T7E1: “The Long Morrow”
Título em Português: “O Longo Amanhã”
Roteiro: David S. Rosenthal
Direção: Lee Shallat-Chemel
Originalmente exibido em: 26 de setembro de 2006
LOGAN'S APARTMENT
[Rory wakes up, walks past some of the mess from the previous nights party and see a gift on the counter. She opens it and is surprised, she pulls or a 2 foot high rocket and stands it on the counter and wonders what it means]
CHRISTOPHER'S APARTMENT – BEDROOM
[Lorelai and Chris are in bed with Chris' arm resting over Lorelai]
CHRISTOPHER
[Grunts] Hey.
LORELAI
Hey.
CHRISTOPHER
What are you doing?
LORELAI
Um... go back to sleep. [Lorelai get up]
CHRISTOPHER
Come back to bed.
LORELAI
Oh, I can't I got to go.
CHRISTOPHER
Stay.
LORELAI
No um I can't -- Paul Anka.
CHRISTOPHER
No way he's performing this early. Check your tickets.
LORELAI
No, I got to go home and feed him.
CHRISTOPHER
Well, let me make you breakfast first.
LORELAI
No.
CHRISTOPHER
Come on you're no good if you collapse from hunger before you feed him. It's like how, when you're on an airplane, you put on your own oxygen mask before your kids. It seems selfish, but...
LORELAI
[snaps back] No... [Sighs] Chris.
CHRISTOPHER
Lore.
LORELAI
Really. You sleep. I got to get going.
CHRISTOPHER
You sure?
LORELAI
Yeah. Okay. Bye. [Lorelai leaves quickly and looks discussed with here self]
[opening credits]
LORELAI'S HOUSE
[Lorelai enters and walks into the living room]
BABETTE
[almost shouting] You're back!
LORELAI
Ohh! God, Babette, you scared me. [Paul Anka comes in] Hi
BABETTE
It's my voice. It frightens the hell out of people. I don't know what to do about it.
LORELAI
Oh well, you could start by not hiding out in people's houses and leaping at them when they come home.
BABETTE
It's the nodules.
LORELAI
Who?
BABETTE
It's the nodules on my vocal chords. The more I strain my voice, the more they grow. It's nature's way of trying to get me to talk softer.
LORELAI
Babette, one. Nature, nada.
BABETTE
I bet you're wondering why I'm here.
LORELAI
Yeah. Not that I'm not happy to see you. It's just that I have to get going...
BABETTE
I'm not a sleepwalker...
LORELAI
No.
BABETTE
...in case that's what you were thinking.
LORELAI
No no...
BABETTE
Cause a lot of people figure me for one. God knows why, I guess I got the look
LORELAI
Well, you didn't sleepwalk, though.
BABETTE
Hunh-unh. But this morning I came over here wide awake 'cause I heard Paul Anka doing that weird yodeling noise that you said he does when he's hungry, so I fed him.
LORELAI
Oh good thank you. I gave him a half a cup of that kibble that you said he likes, but then he looked at me like I stole something from him, so I gave him a whole cup.
LORELAI
I know that look. It can be intimidating.
BABETTE
And since our washing machine is broken -- Morey put his boots in it and broke it again -- I thought I'd do a load of my intimates.
LORELAI
Good for you.
BABETTE
You ain't got any messages.
LORELAI
What?
BABETTE
He didn't call.
LORELAI
Who?
BABETTE
I heard about the fight between you and Luke.
LORELAI
[Sighs] You did?
BABETTE
You know Adrian Bittenberg's daughter, Becky? She got a huge mouth.
LORELAI
Becky is not a gossip.
BABETTE
But she has a huge mouth. And she and Eileen Whitewin were behind Doose's market seeing how many devil dogs Becky could stuff in there, and when she got up to four, completely cut off her oxygen. So Eileen went running over to Luke's to see if she could get some help, and then she saw the two of you screaming at each other.
LORELAI
I'm glad she had the presence of mind to listen in on our argument while her friend was choking to death.
BABETTE
Well don't you worry about a thing. Everything will be fine. Every couple needs a good blowout once in awhile. It keeps you on your toes.
LORELAI
Oh, yeah, well...
BABETTE
Yeah. So, did you spend the night at Sookie's again?
LORELAI
Sookie's?
BABETTE
Yeah, I figured you were there, but Morey and I did a power walk this morning, and we went by her and Jackson's place, and I didn't see your jeep there.
LORELAI
Babette, I really got to get going.
BABETTE
Oh, I'm just waiting for my panties to dry. [a moments silence] I'll pick them up later. But could you do me a favor and put them in a delicate-spin situation, 30 minutes with a bounce dryer sheet? Oh, and don't worry, sweetheart. He'll call. They always do.
YALE DAILY NEWS ROOM - HALLWAY
[Rory at Yale comes to the news offices and see a number of people waiting outside, there is a sign “SAT Prep” and Paris is running it. Rory enters the news room]
YALE DAILY NEWS ROOM
PARIS
Do you want your kid to spend her life behind the counter at Dunkin' Donuts? Do you?
MARILYN
No.
PARIS
Because that's where she's headed, selling chocolate donuts and glazed fritters for the next 40 years to people in business suits who actually gave a crap about their academic future.
MARILYN
I just want her to get into a good school. She has such potential.
PARIS
Well so did Charles Manson.
MARILYN
What?
PARIS
Look at her. Frankly, it may already be too late. I don't like to take on such meek, diffident cases. Do you even know what "diffident" means? [the mother and daughter look confused] That's okay. That knowledge isn't really required in the retail doughnut-distribution industry.
MARILYN
Please, just give her a chance.
PARIS
Why should I?
MARILYN
Because she needs this.
CAITLYN
Mom.
MARILYN
Caitlyn. What do you think?
PARIS
She's got a "c" average, which means she's either lazy or stupid. I can work with either. Frankly, sometimes stupid is easier. I can scare the stupid out of you, but the lazy runs deep.
MARILYN
So you'll take her on?
