T6E7: “Twenty-One is the Loneliest Number”
Título em Português: “Solidão aos 21”
Roteiro: Amy Sherman-Palladino
Direção: Robert Berlinger
Originalmente exibido em: 25 de outubro de 2005
(OPEN on Lorelai front porch, night right after the last scene in the previous episode. Richard is standing outside with Lorelai's dollhouse and Lorelai walks out on the porch)
LORELAI
What about Rory?
RICHARD
I don't like what I see in that girl.
LORELAI
My eyes?
RICHARD
She's lost focus. She's drifting, aimless. You know she's joined the DAR?
LORELAI
I saw the picture in the paper.
RICHARD
She's running around, planning tea parties like she's the mad hatter. All she talks about are seating charts and canapes and fund-raisers and that boy.
LORELAI
You mean Logan?
RICHARD
She's heading in the wrong direction, and I don't like it. Now, I've thought long and hard about this, and I've come to a decision. We need a plan.
LORELAI
But... (takes a deep breath) We... I had a plan. You changed the plan. Plan's gone, baby.
RICHARD
I don't appreciate your tone.
LORELAI
Apparently the proper tone went out with the plan.
RICHARD
Do you understand what I'm saying? Rory's not headed back to school.
LORELAI
Not yet, anyhow.
RICHARD
Not yet? Not now, not ever. Listen to me for just a moment. We can fix this. First of all, I can change the terms of Rory's trust fund. Currently, she's set to receive it when she turns twenty-five, but I say we tell her it's contingent on her returning to Yale.
LORELAI
Dad...
RICHARD
Or we can use the opposite approach, if you think it's better. Maybe we offer her a car or the down payment on a town house. Or I'll buy her the town house. Don't you see? If there's something in it for her, maybe we can get her to change her mind.
LORELAI
Thank you for the dollhouse, dad. It's greatly appreciated.
RICHARD
I don't believe this. Aren't you listening to me?
LORELAI
Uh, no.
RICHARD
Lorelai, Rory is turning twenty-one years old in ten days. Do you realize that?
LORELAI
Yes, dad, I realize it.
RICHARD
She's twenty-one. That's not a child. Twenty-one-year-olds need to be working towards something.
LORELAI
Rory will figure it out.
RICHARD
Oh, please, she's twenty-one. I couldn't tie my shoe at twenty-one.
LORELAI
Well, Rory's advanced. She had the shoe thing down at three.
RICHARD
I'm getting a little tired...
LORELAI
No, I'm getting a little tired of this conversation. I'm not interested in your plan. I'm not going to bribe my daughter with cars and money, mainly because it wouldn't work, and if you'd ever met Rory, you would know it wouldn't work. Rory can't be bought, and I'm not gonna try and buy her. I want Rory to want to go back to school. She used to love to learn and read and study. And that was freakish, but it was her. And she's got to get herself back there.
RICHARD
But...
LORELAI
No, when Rory wants help, she will ask for it. And the minute she does, I will fly in faster than the gulfstream I'm sure you're gonna offer to buy her next. But until then, I'm sorry, you're on your own.
RICHARD
Impossible girl.
LORELAI
My native American name, I believe. (Richard leaves frustrated)
OPENING CREDITS
(CUT on Lorelai's front porch, same night. Luke is trying to lift the dollhouse as Lorelai stands near by)
LORELAI
Unbelievable. He's unbelievable.
LUKE
He sure is. How did he lift this thing?
LORELAI
Pretending like it's an accident that Rory's still floundering. Nothing's an accident. He caused this. He made this happen.
LUKE
It must weigh a thousand pounds.
LORELAI
That was a low blow, bringing up Rory's birthday like that. "She's turning twenty-one, Lorelai. Did you know that?". (she scoffs) Of course I know that. I was there when she was turning nothing. I know she's turning twenty-one.
LUKE
Does this thing have, like, a real foundation or something?
LORELAI
It's just like my parents, you know, to double-cross me then get mad when I won't help them undo the double cross.
LUKE
Did he have guys with him?
LORELAI
What?
LUKE
Guys, to help him lift this thing.
LORELAI
No, no guys.
LUKE
No guys? Your dad is Hercules.
LORELAI
We had plans.
LUKE
(grunts as he tries to pick the dollhouse up) What? (Lorelai sits on the porch rail)
LORELAI
We were gonna go to Atlantic City. We were gonna sit at a blackjack table at 11:59, we were gonna order martinis, and we were gonna be playing 21 when she turned twenty-one. (Luke walks over to her) And then hopefully we'd win, and we'd take our winnings and we'd buy 21 things. And then there was a thing about 21 guys that wouldn't really be appropriate anymore since the engagement, but it was a good plan. (Luke starts to play with Lorelai's hair in a comforting way) She probably doesn't even remember the plan.
LUKE
She remembers the plan.
LORELAI
It wasn't like we talked about it every day. It was just something we thought of.
LUKE
She remembers the plan.
LORELAI
I'm hungry. I'm ordering pizza. (they hug and Luke kisses the top of her head) The top comes off. (Lorelai goes in the house)
LUKE
Of course it does.
(CUT to Rory's room, night. Rory is lying in bed sleeping and the clock says the time is 4:03 in the morning. Madeleine Albright walks over and kisses the top of her head. Rory wakes up and Madeleine Albright lies in bed with Rory)
MADELEINE ALBRIGHT
Happy birthday, little girl.
RORY
Hey.
MADELEINE ALBRIGHT
I can't believe how fast you're growing up.
RORY
Really? Feels slow.
MADELEINE ALBRIGHT
Trust me, it's fast. So, what do you think of your life so far?
RORY
I think it's pretty good.
MADELEINE ALBRIGHT
Any complaints?
RORY
I'd like that whole humidity thing to go away.
MADELEINE ALBRIGHT
I'll work on that.
RORY
So, do I look older?
MADELEINE ALBRIGHT
Oh, yeah. Walk into Denny's before five, you got yourself a discount.
RORY
Good deal.
MADELEINE ALBRIGHT
So, you know what I think?
RORY
What?
MADELEINE ALBRIGHT
I think you're a great, cool kid and the best friend a girl could have.
RORY
Back at ya.
MADELEINE ALBRIGHT
And it's so hard to believe that, at exactly this time many moons ago, I was lying in exactly the same position.
RORY
Oh, boy, here we go.
MADELEINE ALBRIGHT
Only I had a fat stomach and huge ankles and I was swearing like a sailor...
RORY
... on leave.
MADELEINE ALBRIGHT
On leave, right. And there I was...
RORY
... in labour...
MADELEINE ALBRIGHT
... and while there's some who call it the most meaningful experience of their life...
RORY
... you compare it to something more akin to doing the splits on a crate of dynamite.
MADELEINE ALBRIGHT
Right.
RORY
I wonder if the Waltons ever did this.
