T6E6: “Welcome to the Doll House!”
Título em Português: “Casa de Boneca”
Roteiro: Keith Eisner
Direção: Jackson Douglas
Originalmente exibido em: 18 de outubro de 2005
MISS PATTY'S DANCE STUDIO
[Lorelai enters and sits next to Sookie. The town meeting is about to start.]
LORELAI
Hi!
SOOKIE
Hey! Haven't started yet.
LORELAI
Oh, good. Sorry I'm late. I found Paul Anka hiding underneath the kitchen sink, chewing on one of my favorite pairs of shoes.
SOOKIE
Boy, that guy's career has really hit the skids. [She giggles and Lorelai rolls her eyes.] Okay, that is officially my last 'Paul Anka the person is living in your house' joke.
[Lorelai nods. Taylor bangs the gavel to start the meeting.]
TAYLOR
Hello, everybody. Thank you all for coming. We have a packed agenda tonight so why don't we get started? First off, a little update on the improvements to the post office building -
[Kirk and Andrew burst in the side door and interrupt the meeting, they are dressed in re-enactors outfits.]
ANDREW
What be this?
KIRK
A gathering of some kind.
ANDREW
Be it safe, or shall I raise my musket?
KIRK
Patience, brother! Despite the disturbing sight of women in pantaloons -
LORELAI
Oh, I hope this isn't an audience participation thing.
TAYLOR
Excuse me, but we're in the middle of something here! Who are you?
GYPSY
It's Kirk!
KIRK
I am Phineas and this is my brother, Zebediah. We have come a long way. Through space and time.
ANDREW
We hail from Stars Hollow. I, a silversmith and he, a simple cobbler.
KIRK
With good rates. I will cobble you a... cobbled thing for a haypenny.
SOOKIE
Does Kirk know what a cobbler is?
LORELAI
I'm guessing no.
TAYLOR
But I know all the denizens of Stars Hollow. I don't recognize you!
GYPSY
It's Kirk and Andrew!
TAYLOR
[Speaking strongly]
Gypsy.
GYPSY
It is!
KIRK
And we do not recognize you. As residents of the year 1779, all looks foreign to us.
LORELAI
Who's going to tell him those outfits are so 1778?
TAYLOR
Why, you have sojourned from the very year of Stars Hollow's founding! I pray, good sirs, do you still find our town pleasing?
KIRK
Yes, but much has changed. Samuel Munson's apothecary is gone, and with it, his leeches.
ANDREW
And Old Clay's gambling hall, where we did frolic with wenches.
KIRK
We are without leeches and wenches.
ANDREW
And most disorienting, the street names. They're all so different!
KIRK
We were looking for Blacksmith's Road and found Peach Street.
ANDREW
And for Longman's Leap and found Second Avenue.
TAYLOR
That must be very confusing. Pray, tell me, how may we ease your passage?
KIRK
If the town were to return to it's old street names, we would more easily find our way.
TAYLOR
[theatrically]
The old street names, you say! Gentlemen, do take seats while I confer with my contemporaries.
[They sit next too Gypsy, in the front row with.]
GYPSY
Who are you fooling?
KIRK
Shh!
GYPSY
You're wearing tube socks.
TAYLOR
Ladies and gentlemen, our tourism revenue is off twenty-six percent from the previous fiscal year. In that same time, Woodbury and Cogsville's revenue has jumped. That's because they are highlighting their heritage, thus increasing their charm. The more charm a town has, the greater its tourism revenue.
MISS PATTY
We've got charm.
BABETTE
Yeah! You wouldn't believe the bikini waxes Lisa's doing at the beauty parlor! Any shape you can imagine. So clever. And charming.
TAYLOR
But not historically charming. Which is why I'm proposing changing our street names back to what they were at Stars Hollow's founding.
MISS PATTY
Isn't that going to cost a lot of money?
BABETTE
Yeah, Taylor, you hate spending money.
TAYLOR
This is an investment in our future.
GYPSY
I'll have to buy new business cards.
LORELAI
I think it would be kinda cool.
MISS PATTY
Really?
LORELAI
Yeah. I like old-timey stuff, and the Dragonfly's on Third Street, which is kind of boring.
TAYLOR
Well, thank you, Lorelai, for your sound opinion. I think it's one of my better ideas.
LORELAI
I agree. It's not like the time you guaranteed the tourists a mosquito-free summer and then released hundreds of bats all over town.
MISS PATTY
Oh, that was a stinker.
SOOKIE
Or how about when he was trying to attract families to visit the town by driving his van around other towns and beckoning kids with candy!
[Giggling and laughing from the crowd.]
GYPSY
That was dumb.
BABETTE
Really dumb!
TAYLOR
So... we're saying this is a good idea?
LORELAI
That is what we're saying.
TAYLOR
Let's put it to a vote, then, shall we? All those in favour raise hands.
[Most of the people raise their hands.]
TAYLOR
Excellent, then the motion is passed and we shall change our street names! [He bangs the gavel.] Now, our next order of business -
BABETTE
Oh, wait! What about when he had us re-enact the Boston Tea Party in the lake!
TAYLOR
[warning]
Babette.
GYPSY
What a disaster.
MISS PATTY
We're still paying off the EPA fines!
TAYLOR
Folks, please.
LORELAI
What about the museum of rocks that looked like famous people?
SOOKIE
Ooh, that's my favorite!
[Jackson rolls his eyes and everyone laughs.]
OPENING CREDITS
LUKE'S DINER
[Lorelai is reading the newspaper at the counter, when Lane brings her breakfast.]
LANE
Here you go, scooped bagel, cream cheese, jam.
LORELAI
Thank you! Did you save the scoopings? [Lane brings up an extra plate.] I love you.
LANE
So, what's going on in the world?
LORELAI
Nothing.
LANE
Nothing.
LORELAI
- good. There's nothing good. There's absolutely nothing even remotely positive going on anywhere in the world. How can that be?
LANE
That's why I don't read the paper anymore.
LORELAI
You will mine. I'm starting my own. The Good News Daily. Nothing but good news, every day.
LANE
Sounds good.
LORELAI
"No civil war in Canada." Big article. "Cars drive down road without incident." Front-page news. "Puppies, how cute are they?" In-depth expose and the subscription is free. How happy is that?
LANE
I may end up in a better mood.
LUKE
[Going behind the counter]
So what are you hanging out here for?
LORELAI
Oh, ouch, what happened to the love?
LUKE
You know what I mean. You're usually at the inn by now.
LORELAI
Well, new street names are being posted today. I'm waiting for Sookie and Michel, we're going to go see what name the Dragonfly got. Want to come with, see what name you got?
LUKE
I'll wait to read about it in the Good News Daily.
LORELAI
All right. It's another dumb Taylor thing, sorry. You may now lower your blood pressure.
LUKE
That's not why I'm not going, I just don't have the time. I think changing the street names' a fine idea.
LORELAI
You're kidding.
LUKE
No, change 'em all. Name 'em after cartoon characters. I'll be on Scooby Doo Lane. It's all the same to me.
LORELAI
Where's this coming from?
LUKE
It's taken me a ridiculous amount of years, but when it comes to all things Taylor I've adopted a Zen attitude.