PARIS
I will.
MARILYN
Wonderful.
CAITLYN
Mom!
MARILYN
Caitlyn.
MARILYN
Thank you, Paris. You won't be sorry.
PARIS
Okay. Now, if I can get you both to take these aptitude tests, then we can get to work.
MARILYN
Why do I need to take a test?
PARIS
I need to get a realistic sense of Caitlyn's true potential, and genetics is by far the most reliable indicator.
MARILYN
I'm sorry?
PARIS
Basically I need to know how much of this is her fault and how much is yours. [puts a clock on the table] Ticktock.
MARILYN
Oh!
RORY
What is this?
PARIS
Pretty great, huh?
RORY
Not for Caitlyn.
PARIS
I was gonna spend the summer tutoring for the Princeton review, but then I found they charge these little morons $60 an hour and only pay their tutors $20. So I figured, "who needs the Princeton review?" I can open up my own shop. I've already subcontracted out to three other student tutors, and I've got more prospects lined up. I'm gonna make a fortune. Hey, are you interested? The pay's $15 an hour.
RORY
No, thanks.
PARIS
Wait. Are you looking to use the offices over the summer? Just because you're the editor, that doesn't entitle you to use the offices during the summer. There's not paper to put out. [raises her voice] These were up for grabs, and I grabbed them.
RORY
Paris, I don't want the offices.
PARIS
Oh. Then, what are you doing here?
RORY
I just came in to back up my files.
PARIS
You already backed up your files. I saw you do it. Oh. I get it. Logan's gone, huh?
RORY
He left this morning, early.
PARIS
Breakups are tough.
RORY
What?
PARIS
Eyes on your own paper! Marilyn
RORY
We didn't break up.
PARIS
You didn't?
RORY
No. Why would you say that?
PARIS
I don't know, wealthy, good-looking, hedonistic heir to billion-dollar, multinational media conglomerate moves to London and spends nights pining away for his college girlfriend? Who's watching that movie?
RORY
Paris, it's not like that. We're together.
PARIS
So you guys talked about it?
RORY
Yes. Well, no... I mean, I'm gonna go visit him, though. We talked about that.
PARIS
When?
RORY
I don't know exactly.
PARIS
So what, specifically, did you agree to?
RORY
Well, nothing, really, but it was kind of understood.
PARIS
Yeah. Because that worked out so well the last time.
RORY
Paris.
PARIS
Has history taught you nothing? You're in limbo, sister, no man's land, quite literally. Logan is not that bright. You need to spell it out. He's got to know where the red lines are, or he's gonna leap right over them and into bed with multiple British floozies.
RORY
Paris, it's okay. Logan and I are fine.
PARIS
He moved to London, Rory... the most romantic city in the world.
RORY
Paris is the most romantic city in the world.
PARIS
Oh, right. London is just the most sex-obsessed.
[Alarm rings]
PARIS
Pencil's down!
LORELAI'S HOUSE - OUTSIDE
[Lorelai comes out and sees Luke]
LUKE
Hey.
LORELAI
I can't. I'm late for work.
LUKE
Can we talk first?
LORELAI
Please I really don't want to.
LUKE
Lorelai, come on.
LORELAI
No, Luke, we did talk. We talked last night. There's nothing left to say.
LUKE
Look I'm sorry about yesterday, but you kinda ambushed me out of no where, and then you didn't give me a chance.
LORELAI
I gave you every chance.
LUKE
You were going so fast.
LORELAI
Yeah, that's me. I'm fast. I'm the perfect storm of caffeine and genetics. Ha-ha.
LUKE
Now I've had a chance to catch up, and I want to discuss it.
LORELAI
Discuss what? There's nothing left to discuss.
LOGAN
Us, you and me.
LORELAI
There is no us. There's you, and there's me. It's over. It was over last night, and it's over now. It's over.
LUKE
Lorelai...
LORELAI
No, I'm sorry. I have to go. [she gets in to the Jeep and leaves]
DRAGONFLY INN – KITCHEN
[Sookie and Michel are arm-wrestling]
MICHEL
[grunting] You're going down.
SOOKIE
No.
MICHEL
You think you're so great. You think you're miss la-di-da.
SOOKIE
Ow.
MICHEL
But look at you now, all weak and pitiful.
SOOKIE
Ugh!
MICHEL
That's it. Give in to the pain.
SOOKIE
So, how's my acting?
MICHEL
What do you mean?
SOOKIE
Well, is it believable, or do you find it a little over-the-top?! [Sookie slams her hand down to win]
MICHEL
Aah! My fingers! My fingers are smashed!
SOOKIE
Ha! How do you like them apples, Michel?
MICHEL
I do not like these apples. You cheated. You hustled me. You played possum.
SOOKIE
Oh, no, I played arm-wrestling. Or did you think we were playing some other game? Is that why you lost so bad?
MICHEL
Your gloating is very distasteful. Ouch! [Lorelai enters] Lorelai, I may need to take some time off to have my wrist x-rayed. Excuse me.
SOOKIE
[singing] I am the champion, my friend and I'll keep on fighting till the end no time for losers. Oh! I am a fantastic arm-wrestler. You know what I think did it? The whisking, all those years of whiskin has given me incredible forearm strength. People are always like, "why take the time to hand-whip fresh cream? Why not use a machine?" And I've always been like, "I don't know why I do it. It's just something that I do." But now I know -- because I've been training for this very day. I mean, wow! I am strong. And the omelet flipping definitely is part of it. You know when you use one of those really heavy cast-iron skillets, and you flip, flip? That's all in the wrist, you know? And that's what they say. That's what people say about arm-wrestling, too - that it's all in the wrist, and, man, I have super-bionic, superpowered, super wrists. I mean, who knew I possessed such, honey? Something's wrong, huh?
LORELAI
Yeah.
SOOKIE
It's not spiders on the ceiling. You know I hate spiders. I was kind of hoping it was spiders.
LORELAI
It's not spiders.
SOOKIE
No?
LORELAI
No.
