T7E3: “Lorelai’s First Cotillion”
Título em Português: “O Primeiro Baile de Lorelai”
Roteiro: Rina Mimoun
Direção: Lee Shallat-Chemel
Originalmente exibido em: 10 de outubro de 2006
GILMORE MANSION
[Lorelai and Rory have just arrived in the jeep, it's night time.]
LORELAI
Hey, punch me in the stomach.
RORY
What?
LORELAI
Real quick -- jab, jab. Not too hard. Just enough to cause internal bleeding.
RORY
That sounds pretty hard.
LORELAI
Yeah, true, plus, internal bleeding is internal, which means it can't be proven. And unless my mother sees blood, there's no way she's gonna let you take me to the hospital. You're right you're gonna have to punch me in the face. Real quick -- jab, jab.
RORY
I am not going to punch you in the fAce.
LORELAI
Why? I'll heal. I'd much rather spend the night in the emergency room getting 8 to 10 stitches than go in there for dinner. Plus, it'll give me a groovy scar. I've always wanted a groovy scar.
RORY
Mom.
LORELAI
It'd be such a great conversation piece. "Where did you get that groovy scar?" "Oh, my daughter dropkicked me for no apparent reason." She's totally psycho.
RORY
Oh, so now I'm dropkicking you?
LORELAI
Give me and few options you didn't like the whole jab, jab thing.
RORY
We haven't had dinner with them in three weeks. Suck it up. We're going in.
LORELAI
Hey you didn't make it through the last dinner, which means technically you've had four weeks, which means you owe me one.
RORY
I stayed for cocktail hour.
LORELAI
That's the best part.
RORY
I can't help that it's at the beginning.
LORELAI
Okay, fine, then you stay through dessert, and I'll leave early to go spend time with Logan.
RORY
Oh, I miss Logan.
LORELAI
Yeah, me too. Let's talk about him for four or five hours.
RORY
We're going inside. [goes to knock on the door]
LORELAI
No! Gonna be horrible.
RORY
They're always horrible.
LORELAI
No, it's gonna be horribler because of the whole Luke thing.
RORY
Well doesn't grandma already know because of the house debacle?
LORELAI
No she suspects, but she doesn't know know. I'm gonna have to tell them.
RORY
Well, just tell them real quick, like ripping a band-aid off.
LORELAI
Ripping a band-aid off that's been superglued, stapled, and surgically embedded in my arm.
RORY
Just tell them, and then we can move on, we can talk about more pleasant things, like the middle east.
LORELAI
I don't know how they're gonna come at me. I mean I know they're gonna come at me, but I don't know how. I mean It could be guilt, pity, anger, contempt. They have so many options.
RORY
Well in all likelihood, it will be a combination of all of those.
LORELAI
I don't want the whole night to be about Luke.
RORY
It won't be. Don't worry. Just put it out there, and then when they attack you, whatever angle they're coming from, I will deflect.
LORELAI
How will you deflect?
RORY
Well I don't know. Maybe I will talk about Bangalore.
LORELAI
You know a lot about Bangalore?
RORY
Don't you? Bangalore? Outsourcing? When you call customer service, you're talking to some nice dude in India who speaks perfect English. Don't you read time magazine?
LORELAI
It doesn't seem like a rich subject area.
RORY
Yeah. [knocks on the door]
LORELAI
No! Uhh! Ah I know you tell them you're converting to Judaism, and that will throw the friday-night-dinner thing in jeopardy.
RORY
There you go.
[the door opens and a girls or about 10 years old answers]
CHARLOTTE
Hello.
LORELAI
Hi.
RORY
Hello.
CHARLOTTE
Come in. May I take your coats?
LORELAI
Uh, well, okay. Here you go. [Chuckles] That's a pretty dress.
CHARLOTTE
Thank you.
LORELAI
Oh. You okay there?
CHARLOTTE
I'm fine. Right this way.
LORELAI
Weird.
RORY
So weird.
LORELAI
It's a child, right?
RORY
Pretty sure.
LORELAI
Maybe mom has run out of adults who will work for her. [they walk in to the living room] Hi, mom. Hi, dad.
RICHARD
Good evening, Rory. Lorelai.
RORY
Hi, grandma. Hi, grandpa.
EMILY
Well done, Charlotte. C.C. Guest couldn't have done it better herself.
CHARLOTTE
Thank you, Mrs. Gilmore.
EMILY
Lorelai, Rory, allow me to introduce charlotte Courtwright. Charlotte, this is Lorelai Gilmore and Rory Gilmore, my granddaughter and her mother.
CHARLOTTE
It's a pleasure to meet you.
LORELAI
Oh, a pleasure.
RORY
Hi again. [waves]
EMILY
Charlotte's grandparents, Arthur and Beverly, are dear friends of ours. In fact, it was the Courtwrights who put us up for membership at Blackledge. Isn't that right, Richard?
RICHARD
Indeed it is, although I have a feeling Arthur did that just so he could humiliate me on the links every Sunday. [to Charlotte] Hell of a golfer, your grandfather.
CHARLOTTE
Yes, he used to be scratch, but now he's a 3.
RORY
You know "Charlotte's web" is one of my favorite books.
LORELAI
Spiders talking to pigs. What could be better?
CHARLOTTE
Can I offer anyone a cocktail?
LORELAI
Uh... okay. Sure. Is that legal?
EMILY
She'll have a martini with a twist. Scotch on the rocks for Richard. "G" and "T" for me. Rory?
RORY
Just a club soda, please.
CHARLOTTE
Would Lorelai you like that straight up or on the rocks?
LORELAI
Um, Straight up. Thanks.
EMILY
You're never too young to learn to make a Martini.
LORELAI
Who is that?
EMILY
I told you. It's the Courtwrights' granddaughter, charlotte.
LORELAI
Why is she taking our coats and pouring us drinks? Did you win her in a poker game?
RICHARD
Your mother has been dragooned by her colleagues at the D.A.R. To lend her expertise to this year's summer cotillion.
LORELAI
It's been quite a responsibility. But Eliza Appleton insisted that there was no one she knew who was better suited to preparing these girls for society living. I could hardly say no.
CHARLOTTE
Here we are.
RICHARD
Oh. Thank you, charlotte.
CHARLOTTE
Martini straight up.
LORELAI
Oh. Thanks.
RORY
Thank you.
LORELAI
So, nothing for you? You driving tonight?
CHARLOTTE
Oh, Lorelai, I'm only 10.
