T7E10: “Merry Fisticuffs”
Título em Português: “Brigas”
Roteiro: David S. Rosenthal
Direção: Jackson Douglas
Originalmente exibido em: 5 de dezembro de 2006
KITCHEN – UNKNOWN HOUSE
[Lorelai and Chris are looking at a new house, they are acting]
CHRISTOPHER
I got a meeting in half an hour, so I better run.
LORELAI
Okay, well, have a great day.
CHRISTOPHER
Thanks again for breakfast.
LORELAI
My pleasure.
CHRISTOPHER
You make a hell of a Frittata.
LORELAI
Well it is my specialty what time?
CHRISTOPHER
Around sixish.
LORELAI
Alright I might make a Frittata for dinner.
CHRISTOPHER
Ooh, sounds good.
LORELAI
Have a great day, honey.
CHRISTOPHER
Bye, hon. [Chris walks off, then returns] So what'd you think?
LORELAI
Frittata?
CHRISTOPHER
Felt pretty good, huh?
LORELAI
No, it did. It's homey. Home-ish. Home-like. Margaret, what did you think?
MARGARET
Oh, you seemed like real people in a real house.
LORELAI
Wow. What about the lighting?
MARGARET
Well as you can see there's lots of windows, lots of natural sunlight.
LORELAI
But how do we look?
MARGARET
Excuse me?
LORELAI
In the lighting, how do we look?
MARGARET
Oh, right. At least 10 years younger.
LORELAI
Than...
MARGARET
Hmm?
LORELAI
Well, if you think we're 60 and the lighting makes us look 50, then this room is aging us, and that's not good.
MARGARET
You look 20.
LORELAI
Very good!
MARGARET
This house was originally built in 1790 but obviously has been completely remodeled. All new appliances. Three fireplaces. Proximity to an excellent school district. The large backyard. Great tree-house-building trees.
LORELAI
Ooh, fun.
MARGARET
So I'm gonna make a quick call. Take your time. Look around. Make yourselves at home. Well, I don't have to tell you two that. I’ll be right outside so just holler if you have any questions.
LORELAI
Thank you. We will.
CHRISTOPHER
So...
LORELAI
So?
CHRISTOPHER
I told you it was a really cool house.
LORELAI
It is.
CHRISTOPHER
And that yard?
LORELAI
Oh, love the yard.
CHRISTOPHER
And I know it's not Stars Hollow, but it's a really cool town and bigger. Lots of places to eat and shop.
LORELAI
Three bookstores? I mean this is a well-read community. We might be the dumbest people in town.
CHRISTOPHER
Yep we could be the town dunces. We'll buy caps.
LORELAI
We'll put "the dunces" on our mailbox.
CHRISTOPHER
That mailbox!
LORELAI
What is that, a hollowed-out Birch tree or something?
CHRISTOPHER
And the second-floor bedroom -- that's perfect for Gigi And the third-floor room – with the really cool windows that could be Rory's room.
LORELAI
Honey, I can't imagine a better house.
UNKNOWN HOUSE – EXTERIOR
[Lorelai and Chris exit the house]
LORELAI
Big front yard.
CHRISTOPHER
Could be our front yard.
LORELAI
Yeah.
CHRISTOPHER
Yeah. [Chris looks at Lorelai] What's with the face?
LORELAI
Face? What face? My face, you don't like my face?
CHRISTOPHER
Lor.
LORELAI
Hmm?
CHRISTOPHER
You want to stay in Stars Hollow.
LORELAI
Yeah.
CHRISTOPHER
You want to stay in your house. You don't want to move at all.
LORELAI
Yeah.
CHRISTOPHER
Okay.
LORELAI
Yeah?
CHRISTOPHER
Yeah... It's a hell of a mailbox, though.
LORELAI
Sure is.
OPENING CREDITS
GILMORE MANSION
[The front door rings and Emily opens it]
EMILY
You're here.
LORELAI
I'm here!
EMILY
You're 37 minutes late, but you're here.
LORELAI
Uh, traffic.
EMILY
It's Sunday morning Lorelai. The roads are empty.
LORELAI
Well let me finish, mom. Traffic cones everywhere. I mean you wouldn’t believe it's like a crazy obstacle course out there. It's a miracle I survived. Maybe we should do this another day when I'm less stressed from the traffic-cone dodging.
EMILY
I have the most exciting news.
LORELAI
You're canceling my wedding party?
EMILY
I got Randall Farber as your party planner.
LORELAI
And he's canceling my wedding party?
EMILY
He spent the last 15 years as designer-in-residence at the Connecticut opera house.
LORELAI
Boss.
EMILY
This is a real coup, Lorelai.
LORELAI
Well...
EMILY
Your father and I have been fans of his work for years, and he's only just begun designing parties. Two months ago we went to Abigail Hirschfeld's granddaughter's bat mitzvah,
LORELAI
Mm-hmm
EMILY
And it was the most spectacular event. The whole decor was inspired by Britten's "a midsummer night's dream." I swear I felt like I was in an enchanted forest the entire night, except for the children running around with braces. Randall, this is my daughter, Lorelai. Lorelai, Randall Farber.
LORELAI
Hello.
RANDALL
Ah, the star of our show.
LORELAI
Oh, well...
EMILY
I apologize for her tardiness. It's rather habitual.
RANDALL
Oh, stop. You're talking to an opera man. I've worked with Renée Fleming. The personality of a pit bull, that one, but all is forgiven when she sings, am I right.
LORELAI
Well, heads-up, I'm not much of an outside-the-shower singer.
EMILY
I hope you realize how lucky you are to have Randall, Lorelai. He's a genius.
RANDALL
Oh, stop. [Leading them into the dining room] Shall we?
LORELAI
Please.
[Now in the dinning room]
RANDALL
Well the first order of business is deciding on a theme around which I can design the evening.
LORELAI
How about "man's inhumanity to man"? It always worked well for my term papers in high school.
EMILY
Why don't you show us what you're thinking?
RANDALL
Well I've done a few mock-up tables. Just tell me which one jumps out at you.
LORELAI
Um, they all jump out at me. Kind of aggressively.
EMILY
Lorelai.