SOOKIE
Okay.
LORELAI
Luke and I are over.
SOOKIE
Over?
LORELAI
Yeah.
SOOKIE
No.
LORELAI
Yeah.
SOOKIE
Have you guys had a fight?
LORELAI
We had the fight.
SOOKIE
People have fights. It's okay. It's good, actually. You know, it's healthy. If you don't have fights, all these bad chemicals build up, and you get ulcers and bad skin. You got such pretty skin, so you have to have some fights for the sake of your skin.
LORELAI
This was different. This was bad.
SOOKIE
People have bad fights. Every bad fight can seem like "the fight."
LORELAI
It wasn't just a fight, Sookie. It was him not fighting for me. I gave him an ultimatum,
SOOKIE
And?
LORELAI
And he let me walk away.
SOOKIE
No. He'll come back. He'll be back. He'll come back. Luke wants to marry you. I know he does. I mean, he'll come around. He'll get it together.
LORELAI
I'm done. I don't want to see him anymore. It's over.
SOOKIE
I get that you're mad. You deserve to be mad. Luke's been a real jerk. Frankly, being mad at him makes all the sense in the world. And if you're so mad that you need to believe you guys are over, I get that.
LORELAI
Sookie, I spent the night with Christopher last night.
SOOKIE
You spent the night with Christopher?
LORELAI
Spent the night.
SOOKIE
With Christopher?
LORELAI
Yeah.
SOOKIE
Okay so, does Luke know?
LORELAI
No. I don't want him to ever know.
SOOKIE
That's good. That's good. Uh, okay. Uh, look - things happen. People... people do things. It's not pretty. It's not Disney, but it's the real world. And you don't have to tell him. Luke doesn't have to know, and things don't have to be over.
LORELAI
No, you don't get it. I need it to be over. I need it to be over because I can't take this anymore. Yes, I love Luke, and, yes, I wanted to marry Luke. But I didn't want a life separate from Luke, and that's all he could give me. I don't want that. If I'm gonna be with Luke, I want to be with Luke, and he didn't get it, and I waited. I mean, god, I waited. It's like Luke is driving a car, okay, and I just want to be in the passenger's seat. But he's locked the door, and and so I have to hold onto the bumper, you know? I'm not even asking him to open the door for me. Just leave it unlocked and say, "come in." But no, he didn't do that, so I'm hanging onto the bumper, and life goes on, and the car goes on, and I get really badly bruised and hitting potholes. And it hurts. I mean, it hurts. So yesterday I had to let go of the bumper because it hurts too much. It hurts too much.
SOOKIE
Okay.
LUKE'S DINNER
LUKE
Caesar where the hell is lane?
CAESAR
She's on her honeymoon.
LUKE
Jeez how long is that gonna last?
CAESAR
It's only been a week.
LUKE
Only? Seven days seems like plenty of time to sit in some mountain cabin together and realize you've just chained yourself to another human being for all eternity.
CAESAR
They went to Mexico, so they're probably doing that on a beach. Maybe it takes a little longer to realize with the hot sun and all.
LUKE
Caesar are you being funny?
CAESAR
You tell me.
LUKE
No, you tell me.
CAESAR
It would appear not.
LUKE
Bus those tables.
CUSTOMER
Luke, I asked for these eggs scrambled, and they're sunny-side up.
LUKE
[Luke takes a fork and starts scrambling the eggs] There you go. [Luke hears a truck beep and looks out side] Oh, now what? Caesar, I'll be right back.
CAESAR
Don't hurry.
OUTSIDE THE DINER
TAYLOR
Now, carefully. That's rental equipment. I'm responsible for that.
LUKE
Taylor, what the hell are you doing?
TAYLOR
Good morning, Lucas. You look in fine fettle today.
LUKE
Okay whatever you're doing, stop it.
TAYLOR
That's rather cynical. Now, who's to say I'm not doing something that will surprise and delight you?
LUKE
Are you?
TAYLOR
I highly doubt it.
LUKE
Then stop it.
TAYLOR
Can't do it, Luke. The safety of the citizens of stars hollow is at stake, and that has to be my top priority, regardless of how you feel about a red-light camera.
LUKE
A what?
TAYLOR
To catch scofflaws. Apparently, people are viewing our traffic light here as more a series of colorful driving suggestions rather than the rules of the road. Therefore, I decided to install a red-light camera to discourage drivers who would test our laws and photograph and punish those who do.
LUKE
A camera?
TAYLOR
You run a red light, it's time for your close-up, Mr. Demille. These little wonders are taking over the globe -- New York, Los Angeles, Paris, Singapore.
LUKE
That's ridiculous.
KIRK
They're in position and ready for the installation. At you say so.
LUKE
No you can't do this. It's an invasion of privacy.
KIRK
Something to fear, Luke?
LUKE
You can't take pictures of people for driving by the diner. It's probably not even legal.
KIRK
Spoken like a man with something to hide.
TAYLOR
Luke I can assure you that I am well within my rights as town selectman to install that camera, and you, of all people, should be grateful. After all, it'll make the street in front of your diner that much safer.
KIRK
Or unsafer is you know what I mean...
LUKE
There hasn't been an accident on that corner in 15 years.
TAYLOR
And now we've made it safe for the next 15. Hooray!
LUKE
I'm gonna fight you on this.
TAYLOR
We will be having the official unveiling ceremony later this afternoon. You're welcome to attend.
LUKE
Well I don't see how I can avoid it. Considering it's right in front of my damn diner!
KIRK
I'll put you down for plus one.
TAYLOR
Oh and we're going to have to cross up some electrical lines during the installation process, so you might lose power for a few hours.
[Luke looks mad, turns and walks away]
DRAGONFLY INN
RORY
Hi.
LORELAI
[Gasps] What?! The prodigal daughter returns. What are you doing here?
RORY
I couldn't stay away. I just missed you too much.
LORELAI
Aren't you the sweetest? Isn't she the sweetest, Michel?
MICHEL
Beyond all human understanding.
