T7E9: “Knit, People, Knit!”
Título em Português: “Tricotando”
Roteiro: David Grae
Direção: Lee Shallat-Chemel
Originalmente exibido em: 28 de novembro de 2006
GILMORE MANSION – LIVING ROOM
RICHARD
Lorelai couldn't have been more than, what, 8 or 10years old? But she was very definite about the whole thing. She looked me directly in the eye, and she said, "when I grow up, I'm going to marry Tip O'Neill."
CHRISTOPHER
[Laughing]
RICHARD
I swear to you, I nearly had a heart attack.
LORELAI
I liked the name "tip." I thought it was cute, like a puppy or a bunny.
RICHARD
Anyway, I'm happy that you two got married, and quite relieved not to have had Tip O'Neill as a son-in-law. Here's to your marriage -- our heartfelt congratulations. We also got you a little gift.
LORELAI
Oh, yes, which is crying out to be opened.
RICHARD
It's just a little token to commemorate the occasion.
CHRISTOPHER
Thank you.
LORELAI
Thank you. I love the look of this wrapping paper.
RICHARD
To the happy couple...
LORELAI
Oh, well, not the time.
RICHARD
...To Lorelai and Christopher.
RORY
Hear, hear!
EMILY
To Lorelai and Christopher.
LORELAI
Long may they live. Okay, time to open?
EMILY
Yes, you may open your present. For heavens sakes you're like a dolphin at feeding time.
LORELAI
[in shock at the gift which is a picture] Wow. I mean, d-- I -- it's -- it's like, "wow."
EMILY
It's an etching by Kiki Smith.
LORELAI
Oh it's extraordinary, this item.
CHRISTOPHER
Wow.
LORELAI
Wow, right?
EMILY
It's called "Wolf Girl."
RICHARD
Baldwin, our dealer, is a big fan of Kiki Smith. Apparently she's all the rage in New York.
CHRISTOPHER
That was very generous of you.
RICHARD
Oh it's our pleasure. All young couples should cultivate an art collection.
LORELAI
Well, this is gonna start our collection off... with a bang. [Showing the picture]
RORY
[Gasps]
EMILY
I'm so happy you love it. We were flying blind without a gift registry.
LORELAI
Well, you flew great, mom.
EMILY
Of course I imagine it's difficult to have the forethought to register when you decide to suddenly elope. Everything changes when a couple elopes, doesn't it? Nothing is done in quite the traditional manner -- for instance, informing your parents of your marriage by leaving them a message on their answering machine.
CHRISTOPHER
What? You told me you told them.
LORELAI
I didn't say they were home when I told them.
RORY
Mom, you're such a chicken.
LORELAI
You left a message on their machine?
RICHARD
She certainly did.
EMILY
I come home, and I push "play" on the machine, and what do I hear between a message from Lily Margulies about her fund-raiser for Tanzanian children and one from my tennis pro, but my very own daughter telling me, guess what -- she's married.
LORELAI
Mom, I'm sorry. I just...
EMILY
Well why just talk about it? Why not share it?
LORELAI
No, no! Hey, hey!
[Emily presses play on the answering machine, Lorelai voice 'Hey, just wanted you guys to know, Christopher and I are back from Paris. Gigi's all set. And, uh, we just ended up, uh... getting married. So, anyway, see you Friday. Bye!”]
EMILY
Isn't that lovely?
LORELAI
Mom, erase that, please.
EMILY
I most certainly will not. Your father and I plan to treasure it forever. We're going to have it as a keepsake or a memento. "Remember when Lorelai told us she was married?"
RICHARD
"Ah, yes, and what was it exactly that she said?" "I think it was something like this."
[Playing the message again 'Hey, just wanted you guys to know, Christopher and I are back from paris. Gigi's all set. And, uh, we just ended up, uh... getting married... ”]
OPENING CREDITS
GILMORE MANSION – DINING ROOM
CHRISTOPHER
The lamb is delicious, Emily.
LORELAI
Look who's being Mr. "Favorite son-in-law happy smile face"?
EMILY
I'm glad you're enjoying it Christopher. My butcher had it flown in from New Zealand.
LORELAI
First class I hope.
CHRISTOPHER
Well, the dinner is very nice.
RORY
It is.
RICHARD
It ought to be. We have cause to celebrate.
EMILY
Yes we do speaking of which, we have decided that we would like to throw you two a wedding party.
LORELAI
Oh, that's very sweet.
CHRISTOPHER
Very sweet.
LORELAI
Very sweet mum, but you know what -- it's totally unnecessary. Look you already gave us "wolf girl," which, I mean, ah? How do you top that?
RICHARD
We insist.
LORELAI
Dad we're already married. Isn't it too late?
EMILY
No but soon it will be. We need to get on this right away.
RICHARD
We don't want it to look as if there's anything to be ashamed of here, if we don't through a party who knows what people will think?
LORELAI
Why don't you give us an anniversary party? Ha like a 10th? Wouldn't that be nice, honey? I mean, what is 10 -- bronze, sandstone, particleboard?
RORY
Actually, it's tin.
EMILY
But that's not for 10 years.
LORELAI
Giving you plenty of time to plan. [Too Rory] Tin?
RORY
Things just stick in my brain.
EMILY
Lorelai, you ought to celebrate your marriage.
LORELAI
Mum we did, we did celebrate -- right after we got married, we had a beautiful meal, didn't we?
CHRISTOPHER
We had a beautiful meal.
LORELAI
Yeah we had chocolate mousse and Para liqueur and a cheese plate.
EMILY
A cheese plate? Since when is a hunk of fermented milk a suitable means for celebrating a marriage?
LORELAI
Look mum we're good. Honestly we're celebrated out.
EMILY
But what about us?
LORELAI
Hey if you and dad want a party, it's fine by me. Buy some 40s, rent an inflatable bounce house. That's great knock yourselves out.
EMILY
Well what about Rory?
LORELAI
What about Rory?
EMILY
Rory tell me don't you think this marriage should be officially celebrated?
RORY
Well... yes, actually. I think it would be nice.
RICHARD
Christopher?
CHRISTOPHER
Well I think it would be fun. And I'm not one to turn down a free cocktail.
EMILY
Lorelai?
LORELAI
Okay, then, let's celebrate. Let's have a party.
EMILY
Wonderful. Now if we book the harbor club, we can't have more than 400. So Lorelai, I'll need a list of your people as soon as is Earthly possible -- you too, Christopher.
LORELAI
well I can give you my list right now. It's me, Chris, Rory, Logan -- if Rory wants him there -- Sookie, Jackson, and Michel.
RICHARD
That's it?
EMILY
You can invite more people than that, it's your day.
LORELAI
That's my list.
EMILY
Why don't you invite some of your charming Stars Hollow friends?
LORELAI
That's okay, mom.
MEGAN
We can make it black-tie optional, if that will help.
LORELAI
It's not because they don't have black ties.
