T6E22: “Partings”
Título em Português: “Despedidas”
Roteiro: Daniel Palladino e Amy Sherman-Palladino
Direção: Amy Sherman-Palladino
Originalmente exibido em: 9 de maio de 2006
SOOKIE
AND JACKSON'S HOUSE – EXTERIOR
JACKSON
[OS] Is she still asleep?
[Cut to inside, close shoot of Lorelai just waking up on the couch, the action goes on behind her, Jackson remains of screen for the whole scene.]
SOOKIE
[OS]Yeah, so let's be super-quiet. Super-quiet, Davey!
JACKSON
Super-quiet, son!
SOOKIE
Like we're playing a game called "let's be super-quiet," and you win a prize if you're super-quiet!
JACKSON
A prize! Let's get him out the door! Let's get him out the door!
SOOKIE
Lunches! Come on, Davey. [runs into a chair] Ohh! Come on. Let's get your lunch.
JACKSON
This is fun.
SOOKIE
Here you go. Go give it to daddy. Okay.
JACKSON
Come to daddy, son.
SOOKIE
Shh! We're still playing the "super-quiet" game!
JACKSON
So, did she say anything else after I went to bed?
SOOKIE
Not a word. We sat and we had tea, but she was somewhere else the whole time.
JACKSON
Don't open the door, Davey. The door's loud.
SOOKIE
Let daddy open the door! I'm worried about her.
JACKSON
If she wanted to talk about what ever it is, she would have talked.
SOOKIE
I know what it is. It's Luke. I just, I don't know the specifics. Okay let's go.
JACKSON
Be very quiet going out the door, Davey.
SOOKIE
Super-quiet!
JACKSON
You're gonna win the prize.
SOOKIE
It's gonna be a super-fun prize!
JACKSON
Close the door for me?
SOOKIE
Got it.
JACKSON
Great job, son! High five!
OPENING CREDITS
STARS HOLLOW STREET
WOMAN
Morning, Taylor.
TAYLOR
Good morning. Some weather, huh? If you don't like it, just wait five minutes. Top of the day to you, Mrs. Harris. Say hi to Maurice for me.
MRS. HARRIS
Will do!
[Taylor stops to see a troubadour setting up then starts playing]
[Joe Pernice sings "Amazing Glow"]
TROUBADOUR
[Singing] A rare and wicked skill to change a lot of weather no room was spared no mood, show no mercy I was a tireless fool I thought I could do better I left in flames of paper shade hanging from a light and when it came to the victories the genus names of all the flowers that were feeding off her her amazing glow her amazing glow
LOGAN'S APARTMENT
RORY
oh, that's another good one.
LOGAN
No, it's not.
RORY
Hold it.
LOGAN
Yo, Alfred Stieglitz, stop with the pictures.
RORY
I prefer Cartier-Bresson.
LOGAN
My eyes are pale, very sensitive to the light.
RORY
You only graduate from college once, and I will document it to my heart's content, and you can't stop me.
LOGAN
At least I'm clothed in these.
RORY
Oh, yes, those shower photos will fetch me a bundle on the internet.
LOGAN
I don't even know why I'm doing this. Why am I doing this whole cap-and-gown thing?
RORY
Because the graduation ceremony is not only for the graduate. It's for the loved ones, too. We talked about this.
LOGAN
No, you talked, and I disagreed.
RORY
Then I ruled, and that's that.
LOGAN
I'm taking that Stalin biography away from you.
RORY
Come on. I don't want to be late.
LOGAN
[Sighs] You do realize you're putting yourself in the cross hairs.
RORY
Meaning?
LOGAN
There will be all manner of Huntzbergers in the audience.
RORY
Oh, I can avoid people with the best of them.
LOGAN
I didn't say "people." I said "Huntzbergers."
RORY
Don't worry your pretty little head about this. I'll take care of myself.
LOGAN
I just want you to be fully prepped.
RORY
[Looking at the camera] Oh-ho. I have outdone myself photographically. Every one of these is a keeper.
LOGAN
Okay that's a close-up of my naked butt. That's not a keeper.
RORY
You're right. That's a screen saver.
STARS HOLLOW – NEAR DOOSE’S MARKET
[Sparks is singing "Perfume"]
SPARKS
The olfactory sense is the sense that most strongly evokes memories of the past. Well, screw the past.
[Mid-tempo music plays]
Genevieve wears Dior
Margaret wears Trésor
Mary Jo wears Lauren,
but you don't wear no perfume
Deborah wears Clinique
Maryanne wears Mystique
Judith wears Shalimar,
but you don't wear no perfume
that's why I want to spend my life with you
that's why I want to spend my life with you
that's why I want to spend my life with you
[cut to another troubadour]
TROUBADOUR2
no one likes talkin' to a drunk unless he's buyin' nobody says hello when they're goodbye-in' unless they're Hawaiian
[Stops singing]
TROUBADOUR2
Well, hey, there, Taylor. Fancy seeing you here.
TAYLOR
I live here!
TROUBADOUR2
Beautiful.
[Sings] Nobody eats eggs and bacon when they're fryin'
that'd just be dumb you'd probably
burn your tongue
and nobody laughs at a clown
when he's cryin' boo-hoo
LUKE‘S DINER
[Taylor enters]
TAYLOR
Is everyone seeing what's going on out here? Lucas, have you eyeballed the chicanery that's taking place outside?
LUKE
What? Eyed what?
TAYLOR
Balled, eyeballed these hooligans!
LUKE
How interested do I look in talking to you, Taylor?
TAYLOR
Not very.
LUKE
And this is the very peak of my interest.
TAYLOR
My god, there's another one!
KIRK
I have a theory, Taylor.
TAYLOR
Let's hear it.
KIRK
Our usual town troubadour, he was discovered last week on these very streets.
TAYLOR
Discovered?
KIRK
Some big-time music manager was limo-ing through town, and he caught one of the troubadour's songs, gave him an opening slot on Neil Young's tour.
TAYLOR
Who's Neil Young?
KIRK
One of the Monkees. Anyway I'm guessing when word hit the east coast troubadour community, every one of them thought to come to stars hollow for their shot at the big time.
TAYLOR
There's an east coast troubadour community?
KIRK
Oh, yes, our wandering musical storytellers. It's an honored American tradition going back to the puritans. Gierke Schoonhoven delighted his fellow pilgrims with his timely songs. His most popular was "a beaver ate my thumb." It was quite catchy. I wonder if Neil still does "Last Train to Clarksville." I love that song.