(CUT to Rory and Logan in bed, continuous. Rory wakes up - so obviously she was dreaming. Logan wakes up a bit too)
LOGAN
What?
RORY
I just had a dream that Madeleine Albright was my mother.
LOGAN
Hmm. (Logan falls back to sleep. Rory sighs and follows his lead, looking a bit preoccupied)
(CUT to Stars Hollow outside, morning. Lorelai is walking down the street and sees Morey and Babette coming out of the market each of them holding quite a few bags)
LORELAI
Hey, there.
BABETTE
Oh, hi, sugar. Couldn't see you over the bags.
LORELAI
Wow, you got a lot of stuff there. You hunkering down for winter?
BABETTE
Nah, we're getting our supplies for our gallows.
LORELAI
Oh, yeah, you're gonna hang Morey again?
MOREY
Do it every year.
LORELAI
You're always the hit of the neighbourhood.
BABETTE
So, what about you, honey? What are you gonna do?
LORELAI
Oh, you know, the same thing I always do.
BABETTE
(disappointed) Oh. Gonna hang caramel apples from the tree again?
LORELAI
The kids love 'em.
BABETTE
Yeah. They're not that scary.
LORELAI
Well, to a diabetic, they're downright terrifying.
BABETTE
Huh? Okay. Caramel apples.
LORELAI
And I will be handing out candy, which, you know, is the entire point of Halloween.
BABETTE
Sure. Sure, honey. Well, we got a lot to do. We got to go.
MOREY
No rest for the doomed.
BABETTE
See you later. (Babette and Morey start to walk off as Lorelai calls after them)
LORELAI
You know, I-I-I bought a haunted house CD to play in the background. (Babette politely laughs a bit and she and Morey walk away, as Lorelai leaves looking a bit pissed)
(CUT to pool house, evening. Rory and Logan are making out on the couch. Rory breaks the kiss for a bit)
RORY
What time is our reservation?
LOGAN
Now.
RORY
Oh. It's amazing what happens when you can't find your keys.
LOGAN
I think we should order in tonight.
RORY
And the purse is down.
(Rory throws the Birking bag on the floor and the continue smooching. After a bit there is a knock on the door)
RORY
Who is it?
EMILY
(OS)
Emily Gilmore. (the kids get off the couch and Rory gets the door and lets Emily in)
EMILY
I'm so sorry to bother you, Rory. Hello, Logan.
LOGAN
Hello, Emily.
EMILY
Rory, could you check your closets? The maid hung up your dry cleaning today and I am missing a blouse, and I want to know whether or not to add this to the list of reasons I'm firing her.
RORY
Of course. I'll be right back. (she walks off to the bedroom)
EMILY
Thank you, Rory. I'm so exhausted with incompetent people, I don't know what to do anymore. I feel like every person I hire immediately gets hit in the head with a mallet on their way out of the employment office. (quickly and quietly to Logan) Logan, do you have anything special planned for Rory's birthday next week?
LOGAN
Uh... no, no plans.
EMILY
Oh, good. Because I would love to throw her a party here. A 21st birthday is so special. But I didn't want to order twelve pounds of crab legs if you had plans to whisk her off to Santorini.
LOGAN
No whisking plans in the works.
RORY
(walking back out form the bedroom) Sorry, grandma, your blouse isn't in there.
EMILY
Say, Rory, how would you like a birthday party next week?
RORY
Oh, well...
EMILY
It doesn't have to be a big, formal affair. Just something fun with your friends and a few of the DAR ladies, whoever you want.
RORY
Sure, grandma, a party sounds fine.
EMILY
I'll go right in and call the caterers. 21 years old... time flies, doesn't it? All right, you two, back to what you were doing. (Emily walks out and Rory starts to lead Logan back to the couch)
RORY
Hey, grandma says.
LOGAN
So, a 21st birthday. Big event.
RORY
I guess.
LOGAN
Would've been nice if I had known about it.
RORY
Oh, I didn't tell you?
LOGAN
No.
RORY
Oh. I'm just not into birthdays.
LOGAN
You're not into birthdays? You, who wore green head to toe on St.Patrick's day and bunny ears on Easter?
RORY
I have stock in hallmark.
LOGAN
What's up, Ace?
RORY
We should probably call the restaurant if we still want to try and eat there.
LOGAN
Ace.
RORY
I'm just not excited about this particular birthday.
LOGAN
Why not?
RORY
Because I'm turning 21.
LOGAN
Yes... ?
RORY
My mom and I have been planning for my 21st birthday since, well, my first memory is kindergarten, but I have a feeling she was talking about it before then. We had this whole big thing planned.
LOGAN
Yeah... ?
RORY
We were gonna go to Atlantic City and sit at a blackjack table at 11:59, and we'd be playing 21 when I turned 21. We were gonna drink martinis and win money and go buy 21 things, and there was this thing including 21 guys that would be totally inappropriate now that I'm with you. But it was a pretty big thing, and... and now we're not talking, so it's not gonna happen. I'm just a little bummed. That's all.
LOGAN
I know you miss your mom. The concept's a little hard for me to grasp, but I know you do. (he sits)
RORY
Well, you never got to know her. She can be pretty cool.
LOGAN
Hey, I know. I'll take you to Atlantic City.
RORY
What?
LOGAN
We can still play 21 when you turn 21. We can buy the 21 things. I'd still vote to put the kibosh on that thing with the 21 guys. But other than that, I'm good to go.
RORY
You're sweet, but it's OK. (she sits next to him)
LOGAN
Come on. We'll get a car. 21 cars, if you like.
RORY
No. No, I appreciate the offer a lot, but I'll just have the party and let this birthday pass.
LOGAN
You sure?
RORY
Yeah, yeah, I'm sure. And I'm hungry. You ready to go? (she picks the Birkin bag from the floor and stands up. Logan doesn't follow) Where did I put my keys?
LOGAN
Oh, I think I saw them on the couch.
RORY
Here we go again. (she sits next to him again and they start making out again)
(CUT to Gilmore mansion dinning room, morning. Emily and Rory are sitting at the table, with all sorts of pieces of birthday cake, which Rory's trying, flowers, napkins and invitation cards. The seem to be planning the party)
EMILY
(talks as Rory eats on of the cake samples distracted) You know, when I was turning 21, I somehow got it into my head that I simply had to have my invitations trimmed with real pearls. I could not be convinced that it was at all tacky or impractical. I was right, and that was the way it had to be. My mother was beside herself. I never heard so much sighing in my whole life. But in the end, she found me invitations lined with real pearls, and I felt like the most important girl in the world. So, come on, tell me, which ones are your pearl-trimmed invitations? Rory!
RORY
Hmm?
EMILY
You're supposed to try them all.
RORY
What?
EMILY
The cake. Alfonso made us those samples. The least we can do is try them all.
RORY
Oh, OK, sure. (takes a forkful from another cake)
EMILY
Well, I like the lace. Do you like the lace?
RORY
Sure.