EMILY
In any case Charlotte missed last week's session on table manners, so we've decided to make tonight's dinner a makeup class.
CHARLOTTE
I'm awfully sorry about that, Mrs. Gilmore. My grandparents took me to a count basie tribute at Tanglewood.
EMILY
[changing here tone] Charlotte, you might have noticed the ice cubes in my glass have already melted. There's a whole ice bucket up there. There's no need to be so stingy.
CHARLOTTE
[sounding scared] I'm sorry.
EMILY
For future reference. It's obviously too late now.
LORELAI
This is your chance. Get out while you still can. I can show you all the good escape routes.
CHARLOTTE
[happy again] Mrs. Gilmore warned me you'd be full of smart remarks.
[Lorelai is surprised and taken back]
[Opening Credits]
GILMORE MANSION
[They are moving to the dining room]
EMILY
Now, tonight we'll be dining with service La Russe, which has nothing to do with Russians -- thank god -- because in my experience, their table manners are nothing to emulate. All it means is that the servers will be passing each course in turn instead of plopping all the food on the table at once, like some mukluk picnic. Now, it is the duty of the gentleman to help a lady to her seat. Richard.
RICHARD
It is my pleasure.
RORY
We can seat ourselves.
LORELAI
Yeah, seating us is more of a privilege, not a duty.
EMILY
Now, immediately upon sitting, one should plAce one's napkin in one's lap. And, mind you, no need for a flourish. The ability to use a napkin is nothing to brag about.
[Lorelai makes a flourish when placing her napkin]
RORY
The table looks beautiful, grandma.
EMILY
Why, thank you, Rory.
LORELAI
What's with all the forks?
EMILY
Every piece of silverware has a purpose. You simply work from the outermost utensil in towards your plate. Can you name each of these forks?
[In the background we hear Charlotte start to name the forks]
LORELAI
Each one of these forks is gonna take 20 minutes.
CHARLOTTE
And then the fish fork, and then the entrée fork, and then -- is this the dessert? Oh, wait -- it's for the roast course, isn't it?
EMILY
Exactly. Very good, charlotte.
RORY
Hey you're gonna wow them at your cotillion.
CHARLOTTE
Did you ever attend a cotillion?
RORY
No, I haven't, actually, but I had a coming-out party.
LORELAI
And I totally supported her decision. She shouldn't have to hide her love for women.
EMILY
Lorelai, there's nothing funny about being a lesbian.
RORY
I'm sure you'll have fun at your cotillion.
CHARLOTTE
I'm very much looking forward to it.
LORELAI
Oh, don't get too excited. Cotillions are not fun parties. They're boring rituals to train a whole new generation of snobs.
EMILY
And how exactly would you know? Lorelai never actually attended a cotillion.
LORELAI
You don't have to jump off the empire state building to know it's gonna hurt.
[A disappointing look from Richard]
CHARLOTTE
Um, this looks delicious, Mrs. Gilmore.
EMILY
It's just a simple Potage Au Cresson. [continues talking to Charlotte in the back ground]
RORY
[to Lorelai] I thought you were gonna rip off the band-aid.
LORELAI
Well I, the kid threw me off. I'm looking for an opening, I'll find it.
EMILY
... To ladle the broth away from our bodies.
RICHARD
Rory, how has the summer been treating you so far?
RORY
It's treating me very well so far, thank you.
EMILY
Are you relaxing in preparation for your senior year?
RORY
Well, I've been doing some part-time work. Paris opened this business, a tutoring business, and it prepares people for the S.A.T.S. It's kind of like the Princeton review but meaner.
RICHARD
Sounds very enterprising.
EMILY
And what about your social calendar? Do you have anything exciting planned?
RORY
Not really. Logan's in London, so...
EMILY
Logan is Rory's boyfriend. He's a Huntzberger.
CHARLOTTE
Ah.
RICHARD
How is Logan enjoying London?
RORY
I think he likes it. He's working a lot and meeting different department heads, getting situated, learning to talk British, you know.
RICHARD
Lorelai, how's summer with you? Anything new?
LORELAI
Um... we planted some pansies at the Dragonfly, in the back there. They look good. And, um, I finally bought a new DVD player. And... Luke and I broke up.
EMILY
Did you? That's too bad.
RICHARD
Hmm.
[several seconds of silence]
EMILY
Now, charlotte, when the conversation lags, a good guest ought to be prepared to introduce a new topic. Keep it light -- no politics, no religion. My little trick? Think of things in the middle three sections of the Sunday New York Times -- travel, arts & leisure, Sunday styles -- and forget the rest of the paper exists.
[Lorelai is looking confused]
LORELAI
Look, it's all right.
EMILY
What is?
LORELAI
We can talk about the breakup. I'm sure you have thoughts on the subject, and why don't we get it all out in the open now so we can move on with our lives?
EMILY
I've moved on. Richard, anything you'd like to add?
RICHARD
I can't think of a thing.
EMILY
All right, then. Isn't it interesting how they're renovating so many of the old Paradores in Spain? Funny you should mention that because last week at the club, Chick Walsh told me that he and Mary stayed at this extraordinary old castle near Madrid. Where was it? Um, uh, Lerma.
EMILY
Lerma? How nice.
LORELAI
Excuse me. Uh, what's going on? Why are we talking about Lerma? It's a town in Spain.
LORELAI
Yes, I understand geography, but why are you avoiding the subject of my breakup?
EMILY
Honestly, Lorelai, I see no point in continuing this conversation. We couldn't possibly say anything right, so why say anything at all?
LORELAI
Well that's not true.
EMILY
It absolutely is.
LORELAI
You could say something. You could try. You could say, "I'm sorry, Lorelai. This must be a very hard time for you."
EMILY
Well, i am sorry, Lorelai, I'm sure this is a very hard time for you.
LORELAI
That's it? That's all?
EMILY
I just said what you said to say.
LORELAI
I mean you don't have anything of your own to add?
EMILY
I'm sure whatever Luke did...
LORELAI
See? It's so interesting you blame it on him, and you don't even know the whole story.
RORY
Mum
EMILY
I knew we couldn't talk about this. I should have claimed I had laryngitis.
RICHARD
Lorelai, your mother is simply expressing our regrets that you've ended your relationship with Luke. I hardly see how that's offensive.
LORELAI
Fine... Only that's not true. You never liked Luke. You never showed him anything but total contempt.
RICHARD
That's not true. I played golf with Luke.
LORELAI
Once.
