T6E2: “Fight Face”
Título em Português: “Cara de Briga”
Roteiro e direção: Daniel Palladino
Originalmente exibido em: 20 de setembro de 2005
(OPEN in front of the Twickham House, night. Lorelai & Sookie are standing there, looking up at it)
LORELAI
It's big
SOOKIE
That's what she said.
LORELAI
Good one
SOOKIE
Hey, I'm still twelve.
LORELAI
I meant the house. It's very big.
SOOKIE
Very sweet of Luke to have that dream of his. You two living in this house!
LORELAI
What do you think there are? Twelve rooms?
SOOKIE
At least! I mean you can really go to town in this place. You could have a dedicated sewing room. I mean, that's a no-brainer.
LORELAI
Are you kidding? I could put a whole loom in one of those rooms. Indulge my long harboured desire to make tapestries
SOOKIE
You've been long harbouring that one?
LORELAI
I just thought of it, but yeah!
SOOKIE
So it's all feeling good, huh?
LORELAI
Well it's a little on the Versailles side. I mean I have to keep an eye out for peasants with pitchforks.
SOOKIE
I meant the relationship. You're engaged for Gosh sakes!
LORELAI
Yes! I'm aware!
SOOKIE
And sticking?
LORELAI
Yes, Sookie, it's sticking!
SOOKIE
Good, good!... How 'bout now?
LORELAI
I'm totally re-evaluating the whole thing.
SOOKIE
Really?
LORELAI
(exasperated) NO!
SOOKIE
Well... You've got priors!
LORELAI
Sookie!
SOOKIE
You say one thing, but your heart says another.
LORELAI
Please! Don't give me the whole litany. Especially one that sounds so much like a Kenny Chesney song.
SOOKIE
I'm just being honest.
LORELAI
(determined) I'm not going to bolt. I'm staying put.
SOOKIE
Good. (knowingly) Because the eyes will give you away.
LORELAI
What do you mean?
SOOKIE
If you're thinking of bolting they'll pop out on you, like that runway bride. It's like the eyes are trying to run away first.
LORELAI
Sookie look at my eyes.
(Sookie looks into Lorelai's eyes)
SOOKIE
OK...
LORELAI
How do they look?
SOOKIE
Pretty socked in there.
LORELAI
And there they will remain. Everything's good. Promise
SOOKIE
Good. Pretty eyes too.
LORELAI
I'm taken.
SOOKIE
Sorry!
LORELAI
(turns to look back at the house) WOW!
SOOKIE
What?
LORELAI
Is it me or...
SOOKIE
(looks up at the house too) Nope! I think it just got bigger.
LORELAI
That's what she said.
SOOKIE
Good grief.
LORELAI
What!? You can be twelve, but I can't be twelve?
SOOKIE
No... You can be twelve.
LORELAI
Thank you.
(OPENING CREDITS)
(CUT to Community Service orientation. A supervisor is walking around the room, explaining the rules. All the "felons" are sitting on desks))
SUPERVISOR: Remember to sign in at the get-go. If you do not sign in your work that day will not count against your community service hours, so do it! Same thing at the end. Sign out. Don't forget! Each shift is three and a half hours. Double shifts will include a half hour lunch break and it's bring your own. (picks up a stack of papers and hands them to a person sitting at one of the front desks). Take one down and pass it around. (camera pans to the "felons" sitting and follows as the papers get passed around the room). These are your guidelines. They outline safety procedures, behaviour requirements etc. If you cause any trouble you will come back here to see me, something I do not want to happen. Now lets talk about what you will not bring. First on the list weapons of any kind. I'll state the obvious first. You will not bring a gun. You will not bring chains. You will not bring knives of any kind, including penknives, nail files, razor blades, carpet cutters. (camera pans to Rory, she looks out of place with all the other people in the orientation) You will not bring rope, you will not bring brass knuckles or anything that can be used as a truncheon.
(CUT to Luke's diner, morning. Luke & Lorelai come down from the apartment talking)
LUKE
And they have those flash light thingies
LORELAI
Yeah! That's the right name for those. Flash Light Thingies.
LUKE
And Jedi powers of mind control, and they can move things, so they're telekinetic. And they hover on their jet saucers over molten lava, and they can jump and fly around like they're in Cirque Du Soleil...
LORELAI
Ah! Coffee, please. (Luke goes behind the counter to get the coffee, Lorelai sits on a stool)
LUKE
... But what gives one Jedi knight the edge over the other, huh? The ultimate advantage? They stand on a mound of dirt and declare, "you can't win. I've got the high ground."
LORELAI
Dude, if he said it that's the way it is. It's a fictional world.
LUKE
He's four feet up a little sloap, and that wipes out all the other guys powers to fly, jump around, move things with his brain, use his flashlight thingy?
LORELAI
You've got to learn the right term for that flashlight thingy!
LUKE
This has been bugging me!
LORELAI
For months! We saw that movie months ago. You've got to let it go.
LUKE
I can't!
LORELAI
George Lucas owns San Fransisco now. That's a city! You can't argue with a man who owns a city.
LUKE
All the other guy has to do is scurry onto land, run up a hill a bit, and then he has the high ground. I mean, they can fly jetpods, but they can't scurry?
LORELAI
Go on a website or something, OK? Cause there are thousands... no, millions of your kind out there debating all the minutiae of, not just this Star Wars movie, but every Star Wars movie!
LUKE
You drag me to see these movies.
LORELAI
No, you wanted to see that movie.
LUKE
So I can't critique it because I wanted to see it?
LORELAI
That's how it works.
LUKE
What about "Bewitched"?
LORELAI
(closes her eyes and breathes deep in restrain) Okay, I'm sorry. They screwed up "Bewitched". Nicole Kidman, good choice. But that concept?
LUKE
You should go on a website
LORELAI
No! but "Bewitched" is iconic!... Dr. Bombay, Larry Tate. There was no Larry Tate.
LUKE
(a bit condescending) Hey! Let it go! We saw this months ago!
LORELAI
This is different. You can't have "Bewitched" without Larry Tate.
LUKE
Here's your coffee.
LORELAI
(sighs and takes the to go cup) So should we stop going to movies?
LUKE
We should stop caring.
LORELAI
OK! Bye doll!
LUKE
Bye
(They kiss and Lorelai exits the diner. Camera follows as Luke walks behind the counter and as he reaches to clean a table we see TJ cleaning up some shelves. He starts to stroke them lovingly)
TJ
You see these?
LUKE
Yeah, I saw them before TJ. Stop doing that. It's creepy.
TJ
(stands up straight by the shelves proudly) Some of my best work these shelves.
LUKE
They seem very shelfy.
TJ
You're not excited.
LUKE
I tend not to get to excited about things like shelves.
TJ
I hate that you've lost the little boy in you.
LUKE
Don't cry for me
(They walk away from the table. Luke goes behind the counter. TJ follows from the other side of the counter)
TJ
By the way, I'm throwing in my top shelf as an engagement gift for you, brother-in-law.
LUKE
Great! Thanks.