RORY
Hi, Michel.
MICHEL
Yes, it hurts very much.
LORELAI
Yay! So you're back.
RORY
Yeah. I just had to get out of there.
LORELAI
Aw. How was the goodbye?
RORY
Awful. There's nothing good about a goodbye. It's a very poorly named ritual. It was a bad bye, a very bad bye. Then I went to the newsroom to talk to Paris about it...
LORELAI
You what?
RORY
Well I didn't mean to. She was just there, and she spent like 10 minutes kicking me while I was down.
LORELAI
Paris is always there for you in the most unfortunate ways.
RORY
I just miss him so much.
LORELAI
I know you do.
RORY
And it's only been seven hours. Can you imagine when it's been - you know what? I don't want to talk about it. I need coffee.
LORELAI
Okay.
RORY
You sure, though, you don't want to talk? You can always vent to me. I'm the perfect vent-erizer - vent-erator.
RORY
Mom, I don't need a vent-erator. I just don't want to talk about it. What's going on with you?
LORELAI
Oh. With me? Oh, well, things with me - things with me are good.
RORY
Convincing.
LORELAI
Things with me friends are good. Things with me inn are good. Things with me, not so good.
RORY
What's up?
LORELAI
Look I don't want to talk about this, but I want to tell you. I have to tell, but I'm barely holding it together as it is. So if I tell, will you promise not to make me discuss it?
RORY
What?
LORELAI
[Sighs] Luke and I split up.
RORY
What do you mean, like you got into a fight?
LORELAI
No, we had a breakup, a real-life parting of the hearts.
RORY
Why? What happened?
LORELAI
Rory, you promised.
RORY
No, I didn't.
LORELAI
Well, it was implied. Please.
RORY
Mom.
LORELAI
I don't want to talk about it.
RORY
But you have to explain.
LORELAI
No, not right now, okay? Look - you got to not talk about your thing. So I didn't vent-erator you. You don't vent-erator me.
RORY
But...
LORELAI
Rory, please.
RORY
Well, you know, I guess we don't have to talk about stuff.
LORELAI
Yeah. Who says we always have to be talking? We can not talk.
RORY
Of course we can.
LORELAI
Okay... We should probably talk about how we're not gonna talk, 'cause I don't think we should just go right into it.
RORY
Let's do something that doesn't require talking. Like we could go to the movies.
LORELAI
You want to try not talking at a movie?
RORY
Okay, shopping.
LORELAI
Are you mad?
RORY
We could drink. We could go to a bar and just throw back a few.
LORELAI
Yeah, drunk people never feel like talking. Oh! We could go to a club.
RORY
Yeah, 'cause all the hot spots get rolling about lunchtime.
LORELAI
See? This is why men play sports.
RORY
Sports we can play sports.
LORELAI
We hate sports.
RORY
We haven't tried every sport.
LORELAI
How about running?
RORY
We could easily talk while we're running. Not if we were hurdling. Hurdles require more focus and, thus, less talking. Or we could do that running that's like you leap around a tree and up a hill...
RORY
You want to run cross-country.
LORELAI
Not across the whole country, maybe just Michigan.
RORY
Michel, what sports do you play?
MICHEL
Well, since I'm maimed potentially for life, I may never play sports again.
LORELAI
But think back to before this tragic, life-altering injury, when life was still worth living What sports did you play then?
MICHEL
Well, Pilates, of course.
LORELAI
What?
RORY
It's like yoga with cables and wires.
LORELAI
Sounds very dangerous.
MICHEL
Oh, racquetball is also a fantastic workout.
LORELAI
Racquetball?
RORY
Intriguing.
LORELAI
I always liked the sound of racquetball.
RORY
Tell us more about this racquetball.
MICHEL
Well, it's very simple - a 4-walled room, a racquet, and a rubber ball.
LORELAI
Get to the good part, what are the clothes like?
RORY
Can we wear cute outfits?
MICHEL
I do.
LORELAI
I think racquetball sounds great.
RORY
Mmm, I'm in.
LORELAI
Okay, good. Well go home. And I need to finish up a few things around here. I'll see you there in about an hour.
RORY
Deal. Yeah, fun.
LORELAI
Okay. And no talking.
RORY
Except for smack talking because I am so gonna kick your butt in racquetball. NO no I mean, my balls - they're gonna bounce way further than your balls.
LORELAI
Okay, well, you haven't seen my great top... flick wrist...
RORY
We'll learn the terms.
LORELAI
Go home and study.
LORELAI'S HOUSE – RORY'S ROOM
[Rory is unpacking finds the rocket and stands it on the desk, Cell phone ringing]
RORY
Hello?
LOGAN
Miss me?
RORY
Logan, where are you?
LORELAI
Heathrow. I just landed.
RORY
I miss you so much.
LOGAN
I miss you, too. I've been here 2 1/2 minutes, and I can already tell it sucks.
RORY
It does suck. I've heard that about London. You should just get on a plane and come home. You gave it a chance.
LOGAN
Are you on campus, I tried you at the apartment, but I didn't get an answer.
RORY
No, I'm back at stars hollow. That apartment suddenly felt very big and empty.
LOGAN
So, what are you gonna do?
RORY
Oh, going to play racquetball with my mom.
LOGAN
This is a bad connection. It sounded like you were gonna play racquetball with your mom.
RORY
Hey, I could have a hidden talent for it, you never know.
LOGAN
Did you open my gift?
RORY
Of course.
LOGAN
What did you think?
RORY
I thought... wow.
LOGAN
Yeah, pretty cool, right?
RORY
So cool.
LOGAN
Oh, I'm glad you like it.
RORY
Like it? [Chuckles] I love it.
LOGAN
I'm so glad you got it.
RORY
Oh, yeah, totally.
LOGAN
When I left, I suddenly got worried you wouldn't get it.
RORY
Yeah of course. Of course, I got it. I loved it.
LOGAN
I knew you would. Alright Ace, I got to go. I just wanted to tell you I touched down. I'll call later.