LORELAI
[surprised]
Zen.
LUKE
Go with the flow, let the River Taylor take you where it may. Don't fight it, just let it happen.
LORELAI
But what if he wants to paint the diner pink for Easter like he did last year.
LUKE
Then let the building be pink.
LORELAI
But what if he decides we should all dress up as our favorite tree again for Arbor Day?
LUKE
Wrap me in bark, fill me with sap, tell me where to stand.
LORELAI
Well, what if he wants to Photoshop a picture of you with your arm around him and slap it on a billboard that overlooks the whole town?
LUKE
The river's end -
LORELAI
You're sitting on his lap.
LUKE
- will keep on flowing.
LORELAI
Holding a baby rattle.
LUKE
Let me keep my Zen.
LORELAI
I'm gonna miss Nuclear Luke.
[Michel and Sookie enter.]
SOOKIE
[lively]
Hey.
LORELAI
Hi!
SOOKIE
We just passed Esther Wilkins. She got Constabulary Road. Constabulary Road! How cool is that?
LORELAI
Very! I'll be done here in a minute.
MICHEL
Do you have coffee?
LUKE
You mean, here, at my coffee shop? Uh, let me think. Yeah.
MICHEL
Give it.
LORELAI
You're going to need a little Zen for him too.
MICHEL
This is very early for me to get up.
SOOKIE
You'll survive, big guy!
MICHEL
I'm not at my best if I don't get my model's twelve.
SOOKIE
Well, you hide beautifully.
MICHEL
It's the keels. Absinthe serum with ginkgo extract. Like you're washing your face in a bowl of diamonds.
SOOKIE
A bowl of diamonds? Doesn't that just cut up your face?
MICHEL
Huh. I need my coffee.
[Lorelai looks in the paper again and is taken aback seeing a photo of Rory from the DAR part from last week.]
ELDER GILMORE'S HOUSE - DINING ROOM
[Richard is also reading the same newspaper and looking at the same photo.]
EMILY
Does your grapefruit taste strange to you?
RICHARD
What?
EMILY
The grapefruit. Is it unnaturally sweet?
RICHARD
It tastes like grapefruit, Emily.
EMILY
There's sugar on it. I can taste it. Consuela put sugar on it.
RICHARD
If you say.
EMILY
That girl puts sugar on everything! Like yesterday's salmon. Fish is not supposed to be caramelised.
RICHARD
I didn't notice.
EMILY
Don't defend her, Richard.
RICHARD
I'm not defending her, Emily.
EMILY
[stands up]
It starts with the grapefruit, next it'll be the berries, the melons. Pretty soon everything in this house will be candied.
[Walking to the intercom.] Rory, breakfast is ready!
[Rory, stunted sits up in bed, still half asleep she walks over to the intercom.]
EMILY
Rory, are you there? Rory!
RORY
[mumbling into the intercom]
Good morning, Grandma.
EMILY
You're not still sleeping, are you?
RORY
[yawns]
No.
EMILY
You're missing Katie Couric.
RORY
I don't watch Katie Couric.
EMILY
Oh. I thought you watch Katie Couric. I heard you mention her once.
RORY
Grandma, did you find someone to fix the intercom yet? It's stuck at this one volume. Loud.
EMILY
I've been looking and looking, but the company that made it went out of business in 1973. The Binsor Corp. Arthur Godfried was their spokesman.
RORY
Who?
EMILY
Oh, he was sort of a Katie Couric of his day. We'll get the intercom fixed, I promise.
RORY
Good.
EMILY
So I'll go ahead and pour you some coffee?
RORY
I'll be right in.
EMILY
I'm signing off! Ten-four!
RORY
[sleepily]
Ten-four.
[Emily goes back to her seat, as she passes Richard she see the photo in the paper.]
EMILY
Isn't that a pretty picture?
RICHARD
The prettiest.
EMILY
That outfit matched her face. You'll get extra copies for us, right?
RICHARD
I'll have my secretary get them.
EMILY
[sitting]
So have you seen Logan around lately?
RICHARD
I don't know if it was lately.
EMILY
That makes me nervous.
RICHARD
Well, he's busy too.
EMILY
I hope that's it, and not something else.
RICHARD
What else would it be?
EMILY
Oh, that talk I had with Shira. I hoped our understanding was clear about those two. That we were going to let them be. Maybe I was just being naive. [Richard turns the page.] Richard, are you listening to me?
RICHARD
Yes, Emily. And just because you haven't seen the boy doesn't mean anything. Our hours are different from theirs.
[The doorbell rings and Emily looks around.]
EMILY
Consuela! Consuela! [She throws her napkin down and gets up.] She's probably in the backyard harvesting sugar cane. [She walks to the front door.]
RICHARD
[under his breath]
Maybe Consuela and Logan have run off together.
EMILY
[OS]
Not funny! [She receives a package for Mr. Gilmore.] Thanks.
RICHARD
Logan's probably out of town. Or busy with school.
EMILY
[OS]
All I know is I haven't seen him and Rory is lying in bed 'till eight-thirty every morning. [She walks back in.] That could be some sort of young woman's melancholy. Something from your office. [Giving an envelope to Richard.] Though why I had to fetch it I don't know. I'll remind Consuela it's part of her job. Assuming she hasn't left us to go work full-time for that giant sugar consortium that sent her here. What's that?
RICHARD
Just an insurance claim from the Dragonfly.
EMILY
A claim? What sort of claim?
RICHARD
Oh, they had a small fire there last week.
EMILY
They had a fire?
RICHARD
Oh, don't get excited.
EMILY
Is Lorelai okay?
RICHARD
She's fine.
EMILY
Did you talk to her?
RICHARD
I talked to her.
EMILY
You talked to her.
RICHARD
Yes, Emily. She had a small fire.
EMILY
Well, how did she sound?
RICHARD
Just like she'd had a small fire. It was a very quick face-to-face, and then I left.
EMILY
Face-to-face? You saw her face-to-face?
RICHARD
Well, I had to go over there.
EMILY
Why did you have to go over there?
RICHARD
Because, Emily! She'd just had a small fire!
EMILY
How did she look?
RICHARD
Fine.
EMILY
Was she thin, heavy, did she look tired? What was she wearing? And is she still in that netherworld of 'I don't know what my hair is supposed to be'?
RICHARD
She looked just like Lorelai.
[Giving up she goes back to her seat.]
RICHARD
It was a very brief conversation! Unlike the one you and I are having.
EMILY
You should have told me, Richard. [She takes a bite of her grapefruit and grimaces.] And this grapefruit is definitely sugared!
STARS HOLLOW STREET
[Lorelai, Sookie and Michel are walking.]
LORELAI
I hope it's something like Calla Lily Lane. You know, like a flower, something pretty.
SOOKIE
Or Charing Cross Road, or Abbey Road, something classic.
MICHEL
Can we walk a little faster, please?
SOOKIE
Michel's still pouting?
MICHEL
I'm not pouting.
LORELAI
Oh, so your botox has worn off?
MICHEL
It has not, and I'm not pouting.
LORELAI
Well, then, get with the spirit. This is a workout, and you're getting paid for this.
