T6E21: “Driving Miss Gilmore”
Título em Português: “Conduzindo Miss Gilmore”
Roteiro: Daniel Palladino e Amy Sherman-Palladino
Direção: Jamie Babbit
Originalmente exibido em: 2 de maio de 2006
GILMORE MANSION
[Friday Night Dinner, Rory and Lorelai are in a heated discussion, Emily is watching, a little worried]
LORELAI
How can you possibly say she looked better with the dark hair?
RORY
She did the blonde just seemed like she was trying to be her sister.
LORELAI
The dark hair makes it look like she's trying not to look like her, plus she does not have the nose for dark hair.
RORY
What does that mean?
LORELAI
Dark hair is like a giant light-up arrow pointing to what is wrong with you. Blond hair, it all sort of blends in in a haze of beige.
RORY
Nuts, you're nuts.
LORELAI
You're double nuts!
EMILY
All right, that's it. No more spaghetti and meatballs. Musepa, come get these plates.
LORELAI
Mom!
EMILY
Every time we have spaghetti and meatballs, you fight.
LORELAI
No, no, we're not fighting. We're just, uh, bonding.
RORY
[Trying to eat] Mmm! Grandma, I'm starving!
EMILY
Take these away, Mr. Gilmore's also.
LORELAI
Mom, come on.
RORY
I won't fight anymore.
EMILY
No. Spaghetti and meatballs is just too much excitement.
RICHARD
[Entering the room] I'm sorry about that. I left work early today, and apparently, that caused everyone's I.Q.S to drop 60 points. My food is gone.
EMILY
The girls were fighting.
RICHARD
I told you not to serve spaghetti and meatballs. They always fight when we have spaghetti and meatballs.
LORELAI
That's not true.
RORY
We fight just as much when we have Chinese food.
EMILY
Can we please talk about something besides food?
LORELAI
Starvation, scurvy, the Donner party.
EMILY
I'm having Lasik surgery on my eyes.
RICHARD
Excellent topic.
LORELAI
Lasik surgery? Why?
EMILY
Well I hate wearing glasses, so I found the best doctor on the east coast, made an appointment, and I'm going in tomorrow.
RICHARD
Personally, I like you with glasses.
LORELAI
It's that whole "dirty librarian" thing, right, dad?
RICHARD
I beg your pardon.
EMILY
Three of the girls in my D.A.R. Group had it done already. I'm actually very excited about it. I got Dr. Morris...
RICHARD
The Lasik man.
EMILY
...From Dr. Sugarman, who's my ear, nose, and throat man. And he said Dr. Morris is brilliant and very, very handsome.
RICHARD
You never told me this.
EMILY
He just threw it in at the end of the visit.
RICHARD
I think that's incredibly unprofessional.
EMILY
Oh, Richard, he just was saying the man is handsome.
RICHARD
Yes, as if it's a selling point.
LORELAI
It can be.
RICHARD
Hardly. Everyone knows ugly men make the best doctors.
EMILY
That's absurd.
RICHARD
It's a fact.
EMILY
Marcus Welby was handsome and George Clooney.
LORELAI
Fake doctors, mom.
EMILY
I'm sure they were modeled after real doctors.
RICHARD
I don't want to talk about this anymore.
LORELAI
He's jealous of Dr. Handsome.
RICHARD
I'm not jealous of Dr. Handsome.
EMILY
I should go shopping for something new to wear.
RICHARD
You are not going shopping to get something new to wear to Dr. Handsome.
LORELAI
Everyone is a little testy tonight.
RORY
Maybe she was right about the spaghetti and meatballs.
EMILY
Well, let's just talk about something else. We had lunch with Christopher yesterday.
LORELAI
You...
RORY
[Thinking of food] Lunch.
RICHARD
We took him to the club.
LORELAI
[Panicked] Okay, but why?
RICHARD
Because there'd been a lot of tension between us about the tuition incident, and your mother and I thought it was time for a sit-down.
LORELAI
A sit down what, did you get Clemenza to hide a gun in the bathroom first?
RICHARD
We thought it was time to clear the air. After all, Christopher is Rory's father, and we wanted him to know there were no hard feelings.
LORELAI
Really?
EMILY
Don't get me wrong. We're still not happy about the situation, but since he's going to be involved in our lives now...
LORELAI
Whoa, whoa. Involved in your lives? How is he involved in your lives?
EMILY
Well, he's paying for Rory's college.
LORELAI
[defensive] Yeah but is he using your pen to write the check?
RICHARD
Of course not.
LORELAI
Then I don't see how he's involved in your lives. [Gesturing to Rory] He's involved in her life...
EMILY
Lorelai, will you relax? The lunch went fine. It was very pleasant, and Christopher enjoyed it.
RICHARD
That's right. He apologized for everything.
EMILY
He knows that we're no longer angry with him, and we are all friends again.
LORELAI
Well, with friends like these...
RICHARD
And after lunch, your mother and I began discussing what we were going to do with all the money that had been allotted for Rory's tuition.
EMILY
And we came up with a brilliant idea.
RORY
Oh, yeah? What?
RICHARD
We're going to add some funds from our foundation and donate the total amount to Yale university in your name.
RORY
What?
EMILY
That's right, and we'll make sure it goes for something important, like a medical building.
LORELAI
For really handsome doctors.
EMILY
Whatever it is, I want her name big and prominent.
RORY
My name?
RICHARD
The Rory Gilmore political science building.
EMILY
The Rory Gilmore anthropology building.
RORY
Uh, guys?
RICHARD
The Rory Gilmore cultural center.
EMILY
The Rory Gilmore auditorium.
RORY
Um can I interject for just a second?
LORELAI
Go ahead. I dare you.
While I think it's very generous of both of you to want to do this for me...
EMILY
The Rory Gilmore observatory.
RORY
...I still go to Yale, so having something with my name on it might be kind of...
RICHARD
The Rory Gilmore center for international affairs.
EMILY
Oh, wait, the Rory Gilmore library.
RICHARD
And art gallery.
EMILY
And ancient-history museum.
LORELAI
Forget it, kid, grandma and grandpa have gone bye-bye.
RICHARD
The Rory Gilmore medical research laboratory.
EMILY
No that sounds like monkey tests, people will picket.
OPENING CREDITS
HOSPITAL
[Rory is pushing Logan in a wheelchair.]
RORY
So, any one of the physical therapists on the list will do? Right doctor they're all at the same level?
DR SCHULTZ
They're all top-notch.
LOGAN
That's if I need a physical therapist.
RORY
[To Logan] Hush you [To doctor] And you said lots of rest, but is complete bed rest safest?
LOGAN
You cannot confine me to a bed. That's a violation of my rights.
RORY
Hush you.
DR SCHULTZ
You need to monitor his progress. Everyone recovers at different speeds.
RORY
And when you say, "plenty of fluids," does hot tea count, or just water? He likes hot tea.
LOGAN
You gotta stop talking about me as if I'm not here.
RORY
Logan...
LOGAN
Mom...
DR SCHULTZ
Tea's fine. Water and juice are better.
