE
Because! Look, I'm worried about you.
LORELAI
Why?
SOOKIE
Just because you don't have someone in your life right now –
LORELAI
Meaning Luke.
SOOKIE
And your parents, and your Friday night dinners, and Rory's off at college –
LORELAI
I do, however, have my original nostril.
SOOKIE
You can't use that as an excuse to become couch potato girl.
LORELAI
What are you talking about?
SOOKIE
Sitting at home. Ordering take-out. Watching television night after night.
LORELAI
That's what I've always done. I was couch potato girl even when I had a guy. And Friday night dinner. And, by the way, the entire time Rory was growing up.
SOOKIE
Yes, but now it's pathetic.
LORELAI
Well, just a little.
SOOKIE
You are not sitting home tonight! We are going out!
LORELAI
We are?
SOOKIE
Girl's night out, just you and me. Oh, it'll be fun. Big excitement, big hair! We'll get all dolled up and paint the town!
LORELAI
But –
SOOKIE
I am coming to your house tonight, at seven o'clock sharp, and I am taking you out, and you better look hot! You hear me?
LORELAI
Yes I do.
SOOKIE
[giggles]
Good.
LORELAI
But remember, I don't put out unless I get dinner.
SOOKIE
[heading back to the kitchen]
I know. I saw your bumper sticker.
[She leaves.]
YALE CAMPUS
[Rory is placing her order at a coffee cart.]
RORY
Hi. I'd like a large caramel macchiato with an extra shot and whip cream, please.
COFFEE BOY
Coming up.
RORY
Wait, hold on. How much is that?
COFFEE BOY
Four eighty-five.
RORY
Okay, better drop the extra shot. What does that make it?
COFFEE BOY
Four twenty.
RORY
Better make it a small. What does that make it?
COFFEE BOY
Three thirty.
RORY
Better drop the whip cream. What does that make it?
COFFEE BOY
Less calories.
RORY
Just a plain old small coffee, please. [She turns around and drops her change all over the ground.] D'oh.
[She crouches down. Logan stops to help her pick up the coins.]
LOGAN
This would definitely qualify as a cute meet if we hadn't already met.
RORY
Logan. Hey. This is nice and embarassing.
LOGAN
Are we going after the rollers? A couple of them are headed into the bushes.
RORY
No, I think I've supplied people with a sufficient amount of silly images of me for one day.
LOGAN
Small coffee for me, and put the lady's on my tab too.
RORY
No, Logan, you don't have to do that.
LOGAN
Ace, I can't take a chance of you pulling out that purse again. Someone might get hurt. [He pays for the coffee.]
RORY
Okay, well, thank you.
LOGAN
So I stopped by the paper the other day to see you.
RORY
Really?
LOGAN
And then I tried to sneak out when I realized you weren't there. But our omnipresent editor cornered me. Does Doyle ever leave that place?
RORY
Unfortunately yes, otherwise I would be denied the regular pleasure of seeing him in Property of Alcatraz pajama pants.
LOGAN
Thanks for the image. Hey, come here. [He pulls her into a corner.]
RORY
What are you doing?
[They kiss.]
RORY
So that's what you're doing.
LOGAN
What'd you think I was doing?
[They kiss again. Rory turns away.]
RORY
People will see.
LOGAN
I don't care if people see.
RORY
A professor will see you, and he'll take advantage of the fact that you're distracted and pull you in, make you take a midterm.
LOGAN
I'm done with them.
RORY
With your midterms?
LOGAN
I already took the ones I couldn't get out of.
RORY
Then why are you here? You're going off skiing, aren't you?
LOGAN
I just have to drop off a paper for my ethics class by eleven thirty and then I'm off.
RORY
It's eleven twenty-five.
LOGAN
So we're swimming in time.
[He pulls her in to kiss her again. Rory breaks away.]
LOGAN
What are you doing?
RORY
[reaching into his bookbag]
I want to see your paper.
LOGAN
Your mind is a mysterious thing.
RORY
Come on. I'm dying to know what your take on ethics is. For instance, are you for it or against it?
LOGAN
No way. It's too dangerous.
RORY
Dangerous?
LOGAN
I actually worked on this thing. It goes from my hand to the professor's.
RORY
Like I'm going to lose it.
LOGAN
I saw you with your coins, plus let's remember Hemingway.
RORY
What about him?
LOGAN
Trusted that wife of his with the only copy he had of the novel he was working on. The silly woman lost it.
RORY
Not so. I know the story. Hemingway left it on a plane. His wife had nothing to do with it.
LOGAN
That's not the way I heard it.
RORY
Well, you heard it wrong.
LOGAN
How much you want to bet?
RORY
All the money in my purse, plus a million dollars.
LOGAN
Well, my spelling stinks. Take my word for it.
[He kisses her again.]
RORY
You'll call me from the cabin?
LOGAN
Absolutely.
RORY
Thanks for the coffee.
LOGAN
Anytime. Better have that million bucks ready when I get back, and I don't accept coins.
RORY
No promises.
[They head off in different directions.]
LORELAI'S HOUSE
[Lorelai is in the kitchen, making coffee. We hear Rory come in the front door.]
RORY
[OS]
Hello!
LORELAI
Kitchen!
RORY
[OS]
Ow! Rat bastard!
LORELAI
Are you okay?
RORY
[OS]
Give me a hand!
[Lorelai starts clapping as Rory enters the kitchen pulling several large laundry bags.]
RORY
Okay, Bob Hope's laughing in heaven, but I'm not.
LORELAI
Bob Hope got into heaven?
RORY
Please grab a bag.
LORELAI
This cannot all be laundry.
RORY
It's all laundry. The machine's fixed, right?
LORELAI
Yes, humming like new. Which one's the rat bastard?
RORY
[pointing]
That one.
LORELAI
[kicks the laundry bag]
Take that! And that!
RORY
Okay, he's had enough! I want to get a load going before I go to Grandma's.
LORELAI
Good idea.
[Rory exits out the back door, then comes back in.]