TJ
Of course, my per-shelf rate's gone up since we last talked. So it all comes out to the same money.
LUKE
Yeah... well, funny how that works.
TJ
It's very exciting that Lorelai's gonna be my sister-in-law. Having another hot girl in the family is gonna be tres cool.
LUKE
Uh-huh.
TJ
People are really gonna stare when the two of us are squiring our delectable wives around.
LUKE
I don't know just how much mutual squiring you and I are going to be doing.
TJ
You got to admit our wives are hot. (draws in the air with his hands a woman's body) Va-va to the voom.
LUKE
(disturbed) T.J... Your wife is my sister.
TJ
That don't make you blind, does it? Va-va... (starts to do the air drawing thing again)
LUKE
Don't go to the voom again!
TJ
Mr. Sensitive.
LUKE
You're done here, right? Don't you have somewhere to go?
TJ
I'm pretty free. I was gonna go home and watch "Bewitched" on dvd, but your woman spoiled that for me.
LUKE
Yeah... I got to check something out in the storeroom. (starts walking towards the storeroom. TJ follows him and stops him before he leaves)
TJ
Wait, wait, wait, wait! Wait. Wait. Wait. I need your okay on something.
LUKE
As long as it doesn't involve my sister.
TJ
It pays to advertise, right? I want to put a sign up on the shelves to let people know who did them. "Shelves by AJ"
LUKE
AJ? Why AJ? Why not TJ?
TJ
'Cause I'm going in the yellow pages, and I want to be up at the top. "T" puts me after everything except "u," "v," "w," "x," "y," and "z" and I think a few others. Smart, huh?
LUKE
Yeah, well I just don't want you advertising here, T.J.
TJ
Well, is it okay if I give out my card to any inquiring party? (gets out a card from his toolbelt and gives it to Luke)
LUKE
Sure, if they inquire, give them a card. (reads the card) You crossed out "Ralph's Shoe Repair" and wrote in "AJ Construction." That's your card?
TJ
I don't technically have cards. So I take them from other businesses and write my own stuff in it.
LUKE
You wanna... You might want to cross out the picture of the guy shining the boot. It might confuse things.
TJ
Thanks. (Luke exits to the storeroom) What a team, huh? What a team? (TJ approaches two customers sitting on the counter) How about those shelves, huh? You plus your fat cousins could sit on them. They wouldn't break. They're that strong. Here, take a card. (gives them a card)
(CUT outside to Stars Hollow pet fair, same day. Lorelai is walking around looking at the animals)
LORELAI
Hello, porky! Hello. O-h-h-H!!!! Well, I'm feeling a little guilty because of the you-L.T I had yesterday. That's right, I'm sorry. Please forgive me. Hi, fellas. What's up? You both look like killers. (sees a cage with a cute furry mutt) Hey. Hey, you! Oh, someone seems very happy.
FAIR SALES PERSON
He likes you, and he's picky.
LORELAI
He's cute. You're cute. You're shaggy cute. Oh, we got a love thing going on, don't we? (Miss Patty approaches Lorelai)
MISS PATTY
(accusingly) What are you doing?
LORELAI
I'm just enjoying the animals, Patty.
MISS PATTY
(to fair sales person) Honey, this is not right. She can't have a love thing with a dog.
FAIR SALES PERSON
She can't?
LORELAI
Yes, I can. Go about your business there, Patty.
MISS PATTY
You must have her name on some blacklist back there, don't you?
FAIR SALES PERSON
We don't have a blacklist.
MISS PATTY
But this is Lorelai Gilmore.
LORELAI
Ignore her. (to Patty) This dog loves me. And the pig... the pig loved me.
MISS PATTY
It looks dead.
LORELAI
It's sleeping. (to fair sales person) They sleep, right?
FAIR SALES PERSON
Actually, that's very unusual for her to be sleeping. (to anohter fair member) Meg, make sure the pig's okay.
LORELAI
Yeah, the pig's fine.
MISS PATTY
(accusingly) You didn't touch it, did you?
LORELAI
I did not kill the pig, Patty.
MISS PATTY
You got a bad record. You got to admit it.
LORELAI
That thing with the hamster was a long time ago. It was a long time ago! And..and it was only a hamster. I mean it's not really in the same category as dog or pig, now, is it?
MISS PATTY
What about the rabbit?
LORELAI
Okay, the rabbit was sick when I got it. It was sick when I got it! It was actually very humanitarian of me to take it in the first place.
MISS PATTY
And that poor turtle. It was supposed to outlive you.
LORELAI
Kay! You're really kind of bringing down the pet fair here, Patty.
MISS PATTY
Honey, go see "March Of The Penguins." That's really as close to the animals as you should get. (walks away)
LORELAI
(to fair sales person) She's a comedienne, that one. She just gets a bit, and then she keeps on going, you know, even with one that's not funny. It's a (far sales person walks away)... (to the dog) Hi. See you later, kiddo.
LIZ
(running towards Lorelai) Lorelai!
LORELAI
Liz, hi. (they hug)
LIZ
You and Luke engaged!
LORELAI
Yes, we are!
LIZ
I want to eat your face.
LORELAI
Is that good?
LIZ
You're my sister-in-law. Mrs. Danes, not that you're changing your name. You don't got to. Go modern.
LORELAI
Oh, I'm not sure what I'm gonna do.
LIZ
(takes Lorelai's hand in hers and inspects the ring) This ring. My brother has good taste.
LORELAI
Yes, he does.
LIZ
You ever see my ring?(hold out her ring finger) It's a beaut, huh?
LORELAI
Definitely.
LIZ
Had a problem with it for a while. It turned my finger green.
LORELAI
Well, that's common with metal.
LIZ
No, it's worse than that. The finger turned green, then it turned blue, then purple. So, I went to this doctor, and he's talking amputation.
LORELAI
Oh, my god!
LIZ
But TJ picked it out for me, so I love it, I really do.
LORELAI
It's the thought that counts.
LIZ
Well, I got to get going. I actually have a finger-therapy session I have to go to. Sister-in-laaaws! (hold up her ring, and Lorelai reluctantly joins her)
LORELAI
Sister-in-laws!
LIZ
Oh, I'm a jerk.
LORELAI
What?
LIZ
I forgot to ask you about Rory.
LORELAI
Right.
LIZ
So, is she staying here with you during the summer break?
LORELAI
(uncomfortable) Oh, well, actually... Luke didn't tell you about all this?
LIZ
All what?
LORELAI
She's staying with her grandparents for the summer.
LIZ
Really?
LORELAI
For a change of pace. And she'll be working and... yeah.
LIZ
Ah! Your whole extended family. You, your parents, so close. It's nice.
LORELAI
Yes, it is.
LIZ
Ow.
LORELAI
What?
LIZ
My finger. Gotta run. Bye. (walks away)
LORELAI
Uh... Bye, Liz. (sighs) Looks back at the furry mutt. To fair sales pesron) I'll take him.
(CUT to Gilmore mansion dinning room. Emily and Richard are having a rather rich breakfast and are working on their schedules)
EMILY
So the 14th works?