RORY
Okay, bye. And thank you.
LOGAN
Of course.
[Rory looks at the rocket]
RACQUETBALL COURT
[Rory and Lorelai are sitting on the floor talking]
LORELAI
Like a remote-control rocket?
RORY
No, like a model rocket.
LORELAI
How big? [Rory raises here hand about 2 foot off the floor] Is it filled with anything? Gum or candy or anything?
RORY
Gum.
LORELAI
What? Rocket gum. It could be a thing.
RORY
There was no gum in it.
LORELAI
It doesn't have a button you can push?
RORY
No, nothing like that. It's just a model rocket. I mean, what could that mean? Who gives someone a rocket?
LORELAI
I don't know. I don't know. We'll figure it out, though. Rocket, rocket, rocket. Rocket man -- "rocket man." Hee "Crocodile rock" was good. "Bennie and the jets," "candle in the wind."
RORY
Are you just naming Elton John songs?
LORELAI
He is just so talented.
RORY
Ugh. What about space?
LORELAI
It's the final frontier?
RORY
Oh, no.
LORELAI
What?
RORY
What if he was trying to say that he wanted space away from me?
LORELAI
No. [Two guys come into the court] Oh, hi, we're not done racquetballing. We've got it for like an hour. Thanks, though.
RORY
Hey, maybe it's code. Like I'm his rocket, right? Like I'm his rock, E.T. I'm his rock in the eastern time zone.
LORELAI
That's dumb.
RORY
Yeah, like rocket gum is sweeping the nation.
LORELAI
When I have made $1 zillion from my rocket-gum invention, you will eat those words. Or more likely, chew those words and blow a bubble with them, 'cause did I mention that rocket gum is bubble gum? But instead of blowing bubbles, it releases helium that shoots the chewer up into space.
RORY
I don't think this is helping me understand the state of my relationship with Logan. And we're not even supposed to be talking.
LORELAI
You started it.
RORY
I did start it. So maybe now you would like to talk about Luke?
LORELAI
You know what, I'd rather racquetball.
RORY
Seriously?
LORELAI
Come on. [She puts on a head band and they get up] What do you think? Against the wall?
RORY
Yeah, why not.
LORELAI
Okay. Ready?
RORY
Ready.
LORELAI
[hits the ball which bounces back and hits her in the eye] Ow!
RORY
You okay?
LORELAI
Okay.
RORY
We're done.
LORELAI'S HOUSE - BATHROOM
RORY
See, it's starting to swell.
LORELAI
It is starting to swell. Either that or the rest of my face is shrinking.
RORY
I think we should put something on it.
LORELAI
Uh, concealer and loose powder?
RORY
Ice mum, I think we should put ice on it.
LORELAI
So boring. Neosporin and an eye patch? Bactine, bacitracin, hydrogen peroxide. Winnie the pooh band-aids?
RORY
I'm getting you some ice.
LORELAI
Good lord. Where'd I get all this stuff?
LORELAI'S HOUSE - KITCHEN
RORY
How can you not have ice?
LORELAI
You know I don't cook.
RORY
That is not cooking. That is the opposite of cooking. That's freezing. All you have in here are like batteries and film and something I think used to be an ice cream sandwich.
RORY
How old is that film?
LORELAI
Ugh, 1999. Bad hair year for me, skirts were the wrong length, cut me right at the calf. I can't bring myself to develop it.
RORY
You're not putting shaving cream on your eye.
LORELAI
No, just getting rid of some of Luke's things... Steak.
RORY
Huh?
LORELAI
Steak is supposed to be good for a black eye.
RORY
Frozen peas.
LORELAI
Why would I put peas in my eye?
RORY
No, like a bag of frozen peas. It molds to the contour of your face.
LORELAI
But steak has actual healing properties. Something about the juices or the fats is good for the skin.
RORY
I'm going to Doose's to get you some ice.
LORELAI
And steak. And peas. And ice cream! That would feel good on my eye. And then when I'm done using it, we can eat it. It's black-eye dinner.
RORY
Says the woman who can't cook ice.
LORELAI
Please. I'm not gonna cook. I'm too injured. You cook. And get some Bacitracin. Whatever we use it for, we're almost out.
RORY
Be right back.
[Rory hands Lorelai a bettery.]
LORELAI
Thanks... See if he has eye patches.
RED LIGHT CAMERA – OUTSIDE THE DINER
TAYLOR
Okay, everyone, gather 'round. Witness the miracle of modern...
LUKE'S DINER
LUKE
Hey. Whoa, whoa, whoa.
CUSTOMER
What.
LUKE
Does this look like a soup kitchen?
CUSTOMER
It's a little depressing, but no...
LUKE
Pay your bill.
CUSTOMER
Oh, oh, right, sorry. I wasn't trying to skip out or anything. [hands Luke the money.
LUKE
Get lost. [Sighs, Caesar comes in to stand by Luke, they look at each other few seconds of silence] Well there's nobody left to serve, and I certainly don't want your company.
CAESAR
Thanks, Luke.
OUTSIDE AGAIN
RORY
Hi, Miss Patty. Hey, Gypsy. Hi, Lulu.
MISS PATTY
Rory!
LULU
Hi, Rory.
GYPSY
Look at the college girl. You home for the summer?
RORY
I am
MISS PATTY
You look wonderful. If I had known that college was so good for the complexion, I might have cracked a book open when I was younger.
RORY
Oh, thanks.
LULU
Your mom said you might be traveling in Asia.
GYPSY
She's not in Asia.
MISS PATTY
I didn't know you were going to Asia.
RORY
Well I was talking about it, but that's not gonna happen.
GYPSY
Well your mom must be happy to have you home.
RORY
Yeah, she is. What's going on here?
LULU
Taylor's putting a camera on the traffic light.
GYPSY
Big brother is watching.