LOGAN
And this wheelchair's absolutely necessary?
RORY
Hospital policy sir.
DR SCHULTZ
Just till you get out of the building.
LOGAN
Can we at least go faster?
RORY
No, you'll get g-forces.
LOGAN
Doctor, can I go home to your house? I think I'd have much more fun there.
DR SCHULTZ
Your in good hand, just call if you have any more questions.
RORY
I will. Thank you, Dr. Schultz.
RORY
Okay, so, I cut off an old lady with a handicap sticker, so we got a primo spot right out front. Colin is meeting us at the apartment to help me get you upstairs and in bed, and it's a little cold outside, so you might need a scarf. I should have brought you a scarf. Maybe they have some in the gift shop. I'll go check.
LOGAN
Actually, there's something going on here.
RORY
What, your throat? Is it sore? Should I go get Dr. Schultz? I mean, we're here. We might as well...
[They Rory leans in to see the problem and they kiss]
LOGAN
Thank you for being who I want to get out of the hospital for.
RORY
You're welcome.
LOGAN
And I'm not cold. I'm fine.
RORY
You promise?
LOGAN
I promise.
RORY
Okay, let's go. We get to go at my speed.
LOGAN
Wake me when we hit the door.
DRAGONFLY INN - KITCHEN
[Michel is on the phone]
MICHEL
This is a lawsuit! You do not fool with people' heads and bodies like this! No! You listen! You...
LORELAI
Sookie, emergency, I'm crashing.
SOOKIE
Fresh pot over there.
MICHEL
You know you wouldn't treat Nicole Kidman like this. Nicole Kidman, red hair, tall. Okay, then, Julia Roberts, you wouldn't treat Julia Roberts like this. Red hair, tall. Okay, then, Scarlett Johansson. What are you, a shut-in?
LORELAI
Why is he prancing?
SOOKIE
Hum?
MICHEL
I will call my lawyer, and you'll hear from him when I do. Kiss my tush! Mmm! Damn it! You can trust nothing and no one ever!
LORELAI
Please stop that, Michel.
MICHEL
Oh, I cannot. I cannot stop this for a very, very long time. I buy milk from the organic dairy down the way. The nonfat milk has a blue top, blue. Today I find out that they have accidentally been putting red tops on the nonfat milk and blue on the 2%, 2%! For the last two weeks, I have been drinking 2% milk in my coffee every single day.
LORELAI
Insert gasp here.
MICHEL
That's two full weeks of two cups of coffee a day. It used to be one cup, but then, suddenly, the coffee started tasting so good, I added an afternoon jolt, and now I find out I've been consuming an extra billion calories a week.
LORELAI
At least it hasn't affected your ability to do math. [To Sookie] Isn't this bouncing bothering you?
SOOKIE
It was, but now it's kind of like having a Beyoncé video on.
MICHEL
Now I have to burn off all these calories and I have to deal with 2%-fat-milk withdrawal...
LORELAI
Michel, why didn't you just look on the bottle?
MICHEL
Oh, oh, oh, oh, you just know everything, don't you, you little miss I-know-everything?
LORELAI
[Cell phone rings] Hello?
LUKE
[in his apartment, putting stuff in the fridge] Hey, gotcha.
LORELAI
[Sounding nervous] Yes, you did.
LUKE
We've been missing each other lately.
LORELAI
Oh, well, things are crazy. You know, we're totally booked up here, and Um Rory has her finals.
LUKE
You're helping Rory with her finals?
LORELAI
Moral support, late-night phone calls -- that kind of thing. And, of course, Michel got the wrong milk today, so...
LUKE
oh, well, I didn't know about Michel's milk.
LORELAI
Okay, so, uh, you heading by the diner today?
LORELAI
No, can't. There's just too much to do here.
LUKE
Okay, well, then, we'll hook up tonight.
LORELAI
Ah, tonight's a staff meeting, and attendance is mandatory. It would look pretty weird if the person who called the meeting didn't show.
SOOKIE
[worried] There's a staff meeting tonight? [To Michel] Did you know about a staff meeting?
MICHEL
No, I didn't.
SOOKIE
I don't have a sitter tonight.
MICHEL
I set up a three-hour session with my trainer tonight. I'll have to pay full price if I cancel this late. It's like $2 zillion.
LUKE
Staff meeting, I didn't know you had a staff meeting tonight. Did it just come up?
LORELAI
Pretty much.
LUKE
Well, I'm sorry I'm not gonna see you.
LORELAI
Yeah, me too.
LUKE
So, tomorrow?
LORELAI
Sure, maybe. We'll talk in the morning.
LUKE
Okay. We'll talk in the morning.
LORELAI
Okay. Well... bye.
SOOKIE
I have to get a babysitter if there's gonna be a staff meeting tonight, and Becky, the good one, is at her grandmother's, so I'll have to use her crazy Goth sister who wears the snake around her neck and eats all my Eggos.
LORELAI
There's no staff meeting tonight.
MICHEL
[Groans] Thank god!
SOOKIE
If there's no staff meeting tonight, why did you tell Luke there was?
LORELAI
I don't want to get into it.
SOOKIE
But if...
JACKSON
Sookie! Just the person I was hoping to see... alone.
SOOKIE
Oh. So, we'll be right back. [The make there way through the Inn] Jackson, wait. What is it?
JACKSON
We need complete privacy for this.
SOOKIE
For what?
JACKSON
Smell me.
SOOKIE
What?
JACKSON
Smell me. What do I smell like?
SOOKIE
[Sighs] You smell like Jackson and something else. What is that? It's not zucchini. It's not sprouts.
JACKSON
It's marijuana.
SOOKIE
[Gasps, happy] Yes! [Shocked] Oh, my god! Jackson, why do you smell like marijuana?
JACKSON
You know that back half-acre that I haven't planted for a few years, up on the slope, out of sight, out of mind? Well, I went back there this morning, and it's a giant field of pot!
SOOKIE
[Gasps]
JACKSON
Every square inch, hundreds of plantings. It looks like Harrison Ford's backyard.
SOOKIE
How did this happen?
JACKSON
The Templeton brothers.
SOOKIE
The Templeton brothers.
JACKSON
They must have planted it right before I fired 'em. I told them to weed the back half-acre. They're not the smartest of fellows.
SOOKIE
They were always listening to the Allman Brothers. We should never hire guys that listen to the Allman Brothers.
JACKSON
What are we gonna do? It's a full half-acre of marijuana!
SOOKIE
Jackson, Shh! We can't keep saying the "m" word. Someone will overhear.
JACKSON
Right, sorry.
SOOKIE
We need a code word.
JACKSON
How about "evil crop"?
SOOKIE
Something more normal. Hey, how 'bout "pickles"?
JACKSON
Good. We'll say, "pickles." Do you realize that at this moment we are both felons?
SOOKIE
Why? We didn't grow the stuff. [Louder] The pickles! We didn't grow the pickles! Ha!
JACKSON
But we're in possession. If the cops came to my field today, we'd go to jail. We'd lose everything we own. We'd lose the kids.