EMILY
All right. The lace it is. Now, the food. I think we should go buffet. Much more youthful. And what do you think of sushi? Sushi feels young, doesn't it?
RORY
I certainly hope so. You don't want any old sushi hanging around.
EMILY
Now, we'll have a bar, heaters on the patio to stem the crowd. Oh, do you want a special tray-passed drink, like a sidecar maybe or a gin fizz? I used to love a nice gin fizz. (noticing Rory isn't paying attention) Am I boring you?
RORY
No, the lace is fine.
EMILY
Rory, where is your head today?
RORY
I don't know. I'm sorry.
EMILY
There are a million other little details I need to go over here. Would you like me to just do it myself?
RORY
Um, sure. You've got great taste. I trust you completely.
EMILY
All right. Then the only thing I need from you is a little guidance on the guest list. Now, I have the information for the DAR ladies, of course, and Logan. I have Logan's information. I believe I have the address of your Asian friend.
RORY
Lane.
EMILY
She hasn't moved?
RORY
Not that I know of.
EMILY
All right
RORY
She'll want to bring her boyfriend.
EMILY
Her boyfriend? How wonderful. Rory's Asian friend...
RORY
Lane!
EMILY
... has a boyfriend. All right. Now, what about Paris? Are you two friends? I never really can tell.
RORY
Paris should be on the list.
EMILY
Then Paris is on the list.
RORY
She'll want to bring her boyfriend, too.
EMILY
My goodness. I guess there's something in the air. All right. I have the Cheevers, your cousins from Bridgeport. Now, do you want me to put your mother on this list?
RORY
Mom?
EMILY
It's completely up to you. I just thought I should ask.
RORY
Yes, put mom on the list.
EMILY
All right. She's on the list.
RORY
And the chocolate praline crunch is the cake.
EMILY
A chocolate praline crunch cake. (wistful) A chocolate praline crunch cake completely covered with pearls. Ah, to be 21 again.
(CUT to outside Lorelai's house, night. Lorelai drives up and gets out of the car. Morey and Babette are prepping for Halloween)
LORELAI
Wow! Looks great, guys.
BABETTE
Yeah, we made it bigger this year. And we added a great new light effect to help Morey's face look more distorted when he drops because, you know, when you really get hanged, your eyeballs sometimes explode and your tongue splits down the middle. It's disgusting. Wanna see?
LORELAI
Uh...
BABETTE
Morey, shake a leg.
MOREY
Okay. (takes his spot and puts his head in the rope) All set.
BABETTE
Okay! Bombs away! (pulls a lever and Morey falls)
LORELAI
OH!
BABETTE
Now, remember, you got to twitch around a lot, make the kids think you're dying real slow and painful.
MOREY
Okay
BABETTE
Now, obviously there'll be some blood shooting out and some screams, but you get the picture.
LORELAI
I-I-I do.
MOREY
(twitching around a bit, obviously uncomfortable) Babette? Tight, babe.
LORELAI
Do you need help, Babette?
BABETTE
Oh, no. As soon as he passes out, his muscles relax and I can slide him right out. We'll be good.
LORELAI
Okay. See you guys later. (walks off to the house)
(CUT to Lorelai's house inside, continuous. Lorelai comes in and makes her way to the kitchen, where Luke is cooking)
LORELAI
Luke, are you here?
LUKE
In the kitchen.
LORELAI
Where's Paul Anka? He didn't meet me at the door.
LUKE
Peas scare him.
LORELAI
Really? Huh. Peas? (puts down her purse, takes off her coat and looks at a list on the fridge) Cooked or raw?
LUKE
Doesn't seem pleased with either form.
LORELAI
Okay, peas are out. (writes something - peas - on the list) What smells so good?
LUKE
Fried chicken.
LORELAI
Luke, will you marry me?
LUKE
Set the table?
LORELAI
Okay, first, I have some very exciting news to tell you.
LUKE
Shoot! (Lorelai starts to take things out to lay the table)
LORELAI
This year, I have decided do a whole new thing for Halloween.
LUKE
You're not gonna hang the caramel apples again?
LORELAI
Caramel apples aren't scary.
LUKE
Well, what's scary is you opening your house up to a mob of insane, sugar-laced kids wearing masks that conviently hide any identifying features.
LORELAI
I have decided to do something totally different, and I'm gonna need your help.
LUKE
Sure.
LORELAI
Okay. I want to do a skit.
LUKE
Skit?
LORELAI
Yes, I want to be a mad scientist. I'm gonna come out in a blood-stained white lab coat and freaky makeup and big, giant, Don King kind of hairdo, and I'm going to turn the whole front yard into my laboratory.
LUKE
Wow.
LORELAI
Yes, I'm gonna have a huge electric chair and an operating table and test tubes and wires.
LUKE
Sounds elaborate.
LORELAI
But you haven't heard the half of it, okay? And so I come out and I do mad scientist "banter", like, "Hey, who here is from Bellevue?" and "'Girl Interrupted'? Now that's my idea of a feel-good movie". I'll work on it. But anyway, after that, I'm gonna drag you out.
LUKE
What?
LORELAI
You're strapped in an electric chair, and I'm gonna throw the switch and totally electrocute you. And you're flailing around. We'll rig something where smoke and sparks shoot out of your nose. And then once you're dead, I'll throw you onto the operating table and I'll cut you open, and I pull link sausages out of you and throw them into the crowd.
LUKE
That's it?
LORELAI
Well, I mean, we can take a bow or something, but, yeah, that's it.
LUKE
Okay. Uh, just a couple of questions here. Once you've electrocuted me, and I'm dead, um, how exactly do I get to the operating table?
LORELAI
huh. Good question. Maybe I can position the operating table like right near the electric chair so I can just flop you over onto it after you die.
LUKE
Okay, let's say we work that out. Now I'm on the table. You're gonna cut me open with what?
LORELAI
A big, rusty saw.
LUKE
And then you're gonna pull link sausages out of me.
LORELAI
Real slow and creepy like.
LUKE
Okay, great. Last question. Uh, what are the odds of you getting me to do a skit where you electrocute me, cut me open, and pull link sausages out of me? 'Cause I'm thinking they're right up there with Pia Zadora making a big comeback.
LORELAI
Oh, come on. This will be fun.
LUKE
No way, not happening.
LORELAI
But this is our first Halloween together as a full-blown, committed, soon-to-be-married couple. We need to start our own traditions.
LUKE
Tell you what. I'll build you the chair, help with the test tubes, and then I'm done.
LORELAI
But you would be so scary with smoke coming out of your nose. I really want to see that.
LUKE
Well, we're gonna be together the rest of our lives, so odds are you will.
LORELAI
Luke!
LUKE
Chicken's burning. I got to concentrate. Why don't you go find your psychotic dog, and I'll set the table?