LORELAI
Well I just don't want it to be a big production, mom. It's just a party.
RANDALL
My dear, every party's a production. If it's a lousy production, it's a lousy party and everyone leaves by 8:30.
LORELAI
What about that as a theme? "Everyone leaves by 8:30."
EMILY
Tell me about this one.
LUKE’S DINER
KIRK
You’ve got you stocking plaid, your festive ornament collage your snowman trio, your Peekaboo Santa.
MISS PATTY
Well it's lovely, Kirk, but I already bought my wrapping paper from the kids from the Stars Hollow middle school.
KIRK
Well, then, you got ripped off.
MISS PATTY
What?
KIRK
Those kids are gouging you. I'm selling the same wrapping paper for 20% less.
LUKE
Aren't the kids selling the wrapping paper to help raise money for a new gymnasium?
KIRK
Yeah.
LUKE
Well, why are you?
KIRK
To raise money for myself. I'm not a school, Luke. No one's raising money for me. I saw the opportunity to enter the market at a lower price point and I took it.
MISS PATTY
Ho, ho, ho.
KIRK
What schoolchildren are the only ones allowed to sell wrapping paper? It's a free country. [A kid comes into the diner] Hey, Jacob! Beat it. This is my territory.
JACOB
Fathead.
KIRK
Yeah, keep walking.
LIZ
Look who's here.
MISS PATTY
Oh, my god!
LIZ
She's precious.
MISS PATTY
Oh, those eyes, that skin -- she's gorgeous.
LIZ
That's what everyone says.
LUKE
Hey, Liz.
LIZ
Hi, Luke.
LUKE
Oh, she's bigger.
LIZ
11 pounds, 4 ounces.
LUKE
Oh she looks great.
LIZ
I know. She's really strong, too. She can practically hold her head up. Most kids don't do that until they're two months.
LUKE
Really
LIZ
Yeah.
LUKE
Come on over and sit down.
LIZ
Oh, sure. [They move to the counter] Oh he's really strong to she takes after T.J., he’s really strong you know. We've been watching "Survivor" sometimes, you know, and he does the challenges, you know like standing on one leg or dragging the sandbags around, and he lasts longer than the guys on the show.
LUKE
Wow.
KIRK
You know, baby's first Christmas is approaching. Have you given thought to what baby's first Christmas gift will be wrapped in?
LIZ
No.
KIRK
I have baby Santa, cuddly reindeers, Frosty's world...
LUKE
Kirk.
KIRK
Yeah, okay. [He leaves]
LIZ
So is April excited about being a cousin?
LUKE
Yeah. I showed her the pictures you sent. She's gonna frame the one of her in the orange jumper.
LIZ
Oh, that is such a good one! [Laughter] She looks like a little creamsicle.
LUKE
[Laughs]
LIZ
She's very photogenic, huh?
LUKE
Yeah.
LIZ
And how are things with Anna?
LUKE
Yeah we're trading calls. It'll work out. I mean, I've calmed down a little since the fight. It'll all work itself out.
LIZ
I'm sure.
LUKE
Actually, I made a list. Okay I think it's pretty reasonable. Alright I was thinking I could have April either Thanksgiving or Christmas -- Anna can choose. One month of the summer. And I think I would like April to come to Stars Hollow one weekend every other month. In between, I can travel to New Mexico. I mean that sounds fair, right?
LIZ
Very reasonable. But I definitely think you need to get a lawyer.
LUKE
No lawyers. Anna and I are gonna work this out on our own.
LIZ
That's what you think now, big brother, but trust me -- custody issues are tough.
LUKE
Well, I don't like lawyers.
LIZ
Well, nobody does. Wait. She's staring at you. She is! She's staring at you, and she's falling asleep. Great. I'm gonna leave her with you, and I'll be back in an hour.
LUKE
What?
LIZ
Oh, I'm going crazy. I just need a minute to myself.
LUKE
Liz...
LIZ
She's been attached to my boob for two weeks, and T.J.'s decided to finally get a "work ethic."
LUKE
You can't just leave her here. I can’t watch her.
LIZ
I fed her. She'll be fine. She'll sleep the whole time.
LUKE
[now panicking a little] Wait, Liz...
LIZ
I'll be back in an hour, maybe an hour and a half.
[Luke looks a little worried as the door closes.]
GILMORE MANSION – DINNING ROOM
[They are still looking at tables]
RANDALL
So why don't we take our inspiration from the world of "la bohme," fin de sicle Paris? A little birdie told me you had quite the romantic Parisian adventure.
EMILY
Tweet, tweet.
RANDALL
I must confess -- this is my personal favorite. I must admit I have a soft spot, for it was while I was doing "la bohme" at the staatsoper in Vienna that I met the incomparable Franco Zeffirelli, whose meticulous attention to detail has been a yardstick for which I measure all my work.
EMILY
Your details are simply astounding, Randall.
LORELAI
What about instead of "la bohme," we took our inspiration from "rent" -- east village, 1985, rickety tables, chipped glassware... [Cell phone rings]
EMILY
Lorelai.
LORELAI
Excuse me. [Answers her cell phone] Hello?
RORY
How goes the party planning?
LORELAI
What? What happened?
RORY
That good, huh?
LORELAI
Is he okay?
RORY
I'm not participating in this.
LORELAI
Oh, my god. What can I do? What do you need?
RORY
You're not using this call to get out of party-planning hell.
LORELAI
Oh, I'll be right there.
RORY
Mom!
EMILY
I can hear Rory on the other end, Lorelai. You're not as clever as you think you are.
LORELAI
[Too Rory] You rat. [Holds up the phone]
RORY
Hi, grandma.
EMILY
Hello, Rory. [too Randall] That's my granddaughter, Rory. Delightful girl. She's a senior at Yale.
RANDALL
Fantastic theater program -- Meryl, Jodie.
LORELAI
[Back on the phone] Uh, I thought we had a deal.
RORY
We had no deal.
LORELAI
No, a deal for life. You've got my back. I've got yours.
RORY
I plan on having a good time at your wedding party. More importantly, I plan on making sure you have a good time at your wedding party. Therefore, it's important you be involved in the planning, of you wedding party so in the big picture, I do very much have your back.