RICHARD
Yeah, works for me. My god, we're busier than that Anne Coulter.
EMILY
Who?
RICHARD
That blond bean pole on TV. If she walked over a subway grate, she'd fall right through.
EMILY
We need to talk to the gardener.
RICHARD
Try! I've given up.
EMILY
I told him to take that mp3 device off his head while he worked, and he did. Then I hid behind the curtains, and he put his mp3 device right back in his ears. (Rory walks in the dinning room and stand around awkwardly)
RICHARD
We're paying him too much if he's able to afford an mp3 device.
EMILY
Well he's got to focus on the lawn. Morning, Rory.
RORY
Hi.
RICHARD
The patches of brown. Good morning, Rory.
RORY
Morning.
EMILY
OH, speaking of which, we have a cocktail gathering on Wednesday.
RICHARD
How was "patches of brown" speaking of which?
EMILY
It's the Sterling-Olivers.
RICHARD
The age spots.
EMILY
You worship the sun, you pay the price.
RICHARD
(chuckles) So, Wednesday with the Oliv... wait a minute. We already have cocktails with the Bransons on Wednesday.
EMILY
We'll do a drink at each.
RICHARD
Huh, we've done it before.
EMILY
Rory, sit, sit!
RORY
OK. (sits at her usual place)
RICHARD
We're staying on top of your car, by the way.
RORY
My car?
RICHARD
Mmmm. It's still in the shop. What is with our government? Impounding a car and damaging it in the process.
EMILY
Then refusing to pay for the damage.
RICHARD
I should tell Scooter Libby about this. I keep forgetting I know a man on the inside. I'll give him a call.
EMILY
Before an indictment comes down.
RORY
I'm sorry.
EMILY
For what?
RORY
Well my car is impounded because of the thing with the yacht.
EMILY
(dismissive) That's forgotten.
RICHARD
(equally dismissive) Totally forgotten.
EMILY
(continuing to be dismissive) It didn't happen.
RICHARD
We'll get you through this community service. Then we'll be through with the matter.
EMILY
Was the orientation horrible?
RORY
No, it went fine. I start my first hours in a couple days.
EMILY
You're bearing this angelically.
RICHARD
(looks at his watch) Oh, I've got to run!
EMILY
(looks at her watch) Oh, look at that. Me too. (Richard & Emily stand up)
RICHARD
Goodbye, Rory. Have a nice day.
EMILY
Eat the rest of this.
RORY
(Richard kisses the top of her head) I'll try.
EMILY
And give the fabric samples in the pool house a good look. The longer we wait, the longer it takes.
RORY
I'll give them a good look
(as Richard and Emily start to exit music starts to play)
EMILY
What's that?
RICHARD
That's my new ring tone.
EMILY
I love it.
RICHARD
I'll have Katie come up with some appropriate suggestions for yours. Maybe some Burt Bacharach.
EMILY
Wonderful. (the grand parents leave. Rory is left alone in the huge dinning room)
(CUT to pool house. Rory is sitting on one of the armchairs with the fabic samples on them watching the pool scene from "The Graduate" wearing a bathing suit and a skirt)
(CUT to main house. We hear the vacuum. Rory enters walking around bored. The vacuum stops working and the maid walks by. Rory waves at her the maid smiles and walks away. After a beat Rory follows her)
(CUT to the mansion's kitchen. The maid is doing some work as Rory walks in)
RORY
(pointing at the coffee maker) May I?
ESPERANZA
Si.
RORY
(pours some coffee) Esperanza, right?
ESPERANZA
Si, Esperanza.
RORY
Tu nombre es muy bonito.
ESPERANZA
Hablas espaÑol?
RORY
Um, no hablo bien, y no hablo mucho.
ESPERANZA
Lo hablas muy bien.
RORY
De dónde eres?
ESPERANZA
De Guatemala.
RORY
Guatemala. Tienes familia alli?
ESPERANZA
Oh, sí, tengo mucha familia, y quiero traer a mi mama aqui.
RORY
Oh, si. Y cuantos anos tiene tu mama?
ESPERANZA
72 anos.
RORY
Oh! (they chuckle)
(CUT to kitchen later on. Rory & Esperanza are in deep conversation polishing silver together. Emily walks in)
RORY
Le gusta ver footbol en la televisión o le gusta jugar?
EMILY
Rory!
RORY
Oh! Grandma, you scared me.
ESPERANZA
Hello, Mrs. Gilmore.
EMILY
What is going on in here?
RORY
Um, we were just... well, we were polishing silver.
EMILY
Esperanza, the vacuum is still sitting in the foyer. (at the maids blanc stare) The vacuum! THE VACUUM!
ESPERANZA
Oh, si! Si. (exits in a rush)
EMILY
(to Rory) Tell me she didn't ask you to help.
RORY
Oh, no, no. She didn't. I just... I don't know. I just thought, I would pitch in.
EMILY
Well, you shouldn't. This is her job, she's paid to do this.
RORY
I know.
EMILY
And what was that language?
RORY
Spanish.
EMILY
Spanish? They don't like it when you talk to them, Rory. It throws them off their axis.
RORY
She seemed fine.
EMILY
(inspects Rory's outfit) Is that a bathing suit?
RORY
Yeah. Yeah, I was gonna go swimming earlier. (seeing Emily's stern face) In fact, I think I'll go do that now.
EMILY
Yes, a swim would be good.
RORY
OK. Well, see you later. (Rory exits. Emily looks around at the silverware Rory was polishing and sighs)
(CUT to Lorelai's house, night. There is a knock on the door. Lorelai answers. Luke comes in)
LUKE
Hey! You ready to go?
LORELAI
Come in, come in, come in! I want to show you something.
LUKE
OK.
LORELAI
(giggles) Or... more accurately, I want to show you someone. (they walk in the living room, which is filled with doggie stuff) Ta-da! Where'd he go?
LUKE
Where'd who go? What's all this crap?
LORELAI
(disappointed) Aaaww! Yoo-hoo! Come on, dude. We had it all rehearsed and everything. A! Aha! Ha ha. Yeah. Okay. (produces the dog from behind an armchair) Ta-da!
LUKE
(surprised and weirded out) It's a dog.
LORELAI
Yeah! Very good. (to the dog in a funny voice) He's smart, too. Not as smart as you.(carries him to the coffee table and sets him there, sits next to him and starts to pet him)
LUKE
What are you doing with a dog?
LORELAI
I bought him. Doesn't he look happy?
LUKE
Yeah, I guess. (disbelievingly) You bought a dog!
LORELAI
Yeah, and he loves me. And he doesn't give his love easily. The only drawback is the name. Cocoa. It's too cutesy. But he's a rescue, so I don't want to freak him out by giving him a new name right away, so, I'm gonna get to the name I want to givr him in baby steps. For the first week, I'll call him Cocoa to get him acclimated.
LUKE
Acclimated.
LORELAI
Second week, I'm gonna call him Cokey. Third week "Kooky". Fourth week "Tooky".