RORY
Hey, you're using it!
LORELAI
Yes, I know.
RORY
Well, but I had dibs.
LORELAI
No, you didn't call dibs.
RORY
I'm a college student coming home on Spring Break. That implies dibs on the washer and drier.
LORELAI
There's no implied dibs in dibs. If you don't call it, you don't get it.
[Rory goes back outside.]
RORY
[OS]
Well, this is just wrong!
LORELAI
What?
[Rory comes back in.]
RORY
You're washing two socks!
LORELAI
Well, they were dirty.
RORY
That's wasteful.
LORELAI
I really wanted to wear them tonight.
RORY
They are your dancing Santa Claus socks. You're not going to wear those for another ten months.
LORELAI
No, I can wear them eccentrically any time I want!
RORY
Well, then you're going to have to put one of my loads I while I'm gone.
LORELAI
And risk a hernia?
RORY
I'll never finish otherwise!
LORELAI
I'll do two loads. How's that?
RORY
Thank you. All right, I've got to take off.
LORELAI
Okay. Drive safe, and you've got gas, right?
RORY
Yeah, I've got gas.
LORELAI
Okay. Enough gas to get to Hartford?
RORY
I think so. Why?
LORELAI
Oh, well, because I've got a twenty – ah! A twenty! On the fridge, here! Look! Oh, here it is. I'm not going to use it. You should use it for gas.
RORY
Is it that obvious I'm broke?
LORELAI
Well, you mentioned the minutes on your cell phone, a hint of panic in your voice, and now the months of saved up laundry.
RORY
Well, there are just no good jobs at Yale right now, and I'd take anything. Trust me.
LORELAI
Well, I took the liberty of asking around town for you. Made you sound all pathetic and ragged. And there are a few temporary things you could take. You are very in demand in Stars Hollow.
RORY
Like what?
LORELAI
Well, the radio station needs someone to drive up the hill a couple of times a day and shoo the cows away from the transmitter.
RORY
I'm not good with livestock.
LORELAI
Well, the road crew needs a part-time ‘Slow Down' sign holder-upper. You get to wear a helmet.
RORY
I don't think so.
LORELAI
I saved the best for last. Andrew needs help doing inventory at the bookstore. I think that's probably your best bet.
RORY
That sounds great, actually.
LORELAI
Cool, just give him a ring.
RORY
Thanks. [She kisses Lorelai's cheek.] Now I just need to borrow some clothes to wear to Grandma's.
LORELAI
You're in clothes.
RORY
Well, she'll insist I take my jacket off and I'm down to my ‘Give Bush a Wedgie' t-shirt.
LORELAI
[gasps]
Please wear that to Grandma's!
RORY
I'm going to borrow some clothes.
LORELAI
There's another twenty in it for you!
RORY
Start one of my loads.
LORELAI
Forty if you snap a picture of her seeing it!
RORY
Finish your socks!
[She heads upstairs.]
ELDER GILMORE HOUSE – FOYER
[The doorbell rings. Emily answers it.]
EMILY
Rory, hello! Come in!
RORY
Hi, Grandma.
[Emily hugs Rory. Rory does not hug her back.]
EMILY
Oh, we missed you.
RORY
It's only been a few weeks, Grandma.
EMILY
Give your coat to Eliza. [Rory takes off her coat.] That's an interesting outfit you have on.
RORY
Laundry day.
EMILY
Laundry day. Everything young people do sounds like fun to me.
RORY
No, it's pretty dreary.
EMILY
Well, come in. Come in. [She calls up the stairs as they enter the living room.] Richard, Rory's here. Hurry down, and don't forget to bring the you-know-what! [To Rory] Forget you heard that.
RORY
Consider it forgotten.
EMILY
Our trip was wonderful. We have so much to tell you.
RORY
Good.
[They sit down.]
EMILY
We'll have to wait ‘till next week to show you pictures. Richard bought this new digital camera that's supposed to be so simple a child can use it. So now we need to find a child who'll show us how. [She laughs. Rory barely smiles.] Are you feeling okay?
RORY
I'm feeling fine.
EMILY
So, did you go to Athens on that first big European trip of yours?
RORY
Um, yeah.
EMILY
I hope you saw the National Archaeological museum. I thought of you there the whole time. The room with the Mask of Agamemnon?
RORY
Yep, we hit that.
EMILY
Interesting, huh?
RORY
Yep.
[Richard makes his way down the stairs.]
RICHARD
Rory!
RORY
[stands up]
Grandpa! Welcome home! [They hug.]
RICHARD
Well, thank you! Look at this outfit! I like the colors.
RORY
Thanks! It's borrowed.
RICHARD
So, we have quite a bit to catch up on!
RORY
I know, I want to hear all about it!
RICHARD
Well, I'm sure your grandmother has caught you up somewhat.
EMILY
I started to.
RICHARD
And with the dozens of postcards she sent, you probably remember the trip better than I do.
RORY
I still want to hear your account.
EMILY
Have her open the gift, Richard.
RICHARD
Oh, yes. Please. Open it!
[Rory pulls out an antique book.]
RORY
Oh, my God, it's amazing!
RICHARD
Leaves of Grass in Greek. A hundred years old, some beautiful engravings.
RORY
Now I have to learn Greek.
EMILY
Feel the leather.
RORY
Grandpa, thank you so much.
RICHARD
Well, you can thank your grandmother. She helped pick it out.
RORY
[not looking up]
Thank you, Grandma.
ELIZA
Dinner is served, Mrs. Gilmore.
EMILY
Thank you Eliza. [To Rory] You can flip through that a little later.
RORY
Okay. [She puts the book away and she and Richard head for the dining room.] So, Grandpa, is it true that every restaurant in the Placa has a view of the Acropolis?
RICHARD
Well, they like to think so. But we found this charming little taverna – Dionysus. The view was spectacular, and the Ouzo certainly lived up to its name.
LORELAI'S HOUSE – OUTSIDE
[Lorelai exits the front door and joins Sookie, waiting in her car.]