LORELAI
Yeah, whatever.
RORY
Okay. Bad news. I'm afraid I have to bail on you and dad for dinner tonight.
LORELAI
Mm-hmm. Logan?
RORY
Yeah, he's coming to stay with me for a couple days. He's been so busy with the start up, I've hardly gotten to see him lately.
LORELAI
Okay can't see you through the phone, but I'm pouting.
RORY
I'll make it up to you.
LORELAI
Hey is he coming to the party? I’m trying to pad the guest list if he's coming, I'm in the double digits.
RORY
He'll be there.
LORELAI
Awesome.
RORY
So okay, I'll call you later, okay?
LORELAI
The stairs are rickety, and you think you might fall down them?
RORY
Mom.
LORELAI
The pool is empty, and you've hit your head?
RORY
Goodbye.
LORELAI
Okay, bye.
EMILY
Lorelai, come look at these invitations.
LORELAI
[Sighs] Can we just send an Evite?... No? Okay.
DOOSE’S MARKET
[Lorelai and Chris are shopping]
LORELAI
Two hours we spent picking out invitations. Two hours.
CHRISTOPHER
Wow.
LORELAI
Not counting the one hour we spent picking out the calligraphy -- for a party.
[Lorelai puts pop tarts into the cart]
CHRISTOPHER
This is gonna be some shindig.
[Chris puts the pop tarts back on the shelf without Lorelai seeing]
LORELAI
"Would you like the brown card with the cream-colored detail and the parchment insert, or would you like the cream-colored card with the silk lining and the clear paper insert?" How about I'd like some cyanide and a 30-story building to jump off of?
CHRISTOPHER
Ah no, we said one sugar cereal.
LORELAI
You're gonna deny me the captain?
CHRISTOPHER
We've got a whole box of Froot Loops at home.
LORELAI
[pouting] In my fragile state you're gonna deny me peanut butter Cap'n crunch?
CHRISTOPHER
It rips your gums...
LORELAI
In a delightful, sugary way. Look it's got 5% real peanut-butter- flavored chemicals.
CHRISTOPHER
No.
LORELAI
Oh, fine. Corn flakes.
CHRISTOPHER
Which one do we get again?
LORELAI
Avoid the words "made with real vegetables." I cannot take another day of Emily and Randall, and I have nine more days of it. That's nine more days than I can take.
CHRISTOPHER
Oh, you're doing great.
LORELAI
I'm not doing great. I'm going nuts. Tomorrow we have the food-and-wine tasting at the Mildred Manor ballroom.
CHRISTOPHER
At least you get to drink your way through it.
LORELAI
No. Fancy people make you spit out the wine. That's what fancy people do. But not me. I'm gonna drink them under the ballroom.
CHRISTOPHER
What time's the tasting?
LORELAI
3:30 till the end of never.
CHRISTOPHER
Well I've got a meeting in Hartford at 2:00, but I can meet you there afterward.
LORELAI
Really?
CHRISTOPHER
Yes.
LORELAI
Honey, that would be so great. I will never eat peanut butter Cap'n crunch again. Yes, I will. That's a lie. But together, we can defeat them.
CHRISTOPHER
Hey this is serious I don't want to get the wrong-colored deck mint parchment insert. The guys at the gym would never let me live it down.
LORELAI
No.
CHRISTOPHER
Well we got everything?
LORELAI
Yeah, we're good. Oh, no.
CHRISTOPHER
What?
LORELAI
Bonnie.
CHRISTOPHER
Who?
LORELAI
Taylor's niece, Bonnie, working the register. She couldn't be slower or care less about her job.
CHRISTOPHER
I thought life in a small town was supposed to be leisurely.
LORELAI
There's leisurely, and then there's Bonnie. [Sighs] We're never gonna get out of here.
CHRISTOPHER
Go wait outside.
LORELAI
Really?
CHRISTOPHER
Go.
LORELAI
[Clicks tongue] Honey, buy me Tic Tacs. Hi, bonnie.
BONNIE
What's up, Lorelai?
LORELAI
That's cabbage, hon.
BONNIE
Um... I'm gonna need a void here.
DOOSE’S MARKET – EXTERIOR
[Lorelai comes out just as Luke is walking Doula in her stroller past the store]
LORELAI
[Noticing Luke] Hi.
LUKE
Hey.
LORELAI
Who's -- who's this?
LUKE
That's Liz's baby.
LORELAI
Oh, wow. Congratulations. You're an uncle again, huh?
LUKE
Yeah, thanks.
LORELAI
Oh. Well, she's cute. She looks just like T.J.
LUKE
Hopefully she will grow out of that.
LORELAI
She's adorable. She's sweet. So what's her name?
LUKE
Doula.
LORELAI
What?
LUKE
Doula.
LORELAI
Oh, is that...
LUKE
A weird name.
LORELAI
Weird name. A little bit. But, no, it's special. It's one-of-a-kind, distinctive. Can I?
LUKE
Oh, sure, of course.
LORELAI
[Leans in and pick up Doula] Hi. Hi, bubby. Hi. Oh, precious. How old is she? Two weeks?
LUKE
11 days.
LORELAI
Oh, wow. And how's Liz?
LUKE
Oh, they're great. They're both doing great. They're gonna make very strange parents but you know good ones, I know.
LORELAI
Nothing wrong with a strange but loving household.
LUKE
Yeah, I guess.
LORELAI
Look at her long fingers.
LUKE
Yeah, I noticed that, too.
LORELAI
What are you gonna be -- a pianist when you grow up? Is that what you're gonna be, pretty girl? Or a pickpocket. Well, yes, you might. You might be a pickpocketing pianist.
LUKE
Oh, look what she did.
[Chris comes out of Doose’s and looks at them for a few seconds]
LUKE
[Laughs]
LORELAI
Pretty.
LUKE
She's trying to take my finger.
CHRISTOPHER
Hey.
LORELAI
Hey. Look. It's Liz's new baby.
CHRISTOPHER
Cute.
LORELAI
Yeah. Well, thanks, um, for letting me..
LUKE
Yeah.