LUKE
So, you're gonna name him Tooky?
LORELAI
No. I'm gonna name him Paul Anka, but it's gonna take a while to get to Paul Anka.
LUKE
Yeah, I'd say so.
LORELAI
(gets up from the table) And, you know, this little guy has already taught me something I didn't know! Just because they make it for a dog doesn't mean a dog is gonna like it. Toys, including squeakies (picks up a toy and squeezes it, makes a sound) and the "whazzup" variety (picks up another toy that looks like a monkey, squeezes it and it says "whazzup?"): No interest. Rawhide bones: no interest. Popcorn: scared of it.
LUKE
Scared of popcorn?
LORELAI
Yeah, and also of tissue holders, paperbacks, cds, framed pictures, and lint. Oh! And when I drink something, he gets freaked out like I'm gonna die, and I have to pick him up and rock him like a baby until he calms down. It's been quite a first day for us.
LUKE
Look, should I ask the question that immediately came to mind when I first saw the thing, or should I just shut up?
LORELAI
No. Shoot.
LUKE
Is it okay for you to...
LORELAI
(cuts Luke off)... That hamster was defective. Period. Plus, they only live like three years, I looked it up. And... and... and he would have been dead by now anyway. So, world, stop with the hamster already.
LUKE
But the turtle...
LORELAI
(cuts him off again) The same thing with the turtle.
LUKE
Yeah, but they live to be 90.
LORELAI
I will take care of this dog. I promise. Now, would you like a beer?
LUKE
Sure.
LORELAI
OK. Just distract him while I'm drinking. And don't let him see the (whispers) bottle opener. (they walk to the kitchen. PA is left in the living room)
(CUT to Lorelai's kitchen, continuous. Luke and Lorelai enter. Lorelai goes to the fridge)
LUKE
How much did you spend on all this?
LORELAI
Tons. (gets two beers out of the fridge and gives one to Luke)
LUKE
For a stupid dog.
LORELAI
You're acting like you don't like dogs.
LUKE
I don't like dogs.
LORELAI
(PA enters the kitchen) Shh! He heard you.
LUKE
He speaks English?
LORELAI
Since when do you not like dogs?
LUKE
Since all the times I made that really, really clear, which is every time I've ever been around a dog.
LORELAI
What is there not to like about dogs?
LUKE
(sits at the table. Lorelai puts some food for PA) They're dirty, they're a pain to train, they're a pain to wash, they bark when they shouldn't, they jump on you when you don't want them to, they chew things, they shed, they lick themselves, they make your house smell, they make your car smell, and they make you smell.
LORELAI
(sighs and joins him at the table) You know I think it's very sad that you've lost the little boy in you.
LUKE
The little boy didn't like dogs, either.
LORELAI
Oh! You know. I just realized what this is. This is our thing.
LUKE
What thing?
LORELAI
This tradition of ours. You claim to hate everything at first, but it's just your initial stance in a negotiation. And then we talk, and our opinions merge, and we find a happy middle.
LUKE
No. A lot of times, it's just how I feel, and my mind doesn't change.(PA goes over to his food bowl)
LORELAI
OK, oh! he's eating. Come on, let's go! (she gets up and gestures Luke to follow) But don't make any sudden movements, and don't drink and don't look at him. He's very self-conscious about his eating. I'm the same way. That's how I know this is gonna work! Go! Go, go, go! (they exit the kitchen and stare at PA while he's eating through the kitchen door window)
LUKE
You do realize your dog has just driven us out of the house?
LORELAI
Don't worry. He's a quick eater. Come on. (they start walking)
(CUT to Lorelai's porch, continuous. Lorelai and Luke are walking on the porch)
LORELAI
Shh.
LUKE
This is silly.
LORELAI
What? We can hang out here. It's a nice night. (they sit on the couch on the porch) Okay. Now, fill me in. How was your day?
LUKE
Well, I talked to some contractors about the Twickham House.
LORELAI
Oh, yeah?
LUKE
As soon as we make the offer, they'll let us in. We can start planning stuff. Remodelling, whatever.
LORELAI
Good.
LUKE
And as soon as we're out of escrow, we can start work.
LORELAI
Cool. Excellent.
LUKE
I was thinking we could even pull the crew over here. Do some quick touch-ups before selling.
LORELAI
Wait. Touch-ups? Where? Here?
LUKE
Yeah. It hasn't been painted in a while. Fixing it up will help it sell.
LORELAI
Right. You know, I've been thinking?
LUKE
What?
LORELAI
Maybe... we should... hang on to this house.
LUKE
To rent?
LORELAI
No! Not to rent. To use... in some other way.
LUKE
What other way?
LORELAI
Uh... I don't know. we... It could be, like, a paint studio.
LUKE
We don't paint.
LORELAI
Well, maybe we'll start. Maybe it's the lack of a studio that's kept us from realizing our love of watercolours.
LUKE
I don't have a love of watercolours.
LORELAI
Or I could use it as my recording studio. That would be cool, huh? And when I'm not laying down tracks, I could rent it out to Korn or Iggy Pop or someone. Right? You and me just hanging with Iggy Pop, rocking out, telling stories. Ig's got stories!
LUKE
(understanding drawing on him) Uh-huh.
LORELAI
Or we could use it as a safe house, in case we decide to take up a life of crime. (through the window PA walks up on the staircase and lies down)
LUKE
I doubt we're going to do that.
LORELAI
Well, we could be wrongly accused of a crime we did not commit. And then we'd have to hide out until society realized the mistake, and then we'd be like, "Hey, no hard feelings. It happens. This is a great country, and thank god we had the safe house."
LUKE
If you want, we can just hang on to it and rent it out.
LORELAI
I don't want anyone else living in it.
LUKE
They can't live in it, but they can record songs in it?
LORELAI
I just think we could use this place. Think about it, OK?
LUKE
Yeah, sure. We'll think about it.
LORELAI
OK. (looks around into the living room and gasps) Oh, look, he's done. And he's in there fast asleep.
LUKE
Great! Let's go back in.
LORELAI
OK. Just be careful because he gets scared when you wake him up.
LUKE
Of course.
LORELAI
OK. (they start walking back to the house) Oh, and try not to say any words that begin with the letter "Q".
(CUT to Gilmore mansion, night. Rory walks in and enters the living room. Richard & Emily seem to be waiting for her)
RORY
Hi. I got your note.
EMILY
Come in, dear.
RICHARD
We just wanted to speak to you for a minute.
EMILY
Sit, sit. (Rory sits on one of the couches)
RICHARD
We have a club soda all ready for you here.
EMILY
Is that all right? We can make you something else.
RORY
No, that's fine. My drink of choice, thank you. (Rory drinks, Emily & Richard stare at her. He hear a grandfather clock ticking in the backround. Rory seems a bit uncomfortable) Refreshing!
RICHARD
Now, you said something before about wanting a job.
RORY
Yes!
RICHARD
You're low on money, and I know you'd prefer to earn it rather than be given it... You're a Gilmore.
RORY
Mmhuh.