EMILY
Suit yourself now, what do you think -- a string quartet, or something more fun, like a swing band?
[Lorelai looks amused]
PARIS
AND DOYLE'S APARTMENT
[They are moving Rory in]
LOGAN
My god, woman, is there a book you don't own?
RORY
I'm so sorry.
DOYLE
I think I may have re-activated my scoliosis.
PARIS
Suck it up, people. That was the last of it.
LOGAN
So much for one trip, huh?
RORY
Well who knew I had nine trips' worth of stuff? Your place is so big, it made my stuff look small and inconsequential. Did I mention I'm so sorry?
LOGAN
Two copies of "The Norton Anthology"?
RORY
They were gifts. I can't get rid of gifts.
PARIS
Okay, looks like all that's left to do now is the paperwork.
RORY
Paperwork?
PARIS
The lease.
RORY
You want me to sign a lease?
PARIS
We you are subletting from me and the last time you lived here, you just up and left in the middle of the year.
RORY
Um, you kicked me out, you moved all my stuff out in the hallway and locked the door.
PARIS
Well now you'll have a legally binding contract that will negate my ability to do that in the future.
RORY
All right. What does it say? Standard boiler-plate stuff -- just sign here and here.
RORY
Mm-hmm.
PARIS
And initial here and here.
RORY
Okay. What is this? "Rights and privileges of Logan Huntzberger or any other paramours"?
PARIS
If Logan is going to be spending an in audient amount of time here, it's fair to assess a daily tariff for water and power use.
RORY
Ah, Paris!
PARIS
It's a very simple formula, based on the number of nights he spends per month in the apartment times the approximate minutes per day he spends showering, brushing his teeth, and/or surfing the internet. And Sundays no charge.
LOGAN
It's okay. I'll kick in, Paris.
PARIS
Thataboy, Rockefeller.
RORY
All right.
PARIS
Okay. Welcome back to the hood.
RORY
Thanks.
DOYLE
It's good to have you back, Rory.
RORY
Aw, thanks, Doyle.
LOGAN
Alright I better take off.
RORY
Oh, no. You just got here, and we spent the whole time moving.
LOGAN
Why don't you come in on Thursday? I've got to wine-and-dine some clients. You should join us it should be fun. We'll rack up an obscene bill at Nobu and charge it all to my dad.
RORY
Oh I can't. It's Lucy's 21st birthday. We're throwing her a big party. I was hoping you might be able to come.
LOGAN
I can't -- Nobu.
RORY
Nobu, schmobu. It's a college party. Don't you miss college parties? Our theme's 2002.
LOGAN
Why?
RORY
Just because. Why what's your theme?
LOGAN
Contracts.
RORY
Boring. 2002's so much better. Just bring your clients, and we'll let them tap the keg.
LOGAN
Rory.
RORY
Come on. It's a 2002 party, right? In 2002, you were a college freshman. You would have been bored by businessmen and thrilled to go to a party thrown by hot senior girls.
LOGAN
It's all very tempting, but I have to go.
RORY
I know.
LOGAN
I love you.
RORY
Love you, too.
[They kiss, Logan leaves and Doyle comes in with the giant pencil Rory got whe she left the Yale paper.]
PARIS
I'll put you down for half a day, Logan.
LORELAI'S HOUSE – LIVING ROOM
[Lorelai is knitting on the couch]
LORELAI
Good morning.
CHRISTOPHER
Well, good morning, Madame Defarge.
LORELAI
Good morning, Mr. "I remember stuff from English class in high school."
CHRISTOPHER
Can I ask how long this Mr. "Long sentence of words strung together" thing is gonna last?
LORELAI
I'm not sure, Mr. "Doesn't understand "the more annoying you tell me a bit is, the more I want to do it."
CHRISTOPHER
Look at you, knitting away, just like a proper married lady the picture of domesticity.
LORELAI
Ha ha ha.
CHRISTOPHER
So what's for breakfast, Martha Stewart? Poached eggs, blue berry muffin, oh is there gonna be fresh-squeezed orange juice? 'Cause I'd really appreciate it if you could strain the pulp.
LORELAI
Yeah I got your strained pulp right here, buddy.
CHRISTOPHER
So what exactly are you knitting?
LORELAI
It doesn't matter what I'm knitting. I'm knitting just to knit.
CHRISTOPHER
Someone's philosophical.
LORELAI
No, someone is in training for the Knit-a-thon. And we get pledged by the skein, so I'm just working on my speed.
CHRISTOPHER
"Knit-a-thon"?
LORELAI
Yeah, you didn't hear about the Knit-a-thon?
CHRISTOPHER
I did not hear about the Knit-a-thon. Do you want something?
LORELAI
Yeah. Poached eggs and some orange-juice pulp.
CHRISTOPHER
How about coffee?
LORELAI
Sold. So, we are holding a Knit-a-thon the day after tomorrow to raise money to rebuild the old muddy river bridge.
CHRISTOPHER
What's wrong with the bridge?
LORELAI
Well we rebuilt it a couple years ago, but now it's started to rot.
CHRISTOPHER
Oh yeah.
LORELAI
Yeah, it's too bad, too, 'cause it was gorgeous. We all loved, loved, loved it. It was sturdy and strong, made out of this beautiful Japanese maple – which it turns out is exactly the kind of wood that attracts beetles, and I'm not talking British-invasion kinda Beatles. I'm talking the kind of beetles that like to eat wood. So now we're gonna make it out of a less-delicious wood.
CHRISTOPHER
Ah. So, how goes the training? Are your fingers getting strong and muscly?
LORELAI
My fingers are fine. It's these needles. I keep dropping stitches 'cause they're slippery. I need non-slip needles.
CHRISTOPHER
Do they make non-slip needles?
LORELAI
I don't know but you know what I'm gonna go into town and see if anyone's selling them.
CHRISTOPHER
Yeah I'll come with.
LORELAI
No that's okay.
CHRISTOPHER
No, no. I could use some air.
LORELAI
Yeah, but I have errands to run. And ah plus I got to go to the dry cleaner's.
CHRISTOPHER
So.
LORELAI
So I don't want to subject you to Lizzie the crazy dry cleaner. It's very intense. You know she starts complaining about...
CHRISTOPHER
Why don't you want me to come into town with you?
LORELAI
Oh. Well, you know... I just want to give people... time to adjust.
CHRISTOPHER
To?
LORELAI
To you and me. I mean, I just want to be sensitive, you know? You're not who they expected, and I-I just don't want the marriage to seem sudden. You know I-I want to kind of ease them into it.
CHRISTOPHER
Is that why you didn't want to invite any of your friends to your mother's party?
LORELAI
No. Well, I mean yeah, but 90% of it was I didn't want them to have to deal with salsa dancing and the Peabody's and the Sandborn's. You know but I guess 10% is I didn't want to feel like I'm shoving our marriage down their throats.
CHRISTOPHER
By inviting them to a party?