SOOKIE
All because of pickles.
JACKSON
I'm gonna send my guys home right now. I'm gonna single-handedly pull every last pickle out of there.
SOOKIE
Good. Yes, good and do it quick.
JACKSON
I'll try.
SOOKIE
You're sweating.
JACKSON
I'm sorry. I can't help it.
SOOKIE
It makes you look guilty.
JACKSON
I'll try to stop.
SOOKIE
We've got to walk out of this room cool and calm, just like it's any other day.
JACKSON
Cool and calm. Got it. The bump into one another then a table, knocking stuff off] Sorry. [Jackson runs out]
SOOKIE
I'll get you coffee.
TOWN SQUARE – OUTSIDE SODA SHOPPE
[Town troubadour singing]
TROUBADOUR
I'm on my way I don't know where I'm goin' I'm on my way I'm takin' my time, but I don't know where goodbye to Rosie the queen of corona see you, me and Julio down by the schoolyard see you, me and Julio down by the schoolyard see you, me and Julio down by the schoolyard
LUKE'S DINER
LUKE
What can I get you, Kirk?
KIRK
What do you think?
LUKE
About what?
KIRK
Letting the beard grow.
LUKE
Nice. What can I get you?
KIRK
First couple of days, it was itching like crazy, but now I'm used to it, although I find myself doing this a lot. [Puts his hand on his chin like he's thinking]
LUKE
What do you want to eat, Kirk?
KIRK
Last weekend, I accidentally wrote all over my face with a sharpie, and lulu thought it looked kind of sexy. That's where I got the idea.
LUKE
It looks really good, Kirk. Now, can I take your order?
KIRK
Hmm.
LUKE
I'll come back.
LIZ
[Coming into the diner] Big brother!
LUKE
Hey, you're back, huh?
LIZ
I'm back.
LUKE
How was the fair?
LIZ
Oh, amazing. My jewelry's bigger than ever. I make it, it sells. I got all this money now, but I got no idea what to do with it, not a clue.
LUKE
How 'bout putting it in a bank?
LIZ
There's a thought.
LUKE
Hmm-hmm.
LIZ
Hey, let me tell you my big, exciting news!
LUKE
Uh-oh.
LIZ
It's not an uh-oh. It's good, unless you don't like babies, in which case it's not so good.
LUKE
You're pregnant?!
LIZ
Oh, it was supposed to be a surprise. Who told you?
LUKE
You just did.
LIZ
Wow, I blew my own surprise.
LUKE
That's great, Liz. It's great, right?
LIZ
Amazing. I am over the moon.
LUKE
Well, sit, sit. You're in a delicate state.
LIZ
I am gonna take care of myself this time, big brother. I'm gonna do all the healthy things for me I did not do last time I was pregnant, like not binge drink.
LUKE
Good plan. So, where's T.J.? I mean, he must be thrilled about this.
LIZ
Ah, he's gone.
LUKE
Gone? You mean gone out of town?
LIZ
He's gone, the big "gone out of my life." Do you have Matzo Brie?
LUKE
What? Liz, no.
LIZ
Okay. How 'bout a Denver omelet?
LUKE
I mean, "no, T.J. Can't be gone." He's your husband.
LIZ
Since when does that keep guys from leaving?
LUKE
He's left you?
LIZ
He's left.
LUKE
How can you be so calm about this? Your so calm about this.
LIZ
Because I got my new come-what-may philosophy.
LUKE
Your what?
LIZ
My philosophy. It's about accepting what comes your way, whatever it is. If a bus is heading right at you, let it come. If a piece of space junk comes hurtling down at you, let it come.
LUKE
Or you step out of the way.
LIZ
You know, that's probably better, and when I said what I said now, it felt wrong.
LUKE
Did he know you were pregnant?
LIZ
I'd just told him.
LUKE
So he ran out on his wife and child?!
LIZ
Luke you're getting mad over nothing.
LUKE
It's not nothing.
LIZ
Well, I need you to stay calm, because right now it's all about the baby, and it's all good... Really... Come what may.
LUKE
All right, fine. Whatever. It's all good.
LIZ
Now, baby and I would like that omelet.
LUKE
Coming up.
LOGAN'S APARTMENT
[Logan is in bed, Paris is talking]
LOGAN
Paris?
PARIS
Male reproductive tract.
LOGAN
What?
PARIS
Seven up, Seminiferous Tubules, Epididymis, Vas Deferens, Ejaculatory duct, nothing, Urethra, Penis.
LOGAN
What are you doing?
PARIS
Boning up. Pardon the pun. Got my MCATS coming up, medical school.
LOGAN
I meant, "what are you doing here?"
PARIS
Looking after you.
LOGAN
Oh, goody.
PARIS
It's necessary you seem like the kind of lunkhead that would get up too soon and inadvertently push a broken rib bone into his spleen.
DOYLE
Well, hey, there, sleepyhead.
LOGAN
Oh, goody, a matching set.
DOYLE
You sleep well?
LOGAN
He's watching me, too?
PARIS
Rory said it would be okay.
DOYLE
Hey now that your awake you mind if I switch the TV to the speakers? They're just about to reunite with their husbands, and I'd love to get the full surround experience.
LOGAN
Who?
DOYLE
Penguins. You haven't seen the penguin movie?
PARIS
The penguin movie rocks.
DOYLE
They'll move you, my friend. So, is it okay?
LOGAN
Hey, Mi Casa Es Su Casa.
DOYLE
Great.
PARIS
Whoa, whoa, whoa, where do you think you're going cowboy?
LOGAN
Nature calls.
PARIS
You can't get you, Rory said you need complete bed rest. She trusted me with your well-being. I cannot betray that trust.
LOGAN
Then what's your suggestion for my current predicament?
PARIS
I'll get the bedpan. Where's your bedpan?
LOGAN
I don't have a bedpan.
PARIS
You got Tupperware?
LOGAN
Paris...
PARIS
Doyle, watch him.
DOYLE
Pausing.
LOGAN
[Sighs]
[Cut to Rory at the Yale newsroom]
RORY
[Cell phone rings] Hey, why aren't you asleep?
LOGAN
Because I woke up.
RORY
You're supposed to be asleep.
LOGAN
I've been asleep for a week. My body's bored of sleep. It wants to do something.
RORY
Well good thing your body has no say in the matter.
BILL
Hey, boss, you're gonna want to see this.
RORY
[Too Bill] Hold on a second.
LORELAI
You've got to call off your sentries.
RORY
They're there for a reason.
LOGAN
To re-enact their favorite scenes from "Misery"?
PARIS
Your kitchen needs organizing!
LOGAN
Yeah, I'll get right on that!
DOYLE
You shouldn't talk loudly. You'll strain something.
LOGAN
I've got Dina and Moshe Abramowicz on top of me.
RORY
Why is Paris in the kitchen?
LOGAN
She's looking for a bedpan substitute.
RORY
Oh dear.
BILL
You're really gonna want to see this.
RORY
Just leave it, Bill.