RICHARD
Your grandmother and I are ready to help you with that.
RORY
With a job?
RICHARD
That's right.
RORY
Well, um, the job thing was before my court thing. 300 hours of community service in 6 months... it's a full-time job in itself, which kind of limits my options as far as work.
EMILY
That's where we come in. We can swing a couple of options for you that it'll give you the flexibility you need.
RORY
Really?
RICHARD
There are all sorts of things out there for a bright girl such as yourself. They'll bend their schedules for you.
EMILY
I'll make some appointments and let you know what they are.
RORY
All right. Well, thank you. Thank you very much. (a new maid enters with a tray)
EMILY
Have you met Draguta? She's from Romania.
RORY
Hi. (the maid looks at Rory in a stern manner and walks away, Rory is taken aback)
(CUT to Lorelai's front porch, morning. Lorelai and PA exit the house. PA waits at the top of the few steps, while Lorelai goes down. She turns around as she realises the dog is not following her. She goes back up the steps and pics PA up)
LORELAI
That's right. I forgot. You don't like the stairs. Come on, Paul Anka. That's right. I'm skipping the fancy in-between thing and going straight for the gold. I'm calling you Paul Anka. Paul Anka the dog. (Lorelai walks off the screen with the dog in her arms. PA barks aggressively) You don't like mail boxes, got it!
(CUT to Gilmore Mansion patio, morning. Rory walks in and there are a bunch of ladies sitting with Emily, having drinks, tea, etc. They are chatting)
RORY
Oh, excuse me.
EMILY
Rory, what a coincidence. We were just talking about you earlier.
RORY
You were?
EMILY
Come in. Sit with us for a minute.
DAR LADY1
This is Rory?
NORA
She's made of porcelain.
RORY
Uh... I didn't mean to interrupt.
DAR LADY2
Beautiful skin. (Rory walks towards the ladies and sits on chair next to Emily)
DAR LADY3
Like one of your lladros.
NORA
I want to miniaturize her and set her on my mantel.
EMILY
You've interrupted nothing.
DAR LADY3
Nora was just defending her choice.
RORY
Her choice?
EMILY
Cover your ears, Rory.
NORA
It's Alexander Hamilton, no debate.
DAR LADY3
Over Washington.
DAR LADY!: And Jefferson.
NORA
Direct, proud. That chin and those blazing eyes.
EMILY
They're discussing the forefathers.
DAR LADY1
Choosing, to be more accurate.
RORY
Which was the greatest?
NORA
Lover.
RORY
Oh, dear.
EMILY
Girls, please. She's just a child.
DAR LADY3
Most of us picked Washington or Jefferson. There was one vote for James Madison.
EMILY
Two abstentions.
NORA
And I chose the stud on the 10.
EMILY
It's the drinks. I have to start watering them down.
DAR LADY1
So, we finally meet the famous Rory.
RORY
I'm famous?
EMILY
You're wanted.
DAR LADY3
She's perfect for us.
RORY
For what?
EMILY
A job's opened up at our DAR Office downtown.
NORA
We need someone smart, sharp-looking.
DAR LADY1
And the hours are extremely flexible.
EMILY
It just fell out of the sky into our laps. Isn't that something?
RORY
Yes.
EMILY
You can even work from home occasionally. It's mostly phone work.
NORA
You'd be perfect for us.
RORY
Well, thank you all for thinking of me. And, yes, it does sound perfect.
EMILY
Good.
DAR LADY3
When did you join, Rory?
RORY
Join?
DAR LADY3
The DAR.
RORY
Oh, um... well, I haven't.
EMILY
Yet.
DAR LADY1
She'd have to join to work in the office.
RORY
Oh.
NORA
Don't worry. The term "shoo-in" was coined for a figurine like you.
EMILY
Don't worry. The paperwork's all filled out and ready. It's a formality.
NORA
Do you not eat? Do you not drink? The Irish coffee is astounding.
EMILY
Oh, yes. Rory, our meeting's done. We're just gabbing. Go change and join us.
NORA
And be thinking of the forefather you fancy.
RORY
Well, um, I... I can't.
EMILY
Why not?
RORY
Uh, because I have my, um...
EMILY
Your... ?
RORY
(gestures with her head) My thing.
EMILY
Your thing.
RORY
Um... (leans towards Emily and whispers in her ear) my community service. You were supposed to drive me.
EMILY
Oh, yes. Ladies, I'm sorry. Rory and I have a little outing, and we were having so much filthy fun I forgot the time. (the ladies get up and start to leave)
DAR LADY1
Doing a little shopping, Emily?
EMILY
Something like that.
DAR LADY1
Well, have fun.
DAR LADY3
Lovely gathering, Emily.
EMILY
Thank you, girls.
NORA
(to Rory) Oh, you're going to match the drapes in our office perfectly. (she exits)
(CUT to Lorelai's driveway, morning. Lorelai parks the Jeep in the driveway and gets out of the car)
LORELAI
Come on, boy. Jump out. (PA jumps out of the car) Good boy. Not afraid of jumping. That's something. (as she starts walking towards the house she notices a man standing outside her bedroom window on the roof) Uh, excuse me.
GEAORGE
Hello.
LORELAI
Hello. I'm Lorelai, the owner of the house you're standing on.
GEARGE
I'm George.
LORELAI
Hi, George. I'm just trying to think of how to ask this in a polite way. Um, are you committing some sort of crime?
GEORGE
No.
LORELAI
But if you were, would you tell me? (another man walks out to the porch from inside the house) Hello.
SAUL
Howdy.
LORELAI
(to herself) Fight or flight? Fight or flight?
LUKE
Hey!
LORELAI
(Luke joins George up on the roof) Luke!
LUKE
This is George.
LORELAI
Oh, we've met.
SAUL
And I'm Saul.
LORELAI
Hi, Saul.
LUKE
(to George) Get what you need?
GEORGE
Just about. Saul, you get what you need?
SAUL
Just about.
LORELAI
Wow. I was this close to screaming and siccing the dog on you. (turns to point at PA, who is now in the car with the door closed) How did you get the door closed?
LUKE
We're just about done.
LORELAI
Wha... Done with what?
LUKE
Sizing the situation.
LORELAI
What situation?
LUKE
About how many silent joists we need to carry out.
LORELAI
What's a joist?
LUKE
The things that support the load.
LORELAI
What load?
LUKE
The load from the extension.
LORELAI
Okay, this has officially become the worst first draft of "Who's on first?" in history.
LUKE
It's about enlarging the bedroom. To live here.
LORELAI
Here? You wanna live here?
LUKE
Sure. I don't have a lot of stuff. We just need a little more closet space. A bigger bathroom, bigger bedroom.
LORELAI
I always wanted a bigger bedroom.
LUKE
Well, looks like we can do it.
LORELAI
But what about the Twickham House?
LUKE
Too damn big. We can get along fine here for a while. Maybe forever. It's a great house. You love this house.
LORELAI
I do love this house.
LUKE
I know. I figured that out from your sudden interest in laying down tracks and becoming a painter.