MICHEL
So it takes the three of us to stare at a stupid piece of cardboard. Maybe later we can all gang up on that light bulb.
[They stop at the town map of Stars Hollow.]
LORELAI
Okay, let's see here.
SOOKIE
Ooh, I'm so excited. It's like Spanish class where everyone gets a Spanish name.
LORELAI
What were you?
SOOKIE
Sookia. I don't think it's a real Spanish name, I think they just added an 'A' on the end.
[They look at the map.]
LORELAI
Okay, see, where are we?
SOOKIE
There! Right there!
MICHEL
That is the lake, Sookie. If we were there, we would all have drowned. We are at the bottom.
LORELAI
No, no, no, I think we're off to the right. Or, off to the left. Wait, where's north?
SOOKIE
Everything's rotated ninety degrees. This map's completely whack-a-doodle. I can't find - oh.
MICHEL
Oh, no.
LORELAI
[gasps]
Oh, no! Oh, no! Oh, no.
DRAGONFLY INN
[Sookie and Michel enter, in a bad mood, followed by Lorelai on her cell phone.]
LORELAI
Yeah. No, I understand, Taylor's a very busy man, but it's just a quick question. Lorelai Gilmore. You know me, Joey. You cleaned out my rain gutters last year. Yes, I paid you! I most definitely paid you!
SOOKIE
Got to be a mistake. Got to be a mistake!
MICHEL
Sores and Boils Alley.
SOOKIE
Stop saying that!
MICHEL
We are on Sores and Boils Alley!
SOOKIE
What kind of menu could you serve on Sores and Boils Alley, huh? Huh?
MICHEL
Anything in a crust.
SOOKIE
Eugh.
LORELAI
Try in the storage room, Joey! Yes, I know it's creepy in there, but I really need to speak to him.
SOOKIE
Why couldn't it be something that didn't ooze or run? Like a wart! Or a bunion! Bunions are okay. They're sort of onions mixed with buns, and that's sort of appetizing if you don't think too hard.
MICHEL
You know what this means, don't you?
LORELAI
It means nothing.
SOOKIE
It means my next review will be in the New England Journal of Medicine!
LORELAI
I want you to both chill out. I will fix this just as soon as I get Taylor on the phone.
SOOKIE
Okay. Maybe if we come up with a catchy phrase. You know, something funny, so it seems like we're in on the joke, you know? Like, we're aware. Ironic and hip.
[A deliveryman comes in the room and goes to Lorelai.]
MICHEL
Like what? What catchy phrase using the words Sores and Boils will make us seem like we're in on the joke?
DELIVERYMAN
Delivery.
LORELAI
Oh, yeah, I'll sign for it.
[She signs for a package, the deliveryman leaves.]
SOOKIE
Michel, don't get hostile with me!
MICHEL
You are a silly woman.
SOOKIE
I am not silly! You're silly!
LORELAI
[opening up the box]
Hey, I want you both to cut it out. Now, I am going to fix this. I mean, the whole idea behind this street name thing was to improve tourism. You know? Not destroy it. So - huh. [She pulls out an old cuckoo clock.] Sookie, did you order this?
SOOKIE
Nope.
LORELAI
Michel?
MICHEL
Yeah, right. Like I'm going to buy an analog clock. Do I look two hundred and five?
LORELAI
Well, apparently it's for me, but I didn't order a clock. [On the phone.] Uh, yes, I'm still here. No, okay, just tell him I called. [She hangs up the phone.]
SOOKIE
You couldn't find Taylor?
LORELAI
Don't worry, I will!
MICHEL
I'm going to go add a few select fibs to my resume.
LORELAI
Michel! [He leaves.] I will find him, Sookie, don't cry!
SOOKIE
[almost crying]
White sauce looks like pus!
LORELAI
Go in the kitchen, Sookie.
SOOKIE
Salsa Verde looks like infection!
LORELAI
Kitchen, go!
[On her way to the kitchen, Sookie whimpers. Lorelai checks out the new clock.]
RORY'S POOL HOUSE
[Logan knocks on the door of the pool house, Rory waves him in. He is carrying a very big shopping bag.]
RORY
Wow, you made good time.
LOGAN
Silly rabbit, speed limits are for kids. [They kiss.]
RORY
Hey, you went shopping?
LOGAN
Actually, I did.
RORY
For me?
LOGAN
For you.
RORY
Wow, what's the occasion?
LOGAN
Where is it written you need an occasion?
RORY
[pulls a large box out of the bag]
Wow, you did it. You brought me the head of Alfredo Garcia.
LOGAN
[laughing]
Open it, Ace.
[She takes a large cloth bag out of the box.]
RORY
Wow, cool, a bag!
LOGAN
Look inside!
[She pulls a pink leather purse out of the cloth bag.]
RORY
Wow, cool! A bag!
LOGAN
You like it?
RORY
Hello, I'm a girl. It's a purse.
LOGAN
Not just a purse, it's a Birkin bag.
RORY
I went to school with a guy named Birkin.
LOGAN
I don't think this is the same Birkin.
RORY
Oh. Well, it's beautiful. I mean, it's snazzy and classy, and oh, smell it. It's got that great new car smell, except it's not a car. Oh, I love it Logan. I love it. Thank you so much. [She looks in the pockets.]
LOGAN
You're welcome. Sorry, there's not another bag inside the bag inside the bag inside the box inside the bag.
RORY
It's great. You know, I think my computer cords would fit in this perfectly.
LOGAN
Uh, this is not a computer cord kind of purse, Ace. You know what, why don't you just call my sister, she'll fill you in. It's like a 'thing', you know?
RORY
[smiling]
Huh. It's a thing. A beautiful leather grown-up thing.
LOGAN
So you ready to go?
RORY
Uh, yeah. [She picks up her old purse, starts moving the contents it into the new bag, she gives up and puts the whole thing inside.] Let's go!
[They leave together.]
LORELAI'S HOUSE
[Paul Anka is on the bed and Lorelai sits next to him, she is waiting on the phone.]
LORELAI
Come on, Taylor, answer!
TAYLOR
Taylor's Ye Olde Soda Shoppe! How can I help ye?
LORELAI
Taylor! It's Lorelai! I've been trying to reach you all day.
TAYLOR
Lorelai! Oh, well, Joey mentioned that. He also mentioned something about not being paid for some rain gutters he cleaned? That's not cool.
LORELAI
Look, Taylor, um, do you by any chance know what street name the Dragonfly got?
TAYLOR
Of course! Sores and Boils Alley!
LORELAI
So you knew about it.
TAYLOR
Absolutely.
LORELAI
Sores and Boils?
TAYLOR
That's right.
LORELAI
Sores and Boils?
TAYLOR
Yes, indeed. I'd kill to have that name, quite frankly. You're a lucky woman.
LORELAI
How?
TAYLOR
Sores and Boils Alley is one of the most historical places in all Stars Hollow! In the eighteenth century, if you had a sore or a boil, you came to Stars Hollow to have it lanced -
LORELAI
Yeah, but -
TAYLOR
- to the very site of your establishment! Word is they also had a leper colony in your garage! I'm trying to verify that. If we do, you get a plaque.