BILL
But I want to see the look on your face when you read it, provided you still have a face after your head explodes.
RORY
In a sec.
LOGAN
Rory, look, I love your concern for me. I love that you're so invested in my well-being, but even the doctor said that if I feel strong enough to move around, then I should do it. It's good for me.
RORY
I don't know that that doctor knows what he's talking about.
LOGAN
You mean the Johns Hopkins graduate knows less than you?
PARIS
I'd kill to get into Johns Hopkins. Here [showing Logan some “bedpans”] patient's choice.
DOYLE
Oh, okay if I unpause?
PARIS
Unpause.
DOYLE
Here come the penguins.
RORY
Look, maybe the doctor knows a little bit of what he's talking about.
LOGAN
You think?
RORY
So I guess get up, but superslow. It should look like a Monty Python routine, you're moving so slow.
LOGAN
I'll make John Cleese proud.
RORY
And let Doyle help you, at least the first time, you could get dizzy.
LOGAN
I'll let him help me to the bathroom door, but I take it from there Ace.
RORY
Fine.
DOYLE
I cannot look at the shot of the dead baby penguin.
PARIS
Me neither. Dead people, yes, not penguins.
LOGAN
You'll deal with Paris?
RORY
Put her on.
LOGAN
Thank you. Paris?
PARIS
Can I look?
DOYLE
We're clear.
LOGAN
Please talk to Rory.
RORY
[Too Bill] What is so important about the Wall Street Journal?
BILL
Oh, you'll see.
PARIS
Hey
RORY
[Too Paris] Stand down.
PARIS
What.
RORY
Thank you for sitting with him, but I think he needs a little less hovering right now.
PARIS
Warren Beatty jr. Smooth-talk you?
RORY
No. Even the doctor said he should be moving around some. I think I've been a little overprotective.
PARIS
Your call.
RORY
Have Doyle lend him a shoulder right now, okay?
PARIS
Fine. Doyle, give Logan your shoulder.
DOYLE
You got it.
LOGAN
See you soonish?
RORY
Just finishing up here.
DOYLE
Mi shoulder Es Su shoulder. [Helps him to the bathroom] Hey, this is very life-affirming, very penguinesque. With the soundtrack music playing like that -- ohh.
LOGAN
Hurry your soonish.
RORY
I will. [Ends the call] What is it?
BILL
I highlighted the appropriate section. [Rory reads the paper] Oh, it's going to be a quiet, slow-burning seethe. Disappointment.
DRAGONFLY INN - ENTRY
MICHEL
Right this way, you two. Having beautiful weather today, no? [He start to exercise, with out the guest knowing, stopping when they look at him] Let's leave your bags here with the ever-trustworthy William and take a little tour of the inn. Okay, right this way. We have one of the finest restaurants in the area.
LORELAI
[Cell phone rings] Hello?
EMILY
How soon can you get here?
LORELAI
What?
EMILY
How soon can you get here?
LORELAI
Mom, where are you?
EMILY
Home, of course. Where else would I be after what happened?
LORELAI
What happened?
EMILY
"What happened?"!
LORELAI
Yes, what happened?
EMILY
The thing with my eye. What else would I be talking about?
LORELAI
You're talking about the laser?
EMILY
The bad Lasik.
LORELAI
The Lasik went bad?
EMILY
Your father called you. Tell me he called you.
LORELAI
[Cell phone beeps] Hold on a sec, mom.
EMILY
Lorelai?
LORELAI
Hello?
[Cut to Richard in a hotel room]
RICHARD
Lorelai, it's your father. I'm unconscionably late with this call. Blame South Dakota.
LORELAI
Dad, what is going on here?
RICHARD
Your mother's eye surgery went badly. She's all right, but she can't see a thing.
LORELAI
Well, that doesn't sound all right to me.
RICHARD
It's only temporary. She's on painkillers. I would have been there myself, but I was called out of town. Have you ever been to South Dakota? It's the most boring state in the nation. As I was flying in, I swear I saw one of the heads on Mount Rushmore yawn.
LORELAI
She's asking how soon I can be there.
RICHARD
Well, that's why I'm calling. I left her with a battery of help, but in case it didn't work out, she wanted me to give you a heads-up that she might need you.
LORELAI
Well, I don't know if I can get away.
RICHARD
It's her eyes. She can't do anything or go anywhere.
LORELAI
I understand the importance of eyes, dad.
RICHARD
I got caught up in meetings, or I would have called sooner. You wouldn't believe where I'm sitting right now, one of South Dakota's finest hotels. Smells like a foot.
LORELAI
Let me get back to her, dad. She's on the other line.
RICHARD
If you could cover for me, I'd appreciate it. If she found out I didn't call you, it would make everything worse.
LORELAI
Okay you got it.
RICHARD
Check in with me later.
LORELAI
Yeah [Switched lines] Mom?
EMILY
Was that your father? Did he not call you?
LORELAI
No, dad called. I was just distracted before. So, you need me to pop over?
EMILY
I'm all alone here, and I desperately need to run a couple of errands.
LORELAI
And there's no one else?
EMILY
I don't remember being in labor for 14 hours with anyone else, so, no, there's no one else.
LORELAI
Okay. I'll be over.
EMILY
I'll be waiting, blind and waiting.
LORELAI
Okay, bye. [Sighs]
SOOKIE
AND JACKSON'S HOUSE
SOOKIE
I don't believe it, I don't believe it!
JACKSON
Who knew that clearing it would be the easy part? I had it all down in three hours, no problem.
SOOKIE
I don't believe it!
JACKSON
What was I to do? If I put in the garbage, the garbage man could see it.
SOOKIE
I know. He looks like a big, fat fink.
JACKSON
And if I put it down the garbage disposal, it could clog. We'd have to call a plumber, and then he could fink on us.
SOOKIE
And he would, too. That guy seems like a big, fat fatty fink.
JACKSON
We can't flush it for the same reason, and burning it seemed like a tremendously dumb idea.
SOOKIE
You'd get the whole town high.
JACKSON
So what was I to do?
SOOKIE
Anything but bring it home!
JACKSON
Then come up with your own idea.
SOOKIE
Well I could bake it into brownies.
JACKSON
Then what would we do with the brownies?
SOOKIE
I have no idea.
JACKSON
I think that makes it a bad plan.
SOOKIE
Is it a better plan than the plan you couldn't even think of? At least it's a plan.
JACKSON
Hey, we can't turn on each other here. We're all we've got.
SOOKIE
You're right. You're right.
JACKSON
Hey, it's starting to smell up the place.
SOOKIE
We've just got to get it out of the house.
JACKSON
Definitely out of the house. We'll get it out of the house. [He sits] But we wait for dark.
SOOKIE
[She sits] Wait for dark.
LOGAN'S APARTMENT
RORY
I could kill him!
LOGAN
You'd have to get in a very long line.
RORY
The man should be drawn and quartered.
LOGAN
There's no fast pass, either. You just got to wait.
RORY
Quartering's too good for him. He should be eighthed, sixteenthed.