LORELAI
Oh, I am so hot. I'm going to hit on myself tonight.
SOOKIE
You look nice.
LORELAI
So do you, your hair is so fancy.
SOOKIE
And I'm ready to let it down!
LORELAI
So, what town are we painting first?
SOOKIE
Oh, well, it's your big night out, so anywhere you want!
LORELAI
Okay. How about dancing?
SOOKIE
Dancing! Yes! [sings and starts the car] I'm a brick – da-da-da-da house. Now, of course I can't really dance ‘cause my ankles are completely swollen, and, uh, my stomach's a bit of a hindrance on the dance floor. But I can watch you dance.
LORELAI
No, that's okay. Let's do something else!
SOOKIE
But you want to go dancing!
LORELAI
No, we'll do whatever.
SOOKIE
Like what?
LORELAI
We can go to a bar, hang out and talk.
SOOKIE
Sounds perfect! Of course, I tend to get a little depressed when I'm in a room full of people drinking and I can't have a cocktail! You know, did I tell you I'm having a recurring dream lately, about a magic pina colada? With whip cream, and a ton of rum, and a talking little paper umbrella!
LORELAI
If you're having dreams like that, you don't need a cocktail! How about a movie?
SOOKIE
I have to get up to pee every five minutes. But, we can sit on an aisle near the back and you can fill me in on what I missed!
LORELAI
Sookie – [she turns off the car] – Why don't we just stay home?
SOOKIE
No! We're hitting the town!
LORELAI
Not tonight.
SOOKIE
We have to. I can't let you become this spinster on the couch.
LORELAI
We can go inside and order in pizza.
SOOKIE
You need to go out, and see things, and do things!
LORELAI
I have ‘A Star is Born'. All three versions. We can compare and contrast performances and dosages!
SOOKIE
It is my responsibility as your best friend to make sure you go do exciting things even when you don't want to.
LORELAI
Hanging out with you is exciting!
SOOKIE
It is?
LORELAI
And with pepperoni and some extra cheese – look out.
SOOKIE
I am getting kind of hungry!
LORELAI
Well, sure, all this partying will do that to you.
SOOKIE
Can we watch the Streisand ‘A Star is Born' first? I really love that scene where she chews on Kris Kristofferson's lip!
LORELAI
Yeah!
[Sookie giggles as they get out of the car and go back in the house.]
ELDER GILMORE'S HOUSE – DINING ROOM
[Rory, Richard and Emily are having dinner.]
EMILY
So, where are all of your Yale friends for Spring Break?
RORY
Oh, here and there.
EMILY
Did your friend Paris make interesting plans?
RORY
Not really.
EMILY
And how's the shortcake?
RORY
It's fine, thanks.
EMILY
I know this seems a bit basic, but Eliza found the first decent strawberries of the year. I'm so mad at California.
RICHARD
Well, you'd think that rain would be good for crops. It's counterintuitive.
EMILY
Anyway, these strawberries are wonderful. Could you pass them to me, Rory?
[Rory passes the dish without looking up. Emily mouths to Richard “Do something!” and points at Rory. Richard looks troubled.]
RICHARD
So, Rory. Is everything all right with you this evening?
RORY
I'm fine, Grandpa.
[He looks helplessly at Emily. She gestures as though to say “Go on!”]
RICHARD
You'd tell us if anything was bothering you.
RORY
Really, it's nothing.
RICHARD
Seems as though there might be something on your mind.
RORY
Not really.
RICHARD
All right.
RORY
So, Grandpa, you hardly told me anything about your trip? How was the Archaeological museum?
EMILY
Oh, now, that's it.
RICHARD
Emily –
EMILY
What is wrong with you?
RORY
Nothing.
EMILY
I asked you about that museum earlier and all you did was mumble something about hitting it!
RORY
I should have been more expansive. I'm sorry.
EMILY
You've been pushing me away all evening!
RICHARD
Emily, please.
EMILY
You asked your grandfather question after question and make polite chit-chat about the duck with the maid, what's her name, tell her it's wonderful –
RORY
Because she made it! And her name is Eliza!
EMILY
I told her to make it! You're enjoying duck because I requested duck!
RORY
Well, it was a great duck, Grandma! Kudos on the duck!
EMILY
This isn't you, this attitude of yours. This is your mother.
RORY
Don't bring up Mom.
RICHARD
Look, both of you. Let's try to calm down.
EMILY
Why are you acting this way?
RORY
Your memory can't be that short, Grandma!
EMILY
What does that mean?
RORY
Do we really have to get into this?
EMILY
You should walk out that door and come in again. Start all over.
RICHARD
She doesn't need to do that, Emily.
EMILY
We have a contract!
RORY
[Sarcastic]
A contract!
EMILY
We pay for Yale. You come to dinner every Friday night and you act pleasantly and decently.
RORY
You're right, Grandma. We do have a contract. But it's to come to dinner. Period. There's no agreement on how vivacious or bubbly I have to be.
EMILY
You need to act like you!
RORY
I am!
EMILY
This isn't you!
RORY
[getting up]
Look, Grandma, you know what you did.
RICHARD
Rory, please sit down.
RORY
I mean, what did you expect? Ten Acropolis postcards and I forget the fact that you broke up Mom and Luke? Now, I respect our contract. And I will continue to come every Friday night and eat dinner with you. But I won't guarantee an attitude that will please you. Excuse me.
EMILY
You are certainly not excused, we're not through.
RORY
We have had dessert, I'll skip the port. Good night.
RICHARD
Rory.
RORY
Good night, Grandpa. I'll see you in a week.
[She leaves. Emily and Richard look at one another, shocked.]
WESTON'S BAKERY
[Lorelai and Sookie are sitting at a table.]
LORELAI
See, now, this is perfect.
SOOKIE
It's not a nightclub, but it's a place she never goes. Different and exciting.
LORELAI
And chocolaty.
SOOKIE
Are you having fun?
LORELAI
Oh, not missing the couch a bit.