LORELAI
Okay, Taylor. Look. [The doorbell rings goes and answers it.]
TAYLOR
Truth is, this town wouldn't be here without your street! Sores and boils may seem minor to us now, as we sit here with our Sea Breeze astringent and our Pond's cold cream, but time was they were the scourge with no cure. And where was that noble work done? Where were the sick cured and the suffering put at ease? I'll tell you where, on Sores and Boils Alley! In fact, I even have a valuable collection of antique lances. Yours for the asking. As a loaner, of course. The Dragonfly can display them in the lobby. Assuming you're bonded. [Lorelai opens the door to another deliveryman. He brings in a huge box and sets it down, she signs for it and he leaves.]
LORELAI
Look, the historical thing, it's swell. The boils and sores and lepers and lances. Great stuff. If you're running a hospice in the eighteenth century. But I'm running an inn in the twenty-first!
TAYLOR
And?
LORELAI
People come here for a beautiful nice romantic time. And part of what I slightly overcharge them for is the ambiance.
TAYLOR
Is there a point here?
LORELAI
The point is that I don't want to have to go around advertising, 'Come to historic Stars Hollow! It's not as gross as it sounds!'
TAYLOR
I must say, I'm very surprised at this negativity! You were so supportive at the meeting. What happened, a fight with Luke?
LORELAI
Look, Taylor, I'm trying to be very Zen about this, but this name is just not going to work for me!
TAYLOR
Well, I'm not really sure what to do about this.
LORELAI
We could just keep our old street name. No harm, no foul, no Lorelai pulling her hair out.
TAYLOR
No. The whole town's changing, that won't work at all. But I will think about your situation and try to come up with alternatives.
LORELAI
Great. And I'll think about it too, and together I'm sure we'll figure something out. Huh? We can fix this!
TAYLOR
All right.
LORELAI
Great. Thank you, Taylor.
[She hangs up the phone, pulling a very big antique birdcage out of the box. She looks at Paul Anka.]
LORELAI
You order a birdcage?
GILMORE HOUSE - OUTSIDE
[Walking past the main house.]
RORY
I've never had so many compliments about anything.
LOGAN
It's not the bag, Ace, it's the arm it's on.
RORY
And, I, like, swear that I'm not going to let ballpoint pens explode in the bottom of it.
LOGAN
Crap, I left my cell back in the car.
RORY
Are you expecting a call?
LOGAN
From my dad. He's dragging me to a corporate retreat at his editor's. Three days of absolutely, Mitchum. Great idea, Mitchum. Can I pre-chew that food for you, Mitchum?
RORY
You can suffer through three days.
LOGAN
I'll meet you back at the pool house, okay?
RORY
Don't get lost.
[Logan watches Rory walking towards the pool house as Richard opens the side door of the main house.]
RICHARD
Oh, Logan! I thought I heard a noise.
LOGAN
Richard. Yes, I was just dropping Rory off.
RICHARD
Oh! [He checks his watch.] Ten o'clock on the button, well done!
LOGAN
Well, I didn't want to keep her out too late, sir.
RICHARD
Well, you're a responsible young man, Logan. Say, how about a nightcap? I have a new single malt I'm dying to break in.
LOGAN
[shrugging]
Sounds great.
[Richard closes the door behind him.]
RICHARD
[to Emily]
Look who I found!
EMILY
Logan! You found Logan. How are you?
LOGAN
How are you, Emily?
RICHARD
Logan was just dropping Rory off.
EMILY
Ten o'clock on the button!
RICHARD
A gentleman, this one.
EMILY
Logan, would you like some coffee? Perhaps some dessert?
LOGAN
Thanks, Emily, but I've eaten.
RICHARD
I thought the two of us would, uh, grab a little nightcap.
EMILY
Well, I'll leave you men to your drinks.
LOGAN
Good seeing you, Emily.
[Emily leaves.]
RICHARD
[offering Logan a seat]
Please.
[He sits and Richard starts making the drinks.]
RICHARD
So, how are things, Logan?
LOGAN
Fine.
RICHARD
Good. Back at school, are you?
LOGAN
For a few weeks now.
RICHARD
Good, good. Good that you're back. Got any classes that you're interested in this year?
LOGAN
Semester's shaping up okay. [Richard hands Logan his drink.] Thank you.
RICHARD
Oh. Cheers. [Richard sits down as they each take a sip.] You working at the Yale paper again?
LOGAN
Yes, sir.
RICHARD
Apple doesn't fall far from the tree, does it?
LOGAN
Not if the tree has anything to say about it.
RICHARD
Yes, well. It's good to see you. We don't get many sightings of you young people nowadays, the two of you, ensconced back there at the pool house. Rory's so busy. Her life's a total mystery to us. She could be in the CIA for all we know.
LOGAN
Well, I don't think she's joined the CIA, sir, but I'll check her purse for secret documents.
RICHARD
[chuckles]
So, tell me, Logan, what is going on with Rory? Uh, yours and Rory's life?
LOGAN
Uh, nothing special.
RICHARD
No? Oh, well. Does she have any big plans?
LOGAN
Plans?
RICHARD
Yes, well, the way that girl keeps to herself, we wouldn't know if she was moving to Peru. Are you two planning on moving to Peru?
LOGAN
No, we're not.
RICHARD
Well, if not Peru, then what is on the horizon for Rory? And for you. Anything different going to happen?
LOGAN
I don't, uh, well, we're thinking of going to the Vineyard in a few weeks, that's about it.
RICHARD
A trip to the Vineyard?
LOGAN
Yes, sir.
RICHARD
Nothing else coming down the pike?
LOGAN
No, sir.
[Logan sees Rory through the window behind Richard.]
RICHARD
Hm. Well, the Vineyard is always nice. Very brisk this time of year.
RORY
[entering]
Hey, Logan. What are you doing here? I thought you'd left.
LOGAN
I ran into Richard on the way out.
EMILY
[coming back down the stairs]
Rory, is that you?
RORY
Um, yeah, Grandma, it's me.
EMILY
What are you doing here?
RORY
Well, I was just looking for some sugar. For my morning coffee.
EMILY
Oh, please, don't get me started on sugar.
LOGAN
Richard and I were just catching up.
RICHARD
Having a little ‘digestif’.
LOGAN
Yes, and, Richard, the scotch was great, but I should probably get going given the hour.
RICHARD
Oh, of course.
RORY
I'll walk you out.
LOGAN
Richard, Emily.
RICHARD
Good to see you, Logan.
EMILY
Drive safe!
[Rory and Logan both leave.]
EMILY
[smiles up at Richard]
So what were you two chatting about?
RICHARD
Oh, this and that.
EMILY
Did it seem like everything was fine between the two of them?
RICHARD
Far as I could tell. We're missing Charlie Rose.
[They head upstairs. Rory and Logan tiptoe past the window.]
RORY'S POOLHOUSE
[Rory and Logan enter.]
RORY
What was that all about?
LOGAN
What was that about? Your grandfather was asking me about my intentions.
RORY
Your intentions? Toward what?
LOGAN
Uh, toward you. Us. Marriage.
RORY
What? Why?
