T5E7: “You Jump, I Jump, Jack”
Título em Português: “Se Você Pular, Eu Pulo”
Roteiro: Daniel Palladino
Direção: Kenny Ortega
Originalmente exibido em: 2 de novembro de 2004
[Elder Gilmore home: front door]
(Doorbell rings, maid answers the door.)
LORELAI
Oh, I'm late.
EMILY
I know.
LORELAI
Blame the insane people driving in front of me. They had a "honk if you love to scuba dive" bumper sticker on the back of their car, so I honked.
EMILY
You don't scuba dive.
LORELAI
Yes, but I've been testing people who have "honk" bumper stickers lately to see if they really want people to honk. Guess what? They don't. I lay on my horn, and this alleged scuba diver slows to a crawl in front of me just out of revenge, and I'm screwed.
EMILY
You need a hobby.
LORELAI
Yes, actually.
EMILY
Come on, Rory's waiting.
(They walk into the living room.)
RORY
Hey, what happened?
EMILY
She honked.
RORY
Oh, another bumper sticker test.
LORELAI
I just thought up a great idea for a reality show. You pull people over who have those "honk if you love whatever" bumper stickers, you kidnap them, and you make them do whatever the bumper sticker says they like to do, whether they do it or not. And then you make them eat bugs.
EMILY
So I hear you have a new boyfriend.
LORELAI
(gasps)
How did you - ?
RORY
Not from me.
EMILY
Don't jump on Rory.
LORELAI
How, Mom?
EMILY
Kirk told me.
RORY
Kirk?
LORELAI
Kirk who?
EMILY
How many Kirks do you know?
LORELAI
My Kirk? Stars Hollow Kirk? Kirk who hasn't started shaving yet, Kirk? How did you find out from him?
EMILY
I called the Inn looking for you, and Michel answered, but he was in the middle of some argument with the horse veterinarian. Then there was a cracking sound and the phone went dead. Then there was another man's voice saying "hello".
LORELAI
Kirk?
EMILY
Bob.
LORELAI
The gardener?
RORY
More twists than Oh Henry.
EMILY
He told me something in a heavy spanish accent, all while Michel was yelling at the vet in French -
LORELAI
I'll be, the UN erupts.
EMILY
Then Kirk came on. He was there delivering something. And when I told him I was looking for you, he said you were probably at your boyfriend Luke Danes' house. Now why were you hiding it from me?
LORELAI
I wasn't hiding it.
EMILY
You jumped on Rory when you thought she told me. You were hiding it.
RORY
She did not jump on me, Grandma.
LORELAI
Yeah, and I wasn't hiding it. The only reason I reacted to Kirk the way that I did is that he's not in this world, he's in my other world. It's as if I, out of the blue, told you I was having tea with Mrs. Van Uppity.
EMILY
Who?
LORELAI
Hortence Van Uppity, tight bun, lace collar, tiny poodle... fictional friend?
EMILY
You keep so much from me with these separate worlds of yours. It's not right.
LORELAI
I will try harder to merge the worlds. I promise.
EMILY
Well, start now. I want to meet this Luke Danes.
LORELAI
You've met him.
EMILY
Not in this capacity. I need to re-meet him.
LORELAI
Well, I'm sure that day will come.
EMILY
Next week.
LORELAI
What?
EMILY
You have a gentleman friend of significance.
LORELAI
Rhett is my gentleman friend, yes.
EMILY
So it's only proper that you introduce him to your mother. Unless he's insignificant; I don't want to meet a passing ship. That's a waste of my time. Is Luke a passing ship? Is he insignificant?
LORELAI
No, he's not
EMILY
I'll get my book and we will pick a date next week.
LORELAI
Mom -
EMILY
Next week.
LORELAI
I -
EMILY
Next week.
(She goes to get her book.)
RORY
Honk if Emily Gilmore views your mind as her personal playground.
LORELAI
Honk, honk.
[Cut to opening credits.]
[Yale newspaper office.]
DOYLE
We eat it, we breathe it, it's our heart and lungs. What is it? The three basics: accuracy, accuracy, and accuracy. It's my head that went up on a platter, okay? So go the extra yard. Protect my head.
RORY
Headache, Doyle?
DOYLE
Charles Graw used to eat aspirin like candy. He ate candy like candy, too, hence the belly like jell-o. That was mean. The man's dead. So, how's the story coming? On that secret society.
RORY
The Life and Death Brigade. Get this. I've got a contact.
DOYLE
Inside?
RORY
Deep inside.
DOYLE
Who?
RORY
Anonymous. Don't ask again.
DOYLE
Your call.
RORY
I'm going to tell this story from the inside.
DOYLE
You'll be careful?
RORY
Careful enough.
DOYLE
Well, stay on it.
RORY
You bet.
DOYLE
I love this. We just had a very All the President's Men moment.
RORY
Very.
DOYLE
Moving around the newsroom like that, felt good.
RORY
Let's do it again sometime.
DOYLE
Now?
RORY
Might look silly.
DOYLE
Carry on.
RORY
Right, Chief.
[Luke's diner: interior]
CAESAR
There you are.
LANE
Club sandwich, burger well done, fries. Let me know if you need anything.
(She sees Zach hovering outside. Goes out to talk to him.)
LANE
Hey. What's up? You're acting all squirrelly.
ZACH
I'm ready now.
LANE
For what?
ZACH
To date.
LANE
Wow.
ZACH
That offer's still good, right?
LANE
Yeah, still good.
ZACH
Okay. So, we should pick a time.
LANE
Sure.
ZACH
How about now?
LANE
I'm kind of working.
ZACH
Right. How about tonight?
LANE
I've got band practice.
ZACH
Right.
LANE
And so do you.
ZACH
'Cause we're in the same band. Okay. So, we'll figure it out.
LANE
We'll figure it out.
ZACH
Cool.
(Lane smiles.)
ZACH
See you at home.
LANE
Yeah, see you.
ZACH
Okay.
(Lane goes back into the diner. Lorelai is right behind her.)
LORELAI
Hey, Lane, how's it going?
LANE
Good, very good.
LORELAI
Oh, well, lucky you.
LUKE
Hey.
LORELAI
How dark is it?
LUKE
How dark is what?
LORELAI
The cumulus nimbus hovering over my head.
LUKE
Huh?