LORELAI
Hold her. And tell Liz congratulations for me, okay?
LUKE
Will do.
LORELAI
Alright see you.
LUKE
See you.
LORELAI
Want me to...
CHRISTOPHER
I got it.
LORELAI
Okay.
CHRISTOPHER
[Too lorelai] Looks good on you...
YALE – CAFETERIA
[Rory and Logan are waiting in line]
LORELAI
We don't have to eat here.
RORY
Oh, yes, we do. You're on my turf now.
LOGAN
Your turf?
RORY
My turf.
LOGAN
You know, I did go to school here.
RORY
Yeah, you graduated from Yale. You can eat from their cafeteria at least once.
LOGAN
I stopped by for the occasional bowl of cereal.
RORY
Yeah cereal does not count. Okay you need to get something hot, mushy, and meaty.
LOGAN
You're not making it sound too appetizing.
RORY
Oh, it's not. I have an extra family pass from parents' weekend.
LOGAN
Oh, so when your parents came, they got to eat real food?
RORY
Mm-hmm I'm gonna tell them that you're my brother and that you're gonna get your meal comped.
LOGAN
I don't mind paying for my mushy meat.
RORY
No, that's not the issue. I mean I know how to work the system.
LOGAN
Oh, you do.
RORY
Yeah, you know me -- I can be crafty.
LOGAN
You can make a necklace out of macaroni, but this is high-stakes deception.
RORY
What's my middle name? Rory "high-stakes deception" Gilmore.
DENNIS
Card.
RORY
There you go. And this is my family pass for my brother here.
BRANDON
Logan! What's up, brother? What they hell are you doing here, I thought you moved to London to run the world or something.
LOGAN
Just back for a visit.
RORY
My brother went here, too.
BRANDON
Is this your girlfriend, Rory?
LOGAN
I don't know. Is it?
RORY
[Too Dennis] Um I'm a terrible liar.
DENNIS
Ah-ha
LOGAN
Apparently so.
RORY
So hi. I'm Rory.
BRANDON
Brandon. Nice to meet you.
RORY
You too. So, Dennis, how much is a lunch pass?
DENNIS
$9.75.
LOGAN
So you're still with Nicole?
BRANDON
Yeah, till I die or she kills me.
LOGAN
Well, give her my best.
BRANDON
Will do, buddy. Good to see you, Logan.
LOGAN
You too.
BRANDON
Nice to meet you, Rory.
RORY
You too. Bye.
LOGAN
[Too Rory] Smooth.
RORY
Shut up.
LOGAN
Way to work the system.
RORY
You totally left me hanging there.
LOGAN
What could I do? You were working the system. In fact, you were working the system so well, I think the system needs a day off.
RORY
I'll have the chicken, and he'll have the meat loaf with extra gravy.
LOGAN
Nice.
RORY
Mm-hmm. Oh, hey, there's Lucy. Lucy!
LUCY
Hi! You must be Rory's imaginary boyfriend, Logan.
LOGAN
Hi, Lucy.
LUCY
Hi. I would give you a proper hug, but my pockets are full of apple jacks. I have art history in a few minutes, and my professor sounds like Garrison Keillor on Quaaludes, so I need a constant intake of sugar just to stay awake.
LOGAN
I was just treating Logan to his first Branford dining hall meat loaf.
LUCY
Oh, you're in for a treat and a stomachache.
LOGAN
I can tell.
LUCY
So congratulations on buying the Internet or something.
LOGAN
Thank you, although al gore and I are still negotiating so it‘s not a done deal yet.
RORY
It's too bad that you have class. You could have eaten with us.
LUCY
Sad. Hey, why don't we have dinner? I have a lecture tonight, but what about tomorrow night?
RORY
Sure.
LOGAN
Sounds good.
LUCY
Fun! We'll have to go to Panchali's. It's this new Indian restaurant right off campus. It’s awesome and I swear no matter how much food you order, you cannot spend more than 7 bucks.
LOGAN
Sounds like stomachache number two.
RORY
Huh-huh
MARTY
[Entering the room] Hey, babe. Come on.
LUCY
Boyfriend! [Marty is surprised to see Logan and Rory, Lucy waves him over] Boyfriend, this is Rory's imaginary boyfriend, Logan.
LOGAN
I know Marty. How you doing, man?
MARTY
Hey.
LUCY
How do you two know each other?
MARTY
Oh we met when I was bartending one of Logan's parties.
LUCY
What a coinkydink.
RORY
Yeah.
LOGAN
More than one, he did a couple blowouts for me, and if I'm not mistaken, at the last one, cops were called.
MARTY
That sounds familiar.
LUCY
You know, you probably met Marty, too, and you just didn't even know it.
MARTY
We should go. I need to stop by the library before class.
LUCY
Right. Okay, bye, guys. We will see you tomorrow for Basmati and Vindaloo.
RORY
Okay. Bye.
LOGAN
Later.
RORY
Okay. Come on. [They go over to a table and sit] Is this okay?
LOGAN
Fine. So what's with the whole "you must have met Marty"?
RORY
Oh, I meant to tell you.
LOGAN
Tell me what?
RORY
It's kind of embarrassing. It's so juvenile and lame. It's like high school -- not even high school. It's junior high.
LOGAN
I'm listening.
RORY
Well, I've been hanging out with Lucy and Olivia and I keep hearing about Lucy's boyfriend, and they never actually said his name. And then when I finally met him, it was Marty. And before I could even say anything, he just pretended like we've never met. And I just didn't know what to do, so I went along with it, but now Lucy still doesn't know that we know each other. It's just kind of weird and awkward. And did I mention juvenile?
LOGAN
Why did you go along with it?
RORY
I don't know. It just happened so fast. I was caught off guard.
LOGAN
So why would he pretend not to know you?
RORY
I don't know. I mean, maybe because he used to like me, and maybe he still does a little. But that's stupid, because he's with Lucy now, and she's amazing. They’re great together and it's all so annoying. I mean they don't call people by name. They don’t call anyone by name, French-fry guy -- I don't know who that is. That could be you.
LOGAN
So what happened?
RORY
What do you mean?