LOGAN
I don't know you quarter a guy, he's in four pieces. That's tough to recover from.
RORY
He should be stretched on a rack, iron maiden, strappadoed.
LOGAN
Oh, my god. What is strappadoed?
RORY
When you suspend him in the air with a rope tied to his hands that are tied behind his back.
LOGAN
You're scaring me with your knowledge of torture.
RORY
I did a paper on the attorney general. It comes with the territory.
LOGAN
Life in modern America?
RORY
Why would the wall street journal print this? Why?
LOGAN
It was an interview with my father. If he said it, they get to print it.
RORY
Even if it's a flat-out lie?
LOGAN
They don't know that.
RORY
[Reading the paper] "I looked for the best and the brightest, even at the intern level."
LOGAN
Reading it again, you're just torturing yourself.
RORY
"Ben Cochran at Harvard, he helped me out with my Boston paper, as did Frank Williams. And Rory Gilmore, I gave her her first internship at my Stamford paper, and now she's the editor of the Yale Daily News." Arc!
LOGAN
It's classic Mitchum.
RORY
How dare he? "I gave her her first internship"?
LOGAN
This is one of dad's things, Rory, grabbing credit wherever he can, whether it's earned or not.
RORY
Everyone in America has read this.
LOGAN
The Wall Street Journal's readership is high, but it's not quite 300 million.
RORY
Well, enough people have read it.
LOGAN
Look the beauty of a daily paper, it's in everybody's recycling bin the next morning. This will be forgotten.
RORY
It won't.
LOGAN
It will.
RORY
I remember everything I read, front page, op-ed, concert reviews, it never leaves. My eyes accidentally flit over an obituary, as I'm hunting for the metro section and I can remember the deceased's first wife's name a full month afterward. I mean, and that's just a flit, not even a perusal. If I perused it, I could give you his grandkids in alphabetical order five years later.
LOGAN
Ace, ace, you drinking this in?
RORY
What?
LOGAN
Helen Keller just signed water, Annie.
RORY
You walked!
LOGAN
All by my lonesome. You proud of your boy?
RORY
I'm very proud. Oh, and your color's coming back. You've gone from white to off-white.
LOGAN
Hey, can we get to the bottom line on this article here?
RORY
Give it to me.
LOGAN
It's all good. It's very positive what he seed to you. A powerful man is citing you as one of his accomplishments. It is no way a dis.
RORY
I know.
LOGAN
It's actually a good thing, so you should let it go.
RORY
Never!
GILMORE MANSION
[Lorelai enters, it's day time but the house is dark]
LORELAI
Hello? Mom?
EMILY
In here.
LORELAI
Oh, I'm sorry. Mrs. Onassis, I was looking for my mother.
EMILY
Will you at least promise to keep your comedy set at my funeral to under five minutes?
LORELAI
Sorry, mom. How are you feeling?
EMILY
Horrible. That quack eye surgeon blinded me for life.
LORELAI
I don't think he blinded you for life.
EMILY
Well, he blinded me for the next two days, at least. The procedure was a disaster. He did one eye and then announced that the new procedure didn't comport to the anatomy of my eye, so he had to resort to the old procedure, which I absolutely did not want.
LORELAI
'Cause it's so last year.
EMILY
And, of course, he wouldn't go near the other eye until he saw how this one healed.
LORELAI
Well, that makes sense.
EMILY
And then Dr. Mengele told me to rest and is having me put eyedrops in every hour, further impeding my vision. And to top it off, the man looked nothing like Marcus Welby.
LORELAI
Okay, mom, where are all the people?
EMILY
What people?
LORELAI
Well Dad made it seem like you were surrounded by a small army you know, enough people to care for you, then go topple Saddam's statue.
EMILY
They're all gone.
LORELAI
Gone where?
EMILY
To hell, I hope, one person more incompetent than the rest.
LORELAI
But all of them? The nurse?
EMILY
They'll do a "60 minutes" on that woman one day. Mark my words!
LORELAI
Uh, housekeepers?
EMILY
Ate everything that wasn't nailed down.
LORELAI
The errand boys?
EMILY
Their pants hung down below their underwear, and no one was worse than the driver he got me. Have you ever met the cab drivers in Prague?
LORELAI
Uh, no.
EMILY
Well, they would hide their wallets from this man. Plus I think he had a gun in his pocket.
LORELAI
Maybe he was just happy to see you.
EMILY
Lorelai, up. [Lorelai moves to sit next to Emily] It doesn't matter anyhow. I'm fine getting my own food, and I don't need people underfoot. I called the agency, and a new maid will be here tomorrow morning, but I need to run some errands today, and, obviously, I can't drive. You'll have to do that.
LORELAI
Do what?
EMILY
Drive me.
LORELAI
Oh mom why don't you just give me the list of errands and I'll do them for you?
EMILY
No it would take too much explanation. Grab my bag, please.
LORELAI
Mom, seriously, um what kind of errands are they? Shopping, banking, hardware store?
EMILY
I need to get my coat first.
LORELAI
Mom, is it dealing in human trafficking? 'Cause I'm an excellent people person.
[cut to outside the mansion]
LORELAI
Mom, mom, you've got to look up.
EMILY
I can't look up. The sun causes searing pain.
LORELAI
Mom, the sun can't even find you under that hat. If we put that hat on frosty the snowman, he'd be living in Miami right now.
EMILY
You're a very insensitive person, you know that?
LORELAI
Yes, I do. Here we go.
EMILY
What is this?
LORELAI
This is my car.
EMILY
We have to take the other car.
LORELAI
What other car? [Points to a big SUV] That's not a car. That's a rap-video set.
EMILY
I ordered it specially. It has the darkest windows available. They say it's the car jay-z uses when he's in town. I assume that's an entertainer of some sort. The windows are bulletproof. They kept saying that as if it's a selling point. I told them I was not paying extra for bulletproof windows. I haven't been strafed in years.
LORELAI
Mom, I don't understand, what do you mean, we'll take this car? I thought the driver left.
EMILY
He did.
LORELAI
Is there another one coming?
EMILY
No.
LORELAI
Well, who's gonna drive?
EMILY
You are.
LORELAI
I can't drive that.
EMILY
Why not?
LORELAI
Because, look at it. I'm sure you need a special license or something.
EMILY
Lorelai, I cannot ride in your jeep. It's completely exposed to the elements. You do remember I'm recovering from surgery, don't you?
LORELAI
No really, I thought you were just doing your best Mia Farrow in "Broadway Danny Rose" impersonation.
EMILY
Lorelai, I need my prescriptions. If I don't get my prescriptions, infection will set in, and I will lose my eyesight completely, and you will be doing this more than just today. Now, what's it going to be? [Lorelai opens the door]
LORELAI
Ridiculous Sarah Bernhardt overdramatic...
EMILY
My hearing's just fine, Lorelai.
LORELAI
Sorry. [Closes the door after Emily gets in, sighs]
BAR
[Luke walks in]
T.J.
Hey, Luke, what are you doing here?
LUKE
You know why I'm here. Get up.
T.J.