TAYLOR
[Exhales sharply]
[Cut to out side Luke’s, Mary Lynn Rajskub is singing]
TROUBADOUR3
[singing] I drive an '89 volvo have you seen it anywhere? 'Cause I can't seem to find it and no one seems to care I don't know how it happened I've never lost a car I might have to retrace my steps back to the bar I stepped into a puddle I'm bleeding from the lip my shirt mysteriously opens...
TAYLOR
Excuse me, uh, bohemian people! May I have your attention, please?
TROUBADOUR3
I'm kind of doing a song here.
TAYLOR
It won't take long. Please, people, your attention! I would just like to say that there is no bigger fan of music than the man standing before you. No memory is more precious to me than the one of my father taking me to the Hartford civic auditorium to see the great Pat Boone. But you, my friends, do not have the talent of Pat Boone. And if you insist on loitering and playing your hippie doo-wop music to the obvious detriment of the mercantile interests of this town, our authorities will forcibly remove you... with water hoses and canine units if necessary! Thank you for your time, and, uh... goodbye.
TROUBADOUR3
[She Picks up her stuff and moves on] Can you say "BTK"?
LORELAI’S HOUSE – EXTERIOR
[Lorelai drives up in the Jeep]
LORELAI
[Looking at her cell phone] Oh, shoot. [she dials]
RORY
You're grounded. Ha. Sorry, mom. Kimmy saw this guy at the mall who was a total Chachi, and he bought us a slurpee, and we totally lost track of time.
RORY
I called you twice. I left messages. I called the national guard, who didn't answer because they're all in Baghdad.
LORELAI
Well I just checked my messages.
RORY
I won't be ignored, Dan.
LORELAI
I know. I'm hiding my rabbit as we speak.
RORY
So what's the deal?
LORELAI
No deal. I, um, spent the night at Sookie's last night.
RORY
Why?
LORELAI
No reason, we were talking and it got late, so I crashed on her couch and woke up covered in jam.
RORY
Is everything all right?
LORELAI
Everything's fine. How's it going with you?
RORY
Well, Logan graduated.
LORELAI
Ah that's right, the graduation. Wow. How was it?
RORY
I'm here now. It was nice. Logan looked great, very dignified. He didn't trip. He remembered to wear pants.
LORELAI
He's quite a catch, that guy.
RORY
I was very proud of him. I'm just waiting for him to extricate himself from those people.
LORELAI
Oh his parents are there, hu?
RORY
Yep, they are with Logan, and I am standing a good 50 feet away.
LORELAI
As per the restraining order.
RORY
They're dragging him out for drinks, 30 minutes tops we're meeting back at the apartment, and then he'll be all mine. I've got the afternoon planned out.
LORELAI
Ah you're such a girlfriend. You should take him to the mall.
RORY
I'll think about it.
LORELAI
So, you take pictures?
RORY
Only about a thousand. I'll bring my camera tonight. Oh, listen, just a heads-up, I might have to duck out after drinks.
LORELAI
No! Why?
RORY
I made reservations at this crappy Italian restaurant with Chianti bottles hanging from the ceiling, and the husband and wife that own the place wind up screaming at each other after 8:00, we love it.
LORELAI
Sounds great.
RORY
Well it's our last night together for a while. I want it to be really special.
LORELAI
Sounds perfect.
RORY
I better get back. I'll see you tonight?
LORELAI
Okay, hon. See you tonight.
LORELAI’S HOUSE
[Lorelai comes in the front door]
LORELAI
Hello! Babette! [Paul Anka comes up] Hi, buddy. Where's Babette?
MISS PATTY
Oh, she had to go, honey. I told her I'd take the morning shift. She told me to tell you that everything went fine. Paul Anka ate all his food, and then he did something weird with your nightgown.
LORELAI
Oh, are you cross-dressing again? I got here at 7:30. I gave him a little kibble and a new hoof, and he ran around the house a few times and then passed out in the corner. He's been quiet ever since.
LORELAI
Thank you guys for doing this, Patty. Paul Anka's never spent the whole night alone before.
MISS PATTY
Oh, it's our pleasure, sweetheart. So, you're staying out all night, huh? Anything illegal?
LORELAI
Oh, no, no. Just a little girls' night out. Or in, I should say. Sookie and I had a slumber party.
MISS PATTY
Oh, that sounds fun.
LORELAI
Do you want some coffee, Patty?
MISS PATTY
Oh, no, sweetheart. I need to get going. I'm teaching a cardio striptease class at 10:00. I have to make sure those poles are screwed in tight.
LORELAI
Okay.
[Front door opens]
LUKE
Lorelai, you here?
LORELAI
Tell him I'm not here.
MISS PATTY
What?
LORELAI
Patty, please. Tell him I'm not here. [Hides on Rory’s room]
MISS PATTY
No, no, but I... Luke, hi.
LUKE
What the hell are you doing here?
MISS PATTY
Oh, if I had a nickel for every time I heard that.
LUKE
[sounding worried] I'm looking for Lorelai.
MISS PATTY
Well, she's not here.
LUKE
Her Jeep's right out front.
MISS PATTY
Well all I know is she called to have me come and feed Paul Anka.
LUKE
Called from where?
MISS PATTY
I don't know. The inn, maybe.
LUKE
No, she’s not at the Inn I tried the Inn.
MISS PATTY
Well, uh, I-I don't know. You know, half the time people speak to me, I'm thinking about Baryshnikov. Did you see "turning point"?
LUKE
No.
MISS PATTY
Oh, that man was so beautiful.
LUKE
Yeah, I'm sure.
MISS PATTY
Pure sex walking. Flying, actually. That man could fly. Have you ever thought of taking dance?
LUKE
Me? No.
MISS PATTY
Well, maybe you might want to think about it. There's nothing sexier than a man in tights.
LUKE
Yeah, I'm sure that's true. Look, can you just tell Lorelai I came by?
MISS PATTY
Oh, of course I will, honey.
LUKE
Stop imagining me in tights, patty.
MISS PATTY
It's a free country, honey. [Luke leaves] He is so easy.
LORELAI
Thank you, patty.
MISS PATTY
Something going on with you and Luke?
LORELAI
It's nothing. We had a little fight, nothing big. I'm just...
MISS PATTY
Punishing him. Good for you. The longer the freeze-out, the better the makeup.