LORELAI
Okay, but this discussion is not over. (walks over to the fridge and takes out some raw broccoli) Here, Paul Anka. Mommy's got your broccoli. (walks out of the kitchen to find PA)
(CUT to Gilmore mansion driveway, night. Logan's car pulls up. We CUT in the car. Logan is dropping Rory off)
LOGAN
Out.
RORY
Oh, come on.
LOGAN
Beat it!
RORY
I can't believe you're not gonna come in.
LOGAN
I told you I'm meeting my father at 7:30 in the morning in New York.
RORY
I loved the dinner tonight.
LOGAN
I'm glad.
RORY
I've never had Sri Lankan food before.
LOGAN
I thought you'd like it.
RORY
And I appreciate you lying to me and answering "chicken" every time I asked you what I was eating.
LOGAN
Well, fifteen courses. One of them was bound to be chicken.
RORY
And that dessert.
LOGAN
Do you really think you can keep talking long enough that I forget I can't come in?
RORY
Well, I've seen my mom do it before. I thought maybe it was a family trait. (Logan leans over her and they kiss) Just for an hour.
LOGAN
No. (Rory leans in a gain and kisses him)
RORY
Half an hour?
LOGAN
No.
RORY
Fifteen minutes?
LOGAN
No.
RORY
Okay, an hour.
LOGAN
You're getting better at this. (they start making out and then someone - Richard knocks on Logan's window. They break the kiss quickly and pull away from each other)
RORY
Ow, you bit my lip. (Logan lowers his window)
RICHARD
I didn't mean to startle you two. I heard a noise out here and just came to check it out. Everything all right?
LOGAN
Everything is fine Richard, I was just dropping Rory off.
RORY
Hi, Grandpa.
RICHARD
Hello, Rory. Well, I'll just say good night, then.
RORY
Good night, Grandpa.
LOGAN
Good night, Richard. (Richard smiles and leaves)
(CUT to inside Gilmore mansion, continuous. Emily is looking at a catalogue as Richard comes in)
EMILY
Was it the Mortigans' Dalmatian trying to mate with our lion statues again?
RICHARD
No, it was not the Mortigans' Dalmatian. It was Rory and Logan. (he sots opposite her)
EMILY
How natural selection hasn't wiped out dogs like that, I'll never know. Rory and Logan?
RICHARD
It was Rory and Logan. They just came home. Logan was dropping Rory off.
EMILY
Well, that's nice. Oh, look at this bedroom set. Richard, you would love these pillows.
RICHARD
Seems I interrupted their goodbyes.
EMILY
Oh, Richard, now they're going to think we were spying on them. This settee is lovely, also.
RICHARD
They were engaged in a round of serious necking.
EMILY
What do you mean?
RICHARD
You know exactly what I mean.
EMILY
You know, Richard, Rory's growing up.
RICHARD
Mm-hmm.
EMILY
She's turning 21 next week.
RICHARD
Oh. Is that what the flotilla of party planners outside our door was about?
EMILY
Logan is certainly a very experienced young man.
RICHARD
Man of the world, Emily, man of the world.
EMILY
You know, Richard, it might be that time.
RICHARD
What time?
EMILY
She might be getting ready to have relations with that boy.
RICHARD
Oh, Emily, please. Have you seen the size of that sports car of his? There's no room to cross your legs, much less anything else.
EMILY
The car is not the only place they're getting affectionate, Richard. I walked in on them the other day in the pool house. They were very cozy on the couch, and they certainly weren't looking for her keys.
RICHARD
Do you really think?
EMILY
I really think.
RICHARD
Oh, we have to do something. If she's getting ready to take that step, we have to do something.
EMILY
I couldn't agree more.
RICHARD
Tomorrow.
EMILY
Tomorrow. I am in love with this bedroom set.
(CUT to Dragonfly Inn kitchen, morning. Sookie and Lorelai are looking at sausages)
SOOKIE
Okay! So... what kind of link sausage would you like to pull out of Luke?
LORELAI
I'm not sure. Nothing too wimpy. Luke's a big guy, so he needs big-guy sausage.
SOOKIE
Don't we all.
LORELAI
Don't make my man's sausage dirty.
SOOKIE
Well, you could go kielbasa. That's a big-guy sausage.
LORELAI
I guess. Technically, Luke hasn't agreed to let me pull anything out of him.
SOOKIE
Small detail.
LORELAI
Minuscule roadblock.
SOOKIE
Well, personally, I love the Louisiana sweet sausage 'cause it has the nicest flavour. A little bite, but not too overwhelming.
LORELAI
But, I'm not gonna eat the sausage. I'm going to pull it out of Luke. (an Dragonfly employee comes in the kitchen holding an envelope)
RON
Mail just came.
LORELAI
Oh, thanks, Ron.
SOOKIE
Well, if you're just going by looks, I'd go Cajun because it's red. (they both chuckle as Lorelai opens the envelope - Rory's party invitation) What's the matter?
LORELAI
Nothing.
SOOKIE
It's not nothing.
LORELAI
It's an invitation to Rory Gilmore's 21st birthday party.
SOOKIE
Wow, look at all that lace. Man, that's a pretty invitation.
LORELAI
Sure is.
SOOKIE
Are you going to go?
LORELAI
This isn't from Rory. This is from my Dad via my Mom.
SOOKIE
It is?
LORELAI
Oh, yes. It's just my Dad trying to manipulate me and get me involved in a plan to manipulate Rory.
SOOKIE
But you had a plan.
LORELAI
I know.
SOOKIE
Boy, they are determined.
LORELAI
Determined, demented, de-lovely.
SOOKIE
I can't believe Rory's turning 21. It seems like just yesterday she was crying because you told her Charlotte Bronte couldn't come to her sleepover because she's dead.
LORELAI
I'm gonna go check the reservation book.
SOOKIE
Too much Rory talk.
LORELAI
Oh, just a tad. It's making me bummed, so...
SOOKIE
We could go back to our sausage talk.
LORELAI
Maybe later. (Lorelai exits the kitchen)
(CUT to Gilmore mansion, night. Emily is serving drinks as Rory comes in from the patio and walk up to Emily)
RORY
Oh, my god, it smells good in here.
EMILY
Well, I see someone got our dinner invitation.
RORY
Yes, I did, and thank you. It's been weeks since I've had anything that hasn't been supersized for dinner.
EMILY
Well, you've been so busy lately, I had to resort to pot roast and mashed potatoes to get you here.
RORY
Pot roast and mashed potatoes?
EMILY
With baby carrots, parker house rolls, and ice cream sundaes for dessert.
RORY
Wow. Am I dying?
EMILY
Would you grab that bottle of wine? (walks off with two drinks in her hand)
RORY
Sure. (grabs the wine and follows Emily)
(CUT to dinning room, continuous. Emily and Rory enter. Richard is seated at the table, but he's not alone. A man - Rev.Boatwright - is with him)
RICHARD
Rory, how lovely that you could join us. Do you know the Reverend Boatwright?
RORY
Uh, no.