LORELAI
The black cloud. Was that a drop?
LUKE
What are you talking about?
LORELAI
I have some very bad news.
LUKE
What?
LORELAI
My mother is insisting on having dinner with us.
LUKE
That's it?
LORELAI
Did you hear what I said? Mother, dinner, us? That's on a par with car, test, crash test dummy. Don't worry, I'm going to do whatever it takes to get us out of this. I promise.
LUKE
Why?
LORELAI
What do you mean, why?
LUKE
Let's just do it, get it over with. Meeting the parents comes with the territory. We can't put it off forever.
LORELAI
Oh yeah? My fourth grade teacher wanted a meeting with my parents. She was hit by a bus six years ago. Never got the meeting.
LUKE
Book it.
LORELAI
Luke!
LUKE
Book it.
LORELAI
Okay. But I'm warning you. If I call and tell her, and then you change your mind and you want to back out, we're going to have to leave the country. And have extensive facial surgery, and sex changes. Both of us, so that we can, you know, kiss and not look funny.
LUKE
I'm not going to change my mind.
LORELAI
Okay, fine, I'll just call her now (pulls out her cell phone) - oh, whoa, what is happening? Something dark is happening here. It is heavy like iron. Oh, did you feel that ice cold wind that just passed through?
LUKE
Make the call.
LORELAI
I see dead people.
LUKE
Make the call.
(Lorelai dials the phone.)
[Elder Gilmore's house: exterior.]
(Luke and Lorelai get out of his truck and walk to the door.)
LUKE
This is a house?
LORELAI
This is a house.
LUKE
What a waste! See, this is what causes peasants to revolt. This is how heads end up on pikes.
LORELAI
Open with that. That's a great icebreaker. Now listen, I want you to be careful about your consumption of booze.
LUKE
I'm not going to drink too much.
LORELAI
No, no, no. You've got it backwards, there, Pablo. Ride the pink elephant, baby, 'cause it's your only defense against Emily Gilmore unless you're packing a Kolishnikov.
LUKE
Yeah, yeah. Shouldn't we ring the doorbell or something? (He rings the bell.)
LORELAI
Oh, a little strategy. (Picks up a plant stake and starts drawing in the dirt.) Here's the front door. We're here. Drink cart's here. It's knock, knock. Open the door. "Hi." "Hi." Turn left, veer right, past the couch, we're at the booze. Any questions?
LUKE
Uh, yeah. Shouldn't you get a massage or something?
LORELAI
Take off your coat.
LUKE
It's cold.
LORELAI
No, it's time consuming. Roll it in a ball and have it ready to hand off to the maid. Yeah.
(Maid opens the door.)
LORELAI
Hi, hello.
MAID
Hi, come in please.
LORELAI
Thank you. (Luke takes the plant stake.) Sorry.
MAID
Can I take your coats?
LORELAI
Yeah, got mine all ready.
(They enter.)
MAID
Alright.
LUKE
Here you go. I'm Luke.
MAID
I'm a maid.
LUKE
Yeah. Nice to meet you.
LORELAI
Oh, that was so sweet and innocent.
EMILY
Well, well, our honored guest. Welcome.
LORELAI
Mom, Luke. Luke, Mom.
EMILY
We've met, Lorelai. Several times.
LORELAI
Well, I was just "re-introducing" you, as per your instructions.
LUKE
Good to see you again, Mrs. Gilmore.
EMILY
Ah, no, it's Emily. I insist.
LUKE
Nice to see you, Emily.
LORELAI
Drinks?
EMILY
We're in the foyer.
LORELAI
Let's change that.
EMILY
Not if Luke wants a tour.
LORELAI
(pointing)
Oh, okay, well, foyer, staircase, upstairs, dining room, kitchen, weird piano area that we never really named, and right through here is the living room. (She goes.)
LUKE
Yeah, uh, I don't need a tour. Thanks.
EMILY
Well, then, let's go in the living room.
[Elder Gilmore house: living room.]
LUKE
Your house is beautiful.
EMILY
They don't make them like this anymore.
LUKE
I'll say.
EMILY
They make everything out of cardboard now. White boxes with heating vents.
LUKE
Yeah. The art of craftsmanship is dead.
LORELAI
Gin.
EMILY
Do you have Tourette's or something?
LORELAI
I'm sorry. I thought I heard you say what would I like to drink.
EMILY
I was getting there.
LORELAI
Gin martini, please.
EMILY
I already made a pitcher of martinis, but they're vodka.
LORELAI
Vodka's perfect. Double with a twist.
EMILY
So, two cold martinis with a twist, and Luke, how would you like a beer?
LUKE
Great.
LORELAI
Or maybe Luke would like to choose his own drink. That's a thought.
EMILY
Oh, yes, I'm sorry Luke. You can have whatever you like. I've got it all.
LUKE
Beer is perfect.
EMILY
Beer it is.
LORELAI
No, no, she's got everything. She's got scotch, she's got rum, she's got, uh, whiskey, she's got red wine, she's not kidding, she's got it all.
LUKE
Beer is perfect.
LORELAI
Okay, bring him a beer.
EMILY
Here we are.
LORELAI
Thank you.
LUKE
Thank you, Emily.
EMILY
The beer is nice and cold. I almost want one myself.
LUKE
Hey, uh, you can have some of mine if you want.
EMILY
So, how's that diner of yours?
LORELAI
Uh...
LUKE
It's doing great. No matter what the economic climate, people gotta eat.
EMILY
That is so true. And I thought your place was very charming. Nice and rustic. (Lorelai clears her throat.)
EMILY
Do you need a cough drop?
LUKE
She's fine.
EMILY
Where'd your martini go?
LORELAI
To a happy place.
EMILY
Do you want another?
LORELAI
Does Pavarotti want another donut?
EMILY
That's a yes?
LUKE
I'll pour it, Emily.
EMILY
Thank you, Luke. I should go check on dinner. Will you excuse me?
LUKE
Absolutely.
EMILY
Thank you. (She goes.)
LUKE
Unbelievable.
LORELAI
I know, she didn't make nearly enough.
LUKE
I meant you, you're acting crazy.
LORELAI
She's insulting you!
LUKE
No, she's not. Your mom's being great.
LORELAI
What? Were you in the room? Did you not hear the awful things she said?