LOGAN
Well he must have said or done something right to make you think he's still into you.
RORY
I don't know. He said I was beautiful. To me, he said it.
LOGAN
Well can't blame the guy for that. You are beautiful.
RORY
The way he said it.
LOGAN
Right.
RORY
Yeah.
LOGAN
So what? You guys have been hanging out?
RORY
No. No, I mean, just when he's around with Lucy.
LOGAN
So you have been hanging out.
RORY
Just with Lucy.
LOGAN
So why the secrecy?
RORY
I told you, I was caught off guard.
LOGAN
No, with me. Why did you never mention that you and Marty were hanging out again?
RORY
Oh I just didn't think it mattered.
LOGAN
Well you're not the secret-keeping type. Of course that is before I knew you were Rory "high-stakes deception" Gilmore.
RORY
No, it wasn't a secret. I mean, I didn't tell you. That's it. I swear. I mean I didn't not tell you. I just didn't think there was anything to tell.
LOGAN
Well, you have to tell Lucy.
RORY
I know. I will. Just I need to figure out the right time and way to do it. I just don't want to screw anything up.
LOGAN
A little brotherly advice -- tell her sooner rather than later.
RORY
Yeah, I will. I'll figure something out. We don't have to go to dinner with them though. I can cancel that.
LOGAN
No, it's fine. We can go to dinner. Unless there's something on your end.
RORY
No. Logan, god, no.
LOGAN
Good. Then let's go to dinner.
RORY
Okay.
LOGAN
Really, they charge 10 bucks for this?
RORY
Hum
LORELAI'S HOUSE – BED ROOM
[Lorelai and Chris are in bed in each other arms.]
CHRISTOPHER
Let's make a baby.
LORELAI
What do you mean?
CHRISTOPHER
Seriously.
LORELAI
Christopher.
CHRISTOPHER
What?
LORELAI
What are you talking about?
CHRISTOPHER
Why not?
LORELAI
What?
CHRISTOPHER
Why not?
LORELAI
Because we haven't talked about it at all -- ever.
CHRISTOPHER
Okay, well, let's talk about it.
LORELAI
Okay.
CHRISTOPHER
You want another kid, don't you?
LORELAI
Oh, god. Uh, I don't know. I, um... sure, maybe.
CHRISTOPHER
Me too. And, you know, last one turned out pretty good, so...
LORELAI
Last one didn't turn out pretty good. Last one came out and a lot of work went into getting her to pretty good.
CHRISTOPHER
You're right. You're right. I'm -- I'm sorry.
LORELAI
It's okay.
CHRISTOPHER
No, you're right. You're absolutely right. But, um, it's different now. We're adults. We're married. It'd be easier.
LORELAI
Yeah. I guess. I don't know. I think... I want... another... kid.
CHRISTOPHER
Okay, well, we're on the same page. Let's go for it.
LORELAI
[Chris starts to kiss Lorelai] Honey... Chris... honey... seriously -- seriously, I don't want to go for it right now.
CHRISTOPHER
Why not?
LORELAI
Why not? We just got married. I mean, Gigi's not even back from France.
CHRISTOPHER
So you don't want to because of Gigi?
LORELAI
No, I mean, it's not because of Gigi
CHRISTOPHER
Because financially, we're good. We're set. We could have a thousand kids, feed them, send them to Harvard undergrad, law school.
LORELAI
No, I know.
CHRISTOPHER
Do you not think we'll work?
LORELAI
What?
CHRISTOPHER
Because if that's what you're thinking, I mean it's a little late.
LORELAI
Oh, my god, no. That's not what I'm thinking. That's not what I'm thinking at all.
CHRISTOPHER
What are you thinking?
LORELAI
I just -- what is this? What is the rush? Why right now? [Chris exhales like he doesn’t believe Lorelai.] Chris.
CHRISTOPHER
Yeah. No, it's fine.
LORELAI
Honey...
CHRISTOPHER
No, you're right. We should we should wait. We should. You're right.
[Chris turns over with his back to Lorelai and goes to sleep]
LUKE’S DINER - DAYTIME
LUKE
Cesar, what time you got?
CAESAR
10 after 2:00.
LUKE
As soon as April gets here, we're gonna have to run, 'cause we're gonna miss the movie.
CAESAR
I'm feeling you.
LUKE
Stop feeling me.
KIRK
So business has been going like gangbusters.
LUKE
Congratulations.
KIRK
Yeah, I'm destroying those Stars Hollow middle school kids. Destroying -- outselling them by three or four times. I think it’s safe to say they won't be getting their new gym anytime soon.
LUKE
You must be very proud.
KIRK
I am. Sure there's been an increase in prank phone calls, but so what? I can answer the phone all day long.
LUKE
I’m sure.
KIRK
And so they've ordered pizzas to my house day and night. You know what? I love pizza. Bring it on. They think they're intimidating me, but I'm not scared.
LUKE
12-year-olds don't scare you.
KIRK
Not at all.
JACOB
Kirk!
KIRK
I thought I told you to get lost.
JACOB
We want to talk.
[Short pause]
KIRK
So talk.
JACOB
Not here. Outside.
KIRK
All right. Let's go. [Luke picks up his pack of wrapping paper] But I'm warning you -- if it gets physical, I will show no mercy.
[Luke calls Anna, who is wrapping things fro Christmas.]
ANNA
Hello?
LUKE
Hey, Anna, it's Luke.
ANNA
Yeah.
LUKE
Yeah I was just wondering if April took off. She's not here yet, and she's never late. I'm just getting a little worried.
ANNA
April's fine.
LUKE
Is she on her way?
ANNA
No, she's not coming.
LUKE
What does that mean?
ANNA
Luke, you can't just come to my house, threaten me, and then expect me to send April off to see you.
LUKE
Look, things got a little heated the other night.
ANNA
Yes they certainly did, and I'm not comfortable with April being with you right now.
LUKE
Anna, wait...
ANNA
No, Luke, I won't, because this is my decision. Goodbye.
[Luke looks at the phone and is a little mad]
MILDRED MANOR BALLROOM
[Lorelai, Chris, Emily and Randall are there.]
RANDALL
So we moved away from a literal theme as per our star's request.