EMILY
We were buying the two of you a house. Doesn't the fact that we were willing to spend an enormous amount of money on a wedding present count for anything?
LORELAI
So, that's what you're mad about? Your mad about the enormous amount of money you might have wasted?
RORY
Mum.
EMILY
That's not what I was saying.
LORELAI
Well, you implied it.
EMILY
Lorelai that's...
RICHARD
Bangalore! Bangalore!... Bangalore.
LORELAI'S HOUSE
[Rory's bedroom early morning, her cell phone rings, she turns on a light and answers it.]
RORY
Hi.
LOGAN
Morning, Ace. [to someone handing Logan some food] Thanks.
RORY
How's your day going?
LOGAN
My day hasn't started yet. How was your yesterday?
RORY
[Yawns] I'm still sleepy.
LOGAN
I can let you go back to sleep.
RORY
No, no, I'm up. I'm up. What happened yesterday?
LOGAN
My yesterday or your yesterday?
RORY
Either one.
LOGAN
Let's see, I had a scone for breakfast -- not as dry as Monday's, but I still think there's room for improvement. And then I went into a meeting with about 18 different department heads, all of whom I believe are named Nigel, and that meeting lasted for about nine hours.
RORY
Was it a cranberry scone?
LOGAN
Blueberry.
RORY
Those are my favorite kind.
LOGAN
Your turn.
RORY
Well, I'm tutoring this new kid, Benji. And, oh, it was really funny because he kept misusing this word. I don't remember what word it was. But it will come to me. Anyway, he kept misusing it, and I didn't want to correct him 'cause I didn't want him to feel embarrassed. But then he messed up on the work sheet, and then he realized all by himself that he had misused the word. [Chuckles] I guess it wasn't funny "ha ha." It was more funny "you had to be there."
LOGAN
That's okay.
RORY
Are you working?
LOGAN
Just I.M.'ing.
RORY
If you have to go...
LOGAN
No I just have to let my assistant know I'm on the phone with you, so I'll be 2 minutes late to the meeting.
RORY
I don't want you to be late.
LOGAN
It's no problem. I don't mind.
RORY
Well now I feel like I have to come up with something great to talk about.
LOGAN
No pressure. [looking at the computer screen] Ohh.
RORY
What?
LOGAN
Nothing.
RORY
Now you really do have to go.
LOGAN
Well, yeah.
RORY
"Philanthropic."
LOGAN
What?
RORY
Philanthropic, that was the word that Benji kept misusing. He kept saying "Philantropic." He thought it meant "tropical." It was funny.
LOGAN
I'll call you tonight.
RORY
My tonight or your tonight?
LOGAN
Got to go, Ace.
RORY
Okay. Bye. [Hangs up, Inhales, exhales deeply]
LORELAI'S HOUSE – KITCHEN
[Morning, Lorelai is sitting at the kitchen table “playing” with her food, Rory comes in.]
RORY
Are you enjoying your breakfast?
LORELAI
I don't know if I like pop-tarts.
RORY
Did you fall on your head while you were sleeping?
LORELAI
I don't know. Do I like this? Is this something I like?
RORY
So, you fell on your head, and now you have some kind of very specific amnesia, is that it?
LORELAI
Last night I was dreading mom and dad's reaction to the breakup, right?
RORY
Right. Dread, dread. I remember.
LORELAI
And then they didn't react -- not one bit. It's almost like the absence of their reaction was worse than any freak-out they could have had.
RORY
Okay. Sure.
LORELAI
Then I thought, "why? Why do I care if they freak out? What do I get out of it?"
RORY
Uh ha.
LORELAI
And then I thought, "maybe their freak-outs" are like some kind of compass for me, you know "like, I know I'm doing what I want to do if it freaks them out." And then I thought, "what if I don't want to do "what I want to do because I want to do it, but because they don't want me to?"
RORY
Huh?
LORELAI
I mean what if I don't like what I like because I like it, but because my mother doesn't like it and doesn't want me to like it? What if I don't actually like the music that I like or the movies or the clothes or the men? What if I don't like what I seem to like?
RORY
Ah, hence the pop-tart.
LORELAI
Yes. Hence. I can remember the first time I had a pop-tart. It was at my friend Erica Catcha's house, and she said, “do you want a pop-tart?" And I knew my mother would recoil at the very idea of me having a pop-tart. I could just picture her. [Emily voice] "A pop-tart?!" [normal voice] And so, I had one. And I opened the little silver wrapper, and I took a bite, and I thought nothing had ever tasted so good. I thought it tasted like freedom. It tasted like I was my own person. The pop-tart tasted like freedom and rebellion and independence.
RORY
Wow. That's some pop-tart. What flavor was that?
LORELAI
But now I think I don't know if I like pop-tarts. What if I don't like pop-tarts? Would I like pop-tarts if Richard and Emily had served me pop-tarts on a silver platter and demanded I eat every bite? I don't know.
RORY
Hey, where are all the pop-tarts?
LORELAI
I've been experimenting.
RORY
You ate all the pop-tarts?
LORELAI
If it makes you feel any better I don't know if I like them!
RORY
Well, I hope you didn't eat all the Froot Loops.
LORELAI
Hey, how was last night's conversation?
RORY
Eh.
LORELAI
Eh-eh?
RORY
It's just these transatlantic phone calls. I don't know if it's the "trans" or the "Atlantic" or the fact that it's 2:00 in the morning, but Helen Keller and Stephen Hawking could have a more connected conversation.
LORELAI
Helen Keller's dead.
RORY
Yeah, well, even dead, she could do better. It's just so awkward and pausy. And I feel like the more I try to connect, the more disconnected I feel. And I just feel like I'm working so hard, but maybe I shouldn't be having to work so hard. And then I feel self-conscious, but I shouldn't feel self-conscious, so then I feel self-conscious about that. I don't know maybe it's just the salt in the ocean. It corrodes conversations or something.
LORELAI
Yeah. It sounds like the salt.
RORY
[Picks up a pop-tart off Lorelai plate] Um.
LORELAI
Hey!
RORY
I like pop-tarts.
LUKE'S DINER - EXTERIOR
[Sign on window “Luke's Grand Re-opening”, Moving inside Luke brings Babette and Miss Patty their orders]
LUKE
Here you go, ladies.
MISS PATTY
It's the ceilings. They're vaulted now, aren't they?
LUKE
The ceilings aren't vaulted.
BABETTE
I got it, it's the curly fries. You never used to have curly fries here before, did you Luke.
LUKE
Always had curly fries.