LOGAN
I don't know. Suddenly I was in there and he was asking me all kinds of questions about our plans and the future and the CIA and Peru.
RORY
I don't understand! Why would he do this?
LOGAN
I don't know.
RORY
I'm only twenty. We're young. We just started going out. Why would we even be thinking about marriage?
LOGAN
I don't know, Ace. These are all really good questions. Listen, maybe we should hang out at my place for a while so as not to give your grandparents a visual to latch onto.
RORY
No. Look, I'll take care of this. I promise. Don't worry about it.
LOGAN
Ace, it's okay. You don't have to do anything.
RORY
No, this is not okay. This is not cool. I don't want them thinking this, I don't want you feeling like you can't come over here. I promise you, I will take care of this, okay?
LOGAN
Okay. Oh!
RORY
What?
LOGAN
My cell phone's still in my car.
RORY
Oh, sorry.
LOGAN
Hey, if I'm not back in five minutes it means I'm in the main house picking out china patterns with Emily.
[Logan leaves.]
DRAGONFLY INN
[Michel at the front desk. Lorelai walks up to him]
LORELAI
Oh, I'm starved.
MICHEL
You're always starved.
LORELAI
Yes, but now I'm crash landed in the Andes, eat my team mates starved. I'll be back in an hour. [She sees a small pile of packages on the counter.] No.
MICHEL
Mm-hm. Three more packages, all for you.
LORELAI
[opening the boxes]
Where is all this stupid stuff coming from?
[She pulls out a china figurine.]
MICHEL
Looks like classic home shopping channel merchandise to me.
LORELAI
I haven't bought anything off the home shopping channel.
MICHEL
That you remember.
LORELAI
How could I not remember?
MICHEL
You could be deluding yourself. Suppressing a shameful, costly, and yes, extremely tacky shopping addiction from your memory.
LORELAI
I do not have a home shopping channel addiction. [She removes a matching figurine from the second box.] This does look familiar. Like I've seen it before.
MICHEL
Mm-hm. And was Joan Rivers or Suzanne Somers holding it up?
LORELAI
I'm not buying these things.
MICHEL
Keep telling yourself that. By the way, Kirk is in the dining room wanting to speak to you.
LORELAI
Must be about the street name.
MICHEL
Can you contain your personal demons long enough to face him, or shall I send him away?
LORELAI
Enough, Michel.
MICHEL
It's never enough. That is the problem.
[Lorelai walks into the dining room, shakes hands with Kirk.]
KIRK
Lorelai, hello.
LORELAI
Hello, Kirk.
KIRK
Have a seat.
LORELAI
Okay.
[They sit down.]
KIRK
I'm pleased to inform you that the Stars Hollow board of tourism has graciously decided to offer you a proposal.
LORELAI
[relieved]
Great. I appreciate it. What do you have for me?
KIRK
Well, you can choose any of three historically anchored street names that pre-dated Sores and Boils Alley. It's a generous proposal.
LORELAI
Let's hear 'em.
KIRK
The first one is Constabulary Road.
LORELAI
Constabulary Road.
KIRK
It's a very nice name. Classic. Very evocative of old-time Stars Hollow.
LORELAI
Yes, it's very nice, but Kirk, that's the exact same name of Esther Wilkins' street. I mean, the exact name. It's taken.
KIRK
I know. Apparently at one time there were several streets named Constabulary Road in Stars Hollow.
LORELAI
Yeah, that would be incredibly confusing.
KIRK
Oh, it would be a disaster. It was back then, too. Mail was mis-delivered, soldiers lost their way. It completely disoriented senior citizens. There was rioting, chaos, death. Everyone hated it.
LORELAI
What's number two?
KIRK
Number two. Chergogagog Manchogagog Cherbonagongamog.
LORELAI
Chergona-what?
KIRK
An old Nimblook Indian name. It means: you fish on your side of the lake, I'll fish on my side, no one fishes in the middle. Or maybe it means Buffalo.
LORELAI
It's unpronouncable. Next?
KIRK
From 1768, something flavorful. Crusty Bulge.
LORELAI
Oh, come on!
KIRK
Is that a no?
LORELAI
Yes, that's a no! Kirk, these are not legitimate choices!
KIRK
Taylor thinks they are.
LORELAI
Well, Taylor is wrong. The Dragonfly is a business! We need a credible street name! So I'll tell you what we're going to do, we're keeping Third Street.
KIRK
Taylor is not going to like that.
LORELAI
Well, too bad. 'Cause that's what we're doing. Decision made. 'Cause it's not going to be Crusty Bulge! And it's not going to be an Indian name that no one can pronounce, and it's not going to be a name that fifty thousand other people had that caused mass chaos and death in 1492 and oh my God, I just realized where all that stuff is from!
KIRK
What? What stuff?
LORELAI
[stands]
Never mind, just tell Taylor what I said.
KIRK
So we're done here?
LORELAI
Definitely.
KIRK
[loosening off his tie]
Thank God. Mom tied this way too tight.
[Lorelai leaves.]
RORY'S POOL HOUSE
[Rory’s pours herself some coffee. Hearing a knock at the door, she answers it. Emily enter with a very old man.]
EMILY
Am I disturbing?
RORY
No, come on in.
EMILY
Rory, this is Edgar Pullings. He installed the intercom forty-six years ago.
RORY
Nice to meet you.
[Pause.]
EMILY
[shouting]
She said 'nice to meet you'!
EDGAR
Oh. Nice to meet you, young lady.
EMILY
He calls me that, too. [Loudly] It's right in there, Edgar!
EDGAR
Okay, I'll have a look-see.
EMILY
[loudly]
You just holler when you're situated and I'll bring in your toolbox. And if you're feeling faint or need a glass of water, don't be shy!
[Emily leads the old man to the bedroom and turns back to Rory.] I'm sorry for the short notice, but once I found him I thought I'd better get him over here before he - retires.
RORY
No, it's great. Thank you.
EMILY
Everything else around here up to snuff? Are the sheets being over-ironed?
RORY
No. They're perfect.
EMILY
Because that's not an urban legend. If sheets have a high thread count, they can be over-ironed.
RORY
[Nods]
Grandma, can I ask a favour?
EMILY
Of course.
RORY
I was just wondering if you would speak with Grandpa for me.
EMILY
About what?
[They both sit on the lounge.]
RORY
Well, when he had the nightcap with Logan, he said some things that made Logan a little uncomfortable.
EMILY
Oh, no, what kind of things?
RORY
Just things about our future – Logan’s and mine. I think Grandpa wanted to find out if we were getting married.
EMILY
[surprised]
What?
RORY
And the thing is, we’re young. And we haven’t been going out for that long. It’s way too soon for us to be thinking about getting serious.
EMILY
Of course it is! Your grandfather should know better. Don’t you worry, I’ll clear this up with him.
RORY
Thank you, Grandma.
EMILY
My pleasure. So, now that that’s taken care of, tell me. Just between us girls. How are things going between you two?
RORY
[blushing]
Well, they’re great. Logan’s very nice. He bought me this terrific gift, just completely out of the blue.
EMILY
Is that so?
RORY
Totally unexpected. It’s called a Birkin bag?