LORELAI
Star -- that's me.
CHRISTOPHER
[sounding a little annoyed] Yeah, I got it.
RANDALL
But we did manage to squeeze some favorite colors out of her, didn’t we.
LORELAI
Yellow, like my sunny disposition.
RANDALL
Eh, eh, eh. Not yellow. Buttercup and buttercream.
LORELAI
Do you like buttercream and buttermilk, honey or would you like a nondairy color?
RANDALL
Please say you like them.
CHRISTOPHER
It's fine.
RANDALL
So of course this area will be for the tables, as discussed. The orchestra -- excuse me -- band will be over there. And obviously, the dance floor is right here.
LORELAI
Actually, I'm morally opposed to dancing, so that's not gonna work for me.
CHRISTOPHER
She's just kidding.
LORELAI
[Giggles]
RANDALL
Aha.
EMILY
I'm so glad you're here. Maybe you can help keep Lorelai's snarkiness in check.
CHRISTOPHER
Let's see what he's got planned.
RANDALL
So we still have to decide on the score. Have you made a list of your favorite music?
LORELAI
No list necessary. It's going to be Burt Bacharach and nothing but.
RANDALL
Really?
CHRISTOPHER
We'll make a list.
RANDALL
Wonderful.
LORELAI
[Too Chris] Hey, you okay?
CHRISTOPHER
Yeah. I'm fine.
RANDALL
Now, for the fish course, I believe we have either a Pouilly Fuissé or a Muscat, if you go with the salmon, and I do think you should go with the salmon.
EMILY
Agreed. Now, as far as the vows go...
LORELAI
[Coughs] I'm sorry. The vows?
EMILY
Wedding vows.
LORELAI
Ah what are you talking about?
EMILY
They can be traditional, or you can write your own, which seems to be the style now day, although if you ask me it's rather garish. Cecily Pendelem's daughter actually promised to cook her husband lasagna once a month. Who wants to hear the word "lasagna" at a wedding?
LORELAI
Well you make a good point but this is not a wedding. It's just a party.
EMILY
A party to celebrate a marriage, which is why a simple exchange of vows is entirely appropriate.
LORELAI
Mom, we agreed to a party, okay? Just a party.
EMILY
A wedding is a party.
LORELAI
Yes, but we are already married.
EMILY
Yes, and no one got to witness it. Did it ever occur to you that your father and I might like to see our only child get married?
LORELAI
[Begging voice] Christopher?
CHRISTOPHER
I don't think it's such a bad idea.
LORELAI
What?
[Emily looks on very happy]
CHRISTOPHER
Might be kind of nice.
LORELAI
Wait a minute. Is this an ambush and you guys ambushing me?
EMILY
No one is ambushing you, Lorelai. The idea of your exchanging vows in front of all your family and friends isn't so outrageous.
LORELAI
Mom, the whole reason we eloped is to avoid the wedding thing.
CHRISTOPHER
Ah now that’s not the reason we eloped, we eloped because we love each other and we wanted to get married.
LORELAI
Well you know what I mean.
CHRISTOPHER
No, I don't.
LORELAI
Chris.
CHRISTOPHER
What is the big deal?
LORELAI
The big deal is I don't want to do it and we're already married.
CHRISTOPHER
So that's it.
LORELAI
Well...
CHRISTOPHER
I don't even know why I'm here. It's not like my opinion really matters.
LORELAI
Of course it does.
CHRISTOPHER
You're gonna do what you want to do. House, wedding, kids -- it's all your call, right?
EMILY
Are you talking about having more children?
LORELAI
Thank you.
EMILY
Wait! Are you pregnant?
LORELAI
No.
CHRISTOPHER
That’s nice.
LORELAI
What?
CHRISTOPHER
You don't have to act like it's the most horrible thing in the world.
LORELAI
Can we not talk about this now?
CHRISTOPHER
Why you don't want to be spur-of-the-moment? Lets discuss things.
EMILY
Randall perhaps we should give them some privacy.
RANDALL
Of course.
LORELAI
What is wrong with you?
CHRISTOPHER
What's wrong with you?
LORELAI
You're airing all our business in front of my mother of all people.
CHRISTOPHER
What is your problem with a wedding?
LORELAI
We're already married.
CHRISTOPHER
Exactly, so what's the big deal? You planned a huge wedding with that diner guy.
LORELAI
[mocking voice] "That diner guy"?
CHRISTOPHER
I’m sorry should I be more respectful to the guy who punched me in the face?
LORELAI
Is that what this is about?
CHRISTOPHER
No, this is about us. At least that's what I thought, but apparently it's just about you.
LORELAI
What is that supposed to mean?
CHRISTOPHER
You know what? I'm going back to work.
LORELAI
No, no. Christopher, hey.
LAWYER’S OFFICE
[Luke and the lawyer]
LAWYER
So you want to sue for custody.
LUKE
No, I don't want to sue her. I just want... [gets a note from his pocket] this or something like this.
LAWYER
You want partial custody.
LUKE
Is that what that is?
LAWYER
Yeah.
LUKE
Yeah, fine. Then I want partial custody.
LAWYER
Then you have to sue for it.
LUKE
Really?
LAWYER
Really. But you're not gonna get this.
LUKE
Why not?
LAWYER
From everything you've just told me, this is a best-case scenario, and I'm not really in the best-case-scenario business.
LUKE
What does that mean?
LAWYER
It means you haven't been in April's life for the past 12 years.
LUKE
But that wasn't my fault. I didn't know she existed.
LAWYER
Doesn't matter.
LUKE
How can it not matter?
LAWYER
Because she has a history with her mother. This is not about what you want, Luke. This is not about what Anna wants. The court only cares what's best for April, and in these types of cases, they almost always side with the mother.
LUKE
So what can I do?
LAWYER
You can fight. You can make your case.
LUKE
Okay.
LAWYER
Okay. What about Anna's history?
LUKE
Anna's?
LAWYER
Any police records? Incidents?
LUKE
Uh, no.
LAWYER
Erratic behavior? Drugs? Alcohol?
LUKE
I don't think so.
LAWYER
So you don't know. Well we'll look into it. What about you?