LUKE
What did she say?
LORELAI
Rustic diner? Rustic?
LUKE
So?
LORELAI
Backhand slang for crap pile.
LUKE
Or she was admiring its vintage feel.
LORELAI
Oh, what was the other word she used?
LUKE
Charming?
LORELAI
Ah, slang for doggie poopy.
LUKE
Unbelievable.
LORELAI
Wait, wait, what was the beer thing? Oh my God!
LUKE
That was nice. I wanted beer, she was considerate enough to anticipate that that might be the case.
LORELAI
The word beer, backhand slang for nitwit juice.
LUKE
You're reading way too much into this.
LORELAI
Excuse me, but I would defer to the Gilmore expert here. I am the oracle. I carry all the knowledge.
LUKE
Well, I would like you to calm down, because you're making me nervous.
LORELAI
I'm trying to protect you.
LUKE
I'm a grown man, and this isn't my first foray into the big city. I've dealt with all types of people in my life. Rich, poor, snobby, proud. I can handle it.
LORELAI
But -
LUKE
And by you jumping in after everything your mother says, makes me look weak. And I don't want to look weak.
LORELAI
I don't want you to either!
LUKE
Well, then, give me my space, okay? Please.
LORELAI
Okay, I'll give you your space.
(Emily returns.)
EMILY
Dinner is going to be as good as it smells, I guarantee it.
LUKE
It smells wonderful, Emily.
EMILY
Thank you, Luke. It's nice to have a kind gentleman in the house.
LUKE
Thank you.
EMILY
So, you're recently divorced?
LUKE
Uh, yeah, I guess. Although, it depends on what you'd call recently.
EMILY
In the last year, you've been divorced in the last year, that would be recent.
LUKE
Uh, yeah. Yes.
EMILY
Terrible, the divorce rate, isn't it.
LUKE
Yes, it's terrible.
EMILY
I'm sure it was inevitable in your case.
LUKE
Turned out that way.
EMILY
I hope there weren't children.
LUKE
No.
EMILY
Divorce destroys children. But, without children, you're only harming yourself. Of course, nowadays people get married for fun. Apparently there's nothing good on TV.
(Luke looks at Lorelai with pain on his face.)
[Yale dorms: Rory's room.]
(Rory walks in and presses a button on her answering machine.)
DEAN'S VOICE
Hey. It's Dean. Uh, so, we were supposed to get together day after tomorrow, but I have to cancel - again. One day, I'm going to have one job, not three, which will simplify everything. I hope. Anyway, um, I was hoping we could somehow hook up tomorrow night, I forget if you have something going on, but I've got a three hour window, and I was thinking dinner or something. Maybe we can meet halfway between Yale and Stars Hollow. That probably puts us on the interstate, meaning the six ninety-nine surf and turf special, but hell, I'm a cheap date. Uh, so, not the most romantic get together for us, but something's better than nothing. Let me know. Bye.
(As she listens to the message, she notices an envelope taped to the outside of her window. She reaches out and opens it and reads this note: "Be in your vestibule at four tomorrow. Blindfolded. The LDB." She reaches into the envelope again and pulls out a blindfold.)
ANSWERING MACHINE
End of messages.
[Elder Gilmore's house: dining room.]
EMILY
Diners are generally so filthy. I'm sure yours isn't, but the horror stories you hear. I read that one in Vermont got caught serving roadkill. Do you know what that is?
LUKE
Uh, yeah, it's, uh, dead animals from the street.
EMILY
From the street, from the backyard, fished out of pools. These diners find it and serve it. Again, probably not yours. But the fact that this place got away with it at all is astounding. I guess people who frequent diners don't look too closely at what they're eating out of self defense.
LUKE
We don't serve roadkill at my place.
EMILY
Well good for you. (pause.) I had a friend who ate at a diner once and the next day she dropped dead. Her family considered suing the place but there's nothing to get from these people. A couple of stools and a toaster. But they were sure it was a matter of hygiene and they eventually drove them out of the state. I don't want to tell you what they found when they moved the stove. Would you like another beer, Luke?
[Elder Gilmore house: outside.]
(Emily is walking Lorelai and Luke out.)
EMILY
... Opiate for the masses. Well, so what? We all have our opiates. For some it's valet, for Luke it's baseball. Whoever I heard say it just happened to say it about what Luke likes. Oh, no! Some workman has left his filthy truck in our clean driveway! Richard must have sent for him.
LUKE
Oh, that's mine, actually.
EMILY
Oh. Well, it's nice. Rustic. I like the color.
LUKE
Thank you.
EMILY
And I like this coat of yours, there's something nice about simple cloth.
LUKE
Thanks.
EMILY
Well, this was wonderful. Don't be a stranger, all right?
LUKE
I won't. Thank you, Emily.
EMILY
Goodbye. Bye, Lorelai. (She goes back inside.)
LORELAI
Bye, Mom.
LUKE
Thanks, again.
(The door closes.)
LUKE
You know what's amazing, I mean truly amazing.
LORELAI
What?
LUKE
She never said anything directly bad about me or the diner or anything else concerning me.
LORELAI
She's good.
LUKE
And all I did was thank her. Over and over. She'd hammer me, and I'd thank her.
LORELAI
It's a talent.
LUKE
"Rustic" really did sound like crap pile that time.
LORELAI
Come on, babe. You'll feel better about halfway home.
LUKE
Good.
LORELAI
Then the eye-popping nausea will hit you. The rich food mixes with the bitter memories and it all gets worse, and then it gets better.
LUKE
Good.
LORELAI
Until you get to Route 44, and then you hit bottom.
LUKE
Good. Great.
LORELAI
I'll be ready with a tongue depressor to keep you from swallowing your tongue. I keep them in my purse. Step up.
[Yale dorms: vestibule.]
(Rory is standing blindfolded as other students walk by.)
LOGAN
Hey, Ace, you ready? (reaches around a corner and pulls her by the arm.)
RORY
Well -
[Black SUV: interior.]
(Rory sits blindfolded in the middle.)
LOGAN
Hit it!
FINN
Ah! Not so loud!
STEPHANIE
You're very auditorily sensitive today.
FINN
Oh, and your voice helps.
COLIN
Is the blindfold secure?
LOGAN
Secure and in place.