EMILY
[floored]
A Birkin bag. Oh, my God. A Birkin bag?
RORY
You’ve heard of it?
EMILY
Of course! That’s a very nice purse!
RORY
Oh. Maybe I shouldn’t use it?
EMILY
Oh, no. A Birkin bag is meant to be used. And seen.
RORY
I had no idea.
EMILY
[pleased]
Well, well, well. A Birkin bag! A Birkin bag. A Birkin bag for Rory.
RORY
Grandma.
EMILY
I’m just saying, I mean, Richard never bought me a Birkin bag. Oh, this is exciting!
RORY
I guess it is!
EMILY
A Birkin bag! I’m going to remember this day. [Day dreaming.]
RORY
Um, it’s been very quiet in there.
EMILY
Huh? Oh, dear! [She gets up and hurries to the bedroom.] Edgar! Edgar! Edgar!
LUKE’S DINER
[Lorelai enters.]
LORELAI
Oh, my God, I made it! Food. Me. Give.
LUKE
Emergency B.L.T.
LORELAI
Yeah! Emergency chilli fries and black and white shake. It’s a three-alarm emergency.
LUKE
Something came for you early this morning, good old Caesar signed for it.
[He gestures to a giant urn next to the window to the Taylor’s “Soda Shoppee”.]
LORELAI
[gasps]
Oh my God!
LUKE
Now, normally I have a blanket policy against the diner accepting humungous five-foot urns addressed to other people, but I was at the market and Caesar, he apparently didn’t know about the policy.
LORELAI
Oh, she is good. Covering all the bases.
LUKE
Who?
LORELAI
And sending it here. Brilliant! Picking away at the people closest to me.
LUKE
Who? Who is this?
LORELAI
Emily Gilmore!
LUKE
You’re kidding!
LORELAI
For days she’s been emptying her house, sending me everything she doesn’t need anymore, trying to smoke me out of my foxhole.
LUKE
Well, call her and tell her to knock it off!
LORELAI
Oh, no! That’s exactly what she wants! I poke my head out of the foxhole, it gets blown off! Then I have no head, Luke!
LUKE
There’s a giant urn in my diner.
LORELAI
It started small, you know? A clock, a birdcage, some Victorian figurines, an old telescope. That was just the ground war. She was softening me up. Now comes the aerial campaign. The carpet bombing. And I bet she’ll bomb me with actual carpets!
LUKE
Call her.
LORELAI
You mean surrender? Never!
LUKE
If you don’t call her, she’s just going to keep sending you stuff. Sending me stuff.
LORELAI
She’ll run out of stuff.
LUKE
She’ll buy more stuff.
LORELAI
She’ll run out of money.
LUKE
She’s got endless money.
LORELAI
Luke, my mom has a tenth-degree black belt in passive aggression. There is no counter to this move! Which means I am not going to counter.
LUKE
But I can’t have a giant urn sitting in my restaurant.
LORELAI
Actually it’s more of a vase.
LUKE
I don’t care what it is! The thing weighs three hundred pounds. Caesar said it took four guys to bring it in.
LORELAI
You’ve got to admit, it does kind of spruce up the place.
LUKE
It goes today.
LORELAI
Okay, okay. I’ll work on figuring out how to get it out of here.
[She sighs.] You know, I think it’s actually one of a matching pair.
RICHARD’S STUDY
[Emily knocking on the open door.]
EMILY
You busy?
RICHARD
Not too.
EMILY
I wanted to let you know Rory had a little talk with me today I thought I’d share with you.
RICHARD
Eh? What about?
EMILY
About Logan. About something you said. It’s been handled.
RICHARD
Something I said? When?
EMILY
Don’t worry. He’s fine, she’s fine, they’re fine. Very fine. Logan bought her the most beautiful and prestigious handbag in the world.
RICHARD
A handbag?
EMILY
A Birkin bag! I’ve shown you pictures before, remember? Around my birthday. So sophisticated. Now we know our worries about Shira messing with things were unfounded. They are doing very well.
RICHARD
Yes, yes, that’s fine, Emily, but what did I say that caused a problem?
EMILY
Well, you scared the poor boy half to death during that nightcap of yours.
RICHARD
How?
EMILY
Your intentions speech? It was so out of the blue!
RICHARD
My intentions speech? I’m not following. Intentions about what?
EMILY
Really, Richard, you’re always a half-step behind.
RICHARD
That’s because you tell me things in drips and drabs. What does she think I said?
EMILY
That you basically asked when he was going to propose to her.
RICHARD
I asked him nothing of the sort! We were just chatting. Shooting the breeze!
EMILY
Well, Logan viewed it as an interrogation about his and Rory’s future.
RICHARD
The boy misunderstood! I wasn’t talking about their future. I was talking – it was scotch talk. I would never dream of interrogating a man like that. I’ll apologize to him the next time I see him! And to Rory.
EMILY
Good.
RICHARD
I mean, that’s ridiculous. Those two are way too young to be thinking about marriage. They just met each other.
EMILY
It’s been over a year.
RICHARD
It hasn’t been a year! They’re babies!
EMILY
Babies! Richard, your granddaughter is about to turn twenty-one! If they did get engaged, the ceremony would be next year at the earliest, or the year after. That makes her twenty-three.
RICHARD
And too young!
EMILY
It’s the same age I was when we got married. I wasn’t too young.
RICHARD
Well, we were different.
EMILY
How?
RICHARD
Because we’re us, and Rory’s Rory. She has things to do.
EMILY
I don’t know why you’re so worked up about this. They aren’t engaged.
RICHARD
Good.
EMILY
What was your talk with Logan about?
RICHARD
I was just curious about what was going on with Rory. She can be extremely taciturn.
EMILY
What are you so curious about?
RICHARD
The girl spends all her time in that pool house. She’s so secretive. Aren’t you curious?
EMILY
Richard, if you want to find out what’s going on in a girl’s life, you most certainly do not talk to her boyfriend. Follow me.
RICHARD
Why? Where are you going?
EMILY
Follow me!
[He gets up and follows her to the pool house.]
RICHARD
Emily! Is she home?
EMILY
No, she's out! I wouldn't burst in here like this if she were home.
RICHARD
We should not be here, this is prowling.
EMILY
We're not prowling, Richard! You can't prowl in your own house. This is called showing concern. [Emily begins to look through drawers.] Now, tell me what we're looking for.
RICHARD
I don't feel good about this. It's usually this point in the John Le Carré novels where things start to go horribly wrong.
EMILY
[methodically searching the room]
Oh, don't worry. I used to do this all the time with Lorelai and the things I found. Once I opened the bottom drawer to her dresser and it was chalk full of Tootsie Rolls. Hundreds and hundreds. Practically spilling out. What could a girl possibly want with a drawer full of Tootsie Rolls?
RICHARD
Perhaps it was what was under the Tootsie Rolls, Emily.
EMILY
[stops suddenly]
Under the Tootsie Rolls! Oh, my God, I should have looked under the Tootsie Rolls! Oh, that's going to bother me. God knows what she had in there. [Richard peeks in the garbage can.] Let's split up. I'll hit the bedroom, you finish up in here.