BABETTE
I'm telling you, something's different about the plAce.
LUKE
Nothing, nothing has changed. It's exactly the same.
MISS PATTY
He must have done something to the windows 'cause the light is much better now.
BABETTE
Yeah it's a lot less gloomy than it used to be.
LUKE
An identical level of gloom, people.
BABETTE
I got it. You got new chairs. I knew my butt felt more comfortable.
LUKE
Your butt feels exactly the same, Babette. Now, would you two can it? I didn't change a damn thing.
[Rory enters and comes to the counter]
LUKE
Hey, Rory.
RORY
Hi, Luke.
LUKE
How's it going?
RORY
Good. I'm good. And you?
LUKE
Doing good.
RORY
Glad to hear that. Congratulations on the reopening.
LUKE
Oh, yeah, thanks. Back to normal, I guess.
RORY
New hat?
LUKE
Yeah. So, I didn't think you were gonna make it back this summer.
RORY
Oh, I wasn't, but then I did.
LUKE
Things change.
RORY
Yeah.
LUKE
So, you want a table?
RORY
No, I think I'll just take some coffee and a muffin to go, if you have it.
LUKE
I have it.
BABETTE
It's the curtains!
LUKE
Yeah those curtains have always been here.
BABETTE
I know. I'm just saying you used to have more curtains.
LUKE
No, I never had more curtains.
LANE
Hi.
RORY
Lane, hey come over here.
LANE
[handing some food to a customer] Here you go.
[They sit at a table]
RORY
Hey. So? How did it go? Was it hard? Did he freak out?
LANE
What are you talking about?
RORY
Zach... and the pregnancy.
LANE
Oh. That. I haven't told him yet.
RORY
Really?
LANE
Yeah, I was, but now I'm thinking I'm gonna wait.
RORY
Okay. For how long?
LANE
I don't know. A couple years?
RORY
Lane!
LANE
I'm gonna tell him eventually, just not yet. Besides, a lot of people wait a full 12 weeks before they tell anyone they're pregnant.
RORY
Not the husband.
LANE
I just need a little more time to adjust, you know? I kind of want to process this by myself a little longer.
RORY
You can wait as long as you want. You can wait until the baby comes out and have her tell him.
LANE
Her?
RORY
Or him.
LANE
It could be a him! Oh, god, I'm not ready for a him!
RORY
Maybe it'll be a her.
LANE
Who's ready for a her?!
RORY
You are. And Zach is. You guys can do this.
LANE
Hey, you want to tell him?
LUKE
One coffee. One muffin. One employee sitting at a table.
LANE
Sorry, Luke. [Gets up]
RORY
Thanks, Luke. See you later. [leaves]
LUKE
See you later.
BABETTE
[Yelling at Luke] New mugs!
LUKE
Hey! Same mugs. [Sighs]
DRAGONFLY INN - KITCHEN
[Lorelai enters]
SOOKIE
Wow. Somebody's all fancy-pants. I've never seen your hair up like that.
LORELAI
I'm just trying out a new look, seeing if I like it, serving no master but myself.
SOOKIE
Are you gonna try pigtails, too? Because that's kind of my thing.
LORELAI
It's freeing, really. I never realized how my mother influenced my every decision, even decisions that don't seem like decisions, like tying my shoes. I mean I've always been a fan of the bunny ears, you know? And this morning I decided not to bunny-ear, and you know what happened?
SOOKIE
No.
LORELAI
Turns out Bunny ears take a lot longer than the regular way. I saved three seconds this morning.
SOOKIE
What does your mother have to do with bunny ears?
LORELAI
My mother is everywhere...[Michel enters] in my shoes, in my clothes, in my food.
MICHEL
Your mother is here.
LORELAI
In my inn. What do you mean, what are you talking about? Why is my mother here?
SOOKIE
She's here to taste the menu for the tea. [Turns to Michel] Why doesn't she know what I'm talking about?
LORELAI
What tea?
SOOKIE
I thought you were going to tell her.
LORELAI
What tea?
MICHEL
I was going to tell her. Then I considered what it would be like if I did not tell her, and I thought it might be more fun. I was right.
LORELAI
What tea?
EMILY
Lorelai, do you normally keep your guests waiting like that? It's very rude. Hello, Sookie.
SOOKIE
Hi, Mrs. Gilmore. Welcome.
LORELAI
What tea?
EMILY
There's no need to shout, Lorelai. I'm bringing the girls here Friday for afternoon tea as part of their etiquette training.
LORELAI
Here, why bringing them here?
EMILY
Actually I was going to take them into the city for high tea at the Pierre. But the Matre d' at the Pierre apparently believes that proper high tea includes club sandwiches and a juice bar, and I simply couldn't subject these impressionable young girls to such tasteless effrontery.
LORELAI
Do they even have tea at a cotillion?
EMILY
Don't be absurd. As long as I have them under my wing, I feel that it is my duty to offer them as much of my expertise as possible. Last week we went to the symphony and the hopper exhibit at the met. This week it's high tea and "Rigoletto" at Lincoln center.
LORELAI
Have you done that thing where they walk around with books on their heads? That's always a good one.
EMILY
Sookie, these are simply divine.
SOOKIE
It's the lemon zest. It makes all the difference.
EMILY
Although, we definitely shouldn't serve the spinach quiche. Some of the girls have brAces, and their mothers would never forgive me if they spent the evening with hideous green smiles. Perhaps a Shrimp salad a or more traditional cream cheese and cucumber would be more appropriate?
LORELAI
Yum. Cucumber.
EMILY
Is that peanut butter and jelly?
SOOKIE
Yes. I just thought since the girls were only 10 that they'd enjoy it more than the smoked-salmon sandwiches.
EMILY
[snapping] They're 10. They're not animals. This is a proper tea, Sookie. I'm not interested in circus food.
LORELAI
[to Sookie] Stings, don't it?
EMILY
[to Michel] I'd like to see the room we'll be using. If the lighting isn't right, we may have to make some adjustments.
MICHEL
Right this way.
EMILY
I like your hair like that, Lorelai.
YALE NEWS ROOM
[Paris' S.A.T.s class is studying]
TUTOR
It's a good sentence, but you want to make sure never to end with a preposition.
PARIS
If she ended the sentence with a preposition, how could it have been a good sentence? Sounds like a terrible sentence.
TUTOR
Well I was...
PARIS
You were just coddling her. You want to prop her up on your knee and burp her, maybe buy her a pony? I'm not paying you to make her feel better about her incompetence. If she can't construct a proper sentence, how is she gonna pass the essay section of the S.A.T.?