LORELAI
Come down here so I can kiss you. All of you.
LUKE
We'll just be a minute.
LORELAI
(walks back to the car to get PA. As she reaches to open the door) You locked the door? Dude, come on! I mean, I've got the key, but I'm really curious how you did this.
(CUT to outside, morning. Emily's car drives up to the community service's get-go. Rory and Emily are having a conversation as Emily parks the car. Emily is reading some things from a sheet of paper)
EMILY
Let's see what else. "When you're eating in the mess hall, never reach across the prisoner next to you". It's a provocation. It'll get you a fork in your hand.
RORY
I don't think there's going to be a mess hall.
EMILY
Well, wherever you're eating, that would apply. What else? "Don't be arrogant". But you're not arrogant. "Don't let anyone give you anything or lend you anything, period. It can get you injured, or killed or turned out". I'm not sure what "turned out" means, but they're very careful to warn you off it.
RORY
Got it.
EMILY
Now, "if somebody approaches you with a shiv... "
RORY
Do you know what a shiv is, grandma?
EMILY
No, what is it?
RORY
It's like a crude knife, carved from a soda can.
EMILY
Oh!... that must be why they advise you to "yell for a hack to come help you." What's a hack?
RORY
Where did you get this, grandma?
EMILY
I had your grandfather's secretary find me info on interacting with fellow prisoners.
RORY
But we're not prisoners. We're just doing community service.
EMILY
(eyeing the rest of the people of the Community Service) They look like prisoners.
RORY
Well, you know, sitting here in the jag staring at them is probably not going to help my popularity.
EMILY
Oh, you're right. That's on the list, too. Staring: it's bad. You shouldn't do it for more than one or two seconds.
RORY
I won't.
EMILY
And they really emphasize that you should "keep your fight face at home". I'm guessing that's any sort of aggressive expression, whether you're staring at the person or not. Fight face... remember that.
RORY
Okay. I'll be fine, Grandma. Thanks for driving me.
EMILY
Wait. (gives Rory a fancy paper bag, probably with Ror's lunch) Here. That's better than a paper bag.
RORY
(looking at it in a weird way) Yes, it is.
EMILY
Oh, and here. (gives Rory a pack of cigarettes)
RORY
Cigarettes?
EMILY
To barter. It's currency to these people.
RORY
Thank you, Grandma. I'll call you when I'm done.
EMILY
Bye, now. And remember, don't stare.
(Rory nods and gets out of the car. She walks towards the rest of the group. They eye her in a funny way)
RORY
(uncomfortable offers the pack of cigarettes) Anyone want a smoke?
(CUT to Luke's diner, morning. Luke and George are sitting at a table discussing the remodel. Liz is sitting at a table near by)
GEORGE
Then you've got to decide on your extras. We can slap up some molding.
LUKE
Yeah, molding's good. Lorelai'll like that.
LIZ
She will. She will like that.
LUKE
(stares at Liz for a beat) Let's figure on molding of some kind.
GEORGE
Good.
LIZ
Good.
GEORGE
We can add a wainscot, too. And we could do a lugged architrave on the overdoor.
LUKE
Great!
LIZ
Oh! I love a lugged architrave.
LUKE
(frustrated) Liz.
LIZ
(turns to Luke & George's table) Oh, hi. (extends a greeting hand to George) I'm Liz.
LUKE
My sister.
GEORGE
Hi, Liz.
LIZ
You're an architect, huh?
GEORGE
Yep.
LIZ
How long have you been an architect?
LUKE
This is not your interview, Liz.
LIZ
Oh, I'm buttoning it now. I'm sorry.
GEORGE
I need to go anyway, Luke. (Luke and George stand up. George starts gathering his things)
LUKE
What's your time frame here, George?
LUKE
It's going to take me at least two weeks to draw up a plan. I'll keep you posted.
LUKE
Good deal. (the men shake hands)
LIZ
(pats George on the back as he's exiting the diner) Good deal, George.
LUKE
(to George as he's leaving) I'll talk to you later. (to Liz) What is wrong with you?
LIZ
Whaaa... I'm just excited about all this. A new adventure!
LUKE
(walks behind the counter, Liz follows him) But it's not your adventure. It's my adventure. You're in the employee section.
LIZ
I want to talk to you about something, Luke.
LUKE
You've done nothing but talk since you got here. Why announce it now?
LIZ
You're going to need a contractor for your remodel, right?
LUKE
Yes.
LIZ
And you know who I'm married to.
LUKE
Yes.
LIZ
He'd be perfect for this!
LUKE
TJ? He's not a contractor.
LIZ
Oh, but he is.
LUKE
Since when?
LIZ
Since he almost passed the test for his contractor's license last month. I mean, he was so close. If he hadn't used all those curse words during the written exam, he'd have had it.
LUKE
He used curse words?
LIZ
When he's enthusiastic about something, he gets very foul. But I blame his mother. She has got a mouth on her. Garbage mouth!
LUKE
I don't think he can do the job, Liz. (he walks to a table to clean it up. Liz follows him around)
LIZ
Oh, but, my brother, he's working so hard for his license. You should see him! It is so cute. He sits up in bed at night poring through his books and his manuals. He's got this system where he reads a chapter then rewards himself with a junior mint. It's been working great for him.
LUKE
There is no way in the world that he is getting this job, Liz.
LIZ
But what about the shelves he made you? I thought you liked them.
LUKE
They're just shelves.
LIZ
Oh, what happened to the little boy in you?
LUKE
Look, the shelves are nice, but this is a big job. Lorelai loves this house. This is a great house. (he walks back behind the counter, Liz follows him yet again)
LIZ
Luke, his life depends on it.
LIZ
How?
LUKE
Because if he doesn't get his ass out of the house and work more... I'm gonna kill him.
LUKE
There's a housing boom out there. There's plenty of work for a good carpenter like TJ.
LIZ
But every time he interviews for jobs, he starts cursing. He can't help it. People mistake it for him being weird or something.
LUKE
Imagine that.
LIZ
Please, big brother! For your little sister.
LUKE
Liz!
LIZ
Just don't say "No", OK? Just think about it.
LUKE
I don't need to think about it.
LIZ
For me! Think about it.
LUKE
OK! Fine! I won't say "No" for the time being.
LIZ
Yes! Thank you. That's all I needed was a big fat "Not a 'No'".
LUKE
Whatever. (Liz sits on a stool at the counter and stares at Luke. Luke looks at her and walks away)
(CUT to Community Service, morning. Rory is cleaning up trash at the side of the road with the rest of the group. She stabs a piece of garbage another person was aiming for)
RORY
Sorry! (Takes the piece of paper she just stabed and trows it back down. The guy picks it up. Rory backs up and bumps onto another girl from the Community Service) OH!
LIZA
(to Rory) Watch it. (walks away)
RORY
(to Liza) Sorry! (continues to pick up trash)
(CUT to Lorelai's bedroom, morning. Lorelai enters with a laundry basket filled with clothes. She puts in on the bed and starts going through the clothes. She notices something on the wall. She starts walking towards it in shock. The camera pans out and we see Lorelai standing in front of a big hole on her bedroom wall)
(CUT to Luke's diner, continuous. Luke is serving a customer while Lorelai walk towards the diner in shock)
LUKE
(taking order) So, it's an omelette, side of bacon...