RICHARD
Well, what am I supposed to do?
EMILY
Check the bookcase. They love hiding things behind books.
[Richard shrugs and begins glancing around the books.
EMILY
[OS from the bedroom]
My! This room has really come together. But we definitely should have gone with the plantation shutters. Oh, my God! Richard!
RICHARD
What? What's wrong?
EMILY
[emerges from the bedroom, reverently holding Rory's purse]
The Birkin bag. All hand-made, and look at those tiny stitches! Oh, does that Logan have taste?
RICHARD
Okay, this is ridiculous! Let's get out of here!
EMILY
[sniffing the bag]
Oh, and that smell!
RICHARD
[opening the door]
Let's just go.
EMILY
Can't you at least tell me what you were looking to find?
RICHARD
I don't know! It wasn't my idea to break in!
EMILY
Snooping without knowing what you were snooping for? Honestly, Richard.
RICHARD
Let's just go, Emily. Now. And leave that purse!
EMILY
I was going to leave the purse, Richard! [He leaves. She gazes at the purse.] Twenty-one year old girl has a Birkin bag and a grown woman doesn't.
[She goes back into the bedroom, sniffing the purse and sighs longingly.]
STARS HOLLOW TOWN SQUARE
[Kirk is selling town souvenirs from a miniature gazebo with a sign "Stars Hollow Visitors Centre", he is talking to a family.]
KIRK
I highly recommend the miniature golf, where, coincidentally, I hold the single-round record. The property's got closed circuit, so you can forget about Mulligans.
MAN
Thank you. [They leave.]
KIRK
And don't forget the giant urn at Luke's. The kids will love it. [Lorelai walks up.] Lorelai! Look. I'm sitting in a little gazebo!
LORELAI
I can see that, Kirk.
KIRK
If you look real quick you might think it's the regular sized gazebo and that I'm a giant.
LORELAI
That would be frightening.
KIRK
Have you gotten your free map of historic Stars Hollow yet? Hot off the presses, everyone's enjoying them. [He gives her a town map.]
LORELAI
Maps, huh? I didn't know there were maps.
KIRK
And can I interest you in an historic poncho or Stars Hollow kazoo?
LORELAI
Um, no, you really couldn't. Kirk, the Dragonfly is not on this!
KIRK
Right. As billed, the map only represents historic Stars Hollow.
LORELAI
But the Dragonfly is part of historic Stars Hollow!
KIRK
Correction. Used to be. Before you rejected your historic street name.
LORELAI
[angry]
You took me off the map!
KIRK
All cartographical decisions are strictly the province of the director of tourism.
LORELAI
But you and I talked about the street names only this morning! How could the Dragonfly already be off the map?
KIRK
You know the old saying, cross the Don in the morning, sleep with the fishes in the afternoon. Plus Taylor has one of those really fast laser printers.
LORELAI
This is not fair! The Dragonfly is a business in Stars Hollow! This is not right.
KIRK
I wish there was something I could do, but I'm just a messenger. Assistant to the messenger, actually. Taylor's been clear on that. [Lorelai throws up her hands in frustration.] Okay, okay, I shouldn't do this. I'm going to look the other way. [He turns.] Take a button. One only, please.
[Lorelai drops the map back down on the counter and leaves.]
LORELAI'S HOUSE
[Lorelai pulls up in the Jeep and walks to the house, there are boxes and other stuff on her front lawn. She hurry’s inside to answers the phone.]
LORELAI
Hello?
EMILY
I'm turning your bedroom into a gift-wrapping room and I have to get rid of your dollhouse. Do you want it?
LORELAI
What?
EMILY
Your dollhouse. It's quite cumbersome and I have absolutely no place to put it.
LORELAI
Um, well, uh, have you checked the basement? Because I'm betting there's oodles of space down there right about now.
EMILY
I'm doing some house cleaning, and I've only sent you things I was going to give you eventually anyway. Now, do you want the dollhouse or not?
LORELAI
Of course I want it!
EMILY
Fine. When will you come pick it up?
LORELAI
Well, when I can.
EMILY
I need you to give me a time, Lorelai.
LORELAI
I don't know! As soon as possible, okay? I'm very busy.
EMILY
Fine. But I can't store it forever. Call me the moment you work out your schedule.
LORELAI
Oh, I will. The very moment. [She hangs up the phone.]
LUKE'S DINER
[Some kids are playing around the giant urn and one is inside it.]
LUKE
[shouting]
Hey, you! Get away from the urn.
[He goes back to behind the counter, Lorelai enters and sits down at the counter.]
LORELAI
Hey.
LUKE
Hi.
LORELAI
Kiss?
LUKE
I'm too mad.
LORELAI
Okay. Wait, why? 'Cause you're lips would be all fiery and it would hurt?
LUKE
[annoyed]
Did you know they changed my street name?
LORELAI
Uh, hello, yes, where have you been?
LUKE
I figured I don't have business cards, who cares? But every piece of mail I get I've got to write, change the address. Every piece of mail, because I live upstairs.
LORELAI
I'm aware of that.
LUKE
It's a huge hassle!
LORELAI
I know!
LUKE
[holds up a letter]
And, I am in violation of ordinance twenty-two B.
LORELAI
What is ordinance twenty-two B?
LUKE
Kids playing on the urn requires a jungle gym license! As stated in ordinance twenty-two B, a fine has already been levied.
LORELAI
Ah, Taylor?
LUKE
Yes.
LORELAI
So, wait, are you mad at Taylor again?
LUKE
Yes.
LORELAI
Yay!
LUKE
A jungle gym license. If I want kids playing on my urn, no one's going to tell me I need a license! [To the kids now sitting at a table] Hey, you. Go ahead! Play on the urn! [He waves the letter at Lorelai.] This stinks!
LORELAI
Oh my God, I'm so glad you ditched this Zen thing, because tonight at the town meeting, I'm taking it to the people and the people are going to take it to Taylor.
LUKE
Good! Take it to him!
LORELAI
I've got a speech all planned, listing the years of Taylor wrongs. The abuses, the manipulations. And I'm going to get in there and make people understand that they don't have to blindly follow Taylor Doose anymore!
LUKE
Good, do it. They'll follow you, they like you.
LORELAI
They do like me. I'm going to use that.
LUKE
I'd go too, but I'd just end up throwing a bench at him.
LORELAI
There's no need. I'll handle him.
LUKE
You want some coffee?
LORELAI
[tilts her head]
I'm beyond coffee.
LUKE
Beyond coffee. This is big.
LORELAI
I'm fuelled by my righteous indignation. I'll fill you in later.
LUKE
I'll be here.
LORELAI
Bye!
[Luke kisses Lorelai on the cheek.]
DRAGONFLY INN - KITCHEN
[Sookie and Michel are sitting and waiting. Lorelai enters, they both stand.]
SOOKIE
Hey!
MICHEL
How did it go?
LORELAI
It went great! [She gets some coffee.]
SOOKIE
So, come on, tell us, what happened?
LORELAI
Well. Before the town meeting, I stopped by Luke's, right? And he was furious! Taylor slapped him with a jungle gym fine. Smoke was pouring out of his ears. And I told him, don't worry, I am on my way to take Taylor down.