LORELAI
So soon. I don't want it to seem like we're flaunting. You know, I want to give them time to adjust.
CHRISTOPHER
They're not gonna adjust if they never see me.
LORELAI
Yeah. You're right.
CHRISTOPHER
Come on let's go for a stroll.
LORELAI
Okay, but a stroll. Not a strut.
CHRISTOPHER
Yes I promise I will keep my chicken-walking to an absolute minimum.
LORELAI
Al right.
LUKE'S DINER
[The place is packed with people knitting.]
LUKE
How long is this gonna go on?
CAESAR
Couple more days.
LUKE
It's ridiculous already. Somebody's gonna poke an eye out.
CAESAR
You're just bumming 'cause April's gone.
LUKE
First, get your hand off my shoulder. Second, I'm not bumming, and April is not gone. She just went back to living with her mother.
CAESAR
I'm just saying, I'm feeling you, Luke.
T.J.
Luke.
LUKE
T.J.
T.J.
I need a drink.
LUKE
We don't serve alcohol.
T.J.
Well, then, anything that's carbonated. If I drink fast enough, bubbles tend to have the same effect.
LUKE
Boy what are you doing here? Is Liz okay? She's gonna have a baby at any moment.
T.J.
It's not good, Luke.
LUKE
What?
T.J.
We're having a baby at our house.
LUKE
No we talked about this. You're gonna be a great dad T.J.
T.J.
No. You don't understand. We're having a baby at our house any minute now. Liz wants to have our baby in our living room!
LUKE
What? Why? What about a hospital?
T.J.
She won't go! She's got it in her head that this should be done at home.
LUKE
My sister is gonna have her baby at home?
T.J.
[Takes a drink] She got the idea from -- phew! -- Marcy hedges, who plays the midwife at the renaissance festivals. Only Marcy has five kids -- all born in hospitals -- and now she's telling Liz how amazing and natural it is for her to do it at home.
LUKE
This is crazy.
T.J.
Liz said she had Jess at a hospital, and she wants to have this one at home. She has this a, birth coach, called a Doula. That's not her real name. Don't call her that. She's very touchy. Her real name is Sandy.
LUKE
Okay. Sandy the doula.
T.J.
Anyway, Sandy's done about 200 of these home births, and she says statistically, they're every bit as safe as hospital births.
LUKE
I can't believe she's having her baby at home.
T.J.
Anyway, she wants you to be there at the birth. She wants the baby to be born around family. So I promised I'd get you to come.
LUKE
Of course. Sure I'll be there. Just call me whenever, and I'll come right by.
T.J.
Great. [Thumbs up sign from T.J.] Thanks, Luke. [Takes a swig of the drink again] Whoo! That feels good.
LUKE
Yean alright I'll see you later, T.J. Just let me know when the water breaks. Go take care of her, all right?
T.J.
All right.
LUKE
See you, man. [Looking across the street he see Chris and Lorelai, he slams the door shut, tangled in some yarn.] That's it! All right, this diner is now a knit-free zone! Stop knitting or get the hell out!
[People murmuring]
TOWN SQUARE
[People are setting up for the Knit-a-thon, there are large fake balls of yarn banners and stuff]
BABETTE
Needle in, yarn around, new loop through, old loop up. Needle in, yarn around, new loop through, old loop up. Keep a gentle tension on the strand!
KIRK
Humongous needle!
TAYLOR
Careful! Just because it's decorative doesn't mean it's not sharp!
LORELAI
I don't like root beer...
CHRISTOPHER
No.
LORELAI
Not without carbonation. You want it?
CHRISTOPHER
Your used dum dum?
LORELAI
It's not used. It's vintage.
CHRISTOPHER
It was nice of Lizzie, though.
LORELAI
Yes dude, 15 minutes of perchloroethylene talk? We earned those dum dums fair and square.
BABETTE
All right, knit and purl, like brick and mortar!
LORELAI
Hey, Babette!
BABETTE
Oh, hey! [Too the ladies knitting] Keep going with the rib stitch there. [back to Lorelai] How are you, sweetheart? Hey, Christopher.
CHRISTOPHER
How you doing, Babette?
BABETTE
Congratulations on the getting-married thing. I'd give you a hug, but my hands are kind of full here. So, you eloped.
LORELAI
Yeah we were in Paris and we eloped.
BABETTE
Well that's smart, eloping. Smart. Who needs the hassle of a real wedding, you know?
LORELAI
Yeah.
BABETTE
All the planning and the fuss, so much stress.
CHRISTOPHER
Exactly.
BABETTE
Plus the dress. I mean, why would anyone want to buy a big, expensive wedding dress you could only wear once? Except for me. I got to wear mine twice. But once was for Halloween. I was the bride of chucky.
CHRISTOPHER
Oh, yeah? Did Morey go as chucky?
BABETTE
Huh?! No, he was a futuristic pirate! So, welcome to Stars Hollow!
CHRISTOPHER
Thank you. It's good to be here.
BABETTE
Uh-huh. [Back to the ladies knitting] Knit and purl!
[Chris and Lorelai walk off.]
MISS PATTY
Lorelai, Christopher, there you are.
LORELAI
Hey, patty.
MISS PATTY
I'm sorry I didn't get this to you sooner. Part of my job as town social chair is greeting all newlyweds with the Stars Hollow welcome wagon.
CHRISTOPHER
Look at all this. Thank you so much.
MISS PATTY
Just a few odds and ends from our town merchants to say "welcome."
CHRISTOPHER
This is so cool I didn't know the welcome wagon came in a real wagon.
MISS PATTY
Yeah. Well... so there you go.
CHRISTOPHER
Oh, terrific. Thank you.
LORELAI
Thank you, Patty.
MISS PATTY
So, how are you adjusting to Stars Hollow, Christopher?
CHRISTOPHER
Oh, it's terrific.
MISS PATTY
I'd bet you're bored senseless here.
CHRISTOPHER
[Laughing] No, no. Not at all.
MISS PATTY
Well there's hardly any nightlife. I mean a worldly guy like you must feel like he's out in the sticks.
CHRISTOPHER
Well, my discothequing days are mostly behind me.
MISS PATTY
Anyway, I probably should run. Enjoy the wagon.
CHRISTOPHER
Thank you.
LORELAI
Bye, Patty.
CHRISTOPHER
You want a ride?
LORELAI
No. That's okay. [Chuckles]
CHRISTOPHER
[Chuckles]
LUCKY AND OLIVIA'S CAMPUS ROOM
[Marty is hanging a poster, Rory comes in the open door, she looks nerves, Marty is not.]
RORY
Hey.
MARTY
Hi.
RORY
Um, I have some 2002 paraphernalia here.
MARTY
Okay.
RORY
Are Lucy and Olivia home?
MARTY
No.
RORY
'Cause they said to bring this stuff by. Do you know when they'll be back?
MARTY
No.
RORY
Do you know where they went?
MARTY
Just down the hall.