LORELAI
Yes, exactly. Listen thank you for doing this.
MISS PATTY
Oh, sure, any time. If you need anything else, just give me a call.
LORELAI
I will.
MISS PATTY
Oh, and, honey, don't freeze him out too long. Luke is a much better man than my first husband... or second husband. But he's neck and neck with the third one, though.
LORELAI
Okay.
MISS PATTY
Bye, Paul Anka! Thank you for letting me scratch your butt for an hour! Just like husband number four.
LORELAI
[Chuckles] Bye.
LOGAN’S APARTMENT
[Rory is waiting, she hears the elevator dings]
MITCHUM
Pete Michaels will be there for at least the first two months. You meet him in Omaha.
LOGAN
I know.
MITCHUM
He runs the department, so he's the one to see. He's a good guy. [cell phone rings] I got to go.
LOGAN
Yeah, I'll talk to you later.
MITCHUM
[On the phone] Yeah?
[Logan makes his way into the apartment]
LOGAN
Hey.
RORY
What happened?
LOGAN
It took longer than I thought.
RORY
Way longer and I've got to leave for my grandparents' like right now.
LOGAN
To top it off, just as the family thing is winding down, a bunch of dad's business automatons came by and he made me stay to talk shop.
RORY
To talk shop.
LOGAN
Synergy and new media ventures in increasing shareholder value. I could hear my soul dying.
RORY
He's doing this on purpose.
LOGAN
I wouldn't put it past him.
RORY
Why is he doing this?
LOGAN
Look don't think about him. Just go, go to your thing. Get it over with. I'll wait for you here, go.
RORY
Okay.
LOGAN
No more thoughts about Mitchum.
RORY
Your right, no more thoughts.
LOGAN
Go.
[Cut to Rory entering the hall way outside the apartment,]
MITCHUM
Yeah. At this number. Here, call me back. Bye. [Rory runs to the elevator, stops the doors and enters.] Oh. Hello, Rory... Were you at the ceremony? We didn't see you.
RORY
Yeah, I was there.
MITCHUM
Ah.
MITCHUM
We didn't see you.
RORY
Well, I was there... Did you know that Logan and I had plans to go out after the ceremony? I mean were you aware of that?
MITCHUM
No, I was not.
RORY
Yeah. 'Cause why would your son want to go out with his girlfriend the last day before he leaves, right?
MITCHUM
Rory...
RORY
And this gathering of yours, it turns into a business meeting on his graduation day? As if Logan's not gonna have enough time for that during the year you're forcing him to do in London.
MITCHUM
It wasn't exactly a business meeting.
RORY
Why are you doing this?
MITCHUM
Doing what?
RORY
Why are you taking him away from me. Why? Do you hate me that much?
MITCHUM
I don't hate you.
RORY
Yeah, right.
MITCHUM
Why would I hate you?
RORY
Because I'm dating your son.
MITCHUM
Logan's love life is his business. I don't get involved.
RORY
Oh, please. You have done nothing but get involved.
MITCHUM
How?
RORY
You're sending him away, 5,000 miles away. What other reason is there but to separate us?
MITCHUM
Well you flatter yourself if you think I put that much energy into thinking about your relationship.
RORY
Here's the lobby.
MITCHUM
Wait let's get this clear right now. I'm sending Logan away for one reason, because it is time, it is time for him to stop jumping out of planes in a gorilla mask and crashing boats and getting plastered every night and ending up in the hospital. It's time for him to stop being a child and to start being a man. It's time for him to start focusing on his future, and the only way he is gonna do that is to get him out of his environment and away from those dopes, Colin and Finn, and "The Life and Death Brigade" and get him on a path. Logan is talented he’s talented. He's my son. I want him to achieve something. And he needs a push. It's what my father did with me. He pushed me, I grew up, and now Logan is gonna grow up. Anything here you're not agreeing with? [Rory is quite] I didn't think so.
STARS HOLLOW – NEAR THE MUSIC SHOP
[Yo La Tengo are playing "Tried So Hard"]
YO LA TENGO
[singing] And we tried we tried with all our might we tore the playhouse down we ran headlong in our way yeah, we tried so hard we stared at the sun too long...
CLIFF
got your mail here, Taylor.
TAYLOR
Thanks, cliff. I guess the last group of miscreants didn't get word that troubadours are "persona non grata" in STARS HOLLOW. Just one more rat I have to exterminate. See ya, cliff. [Taylor look out to the town square to see dozens of troubadours playing.]
GILMORE MANSION
EMILY
Gerta, you're half my age. Why do I always beat you to the door?
LORELAI
Hi, mom.
EMILY
Hello, Lorelai. So, just you tonight?
LORELAI
Well, I know how mad you get when I bring the insane clown posse with me.
EMILY
So no Luke?
LORELAI
Luke's working.
EMILY
All right. So, how are we?
LORELAI
We're good. We’re Fine. We're starving. We'd love a drink.
EMILY
Your father's making martinis in the living room. [To the maid] Oh, now your legs work. Here, hang these up. And eat something with sugar!
RORY
[OS] That's it. [Emily make there way to the living room] I'll take care of the rest. Just say whatever it takes and get him out of there about 9:30. I trust you, Finn... No, it's not a surprise you've never heard anyone say that before. Just get Colin and get him out of there. Bye. [Hangs up the phone] Sorry, everyone. I'm off it for good now.
RICHARD
Hello, Lorelai.
LORELAI
Thanks, dad. Hello. What's this?
RICHARD
Don't touch that!
RORY
He slapped my hand earlier.
EMILY
It is top secret.
LORELAI
Oh, my god. It's the weapons of mass destruction. Quick, get the president on the phone.
RICHARD
Lorelai.
LORELAI
If he's not in the oval office, try the ice-cream room.
EMILY
Just tell them what it is, Richard.
RICHARD
Well, it looks like we're going to receive a tidy little settlement from the charlatan that botched your mother's eye surgery.
EMILY
A very tidy settlement.
RICHARD
And we've decided to add it to the money we're donating to Yale.
LORELAI
Thank god. Finally a hot meal for the lacrosse team.
EMILY
We're adding it to the money we're donating in Rory's name.
RORY
Oh, goody. They didn't forget.
EMILY
And with that extra money, we can now afford what is on the table right in front of you. Richard, do the honors.
RICHARD
All right. Miss Rory Gilmore, may I present... your building.