SOOKIE
Ooh, goody.
LORELAI
So, I go to the town meeting, it's already started, right? And I come in the back door with the squeaky track, so everybody knows Lorelai's in the house.
MICHEL
Mm! It's very exciting!
LORELAI
Taylor's up there yammering about septic tanks, and Patty made her raisin cake, and, you know, everything's just going along, when suddenly Taylor says it's time to break. And I stand up, on the bench, totally Norma Rae, and I write 'Strike' on my town meeting flier, and I hold it up, all defiant!
SOOKIE
Wow!
LORELAI
Of course the Norma Rae reference was only in my head, and everyone was very confused.
MICHEL
Yes, it happens a lot with you.
LORELAI
So I marched up to the front of the room and I looked this town in the eye, and I said: "We, your Dragonfly Inn, are not on the map! We have been tossed off by Taylor jungle-gym-monitoring Doose, and it is not right, and he must be stopped!" And since no one had heard my conversation with Luke, I lost them again for a minute, but I got them back real quickly.
MICHEL
You really need to work on that.
SOOKIE
Let her talk!
LORELAI
Anyhow, I told the town about how I had given them the best years of my life, and we've turned the Dragonfly into a class A, top notch destination inn, and that leaving us off the map was petty and mean-spirited, and just plain bad business!
SOOKIE
Amen! Kiss the ground, the South will rise again!
MICHEL
What happened then?
LORELAI
Then I turned to Taylor, and I said: "Taylor Doose, if you don't put us back on the map, it will be Molly Ringwald giving her underwear to Anthony Michael Hall and he shows it to a roomful of boys who've all paid a dollar to see it."
MICHEL
Oh, come on!
LORELAI
No, that one he got! So he thought for a minute, then he stood up and he said to me: "Lorelai, donate a hundred dollars to the Stars Hollow historical society, and I will let you back on the map and you can keep Third Street."
SOOKIE
[eagerly]
One hundred dollars!
MICHEL
That's nothing! What did you say?
LORELAI
I said you've got a deal!
SOOKIE
Oh, my God! [Michel cheerfully laughs.]
LORELAI
And then, he said: "Good girl". And patted me on the head.
SOOKIE
Oh no.
MICHEL
Don't tell me -
LORELAI
We are on Sores and Boils Alley.
MICHEL
We cannot be on Sores and Boils Alley!
LORELAI
Patted me on the head, Michel, like a dog.
MICHEL
It's only a hundred dollars.
SOOKIE
I'll pay the hundred dollars!
LORELAI
You're not paying the hundred dollars!
MICHEL
I'll pay seventy-five dollars!
LORELAI
Nope. No one is paying anything. We are not being extorted. We are the Inn on Sores and Boils Alley. Historical. Proud. [Her cell phone rings.]
MICHEL
Oozing. Festering.
SOOKIE
Draining!
LORELAI
Too many words for the brochure. [Answering the phone as she walks into the dining room.] Hello?
EMILY
Why haven't you come to get the dollhouse yet?
LORELAI
Because I've been working?
EMILY
Well, Goodwill's picking it up at noon tomorrow so if you want it come and get it!
LORELAI
Well, I can't come tomorrow!
EMILY
Well, then, come tonight! We're up until eleven.
LORELAI
No, mom, I'm thirty miles away and I'm busy!
EMILY
Then it's being donated!
LORELAI
You can hold onto it a little while longer!
EMILY
Out of the question. It's taking up space and I can't have it here.
LORELAI
Why does Goodwill have to come at noon?
EMILY
Because that's the appointment I got! It's Goodwill, Lorelai, not Sotheby’s!
LORELAI
You know, I can't believe you. You know this dollhouse means a lot to me, and I know it means a lot to you! If you want to be this mean and vindictive, then fine. Give it to Goodwill. Give it away. Light it on fire. I don't care! [She hangs up the phone.]
RORY'S POOL HOUSE
[Logan knocks on the kitchen window as Rory is makes a sandwich.]
RORY
Logan?
LOGAN
I don't think they saw me. Can you get this open?
RORY
[opening the window]
Logan, it's okay. You can use the front door.
LOGAN
No, this is cool. I've got a tree stump I can use as a boost out here. Or you can let down your hair.
RORY
I talked to them.
LOGAN
You did?
RORY
Yeah. It's fine. Come around to the front.
LOGAN
Okay.
RORY
Okay. [Closes the window goes to the door to let Logan in.] You do know that I will be mocking you for a year for trying to climb in my kitchen window.
LOGAN
I just can't face another sit-down.
RORY
No, it was a misunderstanding. I talked to my grandmother and my grandfather. He was not trying to pressure you. He gets that we're young and just started dating, and he's not interested in our being serious.
LOGAN
Really?
RORY
Yeah. He's very sorry about the confusion.
LOGAN
He is.
RORY
He wants to apologize to you himself.
LOGAN
And you're sure about this?
RORY
I double-super swear on my Birkin bag.
LOGAN
Okay, that's good. This cloak and dagger stuff is getting a little tricky if you don't own a dagger and you look funny in a cloak.
RORY
I'm sure you look great in a cloak. So everything's cool?
LOGAN
Everything's cool.
RORY
Good. Logan -
LOGAN
Yeah?
RORY
I love you.
LOGAN
Wow. [Pause.] The lady who sold that purse to me said this was going to happen.
RORY
[laughs]
I'm sorry, I didn't mean to spring that on you, I just - I wanted to say it, so I said it. But I don't expect anything. Believe me. I was in the position once where someone said that to me, completely out of the blue, and I was completely thrown. So, don't worry. You don't have to respond immediately. I mean, in fact, you don't have to say anything at all.
LOGAN
Look, I've told a lot of girls that I love them before and I didn't mean it. So, I'm not going to do that to you. [Rory frowns.] Boy, that didn't come out right. It was supposed to sound a lot more -
RORY
[smiling]
Hey, you don't have to say anything at all.
[Logan kisses Rory.]
LORELAI'S HOUSE
[Lorelai is sitting on the bed, Luke is helping sort through the gifts from Emily.]
LUKE
One antique bellows.
LORELAI
Salvation Army.
LUKE
Worn leather, brass studs. Wow, this thing's a real beaut.
LORELAI
Well, either buy it a ring or move on. Next?
LUKE
Dough beater, early sixties. Wow, they don't make 'em like this anymore.
LORELAI
Salvation Army.
LUKE
Mint condition, industrial grade, five quart capacity?
LORELAI
Salvation Army. [The doorbell rings and she gets up.] Oh, my pizza!
LUKE
Oh, there's some sort of card in here. [Reading from the card] Emily and Richard, congratulations on your wedding. Love Aunt Celeste.
LORELAI
Thank you, Aunt Celeste. Love, the Salvation Army.
[Lorelai answers the door.]
RICHARD
Hello, Lorelai.
LORELAI
Hey, Dad.
RICHARD
I thought you'd want this. [He moves aside to reveal her dollhouse sitting on the porch.]
LORELAI
[taken aback]
Thanks. I do.
RICHARD
And - we need to talk about Rory.
[Lorelai takes a deep breath.]
THE END