TUTOR
Well...
PARIS
That was rhetorical! Carry on.
[moves on to another tutor]
PARIS
Why don't you go slower, Dalton? 'Cause you haven't been on the same page for the last 20 minutes or anything.
[Moves on to Rory and a student.]
RORY
Okay, "doctor is to hospital as, "'a,' sports fan is to stadium, 'b,' ice is to freezer, 'c' professor is to college, or, 'd,' criminal is to jail?"
ERIC
Um, "a," sports fan is to stadium?
RORY
It's actually "c," professor is to college. When you're doing this kind of analogy, you have to be a little more specific than just filling in the blank with "is found in." A doctor works in a hospital, just as a professor works in a college. Make sense?
ERIC
[smiling at Rory] You're really smart.
RORY
Thanks that's very sweet, Eric. And you're just as smart. I promise.
PARIS
Are you kidding? [buzzer goes off] That's it! Pencils down. [to Eric] That means you, Casanova. Time is up! Everyone out, unless your parents want to start paying for overtime, which for many of you might be a good idea. Not so fast, employees. Today's work was shoddy at best. Between the overt coddling and the inappropriate flirting, I feel like I'm running a bordello. Gilmore, do you see any of my students falling in love with me? No, and do you know why? because you don't fall in love with people that make you want to crap your pants. I want to see terror in their eyes! Fear is a great motivator, people. Use it. What are you standing around here for? Go! Dismissed. [to Rory] Okay, I'm not your boss anymore. We can do five minutes of friend time.
RORY
I appreciate the offer, but I have to make a phone call.
PARIS
Logan?
RORY
Yep.
PARIS
How's that going?
RORY
It's good, you know? It's fine.
PARIS
So, it's awful?
RORY
No.
PARIS
Because you downgraded from good to fine in under two seconds, so I figured I'd cut to the chase.
RORY
Not awful. It's just hard because of the distance.
PARIS
Uh-huh. How's the sex?
RORY
Um, well, seeing as he's in London and I'm here, the sex is pretty much nonexistent.
PARIS
You've got a phone. Use it.
RORY
What? You mean... [Chuckles] I can't do that. I talk to my mother on that phone.
PARIS
Okay, what about texting?
RORY
No. No, thank you.
PARIS
Why not? You say stuff when you're together, don't you?
RORY
Yeah. I guess. Sometimes.
PARIS
So, text it. Texting is great. And you can do it while you're doing other things. Doyle and I are doing it right now.
RORY
What? [Looks at Paris' phone] Oh, my god!
PARIS
Don't worry. This is advanced. Right now all you are looking to do is create some intimacy. Stick to the basics.
RORY
I don't have any basics.
PARIS
Write what you know.
RORY
Thanks, Paris. I'll figure something out.
PARIS
Doyle thinks it's a great idea.
RORY
Can you not talk about me on that thing when you're doing that with him?
PARIS
Sorry.
RORY
Jeez.
LANE, ZACH AND BRIAN'S APARTMENT – MAIN ROOM
[Zach is playing the guitar]
ZACH
I'm telling you, man, she's totally avoiding me. She won't even talk to me. She'll barely even look at me. It's over. She's divorcing me.
BRIAN
I'll admit it's not the best marriage I've seen, although I only have my parents to compare it to, and they're unusually happy.
ZACH
We were happy once, and then that stupid honeymoon happened. And ever since we came home, it's like she's a different person.
BRIAN
Maybe it was the parasite.
ZACH
What do you mean?
BRIAN
You know maybe the parasite like got into her brain and ate away the part that was in love with you.
ZACH
I can't believe it's over. I mean we haven't even written our thank-you notes.
BRIAN
I was gonna say.
ZACH
Hey man I already told you we like the bowl.
BRIAN
Doesn't mean I don't deserve a note. [Zach starts playing again] It's all gonna be okay, Zach. I'm here for you, man. I got your back. Hey, that's nice.
ZACH
Yeah, the pain is totally helping my music.
[Lane comes home]
LANE
We need to talk.
ZACH
Okay. Let's talk.
LANE
Alone?
ZACH
Anything you have to say to me, you can say in front of Brian.
LANE
I'm pregnant.
[Brian gets up and leaves]
ZACH
[stunned] With a baby?
LANE
Yes, pregnant with a baby.
ZACH
But how? When?
LANE
On a beach in Mexico, about three weeks ago. I'm pretty sure you were there.
ZACH
But we only did it once.
LANE
Once is really all it takes. [Zack leaves] Where are you going?
ZACH
Brian must be freaking out!
DRAGONFLY INN – ENTRY AND RECEPTION AREA
[Emily enters with the cotillion girls in tow, Lorelai is working on the computer]
EMILY
Good afternoon, Lorelai.
MICHEL
Oh, my goodness.
EMILY
Is the library ready for us?
LORELAI
Yes, the tables are set, and the tea is brewed, and I've hired some extra poor people for the girls to look down on.
[The girls giggle]
CHARLOTTE
She's the one I told you about -- a regular Imogene Coca.
MICHEL
Oh, my god, I love them. They are like Madame Alexander dolls come to life.
EMILY
All right, ladies, chins up, tummies in, and glide.
[Light laughter, one of the girls (Caroline) does the “chicken walk” but stops when Emily sees, Lorelai is amused.]
DRAGONFLY INN – LIBRARY
[Lorelai and Michel watch from the next room]
EMILY
Now, remember, ladies, the dress you'll be wearing at the cotillion on Saturday will have much fuller skirts. Several of you may be working with a crinoline, so sitting will be an entirely different experience. What is the rule of thumb we can always apply? Tiffany?
TIFFANY
Bottoms out.
EMILY
That's right. Bottoms, sit. Very good.
MICHEL
Such elegance, such a sense of decorum, manners, grAce, charm -- everything my childhood could have been but wasn't. Oh, to go back and do it right.
EMILY
Caroline, we do not grab or grope our dinner partners.
CAROLINE
Sorry, Mrs. Gilmore.
EMILY
Always maintain proper spacing and distance.
LORELAI
[to Michel] Err, it's all coming back to me. Proper spacing and distance. Other kids were hugged and kissed. I was taught to maintain proper spacing and distance.
EMILY
... In which case, the utensil rule still applies. No utensil, once used, may ever touch the table again. Imagine leaving a ring of raspberry preserves on a set of fine linens. Granted, these linens aren't the best. But at the cotillion on Saturday, everything will be of the highest quality. All right, ladies, choose your first sandwich.