TAYLOR
Okay, everyone. Thanks for coming. Now, as you know, small-town law enforcement presents many challenges. Chief among them, how to police our streets without an actual police force. Fortunately for the citizens of stars hollow, the fine people [Rory looks over to Luke's and Luke looks back, they wave to each other.] at Ingram traffic systems have provided an answer. I would now like to present the latest and greatest weapon in unmanned high-tech law enforcement. Ladies and gentlemen, the Auto Patrol P.R. 100. [Applause] How it works is very simple. When someone drives through the red light, the camera will take three successive pictures of the offending party at closer and closer range.
GYPSY
Seems kind of intrusive to me.
TAYLOR
Law-abiding citizens have nothing to worry about. Now, we are going to have our ceremonial first lawbreaker played by Kirk. [Car horn honks] Kirk will drive my classic 1964 Ford Thunderbird down the street, through the red light, and the Auto Patrol P.R. 100 will capture him in all his law-breaking glory. Miss patty?
MISS PATTY
I'm on it.
[Miss Patty gets up and signals Kirk to drive by dropping a hanky, He's off the camera starts flashing, Kirk can't see, the crowd panics as he goes out of control and into the diner, Luke watches in disbelief as he crashes through the wall and ducks behind the counter. Rory and the crowd looks on in shock. Luke gets up from behind the counter. Kirk gets out of the car.]
KIRK
I'm okay! I'm okay!
[the crowd rushes over to take a closer look.
LORELAI'S HOUSE - LIVING ROOM
RORY
Okay, do you remember when you begged me to go see "the fast and the furious" with you, and I said no? And then you begged me to go see "the fast and the furious 2" with you, and I said no? Then "the fast and the furious 3: Tokyo drift" came out...
LORELAI
Cars, they drift.
RORY
And I was like, "I said no to 1 and I said no to 2 - "what do you think happened here, I got a brain transplant or something?"
LORELAI
I remember. You were very rude.
RORY
Well, I was wrong, because I have finally understood the awesomeness of cars crashing into things, which is a long-winded way of saying that Taylor installed this red-light camera in front of Luke's, and Kirk was supposed to demonstrate how it worked, but he got totally blinded by the camera, and he ended up crashing Taylor's fancy blue t-bird -- which, by the way, who knew? -- Into the side of Luke's. And nobody was hurt. Everything was fine. But the smash-up was unbelievable. And it went right into Luke's and then Kirk gets up, he gets out of the car, and he's all like, Evel Knievel style, like, "I'm okay, I'm okay." And... um... why is everything you own in piles all over the floor?
LORELAI
No no wait. Into the diner and nobody was hurt?
RORY
Yeah, everything's fine. But what is this?
LORELAI
There must've been a lot of damage. Are you sure everybody's okay?
RORY
It was a mess, but everything's fine, I swear. What is this?
LORELAI
Umm I'm just getting some of Luke's stuff together.
RORY
This is Luke's?
LORELAI
No, this is mine. But I wore it with Luke when we went to see "jarhead." I was trying to look kind of army, and something about the combination of the movie and the hot dogs at the Waterbury Cineplex made me sick in the parking lot, and Luke held my hair, and it was nice, and now I got to get rid of it.
RORY
Oh.
LORELAI
[Sighs] Yeah, this pile is Luke's stuff. This pile is stuff that reminds me of Luke.
RORY
What's that pile?
LORELAI
Those are Babette's intimates.
RORY
Of course. So, all these books remind you of Luke?
LORELAI
Yeah, those are books I gave him to read, but he never did.
RORY
Cormac McCarthy - good call. "In cold blood" - he would have loved that. Well, he'll never know now. You wanted him to read "hammerhead sharks - demons of the deep"? He recommended that one for me. Pom-pom socks. Al's pancake world takeout menus. Hey, you're getting rid of bop it? And a spatula? Why? Oh, oh. 'Cause Luke used to make you breakfast.
LUKE
Well he did, but that's not why I'm getting rid of it. Although now that you mention it, the waffle iron has got to be dumped.
RORY
We have a waffle iron?
LORELAI
Don't get attached. It's got to go.
RORY
Spatula?
LORELAI
We were having an argument in the kitchen. And he said it was a fight, and I said it wasn't really a fight, it was a spat. He said there was no difference between a fight and a spat, and I said there was a huge difference because a fight cannot be diffused in the moment, but a spat can easily be diffused with the use of a spatula. And I took the spatula out of the drawer, and I whacked him with it a little bit, and he started laughing, and I started laughing, and now I got to get rid of it.
RORY
Sad.
LORELAI
I know.
RORY
Okay, what happened between you two? You have got to give me something here, because you cannot just say that you don't want to talk about it, because I saw Luke today, and I waved at him, and I did not know how to act. Was it an "I hate you" wave, or an "I'm sorry" wave, or "I can't believe you wanted my mother to shave her head and become a Moonie" wave.
LORELAI
He doesn't want me to shave my head. You shouldn't hate him. There's nothing to be angry about. You knew we were having problems, right? The whole April thing and postponing the wedding. Finally, I got tired of waiting for him, so I gave him an ultimatum. And he said no. So, that's it. It's over. Here I am, making piles. The third stage of grief is making piles.
RORY
Steak or peas?
LUKE'S DINER - EXTERIOR
[Luke and Taylor are looking over the crash]
TAYLOR
No, no, no - this is not my fault!
LUKE
This is all your fault, all of it!
TAYLOR
Lucas I understand why you're perturbed.
LUKE
Perturbed? Do I seem perturbed? I am so far past perturbed that I couldn't look behind me and see perturbed with a telescope. You never listen to anybody, Taylor. You just barrel along and decide what's best for everybody, consequences be damned.
TAYLOR
Now, I grant you the ceremony today did not go according to plan.
LUKE
According to plan? There's a car in my diner - a freaking car, Taylor. A two-door 1965 Ford Thunderbird in my diner.
TAYLOR
Actually, it's a '64.
TOW TRUCK DRIVE
So, you want me to move it out or not?
TAYLOR
I would advise waiting until our insurance agents arrived.
TOW TRUCK DRIVE
It's up to you, pal. It's on your property.