WAITER
Hi, Lorelai. Wow, twice in one day, huh?
LORELAI
[chuckles]
Hi, Frankie. Yeah, well, gotta have some pie, you know. [Sees Sookie looking at her.] Well, I haven't memorized the menu yet.
SOOKIE
You come here?
LORELAI
You know, just once a – day.
SOOKIE
Unbelievable.
LORELAI
Well, I have to go somewhere in the mornings.
SOOKIE
I didn't want to take you somewhere you always go!
LORELAI
I had a great time tonight, and I appreciate your concern. And I promise, I am not going to become a couch potato spinster woman.
SOOKIE
[gesturing at her belly]
Okay, the minute this comes out, you and I are going away for a weekend. Just the two of us.
LORELAI
Absolutely, except for the fact that you'll have a newborn baby at home, that's a perfect plan.
[Rory enters.]
RORY
Hello, ladies!
LORELAI
Hi, kid. How'd you know we'd be here?
RORY
What do you mean? You're always here. Hey, Sookie.
SOOKIE
Hey, egghead. Do you want some pie?
RORY
Oh, I never say no to pie.
LORELAI
So how was dinner?
RORY
Loud.
LORELAI
Meaning?
RORY
There was yelling.
LORELAI
Why, what happened?
RORY
I just got so mad. She was acting like nothing was wrong. Like it was totally normal that you weren't there. And I couldn't take it.
LORELAI
I understand.
SOOKIE
[leaning on her hand]
I understand too.
LORELAI
Are you getting sleepy, there, Sookie?
SOOKIE
No, I'm fine. Just a little past my bedtime is all. Keep talking.
RORY
I left during shortcake.
LORELAI
I'm sorry to hear that.
RORY
Hey, Grandma did this. You didn't.
LORELAI
I know. I just hate that you're fighting with them.
RORY
Don't worry about it. [Looks at Sookie] She's sleeping.
LORELAI
Yeah, well, we partied pretty hard tonight.
RORY
Should we wake her up?
LORELAI
Nah, we'll wait a minute.
RORY
Mom. [She gestures to the empty table next to theirs.] Can you -
LORELAI
What?
[They move to the other table.]
LORELAI
Something wrong? [Pause.] Is it about Grandma? [Pause.] Do I have to ask eighteen more of these?
RORY
You know how, with Dean, things didn't exactly go the way I planned?
LORELAI
You mean with you and him getting together?
RORY
No, I mean, yes, that too. But I promised you that I would come to you and talk to you when I thought I was ready to - but I didn't, um, because it all happened so fast and I didn't get a chance and then everything got so messed up, and then after, it was weird. The situation was weird, and I didn't feel comfortable coming to talk to you about anything concerning us at all -
LORELAI
You can always talk to me. Even when it's weird.
RORY
I know. I want to. I want to go back to talking about everything. Just like before Dean.
LORELAI
I second that motion.
RORY
So I thought I would come talk to you now about Logan.
LORELAI
[surprised]
Oh. Okay.
RORY
I want to tell you now, so you hear it from me, right when it's... starting.
LORELAI
Right when it's starting? Oh. Got it. So, the two of you are starting something, huh?
RORY
[smiling]
Yes. We have definitely started something.
LORELAI
Started! Oh, you have already started something. Wow. Okay, fast.
RORY
I know, but he's so great. I mean, you've seen him. He's beautiful, and really smart. Smarter than me, I swear. And he's – great.
LORELAI
Yes, he seems great.
RORY
And we have a lot in common, which is good.
LORELAI
Very good.
RORY
The paper, and Yale of course, and he's extremely well-read. And I know Logan's rich, and I know you don't really -
LORELAI
No, no. Rory, I don't care if he's rich. If you like him -
RORY
I do. I really like him.
LORELAI
And he's treating you well.
RORY
He is. I'm having fun. A lot of fun.
LORELAI
Okay, well. If he's that important to you, I should probably, you know, meet him again, under different circumstances.
RORY
Right.
LORELAI
Everything all buttoned and zipped.
RORY
You will, I promise.
LORELAI
Good, that's good.
RORY
Anyhow, I just wanted you to know.
LORELAI
Okay, so. Good talk.
RORY
Yeah?
LORELAI
Absolutely. [She sighs.] Man, I feel like I should buy you a shot
RORY
How about a rum ball?
LORELAI
Two rum balls, coming up.
[Rory smiles as Lorelai gets up.]
STARS HOLLOW STREET
[Lorelai is walking. Her cell phone rings.]
LORELAI
Hello?
RICHARD
Lorelai, it's your father.
LORELAI
Well, hello there, my father. What can I do for you?
[Scene cuts between Lorelai walking and Richard in his study.]
RICHARD
Well, you can take a more serious tone, for starters.
LORELAI
[in a deep, British voice]
Oh. Hello, my father.
RICHARD
Lorelai.
LORELAI
Oh, sorry. I thought the British thing made it pretty serious.
RICHARD
I assume you heard what happened at dinner last night?
LORELAI
Did it involve a fork?
RICHARD
No, it did not. It involved your daughter being incredibly rude and insensitive to her grandmother.
LORELAI
I heard there was a bit of a flare-up there, yes.
RICHARD
It was more than a flare-up. I've never seen Rory behave like that.
LORELAI
Well, she was upset, Dad.
RICHARD
Well, that is no excuse!
LORELAI
Well, I don't know what to tell you.
RICHARD
You can tell me what you intend to do about it.
LORELAI
Uh, nothing?
RICHARD
You have to talk to her!
LORELAI
No, I do not.
RICHARD
Lorelai, you are her mother. It is up to you to set an example for your daughter.
LORELAI
I did set an example for her, Dad. I didn't go to dinner. She went anyhow, damn kids, you can't teach them anything.
RICHARD
She yelled at her grandmother, Lorelai! At the dinner table, right in front of me!
LORELAI
Well, this is none of my business.
RICHARD
Of course it's your business! It's your battle she's fighting.
LORELAI
I do not have a battle.