RORY
What?!
EMILY
Your science building.
[Lorelai starts laughing]
RICHARD
On the Q.T., A friend of mine who knows the architect snagged the model for me. It's a beaut, isn't it? Built perfectly to scale.
EMILY
Very sleek. And there's plenty of wall space inside for a portrait.
RORY
Of who?
EMILY
Of you.
RICHARD
And look right here. My friend attached a placard to the front of the building.
LORELAI
[Reading the placard] The Rory Gilmore Astronomy Building.
RORY
Um, grandpa...
EMILY
They're going to start construction this summer, so it should be up and running by Christmas.
RORY
Is this the actual lettering? I mean, is this the scale?
RICHARD
I don't know. Although the style is very dignified.
EMILY
I'm sure we can request this lettering if you like.
RICHARD
It's your building, so why not?
RORY
Because the lettering would be 30 feet high.
LORELAI
Well honey it's the astronomy building. You have to be able to see it from space.
RICHARD
I don't know whether it's to scale.
RORY
Well is there someone we can call to check?
EMILY
Relax, Rory. She's so modest.
LORELAI
Relax, Rory. Remember when you wanted a personalized license plate? So much better.
EMILY
We're going to try to get them to add another floor so that it's taller than everything around it.
RICHARD
Make it stand out a bit more.
RORY
More than this?!
LORELAI
I love the portrait idea.
RORY
Who's not helping?
LORELAI
Hmm?
GERTA
Excuse me, everyone. Christopher Hayden has arrived.
[The girls look surprised]
EMILY
Christopher, how wonderful. Come in. Come in.
LORELAI
W-what are you doing here?
CHRISTOPHER
I was invited. [Leans down to kiss Lorelai on the cheek, then Rory]
LORELAI
[Sounding like she's 16] Shut up! Me too!
EMILY
We promised Christopher a home cooked meal last time we saw him, and since we're leaving for Europe, for the next 2 months, [kisses Emily] this was the last chance we had to make good on that promise.
RICHARD
You can call a Gilmore many things, but you can't call him a welsher.
LORELAI
What are the things you can call him, just for future reference?
CHRISTOPHER
I'm very grateful for the invitation, Emily.
RICHARD
Martini, Christopher?
CHRISTOPHER
Sounds good. What's this?
LORELAI
Oh it's Rory's building.
RORY
It's not my building.
CHRISTOPHER
It's got your name on it. Wow are those letters to scale?
RORY
Oh, boy.
CHRISTOPHER
'Cause it's gonna be huge.
RORY
Yeah. Okay dad, you can take my seat because I have to go legally change my name and transfer to brown.
LORELAI
Honey, now come on. We have teased you way worse than this before. Remember when you were 10 and thought you discovered U2?
RORY
I should get going. Logan's leaving in the morning.
EMILY
Oh, that's right. Tell him to have a safe trip.
RORY
I will.
EMILY
[Doorbell rings] My goodness. It's grand central station here tonight. Come on, Rory. I'll walk you out.
LORELAI
Bye, honey.
RORY
Bye.
RICHARD
Christopher. [hands him a drink]
CHRISTOPHER
Thank you. So, he's leaving, huh?
LORELAI
Yeah he's going to London to work for his dad.
RICHARD
She should be very proud of that boy.
LORELAI
She should buy him an observatory.
EMILY
[Coming back in to the room] Well, look who I found outside.
RICHARD
Oh. Carolyn.
CAROLYN
Hello, Richard. How wonderful to see you, especially standing so close to a martini.
RICHARD
[Chuckling] Oh, Carolyn, that sense of humor of yours. One martini coming right up.
EMILY
Carolyn, this is my daughter, Lorelai. Lorelai, this is Carolyn Bates... "Lynnie" to those in the know.
LORELAI
Oh, am I in the know?
CAROLYN
You are now. Nice to meet you.
LORELAI
You too.
EMILY
And, Lynnie, this is Christopher Hayden.
CHRISTOPHER
Nice to meet you.
RORY
Lynnie, olives or a twist?
CAROLYN
Olives, please.
EMILY
Lynnie's mother and I go so far back, I'm embarrassed to talk about it. Lorelai, you remember my talking about Marie Randle. We were roommates in college.
LORELAI
ar-hu
EMILY
Well, Lynnie is her daughter, and she just moved to Hartford, so, of course, we promised her a dinner. And since we're going to be out of town for the next couple of months, tonight seemed like the perfect opportunity.
LORELAI
Tonight she's settling up all old debts, huh?
RICHARD
Lynnie, I've got your two olives.
CAROLYN
Thank you very much, Richard.
EMILY
[Too Lorelai] Move.
LORELAI
What?
EMILY
Move [grabbing Lorelai’s arm]
LORELAI
Ow! The arm is supposed to be connected to the body!
EMILY
Lynnie, sit down next to Christopher. Lorelai's gonna sit with me.
CAROLYN
Okay.
EMILY
You know Lynnie is a psychologist. Isn't that fascinating?
CAROLYN
I do a lot of work with family counseling, runaways and drug recovery.
LORELAI
Arm-yanking rehab. [Emily pinches her] Ow!
EMILY
Lynnie just moved here from Maine. Isn't that interesting? I've never been to Maine. Christopher: Have you ever been to Maine?
CHRISTOPHER
Uh, no, but I like lobster.
CAROLYN
Well, then, you're in.
[Laughter]
EMILY
I tell you, Lynnie, you're a card, just like your mother. Christopher you should meet her mother. [Lorelai and Chris share a look] She's a stitch. Isn't Lynnie's mother a stitch, Richard?
RICHARD
She's an entire seam, Emily.
EMILY
It's so important to find someone who can make you laugh. I was always so envious of Johnny Carson's wives. I just thought these women must do nothing but laugh all the time. How's your drink, Lynnie?
CAROLYN
Very potent. Thank you, Emily.
EMILY
Well, potent is good because tonight is a party. Which reminds me, Christopher Lynnie once threw her mother the most wonderful birthday party. I think she made the cake herself, didn't you, Lynnie? [She nods] Oh, these days a woman who can bake is a rare treasure, isn't she? And Lynnie is a Leo.