What?
LUKE
Get up!
T.J.
Okay.
LUKE
Now, I am not here to listen to you explain your side or rationalize things or justify your actions. I am here for one reason only, to punch you out.
T.J.
Hey, cool. You see that? That was like in an old western where everyone cleared the bar. I never seen that in person.
LUKE
Don't be cute. Just get ready to be hurt.
T.J.
Damn.
LUKE
What?
T.J.
I just wish I was drinking faster. Cause If I was more drunk, getting punched out wouldn't hurt so much.
LUKE
Just shut up and let's do this.
T.J.
Go ahead.
LUKE
Well, get ready.
T.J.
I'm ready.
LUKE
Raise your arms or something.
T.J.
No.
LUKE
I'm not gonna punch you like this.
T.J.
I thought that's why you came.
LUKE
I came to fight.
T.J.
Let's do it.
LUKE
Then raise your arms!
T.J.
No!
LUKE
T.J.!
T.J.
I'm not hitting you, Luke. I got nothing against you. Plus there's no fighting inside. It's Lanny's top rule, along with no burning down the place. That actually comes first.
LUKE
Well, then, let's take it outside.
T.J.
Luke let me ask you one question, really quick and then you can take me outside and clobber me.
LUKE
Okay, what?
T.J.
What the hell is this about?
LUKE
You're unbelievable! It's about Liz!
T.J.
What about her? Is she all right?
LUKE
All right? You walked out on her!
T.J.
No, I didn't.
LUKE
Yeah, you did. That's why you're here drinking in the afternoon.
T.J.
That's not why I'm here drinking. I'm drinking because I'm upset.
LUKE
You're upset?! You abandoned Liz and your baby!
T.J.
Hey, I would never do that. I love your sister, Luke. She threw me out.
LUKE
That's not what she said.
T.J.
We came home from the fair. It was great. We were both happy. We made money. Then Liz goes to the doctor, and she comes home and tells me she's pregnant. I hug her. I kiss her. I'm crying, I'm so happy. Then I turn to grab the phone to tell the family, and an ashtray hits me in the back of the head, then a phone book and a stapler and our statue of a happy clown playing the saxophone.
LUKE
I'm not getting this.
T.J.
She's yelling at me saying things like, "this ain't gonna work. You're gonna mess this kid up. You can't raise a kid." She's saying, "this kid will grow up with no discipline. "It'll get out of control. Then we'll end up having to send it away." I tell her she's wrong. I'll do whatever's needed. I'll read every book on the subject, even though I hate reading worse than I hate public television. But Liz won't hear it. She tells me to go.
LUKE
She told you to go?
T.J.
So I packed a bag and left. I didn't want to, but Liz is always right about everything, and if my staying around is gonna screw up the kid like that, I'm gone, no questions asked.
LUKE
Oh, jeez, Liz. [Sighs]
T.J.
What?
LUKE
Have a seat, T.J. Give me a beer. Listen, T.J... Liz wasn't talking to you when she was saying all that stuff. She was talking to herself.
T.J.
I'm pretty sure she was talking to me. She kept saying my name.
LUKE
No, when she said you were gonna mess up the baby, she was saying something else. Just take out the "you." Make it an "I."
T.J.
She meant you're gonna screw up the baby?
LUKE
No, she meant she was.
T.J.
And I was.
LUKE
No, just her.
T.J.
Then why didn't she throw the ashtray at herself?
LUKE
Because she was taking it out on you.
T.J.
Oh. This is complicated.
LUKE
That's because people are. Sometimes they just don't say what they mean.
T.J.
Yeah I hate that it's hard enough following them when they're talking about what they're talking about.
LUKE
That's the trick with relationships, believe me. Look, you have to try to tune in what your partner means as opposed to what she's actually saying. They sometimes won't tell you how they're feeling, but your job is to try to figure out what she's saying from what she actually says.
T.J.
Wow.
LUKE
Yeah.
T.J.
I got none of that.
LUKE
It's okay. It's all gonna be okay. I'm gonna make this okay.
ROAD
[Lorelai is driving the SUV, a car honks it's horn as it passes them.]
LORELAI
Ah, sorry.
EMILY
Lorelai, be careful.
LORELAI
I'm not used to driving a missile silo down the street.
EMILY
Oh, stop being so dramatic.
LORELAI
Yeah, wouldn't want to be dramatic.
EMILY
All right, get over here. You're going to turn right.
LORELAI
[car horn honks] Aaah! Sorry!
EMILY
Lorelai!
LORELAI
Well, it's a big freakin' car, mom.
EMILY
You're gonna give me a heart attack.
LORELAI
Mom, please, how long is this gonna go on? You won't tell me where we're going. You give me block-by-block instructions.
EMILY
My goodness Lorelai you've been complaining since we got started.
LORELAI
No, I haven't.
EMILY
When we had to go to three different drugstores?
LORELAI
Well, come on.
EMILY
I don't trust generic.
LORELAI
Mom, it's the same thing.
EMILY
If I'm willing to pay full price, then I deserve to have my drug bottle say "valium" on it.
LORELAI
Fine.
EMILY
I don't see why that's insane.
LORELAI
Fine.
EMILY
So, have you talked to Christopher lately?
LORELAI
Uh, no, not lately lately.
EMILY
I have.
LORELAI
Well, bully for you.
EMILY
You know, your father and I enjoyed our little sit-down with him very much.
LORELAI
Oh, I'm glad.
EMILY
You know, I'd forgotten what a handsome man Christopher is. He was wearing a very nice blue tie. And his hair is very short. Normally, I don't like a man's hair that short. It makes him look like a convict or a masseuse, but I think it works on him.
LORELAI
Yeah, I'm sure it does.
EMILY
He seemed lonely, though.
LORELAI
What?
EMILY
He's not dating anyone. I asked.
LORELAI
Well, he's got G.G.
EMILY
Who's G.G.?
LORELAI
His daughter, mom.
EMILY
Oh well, we didn't discuss that. But I could tell he was lonely.
LORELAI
I'm sure he's fine.
EMILY
You know, I've been racking my brain, trying to think of a nice girl to set him up with. Cezanne Moriarty just got divorced, and she looks wonderful. She'd go perfectly with his hair and tie. Cezanne Moriarty is 10 years older than Christopher.
EMILY
Lorelai, you were in the same class together.
LORELAI
I know. It's 'cause she was stupid. We used to call her "moroniarty."
EMILY
Well, Loretta singer's husband just died. She'll be back from Bali soon.
LORELAI
She's got a horse face.
EMILY
Not anymore.
LORELAI
She's not his type, mom.
EMILY
What about Brandi Covington? She's a lovely girl with a wonderful sense of humor.
LORELAI
"A wonderful sense of humor"?
EMILY
Yes.
LORELAI
What joke has Brandi Covington ever told?
EMILY
Well, I don't know.
LORELAI
She has a wonderful sense of humor. Tell me one of her jokes.
EMILY
I don't know any.
LORELAI
An amusing anecdote she's told?
EMILY
I don't know, Lorelai.