LUKE
Hmm?
LAWYER
Any record?
LUKE
No. Well, yes, actually. I beat up this guy's car this -- this one time. It was no big deal.
LAWYER
Did you attend anger-management classes?
LUKE
No.
LAWYER
Would you be willing to?
LUKE
I don't need to.
LAWYER
You might.
LUKE
Look... I don't want this to get ugly. I just want what's fair.
LAWYER
Custody battles get ugly, Luke, and they're not about what's fair. The truth is this will be long, it will be expensive, it will be unpleasant, and you'll probably lose. But if you want your daughter, it's the only way. And time is of the essence here, because once Anna moves April out of state, it becomes infinitely more complicated.
[Luke looks worried]
PANCHALI'S RESTAURANT
[Lucy, Marty, Logan and Rory are having dinner]
LUCY
So I beg and plead with him, he says he’ll try and come but I'm afraid he won't, and I just can't wait any longer. So I take the ticket, and I go running off. I run all the way back to the theater. When I get there, I burst through the doors. There's sweat pouring off of me and I'm gasping for breath.
LOGAN
And everybody's gone?
LUCY
No, the director is still there.
LOGAN
No!
LUCY
I know, right.
MARTY
[Too Rory] Can you pass the Raita?
RORY
Sure.
LUCY
So I say to him, "you have to let me audition." And he says, "you can't audition, because the auditions are over." And I say, "the auditions can't be over, because I haven't auditioned yet." And he says, "you're two hours too late." And I say, "that's because I was in a traffic accident, and I have the cop to prove it." Just as I'm about to say, "and he'll be here any minute," and, you know, not really believing it, officer Frick comes waltzing through the door.
LOGAN
No!
LUCY
Like Fred Astaire.
LOGAN
Officer Frick came through.
LUCY
Officer Frick came through.
LOGAN
So you got the part?
LUCY
Oh, no. I was totally wrong for it. But officer Frick introduced me to his nephew Drew, and we went out a few times, so that was cool.
LOGAN
Lucy, hands down that is the best "dedicated to my craft" story I’ve ever heard.
LUCY
Why, thank you.
LOGAN
Hard-working and beautiful -- she's something special. You got yourself a good one here, Marty.
MARTY
Thanks.
LUCY
Oh Rory's got way better stories than I do.
LOGAN
Did she ever tell you about the time she drove out to her English lit professor's house in Albany to replace the last page of her final?
RORY
Well it was in the wrong font, and I got an "A" on that paper.
LOGAN
Wasn't that the professor who had a crush on you?
LUCY
Hey! Are you saying that she didn't deserve the "A"?
LOGAN
I'm just saying the woman is the object of many strange crushes.
RORY
Oh, that's not true.
LOGAN
The oddball who works at Baskin-Robbins? She can't walk within a block of the place without the guy running out with a triple scoop of mint chocolate chip.
RORY
So not true.
LUCY
[Laughs] Hey, she's something special.
RORY
Hey you know I put four pages of endnotes on that final. I deserved that "A."
LOGAN
I'm not saying you're not dedicated to your schoolwork. You’re the hardest worker I know, see I was always about doing just enough, or maybe a little less.
LUCY
Well, look at you now, Mr. Slaving away.
LOGAN
It's true. My rep is ruined.
LUCY
Boyfriend works insanely hard.
LOGAN
Is that true, Marty?
MARTY
I just have a couple jobs.
LUCY
Four! The man has four jobs. And a full class load. It's nuts! Right, Rory?
RORY
It does seem a bit excessive.
MARTY
It's not four.
LUCY
Four. Rory?
RORY
I think so.
LUCY
Finnegan's, the bookstore, tutoring, and landscaping.
MARTY
The landscaping is seasonal. I haven't done that for months.
LUCY
But you will, and that will be four.
LOGAN
That's a lot of jobs, my boy.
MARTY
Hey, I'm just waiting for that trust fund to kick in. [Rory’s napkin falls on the floor] I got it. There.
RORY
Thanks.
LOGAN
So how did you two meet?
LUCY
Tell him.
MARTY
What?
LUCY
Tell him!
MARTY
Why?
LUCY
He stalked me.
LOGAN
That's charming.
LUCY
I was playing Portia in "The Merchant of Venice" at the rep, and every night, I see this guy in the front row -- same seat, same intense gaze. And after the fifth show, I went up to him and I said, "next time I see you, you better bring flowers or have a knife and stab me." And...
MARTY
The next time I saw her, I had daisies and a butter knife.
LUCY
[Laughs]
LOGAN
Sweet.
LUCY
I can't believe I don't even know this. How did you two meet?
LOGAN
Actually, Marty introduced us.
LUCY
What?
LOGAN
I'm sorry. I can't be a part of this.
LUCY
A part of what?
RORY
Logan.
LOGAN
They've known each other since freshman year.
LUCY
I don't understand.
LOGAN
Rory and Marty, they used to hang out all the time at Branford and watch "Duck Soup."
LUCY
What are you talking about? W-what is he talking about?
MARTY
Lucy...
LUCY
You guys know each other?
RORY
Yes.
MARTY
It was freshman year. It's no big deal.
LUCY
You've been keeping this from me? Why? I-I don't understand. You guys are friends? You know each other?
RORY
I'm sorry, Lucy.
MARTY
We just didn't think...
LUCY
So you both have been lying to me about this? I don't understand. Why? For what?
MARTY
I don't know.
LUCY
Oh, my god. This is so messed up. I have to go.
MARTY
Lucy... [Followers her out]
RORY
What is wrong with you?
LOGAN
I was asked a direct question. I'm not gonna lie. She's a nice girl.
RORY
Yeah, I know she's a nice girl. She's my friend.
LOGAN
You were gonna tell her anyway.
RORY
Not here. Not like this. You totally humiliated her.
LOGAN
Lucy's humiliated because of what you and Marty did to her, not me. I told her the truth, which is something she could use more of from her supposed friend and her boyfriend.
RORY
I can't believe you're trying to justify this. What you did was so obnoxious.
LOGAN
I was just being honest. I'm just gonna head back into the city tonight. I've got a lot of work to do tomorrow.