STARS HOLLOW – TOWN SQUARE
[More bands are playing]
[Sonic Youth are playing "What a Waste"]
SONIC YOUTH
[Singing] Give me hollow stimulation it's so sleazy to be free Let's invest in dull creation thrill city cheap legacy what a waste you're so chaste I can't wait to taste your face
TAYLOR
Stop, go home this is private property, stop that jumping, stop that jumping right now, there’s no jumping in the town square. Officer Ruskin, what took you so long? I called you hours ago.
OFFICER RUSKIN
Well, I'm here now, Taylor. What do you need?
TAYLOR
Handcuff these ruffians and take them away.
OFFICER RUSKIN
In what?
TAYLOR
In your car.
OFFICER RUSKIN
Well, I came on my bike.
TAYLOR
Why?
OFFICER RUSKIN
Fred took the car. Plus my handcuffs are broken.
TAYLOR
Well, then, find an appropriate vehicle to haul them away.
OFFICER RUSKIN
My sister has an S.U.V. But she's out of town, though.
TAYLOR
Well, then, line them up and have them follow you to jail.
OFFICER RUSKIN
I could do that, but it's a single cell, though. It holds two, maybe three if they're not fat. And we don't have any food.
TAYLOR
Oh, forget it... Barney Fife.
OFFICER RUSKIN
My brother has a pinto.
TAYLOR
Patty, don't do that.
MISS PATTY
But they're hungry.
TAYLOR
If you feed them, they won't go away.
TROUBADOUR
Taylor! How'd you let this happen? This is my turf, Taylor!
TAYLOR
How did I let this happen? This is your fault. You had to go off and make it in the big time, and now they're all copying you.
TROUBADOUR
The big time? I made 700 bucks and got booed. And I never even met Neil Young. Heart of gold, my ass.
TAYLOR
I suddenly feel very tired.
MISS PATTY
Would you like a tiramisu?
TAYLOR
No, I think I'd just like to go to bed. Tell everybody to try and keep it down. God, I hate music.
DANIEL PALLADINO
[Singing] A beaver ate my thumb a beaver ate my thumb a doctor gave me rum 'cause a beaver ate my thumb wow!
GILMORE MANSION – LIVING ROOM
CAROLYN
How old?
CHRISTOPHER
4 going on 40.
EMILY
And a doll, a living doll.
CAROLYN
Enjoy them while their legs are still short enough for you to overtake them.
CHRISTOPHER
That's good advice, doc, thanks.
LORELAI
Excuse me. I'm just gonna go to the restroom.
EMILY
Well, hurry back. Dinner's almost on.
LORELAI
Yes, ma'am.
CAROLYN
My sister just had twins last week.
CHRISTOPHER
Twins? Wow, that sounds...
CAROLYN
loud?
CHRISTOPHER
[Chuckling] Exactly.
EMILY
I'm sorry, I know I'm being very forward, but the picture of the two of you sitting there so young, so beautiful, it's almost like looking at a shampoo ad.
[Cut to the restroom, Lorelai entering]
LORELAI
Oh, my god. What are you doing?
CHRISTOPHER
[Closes the door] What do you mean what am I doing? I thought "restroom" was code for "follow me, and we'll talk about how to get you out of this."
LORELAI
What the hell kind of spy school did you go to?
CHRISTOPHER
Oh, I'm here now, so let's figure out how to get me out of this.
LORELAI
Out of what?
CHRISTOPHER
What do you mean, "out of what"? This is a setup.
LORELAI
So it seems.
CHRISTOPHER
I can't believe Emily would do this.
LORELAI
You're talking about Emily Dickinson, right? 'Cause Emily Gilmore was made to do this.
CHRISTOPHER
I thought I was having dinner with you and Rory. I didn't realize I was going on a date.
LORELAI
Well luckily you didn't get ugly overnight.
CHRISTOPHER
Thanks a lot, by the way.
LORELAI
What did I do?
CHRISTOPHER
Nothing! You're just sitting there, not saying anything.
LORELAI
What are you talking about? When mom said, "doesn't he look like Cary Grant?" I said, "yes."
CHRISTOPHER
You're just letting this happen.
LORELAI
I’m not just letting this happen.
CHRISTOPHER
You can't see that I'm miserable out there?
LORELAI
No, I can't. You seem fine. You're talking to her.
CHRISTOPHER
She’s talking to me what am I supposed to do, slap her in the mouth?
LORELAI
That would be a conversation stopper.
CHRISTOPHER
I assumed at some point you'd jump in and try and save me.
LORELAI
By doing what?
CHRISTOPHER
I don't know, deflect, detract, get the conversation off her and me and us.
LORELAI
I'm sorry. I didn't know you needed saving.
CHRISTOPHER
[Laughing] Oh, come on.
LORELAI
"Oh, come on"? How do I know you don't want to date her? You're single. She's single. You're pretty. She's pretty. It's how all great divorces start.
CHRISTOPHER
How did I used to get out of here?
LORELAI
What are you talking about?
CHRISTOPHER
In high school, I'd be in your room. I had several ways of sneaking out of here.
LORELAI
Chris!
CHRISTOPHER
Which drainpipe was it that I used to crawl down?
LORELAI
Christopher!
CHRISTOPHER
I think I used to get to it from the attic window, does the attic window still access the drainpipe that drops you off by the garage?
LORELAI
You do know you're grown up now. You can just walk out the front door.
CHRISTOPHER
If I just leave, I'll insult your parents.
LORELAI
But vanishing into thin air, way more polite.
CHRISTOPHER
It's only 8:00! This night's gonna last forever. We haven't even had dinner yet.
LORELAI
[Laughs] Relax. Now that I know you're not interested in her...
CHRISTOPHER
I'm not!
LORELAI
Okay. Now that I know, I can help you out.
CHRISTOPHER
You will?
LORELAI
Yeah, I got your back.
CHRISTOPHER
Okay, thank you.
LORELAI
You're welcome. I know you always got mine.
CHRISTOPHER
Always.
LORELAI
So, it wasn't code, you know. I got to...
CHRISTOPHER
Yes, right. I'll see you back in the living room.
LORELAI
Yeah.
[cut to the dinning room]
RICHARD
Very interesting dinner, Emily.
EMILY
It's paella. I got the recipe from Hilde Macintosh , whose son married a Spanish girl. God knows how long it's going to last, but the food at their wedding was wonderful. Do you like it, Lynnie?
CAROLYN
I do.
EMILY
Not too spicy?
CAROLYN
I like spicy food.
EMILY
Do you? Well, Christopher, did you hear that? Lynnie likes spicy food, and so do you. Isn't that something?