COLIN
Our anonymity's crucial, Logan. Crucial.
(Finn groans.)
RORY
What's wrong with Finn?
COLIN
Great job with the blindfold, Logan.
RORY
I recognized your voices, Colin.
FINN
Could everyone keep it down, please.
RORY
Can we remove the blindfold now?
LOGAN
We're also hiding our destination.
FINN
We had to leave at this ungodly hour.
RORY
It's four in the afternoon.
LOGAN
He's got a thing about the sun.
FINN
It's too bright.
RORY
So how come you're not wearing your gorilla masks?
COLIN
She can see.
RORY
I can tell because your voices aren't muffled.
STEPHANIE
She's sharp.
RORY
Who's the girl?
STEPHANIE
I've been told we've met. I've no memory of it.
RORY
Oh, Gorilla Girl.
STEPHANIE
Oh, well, isn't that a pretty nickname.
LOGAN
Oh, by the way, this thing's overnight.
RORY
Overnight?
LOGAN
Didn't I mention that before?
RORY
Oh, must have slipped your mind.
LOGAN
That doesn't screw up anything for you, does it?
RORY
No.
LOGAN
No?
RORY
Nope.
LOGAN
Hmm. Loose schedule. Good.
FINN
We like our schedules loose, like our women.
COLIN
Clever.
FINN
My God, it's early.
[Luke's diner: interior.]
(Phone rings.)
LUKE
Luke's.
VOICE
Good afternoon, I'm calling for Mr. Luke Danes.
LUKE
This is Luke Danes.
VOICE
Please hold for Mr. Gilmore.
LUKE
What? For who? Hello?
RICHARD
Luke? Richard Gilmore here.
LUKE
Uh, uh, hi, Richard. Mr. Gilmore, sir, how are you?
RICHARD
I'm fine, thank you. Listen, I thought we could meet for a round of golf, you and I.
LUKE
Golf?
RICHARD
Tomorrow afternoon's good for me.
LUKE
Uh-huh.
RICHARD
Is that good for you?
LUKE
Well, uh...
RICHARD
Good. I'll have Margie call you back with the details.
LUKE
... Okay.
RICHARD
Wonderful, I look forward to it. See you at the club.
LUKE
Yeah, see you at the club.
(Richard hangs up. Luke looks in disbelief at the phone in his hand.)
[Woods. Cars are parked. The black SUV pulls up near a table with old-fashioned lanterns on it.]
FINN
This mountain air has revivified me. (Laughs and runs off.)
LOGAN
Make sure he doesn't run off a cliff.
COLIN
Stephanie, it's your turn.
STEPHANIE
Finn! You slow down! (Grabs a lantern and follows.)
LOGAN
You okay?
RORY
I smell trees.
LOGAN
Oh, nothing gets past you. (Grabs a lantern and leads Rory into the woods.)
RORY
So the firing squad is just up ahead?
LOGAN
Yup, and there's a line. Damn.
RORY
Seriously, Logan, is the blindfold coming off, or am I Patty Hearst-ing it the whole trip?
LOGAN
It's coming off. It's coming off right now. (Pulls it off.)
(Rory opens her eyes to see a camp full of white tents, candles & lanterns, and turn-of-the-century furniture.)
RORY
Oh, my.
[Dragonfly Inn: office]
LORELAI
(on cordless phone)
You cannot go golfing with my father.
LUKE
It's a done deal.
LORELAI
What is that man up to? What is he doing?
LUKE
Ouch.
[Cuts back and forth between Luke's office and Lorelai's office.]
LORELAI
What are you doing?
LUKE
I'm looking for a book my dad had somewhere around here. "Learn Golf the Arnold Palmer Way." I can't find it.
LORELAI
I beseech you. Do not go golfing with my father.
LUKE
It's too late. I said yes.
LORELAI
Why? Why did you say yes?
LUKE
I had no choice.
LORELAI
Well, saying no is a choice. Did you learn nothing from the dinner with my mother?
LUKE
Apparently not.
LORELAI
Call him and cancel.
LUKE
Right, and how would he take that?
LORELAI
Badly, that's why you just hang up real quick.
LUKE
And this is a good way to start a relationship with your father.
LORELAI
No, this is the way to end it. God, you're slow. Listen, call him and tell him that, um, when he called, you had just dropped some paoti, and you were tripping, and you were seeing vapors, and that's why you agreed, but then you landed and realized that you can't go. Wait, do you smoke paoti? We should get that straight before you call him.
LUKE
Backing out will make it worse.
LORELAI
But do you even know how to play golf?
LUKE
I took a course in summer school but I accidentally hit Kent Calida in the head with a driver and got asked to leave, but I think I remember the basics. Grab the club, whack a ball. I'll fake it.
LORELAI
Luke -
LUKE
Don't worry, I'll be fine.
LORELAI
(sighing)
Okay. Fine then, bye.
(She hangs up, then dials another number. Scene cuts to Elder Gilmore pool house, exterior. Richard is putting.)
LORELAI
Hi, Dad. I need a favor. The biggest favor I may ever ask you for, ever.
RICHARD
I don't like the sound of this.
LORELAI
Please cancel this golf game with Luke.
RICHARD
What? No!
LORELAI
But why? Why are you doing this? What is the point?
RICHARD
How is this even your business?
LORELAI
He's my boyfriend.
RICHARD
And this is my right. Your mother already met him. At a secret dinner I only found out about because her blabbermouth maid told my valet. So now, I want to meet him.
LORELAI
But you've already met him.
RICHARD
Well I need to re-meet him.
LORELAI
Why can't you and mom meet someone once and make it stick?
RICHARD
I insist upon this golf game.
LORELAI
He doesn't even golf.
RICHARD
He said he did.
LORELAI
Yeah, well, he whacked Kent Calida in the head with a club, okay? So you're taking your life in your own hands. You want to reconsider now, huh? You like your head, huh?
RICHARD
Lorelai, tee time is set, Luke has said yes to my proposal, and tomorrow he and I are golfing.
LORELAI
Have fun.
RICHARD
This is not about having fun, this is protocol.
LORELAI
Well, have a good protocol, Dad. Bye. (hangs up.)
[Woods. Rory and Logan are walking among the tents.]
LOGAN
Is this what you expected?
RORY
No, not at all what I expected.