RORY
Fine.
DRAGONFLY INN – LINEN CLOSET
[Lorelai is counting, her cell phone rings]
LORELAI
[Goes to the phone] Ooh. [Answers the phone] Hi. 143.
RORY
What?
LORELAI
I want to talk to you, but I'm gonna lose count, so remember 143.
RORY
143 what?
LORELAI
Soaps.
RORY
What are you doing?
LORELAI
Inventory.
RORY
At the inn?
LORELAI
No, at the pentagon. I'm tracking soaps and nuclear missiles for general Abizaid.
RORY
Isn't it a little late?
LORELAI
The general's a slave driver.
RORY
Mom.
LORELAI
Well it had to get done at some point, so I thought I'd do it at this point. I count better at night.
RORY
Okay.
LORELAI
So what's going on? I thought it was an all-Logan week.
RORY
It was.
LORELAI
Was?
RORY
Boys suck.
LORELAI
Oh, hon.
RORY
They totally suck.
LORELAI
Sometimes they do.
RORY
Tell me it gets better when they get older.
LORELAI
It gets better when they get older.
RORY
It does?
LORELAI
Well, it gets more confusing, more complicated, and more complex. Does any of that sound better?
RORY
No.
LORELAI
So what happened?
RORY
It was awful. We went to dinner with Lucy and Marty, and I told him everything beforehand -- about how Marty pretended that we didn't know each other and I just had to go with it.
LORELAI
Uh-oh.
RORY
Yeah. So right in the middle of dinner, he decides that he can't lie to Lucy, and he tells her Marty and I have known each other since freshman year.
LORELAI
Yikes!
RORY
I know. Who does that, right? Right in the middle of dinner. He has no reason to be jealous. I mean, he knows that I love him.
LORELAI
Of course he does.
RORY
So why would he do it?
LORELAI
I have no idea. Mars and Venus, you know?
RORY
Yeah, see, I don't think that's right. Because Mars and Venus are both planets, right? So they have something in common. I think it's more like Mars and a bowl of soup.
LORELAI
Venus and a bowl of soup.
RORY
What?
LORELAI
Venus is the woman. Venus and a bowl of soup.
RORY
Really, mom?
LORELAI
Well, I'm just saying. So um, how's Lucy?
RORY
I don't know. Not good. She ran out. And I've been trying to call her, but she won't answer her phone. I don’t blame her I mean wouldn't want to talk to me right now.
LORELAI
Oh, she'll be fine. She probably just needs time to cool down, you know.
RORY
Yeah, I hope so. I mean, I feel terrible.
LORELAI
Of course you do. You want to come home? I'm about to start counting dust ruffles.
RORY
No. I should actually probably go over there and try, you know? See if she'll talk to me in person.
LORELAI
All right. Let me know what happens.
RORY
Yeah, I will. 143.
LORELAI
Ah, thank you. Sorry boys suck.
RORY
Yeah, stupid bowls of soup.
CASEY'S BAR – NIGHT
[Chris is drinking alone, the bar is empty, "The Joker" is playing. The bar tender comes and give Chris the tab, Chris pays, then leaves]
STARS HOLLOW – TOWN SQUARE NIGHT
[Chris walks to his car from the bar. Chris sees Luke’s truck pulls up outside the diner and he gets out, the guy’s lock eyes “Show down in Stars Hollow” style. Chris starts to walk toward Luke, Luke waits a few seconds and starts heading to Chris. Chris rips of his scarf and Luke takes of his leather jacket. Chris swings and misses Luke, Luke hits Chris and he goes down! Luke throws him against a Christmas display, which falls over. Chris tackles Luke and they wrestle on the ground. They get up and wrestle some more before Luke gets in 2 more punches sending Chris to the ground. They are both breathing heavily. Chris gets up and charges Luke “Ungh!”, sending them into the Christmas tree. It is knocked over and "We wish you a merry Christmas" starts to play from the display. Chris gets up and jumps Luke and they wrestle some more. They both struggle to get up. "Deck the halls" starts to play. They both circle and eye each other off before walking away]
YALE – HALLWAY
[Rory knocks on Lucy’s door]
RORY
Hey. Is Lucy here?
OLIVIA
She's here.
RORY
Can I see her?
OLIVIA
She doesn't want to see you right now, and, to be honest, neither do I.
RORY
Olivia, just let me explain, please.
OLIVIA
No.
[Olivia shuts the door, Rory walks away starting to cry]
LORELAI'S HOUSE – EXTERIOR
[Night, Lorelai drives up, gets out of her Jeep and goes to the house]
EMILY
Lorelai.
LORELAI
Oh, my god! Mom, you scared me half to death. What are you doing here?
EMILY
I want to talk to you, Lorelai.
LORELAI
Ugh. Is this about the party? Because I've had a really long day, and I don't want to talk about the party.
EMILY
It's not about the party. I've come to talk to you about your marriage.
LORELAI
My marriage?
EMILY
Yes, I'm concerned. I don't like what I'm seeing, and I've come to offer you some friendly advice.
LORELAI
Mom, I really don't want your advice.
EMILY
Well, then consider it unfriendly advice.
LORELAI
Okay.
EMILY
Christopher is immature, often foolish, and a little lacking in common sense. He doesn't always make the best choices.
LORELAI
Like with me? Are you saying he chose wrongly in choosing me?
EMILY
I'm saying he's your husband, Lorelai, for better or for worse. I like Christopher.
LORELAI
Okay.
EMILY
I think he's good for you. But it's not going to be perfect. He's not perfect, and god knows you're not perfect. But marriage is not about always being happy, and often it's about not being happy at all. It's about compromise, which is not your strong suit. Marriage is about swallowing your pride sometimes, about doing what he wants. It's not about winning an argument, which may make you sad, because that's what you love. But I don't want to see you ruin this. Marriage is serious business, Lorelai, and if you don't take this very seriously, then this whole thing could fall apart faster than you could possibly imagine. And he'll be gone, and you'll be alone again. A ring is no guarantee. [They exchange looks for a second] Sorry for scaring you.
[Emily leaves Lorelai to think about it]
THE END