LUCY
Rory!
OLIVIA
Yay! Rory's here!
RORY
Oh, hey, guys.
LUCY
You brought stuff.
RORY
As promised.
OLIVIA
Let's see.
LUCY
Boyfriend. [They kiss] Nice poster work.
MARTY
I went with double-sided tape rather than thumbtacks. I think it gives it a cleaner look.
LUCY
I think you're right. Plus, double-sided tape is so 2002. You're a genius.
MARTY
You're my inspiration.
OLIVIA
[Looking at CD's] You brought J.Lo?
RORY
Of course. And I have boots.
LUCY
Oh, my god, so did we!
[Giggling]
OLIVIA
We are gonna ugg-up!
RORY
My feet were so much more comfortable in 2002.
LUCY
What do you think, boyfriend?
MARTY
Very Clydesdale.
LUCY
Hey, compliments only from boyfriends on birthdays.
MARTY
You're beautiful.
LUCY
Thank you.
[Rory looks uncomfortable again.]
LUKE'S DINER
[Anna enters]
ANNA
Hey, Luke.
LUKE
Hey, Anna. How's April doing?
ANNA
Oh she's doing great. I'm pretty sure as of Friday, she had shown her appendix scar to every one of her teachers and classmates. She's quite proud of it.
LUKE
[chuckles] I'm just glad she's doing good.
ANNA
Yeah me too. Um, can we talk in private?
LUKE
Sure. Come on up. Caesar, I'll be back!
LUKE'S APARTMENT
[Luke and Anna enter]
ANNA
Oh, the place looks nice.
LUKE
April's handiwork.
ANNA
Right. She told me -- cerulean. [They sit at the table] So, um... my mom...
LUKE
Yeah. How's she doing?
ANNA
Still recovering.
LUKE
Oh.
ANNA
I think I have her care all worked out, but it is an ongoing Rubik's cube of day, night, and weekend nurses.
LUKE
Yeah that's tough.
ANNA
Especially being on the other side of the country. She's really lonely. I thought about moving her up here. But she's been living in that house for 42 years, and I just feel like it would be cruel.
LUKE
Yeah say, April can stay with me any time. Whatever you need.
ANNA
Luke... I've decided that April and I are gonna move to New Mexico.
LUKE
Oh. Really? Wow.
ANNA
I-I'm sorry, but my mother is all alone.
LUKE
Yeah. Yeah. Uh, it's, uh... wow.
ANNA
But you know it's where I grew up, so I know the area. They have a lot of really good schools.
LUKE
Yeah does, does April know?
ANNA
I told her last night.
LUKE
How's -- I mean... is she okay with it?
ANNA
Well, she's not thrilled. It'll take some getting used to, but...
LUKE
So, when? How soon?
ANNA
As soon as possible.
LUKE
Mm-hmm.
ANNA
Tina, my assistant manager, is gonna run the business for me and I've already been looking online at houses, found a nice little neighborhood.
LUKE
Huh.
ANNA
And I just to – I wanted to, you know, let you know.
LUKE
Yeah. Hey, uh, I guess you got to do what you got to do. You know I mean, when my dad was sick...
ANNA
Yeah.
LUKE
Yeah.
ANNA
Mm-hmm.
LUKE
Mm-hmm.
ANNA
I should go. [Luke nods] I have some things.
LUKE
Sure. Sure. Yeah.
[Luke looks stunned]
DRAGONFLY INN - KITCHEN
[Sookie is cooking, Lorelai enters]
SOOKIE
Drat you, you dratted spaghetti, you slippery, slithery, uncooperative...
LORELAI
am I interrupting something?
SOOKIE
No.
LORELAI
Seriously if you and spaghetti need privacy, I can come back later.
SOOKIE
In the middle of the night last night, I woke up with an idea.
LORELAI
Yeah.
SOOKIE
For days, I've been trying to figure out what to serve at my Knit-a-thon booth, right? So, it's 2:00 A.M. Flash! I have a vision. Balls of yarn made out of spaghetti, with breadsticks stuck in the middle, like knitting needles. It's brilliant! Brilliant! Horrible!
LORELAI
Not that appetizing. Why don't you just make regular spaghetti?
SOOKIE
'Cause that's not theme-y.
LORELAI
Oh.
SOOKIE
Why are you in early? I thought you were not coming in till late.
LORELAI
Well, I was, but I had some paperwork and...
SOOKIE
And, um...
LORELAI
Christopher and I just walked through town.
SOOKIE
And?
LORELAI
Everyone was very cordial.
SOOKIE
Ooh. Cordial?
LORELAI
Yes. They said hello. They shook his hand. They welcomed him to Stars Hollow.
SOOKIE
Jeez, really? Cordial?
LORELAI
Yes. Creepy, right? I saw miss patty and Babette. Neither one of them pinched his butt.
SOOKIE
Well honey, you married an outsider.
LORELAI
I know.
SOOKIE
We just -- we all thought you and Luke...
LORELAI
I knew people thought me and Luke. I thought me and Luke. But it's not me and Luke. It's me and Christopher.
SOOKIE
I know. It's just – people really loved you and Luke.
LORELAI
Right but it's not their life. It's my life. And frankly I don't see why I should have to go around feeling bad that my life didn't turn out the way everybody wanted it to.
SOOKIE
I know...
LORELAI
I'm sick of it. I really am. And, look, I understand that you liked Luke and you're not so sure about Christopher, but, Sookie, you're my best friend. I really need your support here. I - I mean, Christopher is my husband, and it would be great if you would just get on board.
SOOKIE
Okay.
LORELAI
Okay?
SOOKIE
Yeah I'm on board. I mean what do you need? I'll swab the deck, I'll hoist the sail -- anything nautical.
LORELAI
Okay I need you to help me get the rest of the town on board.
SOOKIE
Okay.
LORELAI
Okay what do we do?
SOOKIE
We need a campaign.
LORELAI
Right. A campaign.
SOOKIE
Oh, he could walk Paul Anka around town. Cute guy, cute dog -- very appealing.
LORELAI
Paul Anka's not good with sidewalks -- sensitive paws. He could pull him in the welcome wagon -- or Jackson.
SOOKIE
You want him to pull Jackson around on a wagon?
LORELAI
No maybe he and Jackson could do something together. You know Jackson's got a lot of clout. If people see that Jackson likes Christopher, then maybe they'll like Christopher.
SOOKIE
You think Jackson's got a lot of clout?
LORELAI
Jackson has tons of clout. He's lousy with clout.
SOOKIE
Okay. What should they do?
LORELAI
Something where they'll be seen.
SOOKIE
Ooh, how about a movie?
LORELAI
Too dark.
SOOKIE
Yeah, yeah.
LORELAI
Pancakes at Al's?
SOOKIE
Jackson is off of wheat. But, ooh, how about country night at miss patty's?
LORELAI
Chris and Jackson?