LOGAN
Let me guess what you were thinking: sleeping bag, flashlights, keg, three boxes of stale Triscuits, half eaten bag of Oreos, some Doritos and a bong.
RORY
That may be exactly what I pictured.
LOGAN
You can apologize later. This is yours. (Opens a tent.)
RORY
Mine?
LOGAN
Not much closet space, but the view's decent.
RORY
It's cozy. (She goes inside.)
LOGAN
Festivities start in half an hour. (He leaves.)
(Rory sits on the bed and pulls out her phone.)
RORY
Dean, hi. It's me. I got your call. I would love to have dinner with you tonight, but something unbelievably unexpected came up, and it's going to keep me busy for a couple of days. I'd give you more info, but it's all a little Dali-esque and hard to explain. I'll fill you in when I get home. If I get home. Just kidding. I hope. Bye. (She hangs up and pulls out her notepad. An owl hoots in the distance.)
[Lane's bedroom.]
(Lane is preparing for her date with Zach. She goes out and meets him in the living room.)
[Lane's living room.]
ZACH
Am I early?
LANE
Right on time.
ZACH
You look good.
LANE
Thanks, so do you. Have I seen those pants?
ZACH
I got them from the bottom of my drawer. I forgot I had them.
LANE
Cool. So what do you feel like doing?
ZACH
We could drive somewhere. We just have to stop for gas... and add some oil, and put some air in the tires, and we'd have to stop by an ATM.
LANE
Or we could hang out here.
ZACH
Sure.
LANE
Yeah.
ZACH
Okay! Cool. Let's get a pizza, and watch something, and just hang out.
LANE
Great! (She hands him her purse and jacket.) What do you want to watch?
ZACH
Want to finish watching what we started last night?
LANE
Yeah. Great. (They sit down, and Brian walks in.)
BRIAN
Hey, guys. Ooh, Stop Making Sense. Great. (He sits between them.) This is where we left off last night.
ZACH
What are you doing?
BRIAN
Watching TV.
ZACH
Uh, Brian, this is a date.
BRIAN
What?
ZACH
Lane and I are kind of on a date right now.
BRIAN
You are? But this is what we did last night.
ZACH
I know.
BRIAN
So, last night was a date, too?
LANE
That was not a date.
ZACH
I was in my underwear.
BRIAN
But we did exactly the same thing, you just had no pants.
ZACH
Well, we're kind of starting to date, and this is what we're going to do.
BRIAN
So, where do I go?
LANE
Well, how about my room?
BRIAN
Really? You never let me in your room.
LANE
Well, now's your chance.
BRIAN
Great!
ZACH
Wait, hold on. (To Lane.) Shouldn't we leave your room empty?
LANE
Why?
ZACH
You know, in case the date goes good?
LANE
Brian, go in my room.
BRIAN
Thanks! (Runs in.) Man, it smells good in here.
(Zach turns the movie back on.)
[Woods.]
(Rory comes out of her tent and sees everyone dressed in turn of the century clothes. She catches up to a couple.)
RORY
Hey. Rory Gilmore. Um, this is quite a soiree. Are all the Life and Death Brigade gatherings this elaborate? (They ignore her. She wanders over to a group of guys.)
GUY #1
How about (?) social stands?
GUY #3
Ridiculous. Total stand-still for all in his vicinity. What do you say?
GUY #4
I concur totally.
GUY #1
Crazy construct if you think for a bit.
GUY #2
Dubious logic if you ask this thoughtful guy.
RORY
Hello, everybody.
GUY #3
My God.
GUY #1
Shocking.
GUY #3
Silly girl. Not adjusting to this proud point of ours.
GUY #4
Sad, this diminishing vision.
RORY
Excuse me?
GUY #4
Full count is six, I say?
GUY #3
Six, no doubt. Ay, again I concur.
GUY #4
Point in fact, daft lady, to catch on would prompt our congratulations.
RORY
It’s a game?
GUY #3
At which you totally fail.
GUY #4
You want for instruction?
RORY
Apparently.
GUY #4
Said gap ‘twixt ‘d’ and ‘f’ shall not slip from lips in any word this group allows.
RORY
Said gap ‘twixt ‘d’ and ‘f’ ... you’re not using the letter ‘e’?
GUY #4
Said this thing our group did banish.
GUY #1
Loud, for all to drink in!
GUY #3
Daft girl.
RORY
So, no one is supposed to say the letter ‘e’.
GUY #4
My God, this woman hounds us with this thing I banish.
GUY #3
Dumbfound.
RORY
Um, I’ll catch up with you guys later. Have fun. If that’s what you’re doing. (She walks away.)
GUY #4
Bloody horror, that woman.
GUY #1
Ostracism should occur, I think.
(Rory wanders through the camp.)
RORY
Hi, Stephanie.
STEPHANIE
Oh, good, you’re using ‘e’s. No champagne?
RORY
No, I’ll have a little later. So, is Logan the head of the group?
STEPHANIE
There’s no head of the group, Rory. We’re an anarchy collective, we don’t recognize leaders per se. Plus it’s a secret. I shouldn’t be talking to you. (Hiccups.) Warning sign.
RORY
Because the way that people act around him, Logan kind of seems...
STEPHANIE
Cute?
RORY
No.
STEPHANIE
No?
RORY
Well, yes, but –
STEPHANIE
There’s a line to get to him.
RORY
Oh, no, I’m not looking to get in a line. I’m a reporter.
STEPHANIE
Bet you’re a good reporter. And a very good girl. Oh dear, I’m talking to you. I shouldn’t be talking to you. I have to kill myself now – excuse me. (She walks away.)
(Rory walks up to another group of guys.)
RORY
Hi. Hi. Um, I was wondering. Is the safari thing something you always do, or do you choose different themes?
GUY
May I quote Max Ernst?
RORY
Sure.
(The group walks away.)
(Later: Rory is sitting under a tree in view of the camp. Logan walks toward her with a lantern and a plate.)
LOGAN
How goes it, pariah?
RORY
Logan?
LOGAN
Word was a bear dragged you off.
RORY
No bear, I just wanted a quiet place to collect my thoughts.
LOGAN
You found it.
RORY
Thanks, I’ve eaten.
LOGAN
Good. This is for me. Sorry you’re not getting much from the group. Took a little arm-twisting to get them to agree to let you come in the first place.