CUSTOMER
What kind of cheese do you have?
LUKE
I've got your basics: swiss, cheddar, jack... (Lorelai enters, and grabs Luke's hand and starts dragging him out of the diner)Hey, what? What? Hey. Lorelai, what are you doing?
(CUT in front of Lorelai's house, continuous. Lorelai is still dragging Luke)
LUKE
Lorelai? This is weird, okay? I... Come on, what's wrong? Lorelai, say something. (they reach the front of the house)
LORELAI
(pointing at the hole) Hole!
LUKE
How... ?
LORELAI
Hole!
LUKE
... it...
LORELAI
Hole!
LUKE
I know it's a hole. How did it happen?
LORELAI
Dirt!
LUKE
What?
LORELAI
Dirt, bed! Dirt, hole!
LUKE
OK, speak in sentences, come on. You... you found this when you got home.
LORELAI
Yes, a big hole!
LUKE
It was sledgehammered.
LORELAI
With a very big sledgehammer.
LUKE
God, who would... (realisation drawing on him) Oh, my god.
LORELAI
What?
LUKE
(mad) Him.
LORELAI
Who?
LUKE
Him.
LORELAI
What him?
LUKE
(deathly whisper) Kill.
LORELAI
Kill who?
LUKE
TJ!
LORELAI
TJ did this?
LUKE
Who else?!
LORELAI
What do you mean, "Who else"? Why would TJ come over to my house and sledgehammer my bedroom?
LUKE
Damn it, Liz!
LORELAI
What did Liz do?
LUKE
Ah, she worked me over. She begged me to hire TJ as the contractor on the remodel.
LORELAI
TJ's a contractor?
LUKE
No, and I said "No"! But she made me promise to think about it. And then she sat in the diner staring at me, and then she started to cry, so I kicked her out. And then she went outside and cried and so I could see it through the window. And I couldn't take it anymore, so I said, "OK", knowing we had weeks to figure out how to get out of it. And no work could be done 'cause George hadn't made up the plans. And, in the meantime, TJ could've changed occupations or injured himself bouncing up and down on his trampoline and backed out of the job.
LORELAI
But how could you risk saying "oK" to anything with TJ?
LUKE
Did I mention the crying? Liz is a walking tear duct. Oh, TJ's good! You never see what's coming. Like a big, dumb tsunami. He's that good!
LORELAI
So, what do we do?
LUKE
I'm gonna talk to TJ, but I'm gonna be smart about it, I'm not gonna spook him. I'm gonna be like Michael Corleone dealing with that slimy brother-in-law of his. Get a couple of tickets to a ball game, invite him along. And we'll talk about the beer and the hot dogs we're gonna eat. And then I'm gonna get him to admit that he did this. And then when we get in the car on the way to the ball park, I'm gonna put a rope around his neck and pull it till he's (pulls an imaginary rope) Dead!
LORELAI
Wait, Wait! You're in the backseat?
LUKE
Yeah! That's the best for garroting. Yes!
LORELAI
No, he's gonna smell something fishy if you hop in the backseat especially if you're driving.
LUKE
No, he's not that bright. It'll work!
LORELAI
Why are you even buying the tickets? You could just sneak up on him and garrote him on the street. Save you the money.
LUKE
I can still go to the game the other way! I'll take my friend Ed. He hasn't been to a game in ages.
LORELAI
Yeah, you're in no state to deal with TJ right now.
LUKE
Maybe not.
LORELAI
And we need to do something about the fact that my bedroom is on display for all to see.
LUKE
I know.
LORELAI
So, let's figure out what we need to deal with the hole. First things first.
LUKE
(they start walking towards the house) You're right. We need tarp.
LORELAI
Tarp.
LUKE
And some plywood.
LORELAI
Plywood.
LUKE
Staple gun.
LORELAI
Staple gun.
LUKE
And rope.
LORELAI
You're not garroting TJ.
LUKE
Skip the rope.
LORELAI
No rope.
LUKE
I'm sorry.
LORELAI
It's not your fault.
LUKE
Eh... I'm dumb.
LORELAI
No, you're not.
LUKE
I'm gonna kill him!
LORELAI
No, you're not!
(CUT to pool house, morning. Rory enters. She seems to be back from her Community Service. She looks filthy and tired. She walk over to the pool house kitchen counter where there is a DAR folder waiting for her. She opens it up and looks around miserably)
(CUT to Luke's diner, night. Luke is escorting a customer to the door. It seems to be near closing time)
LUKE
Goodnight, see you again. (he walks over to the counter and starts working on the bills. The diner door opens) Sorry. Kitchen's closed. (turns around and sees Rory at the door) Rory!
RORY
Hi, Luke.
LUKE
Hi.
RORY
So, kitchen's closed.
LUKE
No, no, no! It's not closed. Come on in. (he goes behind the counter to get the coffee pot and a cup, Rory sits on a stool at the counter)
RORY
(Luke starts pouring coffee) Oh!
LUKE
Oh, no. I... I just... I figured.
RORY
No! Yes! You figured right, thank you! (Luke fills up the cup) So, it looks like the town's been doing a little painting.
LUKE
Yeah, Taylor wanted to spiff it up. Those are his words. Put these obnoxious signs up. "Pardon our spiff, it'll just take a jiff". It's dumb.
RORY
Yeah! Dumb.
LUKE
But it... it needed a... spiff.
RORY
Yeah, it looks good. So, I started my community service.
LUKE
Right!
RORY
A little roadwork. Vest and all. 5 hours down, 295 to go.
LUKE
It's good you're chipping away at it.
RORY
Yeah.
LUKE
Yeah...
RORY
So... how are people? Are people good?
LUKE
Yeah, people are good. People are, uh... (Looks uncomfortable and sighs) Your mom and I are engaged.
RORY
Engaged?
LUKE
(nods) Yeah.
RORY
Wow. (holding back tears) Congratulations!
LUKE
Thanks.
RORY
So, I guess I'm gonna go. (gets up from the stool) Um... thank you, for the coffee. (exits the diner. Luke looks miserable)
(CUT to Lorelai's house, early in the morning. Some sort of construction is going on and a ladder is standing up against the porch. Lorelai comes out of the house, she was obviously just woken up by the noise)
LORELAI
TJ.
TJ
Lorelai, hey. Am I glad to see you.
LORELAI
It's like seven a.m., TJ.
TJ
I know the sun ain't even warm yet, and here we are toting that barge. Mr. Taskmaster.
LORELAI
Who? Who has got you toting a barge?
TJ
Look. I need to explain my side in the whole hole thing here. It wasn't my fault.
LORELAI
It wasn't?
TJ
A guy says "OK", that means something to me. You know what it means? It's not so complicated, not like the TV guide or nothing. It means "OK".