CHRISTOPHER
Uh, yes. Small world.
LORELAI
Hey, Lynnie, I have a recurring dream where a walrus waddles up, lies down on me, falls asleep, and I can't breathe. What do you think it means?
RICHARD
Lorelai...
LORELAI
What dad Lynnie is a psychologist. She should know.
CAROLYN
It's okay. Umm It could mean a myriad of things, too much stress at work, something in your life is strangling you, you've read "Alice in Wonderland" too many times.
EMILY
Touché, Lynnie.
RICHARD
She's got wit and wisdom, this one.
EMILY
You know, Christopher does the Sunday New York times puzzle every single week.
LORELAI
Hey, what's it called when you're afraid of spiders?
CAROLYN
Arachnophobia.
EMILY
You have arachnophobia?
LORELAI
No.
RICHARD
Thank goodness.
LORELAI
What's it called when you're afraid of people who are afraid of spiders? ‘Cause that one I’ve got.
EMILY
Oh, lord.
CAROLYN
I don't think there's a technical term for that yet.
LORELAI
How about arachnophobiaphobia? 'Cause that makes sense.
EMILY
You know, Christopher, Lynnie...
LORELAI
voices in your head, totally normal right?
CAROLYN
Excuse me?
LORELAI
There's only two... that speak English.
EMILY
Lorelai, eat your Paella.
RORY
So, Christopher, how's business going?
CHRISTOPHER
It's really been picking up lately.
CAROLYN
What do you do?
CHRISTOPHER
Oh, I'm in computer software.
CAROLYN
That sounds exciting.
CHRISTOPHER
Can be, it's a lot of traveling, actually...
CAROLYN
I love traveling. It's one thing I miss about my job.
LORELAI
You know what I think is even better than traveling? Time-traveling. Do you think that's possible?
CAROLYN
I would have no idea.
EMILY
Lorelai, are you having some kind of breakdown?
RICHARD
You're very quiet, Christopher.
CHRISTOPHER
Well, I, uh –
LORELAI
Lynnie, as a psychologist, tell me what do you think of "The Sopranos"?
CAROLYN
Actually, I miss Adriana.
LORELAI
Oh, so do I.
EMILY
Lorelai!
LORELAI
What? I was serious about that one.
EMILY
That's it. No more talk until dessert.
ELEVATOR TO LOGAN’S APARTMENT
[Doors open]
COLIN
Come on! One more stop!
LOGAN
I can't.
FINN
But tomorrow you'll fly away to London and we will forget all about you.
LOGAN
I'm touched, but Rory will be back in a minute.
COLIN
You know I'm starting to get the feeling you'd rather be with her, than us.
FINN
Impossible.
LOGAN
I appreciate the drinks and the diversion. Your friendship is worth a couple pages in my memoir. But as of now, it's goodbye. I'm spending the rest of the night alone with my girl.
[The apartment door opens]
RORY
[British accent] Hello, governor. Chips?
LOGAN
I'm sorry. I was looking for my girlfriend.
RORY
Oh, I'm sorry, mate. No girlfriends here. Just us birds and blokes taking the piss out of each other.
They make there way in]
LOGAN
Your accent is terrible, by the way.
RORY
Just go with it, you geezer. Now we’ve heard that you're about to fly away to old blighty, and word 'round the pub has it you're not happy about it.
LOGAN
Well, I'm leaving a couple people I'm pretty fond of... and some people I'm a little afraid of, but all in all...
RORY
Well, we're just going to have to change your mind, because London, you see, is a place of fun and musical excitement, the queen, hello! Magazine.
LOGAN
You're gonna break into a chorus of "Imim Chimney" any minute.
RORY
Shush, now. None of that talk. Because tomorrow, brilliant things will happen, a new life, a new adventure. You like adventure, don't you, mate? Well, London is certainly the place for that, and we, frankly, would not be the fine chaps we claim to be if we did not send you off in a proper way, [Raises her voice] with the bash of a lifetime! [cheering from the party goers] Come on. Someone get this chap a pint. See if you can't be happy, at least you can be drunk.
LOGAN
Kiss me, Mary Poppins.
RORY
[Normal voice] Really I thought it was more Gwyneth Paltrow, "Shakespeare in love."
LOGAN
Kiss me.
MAN
To the queen!
EVERYONE
To the queen! [Cheers]
GILMORE MANSION – INTERIOR
[Front door]
EMILY
Well, that was a complete waste of time.
LORELAI
What are you talking about?
EMILY
I’m talking about Christopher and Carolyn leaving separately.
LORELAI
Well, come on, mom. What did you think? They were gonna throw down and consummate it right here in the foyer?
EMILY
No, I didn't think they were gonna throw down and consummate it in the foyer. I just thought they could go out for coffee.
LORELAI
You served them coffee.
EMILY
So what?
LORELAI
You can't be shocked when you serve people three cups of coffee, and they don't feel like going out for coffee. Not everyone is me.
EMILY
I just thought they would have hit it off better, than that.
LORELAI
Well you never know with these things.
EMILY
I was just so sure. Oh, well. Maybe next time.
LORELAI
Absolutely.
EMILY
Christopher's probably too immature for Lynnie, anyway.
LORELAI
I'm sure he is.
EMILY
The way he was going on and on about that motorcycle of his. I half expected him to start talking about his Tonka truck and announcing to the room he wanted to be a fireman or a cowboy someday.
LORELAI
Sure is nice when it's not me. All right, bye, mom. Have a nice trip.
EMILY
Goodbye, Lorelai. [Shuts the door] Gerta, did I fire you?
GERTA
No.
EMILY
Really? Everything's off tonight.
[Cut to exterior, Lorelai making her way to the Jeep.]
CAROLYN
You also know that it is one meal, and one meal does not a lifestyle make. That's okay, Sandra. All right. Okay. Call anytime. I'll talk to you on Monday. [Too Lorelai] Sorry. I'm blocking you in.
LORELAI
No, no, that's okay. So, you do sessions over the phone?
CAROLYN
I do sessions whenever people need them.
LORELAI
Wow. That's quite a commitment.
CAROLYN
Well, I've always been a good listener. Excellent note-taker. I have fantastic penmanship. Good head-nodding abilities.
LORELAI
You found your calling.
CAROLYN
[Chuckles] I think I did.
LORELAI
So, it was nice meeting you.
CAROLYN
Oh, you too. You too. This was, this was really very sweet of your mom.