SOOKIE
Well I mean, Jackson is a fiendish two-stepper, but he's handsy.
LORELAI
What do regular guys do?
SOOKIE
Grunt?
LORELAI
Scratch?
SOOKIE
Leave the toilet seat up?
LORELAI
Talk about sports?
SOOKIE
Talk about cars?
LORELAI
Burp?
SOOKIE
Beer!
LORELAI
Drink beer.
SOOKIE
At Casey's!
LORELAI
Perfect.
SOOKIE
Oh, like manly.
LORELAI
Simple.
SOOKIE
Ooh! And while they're scratching and grunting, we can actual go do something fun.
LORELAI
Country night at miss Patty's.
SOOKIE
Mm-hmm. Hee-haw.
LUKE'S DINER
[April is reading at the counter]
LUKE
So, what are you up for tonight? I was thinking we could rent "A Brief History of Time" again. Maybe I'll understand something more than the credits.
APRIL
Sure.
LUKE
Look... your mom told me you were moving.
APRIL
To New Mexico.
LUKE
Yeah it's not so bad. You've been there visiting your grandma before, right?
APRIL
I don't want to move to the desert! It's just, there aren't even any seasons! It's just it's hot, and it's a miserable place, that and I hate it!
LUKE
April let's take a walk. Come on. Come on. Come on. Come on.
[They go out side]
LUKE
Look I know you're a little upset, but this could be a really good thing – I mean the new people you'll meet, the teachers you'll impress.
APRIL
I'll never see my friends again.
LUKE
Oh of course you will – breaks from school over the summer.
APRIL
No, Janie Freedman moved to Virginia at the end of last year 'cause her dad got some teaching job. And she said she'd stay in touch with everybody, and she did for like a week. And the after that nobody ever heard from her again.
LUKE
It doesn't have to be like that.
APRIL
We're moving 2,000 miles away! That's how it's gonna work! Mom is ruining my life!
LUKE
April.
APRIL
You know I'm finally happy. I finally have friends. It took me forever, and now I'm just gonna be that weird, dorky loser girl all over again!
LUKE
I know. Come on. It's gonna be fine.
PARIS
AND DOYLE'S APARTMENT
[Rory is making her bed]
PARIS
I don't get it.
RORY
What?
PARIS
2002 party.
RORY
It's a theme.
PARIS
How is that a theme?
RORY
It's just supposed to be funny.
PARIS
I'm not laughing.
RORY
Well you don't have to go.
PARIS
Why not 2001?
RORY
It could be 2001, I guess.
PARIS
"Space Odyssey" -- that's a theme. People dress up like astronauts or apes.
RORY
I don't know what to tell you, Paris.
PARIS
Will there be dancing?
RORY
Yes there will be dancing.
PARIS
What kind of dancing?
RORY
I don't know. 2002 dancing?
PARIS
So we're talking mostly hip-hop.
RORY
Paris you don't have to hip-hop-dance at this party.
PARIS
I can hip-hop-dance. Don't you worry. Doyle and I will be scorching the floorboards.
[Cell phone rings]
RORY
Looking forward to that. [Answering phone] Hi, mom.
[Lorelai at home]
LORELAI
So what are you gonna pledge me?
RORY
Um, in the Knit-a-thon?
LORELAI
Yeah what do you say -- 10 bucks a skein?
RORY
How about $5?
LORELAI
So, $15?
RORY
Make it $3.
LORELAI
$20 a skein?
RORY
A buck 50.
LORELAI
25 smackeroos?
RORY
75 cents.
LORELAI
We have no idea how to haggle, do we.
[Nelly's "Hot in Herre" plays starts at Rory's place]
RORY
No idea. Why don't you just put me down for $30 even?
LORELAI
I will not take less than $30, and then you got a done deal.
RORY
The best I can do is $30.
LORELAI
Alright you give me $30, and it's a deal.
RORY
Do I have to pledge dad, too?
LORELAI
No, no he's just a spectator. You know what he's doing? He's going on a man-date with Jackson.
RORY
Cute. A mandated man-date?
LORELAI
Yes, it was suggested enthusiastically. What is that you're listening to?
RORY
[Laughing] That's Paris. She and Doyle are threatening to scorch the floorboards at Lucy's party.
LORELAI
Aw. Poor floorboards. He ah, how did the party prep go?
RORY
Good. We're just about ready to party like it's 2002. There's just one thing -- this whole Marty debacle. It's just so annoying to be around him.
LORELAI
Is he still acting all cold and weird?
RORY
Beyond cold and beyond weird.
LORELAI
Well you're a hard one to get over kid you know. He probably just feels bad. When guys feel rejected, they act all cold and weird.
RORY
Yeah but I rejected him, if that's even what happened, years ago. I mean isn't there a statute of limitations for being a jerk?
LORELAI
Well Marty just probably feels awkward. Maybe you should try to be nice.
RORY
He's not exactly being nice to me.
LORELAI
Well, you have to be the bigger person.
RORY
Why doesn't he be the bigger person?
LORELAI
Because you're 11 feet tall and he's a mere mortal.
RORY
I hate being 11 feet tall.
LORELAI
I know. It's hell finding jeans that fit, huh? [Chris comes down stairs] Uh I got to go. I got a man-date fashion disaster.
RORY
Alright I'll talk to you later.
LORELAI
So, uh, $30 a skein?
RORY
Total -- $30 total.
LORELAI
Yeah. [Hangs up, talking to Chris] Hey.
CHRISTOPHER
W-what?
LORELAI
Is that what you're wearing?
CHRISTOPHER
What, what's wrong with what I'm wearing?
LORELAI
Nothing. It's just that it's, um...
CHRISTOPHER
What?
LORELAI
...Black.
CHRISTOPHER
It's a black shirt.
LORELAI
Yeah.
CHRISTOPHER
Okay, then.
LORELAI
It's very Joaquin phoenix at the Oscars.
CHRISTOPHER
I have no clue what that means.
LORELAI
It's very fitted.
CHRISTOPHER
I should wear a shirt that doesn't fit?
LORELAI
No.
CHRISTOPHER
Should I tuck it in?
LORELAI
No!
CHRISTOPHER
Why are you grimacing at this shirt?!
LORELAI
Um... I don't know. Maybe it's not the best thing to wear on your man-date with Jackson.
CHRISTOPHER
Okay first of all, if you say "man-date" one more time, there is no way in hell I am leaving this house. And second, last I knew, I was about to go have a beer with a farmer. I don't think it really matters what I'm wearing.
LORELAI
um it is very important that you make a good impression.
CHRISTOPHER
Lore come on how great did our walk through town go? You were worried about that, and everybody was nice.
LORELAI
They were nice.
CHRISTOPHER
It went great.
LORELAI
Eh.
CHRISTOPHER
Didn't it?
LORELAI
Nah.
CHRISTOPHER
What are you saying?
LORELAI
I'm saying it didn't go so great. They were cordial, they were polite.