RICHARD
You need to talk to her and tell her that this behavior is not –
LORELAI
Dad, listen to me. This is Rory's thing, okay? She was mad. She was upset.
RICHARD
Well, what does Rory have to be upset about?
LORELAI
Rory loves Luke, Dad. She does not want to see him hurt and humiliated like he was. She cares about me.
RICHARD
Your mother did what she thought –
LORELAI
Whoa, just stop right there. I'm not interested in why Mom did what she did.
RICHARD
Well, I was just –
LORELAI
Luke and I have broken up, Dad. Okay? We are no longer together. And it is a direct result of what Mom did. And I know that you could care less, and I know that Mom will be thrilled, but I am not thrilled. I am not thrilled. And Rory is not thrilled. We're both hurt and extremely upset. Now, I can stay away and not come to dinner and not see Mom, but Rory made a deal with you guys, and Rory never goes back on anything she says, so she went. She was there, and if she was rude or cold, then I'm sorry, but I personally feel she has every right to be, and you and Mom will just have to work that out with her yourselves.
RICHARD
So then this is it? You'll never visit our home again?
LORELAI
I don't know.
RICHARD
You'll send Rory, but you'll avoid us at Thanksgiving? On Christmas?
LORELAI
Probably.
RICHARD
So we're just supposed to accept the fact that we'll never see you again?
LORELAI
You can see me anytime you want, Dad. I have no beef with you.
RICHARD
[thoughtfully]
I see. Well.
LORELAI
Uh, Dad?
RICHARD
Yes?
LORELAI
While you're all calm and quiet there, can I ask you a question?
RICHARD
Go ahead.
LORELAI
Well, the premium on my insurance policy at the inn is going up fifteen percent because of some small damage claims –
RICHARD
I'm sorry, you're asking me a question about insurance?
LORELAI
Yeah.
RICHARD
Carry on.
LORELAI
So these guys came by the Inn last week, and –
[She sees a traffic cop writing a ticket for the boat in front of Luke's.]
LORELAI
Oh. Dad, I gotta call you back in a sec, okay? Thanks. Bye. [She hangs up and hurries over to her.] Excuse me! Hello! Hi, hi.
COP
Is this your boat?
LORELAI
Ah, technically. It is. Yeah. And I'm sorry that it's parked out here like this, but, see, it's supposed to be auctioned off for charity for the National Boating for Peace and, uh, low blood sugar organization for tiny children, and so they delivered it early and not finished, and so it was dropped off here, so, to be picked up by the boat finishing guys. I'm supposed to move it. But there was this kitten. In a tree. He had a cold, and I had to bring him a Kleenex, and –
COP
Just move it on street-cleaning days.
LORELAI
Yes, ma'am.
[The cop leaves. Lorelai sighs and looks at the boat, then walks away.]
LUKE'S DINER – INTERIOR
[Lane comes over to Kirk's table.]
LANE
You want some ketchup, Kirk?
KIRK
No, thanks. The distinct charred flavor of this meat is like a delicacy. I wouldn't dream of obscuring it with condiments.
LANE
I think that's a pancake.
KIRK
Fascinating.
[Lane heads back to the counter.]
LANE
Luke, my cheeseburger and fries up yet?
LUKE
How would I know? What am I, a food psychic? What, do you want to know how the grapefruit crop's gonna be this year? Hold on, I'm getting a message from a kumquat from beyond the grave.
LANE
Okay, I'll go see for myself.
KIRK
Hey, Luke, can I get a napkin?
[Luke tosses a towel, which lands on Kirk's head.]
KIRK
A cloth napkin and a moist towlette, all in one!
LANE
I've got a delivery, I'll be right back!
[She heads toward the door. A man enters.]
MAN
Sit anywhere?
LANE
[hushed]
Ah, listen. I will be back in fifteen minutes. Why don't you wait, and let me seat you then?
MAN
What?
LANE
Just trust me –
MAN
Forget it! I'm hungry now.
LANE
Okay. Anywhere's fine.
[She leaves the diner. As she walks down the street, behind her we can see the man being tossed out, landing on his knees on the sidewalk.]
STARS HOLLOW BOOKS
[Rory is sitting, surrounded by piles of books. Lane enters.]
LANE
Soup's on!
RORY
Oh, thank God. I am starving. I have been dreaming about Luke's cheeseburgers for a month.
LANE
How's the inventory coming?
RORY
Perfect. I have a great system going. [Pointing] This is my ‘to be written down' pile, my ‘already written down' pile, and this is my pile of books that I have seen and now have to buy.
LANE
That's a big pile.
RORY
[Opening the bag of food]
Yep.
LANE
Bigger than the other two piles.
RORY
Yep.
LANE
This job must be costing you a fortune.
RORY
Yep. [She takes a bite of the burger and makes a face.] Oh, my God. What is that thing?
LANE
Sorry. I should have warned you.
RORY
This is disgusting! This is from Luke's?
LANE
Yeah, he's been a little off his game lately.
RORY
Off his game? It's like Tiger Woods made this thing.
LANE
Luke's been in a mood.
RORY
And he's taking it out on the cheeseburgers?
LANE
It's been awful. Everything's either been burnt or dropped. He's absolutely miserable. He just mopes and growls and stomps around. He throws customers out the door.
RORY
Geez.
LANE
I'm assuming his mood might have something to do with a certain someone who's been spending a lot of her time at Weston's lately.
RORY
Oh, poor, sad Luke.
LANE
Poor, sad tips.
RORY
Listen, I have to get something to eat. You want to run over to Al's with me?
LANE
Can't. If Luke's left alone too long, he might burn the place down.
RORY
Well, how about tonight? You want to do something?
LANE
I would love to, but Zach is cooking me dinner.
RORY
Really? Oh, it's so sweet.
LANE
It is, isn't it?
RORY
It's so nice that you have Zach.
LANE
I know, it's like having a perfect haircut every single day.
RORY
My God, that is beautiful.
LANE
I'll call you later?
RORY
Okay. Thanks for the concept of lunch.