EMILY
Oh, I can't believe that. Reverend Boatwright has been our minister for years. By now he's more of a friend than a minister.
RORY
Well, it's nice to meet you, Reverend Boatwright.
Rev.BOATWRIGHT: Well, it's nice to meet you, too, Rory. I hear pot roast is your favourite, too.
RORY
Yes, it is.
EMILY
(as she takes her seat) Rory, sit, sit. (Rory sits) It's amazing. All the wonderful foods in this world, the greatest chefs with the most exotic ingredients, and yet this girl still wants pot roast. Roll, reverend?
Rev.BOATWRIGHT: Well, thank you. Don't mind if I do.
EMILY
Hmm. I wonder where that salad is. Will you excuse me? I'll be right back. (gets up and exits the dinning room)
RICHARD
You know, Emily ordered some of that wonderful Irish butter. You haven't tasted rolls until you've had them with Irish butter. I'll be right back. (gets up and exits the dinning room)
RORY
And then there were two.
Rev.BOATWRIGHT: Your grandparents have told me a lot about you, Rory.
RORY
Oh, yeah?
Rev.BOATWRIGHT: They're very proud of you, you know.
RORY
Well, then it's a mutual admiration society.
Rev.BOATWRIGHT: You have a birthday coming up next week?
RORY
Twenty first.
Rev.BOATWRIGHT: Must be wonderful being a young woman, just turning 21. The world is out there, just waiting to be conquered.
RORY
I guess so.
Rev.BOATWRIGHT: I hear you have a boyfriend.
RORY
Yes.
Rev.BOATWRIGHT: Ah, young love. It can be so exhilarating, so intense. All those feelings rushing around inside of you. I remember being young and having all those crazy feelings.
RORY
Oh, yeah?
Rev.BOATWRIGHT: Oh, yes. You know, Rory, being a young lady comes with many gifts. Your virtue, for example, is a gift, a precious gift. Possibly the most precious gift you possess.
RORY
(looking the way Emily and Richard went off) Uh-huh.
Rev.BOATWRIGHT: You want to give this gift very carefully. It is a gift you can give to only one man. Once you give it, it's gone. You can't re-gift it. If you give it away too soon to the wrong man, then when the right one does come along, you have no gift to give. You'll have to buy him a sweater. Do you understand what I'm saying?
RORY
No.
Rev.BOATWRIGHT: Think long and hard about when and to whom you want to give the ultimate gift you have to give away.
RORY
Oh.
Rev.BOATWRIGHT: Yes.
RORY
Oh, dear.
Rev.BOATWRIGHT: Oh, dear, indeed.
RORY
Um... well, (chuckles a bit uncomfortably) listen, Reverend. I really appreciate you taking the time out of what I assume is a busy day to come here and talk to me about... all of this, but, um, I'm afraid the ultimate-gift ship has sailed.
Rev.BOATWRIGHT: What?
RORY
A while ago. It's probably in Fiji by now.
Rev.BOATWRIGHT: Oh.
RORY
Yeah.
Rev.BOATWRIGHT: Well...
RORY
So, have you seen "The 40-year-old Virgin"? 'Cause you might like it.
(CUT to outside of the pool house, morning. Rory is walking up to the pool house after her community service, takes out her keys and unlocks the door, but has trouble opening it. When she manages, she sees that inside the place id full of stuff. She looks around stunned and then runs off)
(CUT to inside mansion continuous. People are prepping up the house for the party. Emily talking to the planner - Claire - as Rory comes in)
EMILY
Well, it can't go next to the sushi, so I guess the cake will have to go in there. Maybe in the corner?
CLAIRE
Sounds good
RORY
Grandma.
EMILY
Oh, Rory, good. Do you think we should have a carving station in case some people find sushi unappealing, or will the passed hors d'oeuvres be enough?
RORY
Either way.
EMILY
"Either way" is not an opinion Rory, just for future reference. (at Claire) Let's have a carving station. Just beef, no turkey.
RORY
What happened to the pool house?
EMILY
What do you mean?
RORY
It's full of stuff.
EMILY
Oh, yes, the rentals. I had absolutely nowhere to put them. They said it might rain tonight, and we couldn't leave them outside, so I just put them in the pool house.
RORY
But I live in the pool house. What am I supposed to do?
EMILY
Oh, I packed up your things and put them in your old room upstairs.
RORY
Upstairs?
EMILY
Uh-huh. The room right next to ours. We can knock secret-code messages to each other at night, like we're in camp. (notices something in the other room and yells at someone) No, I didn't tell you to put that there. You're fired.
RORY
Grandma, has mom RSVP'ed?
EMILY
I don't know, Rory. Check the list. (as Rory checks the list Emily talk to the worker she was previously fired) Yes, out now, please. Thank you.
RORY
The list says no.
EMILY
Then I guess the answer's "no".
RORY
Well, that's just wrong. When an invitations says "RSVP", you RSVP. That's what you do. It's not rocket science.
EMILY
Maybe she's still coming.
RORY
But how do we know? If she doesn't call, how will we know whether or not to make an extra chocolate box, huh? If she doesn't call, she won't have a chocolate box.
EMILY
We can make an extra chocolate box, Rory.
RORY
No. Why should we make an extra chocolate box? I mean, we're paying for these things. Chocolate boxes do not just grow on trees. They are made. They're made by these hardworking people right here, and it is not right to make these people spend hours making extra chocolate boxes because people are too lazy to make a stupid phone call! (exits very upset)
EMILY
Rory!
(CUT to Luke's diner, morning. Lorelai is sitting at the counter, putting LOTS of whipped cream on a pancake. Luke is behind the counter watching her)
LUKE
You're gonna be sick.
LORELAI
No.
LUKE
It's already loaded with chocolate chips. That's candy, and you're adding whipped cream. That's more candy.
LORELAI
Got any jelly beans?
LUKE
I'm gonna be sick. (the telephone rings)
LORELAI
Oh, and a cherry. (Luke answers the phone)
LUKE
Luke's.
RORY
(on the phone)
Luke, is my mother there?
LUKE
Rory?
LORELAI
Rory?
(CUT to Gilmore mansion patio. Rory is on the phone. The scene cuts between Luke and Lorelai in the dinner and Rory at the patio)
RORY
Yes, it's Rory. Is my mother there?
LORELAI
That's Rory?
LUKE
I'll give her to you.
LORELAI
To me? That's Rory for me?
RORY
No! I just want to know if she's coming to my birthday party.
LUKE
She wants to know if you're coming to her birthday party.
LORELAI
What?
RORY
We're making the chocolate boxes right now, and I need to know if she's coming so I know whether or not to make her one.
LUKE
They're making the chocolate boxes right now, and she needs to know if you're coming so they can make you one.
LORELAI
I didn't know I was invited.
RORY
I sent her an invitation! Where the hell did she think it came from?! The invitation fairy!?
LUKE
She said she sent you an invitation.