RORY
I don’t need their cooperation. I’ve already filled two notebooks without their cooperation. Half of one without using the letter ‘e’, but I could use yours.
LOGAN
Way too much salt on this.
RORY
I mean, this is pretty incredible, but it’s just a preamble to the big stunt tomorrow, right?
LOGAN
It’s Finn, he’s Australian. They like salt.
RORY
How do you pay for this? Are there dues, or do you chip in, is there alumni sponsoring it? How is it organized? And what is happening tomorrow? Is it just as big, or bigger? And do people know that you’re here? Park Rangers, or the landowner? Where are we? Are we still in Connecticut? And your answer cannot include the word salt.
LOGAN
Okay. I think it’s time to fill you in on the conditions of you being here.
RORY
Okay.
LOGAN
First, no pictures. (Holds up her camera.)
RORY
Hey!
LOGAN
Aw, you’ll get it back at the end of the trip. Second, no names.
RORY
I’m not exactly being introduced to anyone as it is.
LOGAN
Third, no physical descriptions of any of us. There are authority figures up and down Connecticut trying to nab us for things we may have done in the past. Naughty things.
RORY
Keep you anonymous.
LOGAN
What number am I on?
RORY
Just at third.
LOGAN
Fourth, no identification of our location.
RORY
I don’t know where we are.
LOGAN
Fifth.
RORY
You’re going to run out of -ifths.
LOGAN
Most important condition of all. You must agree not to interfere with the integrity of the event.
RORY
What is the event, and how could I interfere?
LOGAN
So you agree?
RORY
Yes, I agree.
(The camp breaks into song.)
RORY
It’s pretty.
LOGAN
It’s drunk.
RORY
Well it sounds pretty. I like it.
LOGAN
I didn’t say I didn’t like it.
GIRL’S VOICE
Logan?
LOGAN
Yeah?
GIRL
You coming?
LOGAN
I’ll be right there. (To Rory) I’ll leave the light for you, Ace. I won’t need it.
GIRL
Hurry up, darling.
LOGAN
Here I am.
[Lane’s house: living room.]
ZACH
(turning off the TV.)
David Byrne is a freak.
LANE
I love him.
ZACH
He’s totally cool.
LANE
So.
ZACH
So.
LANE
This was nice.
ZACH
Yeah.
LANE
I like your place.
ZACH
(laughs)
Hm, right.
LANE
I have to get up early for work tomorrow.
ZACH
No problem.
LANE
So I should probably...
ZACH
Oh, right, right.
(They get up, holding hands, he walks her to her door.)
LANE
Goodnight Zach.
ZACH
Goodnight.
(She opens the door, Brian is asleep on her bed.)
LANE
Oh, no.
ZACH
This is bad news. Once he hits his REM state, Motorhead wouldn’t wake him.
LANE
What do I do?
(Zach goes in and tosses Brian over his shoulder.)
LANE
He really is asleep.
ZACH
He’s gained a couple of pounds, too.
(He heads toward the bunk beds, then turns back to Lane.)
ZACH
Okay, well, I had a really good time.
LANE
Me, too.
(They kiss.)
LANE
Night, Zach.
ZACH
Night, Lane.
(She goes into her room.)
[Woods: morning.]
(Logan walks through the camp in a tux. Rory comes out of her tent.)
RORY
Another day, another sartorial surprise.
LOGAN
Start getting ready yourself.
RORY
I am ready.
LOGAN
Dressed like that?
RORY
Well, I didn’t have the “it’s an overnight thing” warning, so unless you want me to fashion something out of pinecones, this is it.
LOGAN
That clothing is going to interfere with the integrity of our event and you agreed not to interfere with the integrity of our event.
RORY
All I’ve got is a washbowl, a towel and a toothbrush.
LOGAN
Is that all you’ve got? Look again, Ace.
(Rory goes back into the tent and looks around. Under the bed she finds a large white dress box.)
[Golf course.]
(Luke is waiting nervously. Richard is doing the same. They take a minute to recognize each other.)
LUKE
Excuse me, Mr. Gilmore?
RICHARD
Luke?
LUKE
Yeah, hi.
RICHARD
I don’t remember you being this tall.
LUKE
Sorry.
RICHARD
Oh, it’s nothing to apologize about. Where are your clubs?
LUKE
Oh, I just figured I’d, uh, rent some.
RICHARD
Oh, waste of money. Owning’s the thing.
LUKE
Right.
RICHARD
There is no better place than our pro shop.
LUKE
Great.
RICHARD
Let’s go get you some clubs.
LUKE
Excellent.
[Woods: Outside Rory’s tent.]
(Logan waits. Rory comes out in a pale blue ball gown.)
RORY
I got your event integrity right here, mister.
LOGAN
Yep. I got an eye for dress sizes. We go this way.
[A field.]
LOGAN
Come on, hurry.
RORY
You try running in a crinoline.
LOGAN
We’re late.
RORY
For what? The ritual sacrifice?
(Everyone is standing, wearing tuxes and gowns, listening to a speech.)
EMCEE
I do declare here gathered, one hundred and eighth assembly of the honorable Life and Death Brigade.
(Rory and Logan sneak in, Finn hands her a glass of champagne.)
RORY
He’s using ‘e’s.
EMCEE
Please raise your glasses. In Omnia Paratus!
GROUP
In Omnia Paratus!
(They turn to their partners and feed each other their champagne.)
LOGAN
Now you might want to cover your ears.
(A large gong is uncovered behind them.)
RORY
Why?
(The emcee bangs the gong with a loud “clang”. Everyone cheers and runs into the field,
LOGAN
And to think some groups just go bowling.
(Later: A game of polo. The men are carrying carts which hold the ladies, who are leaning out the side, hitting a ball with mallets. Rory watches from the side. She wanders over to another area, where some guys are playing another game. One jumps off a table sideways onto a landing mat while another shoots at him with a paintball gun.)
SHOOTER
Pull! (shoots.) Pull!
SPECTATORS
Good shot! Pure skill!
RORY
Is this safe?
SPECTATORS
No.
SHOOTER
Pull! ...Damn.
SPECTATORS
Blame the gun. I would.
(Rory walks toward Logan and Finn, who are playing the same game further away.)
FINN
Pull! Pull! All right, I’m bored. I want to be a target.