LORELAI
A giggle-inducing pun.
EMILY
Lorelai.
LORELAI
Dirty limericks, song parody.
EMILY
Well, she has a lovely laugh.
LORELAI
Oh, so she does not have a wonderful sense of humor, she can appreciate a wonderful sense of humor.
EMILY
I guess that's right.
LORELAI
Fine, tell me a joke she's laughed at.
EMILY
You're being impossible.
LORELAI
Mother, Christopher can get his own girls. Now, he's busy with G.G., But when the time is right, he'll date. Just sit back and let me drive.
EMILY
Rory thinks he's lonely, too.
LORELAI
[A car honk it's horn, Lorelai honks back.] I'm in a tank, pal! Come and get me!
YALE DAILY NEWSROOM
RORY
Sheila's out today, so warn Mark that there's going to be an unexpected, enormous pile of annoyance on his desk and just to deal with it.
KIMBERLY
[Speaker phone] Hello?
RORY
[Rory picks up the hand set] Yes, hello. Is this Kimberly wells?
KIMBERLY
Yes, it is.
RORY
Thank you for taking my call, Ms. Wells.
KIMBERLY
Call me "Kimberly."
RORY
Okay, Kimberly, the reason I'm calling is...
KIMBERLY
Something to do with my interview with Huntzberger right?
RORY
Yes, it has to do with that.
BILL
Give 'em hell, Harry.
KIMBERLY
So, what's this about?
RORY
I'm calling to request a correction.
KIMBERLY
Oh, to what?
RORY
To everything that Mitchum said about me.
KIMBERLY
I'm looking at the piece now. He didn't say much about you.
RORY
Hmm. Well, that's the thing, he didn't use many words, but he said a lot.
KIMBERLY
"And Rory Gilmore, "I gave her her first internship at my Stamford paper, and now she's editor of the Yale Daily News." What part of that is wrong?
RORY
None of it, technically, but essentially, it's all a lie.
KIMBERLY
Did he give you an internship at the Stamford eagle-gazette?
RORY
Yes, he did, but...
KIMBERLY
And are you not editor of the Yale Daily News?
RORY
Well, I am, actually, but it's the impression he left that he gave me my start. He did not give me my start.
BILL
Tell her if a correction's not appropriate, maybe a clarification is.
RORY
That's dumb.
BILL
Doesn't hurt to ask.
KIMBERLY
Hello?
RORY
Sorry. I got distracted. Um, here's the thing, Mitchum is depicting me as one of the feathers in his cap. I am not one of his feathers.
KIMBERLY
Yes, but here's our thing, we can't print corrections to impressions. That would be chaos.
RORY
Even if the impression is wildly misleading?
KIMBERLY
Again, that's an impression. We don't correct impressions.
RORY
I see. What about a clarification?
BILL
Good girl.
KIMBERLY
We don't do those either.
RORY
I see.
KIMBERLY
I really need to run.
RORY
You know it's just gonna bug me forever that he put this out there.
KIMBERLY
That's showbiz.
RORY
Okay, you're right. I mean, I guess it's gonna be in people's recycling bins by tonight and totally forgotten by tomorrow, right?
KIMBERLY
Actually, I always hope that the stuff I work so hard on isn't just totally forgotten the next day.
RORY
Oh, yeah, well, me too. I mean, back at you, sister. Um, thank you for your time.
BILL
Wait, wait.
RORY
Could you hold on a second, please? [To Bill] What?
BILL
Ask her if there are any internships available, it could fax her my...
RORY
Ugh! Thank you for your time.
LUKE'S DINER
[Liz is at a table with 4 other women]
WOMAN
I tell him to clear the plates, and he's like, "I'm tired. I've been on my feet all day." And I'm like, "I don't care if you've been on your feet all day "at that crappy job that doesn't pay enough that we can even go to Dollywood once in a while."
LIZ
Yeah, that's not good, not going to dollywood. It's rude.
WOMAN
He could have taken one of his city tests, and maybe he could have been a cop or something, not that he could fire a gun straight. I kick his ass at the shooting range every time.
LIZ
Yeah, the yin of it, the yang of it totally...
LUKE
Liz?
LIZ
Oh, hey, big brother. Excuse me, girls.
LUKE
Um, who are they?
LIZ
They're the support group of single moms I hooked up with. They're horrible! All they do is bitch, bitch, bitch. I'd have left every one of them, too.
LUKE
So, Liz... look at me. Now, listen.
LIZ
I'm listening.
LUKE
You are gonna be a great mother to this kid.
LIZ
What?
LUKE
You heard me. You're in the best shape you've ever been. You've got money. Jess turned out fine. Your son turned out fine. He's doing great.
LIZ
Yeah, but...
LUKE
Put your fears aside. I know you can do this.
LIZ
I'm scared.
LUKE
But you've got help. You've got a good man. He loves you. He's gonna be a great dad, if you let him.
LIZ
If he'll forgive me. [Luke points outside, Liz looks] T.J.
LUKE
He was too afraid to come inside.
LIZ
He's not wearing a jacket.
LUKE
I told him to bring a jacket.
LIZ
He's always forgetting his jacket.
LUKE
All right, he needs you, you need him, now go to him. Make up, go home, okay? Go home with T.J.
LIZ
Thanks, Luke.
WOMAN
Where are you going, Liz?
LIZ
My man's here.
WOMAN
Oh, yeah. Looks like a real winner.
LUKE
So, can I get you ladies anything, compassion, perspective?
[Luke looks out to see Liz and T.J. kissing and making up]
SUV PULLING UP
LORELAI
[Sighs] Okay, mom, what's next?
EMILY
You don't have to say it like that.
LORELAI
I just spent the last hour and a half watching you get a manicure.
EMILY
It's my standing appointment, Lorelai.
LORELAI
Yes, except I was the one standing 'cause there weren't enough seats.
EMILY
Well if I'd missed that appointment, it would be week before I could get another and I'd be walking around with hobo hands. Now, stop being so surly. This is the last stop.
EMILY
Great. You realize we're in Beacon Falls?
EMILY
So what?
LORELAI
So we've driven almost as far as Stars Hollow. Now I'll have to drive you all the way back to Hartford.
EMILY
Well, I'm sorry, Lorelai. Next time I have some sort of illness, you can put me on an iceberg and float me out to sea. Lets go.
LORELAI
This is a real-estate office. What errand do you have to run at a real-estate office?
EMILY
Are you coming?
LORELAI
Am I coming with you to the real-estate office?
EMILY
Don't forget to lock the door. I'm leaving my bananas here.
LORELAI
Mom, why are we going to a real-estate office? Mom! Ugh!
[Cut to inside the real-estate office ]
EMILY
Excuse me. I'm...
LORENE
Emily?
EMILY
Lorene, hi. I'm sorry if we're late. I had this awful surgery yesterday, and today has been a nightmare.
LORENE
Oh, I hope you're feeling all right.
LORELAI
Oh, she's fine. Dragging that cross around made her a little tired.