MICHEL
Take me.
LORELAI
Oh, Michel!
MICHEL
Take me to the cotillion.
LORELAI
Oh.
MICHEL
I have to be there. I want to go back and do it right.
LORELAI
No, forget it.
MICHEL
I insist. You must take me. You have no choice.
LORELAI
I have no choice? Do you know me? I'm not going to my mother's cotillion.
MICHEL
You owe me.
LORELAI
What? I do not.
MICHEL
Oh, yes, you do. Last November, when you were going out of town and nervous about boarding Paul Anka for the first time, you forced me, against my better judgment, to have Paul Anka over to my home for the day so he could acclimate to other dogs. Well, not only did he traumatize my poor chows, but somehow he managed to get into my closet, the door of which was firmly closed...
LORELAI
I know. I don't know how he does that.
MICHEL
... And proceeded to poop in my Prada loafers.
LORELAI
Well, he knows good quality.
MICHEL
When I returned your foul creature and told you about what happened, you apologized profusely and then wrote an I.O.U. On several little post-its, thinking it was all so clever.
LORELAI
Gosh, I don't remember that.
MICHEL
I thought as much. [he leaves]
EMILY
... On the seat of your chair. Do not leave it carelessly strewn about the table. Caroline? Caroline! [she has stuffed food into her mouth, the othe girls laugh]
MICHEL
[returns to Lorelai and sticks post-it's on her] "I"... "o"... "u"... "one"... "big"... "favor."
LORELAI
Can't prove I wrote that.
MICHEL
[Chuckles and puts one last post-it in her hand] "Lorelai Gilmore."
LORELAI
Ohh! I'll buy you a car.
MICHEL
No.
LORELAI
A house.
MICHEL
Pick me up at 7:00.
LORELAI
Michel!
MICHEL
And wear your hair like you had it the other day.
LANE, ZACH AND BRIAN'S APARTMENT – MAIN ROOM
[Zach is watching TV]
ZACH
Good nap, babe?
LANE
Yeah, I was really out of it. I'm so tired all the time. It's weird.
ZACH
Huh, must be the heat.
LANE
Yeah, right, I guess that could have something to do with it.
ZACH
Beer?
LANE
No, I don't think I'll be drinking beer for a while.
ZACH
Oh, that's cool. Going a little straightedge.
LANE
But we probably should be drinking more calcium, so maybe I should keep an extra gallon of milk around the house.
ZACH
No problemo.
LANE
And I may start having cravings soon...
ZACH
Oh man you know what I'm craving right now? Pizza bagels. Those are definitely going on the grocery list want some of those?
LANE
Sure.
ZACH
Do you like that, mountain ninja? Do you like the taste of my broadsword?
LANE
Well, I'm off to see Rory.
ZACH
Have fun.
ANDREWS BOOKS STORE
[Both girls are sitting on the floor, Rory is reading “Henry Miller Sexus”, Lane and book on pregnancy]
RORY
Yikes.
LANE
Oh, no.
RORY
Whoa!
LANE
That's disgusting.
RORY
Wow.
LANE
No way! No way!
RORY
I can't write this stuff to Logan. I can barely read it to myself. I'm bright red.
LANE
Did you notice no one ever gives details when they tell you about childbirth? It's because the details are gross and scary and unacceptable.
RORY
Like what?
LANE
Well, apparently in about three months, I can look forward to dark spots on my fAce because it's not enough to just get fat.
RORY
It's not fat. It's a baby.
LANE
A baby that will shoot out of my body despite the fact that it's obviously much too large. I didn't think this through when we were dating. I was all into the fact that Zach was big and manly, which means I'm gonna have a big, manly baby, and I'm a small woman.
RORY
I never thought of Zach as big and manly.
LANE
Compared to Henry Lee, remember when my mom wanted me to date Henry Lee? He was like yea high. I would have had tiny, little, yea-high babies.
RORY
Yeah, but he was your second cousin. I think you would have had other problems with those babies.
LANE
What every, I'm not doing it, this baby is just gonna have to find another way out or stay in there forever. I really don't care.
RORY
Don't worry about that part, just keep taking things one step at a time. You're doing great.
LANE
How? How am I doing great?
RORY
You told Zach. That was a very significant step.
LANE
Yeah I told him, but I'm pretty sure he forgot.
RORY
What do you mean he forgot? I don't know how things get lost in the recesses of Zach's brain, but I think he forgot.
RORY
Well maybe he's just taking time to process this. You needed some time.
LANE
I am growing a human being inside my body. I deserve time. [she lies down on the floor] Ugh!
RORY
Okay well, what about this? [reading from her book] "Where is the chair you sit in? "Where is your favorite comb, toothbrush, nail file? Trot them out, that I may devour them at one gulp."
LANE
You want to eat his toothbrush?
RORY
No, I'm trying to convey that I miss him very much.
LANE
Sounds like you just miss his toiletry kit.
RORY
Well it's supposed to be metaphorical and evocative. It's Henry Miller.
LANE
Henry miller has better stuff than that. Believe me that is not why they banned his books.
RORY
Well, I'm not gonna write, "our hands groped frantically for the burning flesh."
LANE
Oh, that's better. That's way hotter than the eating-his-comb thing.
RORY
Really?
LANE
Why not go for it why are you making such a big deal out of this?
RORY
I'm just worried, you know? I mean we talk to each other on the phone every day, but I just don't think that that's enough to keep this relationship going. I guess I never realized how important the other stuff was.
LANE
The sex stuff?
RORY
And the holding-hands and the falling-asleep- next-to-each-other stuff. I mean that's where the intimacy comes from, and without those options, when they're just taken away from you 'cause someone moves to London... [Sighs] Desperate measures. [starts texting Logan]
LANE
Burn that flesh, sister.
RORY
Okay. Here it goes. I think I'm gonna puke.
LANE
Join me. That's all I'll be doing for the next two months. Oh, and did I mention the extra hair that may start to grow on my chin? Can't wait for that magic. [Rory's phone rings] Ooh, wow, quick response. I think you did good.
RORY
It's not him. Hi, dad.
CHRISTOPHER
Hey, kiddo. What are you up to?
RORY
Um, just reading. Reading the books. What are you doing?
CHRISTOPHER
Just drinking the coffee, thinking I haven't seen you in a while.
RORY
I know. I miss you.
CHRISTOPHER
Me too. So, maybe we could have dinner tomorrow night, if you're free.