LORELAI
Well, you keep thinking that.
CAROLYN
Hey, it's been a long time since I've been invited to such a blatant setup. It made me miss my own mom. [Cell phone rings] Oh, I'll just let it go to voice mail.
LORELAI
Your work sure follows you around, huh?
CAROLYN
When you're going through something, you never know when you're gonna need to talk. Sometimes it sneaks up on you.
LORELAI
Yeah, I suppose so.
CAROLYN
You okay?
LORELAI
Me? Yeah, yeah, I'm good. It was really nice meeting you. Sorry if I talked too much during dinner. Every now and then, I just feel the need to re-enact certain key scenes from "Purple Rain," you know, for a captive audience. The lake Minnetonka scene really bugs my mom, so...
CAROLYN
I could analyze that one for you if you want.
LORELAI
That one, I've got a handle on. Other things are more fuzzy, but that one, I got.
CAROLYN
Okay. [awkward pause] Lorelai?
LORELAI
Yeah?
CAROLYN
Do you... do you want to talk about something?
LORELAI
Me? No, no, I'm good. It was nice meeting you. Bye. I got to go.
[Cut to inside Carolyn’s car, Lorelai in sitting in the back, Carolyn in the drivers seat]
LORELAI
My parents have been married for 40 years, and that's, like, mind-blowing for me because there is no one worse at communication than my mother, except my father and most of my relatives. It is not a chatty group, basically. Everything in the Gilmore house was "don't talk about it. Shove it aside." Of course, I talked about it and shoved it right in your face, but still, I don't know. I never saw myself getting married.
CAROLYN
Never?
LORELAI
Not until max asked me... I think. I mean I guess I thought about marrying Christopher when everyone was freaking out because I was pregnant, but I never thought about it in a longingly, good way.
CAROLYN
That could be why.
LORELAI
Why?
CAROLYN
Well, marriage was just a solution to a problem, not anything romantic or because you were in love. Plus it came from your parents.
LORELAI
I love that I've got one more thing to blame my mother for.
CAROLYN
What about max? Did you love him?
LORELAI
No, I didn't. I wanted to, but... I didn't. I don't think I never really loved anyone, until Luke. Did I tell you I proposed?
CAROLYN
No. You didn't.
LORELAI
I did. I saw this guy in front of me who was a real... man. He was solid, and he was strong. He would protect me, but he, he got me. I knew all that when we started dating. But that moment, when I realized how much he cared for Rory, that was it. Suddenly I knew I was ready.
CAROLYN
Did he accept right away?
LORELAI
Pretty much... Hey, where's the weirdest place you ever had a session?
CAROLYN
Skull mountain at six flags.
LORELAI
So, not this.
CAROLYN
Nope, not this.
LORELAI
Well, not only have I screwed up your night, but it's not even a good story.
CAROLYN
It's still a pretty good story.
LORELAI
Yeah, that's good, 'cause I like to entertain. You know. I should have been a monkey in Washington square park with, like, a snappy hat. I feel so stupid. I really had myself believing it was gonna happen. I bought that stupid dress, and now it's just hanging there, mocking me. And the crazy thing is, I am ready to get married. I am ready to start the next phase of my life. I want another kid, and I, I don't want to wait anymore. I don't want to be patient. I've been patient long enough. I'm not happy, and I feel crappy all the time. And I just think I've had it.
CAROLYN
So... what are you gonna do? Only you can make you wait. Nobody else can. You need to decide what you want and what you're willing to give up to get it, and then you got to be okay with that, or you got to be okay with waiting.
LORELAI
I could lose him if I push too hard.
CAROLYN
You don't really seem to have him now, at least not the way you want to have him. You won't get anything unless you ask for it. And if you ask for it and you don't get it, maybe it wasn't worth having in the first place. Some things are just never meant to be, no matter how much we wish they were.
LORELAI
I can only imagine what you could do if you had a couch.
LOGAN’S APARTMENT
[Party is still going on]
RORY
Want to put money on who nails the queen?
LOGAN
I think her highness is pretty safe tonight.
RORY
Why? I thought Jenny and Paul broke up.
LOGAN
They got back together this morning.
RORY
Do the boys know?
LOGAN
No.
RORY
Are you gonna tell them?
LOGAN
No.
RORY
Well, watching your best friends waste precious scoring moments, you can get kicked out of the club for that.
LOGAN
Yeah, well... you know, I have given a lot of great parties in my lifetime.
RORY
Oh, I know.
LOGAN
But I do believe that this one has topped them all.
RORY
Hey, it's not over. We have hours to go. There's plenty of beer left, and no one's slugged Finn yet, so...
LOGAN
Thank you.
RORY
My pleasure... You want more beer?
LOGAN
No.
RORY
More Twiglets, Cadburys?
LOGAN
I'm good.
RORY
Do you want try the Frug again? ‘Cause I think my cramp has gone away.
LOGAN
Tell me not to go.
RORY
What?
LOGAN
Tell me not to get on that plane. Tell me to blow off my father, the paper, the whole Huntzberger destiny. Just tell me I can figure something else out. Just tell me not to go.
RORY
Well, I can't do that.
LOGAN
Hey, you afraid the teacher's gonna see or something?
[Music playing by Petula Clark]
PETULA CLARK
Don't stand in the pouring rain, don't sleep in the subway...
LUKE’S DINER
LUKE
No, I can't just charge you for half a cup of coffee.
TROUBADOUR
But I'm not gonna drink the whole cup. Seems like a gyp.
LUKE
Well.
[Lorelai enters]
LORELAI
Hey. I need to talk to you.
LUKE
Where have you been?
LORELAI
It doesn't matter.
LUKE
What are you talking about it doesn’t matter, I've been looking everywhere for you. I tried your cell. I went by the inn. Patty was at your house.
LORELAI
Let's elope.
LUKE
[Stunned] What?
LORELAI
Come on, Luke. Grab your keys. Let's go.
LUKE
Elope?
LORELAI
You said that would be fine at Martha's Vineyard. Didn't you say that would be fine at Martha's Vineyard?
LUKE
Yes, I did. I'm just...
LORELAI
Come on, then! Let's go! We can drive to Maryland. What the hell, right? I mean, you have to see Maryland eventually. We can drive there, get married, and then come back here. And you'll get your stuff, and you'll move in.
LUKE
Okay, hold on.