LANE
Anytime.
[Lane leaves. Rory gets up and spots another book and adds it to her ‘to buy' pile.]
RORY
This job was a great idea.
[She heads across the street.]
DRAGONFLY INN - KITCHEN
[Lorelai enters the kitchen.]
LORELAI
Hey, Sookie? Has my dad –
SOOKIE
[jumping out at her]
August fourteenth!
LORELAI
Oh, geez!
SOOKIE
What are you doing August fourteenth?
LORELAI
Uh, recovering from the grand jete you just did there?
SOOKIE
Last night I called Jackson's sister – Colleen, not the drunk one and I asked her to take the kids on the weekend of August fourteenth because by then there will be kids, and I will be free to girlfriend the weekend away. What do you think?
LORELAI
Oh, shoot.
SOOKIE
What?
LORELAI
Well, If you had just gotten to me sooner.
SOOKIE
Sooner than six months ahead of time?
LORELAI
Well, August is my bathing month.
SOOKIE
[disappointed]
Oh, well, September will probably work, and [noticing the small smile on Lorelai's face] you're joking.
LORELAI
August fourteenth would be perfect.
SOOKIE
[clapping]
Oh, yay!
[Richard enters the kitchen with a business associate.]
LORELAI
Hey, Dad, how's it look?
RICHARD
Why don't you go and check that landing again, Phil? I'll be up in a moment. [He turns to Lorelai.]
LORELAI
Well, is it bad, is it good, am I screwed? What do you think?
RICHARD
Philip and I have thoroughly toured the property, and with the exception of one too many garden gnomes, we have found it to be in top shape.
LORELAI
[pleased]
Really?
RICHARD
Yes. I've also reviewed your policy, and while I tip my hat to the criminal genius who convinced you to sign it, I find it appalling.
LORELAI
I knew the name Sheisty McSheisterson should have tipped me off.
RICHARD
You can do better. And I can help.
LORELAI
Don't you tease me, Gilmore.
RICHARD
Oh, no, I wouldn't dare.
LORELAI
So what do we do?
RICHARD
Well, Philip will go over the property again, he'll take some pictures, and tomorrow I will put a new policy together for you.
LORELAI
Oh my God, you're my lifesaver.
SOOKIE
Hey, can I make you guys some lunch?
RICHARD
No, thank you, Sookie.
LORELAI
Come on, Dad. Not even a sandwich?
RICHARD
I'll tell you what. I'll have some coffee, if you're offering.
LORELAI
We're offering.
SOOKIE
I'll heat up some scones to go with it.
RICHARD
[calling after her]
Oh, no, I don't – uh, I don't want the –
LORELAI
Forget it, Dad. You're getting scones.
RICHARD
My God, this is a bossy place.
[They go into the dining room.]
RICHARD
You know, I have to say, Lorelai. You've done a wonderful job here.
LORELAI
[surprised]
Thank you, Dad.
RICHARD
Well, the restoration. The rooms. The homey feel. And the stables – very smart.
LORELAI
Yes.
RICHARD
People love horses.
LORELAI
They turned out to be quite a draw.
RICHARD
Hmm. You know, small inns like this are very fashionable right now. The larger hotel chains are constantly searching to acquire charming places like this. They keep them just as they are, usually retain the management. I could, uh, do a little sniffing around for you if you like.
LORELAI
Are you talking about selling my inn?
RICHARD
Well, you would still run it. But you'd make a lot of money.
LORELAI
I'm good, Dad.
RICHARD
Well, you should really think about it.
LORELAI
I don't think I'm going to be selling this place, but thank you for the suggestion.
RICHARD
Yes, well, if you change your mind.
LORELAI
Yes, I know where to find you.
[A waiter brings the coffee and scones.]
RICHARD
Oh, my, what is that heavenly smell?
LORELAI
Scones.
RICHARD
I have never smelled anything as heavenly as this.
LORELAI
Wait till you taste them.
LANE'S HOUSE
[Lane and Zach are having a candlelit picnic on the floor.]
ZACH
More bubbly, my dear? [He offers her some Pepsi.]
LANE
Please.
ZACH
I opened the bottle this afternoon, so it's just the way you like it. Nice and flat.
LANE
You're very sweet. This whole thing was so sweet, Zach. Cooking me dinner?
ZACH
It was fun.
LANE
The sauce was amazing.
ZACH
My own creation. Ragu with garlic salt, cayenne pepper and a dash of wasabi.
LANE
It made my ears pop.
ZACH
One of the benefits.
LANE
Spaghetti was just right, too.
ZACH
I threw some up against the wall to tell if it was done. Made a shape like Peter Gabriel's big bloated head. It's still there if you want to see it.
LANE
[getting up]
Yeah? Cool.
ZACH
But not now, okay? [He pulls her down beside him.] Later.
LANE
Oh, sure.
ZACH
[kissing up her arm]
You're the best, you know. The coolest, the cutest.
LANE
Aw, thanks. Back at you.
ZACH
I liked you the day I met you. I even remember what you were wearing.
LANE
Oh, God. I probably looked like a pig. I need more clothes.
ZACH
I want this to be right, you know?
LANE
Yeah. Absolutely.
ZACH
Music's good for you?
LANE
Sure.
[They kiss.]
LANE
That was nice.
ZACH
Yeah, it was.
[They kiss again.]
LANE
We should probably clear the plates, right?
ZACH
What?
LANE
Just to get them soaking.
ZACH
No. Uh, later. After.
LANE
Okay. After what?
ZACH
[leans in]
After.
LANE
Right. [They kiss] After.
[More kissing. Lane suddenly pushes away.]
LANE
Oh, my God!
ZACH
What?
LANE
You want to have sex.
ZACH
Kind of.
LANE
Oh, my God! [She gets up and crosses the room.]
ZACH
You didn't know where this was heading?
LANE
How could I have known, Zach?
ZACH
I thought it was clear.
LANE
How, how?
ZACH
I cooked. I never cook.