LUKE
I don't know yet!
TAYLOR
You could have some sympathy. After all it's my car that crashed, my most prized possession. I mean, the paint job alone is gonna cost me a fortune, and who knows what other damage has been done or what my insurance will or won't cover?
LUKE
Well maybe I'll come back with a sledgehammer, and you can tell them you totaled the thing.
TAYLOR
Now Luke I would strongly advise against any rash action that could lead to undue and costly litigation.
THEY MOVE INSIDE
LULU
How about now?
KIRK
Giant red spots. Nothing but giant red spots.
TAYLOR
How's it look under there, Gypsy?
GYPSY
Well, the car is fine. It definitely wasn't faulty brakes that caused the accident. Kirk is just an idiot.
KIRK
Hey, I resent that. Who was that? Damn giant red spots.
TOW TRUCK DRIVE
What do you want to do here, buddy? You want to pull the car out or wait for the insurance guy?
LUKE
I don't know I'm not sure what I want to do yet.
TOW TRUCK DRIVE
Well I need to know now. I can't spend all day here. Either we move the car right now, or I take off, you leave it in here, and wait for the insurance guys. You got to decide.
LUKE
Look, do not pressure me, okay? I do not like being pressured. It's not one or the other. I need to think. Will you people just give me some time to think?
LORELAI'S HOUSE – LIVING ROOM
[The room is almost empty, Crickets chirping, they are sitting on the couch.]
LORELAI
Soothing.
RORY
Very.
LORELAI
Zen.
RORY
Thoreau, Walden pond... Oh, I have an idea. [Rory gets up]
LORELAI
Huh? Maybe I should just go to Ikea. [Rory comes back with the rocket, Lorelai gasps] I like it.
RORY
Yeah. Maybe you can use it as the basis for your redecorating. Use it as a jumping-off point. Make everything kind of gray and shiny.
LORELAI
Well, it doesn't remind me of Luke at all.
RORY
That's my problem. It doesn't remind me of Logan either. It's so frustrating.
LORELAI
Why don't you call him?
RORY
Well I can't do that until I know what this is, what it means. See, this long-distance thing isn't working already.
LORELAI
Rory, he just left.
RORY
Exactly, and I'm already completely confused. I mean, I think we're still together, but that's what I thought last time we spent time apart. I was 100% sure that we were still together, and he was 100% sure that we had broken up, and then he ended up sleeping with those bridesmaids.
LORELAI
What is it you guys agreed to?
RORY
Well that's just it. Nothing, really. I mean, it was early in the morning, and we hadn't had a chance to decide on anything, and we hadn't had the talk. Now it's too late. He's thousands of miles away, and we talk on the phone, but we don't really say anything. And he's leaving me rockets.
LORELAI
Well It's not too late. He's been gone a day - less than a day. You guys will figure it out.
RORY
But it's hard on the phone, you know. I can't see him. I can't read his expression. How am I ever supposed to know what he's thinking or feeling? I mean his eyes always give him away. Logan has very expressive eyes.
LORELAI
I've noticed. It's one of the things he and Bette Davis have in common.
RORY
And sometimes he'll smile at me, and I can tell exactly how he's feeling, and now I can't.
LORELAI
So go to London.
RORY
What?
LORELAI
Go to London. Go be with him this summer. The two of you were supposed to go traveling in Asia together anyway. You don't have any plans for the summer, so go.
RORY
I can't just go to London... Can I?
LORELAI
Why not? You two could have an amazing summer together in London. Pick up the phone. Call him.
RORY
I need to do some more Googling.
LORELAI
I'm going to bed. [gets up] So, Taylor's car is...
RORY
in Luke's diner.
LUKE‘S DINER
[Luke is sitting alone in the wrecked diner]
LORELAI'S HOUSE - BEDROOM
[Lorelai is on the bed read when she gets up and strips the bed the phone rings]
LORELAI
[Sighs] Hello.
CHRISTOPHER
Hey, how you doing?
LORELAI
Fine.
CHRISTOPHER
I'm just checking in. Had a really great time last night. Don't worry. This is not a booty call.
LORELAI
It can't be, 'cause you're not 18, and it's not 1997.
CHRISTOPHER
Are you doing anything tomorrow night? 'Cause I was thinking maybe you could come over, and I could cook us some dinner.
LORELAI
Christopher.
CHRISTOPHER
Lorelai.
LORELAI
Let's not make more out of it than it was.
CHRISTOPHER
So, you're saying last night was a booty call.
LORELAI
I'm just saying, I don't think it should happen again.
CHRISTOPHER
Oh. Okay. Well, I'm here for you if you need anything. You know that, right?
LORELAI
I - yeah, no - I appreciate... that.
CHRISTOPHER
Okay. I guess I'll say good night.
LORELAI
Yeah - night.
LORELAI'S HOUSE - BEDROOM
[Late night, the room is dark.]
RORY
I got it, I got it he loved her so much he was willing to wait 40 years alone in space for her. [turns on a light]
LORELAI
Hmm?
RORY
I got it. The rocket, I get it.
LORELAI
You do?
RORY
Yes. I have been Googling rockets, you know. Rocket ships, rocket love, rocket London, Logan rocket, and let me tell you, it has not always been a pleasant journey. People are freaks. But then I found this blog, rocket boy.
LORELAI
Rocket boy.
RORY
Rocket boy. Knows a ton about rockets. And as it turns out, he's got over 200 classic L.E.V.S.
LORELAI
L.E.V.S?
RORY
Lunar excursion vehicles. So then he tells me that he hosts this chat room, and this is where I get really lucky, because rocketchamp465 was just logging off, and I caught him, and I described the rocket to him, and he recognized it from one of these episodes of "the twilight zone."
LORELAI
[Whispering] "The twilight zone."
RORY
So I clicked on "the twilight zone" website, and I found the episode, and I got it!
LORELAI
I still have no idea what you're talking about.
RORY
Uh, when Logan and I were first going out, we were in the pool house one night really late, and we were falling asleep on the couch.