LORELAI
I didn't know it was from her. (a bit louder and closer to the phone, Luke holds the phone up for her) I didn't know it was from you!
RORY
Well, it was. Is she coming or not?
LUKE
Are you coming or not?
LORELAI
Yes, I-I'm coming. I want a chocolate box.
LUKE
She'll be there.
RORY
Fine. Bye. (hangs up)
LORELAI
Rory called.
LUKE
I know. She called and yelled at me.
LORELAI
No, she called and yelled at me.
LUKE
Yeah, but I'm the one who had to hear it, and she was loud. And she said "hell". I never heard her say "hell". I didn't even know she knew how to say "hell". She was mad and she yelled and she said "hell".
LORELAI
Yeah, but she called.
(CUT to Rory's bedroom, night. It's 4:03 am on Rory's birthday, and Rory is awake looking sadly at her clock)
(CUT to Lorelai's bed, night. It's 4:03 am on Rory's birthday, and Lorelai is awake looking sadly at her clock)
(CUT to Gilmore mansion, night of the party. Waiters are prepping up the house for the party, there are a few guests. Emily is walking around inspecting things)
EMILY
Keep those fans going. I don't want the whole house to smell of raw fish. Disgusting food. (welcoming two guests) Shelby, Martin, how wonderful that you've come.
SHELBY
We're a bit early, I'm afraid.
EMILY
Nonsense. Have a "rory". We'll chat later. (as she walks away from them) Tacky, horrid people. Why not just show up the night before with a sleeping bag? (as the doorbell rings Emily gives some instructions to the maid) May-May, you've got to get it down to a 1-bell answer. Bell rings once, door opens. Please help me on this. Mr. Gilmore is not here yet, and therefore I have no one to help me with the guests or the party. So, just make sure you get the door after one bell. (the doorbell rings) That's two bells. (as it rings again, Emily starts getting mad) That's three bells! (the maid quickly opens the door) Well, hello, Glory. Come in, come in. (the gusts come in and Emily notices as Rory comes down from upstairs and walks up to her) Rory, you look wonderful. That dress is to die for.
RORY
Well, it's the one you laid out on the bed, so I assumed I was supposed to put it on.
EMILY
Well, it's perfect. So, how does it look?
RORY
Fine.
EMILY
I'll never forgive myself for being talked into votives, but that's what you get for taking calls at cocktail hour. Have you tried your drink?
RORY
My what? (Emily snaps her fingers and waiter comes up with a tray)
EMILY
Your signature drink. (takes a martini glass filled with a pink drink from the tray and offers it to Rory) I had the bartender concoct it for you. It's called "rory". It's got champagne, vodka, pineapple juice, and grenadine. Have one. You're old enough now.
RORY
Maybe later. Empty stomach.
EMILY
Well, there's plenty to eat, so that can be remedied.
RORY
Where's Grandpa?
EMILY
He'll be here soon. (Logan walks up to them)
LOGAN
Well, there they are. The two most lovely ladies in the room.
EMILY
(rather coldly) Hello, Logan. I have to check on your cake. (walks away)
LOGAN
Huh. Is it me or could the penguins march through here?
RORY
She's probably mad because she found out we're having sex.
LOGAN
She what?
RORY
She found out we're having sex.
LOGAN
How the hell did she find that out?
RORY
I told her minister.
LOGAN
But-but why would you do that?
RORY
Because he was going on and on about my virtue being a gift. And now you have it, so I'm gonna have to buy the next guy a sweater. I just wanted him to stop.
LOGAN
And all this without a drink in my hand.
RORY
Come on. Let's get you a "rory". (they start walking towards the bar)
LOGAN
Ohh, dealing with this family is stressful.
RORY
Oh! (chuckles) Tell me about it. And once you've had that drink, I can tell you how I've been moved out of the pool house and into a room right next to my grandparents. So from now on, we'll have to have sex in our invisible suits. (at the bartender) Two rories, please.
LOGAN
Does your grandfather know, also?
RORY
Oh, yeah.
LOGAN
(at bartender) Make it four.
LANE
(comes in dragging Zack behind her) Rory!
RORY
You came!
LANE
Of course I came. I wouldn't miss your 21st birthday. (they hug)
RORY
Oh, I'm glad. Hey, Zack, thanks for coming.
ZACK
Sure, no problem. There's food, right?
RORY
Oh, plenty of food. Lane, I want you to meet Logan. Logan, this is my best friend, Lane.
LOGAN
Hey, nice to finally meet you. (they shake hands)
LANE
Nice to finally meet you, too. (Lane mouths to Rory "He's cute" and Rory responds "I know") And this is my boyfriend, Zack.
LOGAN
(offers Zack a handshake) How you doing?
ZACK
What? (sees his hand and they shake) Oh, I'm hanging in there.
LOGAN
You guys want a drink?
ZACK
Well, I'm not sharing, so make it two drinks. (Logan turns over to the bar to order)
LANE
Wow, this house is amazing. I've never been here before.
RORY
I'll give you a tour.
BARTENDER
Two rories. Extra cherries for the lady.
LANE
Oh, my god, you have your own drink. (Rory give Lane a rory)
RORY
Wait till you see the bathroom. The guest soap has my face on it. (the girls walk off ahead as Logan gives Zack a rory)
ZACK
So, you're, like, rich, huh?
LOGAN
Uh... (the boys follow the girls)
(CUT to Gilmore mansion driveway, night of the party. Luke and Lorelai are walking up to the house. Lorelai is holding a present)
LUKE
This might be my least favourite door in the world to knock on.
LORELAI
What about death's door?
LUKE
The reception on the other side might be warmer. (Lorelai nods a bit. As Luke is about to knock on the door it opens)
LORELAI
Well, at least you didn't have to knock.
LUKE
Ready?
LORELAI
I was born ready.
(they enter the house)
LUKE
Ah, nice, low-key affair.
LORELAI
Okay, we're in and the gift's on the gift pile (puts the present on the gift pile) and, um, oh (looks around), yes. (takes two rories from a passing tray and gives one to Luke) Cheers. Okay, there. Checking things off the list. We should probably move deeper into the house now.
LUKE
What is this?
LORELAI
Do you see Rory?
LUKE
Not yet.
LORELAI
Boy, big turnout.
LUKE
Yeah. Maybe if we're lucky and we keep moving around, we can avoid...
EMILY
Lorelai, you came. You're here. There's a chocolate box for you in the hallway.
LORELAI
Thank you, mom.
EMILY
Hello, Luke. I didn't know you were coming. I don't have a chocolate box for you. You'll have to share with Lorelai.
LORELAI
Fat chance. Mom buys really good chocolate.
EMILY
I see you have a rory.
LORELAI
Excuse me?
EMILY
Your drink. It's called a rory. What's the matter, Luke, you don't like your rory?
LUKE
Oh, no, It's-it's great. It's a little pink, you know.
EMILY
Well, Rory's a girl. Girls like pink.