EMILY
Lorene, this is my daughter, Lorelai. She has headaches, and that tends to make her babble.
LORENE
Oh, I'm sorry. Can I get you some aspirin?
LORELAI
Oh, no, thanks. I'm okay. I've had the headache for 38 years.
EMILY
We are anxious to see those pictures.
LORELAI
What pictures?
LORENE
All right. Well, follow me. I have the whole presentation ready for you.
LORELAI
What presentation?
EMILY
Lorene, how are your twins?
LORENE
They are going to be seniors next fall.
EMILY
They grow up so fast, don't they?
LORELAI
Like weeds. What presentation are we looking at?
LORENE
Here we are.
LORELAI
Mom.
LORENE
So, I talked to the owner, and he said that they would be willing to throw in any of the furniture or appliances that we might like, completely up to you.
EMILY
Well, that's wonderful.
LORELAI
Why is that wonderful, why is throwing in furniture and appliances wonderful, mom?
EMILY
Go on, Lorene.
LORENE
Anyhow, the pictures are pretty complete, but I can get us in this weekend if you would like to take a closer look yourself.
LORELAI
Do you, mom? Do you want to take a closer look?
LORENE
This is only the second time that this house has been on the market in 100 years. It's got 5 bedrooms, 4 1/2 baths with a library, a sun porch. It's on 3 acres with a very small what they call a fishing hole, which is really a little pond, but it's very charming, and it has stables for horses.
EMILY
I thought so.
LORENE
The roof is in good shape, but I think that the plumbing will need some updating. But the sellers are motivated, and I think it's a pretty special property.
EMILY
I do, too. [To Lorelai] Don't you? Lorelai? Are you breathing?
LORELAI
Why are you looking at this house, mom?
EMILY
[To Lorene] Would you give us a minute?
LORENE
Of course. I'll be right over here if you need me.
EMILY
Well, what do you think?
LORELAI
Mom, please, tell me what is going on.
EMILY
I will tell you what's going on as soon as you tell me honestly what you think of this house.
LORELAI
I think it's fine.
EMILY
"Fine"?!
LORELAI
Mom, it doesn't look like your type of house at all.
EMILY
I did not ask if you thought it was my type of house. I asked what you thought of the house.
LORELAI
Well, I think it's a beautiful house.
EMILY
So do I.
LORELAI
You already have a beautiful house, mom.
EMILY
Oh I know, this house is not for me. It's for you.
LORELAI
[surprised] Me?
EMILY
You and Luke. Now, before you get your nose out of joint and accuse me of interfering, hear me out. I think your house is very nice. I know you've put a lot of work into it. But, Lorelai, it's too small for the two of you, especially when you have children, if you have children, I mean. A man needs his own space and room, and Luke does not have that at your house. Also, I know you've always wanted horses, so I thought something with a little property might be nice. Now, I know it's not actually in Stars Hollow, but it's right on the border. It's only an extra 10 minutes to the inn and an extra 5 minutes to the diner. Plus I did a little nosing around, and I heard that if you grease the palm of the stars hollow zoning commissioner, a man named Taylor Doose, you can get him to change property lines, so we can give you a stars hollow address if it's really important to you.
LORELAI
You want to buy us a house? [she get up to look at the pictures]
EMILY
Well, I know you're not going to let me give you a wedding, so I thought a house would do.
LORELAI
All that running around Stars Hollow, you and dad were looking for a house for me?
EMILY
Well of course, you didn't think we wanted to live there, did you? Small-town charm is good for a weekend, Lorelai, but I have no interest in having a next-door neighbor walk in with a pie, wanting to chat. I would kill myself and my neighbors. [Lorelai starting to look sad] Now, I'm sure Luke will need some convincing. He doesn't look like the kind of man who willingly takes extravagant gifts from people, so I've concocted a few good lies we can tell him. It's for his own good, and once the two of you in the house...
LORELAI
it's not gonna happen. [Starting to cry]
EMILY
What? Well, of course it will. If we have to pay more than the asking price, your father and I are totally prepared...
LORELAI
Luke and I, the wedding, it's not gonna happen.
EMILY
What?
LORELAI
[Sniffles]
[Emily comes over and puts her hand on her shoulder.
TOWN SQUARE
SOOKIE
Jackson!
JACKSON
Keep up.
SOOKIE
Stop trotting.
JACKSON
We're on a mission here.
SOOKIE
The faster we move, the more chance there is we'll draw attention.
JACKSON
No, the slower we move, the more time there is to have people's attention drawn to us.
SOOKIE
I'm toting heavy bags here.
JACKSON
Don't say that out loud.
SOOKIE
I didn't say what was in the bag.
JACKSON
And not saying what's in the bag is going to make people think we have something in it we're hiding.
SOOKIE
[Sees a car go past] Narcs! [They hide] What the hell are the Petersons doing out this late?
JACKSON
They're bad. They're bad people.
SOOKIE
Said the people trying to ditch a kilo of weed.
JACKSON
Sookie, the code word!
SOOKIE
Pickles, pickles! I know, the pickles! Let's just get rid of this and go home.
JACKSON
[Grunting]
SOOKIE
Oh, god.
TROUBADOUR
Oh, hey, you two. What's up?
JACKSON
Nothing.
SOOKIE
Nothing's going on here.
TROUBADOUR
I just got the most incredible news. A tour manager was walking around town, and he heard me, and he asked me to open for Neil Young on a bunch of east coast dates.
JACKSON
Great.
SOOKIE
See you.
JACKSON
That was close.
SOOKIE
Does Neil toke? We could give all of this to the town troubadour to give to him.
JACKSON
I think if he tokes, he's already got a connection.
SOOKIE
Of course. He's Neil Young. [Gasps] Reverend Skinner.
JACKSON
Rabbi Moranz.
REVEREND SKINNER
Hello, you two.
JACKSON
What are you doing out this late?
SOOKIE
Yeah, what are you doing out this late?
RABBI MORANZ
Archie and I like to take a stroll around town at night.
REVEREND SKINNER
It's so quite.
RABBI MORANZ
Good time to talk about philosophy.
REVEREND SKINNER
Good time to talk about god.
JACKSON
Yes, it's a great time to talk about god.
SOOKIE
He's a good guy, that god.
RABBI MORANZ
Would you like to join us?
[Together]
SOOKIE and JACKSON: No!No!
SOOKIE
We're going to hell.
JACKSON
Just keep running.
SOOKIE
AND JACKSON'S HOUSE
[Knock on door]
SOOKIE
Who is it?
LORELAI
Me.
SOOKIE
[Opens door] Oh.
JACKSON
Hey.
SOOKIE
Honey what are you doing here?
LORELAI
Can I come in?
SOOKIE
Of course.
JACKSON
Come on in. Can we get you something?
LORELAI
Um, no, thanks. I just need to hang out for a while.
SOOKIE
Sit, honey.
JACKSON
Yeah, sit.
LORELAI
Thanks. [Sighs... Inhales... Exhales deeply] What's that smell?
SOOKIE
68 pounds of marijuana.
LORELAI
Mmm.
THE END