RORY
Tomorrow night?
CHRISTOPHER
Only if you're free.
RORY
I'm free. Yeah, that sounds like fun.
CHRISTOPHER
Yeah?
RORY
Sure.
CHRISTOPHER
Great. That's great. I'll pick you up about 7:00.
RORY
Cool. I'll see you tomorrow.
CHRISTOPHER
Bye, Rory.
LANE
Maybe I'll look good with a beard.
LORELAI'S HOUSE – LORELAI'S BED ROOM
RORY
[Gasps] Whoa! Can I keep this?
LORELAI
First help me find something to wear tonight. Then you can steal whatever you want, except that -- I'm getting buried in that.
RORY
I don't understand why you're going to this cotillion. Does Michel have compromising photographs of you, that I don't know about, like some snapshots from your perm year?
LORELAI
No, but he does have post-its. Word to the wise, don't ever put anything in writing, 'cause even when it's on florescent sticky paper, it's still binding.
RORY
You are so wise and awesome and generous.
LORELAI
Yeah, you can steal anything you want if you go to the cotillion for me.
RORY
Can't.
LORELAI
Why? You don't have any work. You don't have a boyfriend to play with. You barely have anyone to hang out with at all.
RORY
Keep going you're really making me want to do you a favor here. I can't tonight because I have plans with dad.
LORELAI
Your dad?
RORY
Well I'm not in the habit of calling other people's dads "dad." Yeah, my dad. He called and asked me if I wanted to have dinner with him. Is that a problem?
LORELAI
No, of course not. I just didn't realize you were talking.
RORY
I haven't talked to him at all, which is why I was happy he called, because we were talking all the time before.
LORELAI
Yeah I know.
RORY
I mean, just because you guys aren't talking, it doesn't mean I'm not allowed to talk to him.
LORELAI
We are not not talking. We're just not talking right now.
RORY
Okay.
LORELAI
Listen I think it's great that you're having dinner with your dad.
RORY
Good.
LORELAI
Good [talking about Rory's phone] What is with that thing?
RORY
I sent Logan a text message yesterday, and he still hasn't written me back. Plus, we missed our last two phone calls 'cause he keeps getting dragged into these boring meetings.
LORELAI
If he hasn't sent you anything back, it's probably he just hasn't had time yet.
RORY
Yeah, that's probably it.
LORELAI
Can I wear this to the cotillion? [wearing a very short dress over her other clothes]
RORY
[shaking her head] Mnh-mnh.
LANE, ZACH AND BRIAN'S APARTMENT – MAIN ROOM
[dinner time]
ZACH
Something wrong with your dinner, babe? If your bagel's a little frozen, I can microwave that bad boy for you.
LANE
It's not that. I'm just feeling a little queasy.
ZACH
Yeah, I've been feeling queasy, too. I'm telling you, it's got to be the heat. Do you want to go to a movie or something? Cool down with some free A.C.?
LANE
I have a better idea. Why don't we talk?
ZACH
Sure. What do you want to talk about?
LANE
The baby.
ZACH
I'm cool with the whole baby thing.
LANE
You are?
ZACH
Yeah.
LANE
So, you're not worried at all?
ZACH
Nope, no worries on this end.
LANE
I see.
ZACH
I think Brian might be freaking out a little bit, but that's his problem.
LANE
Really? I didn't know Brian was concerned.
ZACH
Well, sure. I mean, he was just getting used to the idea of us getting married, and I don't think he was expecting a baby yet. But it's a lot for the guy to take in.
LANE
Absolutely. You know maybe I should talk to Brian about this because it sounds like he and I are on the same page.
ZACH
What do you mean?
LANE
Well, I'm glad you're fine, with the whole baby thing but I'm kind of freaking out.
ZACH
You are?
LANE
Totally. Zach this is not how I expected our life to go -- be married for like a day and then suddenly having to take on this new responsibility. Bringing a child into this world, it's so...
ZACH
It's major, right?
LANE
It's very major.
ZACH
So, you're not all psyched about being knocked up?
LANE
Are you kidding? This baby sucks!
ZACH
Yeah! This baby totally sucks!
LANE
It does.
ZACH
It so does.
LANE
Do you know what afterbirth is?
ZACH
No. [Lane shows him a picture] Dude.
LANE
I know.
ZACH
You know how the baby is connected to you by that hose and I'm supposed to cut that hose? No way I'm cutting that hose.
LANE
No way I'm letting you in the room when that thing comes out of me.
ZACH
Oh, man, you are so awesome. I love you so much.
LANE
I love you, too.
[They hug and kiss]
THE COTILLION
[Michel and Lorelai walking down a hall towards the cotillion room.]
MICHEL
It's like you don't even care.
LORELAI
I care about you, just not this.
MICHEL
After all the trouble I went through picking out the perfect flower for you.
LORELAI
It's kinda big don't you think, it's like wearing a tree on my arm.
MICHEL
It is an orchid.
LORELAI
It's scratchy.
MICHEL
Could have got me something, a simple boutonniere. But no. I'm so humiliated.
LORELAI
Hey I have an idea, why don't we go back to the flower store, and I'll get you something? It will take two seconds.
MICHEL
Forget it. We're late enough as it is. [Michel gasps as he sees the room] Yes, I can die now.
LORELAI
Me too. Look at that girl. Poor thing. [looking at Caroline]
MICHEL
Oh, why did someone force her to wear those exercise shoes?
LORELAI
She'd probably rather be home, in jeans, climbing a tree.
MICHEL
She looks perfectly happy to me. You know what I see when I look at this room?
LORELAI
A bunch of kids whose outfits cost more than my car?
MICHEL
No, these are not kids. They are perfect, tiny adults. We are standing amongst the next generation of movers and shakers. The future president of the united states may be in this room with us tonight.
LORELAI
You're very odd.
EMILY
Lorelai, you're here.
LORELAI
I am.
MICHEL
Hello, Emily. Oh, Emily, may I just say that what you have created here tonight is nothing short of perfection? This, this is a kind of nirvana on earth.
EMILY
Thank you, Michel. It's very kind of you to say. I'm sorry. What on earth are those musicians playing?
MICHEL
It sounds lovely.
EMILY
Are those violinists on speed? Excuse me.
LORELAI
Hey, I'm gonna get some punch. You want some?
MICHEL
Oh, no, thank you very much. I'm much too excited for punch. My throat closes off when I'm excited, so swallowing punch would be very difficult right now.
LORELAI
[Laughs] Okay.