LORELAI
Wa wa wa.
RORY
Mom.
LORELAI
Sorry.
RORY
Chachi, right?
LORELAI
Proud.
RORY
So, we were on the couch.
LORELAI
Wa wa wa.
RORY
And this episode of "the twilight zone" came on -- "the long morrow."
LORELAI
That's a bad title.
RORY
That's not the point.
LORELAI
I'm just saying.
RORY
So, there's this astronaut who was supposed to go into space for 40 years, but right before he left, he met this beautiful woman. But for those 40 years that he was going to be in space, he was going to be in suspended animation. So when he came back to earth, he was going to be really young, but she would be really old. So he goes into space, and when he does come back, the woman is still young and beautiful because she put herself in suspended animation to wait for him, but he's really, really old because he took himself out of suspended animation so he could be old with her.
LORELAI
How depressing.
RORY
He spent 40 years alone in space just waiting to see her, and he was willing to come back as an 80-year-old man, giving up almost his entire life just to spend those last few years with her.
LORELAI
Now, are you aware when you're in suspended animation, or is it just like a really long nap?
RORY
The point is, that this is Logan's favorite episode of "the twilight zone." And when we watched it together, he said, "that's true love." That's true love! This is the most romantic gift I've ever been given. I mean, I have to call him. I'm going to London. I am going to London.
LORELAI
Yay!
RORY
But -- wait, are you gonna be okay while I'm gone?
LORELAI
Yes, I'll be fine.
RORY
Okay, but we're going shopping for linens before I go.
RORY'S ROOM
LOGAN
Hello?
RORY
Hey!
LOGAN
Hey!
RORY
I'm sorry for calling so early. Did I wake you?
LOGAN
I'm actually at the office.
RORY
On a dare?
LOGAN
It's my first day, so I'm trying to make a good impression.
RORY
So you're, like, dressed and everything?
LOGAN
New suit, new shoes, even brushed my hair.
RORY
How's the office? Fabulous? Do you have a window?
LOGAN
I wouldn't say it's fabulous, but I do have a window.
RORY
Can you see the queen?
LOGAN
Actually, my window looks out on Piccadilly circus.
RORY
So, you can just see Elephants and clowns walking past your building all day long? That must be nice.
LOGAN
It's brilliant.
RORY
Brilliant? Oh, my god. You're turning British. Do you have a secretary named Moneypenny?
LOGAN
My secretary's name is Steven.
RORY
Steven Moneypenny?
LOGAN
[Laughs] Yes.
RORY
So... I just wanted to thank you for the rocket.
LORELAI
You already thanked me.
RORY
I know I did, but I wanted to do it again, because I'm not sure I conveyed how much I loved it in our last conversation. I really, really loved it.
LOGAN
I'm glad.
RORY
I can't wait to come see you, Logan. I can't wait.
LORELAI
I already got you a ticket.
RORY
You're kidding.
LOGAN
I got it right here. I was gonna Fedex it to you. You'll have it tomorrow.
RORY
Oh, my god!
LORELAI
So tell your mom you're not gonna be home for Christmas.
RORY
Christmas?
LOGAN
Two weeks, just you and me. I already cleared it with my dad. I'm still playing with the itinerary, but how do you feel about London, Paris, and Rome?
RORY
Wow.
LOGAN
I figured we'd do a week in London, then a quick train ride, and we do three days in Paris, and we finish our trip with a four-day sojourn in Rome. We still have enough time for one last night in London before you fly back home.
RORY
Logan, that sounds amazing.
LOGAN
Oh, hey, I should take off. My first staff meeting. They're waving me in.
RORY
Oh, okay, good luck.
LOGAN
Thanks, cheers.
RORY
Cheers.
LORELAI'S HOUSE - BEDROOM
[Lorelai wakes up to a car horn, she gets up and looks out the window]
LORELAI'S HOUSE - EXTERIOR
[Lorelai comes out side to see Luke with his truck full of stuff.]
LUKE
Uh... a car crashed into my diner yesterday. There's a giant hole where my wall used to be. It's gonna take a couple of weeks to fix. [Chuckles] It's a disaster, but I don't care. I mean, I care, but... you know what, no. I really -- I don't care. It's like it's not even real to me. It's like my life isn't even real to me unless you're there, and you're in it, and I'm sharing it with you. And, uh, I don't know what I was waiting for, and I don't know what I was scared of, but I'm not. I'm not scared, and I'm not waiting. I'm here.
LORELAI
Luke.
LUKE
No, don't say anything. I've got a tank full of gas, and Maryland is only 200 miles away, and I've made us some reservations at a couple of bed-and-breakfasts. I mean if you don't want to do the Maryland thing, we don't have to. I heard you say "Maryland" the other day. I don't know whether you were serious. I'm just trying to cover my bases here.
LORELAI
Luke...
LUKE
I also packed some camping equipment so we can head to Vermont or Maine and, you know, check into a cabin for a week, you know, like a little honeymoon thing. But maybe that's a little too rustic for your taste. Or we could drive to Atlantic city or even Las Vegas if you want to make a real road trip out of it.
LORELAI
Luke, stop.
LUKE
I also did some research, and we can we can also apparently use a sea captain, if you want. I'm not sure how big the boat has to be for it to be legal, but we can head to the coast, and we can knock on some doors, you know, boat doors. Yeah, that's probably not the most sensible way.
LORELAI
Just stop.
LUKE
But, no no, you were right. I need to be faster. I need to move faster, I need to think faster. And, well, here I am.
LORELAI
It's over.
LUKE
No, you can't say that. You can't just say that it's over. It's not over. You can't just decide that it's over. I'm in this, too. You know I'm not gonna let it be over. You said, "be ready now or never." I'm ready now.
LORELAI
Luke.
LUKE
Let's go. Let's do this. Let's get married right now. Let's go.
LORELAI
I slept with Christopher.
[Luke looks at Lorelai for a few seconds then gets into the truck slamming the door and drives off]
THE END