LOGAN
You’re always a target, Finn.
FINN
In Omnia Paratus.
LOGAN
(shooting)
You want to interview Finn, Ace, you should do it quick. Pull!
RORY
Not bad.
LOGAN
Thank you.
RORY
So is this your big stunt?
LOGAN
Big stunt?
RORY
According to my research, you guys always do one big thing at your gatherings.
LOGAN
Pull!
RORY
Is this it?
LOGAN
Does it look like it?
RORY
I’m guessing no.
LOGAN
You answered your own question. Pull! You’ll know it when you see it.
RORY
Good.
(Two guys walk by carrying Finn on a stretcher.)
FINN
I missed the mat.
LOGAN
Again?
FINN
I’ll be fine. Don’t worry about me. In Omnia! (He swoons.)
(Logan laughs.)
[Golf course: Richard is teeing up. He takes a swing.]
RICHARD’S CADDY
You’re on your game today, Mr. Gilmore.
RICHARD
Indeed I am.
LUKE’S CADDY
Indeed.
LUKE
Indeed.
RICHARD
I’m going to speak to the board about these grounds. There are dry spots the length and breadth of this fairway.
LUKE
Hm. Oh, I’m up. Okay. Let’s see... I think this one is... (His caddy shakes his head) not the one I want at all, but this one here... (Takes the club the caddy hands him)
LUKE’S CADDY
Oh, good choice. Let’s take the tag off there.
LUKE
Good idea. Okay, ball goes down here.
RICHARD
Ah.
(Luke swings.)
LUKE
Aw, damn.
RICHARD
No problem.
LUKE
It’s heading toward the wrong hole.
RICHARD
It’s just a Mulligan, son. Try it again.
LUKE
Golf isn’t my thing, you know. It’s definitely a thing, but not my game.
RICHARD
Well, what is your main hobby?
LUKE
Uh... (to caddy) Give me a hobby, quick.
LUKE’S CADDY
Uh, reading.
LUKE
Reading. I read like crazy.
RICHARD
Wonderful! What have you been reading lately?
LUKE
Uh, books. You know, this, that. Dick!
RICHARD
Dick?
LUKE
That Dick guy, science fiction guy, Dick something, something Dick... I just read one of his.
RICHARD
Well, I’ll bring Dick up on the internet, see what comes up.
LUKE
Wish I could remember that name.
RICHARD
You better hit your ball, son. We’re stacking up. (Waves at the people behind them.)
LUKE
Right, yeah. Okay.
RICHARD
Just a second, guys, he’s, uh, he’s new.
(Luke swings.)
RICHARD
Not to worry, the cart’s been dinged a thousand times.
LUKE
The guy driving it looked mad.
RICHARD
Not to worry. Let’s go. (They start to walk.) So, have you put much thought into franchising?
LUKE
Franchising?
RICHARD
That diner of yours. Now is the time to jump. There are opportunities abounding in real estate right now.
LUKE
Eh, well, no, I haven’t.
RICHARD
I’d concentrate on the eastern seaboard, first. Connecticut, New York, Massachusetts. I’d start with, uh, five to seven.
LUKE
Diners?
RICHARD
Something manageable. You’ll need an investment banker, ah. Just ran into Herb Smith in the clubhouse, best banker in the business, I’ll give him your number.
LUKE
Good.
RICHARD
So, once the first seven are a go, shoot for the moon. National expansion. Set up a public corporation, issue an I.P.O.
LUKE
Yeah, sure. An I.P.O. Gotta set up one of those.
RICHARD
Have you ever gotten a straight razor shave?
LUKE
No.
RICHARD
Shaves you close, lasts for days. I’ll give you my barber’s card.
[Camp. Rory is looking up at a huge scaffold that has been set up in the field. Several people are standing on top holding umbrellas. Logan joins her.]
LOGAN
Hope you’re thinking up superlatives.
RORY
What are they going to do?
LOGAN
What do you think they’re going to do?
RORY
They’re not going to jump.
LOGAN
Jump!
RORY
That’s like seven stories! They’ll die!
LOGAN
We’re all going to die one day.
RORY
But those four are today.
LOGAN
Six.
RORY
I see four.
LOGAN
I’m heading up.
RORY
Of course you are.
LOGAN
And Finn was supposed to do it, but few of us figured he’d make it this far, so there’s an extra space.
RORY
Hmm. (Looks up, then sees the way Logan’s looking at her.) No!
LOGAN
And we’re not going to die. No one in the Life and Death Brigade has ever died. Old ones have.
RORY
I am not going to jump!
SETH
We’re all set.
LOGAN
This is Seth, he’s the genius behind all this.
SETH
It’s very safe. We did a dozen successful test drops, every potato came through without a scratch.
RORY
Potato?
LOGAN
You can’t test using people, that’d be dangerous!
RORY
Look, thanks for the offer, but I’m here as a journalist. An observer. Journalists do not participate.
LOGAN
Since when?
RORY
Since forever.
LOGAN
George Plimpton never participated.
RORY
What?
LOGAN
His best stuff put him in the think of it. Fighting Sugar Ray Robinson, quarterbacking for the Lions, skating for the Bruins.
RORY
So he participated.
LOGAN
Bill Buford lived with soccer hooligans in amongst the thugs. Ernie Pyle was so deep in the action in World War II, he was killed by a Japanese sniper, not that you gotta go that far.
RORY
Buford, Pyle. I know.
LOGAN
Richard Hottelet was four months in a Nazi prison working for the U.P. Hunter Thompson lived with the Hell’s Angels. Got in the muck, didn’t just orbit around it, and it drove his writing. He put you in those biker’s parties. He put you in those biker’s heads.
RORY
All right, all right, so, those guys participated. I got it, but I –
EMCEE
Jumpers to their places, please!
LOGAN
You’re scared.
RORY
Well, yeah!
LOGAN
And that stops the greats?
RORY
It’s stopping this great!
LOGAN
Come on, you look like you need a little adventure.
RORY
What does that mean?
LOGAN
You’re just a little sheltered.
RORY
Why? Because I haven’t spent time in a Nazi prison, been stomped on by hooligans and beat up by Hell’s Angels? And Plimpton got banged up pretty good too.