CHARLOTTE
Lorelai.
LORELAI
Oh, Charlotte, hi.
CHARLOTTE
I'm having the most wonderful time.
LORELAI
Ah.
CHARLOTTE
Grandmother, grandfather, it's my pleasure to introduce you to Lorelai Gilmore. Lorelai, these are my grandparents -- Beverly and Arthur Courtwright.
ARTHUR
Ah, the famous Lorelai.
LORELAI
Famous? I have to catch up on my us weeklies.
ARTHUR
Charlotte told us you were a card.
BEVERLY
She also told us that you were a delightful dining companion, like Noel Coward and Slim Keith rolled into one.
LORELAI
Oh, well, she's delightful, too, like Shirley Temple and mother Teresa and someone with very good table manners rolled into one.
CHARLOTTE
It's starting. The dancing is starting.
ARTHUR
We should get the camera.
BEVERLY
Will you excuse us?
LORELAI
Yeah.
CHARLOTTE
Lorelai, did I tell you? Margot, Caroline, and I are doing a hip-hop dance, and it's gonna be so funny. We rehearsed it in the bathroom. The whole thing ends up with us somersaulting towards the band.
LORELAI
Wow! That's really great.
CHARLOTTE
Are you gonna come dance?
LORELAI
Oh, no. It's just for the kids.
CHARLOTTE
Oh, come on. Everybody is dancing.
TOBY
Pardon me. Would you like to dance, Charlotte?
CHARLOTTE
I would be delighted, Toby.
[Lorelai watches Caroline and a boy dance, they wave at each other]
MICHEL
People seem to be enjoying themselves.
LORELAI
Yeah. They really do, don't they?
MICHEL
Want to dance?
LORELAI
Me? No. Are you serious?
MICHEL
I never joke about dancing.
LORELAI
No, I'll pass.
MICHEL
You cannot pass. This is still my night, and I'd like to dance with you. Besides, charlotte insisted that I get you out on the dance floor, so that it's two against one -- you lose. Now, let's go.
LORELAI
Oh! Well... we're really [they start dancing and Lorelai looks like she is having a good time] uh-oh, uh-oh. Oh! Whoa!
EMILY
I see you're having a terrible time.
LORELAI
The worst.
LORELAI'S HOUSE - KITCHEN
CHRISTOPHER
So, do you want the rest of this key lime pie or should I take it with me?
RORY
I don't know how you ordered key lime pie when there was chocolate brownie on the menu.
CHRISTOPHER
Because you'd already ordered a chocolate brownie.
RORY
But just the one.
CHRISTOPHER
Maybe we should give it to Paul Anka. After all, the doggie bag was invented with him in mind. Seems only fair he should benefit.
RORY
There is not way he's gonna eat that. [They laugh] I told you.
[Lorelai comes in]
LORELAI
Hey.
RORY
Hi, mom.
CHRISTOPHER
Hey, we were just splitting up the food. I'm... on my way out.
LORELAI
Oh. Take your time. Is that key lime pie on the floor?
CHRISTOPHER
Is that a corsage on your arm?
LORELAI
Oh, this? Yeah. Subtle, isn't it?
CHRISTOPHER
If by "subtle," you mean "weird and giant," then, yeah, super subtle.
LORELAI
Ha.
RORY
Okay, I think I'm gonna take Paul Anka for his walk. Ah, thanks for dinner, dad.
CHRISTOPHER
Yeah, thanks, kiddo.
RORY
Come on. Go on.
[Chris picks up the key lime pie off the floor]
LORELAI
Oh thanks.
CHRISTOPHER
[Chuckles]
LORELAI
Did you guys have fun?
CHRISTOPHER
It was good, really good. First time I ever saw her order a drink.
LORELAI
Strange, right?
CHRISTOPHER
Very strange... Anyway, I should be going.
LORELAI
I'm sorry I didn't call you back.
CHRISTOPHER
It's okay.
LORELAI
I was going to. I just...
CHRISTOPHER
I understand. Don't worry about it.
LORELAI
Do you want some coffee or anything?
CHRISTOPHER
Sure.
LORELAI
Okay. [starts getting the coffee]
CHRISTOPHER
Actually, you know what? I can't.
LORELAI
Oh. Okay.
CHRISTOPHER
I can't just sit here and have coffee with you.
LORELAI
Okay.
CHRISTOPHER
I love you. I know the other night didn't mean for you what it did for me, but I don't regret it and I haven't stopped thinking about it since it happened -- not just because it was great, which it was... but because it was right. It was so right, lore, and you may not see that right now, but I do. And if I have to wait until we're both 80 years old for you to see it, then I'll wait. I'm not going anywhere. This is it for me. You're it for me, and I can't pretend to feel any less than I do. I'm sorry. I-I -- I just can't.
[Chris leaves]
LORELAI'S HOUSE – RORY'S ROOM
RORY
[Sighs, then dials the phone]
LOGAN
Ace.
RORY
Hey, how's it going?
LOGAN
It's 4:45 in the morning. Are you okay? Did something happen?
RORY
Not really. Um, I just -- I sent you a text the other day.
LOGAN
[Chuckles] Yeah, I know. I texted you back.
RORY
No, you didn't.
LOGAN
Yes, I did. Check your phone.
RORY
I don't have any missed calls. Oh, wait, there's a little envelope thingy in the bottom corner.
LOGAN
Get out of town.
RORY
It went directly to my saved messages. Why would it do that?
LOGAN
I couldn't tell you.
RORY
[reading the message] Ooh, wow. Whoa, yours is really good. Okay, well, sorry to wake you. I'll talk to you in a few hours.
LOGAN
Whoa, wait a minute where do you think you're going?
RORY
Um, to sleep?
LOGAN
No, I don't think so. You woke me up. I'm up. Text me back.
RORY
You want me to text you back now?
LOGAN
You started this.
RORY
I know, but I don't have my books with me.
LOGAN
You don't need your books, Ace.
RORY
Logan...
LOGAN
I miss you, Rory.
RORY
You do?
LOGAN
Yeah.
RORY
I miss you, too. I can't text you with you on the phone.
LOGAN
Okay, so hang up.
RORY
I'm gonna hang up now.
LOGAN
Okay.
RORY
Okay. Bye.
LOGAN
Bye.
[they hang up and Rory starts texting]
LORELAI'S HOUSE – LORELAI'S BEDROOM
[Lorelai is looking at the corsage, she sighs and makes a phone call]
LORELAI
Hi, Chris.
THE END