LANE
I don't know that you've never cooked. I've known you, what, two years? This could be a dormant hobby.
ZACH
I lit candles.
LANE
I thought you were trying to save on electricity. Very prudent.
ZACH
I told you I wanted to have a special evening with you.
LANE
That's a clue?
ZACH
[yelling]
I don't say crap like ‘special evening', Lane! I play guitar!
LANE
Okay! But –
ZACH
I lined the path to the bedroom door with rose petals? You had to have seen that.
LANE
I thought you tracked them in. You're always stepping in things, Zach.
ZACH
I don't know what else I could have done.
LANE
Yeah, well, neither do I.
ZACH
What?
LANE
You're right. You gave me, like, eighty-three clues, and I missed them all. I'm stupid.
ZACH
You're not. I was just trying to be subtle and that's not my thing. I'm bad, I'm a bad man.
LANE
You're not bad. You're good. I'm stupid.
ZACH
I pushed you. I should be arrested.
LANE
No, Zach. I should have known. We've been dating for what, four months? And we live together, and I'm twenty. You're a guy, and I'm a girl. Birds do it, bees do it.
ZACH
So, what do you think?
LANE
Oh, well, I have to wait until I get married.
ZACH
What?
LANE
I have to wait till I get married?
ZACH
I didn't know that.
LANE
Neither did I.
ZACH
Whoa.
LANE
Yeah, whoa.
ZACH
I don't know if I'm okay with that.
LANE
I'm not sure if I'm okay with that either.
[They look away. Lane gets up.]
ZACH
What are you doing?
LANE
Cleaning up.
ZACH
I'll do it.
LANE
No, Zach. You're not getting any tonight, the least I can do is clean up.
[Zach sits back down, confused.]
ELDER GILMORE'S HOUSE – KITCHEN
[Emily stomps into the kitchen, where she is making flower arrangements. Richard is calling after her.]
RICHARD
Emily, I don't believe we've finished talking about this. [He enters.] I think once you take a step back and think about this you will see that there is nothing to be upset about.
EMILY
I'm not upset, Richard. [She throws a flower into the vase.]
RICHARD
You're not.
EMILY
No, I'm not.
RICHARD
Oh, that flower just had it coming, I assume.
EMILY
You're loving this, aren't you?
RICHARD
Loving what?
EMILY
Rory won't even look at me, but it's ‘Grandpa, how was Greece?' and ‘Grandpa, I just love my gift'!
RICHARD
Oh, now, Emily.
EMILY
Lorelai won't take my calls, but runs to Daddy with her insurance problems.
RICHARD
Well, her insurance company's been robbing her blind!
EMILY
Please.
RICHARD
Well, would you like to see her policy? The deductible alone –
EMILY
You're the favorite and you're loving every single minute of it.
RICHARD
This is not a popularity contest.
EMILY
No, not a contest. You've already won.
RICHARD
Emily, you are acting incredibly immature!
EMILY
You couldn't wait to run over to that inn of hers for your secret clandestine meeting!
RICHARD
Well, how clandestine could it be? I just told you about it.
EMILY
I do not understand why you refuse to stand by me on this.
RICHARD
Why haven't we gotten stools in here?
EMILY
I did what I did for her own good!
RICHARD
Of course you did!
EMILY
I only want the best for her, and since she is incapable of judging what is right and what is wrong, I had to step in! I had to act!
RICHARD
Yes, you did. You acted and it backfired.
EMILY
Richard!
RICHARD
Well, you did! It was a noble effort, but it failed. And now we have to deal with the reality in front of us. However misguided Lorelai's feelings are right now, the fact is, she is not willing to deal with you. She will, however, deal with me. And at least this way we still have contact with her.
EMILY
Contact, please.
RICHARD
And hopefully, with time, we will be able to convince her to come back and things will return to normal. However, if we simply cut her off, no contact whatsoever, then the odds of being able to get things back to the status quo are not very good at all. Don't you agree? [Emily looks petulant.] I thought so. All right, now don't worry. [He kisses her forehead.] I have everything under control.
EMILY
[as he is leaving]
Of course you do. Because you're the favorite.
STARS HOLLOW BOOKSTORE
[Rory is working. Lane is lying on the floor.]
LANE
I can't believe it. I just cannot believe it!
RORY
It's okay.
LANE
How did this happen? I started listening to rock music when I was seven years old. I snuck makeup on at school. I managed to join a band without anyone knowing. I had a boyfriend who my mother thought was a Christian guitarist. And I ate spicy condiments like they were going out of style.
RORY
Lane.
LANE
I drank soda, ate hamburgers, wore jewelry, I danced.
RORY
Not very well.
LANE
Hey, any skill level's a sin. And then I moved out and I lived with two guys. I mean, nothing else stuck. Nothing. So why this?
RORY
It's a mystery.
LANE
Why couldn't the gluten-free thing stick? I could've lived with that. Or the not dancing thing. Oh, you should have seen Zach's face, it was like -
RORY
Like he realized he wasn't going to have sex with you until the wedding night.
LANE
Yes! Exactly. God, this blows!
RORY
A lot of people wait until they're married to have sex.
LANE
Yes. Jessica Simpson and Donna from 90210.
RORY
And a couple of others.
LANE
Oh, my God, what if I never get married?
RORY
You'll get married.
LANE
If I never get married then I'll never have sex.
RORY
You'll get married, you'll have sex.
LANE
That's easy for you to say. You've already had sex with two different guys. All within a one year period.
RORY
Okay, you're making me sound a little slutty.
LANE
Well, why shouldn't you be slutty? You have absolutely no mother-taught morals standing in the way of you and your sluttiness.
RORY
Oh. Well, when you put it that way.
LANE
Is it great?
RORY
Is what great?
LANE
Sex! Is it great?
RORY
Not in front of the books, Lane.
LANE
What am I saying? It's great. And I will never experience it because by the time I'm ready to get married all the men will have been taken by women who didn't grow up in my household!
[Lane puts on her coat.]
RORY
Going out to find a husband?