LORELAI
It's really early, TJ.
LORELAI
Anyway. I just don't want you to be mad at me. We're gonna be related, you and me.
LORELAI
Well, I'm not mad at you, TJ.
LUKE FROM OS
Hey, get away from her.
TJ
We're just talking.
LUKE
(from on the roof) TJ, stop bothering her, and get up here.
TJ
You want me to bring up a couple more trash bags? I'm figuring we need some.
LUKE
OK. Fine.
TJ
Now, is that OK in the sense that I know that word, Or is that a "Luke OK" that can mean whatever you want it to mean?
LUKE
Just get up here.
TJ
He knew I was a self-starter. OK to a self-starter is like glue to a horse. What else can you do but start galloping? (climbs the ladder to the top of the roof)
LORELAI
Hey, Luke?
LUKE
Yeah.
LORELAI
Are you aware of the time?
LUKE
I'm just trying to make it so you don't have to sleep on the couch for the next three months. If you want us to stop, we'll stop.
LORELAI
No, it's just... the sun ain't even warm yet.
TJ
Seven a.m. was Luke's idea. I'd have started at nine so as not to bother people. That's just one guy who thinks that OK means OK's opinion.
LUKE
Would you just keep working?
LORELAI
So, maybe tomorrow, if you're still doing this, it could be eight... ish. I mean, I love that you're doing it, but...
LUKE
Yeah, I needed to start early so I could get this done. Man!
LORELAI
Hey! What's with the 'tude?
LUKE
Nothing. It's just... You know you got a frisbee up here?
LORELAI
A what?
LUKE
A frisbee. Just sitting up here! I mean what are you thinking with that?!
LORELAI
It's not my frisbee.
LUKE
So it just walked up here on its own?
LORELAI
Luke, there is a lost frisbee on the roof of every suburban home in America. No less a luminary than Garrison Keillor said that. It's not that big a deal.
LUKE
Every roof, huh? Well, that's a great use of plastic.
LORELAI
It's not my frisbee. I've never played frisbee. What the hell has gotten into you?
LUKE
I told Rory we were engaged.
LORELAI
What?! How? Where?
LUKE
She came into the diner last night. It was awkward and stupid. I ended up telling her we were engaged.
LORELAI
Why?! Why would you do that?
LUKE
Why? Because she had the face.
LORELAI
What face?
LUKE
The Rory face. You know the face.
LORELAI
Yes, but, Luke, you have to ignore the Rory face.
LUKE
That's easy for you to say.
LORELAI
You shouldn't have told her.
LORELAI
Yeah, you should've told her!
LORELAI
NO! She shouldn't have been told anything. So neither of us should've told her.
LUKE
But if one of us isn't gonna tell her more, then I'm the one that shouldn't.
LORELAI
Right. Meaning not you. I should've told her.
LUKE
Then we're in full agreement. You should've told her.
LORELAI
No! That's not what I'm saying.
LUKE
Well you said it, and I agreed, so I win.
LORELAI
How do you win?
LUKE
Because I have the high ground. That gives me the upper hand on anything you got.
LORELAI
Luke.
TJ
(holding up a drill) Something's wrong with this thing.
LUKE
There's nothing wrong with that thing! (picks up the frizbee)
LORELAI
Luke! Rory started this. And right now we're not talking. Remember, tough love? I'm on a path here.
LUKE
She would've seen it in the paper eventually.
LORELAI
Seen what?
LORELAI
Our engagement.
LORELAI
How would it have ended up in the paper?
LUKE
I don't know. She'd open up the paper to the back to one of these stupid pictures of a guy and a girl. Bill's a chiropractor. Nancy's a teacher. They met square dancing. They're on their honeymoon in Florida. And they got these smiles on their faces like their lives are gonna work out the way they dreamt or something... suckers! Those things.
LORELAI
You played right into her hands. You can't do that. She can't just play on our emotions. She has to undo what she's done. Get out of my parents' house. Go back to school.
LUKE
Fine! Maybe I shouldn't have told her anything. Maybe I should've kicked her out, ignored her, whatever! But you got to understand something: I'm in the middle! Yeah, she's your daughter, but I'm in the middle!
LORELAI
(apologetic) I know. You are in the middle.
LUKE
Good! Because you've been acting like you don't know, like you're alone in this or something.
LORELAI
I know.
LUKE
And I know you don't want my opinion on this, but you're both being dumb, and you should be talking. There. I won't say anything more about any of this again ever. (TJ seems to be having a hard time with the drill, Luke approaches him) TJ. the screw's not going in right 'cause you got the drill on counterclockwise. It's righty-tighty, lefty-loosey.
TJ
I've got to remember that.
LUKE
Ugh. (to Lorelai) Right! I got to get back to work. We're gonna be done with what we're doing here today. We won't be here tomorrow.
LORELAI
Luke?
LUKE
We're okay.
LORELAI
Good. (Luke throws the frisbee at her. Lorelai catches it)
LUKE
Nice catch. (Lorelai looks pleased)
TJ
Yes! That's what I'm talking about. Righty-tighty! (Luke takes the drill from TJ)
(CUT to Community Service, morning).
ROAD SUPERVISOR
OK guys ten minutes for lunch.
(Liza bumps into Rory provocatively as she's fiddling with a garbage bag. Rory bumps into Liza in the same manner. Liza pushes Rory. Rory pushes her back. The girls start fighting. Other people from the Community Service and the road Supervisor break them up)
ROAD SUPERVISOR
Whoa, whoa! Break it up! Come on! Break it up!
(CUT to the Community Service orientation classroom. The first supervisor is talking to Rory)
SUPERVISOR: You're on the side of the road. Cars rushing by, trucks, tractor trailers. You see my point? That's not a playground out there. It's a work environment with inherent dangers. Obvious dangers. And there you are pushing someone around. That's unacceptable. Now, I cannot have you out there with your fight face on. Do you understand me?
RORY
Yes, sir.
(CUT to Lorelai's Jeep, morning. Lorelai is driving listening to some music. She drives by the Community Service spot and she sees Rory. She stops the car and gets out. Rory is talking to the Road Supervisor)
ROAD SUPERVISOR
What's the problem?
RORY
We're gonna need another thing of bags for this next stretch.
COMMUNITY SERVICE ROAD SUPERVISOR: Well, then, you're gonna have to check back on the bus. (walks away)
RORY
Thanks for nothing.
LORELAI
(to Rory) Repaying your debt to society, I assume.
RORY
That's what this is.
LORELAI
System already hardened you?
RORY
So, I guess congratulations are in order.
LORELAI
So, how are things at the new digs?
RORY
You guys set a date yet?
LORELAI
Grandma redecorate the pool house yet?
RORY
Be sure to send me a picture.
LORELAI
Be sure to send me a change-of-address card. Grandma can print them out for you, with a little fleur-de-lis.
RORY
I'm not supposed to be talking to outsiders.
LORELAI
Fine. (turns around and walks away)
RORY
You and Luke getting engaged and not telling me about it. You hurt me.
LORELAI
Back at you
THE END