LORELAI
I mean we have the plan already, right? We just have to put the plan in motion.
LUKE
Let's calm down. We don't have to figure all this out now, do we?
LORELAI
Yes, we do, because we've been waiting and putting it off, and I don't want to put it off anymore.
LUKE
But right now?
LORELAI
Yes, now is the right time. It's the best time because it's now!
LUKE
Come on. [Opens the door]
LORELAI
Your car or mine?
LUKE
Lorelai, let's just talk this through.
LORELAI
No I don’t wanna talk, all we've done for months is talk. I want to do. I want to go.
LUKE
We can't just take off and get married.
LORELAI
Why not, Luke? Don't you love me?
LUKE
You know I do.
LORELAI
But I love you, Luke. I love you. But I have waited, and I have stayed away, and I have let you run this thing, and no more. I asked you to marry me, and you said yes.
LUKE
Yeah, I'm just trying to think here.
LORELAI
We fixed up the house, right? We have a bigger closet, and I didn't get the purple wallpaper because you didn't want the purple wallpaper. And if it's between you and the purple wallpaper, I pick you!
LUKE
I didn't tell you not to get the purple wallpaper.
LORELAI
Oh my God you didn't like it.
LUKE
I don't care about wallpaper!
LORELAI
Do you care about me?
LUKE
Yes!
LORELAI
Because I'm going crazy here. I made a commitment to you, and I need to make it happen.
LUKE
It will, it will happen, okay? I just have April to consider.
LORELAI
But once we're married, everything with April will be fine. Anna said so.
LUKE
Anna said so, what does that mean?
LORELAI
When I talked to Anna...
LUKE
When did you talk to Anna?
LORELAI
After the party...
LUKE
I didn’t know you talked to Anna, you weren't supposed to talk to Anna.
LORELAI
I know. I'm sor... God, no! I'm not gonna defend myself! For months now, I've been skulking around not saying anything, not having an opinion, like I'm Clarence Thomas or something, and I... I'm done with that. I-I've been waiting for a long time, and I don't want to wait anymore.
LUKE
I have to think this through.
LORELAI
No!
LUKE
I have April!
LORELAI
You're gonna have to figure out how April fits into our lives, not the other way around.
LUKE
I'm trying.
LORELAI
Well, try married!
LUKE
Just wait!
LORELAI
No! I'm not waiting! It's now or never!
LUKE
I don't like ultimatums!
LORELAI
I don't like Mondays, but unfortunately they come around eventually.
LUKE
I can't just jump like this.
LORELAI
Well, I'm sorry to hear that. [Sniffles] And I have to go.
[Luke looks stunned as Lorelai walks away]
[Sam Phillips playing "Taking Pictures"]
SAM PHILLIPS
[Singing] When I take a picture of the city it disappears it's only a photograph the city is gone places I go are never there the places I go are never the-e-e-e-re and nostalgia isn't what it used to be I can only picture the disappearing world when you touch me.
EXTERIOR CHRIS’S APARTMENT
[Lorelai knocks]
CHRISTOPHER
Hey.
LORELAI
[Almost crying] Hey.
CHRISTOPHER
You okay?
LORELAI
Uh, I'm having a really bad night, and, um... I just don't want to be alone. Okay?
CHRISTOPHER
Yeah. Uh, come on in.
LOGAN’S APARTMENT - MORNING
[Rory is asleep]
LOGAN
Rory.
RORY
Logan?
LOGAN
Don't get up.
RORY
You're dressed. Why are you dressed?
LOGAN
My bags are already in the car.
RORY
The car?
LOGAN
It's downstairs. I just wanted to tell you...
RORY
[Jumps up out of bed] I'll be five minutes. I just have to find the closet.
LOGAN
Relax.
RORY
I'll just grab shoes and a coat.
LOGAN
No.
RORY
No shoes. Just a coat.
LOGAN
You don't have to come.
RORY
Your leaving, I have to go with you to the airport.
LOGAN
No.
RORY
I have to go to say goodbye.
LOGAN
Rory, no.
RORY
Yes. I have to wave to you at the gate.
LOGAN
They won't let you. They'll stop you at security.
RORY
Okay, well, I'll wave to you at the metal detectors.
LOGAN
Rory...
RORY
I have to go with you.
LOGAN
No!
RORY
Yes. You are leaving for London. Who knows when we'll see each other again?
LOGAN
I thought that was all set.
RORY
What was all set?
LOGAN
Christmas, thanksgiving, Guy Fawkes day.
RORY
That's so far away. I...
LOGAN
Rory, if you come with me, I won't get on the plane... I've paid for the apartment for the next year, so you don't have to worry about that. There's still a few weeks left on the car service, so use it whenever you want. I know that you won't, but just in case you need to. I'll call you when I get in, okay?
RORY
[Sniffles]
[They kiss]
LOGAN
What?
RORY
[Sniffles] I keep trying to think of fabulous things to say, but all I can think is, "say hi to William and Harry for me." [Sniffles]
LOGAN
I love you, ace.
RORY
[Chuckles] That's so much better than "say hi to William and Harry for me."
[They kiss again]
LOGAN
I have to go.
[Rory is trying nor to cry as Logan gathers his stuff, Rory goes to the door to watch him get in the lift]
BEDROOM – CHRIS’S APARTMENT
[Lorelai is asleep and appears naked under the bed sheets, single camera shot all the following action happens be hide Lorelai.]
CHRISTOPHER
[OS] G.G., Come get your coat.
G.G.
[OS] Not that coat. The pink coat.
CHRISTOPHER
[OS] Miriam, where's the pink coat?
MIRIAM
[OS] She doesn't have a pink coat.
CHRISTOPHER
[OS] G.G.! Come back here!
[Lorelai opens her eyes, without moving she wonders where she is.]
G.G.
[enters the room] Who is that?
CHRISTOPHER
Shh! That's your aunt Lorelai.
G.G.
Is she sick?
CHRISTOPHER
No. [Picking up G.G. and handing her to the maid] Miriam...
MIRIAM
Sorry, Mr. Hayden.
G.G.
I don't like to wear my nightgown to bed when I'm sick, either.
CHRISTOPHER
I'll explain later. Have fun at school. Bye-bye hon.
[Chris closes the door, takes off his rode and gets back into bed, He has a very pleased look on his face. He puts his arm around Lorelai.]
[Lorelai has a stunned look on her face, "Sad Realization" of what had happened.]
THE END