LOGAN
It’ll be fun, it’ll be a thrill. Something stupid, something bad for you. Just something different. (Rory smiles.) Isn’t this the point of being young? It’s your choice, Ace. People can live a hundred years without really living for a minute. You climb up here with me, it’s one less minute you haven’t lived.
RORY
Let’s go.
LOGAN
Let’s go!
RORY
But I am not a fan of ladders.
LOGAN
They scare the crap out of me, too.
(They climb the scaffold.)
RORY
High. We are very high.
LOGAN
I’ve been higher.
RORY
I meant distance from the ground.
LOGAN
That, too.
SETH
This is totally safe. And it goes with your outfit. Nice. (He wraps a band around her waist, which a line is connected to.)
RORY
(pointing down at the crowd)
Why do they look so worried?
LOGAN
We’re low on champagne. You can back out, you know. No one’s forcing you.
RORY
I know. (She grabs an umbrella.)
(The emcee is calling up in Latin.)
LOGAN
You trust me?
RORY
You jump, I jump, Jack.
CROWD
In Omnia Paratus!
LOGAN
I really should have confirmed that those potatoes were okay.
(He grabs her hand and they jump. The crowd cheers as they land safely.)
SETH
Oh, thank God.
LOGAN
You did good, Ace!
RORY
Once in a lifetime experience!
LOGAN
Only if you want it to be.
[Dragonfly Inn.]
LORELAI
(To customers) All right, thanks. (The phone rings.) Good afternoon, Dragonfly Inn.
LUKE
I franchised my place.
LORELAI
What?
LUKE
The diner. There’s going to be seven of them, and that’s just on the eastern seaboard. Then, I’m going national.
LORELAI
What are you talking about?
LUKE
Your father wants to open up a chain of Luke’s Diners, and I think I agreed to it.
LORELAI
No!
LUKE
I’ve already got a marketing guy, Herb’s my banker, your father is taking care of all my insurance needs, and apparently, everyone is going to be able to buy stock!
LORELAI
Ugh! My parents, my stupid parents!
LUKE
And he wants to shave me.
LORELAI
Shave what?
LUKE
I don’t know, he just kept talking about shaving me, and I’m tipsy. We hit the club bar, and I didn’t want to sound dumb and just order a beer because it’s nitwit juice, so I had what your dad was having which was whiskey something – more whiskey than something, let me tell you, ‘cause I can’t even see straight.
LORELAI
Aw, you poor thing.
LUKE
And I’ve got an art dealer now.
LORELAI
No!
LUKE
I’m driving to Manhattan next week to look at some Diebenkorns. What’s a Diebenkorn?
LORELAI
I don’t know.
LUKE
Oh, and I bought some golf clubs, they cost the same as a car.
LORELAI
Where are you now?
LUKE
I’m at the driving range, your dad’s making me practice for next time.
LORELAI
No! Leave! You do not need to practice.
LUKE
Oh, and I sort of implied that I’m fond of the Greeks, so I have to read the Iliad and the Odyssey so we can chat about it, and can we not hang out with your parents for a very long time?
LORELAI
For a very long time.
LUKE
I mean, I don’t hate them.
LORELAI
Leave the driving range at once.
LUKE
I don’t think I can drive.
LORELAI
Honey, have some coffee and then come home.
LUKE
The Diebenkorn guy is still in there.
LORELAI
You stay away from the Diebenkorn guy.
LUKE
He’s chatting with my rare coin guy.
LORELAI
Just do not go back in the clubhouse. Go straight to your car.
LUKE
Okay. I like the valet guys.
LORELAI
Good, now go.
LUKE
I’m going.
(She hangs up.)
[Elder Gilmore’s pool house: at the door.]
EMILY
Why would you go golfing with that man? Why on earth?
RICHARD
Who, Luke?
EMILY
You are encouraging this ridiculous relationship.
RICHARD
Emily, please.
EMILY
He is not good enough for Lorelai, or to be Rory’s stepfather! God forbid!
RICHARD
Can we be a little more of a snob, Emily?
EMILY
The fact that you paraded him around the club. Our club!
RICHARD
It happened to be a fruitful outing. I am going to assist him in franchising his diner.
EMILY
Richard! That hurts-out-loud is not capable of running a complex business!
RICHARD
Well, that’s obvious, Emily! That’s why he will have no significant role, he will be the frontman! We’ll shave him, stick his picture on the menus. The whole thing will, hopefully, bestow some credibility on him. At least then, if this insane relationship between him and Lorelai continues, we can legitimately take him to places like the club. At least, on holidays.
EMILY
This is absurd. You’re absurd, the whole thing’s absurd.
RICHARD
And you’re not thinking ahead. Excuse me. (He goes inside.)
[Yale dorms; Rory’s bedroom.]
(Rory is going over her notes when her phone rings.)
RORY
Hi.
LORELAI
Are you typing?
RORY
No.
LORELAI
Yes, you are. I thought we agreed you wouldn’t type while we talk.
RORY
Gotta break the rule just this once, I’m in a rush. It’s been a crazy couple of days.
LORELAI
Oh, school?
RORY
Paper. Long story, I’ll fill you in in person. Where are you off to?
LORELAI
Luke’s! I have to un-stress him after his unhappy Gilmore outing. Dad tried to take over his whole life. He wants to franchise Luke’s.
RORY
You’re kidding.
LORELAI
Hey, do men shave anywhere except their faces?
RORY
I don’t know, I’ve never lived with a man.
LORELAI
Same here.
RORY
Well, if he does franchise the diner get him to put one near Yale. I miss those burgers.
LORELAI
He’s not franchising.
RORY
Hey, can I ask you a question?
LORELAI
Sure.
RORY
Do you think I’m too scared?
LORELAI
What?
RORY
Too scared, too timid. Do I take enough chances?
LORELAI
What kind of chances?
RORY
I don’t know, life chances.
LORELAI
I think you do.
RORY
I’m not a mouse?
LORELAI
Where is this coming from?
RORY
I don’t know, just something I’ve been thinking about lately. (She hears a knocking.) Someone’s at the door. Um, say hi to Luke for me.
LORELAI
If he’s out of comatose. By, honey.
RORY
Bye.
(She opens the door and finds a gorilla mask, a bottle of champagne and her camera. She looks through the shots on her camera, and sees pictures of her and Logan jumping. She smiles and closes the door.)