LUKE
I know. I was just saying.
EMILY
No one's asking you to wear it. It's not a skirt.
LUKE
I know. I just...
LORELAI
Drink the drink. (Luke drinks)
EMILY
Well, nice of you two to come. I have some things to check on. We'll catch up later. Excuse me. (walks away)
LUKE
(disgusted) Ohh, it tasted pink.
LORELAI
She's gone. (they start walking through the house)
LUKE
I mean, like, really tasted really pink, like pink pink. Yech!
LORELAI
Come on, let's get something to eat.
LUKE
God, that's terrible. It's like drinking a "My Little Pony". (they walk off)
(CUT to Rory greeting some people. She spots Paris and Doyle and walks over to say "hi")
RORY
Hey, I'm glad you guys came.
PARIS
We had to stop and eat first in case the food here sucked.
DOYLE
Happy birthday, Rory.
PARIS
Yeah, listen, we have really big news.
RORY
Thanks Doyle. What Paris?
PARIS
You tell her.
DOYLE
Okay.
PARIS
But do it fast and don't embellish.
DOYLE
As you know, I'm a senior, and my reign as editor of the Yale Daily News is officially up at the end of the year and I'm stepping down. I'm going back to writing full-time.
RORY
Wow.
DOYLE
I'm gonna be writing a column in the Daily News called "The World According to Doyle".
RORY
I can't imagine The Daily News without you as editor.
PARIS
Yeah. It's going to be weird. Ask who the new editor is.
RORY
Oh! Who's the new editor going to be?
PARIS
Me.
RORY
You? (a bit taken aback)
PARIS
That's right. Paris Geller is the new editor of the Yale Daily News. I was worried about the intimidation factor, 'cause people tend to be afraid of me, but I campaigned hard and really worked the "my parents left me broke" angle, got a little sympathy vote, and the next thing I know, I am the man.
DOYLE
My woman is the man. (Rory looks around a bit uncomfortable)
PARIS
I mean, it's so incredible. Last year, I was sleeping with the editor.
DOYLE
And this year, I am.
PARIS
I can't wait. The changes I'm going to make.
DOYLE
Hold on to your hats, people. (Rory notices as Lorelai and Luke walk up to the kids)
PARIS
I'm going to crack that whip, raise that bar. The last person that ran the shop was too busy ironing his petticoat to put out a decent paper.
DOYLE
That's about to change.
PARIS
You know it is.
LORELAI
Hey, everyone. Hey, Paris.
PARIS
Hey, Lorelai. You remember my boyfriend, Doyle?
LORELAI
Good to see you. This is Luke.
PARIS
Nice to meet you, Luke.
LUKE
We actually met about two or three weeks ago...
PARIS
This is my boyfriend, Doyle.
DOYLE
It's nice to meet you.
LUKE
Yeah, it's nice to meet you, too.
LORELAI
Hey, birthday girl.
RORY
Hey.
PARIS
We were just talking about the big news.
LORELAI
(excited) What's the big news?
PARIS
I'm the new editor of the Yale Daily News.
LORELAI
(glances at Rory with a concerned look) Wow. Congratulations, Paris.
PARIS
Yeah. Last year I was sleeping with the editor.
DOYLE
And this year, I am.
RORY
(still a bit uncomfortable) Um... I have to go say hello to some people, so I'll catch up with you guys later. Have some food. There's tons of food.
PARIS
That doesn't mean I'm not gonna crack that whip on you too Doyle. (Rory leaves and Lorelai looks after her a bit worried)
(CUT to patio, later during the party. Luke and Lorelai are having some food)
LUKE
What's this?
LORELAI
You know they shouldn't be allowed to put just anything into a martini glass. Martinis should go into a martini glass. Gin martinis, vodka martinis, period. That's it.
LUKE
Do you know what this is?
LORELAI
It's raw fish, Luke. Dip it in soy sauce and swallow it real quick. We were gonna drink martinis. The Rat Pack drank martinis. James Bond drank martinis. You know, it's the sweet drinks that really kill you. It's the sugar that give you the hangover and makes you throw up.
LUKE
Yeah, 'cause no one's ever thrown up from a martini before. (puts the sushi in his mouth)
LORELAI
You seen my father?
LUKE
(chewing) Nope.
LORELAI
Wonder where he's hiding.
LUKE
Okay, I got the red piece down.
LORELAI
"Hello, 'page six'? Have I got a scoop for you". (two DAR ladies walk up to them)
VIVIAN
Excuse me, Lorelai?
LORELAI
Uh, yeah?
VIVIAN
Hi, I'm Vivian Lewis, and this is Catherine Thurston Moore. We're friends of Rory's from the DAR.
LORELAI
Oh, friends of Rory's. Wow. I didn't realize she ran with the bad girls. (the ladies laugh)
VIVIAN
We just wanted to tell you we love Rory.
CATHERINE
She introduced us to buffalo wings and jalapeno poppers, and for that we will be eternally grateful.
LUKE
What's the DAR? (the ladies laugh again, Luke looks at Lorelai quizzically, and she smiles) I'm gonna get a beer. Anyone want anything?
LORELAI
I'm good.
LUKE
Okay, I'll be back. (as he walks off inside the camera pans on Paris and Doyle saying their story... again)
PARIS
Last year I was sleeping with the editor.
DOYLE
(after a long pause) Now I am. (their companions laugh)
PARIS
Come in a little quicker next time.
(CUT to inside. Rory is with a group of ladies, but notices Luke and walks up to him)
RORY
(at ladies) Oh, excuse me. (at Luke) Hey, little tip: We have beer here.
LUKE
Oh, the magic words. I was just heading over to the bar.
RORY
Have you tried a rory yet?
LUKE
Yes, I have. Not my kind of drink.
RORY
Yeah, mine, either.
LUKE
Lorelai will be glad to hear it. So, you two haven't talked yet.
RORY
Nope, not yet.
LUKE
Well, it was nice of you to invite her here. It means a lot.
RORY
I'm glad she came. I'm glad you both came.
LUKE
Oh, uh, here. I've got something for you. (looks in his pockets, takes out a jewellery gift box and hands it over to her) Birthday present.
RORY
Really?
LUKE
Yeah, I brought it just in case your mother didn't bring one, but she did. It's the one on top of your present mountain over there. But since I already had it in my pocket, I just figured... (Rory opens it and looks at it touched)
RORY
Luke.
LUKE
It was my mother's. Liz can't wear it 'cause her neck's too fat, but your neck looks, you know, not fat. It was sitting around in my drawer, so I thought, "hey, give it to Rory". You know you're lucky 'cause Caesar's birthday is next month and I know he likes pearls, so...
RORY
(chuckles a bit) Thank you.
LUKE
You're welcome. (they hug. A lady - Tweeny - from the group Rory was previously talking to walks over to them)
TWEENY
I saw a jewellery box and I couldn't help myself. What did you get? (Rory shows off her gift) Oh, it's fantastic.