LANE
I have to get extra trash bags for the diner.
RORY
All right. Call me later.
[Lane exits the bookstore and starts walking down the street. She notices her mother up ahead, handing out flyers. She begins walking faster.]
LANE
You're in my head! Are you happy? You are in my head!
MRS. KIM
What?
[Bewildered, she watches Lane hurry away.]
STARS HOLLOW BOOKSTORE
[Rory is reading a book about Ernest Hemingway. She pulls her cell phone out of her pocket and dials. Scene cuts from Rory in the store to Logan, sitting in front of some trees.]
LOGAN
Hello?
RORY
We were both wrong.
LOGAN
About?
RORY
Hemingway's manuscripts were stolen in Hadley's suitcase at the Gare de Lyon.
LOGAN
Huh.
RORY
Yep. Just thought you should know. We're both dumb.
LOGAN
Guess we found each other.
RORY
Guess we did. So how's the outing in the woods going?
LOGAN
It was going fine until Finn decided to go through one of his naked phases.
RORY
Yikes.
LOGAN
Yeah. Suddenly the cabin seemed very small.
RORY
I bet.
LOGAN
Plus it got boring, and there's too many people there I know, so I decided to cut my skiing trip short.
RORY
Yeah? Where are you now?
LOGAN
Yale.
RORY
What?
LOGAN
Yep. Seems like I got the whole place to myself, too.
RORY
I bet. Everybody's gone for spring break.
LOGAN
You know it's nice like this. Very quiet. Lots of privacy. It's too bad you're not here.
RORY
And why is that?
LOGAN
I just think you'd like it.
RORY
Well, take me a picture.
LOGAN
You know if, by chance, you decided to cut your spring break short, you could be here with me to see it yourself.
RORY
Oh, really?
LOGAN
Just a suggestion, Ace.
RORY
Well, I'll think about it.
LORELAI'S HOUSE – LIVING ROOM
[Lorelai picks a container of Chinese take-out from the coffee table.]
RORY
[pulling her laundry bags]
So you're sure you're okay with this?
LORELAI
Oh, my God, for the fiftieth time, yes.
RORY
But I know you had the whole week planned out. I saw the DVD's.
LORELAI
Oh, hon.
RORY
Woman Under the Influence?
LORELAI
A.k.a. the story of me.
RORY
Soap marathon.
LORELAI
All can be done at a later time.
RORY
Okay. How about next weekend?
LORELAI
Mm, let me check my spinster catalogue. No, I'm going to be knitting toilet paper cozies till three. But after that I'm good.
RORY
Great, and we can do the Friday night Weston's dessert thing again next week.
LORELAI
Yeah, whatever you want.
RORY
Okay. You're sure you're not mad?
LORELAI
Oh, well, you'll never truly know until you read my memoir.
RORY
Oh, well.
LORELAI
Wait. [She gets up and opens a drawer.] So you'll always have clean underwear. [She hands her two rolls of quarters.]
RORY
Mom –
LORELAI
Take them.
RORY
Ah. Clean underwear, priceless.
LORELAI
And I'm going to cover the books you bought from Andrew.
RORY
No.
LORELAI
Yes.
RORY
You're an enabler.
LORELAI
I know. You're my only daughter. That I know of.
RORY
Mom, thanks.
LORELAI
You're welcome. So, he came back early, huh?
RORY
Oh, yeah. Um, he said there just wasn't much to do up at the cabin, and it just got kind of cramped and gross with all those guys, so –
LORELAI
So, he came back early, huh?
RORY
Yeah.
LORELAI
[giggles a little]
Bye.
RORY
Bye.
[Rory leaves. Lorelai turns on her movie, looking a little sad.]
LUKE'S DINER
[Kirk is the only customer. Luke is behind the counter.]
KIRK
Oh, my God, I love this stuff I think is meatloaf.
[Luke turns around and glares at him.]
KIRK
Sorry.
[Emily enters the diner. She stand by the door.[
EMILY
Hello, Luke.
[Luke stiffens, his back to Emily.]
EMILY
When you get a moment, I'd like to have a word with you.
LUKE
I'm busy right now.
EMILY
That's fine. I'll just wait here until things die down. [She pulls up a stool at the counter. Luke ignores her and makes some coffee. She opens the menu.] You have a wide selection here. [Pause.] What is mud pie?
KIRK
Oh, that's awesome. It's chocolate pie with Oreo cookie crust, and sometimes you can get Luke to put gummy worms in it, like worms in the mud, so, you can imagine.
EMILY
[disgusted]
Well, you've painted a wonderful picture. [To Luke] Your coffeemaker seems to be full now.
LUKE
[slamming the filter into the machine]
Coffee, Kirk?
KIRK
Oh, no. I can't drink coffee. It makes my lungs hurt. [Luke pours him a cup.] Thanks.
EMILY
[to Kirk]
Would you mind excusing us?
KIRK
Oh, um, okay. [He gets up and takes his plate outside.]
EMILY
My daughter and I aren't speaking. She won't take my calls, she won't come to dinner. She apparently wants nothing to do with me. [Pause.] I'm sure you know that Lorelai and I have had many battles. Most of them have been because I feel that I know what's best for her. But Lorelai has her own ideas about what she thinks will make her happy. She wants you, Luke. She's made her choice, God help her, but there it is. It doesn't matter if I agree with it, I can't fight it. You've won. Go back to her. I promise I will stay out of it. [She gets up and heads toward the door. Kirk is pressed up against the glass.] You're going to have to clean that window. [She leaves. Luke stares at the door.]
LORELAI'S HOUSE
[Lorelai is watching a movie. Judy Garland is singing on the screen.]
JUDY
The night is bitter, the stars have lost their glitter. The winds grow colder, suddenly you're older, and all because of the man that got away.
[She hears someone knocking on the door. She opens the door and Luke walks in, wraps his arms around her and kisses her. Lorelai closes the door.]
JUDY
No more his eager call, the writing's on the wall, the dreams you've dreamed have all gone astray.
THE END