CHRISTOPHER
But the wagon...
LORELAI
Was full of cleaning supplies and shoe trees. When Claude and Michael Davies got married, they got handmade clothing and homemade baked goods, and ah the pizza guy whittled them bookends in the shape of Senegalese tigers. That's a welcome wagon. We got a "we're tolerating that you're here" wagon. Sorry.
CHRISTOPHER
So, going out with Jackson is important because... ?
LORELAI
Jackson is loved. Jackson is respected. If you're in with Jackson, if you're in with Stars Hollow.
CHRISTOPHER
Okay, maybe I could wear the gray polo shirt.
LORELAI
[Gasps] I love that idea!
CHRISTOPHER
What about the jeans?
LORELAI
They're fine. They're just a little tight.
CHRISTOPHER
All right, I'll change the jeans.
LORELAI
Oh.
CHRISTOPHER
The shoes?
LORELAI
Ugh.
CHRISTOPHER
All right, I'll change the shoes. I hate to say this out loud, but all of a sudden, I'm very nervous about my man-date with a farmer.
LORELAI
You're gonna be great. Not too much stuff in the hair!
CASEY'S BAR - NIGHT
[Jackson and Chris are sitting at the bar]
JACKSON
So, what do you think?
CHRISTOPHER
I'm down with any place where you can throw your peanut shells on the floor.
JACKSON
Not exactly a Manhattan hot spot.
CHRISTOPHER
A beer in Stars Hollow tastes just as good as a beer in Soho, and it's a hell of a lot cheaper.
JACKSON
It's a microbrew. They brew it right here on the premises.
CHRISTOPHER
Ah. Wow.
[The TV can be heard in the back ground, 'Dahntay Jones brings it into the front court.”]
CHRISTOPHER
So, what's your best crop? Do you have a favorite?
JACKSON
Ah, don't get me started. I love them all. But it has been a standout eggplant year. Do you like eggplant?
CHRISTOPHER
Yep.
JACKSON
Don't say another word. I am your eggplant connection.
CHRISTOPHER
Guess I'm gonna have to get rid of my other guy, then. [Chuckling] It's just -- it's just a joke. [Chuckles nervously]
JACKSON
Oh. Yeah. [Chuckles]
[TV 'They're just not playing aggressively. Here's Jones. That's Brian Williams. His shot rims out. He's shooting only 35% from the floor.]
JACKSON
So, you and Lorelai, huh?
CHRISTOPHER
Yeah.
JACKSON
That's quite an achievement. I mean, many have tried, many have failed.
CHRISTOPHER
Yeah, I feel pretty lucky.
[TV 'And scott padgett, working inside, has it batted away.]
JACKSON
You know what I love about farming? The commitment. [Chris nods in agreement] No shortcuts, no quitting. You have got to be there for your crops morning, noon, and night. I mean you can have the greatest soil and perfect seeds, but if you are not 100% committed, you might as well pave over those 32 acres and build yourself a strip mall. You know what I mean.
CHRISTOPHER
It's a lot of responsibility.
JACKSON
It sure is.
CHRISTOPHER
It sounds like you really love farming.
JACKSON
I do. Sookie and I, we both do.
CHRISTOPHER
Me too.
CAFÉ'
[Luke is sitting at a table, Anna comes in and is on her cell phone]
ANNA
Yeah. If you want to come by, I'll be in all afternoon. Great. I'll see you then. Bye. [Hangs up, too Luke] Hey.
LUKE
Thanks for coming.
ANNA
Sure. What's up?
LUKE
Well, April -- she's pretty upset.
ANNA
Yeah, I know.
LUKE
I just wanted to make sure we were doing everything we could to make it as easy as you know it could be for her.
ANNA
So what have you got in mind?
LUKE
Okay well, I was thinking. Instead of pulling her out in the middle of the school year, maybe you could wait to move till the end of the school year?
ANNA
And you don't think I thought about that.
LUKE
No you could go back and forth, and still be there for you mum and I could help covering for April here.
ANNA
No, I have to be out there full time as soon as possible, Luke.
LUKE
Oh well, she could stay with me to finish the year. She's already been with me for two months, you know? I'd love it. It would be great, actually.
ANNA
Luke, I know you mean well, but that's not gonna happen okay. I'm not splitting apart from April for six months.
LUKE
No, I understand. Okay, so, maybe you know we could buy her some plane tickets so, so she'll know she's going back and forth and when?
ANNA
We can't make that plan now.
LUKE
No it doesn't have to include everything. But, like, I already told her she could stay with me for spring break and part of the summer, so if...
ANNA
Whoa. You told her that? You actually said that?
LUKE
Yeah.
ANNA
I have no idea what we'll be doing then.
LUKE
I just assumed that...
ANNA
You have no right making promises to my daughter.
LUKE
I just wanted her...
ANNA
I don't want you talking to her about this again. Are we clear?
LUKE
Anna.
ANNA
No, Luke. Listen, these are my decisions. I'm not gonna have you going behind my back, making promises to April that I can't keep.
LUKE
So, are you saying she's not coming back?
ANNA
I am saying I'm not ready to make decisions. And they are my decisions to make, not yours, Luke. Now I'm gonna go.
[Luke is left stunned, then his cell phone rings]
LUKE
Hello?
[At Liz and T.J. house Liz is screaming]
T.J.
It's showtime, Luke!
LUKE
What the hell's going on over there? Is Liz okay?
T.J.
She's amazing! We're having a baby, baby! It's beautiful! You got to get over here.
LUKE
I'm on my way!
TOWN SQUARE – KNIT-A-THON
['Old Fashion Show Business” music plays]
KIRK
Free needles. Free for everyone. Free needles! Free needles!
LORELAI
See? Who says Stars Hollow's not progressive? Hey.
SOOKIE
Hey, you guys.
CHRISTOPHER
Hey, Jackson. What's up? [They shake hands]
JACKSON
Hey. How's it going? Wednesday night -- we still on to watch the game?
CHRISTOPHER
Sounds good.
LORELAI
Alright we're gonna stake out some prime knitting real estate.
JACKSON
See you later.
SOOKIE
Save us a spot!
LORELAI
We will. You're seeing Jackson Wednesday, huh?
CHRISTOPHER
Yeah, we were thinking maybe.
LORELAI
I guess that could work.
CHRISTOPHER
What do you mean?
LORELAI
I have some other plans for you.
CHRISTOPHER
Plans?
LORELAI
Yeah you got bird-watching with Morey, darts with Andrew. Ooh, and Glenn Belkin wanted to have coffee with you. He is the head coach of the peewee little league teams.
CHRISTOPHER
Oh, yeah?
LORELAI
Yes. He thinks he might have a plum assistant-coaching job for you.
CHRISTOPHER
Assistant coach, huh?
LORELAI
Um-mm, all right, I'm feeling the knitting vibes right here.
CHRISTOPHER
Well okay.
MISS PATTY
Hello, hello!