RORY
It's from Luke, my stepfather-to-be. (Luke is pleasantly taken aback)
TWEENY
Well, you have exquisite taste, Luke. I'm Tweeny Halpern.
RORY
Tweeny works with me at the DAR.
LUKE
What's the DAR? (Tweeny laughs) I'm killing with that line tonight.
(CUT to patio outside. Emily walks up to Lorelai)
EMILY
Well, how's the party going so far?
LORELAI
Seems to be a big hit.
EMILY
Where's Luke? I hope he didn't get lost somewhere.
LORELAI
Oh, no, I'm sure he's just sizing up how much silver he can stuff into his pockets without it making too much of a bulge.
EMILY
I was not insinuating that he was a thief.
LORELAI
Ah.
EMILY
I was just making small, polite talk. That's what you do at parties. My commenting on his getting lost was in no way a swipe.
LORELAI
I'm sorry, I forgot. Luke went to get a beer. Take it. (Emily notices Lorelai's ring) Come on, Mom, it's all about timing. You know that. What are you... (realises what Emily is looking at)
EMILY
well, it seems congratulations are in order.
LORELAI
Well, that wasn't exactly congratulations, but, sure, close enough. (Claire comes to Emily)
CLAIRE
Excuse me, Mrs.Gilmore, but we really should cut the cake now.
EMILY
Have you seen Mr.Gilmore yet?
CLAIRE
No, I haven't.
EMILY
Of course not. He's going to sit all night long in that office of his, moping and sulking, missing his granddaughter's birthday party, and he's going to leave me out here all alone to host it. Fine. Come on, Claire. (Emily and Claire walk off, and Lorelai looks with concern towards the house and starts to make her way inside)
(CUT to Richard's study. There is a knock on the door and Lorelai enters. Richard is sitting in one of the armchairs drinking scotch and sulking)
LORELAI
Hello? Dad? You're missing a crazy party out there. You know someone forgot to cook the fish? Boy, is Mom gonna be mad.
RICHARD
Go away, Lorelai.
LORELAI
What's wrong, Dad?
RICHARD
You know what's wrong. Rory's wrong. It's all wrong. She's not going back to Yale. It's my fault. (Lorelai sits opposite him)
LORELAI
Rory made a choice, Dad.
RICHARD
I could've stopped her, and I didn't. I cleared the path for her to walk away from her goal, her life.
LORELAI
Dad...
RICHARD
She's having sex, Lorelai. She's having sex under my roof. I paid 40,000 dollars to redecorate her sex house. I bought her her sex mattress, her sex box springs. I provided everything she needs to waste her life.
LORELAI
Dad, Rory having sex is not your fault, really. She was having sex way before the big renovation.
RICHARD
I feel so much better now.
LORELAI
I'm sorry. I-I wasn't trying to...
RICHARD
I made a terrible, terrible mistake.
LORELAI
No, Dad, listen... (Emily walks in rather upset)
EMILY
Richard, you come out of here right now and make an appearance at this party.
RICHARD
I don't give a damn about the party, Emily.
EMILY
What is going on with you? You've been holed up in here for two days. Is it work?
LORELAI
It's Rory.
EMILY
What about Rory?
RICHARD
What do you mean, "What about Rory"? We've lost her.
EMILY
What are you talking about? I got her out of the pool house.
RICHARD
For a day. For two days, and then those rentals go back.
EMILY
Fine, then I'll have the place fumigated. That'll take a week. Then I'll have the place checked for mold. That'll be two weeks. Then I'll find rats. Then there will be carbon monoxide leaks, and pluming issues and if I have to, I'll tear the damn place down. In the meantime, she's here where we can watch her.
RICHARD
That doesn't matter, Emily. We have lost her.
EMILY
No!
RICHARD
We've failed.
EMILY
No! We have not failed. We have not failed until that girl comes home pregnant. Then we've failed!
LORELAI
And on that note... (Lorelai gets up and walks out of the study)
EMILY
Richard, I don't understand what's happening. Everything's been fine except the sex issue.
RICHARD
Everything hasn't been fine. (frustrated gets up and starts pacing) The minute we went against Lorelai, we lost.
EMILY
You're acting like this is my fault. Going against Lorelai was your idea. I was perfectly ready to go ahead with the plan that the three of us devised.
RICHARD
Running around with Logan, joining the DAR, planning parties.
EMILY
What's wrong with joining the DAR? We both agreed she needed a job.
RICHARD
Fund-raisers and tea parties? It's frivolous and meaningless. She has more to do, more to be. I don't want that life for her.
EMILY
(with an upset and a insulted look) You mean my life. You don't want her to be me.
RICHARD
Emily, no. That's not what I meant.
EMILY
We're cutting the cake now. Can't wait anymore. (Emily walks out clearly upset, and Richard is left alone also upset)
(CUT to living room. Lorelai walks around and spots Rory. They wave at each other and meet up half way across the room)
LORELAI
So.
RORY
So.
LORELAI
Your drink is disgusting.
RORY
Tell me about it.
LORELAI
Nice party, though.
RORY
Yeah, it's very nice.
LORELAI
You look great.
RORY
You look skinny.
LORELAI
Oh, well, it's the construction diet.
RORY
Construction?
LORELAI
Yeah, we're making the bedroom bigger.
RORY
You and Luke?
LORELAI
No, me and John O'Hurley. Luke doesn't know yet. I hope he takes it okay.
RORY
You guys are gonna live at our house?
LORELAI
Yeah.
RORY
Wow. That's nice.
So, what's new with you?
RORY
Oh, well, not much. I got my community service hours down from 300 to 104, so...
LORELAI
God, community should be well-served by now. They should build a statue of you when you're done.
RORY
Well, it's not just one community.
LORELAI
Right, yeah. That makes more sense, I guess. I got a dog.
RORY
What?
LORELAI
Stop. He's fine.
RORY
He's alive?
LORELAI
Yes, he's alive, and I'm not discussing that hamster again.
RORY
But you asked Babette to double-check that you feed it in the morning?
LORELAI
That is so not necessary... and yes.
RORY
Wow, a dog. A lot has changed.
LORELAI
A lot, and then not so much, also.
RORY
Did you get your chocolate box? They're by the door.
LORELAI
No, I didn't. I'll get one on the way out.
RORY
They're good. I ate two.
LORELAI
It's a really pretty party. I actually like all the votives and the... (Lorelai is cut off by the "happy birthday song". Lane and Logan come to take Rory closer to the cake. Lorelai is left behind. As everyone is singing Happy Birthday Lorelai watches on sadly. As the song ends Luke walks up to her at looks ate her with concern)
LORELAI
Ready to go?
LUKE
Sure. (they starts to leave)
(CUT to Luke's car, night. Luke and Lorelai are driving back in silence)
LUKE
Hey. You can pull link sausages out of me if you want. (Lorelai turns to look at him and smiles)
THE END