BABETTE
Hiya, kids. Boy, it's a chilly one, huh?
TAYLOR
[At a podium] Welcome, fair citizens of Stars Hollow. We come together on this glorious autumnal day to rescue our beloved muddy river bridge. And the knitting will commence at precisely 10:00 A.M., And we will knit unceasingly until our long day's journey ends at the stroke of 10:00 P.M.
KIRK
Taylor, 10:00 A.M. Is 40 seconds away.
TAYLOR
What? No. I've got 3 1/2 more minutes. I've timed this speech to last exactly 3 1/2 minutes. Um, a bridge is not merely a feat of engineering and architecture. A bridge is also a metaphor.
KIRK
Taylor, I'm sorry. Your watch is wrong. I have precise atomic clock time. 28 seconds.
BABETTE
I'm with Kirk! 26 seconds!
TAYLOR
But I just got this watch.
KIRK
Make that 22, 21.
MAN
20.
TAYLOR
As I was saying, [Speaking very fast] a bridge is a metaphor, a meeting place between here and there, between the past and the future. The Golden Gate, the Brooklyn... to raise funds... our duty as citizens!
KIRK
Nine seconds!
TAYLOR
Real-time accounting of the funds approved.
KIRK
Seven seconds!
TAYLOR
As we strive toward...
KIRK
6...
THE WHOLE CROWED
[Chanting over Taylor as he continues to speak] 5, 4, 3, 2, 1!
TAYLOR
Oh, fine! Go ahead and knit!
[Music starts and crowd starts knitting and laughing]
LUCY'S PARTY
[The room is packed]
LUCY
[too some guests] Thank you! Thanks so much.
RORY
Hey.
LUCY
Hi.
RORY
How are you enjoying your first legal drink?
LUCY
Third, actually. I like it, although I kind of miss being a lawbreaker.
RORY
[Chuckles]
LUCY
Oh, my god. It's Paris Geller.
RORY
I told you.
LUCY
You totally delivered. Who's the dude?
RORY
That's her boyfriend, Doyle.
LUCY
I'm fascinated.
RORY
Well go talk to her.
LUCY
Really?
RORY
It's your party.
LUCY
How do I look?
RORY
You look tiara'ed, 21, and fabulous.
LUCY
[Too Paris and Doyle] Hi! Thank you for coming to my party.
PARIS
Nice party...
[Rory spots Marty and the bar and goes over.]
RORY
Barkeep, I'll have an upside-down tequila slammer with a twist.
MARTY
I don't know how to make that.
RORY
Yeah, I just made it up.
MARTY
Oh.
RORY
Really? Is this the way it's gonna be? I say something, and you grunt and make me feel like an idiot, really that's it?
MARTY
What do you want me to say?
RORY
Well, what I would like you to say is that you've put me in a really difficult position, and the least you can do is not be a jerk about it.
MARTY
I'm sorry.
RORY
Yeah?
MARTY
Yeah.
RORY
So you're done being a jerk?
MARTY
Y-yeah, I-I'm done.
RORY
Good.
MARTY
So you still want that upside-down tequila slammer?
RORY
With a twist.
MARTY
[Chuckles] Right. Probably has tequila in it.
RORY
Yeah.
[Both laugh]
MARTY
Um, the upside-down part, I'll have to improvise. But the slammer and the twist are pretty straightforward. You might want to stand back.
RORY
Oh, okay.
[Pink's "get the party started" plays and Paris and Doyle dance.]
CROWD
Go, Paris! Go, Paris! Go, Paris! Go, Paris! Go, Paris! [Cheering]
LIZ
AND T.J.'S HOUSE
[Liz, T.J. and Luke are looking at the new baby]
T.J.
Shh! It's okay, sweet girl.
LUKE
Y-you sure about the name "Doula"?
T.J.
She's such a Doula. Isn't that right, gorgeous?
LIZ
It's cute, right?
LUKE
Yeah no, no.
T.J.
What's that, Doula? [High-pitched] I want my uncle Luke to hold me.
LUKE
[Chuckles]
T.J.
You heard her.
LUKE
Oh, no, no, no. You keep her.
T.J.
[High-pitched] Please! Uncle Lukey!
LUKE
No, really, really, really, I don't have...
LIZ
Come on Luke.
T.J.
Come on
LUKE
I-I don't have to.
T.J.
[Imitating crying] I want my uncle Lukey to hold me!
LUKE
Okay. Okay.
T.J.
[Normal voice] Here you go, Doula.
LUKE
Hey, Doula.
T.J.
Isn't she beautiful? Look at her eyes. She's got Liz's eyes.
LIZ
It's true.
T.J.
Ah and -- and aunt Sissy's chin, right? That's totally sissy's chin.
LIZ
No, Sissy was adopted.
T.J.
So?
LIZ
So.
T.J.
Ohh! Well, I-I don't know how she does it, but she's got her chin.
LIZ
[Chuckles] What do you think, Luke?
LUKE
[Smiling] She's great.
T.J.
That's your uncle Luke. And Luke's daughter is your cousin April. Now, I bet April is gonna be your number-one babysitter. Am I right, Luke?
[Luke is now thinking of April]
LUKE
Yeah. Sure.
TOWN SQUARE – KNIT-A-THON
[The knit-a-thon continues]
TAYLOR
$2,200! Not bad, people! Not good, exactly, but not bad. And we have seven more hours to make up the rest, so keep on knitting! And as you do, think of the bridge!
CHRISTOPHER
Who wants coffee?
LORELAI
Is that a rhetorical question?
MISS PATTY
Thank you, Christopher. We're not gonna make it, are we?
BABETTE
Not without doping.
LORELAI
You guys don't talk like that! Think of the bridge. We'll never be able to look it in the I-bar again if we let it down.
JACKSON
How's it going?
[Chris walks to the podium]
SOOKIE
Well I can't tell if my hands are cramping or numb, but they just keep knitting. So I guess I'm trying not to think about it, although I guess, right now, I am thinking about it.
MISS PATTY
Maybe scheduling an outdoor event in November wasn't such a great move.
LORELAI
It was a great move -- a Fred-and-Ginger-type move, it's just a brisk fall day.
[Taylor is seen thanking Chris]
BABETTE
Nah, it's a bad move, but it's part of a great tradition of bad moves by Taylor.
TAYLOR
Could I have everyone's attention, please? I just received a donation of $7,800! Thanks very much to Stars Hollow's newest resident, Christopher Hayden, for bringing us up to our goal of $10,000!
LORELAI
Honey?
BABETTE
Christopher, you did that?
CHRISTOPHER
Yeah.
MISS PATTY
Well, yeah, I... well, tha-- thank you. Uh, I-it was really...
SOOKIE
Generous. It's generous, right?
BABETTE
Yeah, generous.
SOOKIE
Thanks, Christopher.
CHRISTOPHER
You're welcome. I just figured...
MISS PATTY
So what do we stop knitting now?
TAYLOR
Okay pack it up, people.
MISS PATTY
I guess we stop knitting now.
TAYLOR
We've reached our goal. Our work is done here. If we get that llama back in the next half-hour, we're gonna save a bundle.
LORELAI
Wait, wait you guy, what are you doing? W-why are you leaving?
MISS PATTY
You heard Taylor.
LORELAI
Yeah but nobody ever listens to Taylor. Come on we got to keep knitting, there's seven more hours.
BABETTE
What's the point?!
LORELAI
The point is, it's fun. It's a festival. We haven't even gotten rowdy, we haven't even wrapped Taylor in yarn yet.
SOOKIE
Like a big Taylor cozy.
LORELAI
Yeah.
BABETTE
We already got all the money. Thanks very much, Christopher.
CHRISTOPHER
You're welcome.
LORELAI
Gypsy?
GYPSY
7,800 buckaroos. Wow. You must really love bridges, Christopher.
LORELAI
What are you doing?
GYPSY
I'm gonna go catch a movie.
LORELAI
Wait a minute. Where is your Stars Hollow spirit, huh? Where's the love of knitting just for knitting's sake?
GYPSY
At the movies?
LORELAI
[Exhales]
SOOKIE
Sorry, honey.
LORELAI
Yeah.
MISS PATTY
I wonder what's playing.
BABETTE
I don't know but I'll bet it's nice and toasty in there. Thanks again, Christopher.
CHRISTOPHER
Sure. Happy to help.
TAYLOR
Okay, let's get those needles down! And careful, there, fellas! Just because they're decorative doesn't mean they're not sharp.
[Every one is now packing up]
LUCY'S PARTY
[Rory and Olivia are sitting on the couch]
RORY
How is she still dancing?
OLIVIA
Paris?
RORY
No -- Lucy. Paris I understand, 'cause Paris has been training for this like it's an Olympic event.
OLIVIA
[Chuckles]
RORY
But Lucy, Lucy weighs 11 pounds, and I'm pretty sure most of that is tequila by now.
OLIVIA
The girl loves to move.
RORY
uh-mm. Oh, buzz-cut boys going through.
OLIVIA
Mmm! I'm going in. I've got time for one or two more awkward interactions before the night is through.
[India Arie's "video" plays]
MARTY
[Sitting on the couch] The bar is closed!
RORY
You finally quit.
MARTY
Nope, just ran out of booze.
RORY
I think I drank most of it. That upside twisted slammer was living up to its name, man. I don't know if I'm more twisted or slammed.
MARTY
I'm both. I think I had three of them. Or was it four?
RORY
You know, the last time I saw you drunk, you were passed out and naked outside my dorm room.
MARTY
So, the truth comes out after all these years. You checked me out.
RORY
I did not. No it was uncomfortable and weird.
MARTY
Well, it's for the best. I was quite the scrawny freshman. I think I actually weighed 98 pounds.
RORY
[Laughs]
MARTY
But, you know, now...
RORY
Oh you've been working out.
MARTY
Can't you tell? I'm huge. I'm massive. I'm Marty Schwarzenegger.
RORY
I can tell. You're looking good.
MARTY
And you are more beautiful than ever.
[uncomfortable silence]
RORY
Um, you should be out there with Lucy.
[Marty gets up and goes to Lucy]
LUCY
Hi!
[They kiss and an annoyed or confused Rory looks on.]
STARS HOLLOW – STREET
[Night time]
CHRISTOPHER
Why should I feel bad that I donated $7,000 to help save the bridge?
LORELAI
You shouldn't.
CHRISTOPHER
I don't. I thought the point was to save the bridge.
LORELAI
Well, the point was to save it with knitting.
CHRISTOPHER
That doesn't make any...
LORELAI
I know it doesn't make any sense. That's Stars Hollow. That's just how it is. It's hard for outsiders to understand.
HONOR
So I'm an outsider?
LORELAI
For now.
CHRISTOPHER
I thought I was doing a good thing.
LORELAI
I know you just don't have to drop all that money like that.
CHRISTOPHER
I know I don't have to.
LORELAI
I mean you don't have to try so hard to get people to like you.
CHRISTOPHER
[Laughing]
LORELAI
What.
CHRISTOPHER
That's funny.
LORELAI
Why?
CHRISTOPHER
'Cause you're the one who's making me try so hard. [Lorelai gasps] Bird-watching, backgammon, darts, assistant-managing a peewee baseball team?
LORELAI
Oh I just want...
CHRISTOPHER
I know. You want people to like me. You know what? I'm a likable guy. I always have been. I may not be the smartest guy or the toughest guy, but I'm the guy that people like.
LORELAI
You are.
CHRISTOPHER
And you know why people in Stars Hollow are gonna like me?
LORELAI
Why?
CHRISTOPHER
Because I love you. And I'm gonna be here, loving you.
LORELAI
You are?
CHRISTOPHER
You bet. You know, when you're a farmer, you got to be there for your crops. It's not about the seeds or the soil. It's about being there, being committed, all day, every day, forever.
LORELAI
Farmer, huh?
CHRISTOPHER
Why not?
LORELAI
You know what, Mr. "Doesn't seem like he knows what he's talking about but is actually pretty wise"?
CHRISTOPHER
What's that, Mrs. "Goes through 500 emotions every hour of the day"?
LORELAI
I love you a lot.
[They kiss]
CHRISTOPHER
Yeah, you're okay, too.
ANNA'S HOUSE
[Luke arrives, gets out of his truck and knocks on the door.]
ANNA
Hey.
LUKE
Hey.
ANNA
April's not here.
LUKE
I know. She's sleeping at Gabrielle Wilder's tonight.
ANNA
So, what's up?
LUKE
I also know that Gabrielle has a peanut allergy, and before I drop her off, I check that April isn't packing a snickers bar. I also know that she likes Gabby's coin collection, so I thought I might take her over to a coin shop in Stamford, 'cause she'd like it.
ANNA
What are you doing here, Luke?
LUKE
You're always telling me I can't do this with your daughter and that I can't do that with your daughter. Well, she's not just your daughter, Anna. She's my daughter, too.
ANNA
Luke...
LUKE
No. No. I know I wasn't around for all those years. But, you know, that was your decision. That was your choice, Anna. And, frankly, it was a damn lousy one. Okay I didn't get to see her born or take her first steps or take her to her first day of school -- none of it. And I can never get any of that back. It's gone! That's not gonna happen anymore. That, I can guarantee you.
ANNA
What are you saying?
LUKE
That she's my kid, all right? She's our kid. She's not just yours. And I'm not gonna let you treat me this way. I'm her father. God, why do I even have to say that? I mean, April and I, we have this relationship, okay? A-and you can't just decide things. That's not how this works, okay? I mean we have to make decisions together, decisions about April. And I will fight you. I will fight you for that, Anna, if I have to. I have rights. I'm her father, and I have rights.
THE END